13/01/2017

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:00:16. > :00:21.Hello, welcome to the one show with me Angela Scanlon and my guest

:00:22. > :00:25.presenter tonight, the perfect antidote it the cold, miserable

:00:26. > :00:27.weather outside, the pub landlord himself, Mr Al Murray!

:00:28. > :00:34.APPLAUSE Thank you. Thank you, my people.

:00:35. > :00:37.Calm yourselves. We will have a sizzling performance from an artist

:00:38. > :00:42.we will hear more from in the future, the winner of the BBC sound

:00:43. > :00:47.of the 2017, Ray Black and get this, she's written the funkiest song ever

:00:48. > :00:51.about Catford. How many are there, do you think? I don't know, this is

:00:52. > :00:58.the funkiest. Great. She is outside with her band keeping warm until her

:00:59. > :01:01.performance later on. Let us in! She's not coming in and our sofa

:01:02. > :01:08.guest tonight is pleased he's not going out. Oh, yeah! It's Lee Mack!

:01:09. > :01:12.APPLAUSE Thank you very much. Hello. Thank

:01:13. > :01:15.you. Welcome to the one show. I always forget when I come on this

:01:16. > :01:20.show that you're in the window and people are passing by. I feel I'm

:01:21. > :01:26.relaxing too much at DFS. Lie down, feel free. We've got a sale on.

:01:27. > :01:31.These sofas are a bargain. A great show, but they do look cheap, let's

:01:32. > :01:36.be honest. It's Friday the 13th. Do you get superstitious? I'd forgotten

:01:37. > :01:50.that. Now you've got me worried my sitcom is going out tonight. No, I

:01:51. > :01:56.don't have any of those. More on that later, or maybe not. So far

:01:57. > :02:03.Friday the 13th hasn't been lucky as far as weather is concerned. Joe and

:02:04. > :02:09.ewe win are tracking the -- Iwan are tracking the snows and the storms.

:02:10. > :02:13.The M 62 rises to 1221 feet in the Pennines at junction 22. That means

:02:14. > :02:16.it's very, very exposed to some of principle's worst weather. Andrew

:02:17. > :02:21.has a great job title, severe weather manager for the whole of the

:02:22. > :02:25.North West. How many salt spreaders will be out this evening? 30 on the

:02:26. > :02:29.go. 30? Throughout the North West region, yeah. That seems a lot. It

:02:30. > :02:36.is, yeah. But that's what we need to get everywhere done in two hours. We

:02:37. > :02:40.try to keep it the best at all times. We have vehicles ready to

:02:41. > :02:44.move any incidents out of the way. Later I join traffic officers Colin

:02:45. > :02:49.and John. People think that there's a about the of snow, but I'm all

:02:50. > :02:56.right, it will be OK. Still they proceed at 70mph and the next thing

:02:57. > :03:00.they know, they can't cope with it. From CCTV it looks as though you

:03:01. > :03:04.have two vehicles... It's not long before the patrol gets their first

:03:05. > :03:09.emergency call on a neighbouring motorway. He's a bit stressed

:03:10. > :03:13.because it's his first ever accident. So it's just a case of

:03:14. > :03:17.keeping him together and keep talking to him and making sure he

:03:18. > :03:23.doesn't deteriorate at the moment. Just about to come off at junction

:03:24. > :03:28.there. It just happened so quick. All the cars were like backed up.

:03:29. > :03:33.Slammed my brakes on and I kept skidding and skidding. Went into the

:03:34. > :03:39.back of him. There's no suggestion the driver of this car w breaking

:03:40. > :03:46.the law. -- was break being the law. Though driving at the speed limit

:03:47. > :03:50.can be testing in these conditions. This is Essex. People here are being

:03:51. > :03:55.evacuated this morning because of a severe flood alert. Hello, Sir. Are

:03:56. > :04:00.you staying put? No. What have you done? Everything off the ground?

:04:01. > :04:04.Yeah. Can you show us? Do you think that's high enough? Yeah, because

:04:05. > :04:08.it's hollow under here, most of us will run through the bottom. With my

:04:09. > :04:12.help and that, I'm going to make sure I'm out. Good, let's get you on

:04:13. > :04:18.your way. This is Henry. Hello, Henry. This is Alfie. Are you

:04:19. > :04:23.evacuating them today? Yeah, hence I've put them in the trolley. What

:04:24. > :04:27.due feel you had to bring with you? Brought my valuables, my paperwork

:04:28. > :04:31.and stuff. You're prepared to leave today? Yeah, I'm worried about them.

:04:32. > :04:37.Myself I'm not too worried about. I float like a brick, I'll be all

:04:38. > :04:42.right! These buss are going past, they're there to talk you away. Do

:04:43. > :04:49.you not want to go? No. Why not? No. I don't want to leave my house. Seen

:04:50. > :04:55.it all, so the building is still there. The building is There Must

:04:56. > :05:00.ing -- is still there. You're knocking on every door? Yes,

:05:01. > :05:02.seeing who's there, advising them. I don't know if you've seen the

:05:03. > :05:06.weather report, that's changed. Potentially it will be scaled down,

:05:07. > :05:11.but we will be here. We don't know what the midnight tide will be. We

:05:12. > :05:15.were told severe flood alert, now it's gone away this afternoon.

:05:16. > :05:20.What's going on? Thankfully, on the first tide today, we're seeing that

:05:21. > :05:23.the wind hasn't rammed up quite -- ramped up quite as much. We're

:05:24. > :05:27.asking people to be careful. Tonight, we have another tide coming

:05:28. > :05:34.in. That looks higher than the one at lunch time. There is still a risk

:05:35. > :05:37.to life. Good luck out there. Here's hoping everyone stays safe tonight

:05:38. > :05:41.and over the weekend. Now Lee, this is the eighth series of Not Going

:05:42. > :05:46.Out. Is that right? It is, yeah. We've had ten years and we've had a

:05:47. > :05:48.couple of years off. One out of choice, one out of cancellation. But

:05:49. > :05:52.we won't talk about that. LAUGHTER

:05:53. > :05:56.Are you over it yet? I am, it was many years ago. I'm not bitter.

:05:57. > :06:02.That's a lot of stories to come up with. What happened was, for the

:06:03. > :06:07.first seven years, the story was man fancied landlady. Then this year, we

:06:08. > :06:12.change today to man is married to landlady with seven children - three

:06:13. > :06:16.children, sorry! I was with an Irish woman, I forgot how many kids I had.

:06:17. > :06:21.LAUGHTER Seven years later but with three

:06:22. > :06:27.children. Why seven years? Because I wanted to replicate my three life. I

:06:28. > :06:33.am married with three kids. Someone said have a baby in one series and

:06:34. > :06:37.another one. But then I thought we might get cancelled again. So let's

:06:38. > :06:41.hit the ground running. Let's not take any chances. When I'm at home

:06:42. > :06:45.and having a row with my wife or the kids, instead of getting angry like

:06:46. > :06:49.I used to, I get the pen and note pad out, I go, thank you, I'll have

:06:50. > :06:54.that. Middle of making love, you know... Oh! Thank you. I'll use

:06:55. > :07:00.that. How does that go down? Not very well. That's not the joke I was

:07:01. > :07:06.going to do when you said that. You can pay me later. Let's have a look.

:07:07. > :07:10.We haven't had a single night away Just the Two of Us. So. That's your

:07:11. > :07:15.choice as much as mine. No, it's not. Do you remember what I asked

:07:16. > :07:20.for on my last birthday. Not this again. The orient express is

:07:21. > :07:27.expensive. The next best thing is not Pizza Express. And you know it's

:07:28. > :07:30.not just about the money. OK. Soy don't like leaving the kids with

:07:31. > :07:36.other people. I want to be near them in case they need me. Mummy there's

:07:37. > :07:43.a burnt bit on my toast. Well phone Social Services.

:07:44. > :07:47.The thing that really stands out about Not Going Out is it's full of

:07:48. > :07:51.jokes. Yeah, who would have thought that in the modern age. It is true.

:07:52. > :07:54.There's a lot of single camera realism and naturalism and

:07:55. > :07:58.fortunately, I don't have any choice because I'm not what you call an

:07:59. > :08:01.actor. Instead I thought I'd do loads of jokes and have a studio

:08:02. > :08:07.audience instead. Kind of American style. Yeah, that was the idea. They

:08:08. > :08:11.said you have to have a joke a page, when you're doing a sitcom. I

:08:12. > :08:16.thought that was a lot, but it's not. It's a treat when you are

:08:17. > :08:20.watching it, because it's an assault of jokes, in the best possible way.

:08:21. > :08:26.Biggest back-handed compliment in my life. An assault of jokes. They just

:08:27. > :08:29.keep coming. They're endless. If you don't like one, there's another

:08:30. > :08:33.round the corner. If you don't like that one, there might be another one

:08:34. > :08:37.round the corner. Fingers crossed. No, there is a lot of jokes. We try

:08:38. > :08:41.to put in as much as we can. Is there a big team writing? Over the

:08:42. > :08:45.years, we've tried different ways of doing it, it's still down to me and

:08:46. > :08:51.two others to write the bulk of the main scripts. Then we have gag

:08:52. > :08:56.writers who give it a polish. A lot of domestic situations, but a bit of

:08:57. > :09:02.fantasy thrown in. You got to live out your celeb crush maybe. We made

:09:03. > :09:05.a rule that everything has to be based on a true story this year,

:09:06. > :09:09.that has happened to a writers. That worried us. But does your wife know

:09:10. > :09:16.you've given us this story. He goes, no. Well, the rule is, if your wife

:09:17. > :09:19.doesn't like it, you're not going to believe this, by coincidence Lee has

:09:20. > :09:24.this with his wife as well. Thank God I'm not saying that live on the

:09:25. > :09:28.One Show! The idea is we tell true stories. My wife and I are obsessed

:09:29. > :09:32.with people who play the hot tub fantasy date game. Who would you

:09:33. > :09:35.like to hot tub with, you know, that's not what you're really

:09:36. > :09:42.asking. We know what the question really means. What do you mean? We

:09:43. > :09:45.could explain it! The idea is that people will say who they'd like to

:09:46. > :09:52.spend the night in a hot tub with. In the show I say ex-(DEEmma Bunton

:09:53. > :09:57.and she -- say Emma Bunton. And she said yes. When someone suggests

:09:58. > :10:01.that, you're going to say yes, aren't you. Definitely. Yeah. First

:10:02. > :10:04.choice, well, fourth choice of the Spice Girls.

:10:05. > :10:09.LAUGHTER But you know, after B and C, and

:10:10. > :10:16.Posh had turned you down, you're down to Bunton. Aren't you. Did she

:10:17. > :10:20.make up for it. I didn't say Sporty. No, they're all fantastic. I had met

:10:21. > :10:25.Emma before. She said, I like your show. Right do you want to be in it.

:10:26. > :10:29.Got to be careful if you say that, I will put you in it. Didn't she say

:10:30. > :10:35.that the other Spice Girls don't like it. Well, she made it clear,

:10:36. > :10:40.no, they made it clear. The kids in the show, what's it like working

:10:41. > :10:44.with children? Up to now, it's been about adults and adult interaction.

:10:45. > :10:49.It's odd because I've got three kids in real life. You spend the morning

:10:50. > :10:53.getting them to school and the stresses of everyday life. You go to

:10:54. > :10:57.work and you spend all day with somebody else's kids all day. By the

:10:58. > :11:00.end of the day I'm a nervous wreck. Genuinely they're more experienced

:11:01. > :11:04.than me. They've done more different shows than I've done. They're great

:11:05. > :11:07.kids. They're all on the ball. They all know their lines. It's

:11:08. > :11:10.embarrassing. You didn't want to use your own children then? Definitely

:11:11. > :11:15.not. Can you imagine anything worse than bringing your kids to work. You

:11:16. > :11:21.wouldn't bring them to the One Show. No, no. Being in showbiz is about

:11:22. > :11:26.getting away from your kids. You never stop touring, you know Y

:11:27. > :11:31.Absolutely. Get out of the house. Are your kids funny, though? They

:11:32. > :11:34.are, yeah. One of them told me a funny joke. I might have to edit it.

:11:35. > :11:38.It's safe. It wasn't safe when he told me. He likes telling old jokes.

:11:39. > :11:43.I like trying to guess the punch line. What's brown and sticky. I

:11:44. > :11:46.said a stick. No, poo. LAUGHTER

:11:47. > :11:53.I'd like to point out that's not quite what he said. Thanks for

:11:54. > :12:02.sparing us. Not Going Out is going on tonight, 9pm on BBC One. Someone

:12:03. > :12:07.who could deliver quicker balls than Lee can deliver the gags was Fred

:12:08. > :12:12.Trueman. Here's his son Rob, who talks about growing up with a father

:12:13. > :12:16.few could call modest. My dad was a Yorkshireman through and through,

:12:17. > :12:20.the greatest fast bowler that ever drew breath. His name was Fred

:12:21. > :12:23.Trueman. He was the first cricketer to take 300 Test wickets.

:12:24. > :12:29.COMMENTATOR: That's it! He's got it. 300 Test wickets. Batsmen were

:12:30. > :12:32.terrified of him. COMMENTATOR: He's caught behind.

:12:33. > :12:37.Freddie was a great cricketer. There's no doubt about that. It was

:12:38. > :12:45.a gentleman's game when he started his career. Of course, Freddie come

:12:46. > :12:48.off an humble background. Granddad worked down the mine. He loved

:12:49. > :12:52.cricket. He found of all the local children that Freddie had talent and

:12:53. > :12:56.he found a way to push him in the right direction. When dad won his

:12:57. > :13:00.Yorkshire cap he did a fine thing and brought it back to give to his

:13:01. > :13:04.father. Granddad welled up and said he would keep it all his life. Two

:13:05. > :13:08.years later, dad came back with the England cap. Granddad said, "You can

:13:09. > :13:16.keep that son, I've got the only one that matters." The Yorkshire cap was

:13:17. > :13:22.buried with my granddad. Joo my nickname was given to me by press

:13:23. > :13:25.critics, radio and commentators. I'm firery on the cricket field because

:13:26. > :13:30.I like to winment Dad was blunt and direct. Even today I meet people who

:13:31. > :13:34.he offended. Dad's principle was to be honest and tell people what he

:13:35. > :13:40.thought. Fred was accused of Jack of lad. -- Jack the lad, but he wasn't.

:13:41. > :13:46.Out here, the middle, he played hard, but fair. He played within the

:13:47. > :13:49.laws of the game. So many times dad was wrongly accused of bad

:13:50. > :13:53.behaviour. I think the bad boy image stuck because dad really wasn't one

:13:54. > :13:58.of them. He wasn't part of the establishment. He wasn't the sort of

:13:59. > :14:08.person to pander to people. He loved Scarborough. This is where we lived.

:14:09. > :14:12.Happy memories. A have a sister Karen, twin sisters. He was a lovely

:14:13. > :14:17.and devoted dad. This is where we saw the softer side. Mum hated the

:14:18. > :14:22.long cricket tours. When I was eight, they split up. When you're

:14:23. > :14:26.married to a famous person, everyone expects it to be absolutely out of

:14:27. > :14:30.this world and marvellous, you have a car to drive. You have a nice

:14:31. > :14:34.house and nice clothes. You go to famous places and meet famous

:14:35. > :14:39.people. But that isn't all. That isn't the end of it. You can also be

:14:40. > :14:44.a very lonely person, on your own, while your husband is thousands of

:14:45. > :14:47.miles away. In the evenings, after they split up he would come back and

:14:48. > :14:51.see me. Dad used to tuck us into bed. Can you imagine, we really

:14:52. > :14:56.missed him. Me and my sister used to turn around often and retrace his

:14:57. > :14:59.steps on the carpet. On occasion, dad would come to school to watch us

:15:00. > :15:04.play cricket. I was bowling in the nets. Dad came over to me and said,

:15:05. > :15:09."Son, you're trying to bowl too fast." I said, dad, I thought you'd

:15:10. > :15:13.want me to be like you. "No, I had a God given talent. You haven't got.

:15:14. > :15:17.It" I was so relieved. Thank goodness I didn't have to play

:15:18. > :15:22.cricket. Freddie had a sense of mischief. He used to wait for the

:15:23. > :15:26.opposition's opening batsman. As they came out through the gate, he

:15:27. > :15:34.used to say, "Don't close that gate, because you won't be long out here."

:15:35. > :15:40.touch he had a mixed relationship with his club but on retirement he

:15:41. > :15:43.was presented with a silver platter and Yorkshire County Cricket club

:15:44. > :15:50.could not be bothered to get it in grade. He had to pay for that

:15:51. > :15:54.himself. When I give the radio -- the reading at Freddie 's funeral,

:15:55. > :16:03.ten years ago, I said then that Freddie was a genius and I don't use

:16:04. > :16:10.that word lightly. I put him at the side of Muhammed Ali and Pele. Some

:16:11. > :16:14.of the most precious times I had with dad were in the car. When I

:16:15. > :16:22.feel like I am really missing him, I will take out his CD so I can hear

:16:23. > :16:28.his voice. As we say in Yorkshire, if I had my time over again, I would

:16:29. > :16:33.do the same things in the same way. You're not a cricket fan but you are

:16:34. > :16:41.a fan of Fred Trueman. I love a programme called Indoor League. I

:16:42. > :16:55.have a DVD of it. It is all indoor pub sports. We will have a look. See

:16:56. > :17:04.that, cracking! Who ever said that the place of a woman was in the

:17:05. > :17:09.kitchen? That is it for this week. He has got the paint and the pipe,

:17:10. > :17:15.that was children's television! Someone said, we might have to move

:17:16. > :17:20.that! What is it that you like about it? I grew up in a pub. I would love

:17:21. > :17:26.to be a sportsman but I am not good enough but I am good at the indoor

:17:27. > :17:34.sports. Let's put you to the test. We have created our own version, it

:17:35. > :17:40.is called The Not Going Out-door League. You will go up against our

:17:41. > :17:50.very own Pub Landlord. First up, we have got a game of table skittles.

:17:51. > :17:57.Tell us how we play this. You stand here. I will go first. Hold the ball

:17:58. > :18:08.and throw it that way. Is this a toilet chain? It could be. Over

:18:09. > :18:20.here. Don't touch what you can't afford! Three, not bad, but not

:18:21. > :18:29.enough. Come on, leave. I appreciate what you suggested, but you made a

:18:30. > :18:39.schoolboy error. You need to place it slightly to the right.

:18:40. > :18:47.APPLAUSE. You cannot argue with that. I'm not sure how we are going

:18:48. > :18:57.to figure this out. Let's go with it. 1- 02 Al. We have to play clean

:18:58. > :19:06.on the one show. Next up, we have at game called Toad in the Hole.

:19:07. > :19:10.Chrissie, you are at the landlady of the The Volunteer in Lewes. We play

:19:11. > :19:20.this every Monday night. What are the rules? Basically, you touch your

:19:21. > :19:24.toad onto the lead and you score a point, touch it into the hole and

:19:25. > :19:35.you score two points. If it hits the back, you get no points. OK. What if

:19:36. > :19:38.it hits on the back. Because it hits the back. Any tips? Bounce and

:19:39. > :20:04.flick. Lead bounds and flick. That was good advice! It does fit in

:20:05. > :20:15.the hole. I will never win at this. It didn't touch the back. That is a

:20:16. > :20:20.draw. Let's just keep playing. It is arm wrestling. This is the ultimate

:20:21. > :20:28.game. Can I stop you there? I have done in my back, I can't do it. Can

:20:29. > :20:37.I point out, I love how you are actually taking it seriously? He is

:20:38. > :20:45.too big to turn upside down! Do you mind if I use a volunteer. He can

:20:46. > :20:50.represent me. This lady is looking strong but I think I will go with

:20:51. > :20:54.this gentleman here. My name is Stephen Kirlew. I am the ten time

:20:55. > :21:08.British arm wrestling champion. What! Lee Mack! Here we go. Five

:21:09. > :21:16.seconds. I'll see what I can do! I will count you down, five, four,

:21:17. > :21:23.three, two, one. That is it, you won. Time to continue our

:21:24. > :21:33.alphabetical food journey around the UK. Six letters down already which

:21:34. > :21:37.means that Ricky is up to G. Mild by mile and letter by letter, I am on

:21:38. > :21:48.an alphabetical odyssey putting together my a to Z of UK food. There

:21:49. > :21:53.are some great suggestions for G. Including the Gravesend Gypsy Tart.

:21:54. > :21:58.I like the suggestion that I head overseas for a channel Island treat,

:21:59. > :22:03.the Guernsey bean jar. Islanders have been enjoying this cheap stew

:22:04. > :22:09.for centuries. They say there is no definitive recipe. The traditional

:22:10. > :22:16.Guernsey bean jar, haricot beans, ham hock and an onion. Every family

:22:17. > :22:20.has a recipe. Why are we in a bakery? Housewives used to make

:22:21. > :22:24.them. My grandfather used to put them in the oven overnight. Sunday

:22:25. > :22:29.morning, they would come back around to the bakery, bean jar was the

:22:30. > :22:34.traditional breakfast. People are passionate about it. Some people say

:22:35. > :22:42.you should have carrots, other say you should not. Are you a carrot man

:22:43. > :22:51.or not? I will not admit to it. You don't like the bean jar? Not at all.

:22:52. > :22:55.I want to change his mind and I'm relying on the butchers, bakers and

:22:56. > :22:58.cider makers to help me do it. My quest for the ultimate Guernsey

:22:59. > :23:09.recipe starts with which Jason Hammond. You can put in anything,

:23:10. > :23:14.beef, bacon... Big all go into my bag. Next stop is the herb farm to

:23:15. > :23:20.give my brew a distinctive injection of flavour. You have come to the

:23:21. > :23:28.right place, we have coriander, dill, parsley, sage and chives and a

:23:29. > :23:35.lot of basil. Are you a carrots are no carrots man? I am not a carrots

:23:36. > :23:39.man. I follow my mother 's recipe. Definitely no carrots. With the

:23:40. > :23:43.prize and parcel of parsley it is time to move on and I am starting to

:23:44. > :23:50.think, this traditional dish could do with a splash of something a bit

:23:51. > :23:55.special. I heard you with a man to come and see about cider. I have

:23:56. > :24:00.plenty. This is our traditional cider, people use it quite a lot for

:24:01. > :24:05.cooking. It should add sweetness. As they head to my final stop, I need

:24:06. > :24:10.to make the big decision. Vegetable grower Terry has a great selection

:24:11. > :24:15.of carrots but do I include them? I think it will give it a better

:24:16. > :24:22.taste. If few local carrots. You grow carrots. Of course! Ingredients

:24:23. > :24:27.collected, it is time to prep and put them in my part and I have come

:24:28. > :24:32.up with at canny compromise for carrots. I will leave them a whole.

:24:33. > :24:37.If you don't like them, you're not trying to fish them out, and if you

:24:38. > :24:42.do like them, you have a lovely whole carrot to eight. My bean jar

:24:43. > :24:48.goes into the oven overnight. The next morning it is time to see if I

:24:49. > :24:54.have done Guernsey growers proud. That is right up my street. Tasty,

:24:55. > :25:03.wholesome, the smoked bacon and cider work a treat. I am a fan, but

:25:04. > :25:08.what about the Guernsey people? That is good. That is really very nice.

:25:09. > :25:16.An element of sweetness and fruitiness. I love it. It is very

:25:17. > :25:23.nice, very good. It is a winner. The real test is bean jar dodger Martin.

:25:24. > :25:30.After all these years, I have to say, it is not half bad. That is the

:25:31. > :25:37.Guernsey bean jar on my map. Kitchen table. I need a bigger map. I had on

:25:38. > :25:47.my way now, where I go next as always is up to you. It's time to

:25:48. > :25:56.meet 60s!. She has won the BBC Sound of 2017. -- were you surprised to

:25:57. > :26:02.win, this is a fantastic thing to have happened -- Ray Blk. I feel

:26:03. > :26:07.like I'm in a dream. Your sister is a big fan of your music. No, she

:26:08. > :26:11.will tell you that she is now, but one we were growing up she told me

:26:12. > :26:19.to keep quiet, I was making too much I and could not saying. We are here

:26:20. > :26:23.now. Good luck with your show at the village Underground in London on the

:26:24. > :26:27.27th. Your mini album Durt is out now. We will let you get on with

:26:28. > :26:34.preparing for your performance. Good luck tonight with 'Not Going Out'

:26:35. > :26:42.tonight. Good luck with your stage debut with The Miser with Griff

:26:43. > :26:44.Rhys-Jones which is also coming up. And now here is Ray Blk with My

:26:45. > :26:50.Hood. Have a great weekend everyone. # Socks and sliders

:26:51. > :26:53.everywhere and every day. # Full English breakfast

:26:54. > :26:57.at a caff, not a cafe. # No, no, baby, we don't let

:26:58. > :27:02.strangers come our way. # But you should come

:27:03. > :27:07.to my hood, my hood, my hood. # Meet me at Morley's,

:27:08. > :27:13.best fried chicken is in South. # I'll show you gangsters,

:27:14. > :27:15.don't you go running your # Mopeds are racing,

:27:16. > :27:19.2AM outside my house, oh yeah, it's # But come to my hood,

:27:20. > :27:27.my hood, my hood. # Oh, you should come to my hood,

:27:28. > :27:30.my hood, my hood, my # You should come to my

:27:31. > :27:41.hood, my hood, my hood. # We're chasing paper then

:27:42. > :27:47.Blue Borough should be green. # I won't lie, finding

:27:48. > :27:52.a way out is our dream. # But you should come

:27:53. > :27:57.to my hood, my hood, my hood. # Top floor of Pepys estate,

:27:58. > :28:02.we'll show you our world. # That building turns

:28:03. > :28:07.you to a woman from a girl. # Now time to stop, life flashes

:28:08. > :28:11.past you in a whirl. # But you should come

:28:12. > :28:28.to my hood, my hood, my hood. # There's no place like home,

:28:29. > :28:31.no place like home. # Buy me any ticket,

:28:32. > :28:33.I don't wanna go. # To a town where there's

:28:34. > :28:35.no one like me round. # You should come to my

:28:36. > :29:17.hood, my hood, my hood.