:00:02. > :00:09.Doreen took in an evacuee, a little girl, also called Doreen,
:00:09. > :00:15.fromealing in London. It was a big day for us, was it, having somebody
:00:15. > :00:19.new in the house, but it was a sad day because of the war. She had to
:00:19. > :00:26.leave her mother behind. Was she a nice little girl? Was she a good
:00:26. > :00:31.girl? Oh, yes, she was. Little Doreen Hambridge 20 two
:00:32. > :00:33.years in Carmarthen away from the horrors that were unfolding in
:00:33. > :00:37.London. She must have become part of the
:00:37. > :00:41.family. Yes, yes. What was it like having a little six-year-old girl
:00:41. > :00:48.living with you? I was quite happy. My husband Fred was out in India in
:00:48. > :00:51.the war, you see. I see. OK. So you had company. Yes. But after the war
:00:51. > :00:55.ended, little Doreen returned home, and over the years, the to women
:00:55. > :00:59.lost contact. So what became of the little girl? Well, Doreen and her
:00:59. > :01:04.family have wondered for years, so we thought The One Show could help
:01:04. > :01:09.solve this problem. Cat Whiteaway is a professional
:01:09. > :01:13.people finder, and I've enlisted her help in tracing the whereabouts
:01:13. > :01:16.of Doreen Hambridge. It's like being a detective, and what I'm
:01:17. > :01:22.trying to do is trace people and reunite them with people they've
:01:22. > :01:26.lost touch with. Cat has been given a few facts to get going, but the
:01:26. > :01:30.details are sketchy. With Doreen, we know how old she was when she
:01:30. > :01:33.came here. We also know she has a brother called Fred. Her first job
:01:33. > :01:38.is to look at entries in the birth index. That's the record of
:01:38. > :01:44.everyone born in the UK. I found one birth entry for a Doreen
:01:44. > :01:48.Hambridge born in 1938. There is also a Fredrick Hambridge born two
:01:48. > :01:51.years earlier, 1936, both born in Brentford, both with the same
:01:51. > :01:55.mother's name. So we found her on the birth
:01:55. > :02:00.register. That's good news as it's the first step in our search. Next,
:02:00. > :02:04.it's the marriage index, and after a bit of digging, she's there too.
:02:04. > :02:09.But the most important question - is Doreen still alive? She'd be 73
:02:09. > :02:14.years old now. Cat comes across an amazing bit of information.
:02:14. > :02:18.Doreen's daughter Barbara has posted her family's details on an
:02:18. > :02:21.ancestry website. Nervously, Cat gets in touch, and after a few days,
:02:21. > :02:24.bingo, some good news. I have had an e-mail from Barbara to say she
:02:24. > :02:28.is Doreen's daughter, which is great news, and she says that her
:02:29. > :02:32.mum is alive and well, living in London, so that's where I need to
:02:32. > :02:37.go next. Cat is told that she'll find Doreen
:02:37. > :02:43.at one of her regular haunts, Southall Market.
:02:43. > :02:48.Doreen is that you? Yeah. Hi. I'm Cat, Cat Whiteaway. Pleased to meet
:02:48. > :02:52.you. I'm so glad to meet you. Doreen Hambridge is now Doreen
:02:52. > :02:56.Smith. And she's delighted that nearly 70 years on the other Doreen
:02:56. > :02:59.in West Wales wants to find out what happened to her. Is it nice to
:02:59. > :03:03.know someone is looking for you? Yeah, it is. It's lovely. I am
:03:04. > :03:09.thrilled to bits. And what do you remember about the village? Good
:03:09. > :03:14.memories. She was good, a good woman, and... What did you call
:03:14. > :03:20.her? Mum. I called her mum. And what would it mean to you to go
:03:20. > :03:26.back to Wales? I don't know. I couldn't tell you. I'd be too
:03:26. > :03:32.overwhelmed. SOBBING
:03:32. > :03:36.Later on, we'll have the moment when the two Doreens are reunited,
:03:36. > :03:41.so hankies at the ready, folks. There is going to be tears! We have
:03:41. > :03:41.already seen there are tears. It's Louis Theroux and Jessica Hynes,
:03:41. > :03:44.everyone. APPLAUSE
:03:44. > :03:49.Good evening. Welcome to the programme.
:03:49. > :03:54.Aren't they looking really smart? You look like a couple. You do.
:03:54. > :03:57.Would you be happy or unhappy with that? Only time will tell, Chris,
:03:57. > :04:02.as you know. If you owned a restaurant, you wouldn't mind these
:04:02. > :04:07.two coming in, would you? You would think we haven't a couple of
:04:07. > :04:16.runners in here. These two would pay the bill. If you were to go to
:04:16. > :04:23.a restaurant, where would you go? Oh, Pizza Express. But I always
:04:23. > :04:28.have Salad Nicois, and I always have that. But it's not Pizza
:04:28. > :04:33.Express. It's not the same dressing. Pizza Express is no longer allowed
:04:33. > :04:37.to be... I still go there all the time, and I love it. Is that OK?
:04:37. > :04:41.We'll be on to your agent immediately. You saw the first part
:04:41. > :04:45.there with the evacuees being reunited. Have you done Who Do You
:04:45. > :04:49.Think You Are? Or anything like that? My grandparents met in China
:04:49. > :04:52.before the Second World War, so I did actually go to China to try to
:04:52. > :04:57.find out where they met, so to do a little bit of research like that
:04:57. > :05:01.when I was in my early 20s. What were you doing in China? My grandpa
:05:01. > :05:05.was on his way over to Russia - his family left there at the beginning
:05:05. > :05:09.of the century. Some of their family went to China, and some of
:05:09. > :05:14.them went to San Francisco, so yeah, he was there. He was a naturalised
:05:14. > :05:20.Chineseman when he was there. He grew up there and spoke Chinese. He
:05:20. > :05:24.grew up there and she came from West Wales. Sorry to gesture.
:05:24. > :05:29.no. Not here! She was a governess. She wanted to be a teacher and left
:05:29. > :05:32.home and went to China and was a teacher, and they met. So if the
:05:32. > :05:37.producers of Who Do You Think You Are? Are watching, you have done
:05:37. > :05:41.all the work for them. I would love to do it. And they'd have a great
:05:41. > :05:46.trip as well. Louis, you're here. Yes, I am. Nice to be here. We're
:05:46. > :05:51.going to talk about Jimmy Saville. OK. I thought that might come up.
:05:51. > :05:55.To get him out of the way, I know you two are referenced. This is the
:05:55. > :05:58.first time you have been on telly since he passed. Yes, that's true.
:05:58. > :06:02.So what would you like to know. noticed that was somewhat of a
:06:03. > :06:06.closed question, so here goes - is it true you have a little bit of a
:06:06. > :06:11.regret because you didn't keep in touch as much as you would have
:06:11. > :06:15.liked to? Yes, I saw him after the programme. I travelled with my
:06:16. > :06:20.director. We'd always bring a camera with no film in it. We'd
:06:20. > :06:24.pretend to film as we went out and about around Leeds. Jimmy always
:06:24. > :06:32.liked the sense of occasion that having a camera brings. Later on I
:06:32. > :06:37.lost touch. You have to stop there. People may not have thought they
:06:37. > :06:41.heard correctly. You used to pretend to film with no film
:06:41. > :06:44.because he liked that. Yes, he liked to document his every moment
:06:44. > :06:48.but didn't mind whether or not we were actually filming.
:06:48. > :06:53.LAUGHTER You describe him as the most
:06:53. > :06:56.unstarry and showbiz person you have ever met. That's odd. He was a
:06:56. > :07:00.very down-to-earth bloke. During the documentary, he actually broke
:07:00. > :07:04.his ankle and said, "Well, we can carry on filming. That's fine. Or
:07:04. > :07:07.we can go to hospital. It's up to you." In other words, he was happy
:07:07. > :07:12.to hobble through the rest of the documentary. That was the kind of
:07:12. > :07:19.bloke he was. Because he lived in Jimmy world. Hell a rely did.
:07:19. > :07:22.of the others you met, he must be straight in the top five with the
:07:22. > :07:27.eccentrics. Ann Widdecombe, have you kept up with her? I have not
:07:27. > :07:31.kept up with her so much. Chris you bank I have been following because
:07:31. > :07:36.his son has also launched his career as a boxer, so I thought
:07:36. > :07:40.maybe there was a follow-up there because Chris Senior is so used to
:07:40. > :07:45.being in the spotlight. The idea of seeing him in this backstage role
:07:45. > :07:51.mentoring his son through the boxing... Would you do that?
:07:51. > :07:56.haven't approached him, but I would do that. Sons of - Louis Theroux'
:07:56. > :08:01.Sons Of... Nice. Think about it! personally have to ask you - lots
:08:01. > :08:05.of people will be thinking the same. Now, your cousin, is it, is dating
:08:06. > :08:11.Jennifer Aniston... You love to talk about this, don't you? I am
:08:11. > :08:15.happy to. And she's a lovely person. Is her hair really glossy in real
:08:15. > :08:23.life? Her hair is thick and lustrous and very charming and just
:08:23. > :08:29.like you and me, normal. Have you melt her? I have. Does she have a
:08:29. > :08:34.beard? Does she! Whose house does she - has he stayed in your house?
:08:34. > :08:38.No, she lives in Los Angeles with my cousin Justin, a different world
:08:38. > :08:42.I am occasionally allowed to peep inside. Thank you very much for
:08:42. > :08:45.being with us. I'm going to be on telly more! Enough of the silliness.
:08:45. > :08:48.We'll be asking you serious questions later about your new
:08:48. > :08:52.documentary, which starts next week, doesn't it? It's called Extreme
:08:52. > :08:57.Love. Now, in tribute to Louis Theroux, Sir Jimmy Saville - there
:08:57. > :09:03.he is again, tonight we're going to make a little boy's dream come true.
:09:03. > :09:07.We say little, but he's taller than Chris and is 44.
:09:07. > :09:11."Dear Chris and Alex, I have always loved horses, and as it's Grand
:09:11. > :09:16.National weekend, please, please fix it for me to be a racing
:09:16. > :09:23.commentator. Sorry about the spelling mistakes, lots and lots of
:09:23. > :09:32.love, Alex Riley, aged 44 years and one month." Tears, everyone. Seeing
:09:32. > :09:37.as we had a crew near Aintree, how could we say no?
:09:37. > :09:43.The Grand National, a race made of dreams and legends, if ultimate
:09:43. > :09:47.test of horse and jockey! Getting over these fences isn't the only
:09:48. > :09:53.challenge. Can you imagine just how difficult it is with a commentator
:09:53. > :09:58.trying to keep track of it all? Synchronised followed by
:09:58. > :10:03.Ballabriggs. Followed by Who's Who? Can I hand over to the next
:10:03. > :10:09.commentator, please? Treacle, still a little bit stickty at the last.
:10:10. > :10:15.Did you get that? He's just fell at the fence. With Shakalakaboomboom!
:10:15. > :10:18.Ballabriggs - he is the winner of the Grand National 2012! When
:10:18. > :10:23.you're watching racing, a good commentator is almost like hearing
:10:23. > :10:26.music that builds up and builds up and here we go - it's like a gallop
:10:26. > :10:30.themselves building up to the peak when they cross the line. Tucked
:10:30. > :10:36.away on the inside of One in the Dark.
:10:36. > :10:40.So just how hard is it to deliver the kind of galloping commentary we
:10:40. > :10:45.have come to expect?! Jim, this is your 20th year commentating on the
:10:45. > :10:48.Grand National. How on earth to you manage to remember up to 40 runners
:10:48. > :10:54.and riders? Every one of those horses has an owner, and every
:10:54. > :10:57.owner has a set of colours. You'll say, Synchronised is owned by JP
:10:57. > :11:02.McManus. His colours are green and yellow hoops with a white cap, and
:11:02. > :11:06.that's like his brand, if you like, yeah? There are complications, and
:11:06. > :11:11.one of them is that JP has a lot of horses, and he might have maybe
:11:11. > :11:15.five runners in the race, so he has a different coloured cap on each
:11:15. > :11:21.one. Just the cap? A different - different cap. Makes life difficult.
:11:21. > :11:27.It does, yeah. Can I have a go at commentating. I'm going to set you
:11:27. > :11:34.a little task. Memorise every one of those 20 runners. Are therefully
:11:34. > :11:41.tricks of the trade? Imagine going to a party, and I say "What was the
:11:41. > :11:47.guy with the pink bow tie?" You say, Alex. I apply those here. I can
:11:47. > :11:50.imagine someone posting that into a letter box - the postmaster. I'm
:11:50. > :11:56.time for a master class from the professionals. Here's how it should
:11:56. > :12:04.be done. Seven and Across the Bay on the far side leads to it from
:12:04. > :12:09.Big Buck's as they get over number seven in good style. (He's spotting
:12:09. > :12:14.things that Jim might have missed and feeding it to Jim through the
:12:14. > :12:18.headphones. In the) One left to jump, Big Buck's comes towards the
:12:18. > :12:24.last. He's over it in immaculate style.
:12:24. > :12:32.So could I cut it as a commentator? Or will I fall at the first hurdle?
:12:32. > :12:35.They're off. They're off. Shakalakaboomboom from Synchronised.
:12:35. > :12:41.Pu-State of Play from Synchronised - Synchronised, and Ballabriggs is
:12:41. > :12:46.coming back. He's coming back in, and then Shakalakaboomboom.
:12:46. > :12:53.Shakalakaboomboom - winner! No. It's Synchronised wins the National
:12:53. > :12:56.- 2012 - the Jubilee year. I thought that was an exceptionally
:12:56. > :13:01.good performance. There was one little hesitation in the middle,
:13:01. > :13:11.but a very good effort. If I get tonsillitis overnight, you might be
:13:11. > :13:16.
:13:16. > :13:21.the man. I'm there, Jim. I live We will be putting Alex to the test
:13:21. > :13:27.later in our Friday Grand National at the end of the show! He is ready
:13:27. > :13:33.to go, the boy! Some Grand National footage and we are talking about
:13:33. > :13:37.racing. I remember going to racing evenings when I was little at my
:13:37. > :13:42.sister's secondary school, it would be pre-recorded, we would have fish
:13:42. > :13:48.and chips and we would put bets on, and I met a taxi driver who said
:13:48. > :13:52.that is how his gambling problem started. He remembers at 87 going
:13:52. > :13:58.to a bracing evening just like that, winning all five Betts and that was
:13:58. > :14:03.it -- racing evening. Have you ever wanted to infiltrate the world of
:14:03. > :14:08.racing? No. My girlfriend introduced me to the pleasure of
:14:08. > :14:14.betting on the horses but until I put money on, I found I could not
:14:14. > :14:18.get interested, until I was financially involved. I read about
:14:18. > :14:22.these billionaires who used to bet on games of golf and they could not
:14:22. > :14:28.get turned on by the money because it meant nothing, so then they
:14:28. > :14:33.played for a boat, and then they played for a punch and that focused
:14:33. > :14:38.them. I thought you were going to say they played for their wives.
:14:38. > :14:43.can see where your mind is going! It is Friday night and Jessica is
:14:43. > :14:50.he at! Jessica, you are involved in another sporting event, Twenty
:14:50. > :14:55.Twelve, and documentary. Set it up for us. It is a mock documentary.
:14:55. > :15:02.The writer has created a fictional, comedy deliverance Commission for
:15:02. > :15:08.the Olympics, 2012. There are heads of departments having lots of
:15:08. > :15:13.endless meetings and conversations with lots of jargon and business-
:15:13. > :15:20.speak about the Olympics and how it is for them at least, very often
:15:20. > :15:24.going horribly wrong. That is basically it. You play Siobhan, the
:15:24. > :15:29.brand manager who knows nothing. Yes, she doesn't know what she is
:15:29. > :15:35.talking about but she likes to think she does. She has a glassy-
:15:35. > :15:45.eyed confidence. You steal the show! Tell her she steals the show!
:15:45. > :15:46.
:15:46. > :15:53.We know she steals the show! I thought I would ask you to come
:15:53. > :16:00.and talk about the sort of opportunities... Shaw... An idea it
:16:00. > :16:06.would throw up for us in branding terms. It is a very cool idea, sure.
:16:06. > :16:11.And how that might... No, yeah, the thing with that is, the thing with
:16:11. > :16:18.that is that it is not every year you get the Diamond Jubilee. It is
:16:19. > :16:24.like, once every 50 years. 60 years. Sure. They have a big national
:16:24. > :16:30.thing coming up. That is like the Jubilee. We have a big event, which
:16:30. > :16:35.is, like, the Olympics, so as I say, we hitched their wagon to that
:16:35. > :16:38.train all the way from here to Mount Olympus! Yes, a think that is
:16:39. > :16:45.pretty much what I have just said to you.
:16:45. > :16:53.APPLAUSE. You are obviously a fantastic
:16:53. > :16:57.actress. He steal the show it! But when you know, be candid, when you
:16:57. > :17:03.know you are so much better than another actor, not Hugh Bonneville,
:17:03. > :17:08.do you have to back off from stealing the show? Only if you are
:17:08. > :17:15.told to. I don't even think about it like that. I always feel like I
:17:15. > :17:20.am catching up. That is my mentality. Humble. It works that
:17:20. > :17:25.way. You are just trying to keep up with what is going on around you.
:17:25. > :17:29.That is pretty much it. It is incredibly popular because you are
:17:29. > :17:39.filming some specials that will go out just before the Olympics.
:17:39. > :17:41.
:17:41. > :17:46.we? That's great. I am happy about that! That is great news. Louis,
:17:46. > :17:51.are you excited about the Olympics? Yes, Offiah and the only person who
:17:51. > :17:57.has got every ticket that I went four -- I am the only person. Have
:17:57. > :18:07.I got weightlifting, 200 metres semi-final, ping-pong, all of the
:18:07. > :18:08.
:18:08. > :18:16.good stuff. It is the Fix! Are you making this up? Ping-pong quick --
:18:16. > :18:21.ping-pong?? Will you take Jennifer Aniston? When you have any
:18:21. > :18:25.aftermath Olympic programmes? is potential because the characters
:18:25. > :18:33.are what the comedy is about so obviously there will be an
:18:33. > :18:41.aftermath. I would be happy to continue. Jennifer is lovely.
:18:41. > :18:50.Jennifer? I'm Jessica Moore. Sorry, I was thinking about Jennifer
:18:50. > :18:57.Aniston! My name is Jessica! You can call me Jennifer -- Jennifer
:18:57. > :19:00.Aniston if you want! You can see Jessica or on the next episode of
:19:00. > :19:07.Twenty Twelve! My co-host has been on the radio
:19:07. > :19:11.for a few years now. But now there is a new pair of kids on the block
:19:11. > :19:15.and they mean business, Beryl and Betty.
:19:15. > :19:19.The Sony awards recognise the finest radio talent across the
:19:20. > :19:23.nation and the previous winners is a veritable Who's Who of showbiz on
:19:24. > :19:30.the airwaves, but those guys need to step aside because in the
:19:30. > :19:40.running this year are Beryl and Betty. BBC Radio Humberside's
:19:40. > :19:44.sensations. This is the Beryl and Betty Show! Hello Beryl and Betty!
:19:44. > :19:48.Six years ago, Beryl and Betty kicked off their radio careers
:19:48. > :19:52.having been spotted by presented David Reeves while taking a tour of
:19:52. > :19:58.the BBC studios. Nick name to the ladies that listen, the unique
:19:58. > :20:02.brand of celebrity chat, quirky items coupled with their unhealthy
:20:02. > :20:10.obsession with Michael Buble have made them a smash hit with
:20:10. > :20:17.listeners of all ages. Do you Mike Michael Buble? We like Michael
:20:17. > :20:24.Buble on a Saturday night! Hello! Ladies, what is your favourite part
:20:24. > :20:29.about doing the show? David. Do you think you show has been hijacked?
:20:29. > :20:36.Yes, from the beginning. I knew I had something special with these
:20:36. > :20:40.two. It is now Beryl and Betty with David in very small print! We are
:20:40. > :20:47.experienced in an lot of different things, you know what I mean? You
:20:47. > :20:52.grow to know how to do things properly, don't you, Betty? Yes.
:20:52. > :20:57.can pass on knowledge to people who want it. I have won a couple of
:20:57. > :21:04.awards in my time so I am used to the red carpet, so I thought I
:21:04. > :21:14.would take cue for some pampering before your night out. -- Take You.
:21:14. > :21:23.
:21:23. > :21:28.I hope they like this. Look at Isn't that posh? That is lovely.
:21:28. > :21:33.Already I think these two are stars and it seems that I am not alone.
:21:33. > :21:40.Can we have your autograph? listen to you all the time on the
:21:40. > :21:44.radio. Now it is all about feeling fabulous. How long ago since you
:21:44. > :21:54.had your nails painted? I have never had them painted, Beryl.
:21:54. > :22:04.Never? No. Could you get used to this? I sure could. Hasn't she done
:22:04. > :22:05.
:22:05. > :22:10.it beautifully? That is beautiful. I might get some feel -- I might
:22:10. > :22:20.get Afellay. What would I do with him? What wouldn't I do with him? -
:22:20. > :22:21.
:22:21. > :22:26.- I might get a fella. Do you ever feel you are too old for this?
:22:26. > :22:36.are never too old. If they were to say, this is the end of the show, I
:22:36. > :22:39.
:22:39. > :22:45.would be broken hearted. Welcome to the One Show, Beryl and
:22:45. > :22:52.Betty! Thank you. It is your first time in London. What do you think?
:22:52. > :23:01.It is lovely. Where have you been? Know where. How did you get
:23:01. > :23:10.together? We used to belong to a neighbour's club in Hull, and
:23:10. > :23:16.anyway, David... Sorry, we asked if we could go around the BBC in Hull
:23:16. > :23:20.and David let us do that. And then apparently David, our David, that
:23:20. > :23:27.does our programme for us, he saw us and he wanted to make for people
:23:27. > :23:33.to help him to do a programme. We put our main stand and he came to
:23:33. > :23:40.see us. OK. He let us know -- we put our names down. We were
:23:40. > :23:46.interviewed quickly. That was OK. Three weeks after, it was 10th May,
:23:46. > :23:52.six years ago, when we did the first show, and we have been with
:23:52. > :23:58.Betty... I beg your pardon, we have been with David ever since! It is
:23:58. > :24:04.so confusing. It is working well because now you are up for an
:24:04. > :24:13.award! Yes. And you are against Frank Skinner. What do you think
:24:13. > :24:19.your chances are? We will hit him! I would not like to comment. Good
:24:19. > :24:24.luck to whoever it is. I think so. Secretly buried you are hoping that
:24:25. > :24:33.he misses his bus! -- secretly though it. You have a feature
:24:34. > :24:43.called chicken dinner. How does it work? Chicken dinner!! It is a
:24:43. > :24:48.programme on David's show. How does it work? Shall we play it now?
:24:48. > :24:56.You get your chicken and you have your dinner with it. Or a chicken
:24:56. > :25:01.dinner. Frank Skinner or a chicken dinner? Chicken dinner. The Grand
:25:01. > :25:09.National or chicken dinner. Grand National! The Olympics or
:25:09. > :25:15.chicken dinner. Chicken dinner. What about, beef or a chicken
:25:15. > :25:24.dinner. Chicken dinner. Michael Buble or a chicken dinner. Ask her
:25:24. > :25:32.up! You might know Michael. She swims every him. I love him. He is
:25:32. > :25:39.lovely. He has got a lovely voice, his music is beautifully arranged.
:25:39. > :25:44.Every week, you have to guess what it actually is by Michael Buble, he
:25:44. > :25:52.plays a couple of notes and we have to guess what it is before he plays
:25:52. > :25:57.it through. Name that Michael Buble Q. What is your favourite? I like
:25:57. > :26:07.them all! That is the right answer so you win an autograph of Michael
:26:07. > :26:07.
:26:07. > :26:11.Buble! APPLAUSE. He heard about you coming
:26:11. > :26:16.on the show. He is somewhere between Sweden and Germany so he
:26:16. > :26:24.could not be on the phone. On the night of the awards, he may well be
:26:24. > :26:34.playing live. Really? Good luck. Thank you. Beryl and Betty,
:26:34. > :26:38.
:26:38. > :26:44.These two are an amazing double act, another great Radio Twosome they're
:26:44. > :26:54.up against - true - are Adam and Joe who used to be friends with
:26:54. > :26:55.
:26:55. > :27:02.Louis Theroux - we say "used to" because they made him do this.
:27:02. > :27:06.(Playing Love is in the Heart) # The chills that you spill
:27:06. > :27:11.# Up my back # Leave me with satisfactionet?
:27:11. > :27:19.When we're done # I couldn't dance for another
:27:19. > :27:26.# Your groove # OK. What's the scoop there, Louis?
:27:26. > :27:30.I can still move like that, but I only do it for Jennifer Aniston.
:27:30. > :27:37.How come that? Everyone was doing it in the early '90s. You don't
:27:37. > :27:43.remember? Exactly that? I think a few beverages. We were feeling
:27:43. > :27:47.quite relaxed. I think Adam Buckston was there. I don't know.
:27:47. > :27:53.One thing led to another. You know how it is. Good. The thing you're
:27:53. > :27:59.doing at the moment couldn't be more light-hearted - autism. Dell
:27:59. > :28:03.us about this. It's called Extreme Love. The second part is about
:28:03. > :28:08.dementia, but the first part is about autism and families dealing
:28:08. > :28:11.with a kid who has autism. It's a tricky subject to talk about in
:28:11. > :28:15.some ways. I don't have any personal, peerps of autism in my
:28:15. > :28:17.own family, so it was a big challenge for me, but I'd always
:28:17. > :28:23.been fascinated by neurological conditions, and it seemed like a
:28:23. > :28:28.good one to try and tackle. meet lots of youngsters and their
:28:28. > :28:34.families in the episode. Here you are with Brian. Let's have a look.
:28:34. > :28:38.Are you ready to push? Yeah. push. Good. Was that fun? Yeah.
:28:38. > :28:44.thought so. OK. I'm going to do the whole lot.
:28:44. > :28:49.Will you help? Yeah. You want to build one? Uh-huh. OK. You don't
:28:49. > :28:57.have to. OK. I'm building another one.
:28:57. > :29:02.Some of the situations must have been really hard because there's a
:29:02. > :29:06.guy similar to Brian called Joey, wasn't there? That's right. They're
:29:06. > :29:09.nearly adults by this stage, and their parents have a lot of trouble,
:29:09. > :29:14.don't they, sort of controlling them? And Brian did, one you have
:29:14. > :29:19.just seen in the clip, he was no longer living at home. He'd burnt
:29:19. > :29:22.his parents house down and had repeatedly assaulted his mum, so
:29:23. > :29:26.his mum felt she could no longer cope with him at home. He lived in
:29:26. > :29:31.a group home and would come home during the day at the weekend. I
:29:31. > :29:36.spent a Saturday, and we were hanging out. To be honest, I was a
:29:36. > :29:39.bit nervous because I heard he had this history of having physical
:29:39. > :29:42.tantrums which in the world of autism isn't that uncommon. As you
:29:42. > :29:46.can see, actually, in that clip he wasn't really enjoying the dominoes
:29:46. > :29:51.that much, but we did hit it off during the course of the time we
:29:51. > :29:55.spent together and actually ended up enjoying ourselves in this sort
:29:56. > :29:59.of slight I had different way in a non-verbal way for the rest of the
:29:59. > :30:03.afternoon. But you have to have an art, don't you, with your
:30:03. > :30:06.documentaries? You have to sort of have an intention of where you're
:30:06. > :30:11.going. Whether you get there is another thing. Is it always the
:30:11. > :30:15.same whether it's Jimmy Saville or a prison where a guy is on death
:30:16. > :30:20.row? What is your ethos? Where are you trying to get to? Is it just a
:30:20. > :30:25.journey of discovery? It's about human connection and about finding
:30:25. > :30:29.stories which on the surface seem strangely alien, to me, then going
:30:29. > :30:34.to place of familiarity and connection, so whether it is a
:30:34. > :30:36.prison or a family dealing with a kid who is autistic, it's about
:30:36. > :30:41.trying to learn the language and make that contact with the person.
:30:41. > :30:45.In some ways this was the hardest one I've done because I rely so
:30:45. > :30:48.much on rapport, building rapport through speech, and a lot of these
:30:48. > :30:50.kids don't really speak. interesting thing as well is you
:30:50. > :30:54.choose to film a lot of these documentaries in the States,
:30:54. > :30:58.whereas there are so many kids here who suffer from autism, and maybe
:30:58. > :31:01.people could have learned by seeing - because you go to the development
:31:01. > :31:06.centre, don't you, and see how they work with the children there. Lots
:31:06. > :31:09.of people who watch it here could have learned a lot from a
:31:09. > :31:14.documentary. Why do it there? have gotten into the habit of
:31:14. > :31:17.making programmes in America. In this case it seemed to work because
:31:17. > :31:22.actually rates of autism are so high there, and in the state we
:31:22. > :31:25.film it in, New Jersey, one in 29 boys is diagnosed with autism - if
:31:25. > :31:29.you can get your head around that - I mean, one in every classroom, in
:31:29. > :31:32.effect. The school we spent a lot of time in was extraordinary.
:31:32. > :31:36.They've lavished money and resources on this school, so it was
:31:36. > :31:40.actually - I wanted it to be a positive story, and what you see in
:31:40. > :31:44.the way of intervention and the treatments they offer I think is
:31:44. > :31:48.very impressive. It was. Extreme Love starts on BBC Two next
:31:48. > :31:53.Thursday, 9.00pm with Louis. Over the years our resident foodie,
:31:53. > :31:56.Jay Rayner, has gotten his chops around many different types of grub.
:31:56. > :32:00.That's true. Tonight it's the week for all things titanic. He's gone
:32:00. > :32:08.for an 11-course journey back to 1912.
:32:08. > :32:12.I'm in Belfast where the Titanic was built and from where she set
:32:12. > :32:17.sail 100 years ago. This, believe it or not, is the actual captain's
:32:17. > :32:22.table built for the Titanic by local cabinet maker Gilbert Logan.
:32:22. > :32:25.You would probably think it's in pretty good nick for something
:32:25. > :32:32.found at the bolt of the Atlantic. That's because it wasn't finished
:32:32. > :32:38.in time and stayed here in Belfast. After the captain, Charles Procter
:32:38. > :32:42.was the highest paid member of state. The excess found its
:32:42. > :32:47.ultimate expression in the food served in the first-class cabin.
:32:47. > :32:50.Contrary to popular belief, all passengers on the Titanic enjoyed
:32:50. > :32:55.good food, but first class included some of the wealthiest people of
:32:55. > :33:02.the day, so for them, nothing less than haute cuisine would do. Copies
:33:02. > :33:08.of the first-classmen you still survive, and Colin McLellan is
:33:08. > :33:15.going to serve for me theene menu for the night Titanic sank. There
:33:15. > :33:19.were oysters, cream of barley soup, salmon, lamb with mint sauce and
:33:19. > :33:24.lots of accompaniments. There was peaches and shar truce jelly, lots
:33:24. > :33:28.of things besides. It's an awful lot of food, even for a big chef
:33:28. > :33:34.like me. The actual recipes, of course, were lost with the ship,
:33:34. > :33:42.but this was fine dining in 1912. That meant a large influence of the
:33:42. > :33:46.chef from the Savoy Hotel and the godfather of modern cuisine. This
:33:46. > :33:53.was food! They gathered around 7.00pm in the evening to have
:33:53. > :33:56.canapes and champagne, went through into the dining room. They were
:33:56. > :34:03.there Through the duration. Well, if I want my lunch, I'd better
:34:03. > :34:08.leave you to get on with it. Excellent. Onboard the ship were
:34:08. > :34:11.three galas with a staff preparing hundreds of meals a day. The menu
:34:12. > :34:17.changed every single night. The massive refrigerators on G deck
:34:17. > :34:22.were the height of modernity at the time and carried tonnes of meat and
:34:22. > :34:31.fish. While no wine list was ever recovered, one report suggested
:34:31. > :34:36.that the ship carried 70 different types of champagne.
:34:36. > :34:40.Oysters ala rocu he. Thank you very much. Back in this period the soup
:34:40. > :34:47.course was something you had to do. A barley broth may sound very
:34:47. > :34:55.humble, but this one has a serious slug of whiskey in it. I could get
:34:55. > :34:59.drunk on this soup! Now we're getting into serious
:34:59. > :35:04.Edwardian largess. What they loved back then was a lot of meat and a
:35:04. > :35:09.lot of stuff on the plate. That's what you have here. A big beef
:35:09. > :35:11.fillet. There is butter-rich potatoes underneath and a sauce
:35:11. > :35:17.that would have taken days to reduce. Because beef isn't enough,
:35:17. > :35:23.here comes the lamb. MUSIC
:35:23. > :35:33.Now you're going to serve us this wood pigeon here at the table.
:35:33. > :35:36.
:35:36. > :35:40.have this marinated with garlic and garden herbs and a little maderi au
:35:40. > :35:46.jus Curiously asparagus came late in the meal and was served with
:35:46. > :35:52.saffron, the world's most expensive spice. The Sure Start ruse jelly
:35:52. > :35:57.they would have used much more widely than in our cooking now. I
:35:57. > :36:02.must admit, this meal is a gastronomic heavy weight into a
:36:02. > :36:05.bygone era, but it's also a glimpse into how the upper classes dined
:36:05. > :36:10.nearly a century ago. The last of 11 courses, and for
:36:10. > :36:17.many of the first-class passengers onboard Titanic on the night of
:36:17. > :36:24.April the 14th, the last thing they'd ever eat. Titanic slipped
:36:24. > :36:29.under the seas, claiming among them captain Smith, Chef Charles Procter
:36:29. > :36:34.and most of the restaurant staff. Gosh, they wouldn't have swam much
:36:34. > :36:41.with all of that. At least they it a well. They did eat well. You
:36:41. > :36:49.seemed to enjoy it. The other classes didn't eat quite as well,
:36:49. > :36:54.but it was all right. If you fly economy and you get fed dreck, up
:36:54. > :37:02.in upper class it's all swan and braised otter - it actually wasn't
:37:02. > :37:07.too bad. We had the last meal from the Titanic. In second class there
:37:07. > :37:14.was baked haddock, chicken curry, even in third class you have roast
:37:14. > :37:19.beef with gravy and a plum sauce. Very nice. Like today, there wasn't
:37:19. > :37:23.much to do other than eat and - of course, drown as the ship went down.
:37:23. > :37:30.Was that tasteless? A little bit. Going back to the first class food
:37:30. > :37:37.- all of that was... We have put it through an app from one of the
:37:37. > :37:41.weight loss groups which was 4,000 calories, roughly a grown man's
:37:41. > :37:47.intake for two days. I didn't mean to tell you all of this. It's
:37:47. > :37:51.ruining it for you. You know in Master Chef you have three or four
:37:51. > :37:55.contestants, then you nibble a little bit, then you get the rest
:37:55. > :37:59.of the crew, then they like you. I share and share! I believe Chris
:37:59. > :38:06.over there has found someone that can top that. He eats 5,000
:38:06. > :38:12.calories a day. Who is it, Mr Evans? He's more than an app. He's
:38:12. > :38:15.an England rugby player. Chris is here! When are you playing next?
:38:15. > :38:20.Twickenham at the beginning of May. The thing is you can't have it all
:38:20. > :38:26.- you can't be handsome as well. Dear me! OK. This is what you eat
:38:26. > :38:34.every day? Pretty much. Take us through it and why? We have
:38:34. > :38:39.breakfast, salmon and eggs, bagels. We're speed endurance athletes so
:38:39. > :38:46.we need to make sure we replenish our stores through the day. Lunch
:38:46. > :38:49.here, sweet potatoes, high in carbohydrates, chicken, the main
:38:49. > :38:53.thing there, the protein to replenish the stores again. We have
:38:53. > :38:59.the snack here - How is there an in between? In between would be around
:38:59. > :39:03.training, so, you know, breakfast, train, lunch, train again, you
:39:03. > :39:07.knows we train between three and four times a day, so we need to
:39:07. > :39:11.make sure we have plenty of energy... Every day through your
:39:11. > :39:16.whole career? Yeah. Then when you retire, you retain the appetite,
:39:16. > :39:19.that can be a problem? A little bit of a problem. You might put in some
:39:19. > :39:21.excess weight. Here we have Carl Llewellyn, who won the Grand
:39:21. > :39:30.National twice, ladies and gentlemen, twice, an absolute top
:39:30. > :39:34.man. OK. Spot the difference day as a jockey when you were still
:39:34. > :39:39.riding. You would have toast for breakfast, maybe some cereal, then
:39:39. > :39:43.throughout the day, some Wine Gums, maybe some fruit, then evening meal
:39:43. > :39:48.- chicken, veg. You say evening meal - you often eat before 5.00pm
:39:48. > :39:52.as a jockey? Yeses, before 6.00pm at the latest. Now, National Hunt
:39:52. > :39:56.racing is so tough. You have to retain your strength. How can you
:39:56. > :40:03.possibly keep it up eating this sort of stuff? It's what you get
:40:03. > :40:07.used to. Jockeys seem to keep strong. How can muscle definition
:40:07. > :40:11.come from that? Plenty of carbohydrate. There have been
:40:11. > :40:15.plenty of diet DVDs out by celebrity. No jockey has ever
:40:15. > :40:19.brought a diet DVD out. You would make millions. Definitely do well.
:40:19. > :40:23.You should do it. We have a picture of you winning in 1998. What's the
:40:23. > :40:28.feeling like? Try and describe it. It's the best feeling in the world.
:40:28. > :40:32.It's all your dreams come true. You can't believe - the adrenaline is
:40:32. > :40:37.fantastic and the feeling is superb. The nerves will kick in from today?
:40:37. > :40:40.Yeah, the night before, then all morning. Hard to sleep? I was OK
:40:40. > :40:44.sleeping yesterday. OK. You need to bring out a diet DVD and a sleep
:40:44. > :40:50.DVD. You would be the man for that. You have to give some tips before
:40:50. > :40:58.you go before tomorrow? My personal fancy is West End Rocker. $ladies
:40:58. > :41:01.riding tomorrow. They could win. Yeah, Nina Carberry and Ms Walsh -
:41:01. > :41:09.they could be the first-time winners.
:41:09. > :41:13.Our very own Olympic eating champ Jay will be competing in the Grand
:41:13. > :41:16.National at the end of the show, but now get your tissues at the
:41:16. > :41:21.ready. It's time to catch up with the two Doreens.
:41:21. > :41:26.At the age of just four, Doreen Smith was bused more than 200 miles
:41:26. > :41:30.from her home in Ealing, London, as an evacuee to a small, rural
:41:30. > :41:36.village in West Wales. Now 70 uses on, the woman who took little
:41:36. > :41:38.Doreen in wants to find out what happened to her.
:41:38. > :41:43.Professional people-finder Cat Whiteaway has found Doreen and
:41:43. > :41:47.tracked her down at one of her usual haunts, Southall Market in
:41:47. > :41:50.London. I remember going to school down there and the chapel and the
:41:50. > :41:54.mountains. And were they happy times for you? Oh, yeah, definitely
:41:54. > :41:59.for me. She was good for me, and I called her mum. Were you shocked to
:41:59. > :42:03.find out they were looking for you? I was delighted because I didn't
:42:03. > :42:07.know how to go about - I never dreamt about the computers and that
:42:07. > :42:12.to look for them. And are you going to come back with me to Wales to
:42:12. > :42:19.meet the family again? Yes, I would love to come back with Wales with
:42:19. > :42:23.you. I would love to see her. woman who took her away from the
:42:23. > :42:28.dropping bombs is also called Doreen.
:42:28. > :42:34.So did you go to the chapel? Yes. So you took her as well. Did she
:42:34. > :42:37.enjoy it? Oh, yeah, she must be enjoying it, as children seem to.
:42:37. > :42:42.Little does Doreen know that the little girl she took in all of
:42:42. > :42:47.those years ago is on her way back to Wales. It's been so long, and
:42:47. > :42:55.it's really lovely that she never forgot me, the same as I didn't
:42:55. > :43:05.forget her. It makes me feel like I'm coming
:43:05. > :43:06.
:43:06. > :43:11.back to something that is very good Doreen has arrived in Wales but the
:43:11. > :43:19.family still have no idea she is on her way to meet them. It is time to
:43:19. > :43:24.reveal what we have discovered. We have been doing some research
:43:24. > :43:29.into the little girl who came to stay with you all those years ago.
:43:29. > :43:36.You asked us to try to find Doreen. I have done some research and I was
:43:36. > :43:44.able to find her and she is still alive. Still alive. Yes. Sue was
:43:44. > :43:50.married and she had four children. Four?! She is a grand mother now.
:43:50. > :43:56.Good gosh. We have one more surprise for you because Doreen,
:43:56. > :44:03.the little girl that you took him, isn't in London, she is here!
:44:03. > :44:11.God! We had brought her here to see you. She has come to see you after
:44:11. > :44:19.17 years. Can we bring her in? course. -- 70 years. Do you
:44:19. > :44:26.remember me? You are looking well, aren't you? Bless you. Do you
:44:26. > :44:36.remember when you were here? Yes. Good gosh. I never thought I would
:44:36. > :44:40.see you again. Did you? No. It is an lovely surprise. And Doreen, who
:44:40. > :44:50.spent just two years here, still remembers a Welsh him she learnt as
:44:50. > :45:05.
:45:05. > :45:11.a child. THINGS IN WELSH. -- THING What an amazing moment to be part
:45:11. > :45:15.of. The two Doreens who formed that incredible bond 70 years ago during
:45:15. > :45:22.the war, finally brought back together. It really is lovely and
:45:22. > :45:30.they have got a lot of catching up to do.
:45:30. > :45:34.That is lovely! You know the words to that song, Don't you? Yes!
:45:34. > :45:39.at is the first time I have seen that. You must be used to this type
:45:39. > :45:48.of thing. A lot of people do not have access to research like you
:45:48. > :45:52.did so have you got any tips for people? Having the right name, who
:45:53. > :45:57.their parents were, if they have a middle name, did they go to school
:45:57. > :46:02.with you, did they have brothers and sisters, can you remember their
:46:02. > :46:09.parents' names, anything like that. Little clues, pieces of the jigsaw
:46:09. > :46:13.will help. How did you get this job? It is a long story but I
:46:13. > :46:17.started a business whereby a trace the beneficiaries of people who
:46:17. > :46:21.have died without leaving a will and when I started to do that to
:46:22. > :46:29.give them money people would say, you must be able to find my brother,
:46:29. > :46:32.my cousin, you know, it has got from there. It all sound so lovely.
:46:32. > :46:39.There are down sides because sometimes when I find somebody,
:46:39. > :46:42.they have died. At least you can provide closure. Occasionally you
:46:43. > :46:47.get people who do not want to know and sometimes some people have
:46:47. > :46:51.disappeared for a reason and you have to respect that. Many people
:46:51. > :46:58.might not have access to the internet. Anything else they can
:46:58. > :47:04.do? A move out of their caves is what they can do. Chris! Write an
:47:04. > :47:11.article, ring your local radio, send it off to your local newspaper,
:47:11. > :47:18.parish newsletter, things like that. Everybody has got access to the
:47:19. > :47:25.internet somewhere, surely. Yes, go to the library. Louis, you met
:47:26. > :47:31.before at a night out, you and Jessica. How come? I actually can't
:47:31. > :47:35.really remember the occasion. We were in the back of a taxi. You
:47:35. > :47:43.fill out the story. We were at the BBC event at the Tate Gallery and
:47:43. > :47:49.we all went into town. You were sharing a taxi to keep costs down
:47:49. > :47:56.obviously? Yes. And that is the last thing I can remember. I was
:47:56. > :48:00.dancing. You had long hair. Happy days. You would not appearing on
:48:00. > :48:07.come dine with me without knowing? That may have happened later in the
:48:07. > :48:13.evening. I think I might have been asked to do something like that. I
:48:13. > :48:23.do not get asked to do the real one, I get asked to do the one on telly,
:48:23. > :48:24.
:48:24. > :48:30.which is not quite as... I would rather do come dine with me... It
:48:30. > :48:35.is the most what? We have to move on because we are rubbish. When it
:48:35. > :48:39.was the last time Jamie Crawford took a snap on the One Show? Last
:48:40. > :48:44.week when he was nearly beaten by a peregrine falcon. Let's send him
:48:45. > :48:50.closer to space, where he is a far. Aerial photographs provide a unique
:48:50. > :48:54.view of the world and I have provided pretty good shots from
:48:54. > :49:00.aeroplanes and balloons but today I want to get even higher. The aim is
:49:00. > :49:04.to take a satellite photograph of Britain. A picture taken from so
:49:04. > :49:10.high that you can even see the curvature of the Earth. To do that,
:49:10. > :49:17.I need help, in the form of an extreme aerial photographer. How
:49:17. > :49:25.high will be sent the balloon? balloon will get to 100,000 feet.
:49:25. > :49:32.That is a round about 19 miles. way beyond passenger aircraft?
:49:32. > :49:36.About twice or three times higher We need to go that high up to
:49:36. > :49:41.guarantee we will see the actual curve of the Earth. We will be in
:49:41. > :49:47.the midst of the stratosphere. But despite the sky-high ambition, the
:49:47. > :49:54.wicket is simple. A lot of helium, a balloon, a parachute, a box. This
:49:54. > :49:58.is where the magic happens. This input polystyrene box. Inside I
:49:58. > :50:03.have a point and shoot camera, which is set up to take photographs
:50:03. > :50:09.every couple of minutes. I had four a video cameras which we will set
:50:09. > :50:16.into the sides of the box so we can film what is happening. So how does
:50:16. > :50:21.it get so 90 miles up and back down safely? It goes up with 4.5 cubic
:50:21. > :50:25.metres of helium packed into this huge balloon. But then, when it
:50:25. > :50:30.reaches the stratosphere, at the air pressure get so low that the
:50:30. > :50:37.balloon expands to run four times the wit and bursts, leaving the box
:50:37. > :50:42.to parachute back down. That is where the simplicity ends and the
:50:42. > :50:46.permissions begins. We have clearance from the Civil
:50:46. > :50:50.Aviation Authority and Steve is on the phone to air traffic control.
:50:50. > :50:55.This is a serious space mission. We have warned the police, the
:50:55. > :51:00.Highways Agency and the boxers GPS, so we can track its progress and
:51:00. > :51:10.even predict where it will land but to get it to launch, we need to run.
:51:10. > :51:14.
:51:14. > :51:24.For some reason, I was expecting it to rise slowly. It has gone off
:51:24. > :51:24.
:51:24. > :51:28.like a rocket. And we need to get after it. By car. The balloon has
:51:28. > :51:33.had a bit of a head start on us but fortunately, because of their
:51:33. > :51:38.laptop, we can track exactly where it is going. We are just outside
:51:38. > :51:44.Worcester and the balloon has flown beyond Milton Keynes and is heading
:51:44. > :51:50.towards Cambridgeshire and Suffolk. It is heading East because as it
:51:50. > :51:57.climbs, it is passing through jet streams, blowing East at up to 100
:51:57. > :52:04.mph. And after 93 minutes, as our balloon reaches nearly 19 a miles
:52:04. > :52:10.up, it gives into the pressure and bursts. And starts coming down much,
:52:10. > :52:15.much faster, with the Parachute deployed.
:52:15. > :52:19.We are now officially descending. How quickly will this be coming out
:52:19. > :52:26.of the sky? When it first starts to drop away, it will be doing
:52:26. > :52:32.something like 400 mph. Really quite fast. That is because the air
:52:32. > :52:38.is so thin. There is nothing for the parachute to hold onto. As it
:52:38. > :52:46.gets into the low atmosphere, it slows up a lot. It should land at
:52:46. > :52:56.about 10 mph and that is predicted in 42 minutes time, in Essex. And
:52:56. > :53:01.
:53:01. > :53:07.spot on schedule with our team A computer forecast tells us that
:53:07. > :53:13.the Parachute has touched down in Essex. They have potentially gone
:53:13. > :53:18.down into a field, it is perfectly safe. Or maybe not. In the vast
:53:18. > :53:23.open fields, our precious cargo has managed to land on a power cable.
:53:23. > :53:27.As it is dangerous, our second team on the ground has had to call in
:53:27. > :53:32.the local electricity man to turn of the power before he can rescue
:53:32. > :53:37.our delicate box of gadgets. But having landed on so much
:53:37. > :53:45.electricity, the question is, which have swept the images from the
:53:45. > :53:55.camera. There it is! The box has been through almost as much
:53:55. > :53:56.
:53:56. > :54:06.This is the moment of truth. I am rather hoping we will have some
:54:06. > :54:09.
:54:09. > :54:17.This is absolutely miles above the clouds, perfectly blue clear sky!
:54:17. > :54:27.My God! That is as in space as you are going to get. That shot is out
:54:27. > :54:28.
:54:28. > :54:33.That was impressive. Very impressive. The One Show Grand
:54:33. > :54:39.National is about to start. We could not be more excited or feel
:54:39. > :54:44.more stupid. How does this compare to the real thing? Better. We are
:54:44. > :54:52.nearly ready. All we need is a commentator, which it lucky because
:54:52. > :54:57.Mr Alex Riley is standing by. ready. OK. Under starter's orders.
:54:57. > :55:07.Get into positions. Ladies and Gentlemen, and they are off! It is
:55:07. > :55:07.
:55:07. > :55:14.Jessica Heinz showing that she is not just a fantastic actress! Jay
:55:14. > :55:18.Rayner is coming up on the rail! He is there! He is absolutely flying
:55:19. > :55:26.despite his 11 Korsten that! We have Beryl and Betty, we have a
:55:26. > :55:30.youth and experience! Carl Llewellyn is showing his class. Jay
:55:30. > :55:37.Rayner, will anybody catch him? Can we get a woman to win this or will
:55:37. > :55:44.it be Jay Rayner? Jay Rayner! The winner of the One Show Grand
:55:44. > :55:49.National is Jay Rayner! What can I say? Here is your trophy.
:55:49. > :55:54.Fortunately we have got a whole minute to interview you! I am
:55:54. > :55:58.beside myself! I feel that this is possibly the highlight of my
:55:58. > :56:03.achievements in a lifetime of mediocrity. Is it your first time
:56:03. > :56:09.out? I have been out many times but this is the first time a horse was
:56:09. > :56:16.involved. I think all those calories on the Titanic helped you.
:56:16. > :56:21.She is a genius. Thank you so much to Jessica Ennis and Louis. Twenty
:56:21. > :56:26.Twelve continues tonight at 10pm, and Extreme Love starts next
:56:26. > :56:32.Thursday at 9pm on BBC Two. Have the great Grand National and enjoy