:00:17. > :00:19.Hello and welcome to the One Show with Matt Baker.
:00:20. > :00:24.Tonight, we're hitting the turbo-boosters and going full
:00:25. > :00:26.steam ahead as we continue our search for Britain's
:00:27. > :00:39.Steam, I love it. Ladies and gentlemen, fasten your seat belts,
:00:40. > :00:45.it the jet engine. LAUGHTER Yes, Len Goodman and David Harewood
:00:46. > :00:50.will be locking horns later. That's after we've met a man
:00:51. > :01:04.who truly reinvented himself. APPLAUSE
:01:05. > :01:10.Welcome along. We say that because we read that you were a teacher and
:01:11. > :01:14.became an actor at the age of 34 and had your first big role at the age
:01:15. > :01:21.of 40. Did you have a moment when you thought you had arrived? You
:01:22. > :01:25.never quite get to that place, but I remember writing down my occupation
:01:26. > :01:31.on my passport when I had to renew it and writing down actor and it was
:01:32. > :01:37.a seminal moment. I remember thinking, yeah, I've come home. It
:01:38. > :01:40.fell, teaching and acting are quite similar in the way that you are
:01:41. > :01:45.trying to entertain people and throw out a few truths. You were trying to
:01:46. > :01:51.get into the school play? Not really. I had a great teacher at
:01:52. > :01:54.primary school who put on crazy concerts and I loved it, but
:01:55. > :01:59.secondary school put an end to that and I thought it was rather people,
:02:00. > :02:02.really. We left school and we started a theatre company, but it
:02:03. > :02:08.was never the intention to do it full-time. Just because we loved it.
:02:09. > :02:16.Talking about inventions, one thing has changed your life, what would
:02:17. > :02:21.you say? The iPod, when I was going away, I love listening to music and
:02:22. > :02:26.that was the most miraculous thing whereby you didn't have to go
:02:27. > :02:30.through whatever music you had and decide what to bring with you, when
:02:31. > :02:34.you were going away. I couldn't get over the fact that you would put in
:02:35. > :02:41.a pair of it plugs. What is your favourite track on your iPod? I have
:02:42. > :02:49.loads of them, 27,000 songs or something. 27,000! That is very good
:02:50. > :02:56.memory. The random button cannulae due in for a month. -- can lead you
:02:57. > :03:04.in for a month. This song no doubt has featured on many iPods over the
:03:05. > :03:11.years, and we are going to meet the woman who wrote and sang it later
:03:12. > :03:14.on. Christine McVie of the Fleetwood Mac, the writer of so many stone
:03:15. > :03:20.cold classic. Looking forward to seeing you later on. Before that,
:03:21. > :03:26.and before we talk to Brendan, we want you to get involved. In his new
:03:27. > :03:29.film he plays a gruff recluse who starts a very unlikely romance with
:03:30. > :03:34.a much more polished woman played by Diane Keaton. We want to see the
:03:35. > :03:38.unlikely couples out there, who is punching above their weight, that is
:03:39. > :03:43.what we are asking. Yes, we want to see couples who are totally chalk
:03:44. > :03:46.and cheese. Please send a photograph to the usual address and tell us why
:03:47. > :03:49.you are such an odd couple. We know there will be
:03:50. > :03:52.lots of you watching who are huge Roald Dahl fans -
:03:53. > :03:55.and it's hard to think of his stories without
:03:56. > :03:56.imagining Quentin Blake's wonderfully distinctive
:03:57. > :04:00.illustrations. In a rare interview,
:04:01. > :04:02.Cerys got to meet the legendary illustrator and was given exclusive
:04:03. > :04:11.access as he opens a new exhibition. Quentin Blake's illustrations have
:04:12. > :04:20.brought some of our best loved children's books to life. Who can
:04:21. > :04:24.forget Matilda? The BFG? There are literally hundreds of other books
:04:25. > :04:29.filled with his quirky creations. But at the age of 84, Quentin Blake
:04:30. > :04:31.has decided to take a break from children's books and has been
:04:32. > :04:38.working on something entirely different. An exhibition of his new
:04:39. > :04:46.work is about to open in his hometown of Hastings. And no waiting
:04:47. > :04:49.for us because we have been allowed a very special sneak preview with
:04:50. > :04:55.the artist himself. They are very different because they are huge. A
:04:56. > :04:59.lot of small ones as well but the bigger ones are bigger than anything
:05:00. > :05:05.I've ever done. They are quintessentially Quentin Blake,
:05:06. > :05:07.still. I hope so. Drawing is like handwriting, it is for me, and
:05:08. > :05:14.people seem to recognise it, you know. Believe it or not, with only
:05:15. > :05:18.days to go before the opening Quentin Blake is here to paint one
:05:19. > :05:23.last picture and he's doing it now on this wall and it's going to be
:05:24. > :05:29.his biggest yet. It's really not often that you get to see somebody
:05:30. > :05:37.painting up close like this. It is quite fascinating to work out his
:05:38. > :05:41.next move. Normally he illustrates an author's story but he has chosen
:05:42. > :05:48.his own scene for this exhibition, travel. I proposed the idea of the
:05:49. > :05:50.only way to travel was... Not the places you go to, but the way you
:05:51. > :06:03.get there, in fantasy. Liz Gillmor commissioned the
:06:04. > :06:09.exhibition and has known Quentin Blake a long time, so is she
:06:10. > :06:13.surprised by his latest creations? We hadn't expected the work to be so
:06:14. > :06:19.haunting, it punches you in the stomach and draws you in at the same
:06:20. > :06:22.time, great art will really caught you, you lie in bed and the image
:06:23. > :06:28.comes back into your mind. -- haunt you. There will be a total of
:06:29. > :06:34.hundred new pages including these watercolours. The 21 watercolours
:06:35. > :06:42.were made within about a week. The week? It was a creative outpouring
:06:43. > :06:48.by Quentin. Where does the inspiration come from, do you think?
:06:49. > :06:52.Don't know. Things come from other things that you have done, but
:06:53. > :06:57.sometimes people say, clearly you had seen so and so, but I think
:06:58. > :07:05.there is a reason for the things but they come from a lot further back
:07:06. > :07:08.than you know. Quentin's exhibition is about all kinds of journeys,
:07:09. > :07:15.physical ones and journeys of the mind. And although some paintings
:07:16. > :07:19.might seem to depict topical issues like immigration, remarkably that
:07:20. > :07:25.wasn't his starting point. There are things of isolation and difficulty
:07:26. > :07:31.and those are metaphors. I did not set of thinking I will do serious
:07:32. > :07:35.topics, you discover them in the pictures, in a sense. The characters
:07:36. > :07:44.are so human and fleshed out, with such few strokes. That is drawing.
:07:45. > :07:50.LAUGHTER Having experimented with giant
:07:51. > :07:55.pictures, and new techniques, will he be doing more of this in the
:07:56. > :08:00.future? I will certainly do more pictures like this. What they will
:08:01. > :08:07.be about, I'm not sure. It is a journey in itself. It is, yes. With
:08:08. > :08:14.just the last few master strokes, the final painting is finished. Do
:08:15. > :08:22.you like it? Do I like it? Well, I survived. No, I do like it. Quite
:08:23. > :08:29.physical, doing this painting, in you are in your 80s now. Do you
:08:30. > :08:31.think about retiring? No fear, no. The problem is, how can I stop?
:08:32. > :08:35.LAUGHTER If you'd like to see that
:08:36. > :08:47.exhibition it opens tomorrow We know that you are a big fan of
:08:48. > :08:54.Roald Dahl and Quentin Blake. Yes, completely unique. The combination
:08:55. > :09:02.is even more unique. Very good. It was great. I remember reading Roald
:09:03. > :09:04.Dahl to my kids a lot and then reading it because they wanted to
:09:05. > :09:10.read it themselves, and that is the sign they got it, it is a joy. Let's
:09:11. > :09:14.talk about the new film, Hampstead. There is a great story behind this
:09:15. > :09:21.one. It is based on a real-life character. Kind of based on a
:09:22. > :09:25.real-life case which happened, a man called Harry who lived just of
:09:26. > :09:33.Hampstead Heath on the grounds of what was at loan house. -- Athlone
:09:34. > :09:38.house. That is him. Yes, and I got the script, that this man living in
:09:39. > :09:48.such a place and falling in love with a woman who lived in Hampstead
:09:49. > :09:54.proper. I came across the story, and I said, it has to be based on a true
:09:55. > :10:00.story, and in the trial, they wanted to get him off the land to redevelop
:10:01. > :10:03.something. The plot of land. They brought him to court and he won the
:10:04. > :10:09.right to stay there because he had been there for so long. The plot of
:10:10. > :10:13.land being in Hampstead, Kuching. Yes, but that did not mean anything
:10:14. > :10:17.to him because that is just where he lived, and that is the point of the
:10:18. > :10:24.thing. The paperwork putting prices on it -- the papers were putting.
:10:25. > :10:27.But it was just the same place. He recently died. Did you get in
:10:28. > :10:33.contact with him before? Yes, I tried. I got down to the place at
:10:34. > :10:38.one point and he didn't really want to talk to anybody from Hollywood.
:10:39. > :10:47.As he thought. That was very now. The producers spoke to him before
:10:48. > :10:53.that, and I asked an into Mia -- intermediary to give him a letter.
:10:54. > :10:56.He was not too well at that point. He just communicated back to say
:10:57. > :10:59.that he thanked me for the call to see of the letter, but he didn't
:11:00. > :11:04.want anything to do with it. And it didn't bother him either way. As
:11:05. > :11:09.long as he knew about it, I felt we had done what we needed to. I wasn't
:11:10. > :11:16.playing him anyway, it was the circumstances. You say this issue
:11:17. > :11:27.first unapologetically leading man in a love, romantic way. Yes, there
:11:28. > :11:29.has been love, the aspect of romantic aspects to the characters
:11:30. > :11:36.I've played, but the idea that this is just a love story, probably is
:11:37. > :11:41.the first one. And have a love story with Diane Keaton is not bad way to
:11:42. > :11:48.start. It is excellent. How did you get on with her? There is a quote
:11:49. > :11:55.that she could not wait to be working with you. She is great, a
:11:56. > :11:59.bundle of energy. I love going into the make-up truck in the morning,
:12:00. > :12:05.she would be reading the New York Times and lamenting something. And
:12:06. > :12:10.the conversation would bounce around the room. She is really lively and
:12:11. > :12:18.what is great about her, her sense of fun but also this high
:12:19. > :12:21.intelligence. Unusual combination. She is so joyous but also thinking
:12:22. > :12:26.and plugged in at the same time, she is great. As you mention, your
:12:27. > :12:30.character falls in love with hers and we are going to have a look at
:12:31. > :12:35.the first moment where he ends up back at her house. He has had a good
:12:36. > :12:42.wash. And then he dancing to her son. I don't know, ma'am, either
:12:43. > :12:47.feeding you are not telling me everything. -- I've a feeling you
:12:48. > :12:53.are not telling me everything. What could I possibly be hiding? Hello,
:12:54. > :13:02.there. Sorry, I did not hear you come in. Actually, this is my son,
:13:03. > :13:11.Philip, and this is my... Handyman. LAUGHTER
:13:12. > :13:16.Nice face back. Yes, people do things, silly things when they are
:13:17. > :13:23.in love. Are you romantic? Yes, a bruised romantic. I would be a
:13:24. > :13:26.romantic, yes. Every cynic is a tortured romantic and I think every
:13:27. > :13:33.romantic is really just a little bit more open about it. Anyone who has
:13:34. > :13:39.the ability... Who doesn't have the ability to be the Man City is
:13:40. > :13:41.missing the point -- anyone who doesn't have the ability to be
:13:42. > :13:45.romantic is missing the point of life, really. Hampstead is out on
:13:46. > :13:51.Friday. It's time now for the next
:13:52. > :13:53.submissions in our search We have a need for speed tonight -
:13:54. > :13:57.with two inventions that allowed us to go further and faster
:13:58. > :14:10.than before, here's Len Goodman You don't have to be a genius to
:14:11. > :14:16.know that my invention is the steam in changing. -- steam engine. I'm
:14:17. > :14:24.not just talking about locomotives like this. There are so many things,
:14:25. > :14:32.ships went like this, mines went deeper. And I will tell you this,
:14:33. > :14:56.steam but the great in Great Britain. I love it. LAUGHTER
:14:57. > :15:03.I want to tell you about the greatest British invention of all.
:15:04. > :15:07.An incredible piece of engineering, synergy of power, metal and physics.
:15:08. > :15:13.That is at the astonishing effect of shrinking the world. -- that has
:15:14. > :15:16.had. It has opened the door to adventure and incredible memories
:15:17. > :15:22.and right now it is keeping up to a million people in the air. Ladies
:15:23. > :15:29.and gentlemen, fasten your seat belts, it's the jet engine.
:15:30. > :15:35.The jet has radically changed my life, and without it my world would
:15:36. > :15:40.be completely different. My mother and father from Barbados but I also
:15:41. > :15:43.have family in America and without the jet engine it would be very
:15:44. > :15:44.difficult for any of us to ever be physically in the same room
:15:45. > :15:51.together. Technical Tommy, our inventions
:15:52. > :16:01.expert for this week, is here. The theme is transport, but it is
:16:02. > :16:05.much more. It is a game changer and it goes back to Thomas Savery who
:16:06. > :16:08.invented the first steam engine in its rough form, and it was used to
:16:09. > :16:12.get water out of mines, which was building up, and he used the
:16:13. > :16:18.technology to get it out. Along comes James Watt, who coined the
:16:19. > :16:23.term horsepower, that is a credit to his name, anyway. He made the steam
:16:24. > :16:29.engine thinks of efficient and that was like an adrenaline shot for the
:16:30. > :16:31.industrial revolution and industries were being formed, they could take
:16:32. > :16:36.steam engines in doors away from water sources. Everything changed
:16:37. > :16:39.off the back of that and that is all thanks to steam power and steam
:16:40. > :16:53.engines, so we have a lot to be grateful for. On but it also led to
:16:54. > :16:59.some less successful invention is. Yes, this was the steam powered
:17:00. > :17:03.motorbike, or bicycle, that didn't really take off. We saw David
:17:04. > :17:05.Harewood, his thing was the jet engine.
:17:06. > :17:16.Think about everything this has given us, holidays and all that. Sir
:17:17. > :17:25.Frank Whittle made the first-ever jet engines solo. But check this
:17:26. > :17:31.out. This is the GE9X, the biggest jet engine on earth, it won't fly
:17:32. > :17:40.until 2020. It is huge, but it is not the most sophisticated jet
:17:41. > :17:44.engine. That belongs to the F22 Raptor, it goes at four times the
:17:45. > :17:50.speed of sound, it is a stealth jet so can't be detected by radar, and
:17:51. > :17:57.it goes up to four times the speed of sound. So, three more inventions
:17:58. > :18:01.to go? Yes, three more contenders, but you can't vote until Thursday.
:18:02. > :18:11.You can vote during the live show of Britain's Greatest Invention at
:18:12. > :18:16.8:30pm on BBC Two. It is an iPlayer if you missed last night!
:18:17. > :18:18.Time to meet a musical pioneer, Christine McVie, now.
:18:19. > :18:29.# My mind is filled with journeys # Echo with your smile
:18:30. > :18:35.# No, you won't take that away from me
:18:36. > :18:43.# Even if you try # Sometimes I wonder
:18:44. > :18:45.# Do you ever think of me? # And it's worse for me at night,
:18:46. > :18:47.you know # When the red sun kisses the sea
:18:48. > :18:55.# APPLAUSE
:18:56. > :18:59.The new album in collaboration with Lindsey Buckingham, which we will
:19:00. > :19:04.talk about in a moment. We have been talking to Brendan about living off
:19:05. > :19:10.grid with low impact the environment, and that was a very big
:19:11. > :19:16.part of your wasn't it? Living off great? Absolutely. What was the
:19:17. > :19:24.whole when you decided to almost stop your music and live... I
:19:25. > :19:28.decided to stop. Why? I developed a terrible fear of flying, and I was
:19:29. > :19:31.tired of living out of suitcases and being a nomad, and I wanted to
:19:32. > :19:38.return to England because I had lived in LA the 28 years, and I
:19:39. > :19:43.needed my roots, so I just moved, lock stock and barrel back to
:19:44. > :19:46.England, I bought a house in Kent, huge manor house, which took me four
:19:47. > :19:50.years to bring back to its original beauty with the beams and
:19:51. > :19:58.everything, and then that was four years gone, the years when and I
:19:59. > :20:03.went down a bit into isolation, and something just grabbed me one day
:20:04. > :20:14.and I thought, I really miss those guys, they are like my musical
:20:15. > :20:18.family. And it would happen but Mick was coming to London to do a promo
:20:19. > :20:24.tour, and he said, come back with me. We flew back, and I never even
:20:25. > :20:28.felt the wheels leave the ground. And that was just get back into the
:20:29. > :20:37.studio and get back into the swing of things? At that point I hadn't
:20:38. > :20:41.even really joined the band, it was when I had gone to Maui, and I was
:20:42. > :20:48.thinking, this is fun, and I thought, what would it be like to
:20:49. > :20:52.rejoin the band? And Mick said, are you kidding? Anti-Iraq everybody up.
:20:53. > :20:59.And these are all new songs. Did the lyrics come to you very easily? Was
:21:00. > :21:04.it almost like the good old days? I keep a journal that is full of
:21:05. > :21:08.words, things that I think of, I am a romantic person and I like to
:21:09. > :21:17.write about love, that is usually my subject. So I had lyrics stashed
:21:18. > :21:22.away, and Lindsey had tracks, and we somehow collaborated, we have
:21:23. > :21:25.already had this musical infinity with each other through the years,
:21:26. > :21:28.we seem to know what each other is going to play and we jam well
:21:29. > :21:33.together, but we didn't realise until we got to try these new songs
:21:34. > :21:38.out that the magic was still there. And fans will be delighted to know
:21:39. > :21:44.that there is a tour, can you tell us a bit more about that? When will
:21:45. > :21:49.it be? The Fleetwood Mac tour, we start rehearsing in March next year,
:21:50. > :21:55.and then the tour is around June. It will be global. And is that an
:21:56. > :22:02.exclusive now? I think you can safely say! I have only just heard
:22:03. > :22:06.myself, so it is. The music on the album that you have done is a lot of
:22:07. > :22:12.the sounds of Fleetwood Mac as well. You can't rarely help that, because
:22:13. > :22:26.we have John and Mick on the album, so except for Stevie, it will sound
:22:27. > :22:32.like it! And you will be singing Songbird for us.
:22:33. > :22:34.Dreaded mobile roaming charges which can result in people getting
:22:35. > :22:37.shocking bills on their return from holidays are being outlawed
:22:38. > :22:44.Joe has read the small print, though.
:22:45. > :22:52.Flying out on a sun soaked holiday should be a chance to get away from
:22:53. > :22:56.it all. But many of us can't bear to leave this behind, even if it means
:22:57. > :23:00.massive phone bills when we get home. Because for years,
:23:01. > :23:06.holiday-makers have been hit by huge data roaming charges for using their
:23:07. > :23:12.phones abroad. I came back from a festival once with a bill of ?150,
:23:13. > :23:17.so that really hurt. You can be on Facebook for hours once you get into
:23:18. > :23:22.it. How much was the bill? About 500. But this week that is going to
:23:23. > :23:25.change thanks to a new law which bans UK phone company is charging
:23:26. > :23:32.Google extra for using their mobiles in the EU. The European Commission
:23:33. > :23:36.has called it the end to roaming charges. Whatever your bundle at
:23:37. > :23:41.home, under this new law, you will be able to use the same amount of
:23:42. > :23:47.calls, texts and data are broad with no extra cost. But it seems this
:23:48. > :23:54.free data roaming isn't as straightforward as you'd think. For
:23:55. > :23:56.a start, you have to know Europe. Time for a geopolitical quiz. I have
:23:57. > :24:03.some boarding passes the different countries. Pick one or two. We have
:24:04. > :24:08.Spain, the Netherlands, Germany, all EU countries, so you would expect
:24:09. > :24:12.them to be included. It should be straightforward, but some countries
:24:13. > :24:15.which are not in the EU but are in the European Economic Area are also
:24:16. > :24:26.covered by the new law. Would you get free roaming in Turkey under
:24:27. > :24:32.this EU law change grows? Yes? No, Turkey is not yet in the EU,
:24:33. > :24:35.included. So it can be hard to know where
:24:36. > :24:49.exactly you can roam free. The law covers 31 countries, but O2,
:24:50. > :24:54.Vodafone and the other companies all offer different countries that they
:24:55. > :24:57.cover. There are competing to offer holiday-makers the best deals, it
:24:58. > :25:03.can be a bit confusing, but surely it is a win for sun seeking
:25:04. > :25:08.consumers? Maybe not. And that is because of a hidden fair
:25:09. > :25:12.usage loophole which allows companies to cap your data below
:25:13. > :25:15.what you normally get at home. That means depending on your tariff and
:25:16. > :25:23.provider, you could still be hit with an unexpected charge if you go
:25:24. > :25:27.over the new, lower limit. Take for example O2 pay-as-you-go ?30 big
:25:28. > :25:31.bundle. In the UK, you get 20 gigabytes, but under the fair usage
:25:32. > :25:37.rules, they have captives at half of that while you are travelling in
:25:38. > :25:42.Europe. With gift gaffe, you have to pay extra if you go over six GB,
:25:43. > :25:50.cheese usually used up by streaming three movies. Three said its
:25:51. > :26:03.customers will be charged if they go over nine GB, and EE's is set as
:26:04. > :26:08.well. The fair usage loophole will hit some customers hard. It is going
:26:09. > :26:13.to hit people with high usage, let's say you stream a lot of television
:26:14. > :26:18.or you use your sat nav a lot, they could if they wanted go after people
:26:19. > :26:22.on what are called cheaper tariffs and reduce the amount of data they
:26:23. > :26:27.can use. Check with your operator what the limits are so you are not
:26:28. > :26:32.hit with an unexpected charge. The loophole could even allow caps as
:26:33. > :26:36.low as two GB to be opposed, with charges of 8 euros, around ?7 per
:26:37. > :26:43.gigabyte, if you go over those limits. So much for free roaming at
:26:44. > :26:47.no extra cost. If something is going to be free, it should be free, and
:26:48. > :26:54.if they are going to charge you, it's not free. There is always a
:26:55. > :26:58.hidden catch, somewhere, is that? Brexit may be on the horizon, but
:26:59. > :27:01.nowadays the new law does apply, but you will have to check the details
:27:02. > :27:05.of your package, otherwise you might still find a nasty surprise on your
:27:06. > :27:13.bill. Thank you. Earlier we asked all you
:27:14. > :27:19.weird couples out there to send proof of how odd Yaha. You can't say
:27:20. > :27:31.that! I will go first. This is Barry and his wife. He is a magician and
:27:32. > :27:35.his wife, here, obviously... This is John and his girlfriend, 20 years
:27:36. > :27:39.difference between them but madly unloved. That's a nice picture. This
:27:40. > :27:45.is John and Fiona, he was a cocktail waiter when they matched, but six
:27:46. > :27:48.years later he can't wait to grow old with her. And here is a massive
:27:49. > :27:55.dog and pony, best friends! Hampstead is in cinemas
:27:56. > :27:58.from June the 23rd. We'll be back tomorrow
:27:59. > :28:00.with Jack Vettriano, Plus two choirs from new BBC show
:28:01. > :28:04.Pitch Battle will be But to play us out now,
:28:05. > :28:07.with the 1977 classic Songbird, # Because I feel that
:28:08. > :29:15.when I'm with you # And I love you,
:29:16. > :29:38.I love you, I love you # And I wish you all
:29:39. > :30:14.the love in the world # And I love you,
:30:15. > :30:36.I love you, I love you