:00:17. > :00:23.Hello and welcome to The One Show. With the big Children in Need night
:00:24. > :00:35.just two days away, I'm delighted to be joined tonight by Tess Daly.
:00:36. > :00:47.Thank you very much. Thank you for sitting in for Alex. I am here
:00:48. > :00:51.because Alex is in Abergavenny. We have some real drama to report from
:00:52. > :01:05.Team Rickshaw tonight, so we'll be back to Wales throughout the show. I
:01:06. > :01:10.told her to ride it hard. With us tonight is an actor whose recent
:01:11. > :01:15.achievements have almost made us forget he once played an angry
:01:16. > :01:18.wizard. And someone who has been called the most powerful woman in
:01:19. > :01:22.the world, who has also done wonders for charity. It is Daniel Radcliffe
:01:23. > :01:29.and Oprah Winfrey. What a welcome from our audience! It has been ten
:01:30. > :01:40.long years since we saw you on UK television. I am happy to be here
:01:41. > :01:50.tonight. What does Oprah do when you come to Britain? I lost a day. When
:01:51. > :01:58.I was preparing to come here, I thought, oh, it is dark already!
:01:59. > :02:07.Does that happen to you when you go to a different country? We have a
:02:08. > :02:11.lot of darkness. Did you know, Oprah, apparently there is a rumour
:02:12. > :02:21.that President Obama wanted you to work here as US ambassador? That is
:02:22. > :02:31.a rumour! Isn't it nice having rumours made up about you involving
:02:32. > :02:40.President Obama! This is supposed to be the property you would get. That
:02:41. > :02:45.is in Regents Park. All yours. One of the many things you are known for
:02:46. > :02:53.is to get your guests to confess on television. This was back in 2002. I
:02:54. > :02:58.noticed since we first started, your voice has lowered just a little bit.
:02:59. > :03:05.Are you worried about it going lower and lower? The good thing about when
:03:06. > :03:12.my voice broke, it did not go up and down. It went from one to the other
:03:13. > :03:28.immediately. Do you wake up wondering sometimes, will it be
:03:29. > :03:42.lower? You were a baby Ben. Do you remember that? I remember being very
:03:43. > :03:47.nervous. It was definitely intimidating. I think we did it with
:03:48. > :04:01.an audience full of young Harry Potter fans. Where their audience
:04:02. > :04:13.questions as well? You had to give the kids a chance. I love the way
:04:14. > :04:17.that Oprah drops into host mode. I am sorry. I said to the producer
:04:18. > :04:26.earlier, you're going to have to stop me. There are so many things I
:04:27. > :04:32.want to ask. It is happening again. Can we harness that this evening? We
:04:33. > :04:41.want to raise as much money as we can for Children in Need. Maybe you
:04:42. > :04:52.could do some kind of concession. I would like for you to make the
:04:53. > :05:04.confession. We are doing this for charity. Let the money flow in. You
:05:05. > :05:10.are getting paid for the confession! I will do it as well. The numbers
:05:11. > :05:21.will be on the screen shortly. The numbers are there. That is ?5
:05:22. > :05:25.straight to Children in Need. Both Daniel and Oprah have big new films
:05:26. > :05:40.coming out which we will be talking about later on. Let's see how things
:05:41. > :05:46.are in Abergavenny. Good evening. I will tell you what, it has been a
:05:47. > :05:52.great day for Team Rickshaw. If you look over here, we have a team of
:05:53. > :05:58.local boys ready to fix the rickshaw the minute it arrives. I will
:05:59. > :06:06.explain all later. In the meantime, let's meet Rick Shaw from
:06:07. > :06:15.Abergavenny. Have you got your passport? Not a current one. Team
:06:16. > :06:20.Rickshaw went to Stourbridge and all was going well. We went to the
:06:21. > :06:25.Brecon Beacons, very hilly that was, there was a problem around here.
:06:26. > :06:30.Hopefully the team will roll into Abergavenny shortly. We have some
:06:31. > :06:34.family members here to greet the team when and if they arrive. This
:06:35. > :06:40.is what has happened since you saw us last. The sun is just about to
:06:41. > :06:45.come up but last night was eventful. The rickshaw covered 40
:06:46. > :06:51.miles, all the way from Birmingham but there was an accident. Bethany
:06:52. > :06:54.was given the job to ride the rickshaw out of Birmingham will stop
:06:55. > :07:04.she was making good headway until... Disaster struck. All right.
:07:05. > :07:12.Just relax. Do you want to sit in the car with me? We think we hit a
:07:13. > :07:19.pothole or Bethany made a manoeuvre which took the rickshaw into myself
:07:20. > :07:30.and we all came a cropper. It is all right. Bethany, what happened to
:07:31. > :07:37.you? Are you all right? What is hurting you? My leg. Do remember
:07:38. > :07:45.what happened? I was riding and then I fell on the floor. I was really
:07:46. > :07:58.worried about it. Are you OK? How do you feel about getting onto the
:07:59. > :08:04.rickshaw? I am fine. I am so proud of you. We are halfway into the
:08:05. > :08:08.challenge and the support on the street has been phenomenal. We have
:08:09. > :08:13.had an escort of runners alongside. Early morning and it is Alex who has
:08:14. > :08:27.come to the end of a seven hour shift on the road. Keep pushing. I
:08:28. > :08:42.was trying to keep talking. He saw me. Do not drop back. Keep going.
:08:43. > :08:47.Yes. I am shattered now. It was positively helped by the end. I am
:08:48. > :08:54.done now for a little while. It is over to Eleanor and Keith. Eleanor
:08:55. > :08:58.was born with a cleft lip. It was an emotional time for her parents. As a
:08:59. > :09:05.teenager, she lost self-confidence because of trouble she had at
:09:06. > :09:11.school. I was picked on in the first couple of years of senior school.
:09:12. > :09:20.Did you tell your mum and dad? I did not tell anyone. I was 16 and I had
:09:21. > :09:32.had a rubbish day at school. I ended up self harming, really. What was
:09:33. > :09:40.your reaction to all of this? Shock. Then I started to feel some guilt.
:09:41. > :09:50.Did I not do some thing as a father? Did you know Eleanor was using child
:09:51. > :10:10.lying? I have never told anyone that. -- Childline. It is important
:10:11. > :10:16.we are discussing it. You are incredibly brave. I try. No other
:10:17. > :10:20.way to be. Even though we had a kick up with Bethany falling off the
:10:21. > :10:26.bike, this afternoon Martin was making good headway to Wales. The
:10:27. > :10:33.specially adapted handlebars let him down. There was a problem with a
:10:34. > :10:41.bolt on the handlebar. The guys are trying to fix it, otherwise I might
:10:42. > :10:45.not get to Wales or London. We are nearly there and we are doing all
:10:46. > :10:52.right. If the bike holds up, we be fine. You do not understand how as
:10:53. > :10:59.little as ?5 can change someone's life. These are opportunities we
:11:00. > :11:04.will remember and experiences. It will make a massive difference to
:11:05. > :11:06.people. It is a wonderful feeling we have. It is really appreciated for
:11:07. > :11:23.everyone at home. There certainly has been plenty of
:11:24. > :11:30.drama in the last 24 hours. I am joined by Pete 's grandmother. You
:11:31. > :11:40.must be incredibly proud of Pete and Geoff. We have been following it
:11:41. > :11:45.every night. This has become doubly exciting and it is an emotional
:11:46. > :11:49.thing. Seeing Peter looking so much like his mother and so brave and so
:11:50. > :11:57.much like his mother in a lot of ways, doing this, it makes me so
:11:58. > :12:05.proud as a family. Everyone needs to give lots. Dig deep! I can see the
:12:06. > :12:18.resemblance between you and Peter. In the meantime, back to you in the
:12:19. > :12:24.studio. They are doing an amazing job out there. So sorry about that
:12:25. > :12:35.falling off. We cannot think of too better people dashes-macro two
:12:36. > :13:00.better people to do the honours. Just do text in and ?5 will go to
:13:01. > :13:06.Children in Need. You can go to the website as well. Get your texts in
:13:07. > :13:16.if you want to hear Daniel confessed to Oprah. Daniel will confess and it
:13:17. > :13:27.is worth a lot of money. You heard it then. With your enormous
:13:28. > :13:32.profile, you must be asked to be involved with so many charities. How
:13:33. > :13:38.do you choose? It strikes a chord with you. It is with important.
:13:39. > :13:42.There are so many. With any profile you have a chance. It is important
:13:43. > :13:49.they are things you feel very strongly about. If it is a hospice,
:13:50. > :13:55.which I support the Trevor Project, an organisation for lesbian gay and
:13:56. > :14:03.bisexual youth in America. It is a helpline. Whatever you sort of feel
:14:04. > :14:10.is worthy. You cannot do everything. Over here, we love a car-boot sale
:14:11. > :14:28.on a weekend. You had a massive yard sale. You raised half $1 million of
:14:29. > :14:36.your staff? ! - - your staff? I had an apartment in Chicago and
:14:37. > :14:40.California. Over the years, I just wanted to start clearing out some of
:14:41. > :14:56.the stuff. I gave away as much as I could. I was saying to people, do
:14:57. > :15:00.you need a safer? -- sofa. I was trying to figure out a way to rid
:15:01. > :15:07.myself of some of the stuff and also have it go for a good cause. For me,
:15:08. > :15:13.as Daniel was saying, you need to see what speaks to your heart. For
:15:14. > :15:20.me, education speaks to my heart. I have a school in South Africa. As at
:15:21. > :15:26.the end of this year, I have 170 girls in college. I am paying for
:15:27. > :15:33.all of that. It is good to get the stuff. That is your money coming
:15:34. > :15:39.into that. Every cent of it. You have done so much around the world.
:15:40. > :15:49.You are famous for giving back. What are your aims? My aims... They are
:15:50. > :15:54.my girls. My aim is to do for other people what was done for me. I would
:15:55. > :15:58.not be who I am. I would not be sitting next to Daniel here with you
:15:59. > :16:03.all on the one show had I not had an opportunity to step through what I
:16:04. > :16:08.think is the door to freedom and that is education. I have built a
:16:09. > :16:13.school in South Africa, after spending ten days with Nelson
:16:14. > :16:18.Mandela. I had ten days at his house and 29 deals with Nelson Mandela.
:16:19. > :16:25.What do you do at the end of staying there?
:16:26. > :16:38.You cannot bring a candle or bring in cupcakes! What was his reaction
:16:39. > :16:42.to all of this? We were having a conversation and I said what I would
:16:43. > :16:46.really like to do in your notice to build a school. I meant that I
:16:47. > :16:51.really wanted to do that. I did not mean I wanted to do that in that
:16:52. > :16:56.moment but he got up and said, you want to build a school? He called
:16:57. > :17:03.the Minister of education and he was over by that afternoon. You are both
:17:04. > :17:08.in films about big events in American history. Daniel, yours is
:17:09. > :17:12.about the birth of the beat generation in New York. We will be
:17:13. > :17:17.talking about that later on. We have only got you for about half an hour,
:17:18. > :17:22.so if you do not mind, Daniel. I do not have any stories that end with
:17:23. > :17:30.me doing something with Nelson Mandela! We will start with your
:17:31. > :17:33.film. You have seen this. I saw a preview of the Butler on Monday. I
:17:34. > :17:40.loved it. I thought it was very powerful. It was gut-wrenching at
:17:41. > :17:46.times and it is based in fact. Guests, on a real Butler named
:17:47. > :17:54.Eugene Allen. I have been cycling all week long. How is your bomb?
:17:55. > :18:01.That might come out in the confession room. I have seen or the
:18:02. > :18:05.billboards. Your role in this? I think it is so cool that you would
:18:06. > :18:08.say that upfront that you have not seen it because they're is only
:18:09. > :18:11.times you do interviews with people and they fake it and you can tell
:18:12. > :18:20.that have not seen the film so I appreciate you not acting like I saw
:18:21. > :18:25.it. And he had a good excuse. It is based on a true story because not
:18:26. > :18:29.everything in it is true. I did take some liberties with the role that
:18:30. > :18:38.iPlayer as the Butler's why. I do not think she got as drunk as I did
:18:39. > :18:42.-- the Butler's wife. That was the director saying to push it more and
:18:43. > :18:49.more I said she will fall off the chair. It is the story of the civil
:18:50. > :18:53.rights movement, particularly the Freedom Riders, the young people who
:18:54. > :19:01.were riding in order to have the freedom to ride on the buses in the
:19:02. > :19:06.60s. It is told through the eyes of the butler's son. He is in the White
:19:07. > :19:12.House during this time that the civil rights legislation is taking
:19:13. > :19:19.place. His son is a freedom rider. What perspective. We have got a clip
:19:20. > :19:24.of you talking around the table. The sun is a militant. There was a
:19:25. > :19:27.division in our country where there was the generation who wanted to
:19:28. > :19:35.keep things the way that they were and the generation we -- who said we
:19:36. > :19:40.want things to change. I love this scene.
:19:41. > :19:49.Me and daddy saw a wonderful movie the other night, reminded me so much
:19:50. > :19:57.of you. Oh, yeah? What was it called? In the heat of the night.
:19:58. > :20:05.Sidney Poitier is a white man's fantasy. He has just won the Academy
:20:06. > :20:15.Awards. He is bringing down barriers for all of us. By acting white. Look
:20:16. > :20:29.at you. All puffed up. Your hat on your head, covering your hair. Get
:20:30. > :20:36.the hell out of my house! No, no, we have not seen this boy. Everybody
:20:37. > :20:43.sit down. I am sorry, Mr Butt, I did not want to be a hero -- Mr Butler.
:20:44. > :20:51.Everything you have and everything you want is because of that butler.
:20:52. > :20:57.A very strong lady that you play there. I am not having anyone
:20:58. > :21:04.disrespecting the butler in my house! What made you want to play
:21:05. > :21:09.Gloria? She represents an era of women who stayed at home, take care
:21:10. > :21:13.of their families and sacrificed their own dreams in order to have
:21:14. > :21:19.the home life they thought was respectable. I wanted to pay homage
:21:20. > :21:24.to her in particular and that a rock of women who allowed themselves to
:21:25. > :21:30.be used by their families in a way that they had to give up their own
:21:31. > :21:37.dreams. Is that something you can relate to? Not a bit. I get to live
:21:38. > :21:42.my dream. Are you kidding? But growing up? I come from a family of
:21:43. > :21:48.domestic workers. My mother was made, her mother was made, her
:21:49. > :21:52.mother was a slave. I know what it is like to be in a family where
:21:53. > :21:57.women work. She represented that Iraq women who got to stay at home,
:21:58. > :22:06.take care of their children -- that Iraq of women. The black American,
:22:07. > :22:16.now African-American middle class. I wanted to pay homage to that. One
:22:17. > :22:22.scene stood out for me when your son sits in a white only section and I
:22:23. > :22:28.was embarrassed at how recent that was. I know, it is shocking. When
:22:29. > :22:33.the film premiered, there were a lot of young people saying, did that
:22:34. > :22:39.actually really happen? It is hard to believe it really happened now.
:22:40. > :22:44.And you live in New York now. I am very much in London now but I have
:22:45. > :22:50.spent time there. Would you say New York is over its racial issues? It
:22:51. > :22:55.seems an incredibly multicultural city, that is one of the things I
:22:56. > :23:00.love about it and London. One of the things about this film is that you
:23:01. > :23:05.can see how far we have come but also how far we have to go. You were
:23:06. > :23:09.saying, that is so recent, you could not even ride a bus or sit at a
:23:10. > :23:13.lunch counter. The way they juxtaposed the lunch counter with
:23:14. > :23:19.the butler serving was really great. There were seven presidents in the
:23:20. > :23:27.film, Nixon, JFK, Reagan, how do you think Obama will be compared to
:23:28. > :23:34.them? I are not a historian. No matter what period you are going
:23:35. > :23:39.through, in a presidency, every era has its difficult times but in the
:23:40. > :23:45.end history will judge him for the kind of president that we would
:23:46. > :23:51.honour and be proud of. Absolutely. For years you have produced and
:23:52. > :24:06.presented your own show in the US... 25 years! Is that how long it
:24:07. > :24:09.is? ! Not just years, 25! Obviously, tackling issues, you talk
:24:10. > :24:15.to incredible guest does well, but issues which tackle real Americans.
:24:16. > :24:17.We thought we would find out what sort of impact you have had on
:24:18. > :24:38.people over here. Really? Good. She has shown me that the impossible
:24:39. > :24:41.is really possible. She started from living in poverty and now she is
:24:42. > :24:50.worth 2.8 billion. She is the real deal! I read that she was able to
:24:51. > :25:00.secure an additional 1 million votes. One person. I feel compelled
:25:01. > :25:09.to stand up and speak out for the man that I believe has a new vision
:25:10. > :25:16.for America. Yes, that is big! Do you want Oprah as Vice President? It
:25:17. > :25:24.was always a positive experience to watch her show. Being empowered
:25:25. > :25:31.about being proud to be who you are and where you are from. If Oprah has
:25:32. > :25:33.come from nothing to what she is now, then she gives us hope that we
:25:34. > :25:50.can do the same. I think that quote exemplifies
:25:51. > :25:56.Oprah's spirituality and practicality. It is not just words,
:25:57. > :26:00.it is actions. She has given $400 million away to charity. She set up
:26:01. > :26:07.a school in South Africa and puts her money where her mouth is. Oprah
:26:08. > :26:13.has been an example to me at a time when growing up we did not even have
:26:14. > :26:17.winning priests in this country. She was talking about God and compassion
:26:18. > :26:24.in the world. She is one of the most powerful female spiritual leaders I
:26:25. > :26:27.have had. I think education is power. I think being able to
:26:28. > :26:31.communicate with people is power. One of my main goals on this planet
:26:32. > :26:37.is to encourage people to empower themselves.
:26:38. > :26:43.I remember being 18 and watching Ellen degenerate is coming out. I
:26:44. > :26:50.was coming out then and I remember my best friend watching recording it
:26:51. > :26:55.on video for me. To see a woman saying it is okayed to be gay was
:26:56. > :27:03.hugely inspiring for me as a young girl and for countless others in the
:27:04. > :27:08.UK. In the early 90s, there were not many people talking about being gay
:27:09. > :27:12.on television. Closest thing we had was the character in Brookside who
:27:13. > :27:16.had a gay kiss and then killed her father and buried him under the
:27:17. > :27:19.patio. There had never been any presentation about anyone talking
:27:20. > :27:26.positively about sexuality in those terms. It does not matter who you
:27:27. > :27:32.are or where you come from, the ability to trial begins with you.
:27:33. > :27:37.I think Oprah is very blessed. Her blessings have taken her through to
:27:38. > :27:40.where she is at this stage. I thank you for tuning in every day
:27:41. > :27:48.with your mothers, sisters, daughters, partners gay and others,
:27:49. > :27:55.and you are husbands and brothers who got coaxed into watching Oprah!
:27:56. > :27:59.We have talked about the charity side of things and what you want to
:28:00. > :28:06.be remembered for, is that the same with all of the TV work you have
:28:07. > :28:14.done? All of my telly work, I love Saint Telly! All of my work, my life
:28:15. > :28:19.work is about one thing and that is opening the heart space for people.
:28:20. > :28:23.The butler, for me, the choice to do that film was how can I use my
:28:24. > :28:30.acting talent and hopefully I still have some talent, how can I use that
:28:31. > :28:34.as a way of opening the heart space for you. I do not do anything
:28:35. > :28:39.without intention or meaning or some purpose in it. I tried to leave my
:28:40. > :28:44.entire life that way. Even when I have a good time, I am having a good
:28:45. > :28:47.time on purpose. There is no question about the impact you have
:28:48. > :28:51.had on your audiences, because we loved this moment when you gave all
:28:52. > :28:56.your audience members a bot is to open. And one of them contained a
:28:57. > :29:24.key to a new car -- Abe Ochs. You get a car! You get a car! You
:29:25. > :29:32.get a car! Everybody gets a car! I am guessing there was a very big
:29:33. > :29:41.car park at the studio. I love giving. I love the opportunity to
:29:42. > :29:45.give other people the opportunity. I did not want them shaking the boxes
:29:46. > :29:50.because I thought they would hear a key and everybody would know they
:29:51. > :29:54.had a key. But I stayed up the night before. I remember going around
:29:55. > :30:00.making sure the bows were on the car is perfectly. I wore a red dress to
:30:01. > :30:14.match the bows on the cars. That was a nice detail. When you talk to your
:30:15. > :30:20.guests, you get them to open up and confess all kinds of things. It is
:30:21. > :30:36.life changing. Do you worry about what that leads to? I did not do
:30:37. > :30:42.this with you. Where you 12 or 13? I would not get a 13-year-old to
:30:43. > :30:46.confess. Nor would I get anyone to say or do anything they would be
:30:47. > :30:51.comfortable with and later say, I wish I had not done that. If there
:30:52. > :30:57.were a really serious interview, I will give you my big secret. I would
:30:58. > :31:03.go into the green room and say, what do you want? Tell me what you want.
:31:04. > :31:08.I am the one controlling the microphone. By the time this
:31:09. > :31:18.interview is over, I want you to get what you want. You tell me your
:31:19. > :31:20.primary intention because I can make that happen for you. I control the
:31:21. > :31:27.microphone. They were always the most successful interviews. I was
:31:28. > :31:34.interviewing a woman whose daughter had been murdered. I said, why argue
:31:35. > :31:41.here? She said I want people to know my daughter 's life is bigger than
:31:42. > :31:48.the people who died. I had done that with hundreds of people. Tell me
:31:49. > :31:58.what you want. People clearly trust you. We have had ?24,000 donated in
:31:59. > :32:08.the first five minutes. I do not know how comfortable you will be
:32:09. > :32:15.with this. Do your magic. I gaze into your eyes and I will confess
:32:16. > :32:22.something. I was once canoeing on a lake and my friend, who I have never
:32:23. > :32:26.admitted this to, things the canoe mysteriously tipped over but I had
:32:27. > :32:32.actually splashed him, because I thought it would be funny and all
:32:33. > :32:41.three of us in the boat tipped into the water and spent half an hour
:32:42. > :32:47.having to be rescued by someone. Are you saying, you purposely tipped
:32:48. > :32:51.over the canoe? It has been weighing me down for years and I need to talk
:32:52. > :33:00.about this. Who better to talk to than you? If only you had got that
:33:01. > :33:07.out of him in the first interview... I think he must ask for canoe
:33:08. > :33:14.forgiveness. I will see him later so I will ask him myself. Mine was, I
:33:15. > :33:19.had been cycling. I have been putting my wife's face cream on my
:33:20. > :33:24.bottom for the last five days. She does not know about it yet. My plan
:33:25. > :33:33.is to get a new bottle and replace it before she finds it. She will not
:33:34. > :33:39.be watching? She will be at the meeting. I will give you the brand
:33:40. > :33:47.name later. If you mention it now, you can get a whole load more of it.
:33:48. > :33:58.Thank you for your company. Thank you for seeing The Butler. Lovely to
:33:59. > :34:05.have you on the show. The Butler opens in cinemas on Friday. Daniel
:34:06. > :34:09.Radcliffe is part of a love triangle in his film, Kill Your Darlings.
:34:10. > :34:16.We're asking to donate not just for the Daniel and Matt but for the
:34:17. > :34:19.vital work that Children in Need does with disadvantaged young
:34:20. > :34:27.people. Here is Miranda Hart with the story of Sam and his friend,
:34:28. > :34:32.Ember. We can help children in many different ways. You're going to meet
:34:33. > :34:40.Sam, who is brilliant, and Ember, who is pretty fabulous as well. It
:34:41. > :34:46.has been really hard to make friends. I am nervous about
:34:47. > :34:50.introducing myself to new people. People think because he speaks well,
:34:51. > :35:15.there is not a problem. A lot of people forget he is death. -- deaf.
:35:16. > :35:22.At parties, Sam would not go. I wanted to help him but I could not.
:35:23. > :35:30.Nights were tough. He was scared and he did not know where we were. I
:35:31. > :35:37.cannot hear the television. I could not sleep. Is record was 27 times I
:35:38. > :35:42.put him back to bed. It was like that every night. He was exhausted.
:35:43. > :35:47.At school, he would have an annual report and it was always mentioned
:35:48. > :35:54.he was so tired. I can only imagine how difficult it was for him. Two
:35:55. > :36:06.years ago, Sam met someone very special. Sam was so excited. It was
:36:07. > :36:13.fantastic - the difference. Ember is not just a pet, she is a hearing
:36:14. > :36:18.dog. Thanks to you, dogs like Ember can support deaf children in the
:36:19. > :36:25.daily lives and alert them to potential dangers. It does give him
:36:26. > :36:31.a sense of security and safety because he has always been scared of
:36:32. > :36:37.buyers. He cannot hear alarms. She drops to the floor and waits for him
:36:38. > :36:42.to respond. His confidence has improved considerably. He is proud
:36:43. > :36:50.of her. If people ask questions about Ember, he says, that is my
:36:51. > :36:55.dog. But, the biggest difference we saw, was sleep. From the first week,
:36:56. > :36:58.Sam slept through. I could not believe having a dog sleeping in
:36:59. > :37:04.your bedroom could make such a difference. She helps him have a
:37:05. > :37:15.happy childhood. That is what every parent wants. It is scary what life
:37:16. > :37:21.would be like without her. She has changed my life a lot. She does her
:37:22. > :37:27.job really well. She is part of the family and she is brill. She is mine
:37:28. > :37:35.best friend. She is always there for me. She is just amazing. Thanks to
:37:36. > :37:39.you, Sam has a new best friend that has made him happy and safe. Please
:37:40. > :38:04.help us start more special partnerships. What a gorgeous boy!
:38:05. > :38:18.That number again, if you would. It has been so long since you were last
:38:19. > :38:25.here in the UK. Your plan involves this. I have been cycling all week.
:38:26. > :38:32.This was your idea. It was my dad and my boss. We thought about
:38:33. > :38:38.throwing a cream pie being satisfying. When it is your dad or
:38:39. > :38:43.your accountant, it is much better. I did not realise we were going to
:38:44. > :38:54.do this life. I've prepared for this? My suit will be dry cleaned
:38:55. > :39:03.tomorrow. Go for it! Luke at that! There was a huge amount of malice in
:39:04. > :39:10.that. The netball as are delighted. What are you doing for Children in
:39:11. > :39:14.Need? We are doing a dawn till dusk netball tournament. Teams have done
:39:15. > :39:21.a donation to come and play for us for a day. We have a shooting
:39:22. > :39:27.competition - loads of stuff. A great day for spectators to come
:39:28. > :39:39.along. Come along. We have parents, kids, everybody come along and
:39:40. > :39:43.donate. Hold the microphone! I did not expect that to happen. I left my
:39:44. > :39:48.mother-in-law this afternoon knitting. She will be delighted to
:39:49. > :39:53.see all this stuff. I am representing my mother who does
:39:54. > :40:07.knitting for Children in Need all year round. Let's have a look. My
:40:08. > :40:18.Nan does about 30 sets and makes 400 a year. Overall she has 10,000
:40:19. > :40:23.overall. Now for the classic wax. I will nip over here. Tell us what you
:40:24. > :40:38.will have waxed and where you will stop. I will stop below the knee or
:40:39. > :40:49.so. Are you a wax or a shaver? Since you asked so nicely, shaver. Low
:40:50. > :40:58.pain threshold! I use garden trimmers - hedge trimmer is. Like a
:40:59. > :41:07.lawn mower. Any advice? Live television. Do not sweat. I had to
:41:08. > :41:15.get naked in my West End debut. I was quite conscious of that but I do
:41:16. > :41:25.not worry about it any more. It is very painful. Let's wax! Very brave.
:41:26. > :41:31.Thank you. Thank you to everyone who is doing that thing for Children in
:41:32. > :41:50.Need. Friday is the big day. Now for Daniel in Kill Your Darlings playing
:41:51. > :41:59.the poet. You are fortunate in your ignorance and your isolation. You,
:42:00. > :42:24.who have suffered, find where love hides. Give, share, lose. Less we
:42:25. > :42:29.die unpolluted. -- unbloomed. It is quite a piece of work. What was your
:42:30. > :42:34.reaction on your first day when you are given round glasses and were
:42:35. > :42:41.told to put them on? I knew they were part of the deal but I did feel
:42:42. > :42:46.the brown eyes and the poem, as you can see I got for that film because
:42:47. > :42:52.my hair is not back only, as you can see, I've felt that distance me
:42:53. > :43:02.enough. I heard you walk lip liner to make your lips for. He does have
:43:03. > :43:06.bigger lips than myself. With the cool 1940s wardrobe, I definitely
:43:07. > :43:16.felt it was different enough that people would not make that
:43:17. > :43:22.association. The beat generation. Who are they? The three main people
:43:23. > :43:27.we see in the film are Allen Ginsberg, an American poet, Jack
:43:28. > :43:31.Kerouac and William Morris. They were novelists. They were totally
:43:32. > :43:35.revolutionary for their time in literature. There was also another
:43:36. > :43:40.person not a lot of people know about, Lucien Carr. My character
:43:41. > :43:45.went to university and met him and totally fell in love with him. Then
:43:46. > :43:47.he introduced him to William Burroughs and Jack Kerouac. Even
:43:48. > :43:59.though people have forgotten about him, he was the link. He was the
:44:00. > :44:11.linchpin. It turns into a murder story. Absolutely. Lucien murdered
:44:12. > :44:16.one of the characters. That murder was, in a way, what prompted all
:44:17. > :44:22.those great writers to become the writers they had become. They found
:44:23. > :44:27.their voices. This is something you are incredibly proud of. You got
:44:28. > :44:35.very emotional. You had never cried your own tears on set until now.
:44:36. > :44:40.When an actor reads the line, Alan weeps uncontrollably, you'd think,
:44:41. > :44:45.well I have to do that? It was one of those things which the director
:44:46. > :44:52.set me to one side. He played some really sad music and we had this
:44:53. > :44:57.conversation. As we got further into the scene, it just happened. It was
:44:58. > :45:02.cathartic to find yourself crying in front of a lot of people when you
:45:03. > :45:11.are not sad yourself. I am proud of the work I have generally done on
:45:12. > :45:15.this film. Why did you choose an arthouse project? This script was so
:45:16. > :45:21.much better than anything else I had read. It was not just that it was
:45:22. > :45:25.about these guys who had become famous writers but because the story
:45:26. > :45:30.of this murder was interesting and unknown and it is a true story as
:45:31. > :45:34.well. It is a lot of fun as well. You say, it is a murder and it is
:45:35. > :45:39.about poets and it does not sound as if there is a great deal of liberty
:45:40. > :45:57.in it but these guys had very wild and exciting times. Ten years? --
:45:58. > :46:05.levity.. Is your man involved? I always talk to my parents about
:46:06. > :46:10.scripts. They are both people that were responsible for my influences
:46:11. > :46:15.in terms of theatre and film and stuff I was watching. I talked to
:46:16. > :46:20.them about it. It is just my decisions really. The way to have
:46:21. > :46:26.the most fun doing a job but I do is to do these very projects. I have
:46:27. > :46:44.two do musicals so I learned how to dance. Kill your darlings is out on
:46:45. > :46:48.the 6th of December. -- Kill Your Darlings.
:46:49. > :46:57.This is the story of how one group of friends formed a band. If you
:46:58. > :47:02.have heard this song recently, it is on a Christmas advert.
:47:03. > :47:10.This is Denmark Street in London. It has always been the stomping ground
:47:11. > :47:15.of famous bands. They do their rehearsals. One day in 2002, an
:47:16. > :47:20.unknown group pitched up to play a gig which they thought would be
:47:21. > :47:28.their last. The band was Keane. On the set list was a song which would
:47:29. > :47:40.change their lives forever. -- I walked across an empty land...
:47:41. > :47:44.You were going to play your set here. We had a pretty tough year
:47:45. > :47:48.because we thought we were going to get a record deal and then that fell
:47:49. > :47:54.through. We were pretty much at our lowest ebb. I remember having a
:47:55. > :47:58.conversation with Tom when I was on the verge of giving up. The final
:47:59. > :48:02.straw for me was when I walked into the kitchen of the place where we
:48:03. > :48:07.were living and I saw a rat run onto the kitchen work surface. I thought,
:48:08. > :48:12.what the hell are we doing here? It was really miserable. They had known
:48:13. > :48:16.each other since childhood and after years of trying to get a record deal
:48:17. > :48:23.the band was about to quit. Their luck was about to change. A record
:48:24. > :48:26.executive was in the audience. We did our thing on this tiny stage
:48:27. > :48:36.here. Afterwards he came out and said, he would like to put out a
:48:37. > :48:41.single for us. Among the songs which got Keane noticed that night was one
:48:42. > :48:47.they felt was really special. I had written this new song and I thought
:48:48. > :48:51.it was a hit single. It sounded like something you would hear on the
:48:52. > :48:56.radio. The only thing I thought when I sat down at the piano was to have
:48:57. > :49:05.something with driving with like Heroes by David early. That was my
:49:06. > :49:08.driving point -- David hourly. I started off with the pounding chords
:49:09. > :49:21.and it gradually got slower and slower.
:49:22. > :49:31.I had this long which really was not very good and it was called
:49:32. > :49:36.Stowaway. That was a good song. Thank you. It was a bit miserable.
:49:37. > :49:43.We were feeling very cold and isolated. The only nice bit about
:49:44. > :49:49.it, the positive bit was this phrase, why don't we go somewhere
:49:50. > :49:53.that only we know. I thought, I wonder if I can take that one decent
:49:54. > :50:04.bit of that song and slotted into the new song? And it fitted. Where
:50:05. > :50:09.is that somewhere for you? For me it would be Battle, the town where we
:50:10. > :50:13.grew up and used to hang out. The last thing that happened there
:50:14. > :50:20.before we were making music was 1066, the Battle of Hastings! It
:50:21. > :50:25.felt like that, it was so sleepy. I had my own place, it was almost
:50:26. > :50:30.secret path which overlooked this sweeping countryside. I am always
:50:31. > :50:36.immediately transported back to that place when I sing this song. It is
:50:37. > :50:46.not necessarily a physical place but getting back to friendship and those
:50:47. > :50:53.things which you can rely on. It is not a Love Song. It is more about
:50:54. > :51:02.ourselves friends, really. 13 million records later, and now it is
:51:03. > :51:06.a festival standard. It is a wonderful thing, all those people
:51:07. > :51:11.singing something which is personal to us. Keane are more used to
:51:12. > :51:16.playing stadium gigs now but the story of this song links back to
:51:17. > :51:28.this place and the story of the band's enduring friendship.
:51:29. > :51:35.Thank you! We love that song. We were swaying in the studio. I was
:51:36. > :51:38.enjoying that as well. What was your reaction to the news that JK Rowling
:51:39. > :51:44.might be writing another Harry Potter? I do not know if it is a
:51:45. > :51:49.sequel or a prequel. I know very little about it. I think it is an
:51:50. > :51:55.extension of the world but not exactly of it involving our
:51:56. > :52:01.characters. I am in treat with the rest of the book. What is she going
:52:02. > :52:09.to do? You are waiting for the phone to ring! Unfortunately not. I cannot
:52:10. > :52:12.wait to see what she does. I think there is so much wonderful feeling
:52:13. > :52:17.towards those books and that series and it has such a strong following
:52:18. > :52:21.still. It is lovely that she's expanding it for people who are
:52:22. > :52:27.devoted to it. One thing that you are turning your attention to is
:52:28. > :52:42.running. There is a film where you will be taking the part of Sebastien
:52:43. > :52:46.Coe. In the film his name is Seb Coe so I must start calling him Lord. I
:52:47. > :52:53.was doing sprint interval is yesterday. Did you hear what he said
:52:54. > :52:59.about you taking the part, George Clooney must have been busy? You can
:53:00. > :53:06.get your own back. He forgets I have the final say! George Clooney is
:53:07. > :53:11.maybe laying him at an older age. I would be happy to play a young
:53:12. > :53:17.George Clooney. I am very excited about it. We have done this photo
:53:18. > :53:19.thing. Let's see how similar you do look to a young Sebastien Coe. It is
:53:20. > :53:37.not too bad. And you are also playing Igor in
:53:38. > :53:46.Frankenstein. I am. Look at what we have done! I will be drawing mainly
:53:47. > :53:53.from Marty Feldman's performance. James McAvoy will play Victor
:53:54. > :53:57.Frankenstein. We started rehearsals. You started today? I was doing
:53:58. > :54:03.rehearsals today but not proper full on. We were just talking through
:54:04. > :54:07.scripts and doing things like that. Nothing thickly exciting for your
:54:08. > :54:17.viewers on forgery, otherwise I would break an exclusive -- nothing
:54:18. > :54:21.very exciting unfortunately. Let's go back to Team Rickshaw. Drum roll,
:54:22. > :54:37.please. It is over half a million! That does
:54:38. > :54:46.not include from Daniel's confession.
:54:47. > :54:55.That is an incredible total, just over half ?1 million, everybody!
:54:56. > :55:00.Amazing! And the you know what, despite some of the hardships we
:55:01. > :55:06.have had today, here is the rickshaw being peddled by Peter, accompanied
:55:07. > :55:10.by his dad. I am marching with them and the Air Training Corps Marching
:55:11. > :55:16.Band. Here come the guys. To greet them we have some of their family
:55:17. > :55:25.members including Nanna Angie. And auntie Teresa and the rest of the
:55:26. > :55:31.family. It is so nice to see these families reunited. It is great.
:55:32. > :55:41.Geoff, if I could just drag you over here as well. Hello, you two. It is
:55:42. > :55:48.a very special day for Geoff as well because it is Geoff's birthday
:55:49. > :55:53.today! To make you feel special we have got you a little cake. It is a
:55:54. > :55:57.special rickshaw cake. There is no doubt you could do with the
:55:58. > :56:04.calories. I will let you and the family tucked in. Go on, everybody,
:56:05. > :56:11.go over there. And we have got another surprise for Miss Eleanor.
:56:12. > :56:14.Oh, yes, for you we have got a special message from someone you
:56:15. > :56:20.absolutely adore. Have a look at the screen. Hello, Eleanor, it is James
:56:21. > :56:28.Arthur here. I think the work you and your dad do is so inspirational.
:56:29. > :56:33.You are phenomenal person. To be -- to do what you have been through is
:56:34. > :56:38.very inspirational. You have inspired me. I want to give you all
:56:39. > :56:42.the luck in the world and love and support and I hope to give you soon.
:56:43. > :56:53.-- I hope to see you soon. Take care. How do you feel about that? I
:56:54. > :56:57.do not know what to say! She is gobsmacked. There is a first for
:56:58. > :57:03.everything. I have got an extra present because James has signed a
:57:04. > :57:07.CD for you but Pudsey sat on it in the rickshaw so it is a bit
:57:08. > :57:12.cracked. I am sorry about that. Team Rickshaw have done edge medicine job
:57:13. > :57:16.but it is time for the rickshaw to roll out of Abergavenny tonight and
:57:17. > :57:19.continue the incredible journey. The guys are working on it as we speak
:57:20. > :57:25.so hopefully they will have fixed it. Just tell us all what happened
:57:26. > :57:31.earlier. We were cycling along, everything was going well, we hit a
:57:32. > :57:37.bump and the handlebars spun all the way round so it broke. You broke the
:57:38. > :57:41.rickshaw? Martin will hopefully ride the rickshaw out but who knows, we
:57:42. > :57:46.will see what happens. Tomorrow night we will be in Oxford. Oprah
:57:47. > :57:51.and Daniel, if you want to come down and have a go, you are more than
:57:52. > :57:56.welcome. We will be in broad Street. Would we love to see Daniel
:57:57. > :58:06.Radcliffe on the rickshaw? I think so. If Bethany says it is OK. What
:58:07. > :58:13.did you think of James Arthur's message? It was fantastic. You are
:58:14. > :58:19.looking a bit tearful, Keith! We have another long night ahead of us.
:58:20. > :58:24.The guys will fix the rickshaw, the guys will get back on it and we will
:58:25. > :58:30.make our way back to Oxford. It is goodbye from Abergavenny.
:58:31. > :58:37.They are doing good work, aren't they. I will put my cream on now. I
:58:38. > :58:44.have a lovely visual image now. You can join us tomorrow in Oxford
:58:45. > :58:48.outside Balliol College and we will be joined by Russell Watson. Talking
:58:49. > :58:52.of the wonderful singing things that people do, it is a big night on
:58:53. > :58:59.Friday night. It will be a big night, we have GLS, one direction,
:59:00. > :59:07.Ellie Goulding, Gary Barlow and some songs from the tilt of the musical.
:59:08. > :59:14.Too many things to mention. -- Matilda the musical. Thank you,
:59:15. > :59:17.Daniel Radcliffe. Have you had a nice time? I have enjoyed myself.