:00:24. > :00:28.Hello and welcome to The One Show with Alex Jones and Matt Baker.
:00:28. > :00:34.With us tonight is a woman looking for Jesus. Some spend a lifetime
:00:34. > :00:40.trying, she's only got a few weeks, it is Mel C! APPLAUSE Welcome back.
:00:40. > :00:46.Lovely to see you. Looking gorgeous. Thank you very much. So, you're a
:00:46. > :00:51.new judge on Lord Andrew Lloyd Webber's Search for Jesus? Yes, I'm
:00:51. > :00:56.brand new. The live shows start on Sunday. So, what instructions has
:00:56. > :01:02.he given? What is he looking for? OK. Well, basically, people who
:01:02. > :01:07.know the show, it is incredible. It is rocky and soulful. Not what you
:01:07. > :01:14.expect from musical theatre. So they must be strong with the vocals,
:01:14. > :01:18.with their acting ability and lots of car is mar. I think
:01:18. > :01:23.vulnerability. Some have gone with it, long hair and beards, are they
:01:23. > :01:26.barking up the wrong tree with that? Well, we are not being biased,
:01:26. > :01:31.going with the image of what we believed Jesus would have looked
:01:31. > :01:36.like, but there is a lot of facial hair, which is not a bad thing.
:01:36. > :01:43.have seen one with blonde hair, I think he is brilliant. He looks
:01:43. > :01:49.like a lion. Oh, yes. We understand that you have Jason Donovan to
:01:49. > :01:53.thank for your part as Mary? When I was asked to be the TV show, I love
:01:53. > :01:57.Jesus Christ Superstar. I was really happy to do it. The role of
:01:57. > :02:00.Mary Magdalene was a dream. I thought it was beyond my
:02:00. > :02:04.capabilities, but working with Lord Andrew Lloyd Webber and Jason
:02:04. > :02:12.Donovan. I mentioned to Jason that I would love to do it. He said to
:02:12. > :02:19.go for it. To mention it to Andrew, but he had never thought of it. He
:02:19. > :02:25.would love me to do it. Where were you when you got the call? I was at
:02:25. > :02:31.home. I thought it was someone trying to sell me something. Then I
:02:31. > :02:36.realised it was Lord Andrew Lloyd Webber, so, hello! OK, with the
:02:36. > :02:40.Barclays scandal, the latest in a long line of bad bank behaviour,
:02:40. > :02:44.the reputation of some High Street bank names could hardly be lower,
:02:44. > :02:49.but if you have had enough and you want to put the money elsewhere,
:02:49. > :02:56.what do you do? Well, Matt Allwright considers the options.
:02:56. > :03:03.Banks, faceless, impersonal, and at the moment, downright disliked. You
:03:03. > :03:08.have the LIBOR, the LIBOR rate fixing scandal. Complicated,
:03:08. > :03:14.expensive and it contains the word lie. The NatWest Royal Bank of
:03:14. > :03:19.Scotland, computer fas co. You cannot turn it on again. Massive
:03:19. > :03:24.tax avoidance, massive bonuses. The little pins on the chain. I hate
:03:24. > :03:29.them. However, switching from the scandal-hit larger banks to smaller
:03:29. > :03:34.banks, and building societies or credit unions appears to be the
:03:34. > :03:37.trend. New current accounts of building societies are up 50%. The
:03:37. > :03:41.Independent Commission on Banking wants us all to be able to switch
:03:41. > :03:45.accounts whenever we want. Last week in Parliament, the Prime
:03:45. > :03:49.Minister said that would happen. Being able to move your bank
:03:49. > :03:55.account. That will be in place later this year. But some people
:03:55. > :04:01.are not waiting. Rachel and Sam Matthews have moved all of their
:04:01. > :04:08.accounts from two of the big four banks to the smaller, "". After the
:04:08. > :04:14.recession, it did not seep a -- seem a acceptable message to sit
:04:14. > :04:18.around and do nothing. The easiest thing for a customer to do is to
:04:18. > :04:21.step outside of that field by moving their accounts to an ethical
:04:21. > :04:26.banks. What were the worries? really wanted to ensure that I
:04:26. > :04:32.could move to someone that I trusted. We used Moving Money UK to
:04:32. > :04:36.look at the ethical Rae ratings on the banks and see what the options
:04:36. > :04:41.were. Banking jargon can be confusing and a barrier to moving.
:04:41. > :04:46.Most High Street banks are owned bir shareholders who want to make a
:04:46. > :04:51.profit, but a mutual is owned by the customers. A bank's ethical
:04:51. > :04:55.ratings is based on factor as to where they invest their money and
:04:55. > :05:01.the environmental policy. The Government ensures that up to
:05:01. > :05:06.�85,000 of savings is in any of them. Got that? Good. You can move
:05:06. > :05:11.your money. So, if your campaign has an effect, what would you like
:05:11. > :05:16.the High Streets of five or ten years' time to look like? More
:05:16. > :05:20.varied. Lots of different players. A large presence of mutuals, new
:05:20. > :05:24.building societies. Credit unions to have shop fronts on the High
:05:24. > :05:29.Street so, people in need for credit know where they can go. A
:05:29. > :05:33.lot of it happening off the High Street, online. Is it possible if
:05:33. > :05:38.people are disenchanted with the financial system to live without
:05:38. > :05:42.banking? No. We all need transactions, saving accounts,
:05:42. > :05:47.insurance, I would not advocate anyone putting their money under
:05:47. > :05:51.the mattress, but we need a diversified financial sector,
:05:51. > :05:57.different business models, serving different markets, and alternatives
:05:57. > :06:02.so we are not reliant on the big four. The recent computer glitch
:06:02. > :06:07.experienced by RBS and NatWest, proved it is just impossible to
:06:07. > :06:12.live without banks. 17.5 million customers struggled to access money
:06:12. > :06:16.for over a week. I have electric, gas, food to supply. You need the
:06:16. > :06:23.money out of the bank, they are not willing to take it out, even though
:06:23. > :06:27.it is there. But the sudden outburst of switching and swapping
:06:27. > :06:32.does not convince money saving expert, Martin Lewis that will have
:06:32. > :06:39.the banks quaking in their boots. It is still a drop in the ocean
:06:39. > :06:42.that we need for the numbers to switch. We need it make it easier.
:06:42. > :06:46.A portable bank account number is a solution that I am very much in
:06:46. > :06:50.favour of. I hope that it will teach people across the nation that
:06:50. > :06:56.when you walk into the bank, it is there to sell to you. You must know
:06:56. > :07:00.that or you cannot make the right decision it is a sales-based not an
:07:00. > :07:03.advisory institution. So it seems that choosing to move your cash
:07:03. > :07:10.will not necessarily bring the big four banks to their knees, but it
:07:10. > :07:15.could help to create smaller, more specialised financial institutions,
:07:15. > :07:21.that could give these boys a run for their money, or our money. Call
:07:21. > :07:26.that a bonus?! Well, lots of food for thought there. Now we talk more
:07:26. > :07:30.with BBC Five Live's Declan Curry. Declan, you have a business
:07:30. > :07:34.programme on a Sunday night, On The Money, there is lots of
:07:34. > :07:40.correspondent out there with the listeners, what is it people are
:07:40. > :07:45.saying? People are angry. In a nation where we are more likely to
:07:45. > :07:49.get divorced than change the bank accounts, people are looking in big
:07:49. > :07:55.numbers at new accounts. Stop four people out there three of them have
:07:55. > :08:00.the same bank account that they have when they left school. Whether
:08:00. > :08:05.they drawn in by the hippos or the pigs. It is a big lure, the piggies.
:08:05. > :08:09.But Declan, if people want to switch their current account to a
:08:09. > :08:14.different bank, how easy is it? It seems like a lot of work? It is
:08:14. > :08:18.meant to be easy. As simple as you pick a new bank, you walk into that
:08:18. > :08:23.bank, you say to them, I am a customer of this old bank over here,
:08:23. > :08:28.I want to switch my account to you. They are then meant to take on all
:08:29. > :08:32.of the switching of your bills and your payments and your direct
:08:32. > :08:36.Debities and standing orders and they are meant to do it in ten days.
:08:36. > :08:41.You are not supposed to have to worry about a thing at all. Now,
:08:41. > :08:46.thing dos go wrong, so there are tips: One is to keep the old
:08:46. > :08:50.account open for a couple of months. Keep some money in it in case a
:08:50. > :08:56.bill is not transferred across. Two: In the new account ask the
:08:56. > :09:00.bank for some sort of interest-free overdraft to keep you tieded over
:09:00. > :09:04.until the first pay cheque is in. Third, don't forget to pel your
:09:04. > :09:07.boss that you are moving to a different bank, so they know it put
:09:07. > :09:11.the cheque in the right bank. heard that David Cameron wants to
:09:11. > :09:16.make it easier for people to move banks, what is being proposed?
:09:16. > :09:20.a lot. They are talking about it being done in ten days, that the
:09:20. > :09:25.banks will switch in seven days. There is more excitement on the
:09:25. > :09:28.part of the consumer groups like Which?, Martin Lewis mentioned the
:09:28. > :09:31.idea of a portable bank account number. So it is like a phone
:09:31. > :09:36.number, if you move to another bank you take that number with you. The
:09:36. > :09:40.people in favour of this say it means that it is less likely that
:09:40. > :09:44.direct Debities will get lost in the system during the switching.
:09:44. > :09:48.Talk to others, they say that is not the problem, but the problem is
:09:48. > :09:52.that the banks take too long to do it, they make it look complicated
:09:52. > :09:57.when it is not. There you go. Everything you wanted to know about
:09:57. > :10:03.banking in six minutes. Now, after all of that talk about anger, let's
:10:03. > :10:09.all, you at home as well, take a deep breath... Calm down. You are
:10:09. > :10:13.doing it?! Declan is doing it! all did it! Are you still angry?
:10:13. > :10:18.That is the question. Maybe you need a shout to let it all out.
:10:18. > :10:23.Giles has the person to shout at. Once in a while, tempers fray, they
:10:23. > :10:30.just do. It can't be avoided. For most, there is a range of triggers,
:10:30. > :10:34.this makes them blow their gaskets. For goodness sake! What is making
:10:34. > :10:40.you angry? Bankers in general. They get away with what they want.
:10:40. > :10:44.People doing the wrong thing, jumping fares, doing this, that.
:10:44. > :10:48.The weather... Education. Complaining, complaining...
:10:49. > :10:53.husband is angry about everything. The bus routes... Whatever gets
:10:53. > :10:59.your goat, holding on to that anger can't be good for you? Anger is an
:10:59. > :11:03.emotion, it is a feeling. It is the fight or flight response you see in
:11:03. > :11:07.animals. So adrenaline is being pumped to the muscles, they get
:11:08. > :11:12.ready for the action, they get ready to fight. I have had a
:11:12. > :11:20.frustrating day, the M4 is a nightmare it is raining. I feel
:11:20. > :11:24.like I will burst a blood vessel. You can increase heart problems,
:11:24. > :11:31.cardiac problems if you feel like that, it is not good in the long-
:11:31. > :11:35.term. What do you want?! I was told... Don't give that! Monty
:11:35. > :11:42.Python fans may remember the Argument Clinic, but imagine if it
:11:42. > :11:46.was real? Well, believe it or not, it now is. I came in here for an
:11:46. > :11:52.argument! Sorry, this is abuse. There is a telephone service where
:11:52. > :11:57.you can call up and vent your anger and frustration down the phone. I
:11:57. > :12:02.cannot get a signal, I have -- so I have come to the operation to meet
:12:02. > :12:07.the ladies who run it. So, who kaels you? Mostly professional
:12:07. > :12:11.people. Depending on how angry you are and how you express your anger,
:12:11. > :12:17.you may get loud, scream, shout, curse or just cry. We are there to
:12:17. > :12:21.ask you the right questions, it really does give you a release.
:12:21. > :12:25.there a code? Do you allow bad language? You can swear, use bad
:12:25. > :12:32.language. Scream and shout. We don't mind. Screaming and shouting
:12:32. > :12:36.I go along with, the bad language I do not approve of. What is your
:12:36. > :12:42.colleague here... This is so annoying, this is not planned.
:12:42. > :12:48.Hello, the anger service. You have seven minutes and 32 seconds left.
:12:48. > :12:53.What is it you would like to vent about today? I think it is time to
:12:53. > :12:56.let the stress folk of Stratford, let off steam. Get out of the
:12:56. > :13:00.middle lane, move to the inside lane so I can get my vehicle
:13:00. > :13:07.through. David Cameron pull your finger out. Sort it out, this is is
:13:07. > :13:11.a proper East End person talking. Argh! Oh, it did feel good! I think
:13:11. > :13:15.it is high time I did a bit of venting myself. I tell you what
:13:15. > :13:20.makes me angry. I come to this beautiful part of London and
:13:20. > :13:27.everyone is complaining, telling me how angry they are. Well, I tell
:13:27. > :13:32.you it gets on my wick... He's still going Would they have this
:13:32. > :13:37.lovely station? The other day they wanted rain... He is still going on.
:13:37. > :13:43.What are your triggers, what makes your angry, Mel? People who drive
:13:43. > :13:47.on the phone. People who don't indicate when they drive and
:13:47. > :13:57.litterbugs. Don't get him started. I don't like that. Nor the voice in
:13:57. > :13:59.
:13:59. > :14:05.the ear that says move on! Are the It is happening now. So, after the
:14:05. > :14:15.first week, you witled it down. Let's have a look at who you have
:14:15. > :14:23.
:14:23. > :14:33.# I see you got your smile back... I'm watching, I'm interested.
:14:33. > :14:41.
:14:41. > :14:50.Let's move on. It's very nice having lots of young, handsome,
:14:50. > :14:55.talented men at singing at you. You've got 30 of these Jesus. What
:14:55. > :15:00.happens now? The have another show on Saturday, where it goes down to
:15:00. > :15:06.maybe 20 or 10. No come on Saturday we find our final 10. The live
:15:07. > :15:10.shows start on Sunday. What happens, it's a week of live shows? Yes, we
:15:10. > :15:15.go Sunday through to Friday. Then the following Monday to Wednesday,
:15:15. > :15:17.which is the final when they find our Jesus. In its going to be
:15:17. > :15:21.exciting. It must be quite interesting
:15:21. > :15:25.looking for the person that you are going to be playing opposite. Does
:15:25. > :15:30.that bring a different dynamic to it? Absolutely. And when I start of
:15:30. > :15:36.the show I hadn't been cast in the room at that point, so it totally
:15:36. > :15:41.changed the goalposts for me. But I'm still looking for the same.
:15:41. > :15:44.Obviously it is kind of more important in a way. You initially
:15:44. > :15:49.auditioned for the Spice Girls. How does it feel being on the other
:15:49. > :15:52.side? You've obviously got a lot of empathy with the people. Absolutely.
:15:53. > :15:56.I've done quite a few auditions before I started working with the
:15:56. > :16:00.Spice Girls. I went to performing arts college, so why have a similar
:16:00. > :16:04.background to a lot of guys on the show. Myself and Jason, we both
:16:04. > :16:08.thought it was important for the guys we were sending home, to send
:16:08. > :16:13.them home at feeling they've learnt from the experience, with really
:16:13. > :16:17.constructive things to go away with. The vocal coach is very good.
:16:17. > :16:22.is. I'm not singing for her, she scares me.
:16:22. > :16:27.I do not believe you! So Polestar is on Saturday at 8pm
:16:27. > :16:31.on ITV1. In the 64 years between London 1948 and London 2012,
:16:31. > :16:35.there's been a revolution in how athletes prepare for the Games. The
:16:35. > :16:38.One Show has been bringing together members from Team GB from then and
:16:38. > :16:44.now to see what the biggest differences are. Tonight, we are
:16:44. > :16:48.going for a little swimmer. Britain won six swimming medals at the last
:16:48. > :16:52.Olympics. It was a stunning performance in the pool. Rebecca
:16:53. > :16:56.Adlington became the new sporting star. But this year in London the
:16:56. > :16:59.metal target is even higher. And there's a new Rebecca on the
:16:59. > :17:04.starting blocks. 19-year-old Rebecca Turner surprised everyone
:17:04. > :17:09.by qualifying for the Games, thanks to a huge finish at the British
:17:09. > :17:14.championships. Rebecca Turner wins the trial. In doing so, she is
:17:14. > :17:18.going to go to the Olympic Games on the 200 metres freestyle. When
:17:18. > :17:23.London last hosted the Games in 1948, Britain's mum old Steadman
:17:23. > :17:32.completed in the 100 metres freestyle. He is now 84 and is
:17:32. > :17:36.The One Show has brought these two Olympians to get back at Rebecca's
:17:36. > :17:42.training centre in Sheffield, to compare notes on swimming past and
:17:42. > :17:45.present. In 1948, preparation for the Olympic finals was basic.
:17:45. > :17:51.Swimming-pools were small and even Olympic athletes got no special
:17:52. > :17:55.privileges. We had no indoor pools of 50 metres to his women at all in
:17:55. > :17:59.England at the time. The access to the swimming pools was restricted.
:17:59. > :18:03.A lot of my training had to be done in public sessions. We didn't
:18:03. > :18:07.necessarily have frequent free access to an empty swimming pool.
:18:07. > :18:15.We have to go in when the public were in and do the best we could.
:18:15. > :18:20.To have the 50 metre pool here is a fantastic facility. What is your
:18:20. > :18:24.coach like now at the moment? really important. As well as the
:18:24. > :18:27.training, he reassures me that everything is going well. Ronald,
:18:27. > :18:33.would you have liked to have a full-time coach in your
:18:33. > :18:37.preparations? I think so. Today, swimming is virtually professional
:18:37. > :18:42.now. Nowadays there were no amateurs. Everyone in those days
:18:42. > :18:48.had to do a full-time job, as I was in the army. A lot of the girls had
:18:48. > :18:53.to full-time jobs and swam in their spare time. Sometimes it would be
:18:53. > :18:57.difficult to get time off on -- to do their training, but not on a
:18:57. > :19:01.six-hour day basis. The over the past six decades, modern
:19:01. > :19:05.professional coaching has helped swimmers go faster. In the blue
:19:05. > :19:08.Riband event, the 100 metres freestyle or two lengths of the
:19:08. > :19:14.pool, the 2012 the Libyans will cover the distance around eight
:19:14. > :19:19.seconds quicker than their 1948 counterparts. -- the 2012 Olympians.
:19:19. > :19:24.How many meals would you have a day? A bowl of cereal before
:19:24. > :19:27.training, I have a protein shake after my first session then go and
:19:28. > :19:32.have another bowl of cereal. A piece of fruit and then go and have
:19:32. > :19:35.lunch. Before training have another piece of fruit or a snack, then a
:19:36. > :19:41.sheikh after training again and teatime. Would you have had seven
:19:41. > :19:45.portions of food a day? We didn't have enough food for that! In 1948
:19:45. > :19:50.austerity Games, spectators came to watch the races at the Empire Pool,
:19:50. > :19:53.Wembley Arena as we now know it, but this year they'll be coming to
:19:53. > :19:57.the purpose-built Aquatic Centre. One of the biggest differences
:19:57. > :20:02.between 1948 and now is what the swimmers wear. To be as quick as
:20:02. > :20:06.they can, swimmers strive to be streamlined. Precise movements and
:20:06. > :20:10.careful positioning of the body play a part. But when winning
:20:10. > :20:16.margins mean a split-second, even the clothing is high-tech and
:20:16. > :20:21.designed for gliding smoothly. put on a normal swimming hat, my
:20:21. > :20:26.God calls and then another hat on top to keep the straps in. Two hats.
:20:26. > :20:29.Yes, so it's all smooth and keeps everything together and the goggles
:20:29. > :20:36.don't fall off. Then I have my racing suit underneath. The
:20:36. > :20:42.swimsuit is very tight it squashes you altogether. It tightens you up
:20:42. > :20:46.and reduces the extra drag. We had rather floppy ones! That's the
:20:46. > :20:50.style I like. For the Olympics we were given costumes made of
:20:50. > :20:55.polyester and nylon, so they were quite thin but weren't designed for
:20:55. > :21:00.streamlining. The other thing we didn't wear well goggles. Now you
:21:00. > :21:03.hear about the guys shaving, totally hairless to be smooth in
:21:03. > :21:08.the water. The we weren't in that league. We were amateur swimmers
:21:08. > :21:12.enjoying ourselves. We are already a nation that loves to swim and it
:21:12. > :21:16.should be a strong event for us at the Games. Rebecca is going in the
:21:16. > :21:23.200 metres freestyle, and her form is good. Ronald Steadman will be
:21:23. > :21:28.among the millions urging her on. Melanie, you were waving that
:21:28. > :21:33.before we came back. A massive supporter of Team GB. You are
:21:33. > :21:38.losing fitness and well-being at the moment. You are looking so bad
:21:38. > :21:42.yourself! You obviously still spend quite a lot of time working out.
:21:43. > :21:47.Yes, it's so silly, I've got my nickname, Sporty Spice, but I do
:21:47. > :21:51.love sport and keeping fit. I did my first triathlon last year. I'm
:21:51. > :21:54.hooked. Unfortunately, this year I haven't got time to fit one in, but
:21:54. > :21:58.it's something I want to do more of in the future. The last time you
:21:58. > :22:03.were in we talked about a little bit about the musical, but now
:22:03. > :22:08.girls all over Britain are waiting for an event, Viva Forever. You
:22:08. > :22:11.can't wait! So exciting. It is happening eventually, the press
:22:11. > :22:16.conference was a couple of weeks ago. Can you give us an idea of
:22:16. > :22:19.what the musical is about? It is a wonderful show, we are really
:22:19. > :22:26.pleased with how it's turned out. The wonderful Jennifer Saunders has
:22:26. > :22:30.written the story. Basically, she was inspired by the Spice Girls'
:22:30. > :22:34.music to write the show. It is about a girl band, but it's not the
:22:34. > :22:37.Spice Girls, there's only four members of the band. They go to a
:22:37. > :22:42.casting show process, a little bit like Jesus Christ Superstar and
:22:42. > :22:46.that kind of thing. Yes, it's the trials and tribulations, it's about
:22:46. > :22:50.relationships with mothers and daughters and friends and fame and
:22:50. > :22:55.all of these things. It is funny and heart-warming and emotional.
:22:55. > :22:59.It's got everything. Have you seen it yet? We'd seen workshops of both
:22:59. > :23:03.acts. At that point macro they were brilliant. But it has moved on even
:23:03. > :23:10.more. We are casting at the moment. Thinking back to that moment when
:23:10. > :23:13.you saw the advert for the first time, we've got something for you.
:23:13. > :23:17.This is the only one left, that's the original paper. That is what
:23:17. > :23:21.you would have been looking at. I don't know if you can have it but
:23:21. > :23:27.we can let you hold it and have a look at it. I actually got a flier,
:23:27. > :23:31.so why didn't see it in the stage. But it was exactly the same. That's
:23:31. > :23:35.a bit of history for you. Looking at the weather behind us, not
:23:35. > :23:40.exactly perfect gardening weather but that never stops Christine.
:23:40. > :23:45.Tonight, she's in a highly fashionable garden.
:23:45. > :23:49.I was expecting this garden to be full of colourful blooms. It
:23:49. > :23:56.belongs to Nicole Farhi, a leading fashion designer. Her summer
:23:56. > :24:00.collection is full of colour. It was even based on flowers. Well,
:24:00. > :24:07.that is the world of work for Nicole. It is full of colour. But
:24:07. > :24:12.when I look at this garden, what do I see? Green, green and more green.
:24:12. > :24:16.But look more closely and there are bursts of colour. I like perfusion,
:24:16. > :24:22.I like disorder. Usually people who plant their flat was well planned
:24:22. > :24:28.them in pots. It is very orderly. I hate order. I have no knowledge of
:24:28. > :24:32.gardening. I just by what I like. It becomes sometimes overgrown.
:24:32. > :24:37.there is a designer's I at work. For someone with no knowledge of
:24:37. > :24:41.gardening, it is very clever. like different shades, texture,
:24:41. > :24:48.different shades of the same colours. It is all in this garden.
:24:48. > :24:57.A we've got a great contrast. This Bikey japonica. I love those great
:24:57. > :25:03.things. I didn't know it was japonica. Then you've got the shape
:25:03. > :25:08.of leaves here. The soft froth. These are great because they come
:25:08. > :25:13.in different colours. Just look at the shade there, the contrast. Then
:25:13. > :25:18.contrasting with the rhododendrons. I love them. You might have guessed
:25:18. > :25:23.from that wonderful accent, Nicole grew up in France. But her parents
:25:23. > :25:27.were Turkish and she has lived in England for 30 years. So she brings
:25:27. > :25:32.a cosmopolitan approach to the garden. In fact, it was in India
:25:32. > :25:36.that a friend's garden inspired her fashion range. I came back to my
:25:36. > :25:43.office and said to my team, listen, I've got a good idea. We are going
:25:43. > :25:51.to do a collection based on flowers. This was something we blew up and
:25:51. > :25:58.printed on net. Another one was another print which we blew up to a
:25:58. > :26:08.point that it became abstract. Here, we had some sequins cut into the
:26:08. > :26:09.
:26:09. > :26:15.This is a beautiful walk. It is so atmospheric. It is lovely. You've
:26:15. > :26:20.got some beautiful scented plants here. The Philadelphus coronarius
:26:20. > :26:26.is gorgeous. That's right. There were even more before but sadly
:26:26. > :26:31.they didn't last. These are smelling so delicious at the moment.
:26:31. > :26:38.What is the story with the gazebo? It's quite a funny story. David, my
:26:38. > :26:46.husband, wrote the screenplay of a film, Damage. By complete fluke,
:26:46. > :26:54.this location scout knocked at the door and said, can I use the garden
:26:54. > :27:01.for the film? They needed a gazebo for azine. They built it up so I
:27:01. > :27:04.kept it. It's been there for about 20 years now. A super spot for a
:27:05. > :27:10.gin and tonic in the evening! Around the garden are signs that
:27:10. > :27:14.Nicole has another talent. These wonderful sculptures. It is
:27:14. > :27:23.interesting you are using text in the garden, but you are also using
:27:23. > :27:28.the sculpture. Your personality always comes out, always. Not only
:27:28. > :27:37.in the garden but all aspects of your life. What do you think the
:27:37. > :27:44.garden says about you? Probably it says that I am in formal, eclectic
:27:44. > :27:49.and unruly, maybe. It's me, I think. Informal is a good word for it.
:27:49. > :27:55.Gentle colours that don't clash, shrubs and plants that fill out and
:27:55. > :27:58.tamed. The best sort of unruliness. A garden for living in. I wake up
:27:58. > :28:05.in the morning, my bedroom is upstairs. The first thing I do, I
:28:05. > :28:08.hear birds and lookout to the garden. I am happy. What a vision
:28:08. > :28:12.that must be. I bet the house is lovely inside,
:28:13. > :28:17.too. Arthur Smith is in it.
:28:17. > :28:21.During the film we were scanning through this old copy where the
:28:21. > :28:27.original Spice Girls advert was. If we looked to the right of the
:28:27. > :28:32.advert, let's have a look. Over to the right... Is an illusionist's
:28:32. > :28:42.assistant. That could have been you on a cruise. It could have been.
:28:42. > :28:47.
:28:47. > :28:54.Any thoughts on that one? None. I'm speechless. Well, we look forward