:00:18. > :00:22.Hello, welcome to The One Show with Matt Baker... And Alex Jones. All
:00:22. > :00:26.across the country, Valentines couples are probably settling down
:00:26. > :00:30.right now to their romantic, candlelit meals. We do not want to
:00:30. > :00:35.spoil the mood, but we want you to keep watching. We are going to dim
:00:35. > :00:40.the lights so you can keep us on in the corner of the room. What is Mrs
:00:40. > :00:43.Baker read too? She is on her own. Yes, she has spent 14 years of
:00:43. > :00:49.Valentine's Day is on her home. Without breaking tradition, she is
:00:49. > :00:53.at home, waiting for me to return. She does put up with quite a lot.
:00:53. > :00:58.won't be long, I am setting off in 30 minutes. If you haven't had any
:00:58. > :01:08.cards, don't worry. We've got a Valentine just for you. Shall we
:01:08. > :01:14.
:01:14. > :01:21.Nice to see you. Why do you make me do this stuff? We have some good
:01:22. > :01:28.news. What? A survey out today, you are the top television Ballantyne.
:01:28. > :01:36.I say top, you beat Professor Brian Cox, Philip Glenister and Simon
:01:36. > :01:40.Cowell. Well, at least that somebody I... Hey! There were three
:01:40. > :01:50.fellows ahead of you, but we will not dwell on that. Is that a joke?
:01:50. > :01:54.No, you did. Women voted. Thank you very much, women! You are not the
:01:54. > :01:59.only handsome chap on tonight's show. Later we will be meeting the
:01:59. > :02:04.very attractive Byron. There he is. He is very handy, as you can see.
:02:04. > :02:10.dog that can use the cash machine. He is operating the cash machine?!
:02:10. > :02:15.We will explain later on. And we are getting poetic worth Sam
:02:15. > :02:25.Couples. Somebody could be in for a surprise question. They cannot hear
:02:25. > :02:25.
:02:25. > :02:31.Right, they are here because we asked for your Valentine Verses.
:02:31. > :02:38.You have a poem that was sent in especially for Alex. Oh, really?
:02:38. > :02:43.Surprise, back at you! I can take it, go on. This was sent from Scott
:02:43. > :02:48.Green grass. Alex, you're such a pretty girl. The BBC has a pill.
:02:48. > :02:55.Your lovely hair, cut into a Bob, it makes my heart throb, throb,
:02:55. > :03:03.throb. I watch you every night, you really are the day's highlight.
:03:03. > :03:07.Scott Green grass, aged 14. Kisses for you. Thank you very much. You
:03:08. > :03:11.can be my Valentine. If you are in the doghouse because you didn't
:03:11. > :03:13.send a card, we might be able to help. Send a brief message with
:03:13. > :03:16.your name and location and we will show some of them.
:03:16. > :03:20.First, one in five children are classified as living below the
:03:21. > :03:24.poverty line in the UK. Although we often hear campaigners and
:03:24. > :03:27.politicians argue about the definition of what it is to be poor,
:03:27. > :03:30.we rarely hear from the children themselves. Hayley Cutts has been
:03:30. > :03:39.looking at the subject for Newsround and has helped put that
:03:39. > :03:43.Arguments may rage over where exactly the poverty line falls in
:03:43. > :03:51.Britain or what defines being poor. But for the children in this film,
:03:51. > :03:55.they know only too well how hard life can be without money. Ten-
:03:55. > :04:01.year-old Lauren and eight-year-old Angel live in Manchester, where
:04:01. > :04:07.child poverty rates are as high as 49% in some areas. So, your mother
:04:07. > :04:14.doesn't have loads of money? We are half skint. Oh, all right. What is
:04:14. > :04:21.it like when the gas runs out? Is it really cold? Yes. What about the
:04:21. > :04:27.electric? When the electric goes, my life turns off and I cannot do
:04:27. > :04:35.my homework. It annoys me. I can't see and I have to go like that.
:04:35. > :04:39.It's difficult for me. For kids like Lauren and Angel it is things
:04:39. > :04:43.like heating and electricity that they miss out on the most. I have
:04:43. > :04:50.met some kids who occasionally have to rely on charity food parcels to
:04:51. > :04:55.top up their diet. Two of those children are sisters Jade and her
:04:55. > :05:01.sister who lives in Wiltshire. porridge? You like porridge.
:05:01. > :05:04.Sometimes I think when we get the food parcels that we go and ask for
:05:04. > :05:10.the food parcel and they would say that they haven't got one and we
:05:10. > :05:14.won't be able to have any food. They used to have a comfortable
:05:14. > :05:24.standard of living. But when their mum got sick, dead dad took a low
:05:24. > :05:25.
:05:26. > :05:30.webpage job so he could spend more When we are at home, nobody knows
:05:30. > :05:35.we are poor. When I go out, they buy stuff and they say, why can't
:05:35. > :05:40.you buy that? I say, I can't. And then they know that I am poor. Mum
:05:40. > :05:44.and dad argue a lot because of money. It makes them argue and it
:05:44. > :05:50.seems like they are mad or of the time. We don't like it so we go
:05:50. > :05:55.upstairs and watch a film together. 12-year-old Chantelle lives in
:05:55. > :06:05.Milton Keynes. Three years ago her dad, Michael, had a stroke. He can
:06:05. > :06:05.
:06:05. > :06:11.no longer work. At Christmas, my mum and dad only had a pot of beans
:06:11. > :06:18.and two slices of bread. What was that like for you? It was really
:06:18. > :06:22.horrible. My dad wanted me to have it, he said, no, you have it. We
:06:22. > :06:27.argued about it. You wanted to look after your dad, and he wanted to
:06:27. > :06:33.look after you? How do you feel in those situations? Really down and
:06:33. > :06:40.upset. Before the stroke, Michael worked as a taxi controller. Now he
:06:40. > :06:45.receives employment and support allowance of �94.25 a week.
:06:45. > :06:49.school they have their fingernails and their hair done. They have nice
:06:49. > :06:54.houses and shoes and stuff. And I don't have that. It's hard because
:06:54. > :06:59.I get bullied. But I just try to get through it. What would you like
:06:59. > :07:09.to do? If you had more money, what would you do? I would go on holiday.
:07:09. > :07:11.
:07:11. > :07:16.Where? Barcelona. Wow. Have you The Government says that the
:07:16. > :07:19.radical welfare reform policies will lift 350,000 children out of
:07:19. > :07:21.poverty. Children's charities predict that the Government
:07:22. > :07:25.strategy could actually lead to even more children falling below
:07:25. > :07:35.the poverty line. But these political arguments mean little to
:07:35. > :07:36.
:07:36. > :07:41.If he your mum won the lottery and bought you everything that you ever
:07:41. > :07:51.wanted, what would you do? We do thank her or do something else?
:07:51. > :07:51.
:07:51. > :07:55.would give it to charity. Give it to charity? Yes. What for, though?
:07:55. > :08:01.Other kids, but haven't got anything. You would give it to
:08:01. > :08:05.them? Yes. Thank you to all of the children in that report for
:08:05. > :08:09.speaking so openly. On we go to Sport Relief. It is back. Let's
:08:09. > :08:15.Dance is back. The Jones team is back with us. Put your fingers in
:08:15. > :08:21.your ears for a second. How do you find working with Alex? It is
:08:21. > :08:28.challenging. I can lip-read! I love her dearly, and I am looking
:08:28. > :08:34.forward to it. I'm going to stop now. That's good. This is quite
:08:34. > :08:41.weird for you. You are co-hosting the show. I could be sitting on the
:08:41. > :08:46.couch, watching The One Show. could push you off your chair and
:08:46. > :08:50.answer all your questions. But I thought we would invite UN. Let's
:08:50. > :08:54.talk about the winners from last year, Charlie Baker, that is
:08:54. > :08:58.fantastic. There is one thing throwing your arms about and
:08:58. > :09:02.getting the public vote, but these guys really concentrate. He was
:09:02. > :09:07.kind of too good for the show. It's not really about what Let's Dance
:09:07. > :09:13.is about. People are upping the ante. They did put in on the Ritz,
:09:13. > :09:18.quite a classical dance and they did a fantastic dance. Some people
:09:18. > :09:22.will be lowering it quite significantly. Who? Tony Blackburn
:09:22. > :09:26.and David Hamilton will perform to wait track that will make you
:09:26. > :09:31.question your sanity. It is going to be remarkable. Don't miss it.
:09:31. > :09:35.Have you seen the rehearsals? yet. I'm just hearing what they are
:09:36. > :09:41.doing and it made me run to the hills. We have some funny duos.
:09:41. > :09:48.There is Fatima Whitbread and the Cuban Brothers. Unlikely. I love
:09:48. > :09:51.batten me -- Fatima Whitbread. Darren Gough has been on Strictly,
:09:51. > :09:55.he might have an advantage. fact that he can dance is a
:09:55. > :10:00.significant advantage. You will look at this differently, from
:10:00. > :10:08.going through the Strictly process. Your talent sickens me, the pair of
:10:08. > :10:15.you. Are you two going to team up for a little number? No! You look
:10:15. > :10:20.like a giraffe when you dance. can't deny that. She's lovely to
:10:21. > :10:26.dance with. She never used to be. Before Strictly, she was awful.
:10:26. > :10:31.Excuse me! You are more gangly than I am. I will stick with Matt for
:10:31. > :10:37.dancing. Honestly, we are really pleased that you are back to do
:10:37. > :10:41.Let's Dance with me. But has Simon Cowell broken your heart? Not at
:10:41. > :10:46.all. I owe him a debt of gratitude. He has given me this extraordinary
:10:46. > :10:51.platform in the States. I tend to build on that. I have no animosity
:10:51. > :10:55.to him or any of the team. It was an amazing experience. I was gutted
:10:55. > :10:58.that I didn't get to do the second season, but I got to do the first
:10:58. > :11:06.one and I was very happy doing it. What you like to do so more poetry
:11:06. > :11:12.There are some little surprises at the back. There are probably about
:11:12. > :11:16.three of them. We will see how much time we have. This is from Conan
:11:16. > :11:21.Macdonald for his fiancee, Sam. You mean the world to me, my lovely
:11:21. > :11:29.veterinarian. Although you often chat about your latest ships
:11:29. > :11:37.caesarean. It does not put me off my tea, I am not yet a vegetarian.
:11:37. > :11:41.Thanks for agreeing to spend your days with a 5 foot 4 barbarian.
:11:41. > :11:47.That was actually a really good. Another one? Rattle them out.
:11:47. > :11:52.is from Avril, T Michael endorse it. A romantic meal for two, you say?
:11:52. > :11:56.Just because it is Valentine's Day? Even that must be joking. Look at
:11:56. > :12:01.the prize, a meal at home would be just as nice. You know I love you,
:12:01. > :12:08.I always will. Fine, we can go out, but you can pay the bill!
:12:08. > :12:14.seconds? From Glenn, for Carol Farnham in Norfolk. I love Glen,
:12:14. > :12:22.he's very funny, he makes my world sunny. He makes a bit of mess, that
:12:22. > :12:26.gives me stress. But you know, my dear Glenn, I love you. Now another
:12:26. > :12:34.couple utterly devoted to each other. Here is Angellica Bell with
:12:34. > :12:38.Kate and Byron. Byron is absolutely wonderful. Attentive, he opens and
:12:38. > :12:43.closes doors, he helps me to take my coat off. He puts the laundry in
:12:43. > :12:48.the laundry basket. When I am with him, my day is so much brighter.
:12:48. > :12:54.sounds great, doesn't he? But she is not talking about her husband.
:12:54. > :13:02.She is talking about her dog. Byron is a specially trained Labrador and
:13:02. > :13:08.a massive help to Kate. She has a painful degenerative condition that
:13:08. > :13:13.means she can dislocate her joints doing household tasks. Good boy.
:13:13. > :13:17.Before I had Byron I was very frustrated with my life. I was
:13:17. > :13:21.finding, physically, a lot of things very hard to do. I was in
:13:21. > :13:26.pain a lot of the time. I had become quite isolated and I was
:13:26. > :13:31.staying at home on my own an awful lot. How did that changed with
:13:31. > :13:39.Byron? He has just made an absolute world of difference. He has given
:13:39. > :13:43.me the confidence to go out on my own. He helps me in my day-to-day
:13:43. > :13:48.life with so many different things. He is able to do things that I find
:13:48. > :13:52.difficult or impossible to do. I am at less risk of injury because I am
:13:52. > :13:58.not using my joints so much. My levels of fatigue have improved an
:13:58. > :14:01.awful lot as well. Beautiful, good boy. While Kate and
:14:01. > :14:11.Anna oar get on with their day, I am off to meet the people that
:14:11. > :14:16.Since they opened in 1990, canine Partners have trained 334 dogs,
:14:16. > :14:26.including Byron. I would like you to hold your hands out and he will
:14:26. > :14:31.bring them back to you. That's good, well done. Bring it here. Well done.
:14:31. > :14:38.That's amazing. It really gives people independents. They don't
:14:38. > :14:43.need day-care to get undressed. Clever boy! The dogs start training
:14:43. > :14:46.at eight weeks and they live with foster families who socialise them.
:14:47. > :14:50.Then they move into the advanced training team, where they have an
:14:51. > :14:54.average of 15 weeks of intensive training. There is a huge demand
:14:54. > :15:00.for dogs. We are looking to train up to 60, the most we have trained
:15:00. > :15:06.in one year. It's amazing to think that these dogs will help change
:15:06. > :15:11.people's lives. Good boy! Just like Byron did with Kate. I would say
:15:11. > :15:21.that Byron has not just changed my life, he has given me my old life
:15:21. > :15:22.
:15:22. > :15:27.back. Which is fantastic. I can't Kate and Byron have made the trip
:15:27. > :15:32.to the studio, lovely to see you. We have a rose for you, but we need
:15:32. > :15:39.a delivery man. I think I might know the man! Could it be Byron, by
:15:39. > :15:47.any chance? What do I have to say to him? Just ask him to take it.
:15:47. > :15:54.will bring it to me. Byron! Take it. What a good lad! Isn't that
:15:54. > :15:57.tremendous? Beautiful lad! He is amazing. We saw earlier in the
:15:57. > :16:02.programme that he was helping you to get money out of a cash point,
:16:02. > :16:07.how does that work? Does he know my pen number? He would be straight
:16:07. > :16:11.down to the Pet Shop with that! He would buy a lot of tennis balls.
:16:11. > :16:17.is not just out and about, he is such a help around the house.
:16:17. > :16:21.has brought huge peace of mind to both me and my family in that if I
:16:21. > :16:26.have a fall or get into trouble at home, Byron is trained. He will go
:16:26. > :16:30.and fetch me a pillow, he will fetch me a blanket. He can cover me
:16:30. > :16:34.over, then he will fetch the phone so I can call for help. He will
:16:34. > :16:40.just settle down and make sure everything is OK, and when help
:16:40. > :16:48.arrives, he will let them in. he ever eat the money? Not so far!
:16:48. > :16:51.OK, good. He could be an expensive dog. You are still training him.
:16:51. > :16:55.Absolutely, they are likely to carry the training on throughout
:16:55. > :16:59.the partnership. It is very good for them, stimulating, and it is
:16:59. > :17:06.not work, it is all about getting treats and rewards and having fun,
:17:06. > :17:10.it is just a big game. For me, that is great, because my syndrome is
:17:10. > :17:17.degenerative, so I now know that as my condition gets worse and I find
:17:17. > :17:25.more things difficult, I have got Byron, who can help me out. Indeed.
:17:25. > :17:29.It is amazing. Thank you so much, and thank you, Byron. Back to
:17:29. > :17:34.Valentine's Day, and he is amazing how being in love can change
:17:34. > :17:37.somebody. That old romantic Tuffers has discovered it can change a bun
:17:37. > :17:44.of the mill portrait painter into one of the greatest artists of his
:17:44. > :17:48.Have you ever looked really closely at John changed and wondered who
:17:48. > :17:52.painted the portraits on your bank notes? Well, one portrait on
:17:52. > :17:59.Scottish notes was painted by Allan Ramsay, the Edinburgh artists,
:17:59. > :18:03.nearly 300 years ago. He was born here in 1713. By the end of his
:18:03. > :18:07.teens, he was training as a painter, but it was love that raised his
:18:07. > :18:11.work from mediocre to back it doesn't. It made him one of
:18:11. > :18:16.Scotland's finest artists. One of his early works is this rather
:18:16. > :18:20.formal portrait of his first wife. What was he like when he first
:18:20. > :18:24.started painting? You could say he was quite conventional at the
:18:24. > :18:28.beginning, he had had conventional training, mostly in London.
:18:28. > :18:33.when he painted his first wife? you look closely at the portrait,
:18:34. > :18:37.you see he has got some wonderful detail, but she is in a false oval
:18:37. > :18:43.frame, a convention of the time, and it gave a bit of formality to
:18:43. > :18:47.it. There is a neutral background inside the frame, but within the
:18:47. > :18:52.conventions of the time, nothing really spectacularly different.
:18:52. > :18:58.continued painting after his wife sadly died in childbirth. He
:18:58. > :19:01.supplemented his income by teaching drawing. One of his pupils was
:19:01. > :19:06.Margaret Lynsey, the daughter of a senior figure in the Scottish
:19:06. > :19:11.nobility. They fell in love, but her father refused to accept the
:19:11. > :19:15.relationship. Why was the father so against it? Because he was only a
:19:15. > :19:20.painter. Although he was a great painter later, and although he was
:19:20. > :19:23.very popular with the Emma -- Edinburgh nobility, he was simply a
:19:23. > :19:33.painter, something that was not good enough for his daughter, his
:19:33. > :19:37.
:19:37. > :19:42.noble daughter. And her father cut Their only option was the romantic
:19:42. > :19:46.one, to a low, so they ran away here to Canongate Kirk in the heart
:19:46. > :19:51.of Edinburgh and were married in 1752. They soon embarked on a
:19:51. > :19:56.three-year honeymoon in Italy. This period would transform his life and
:19:56. > :20:00.work. It turned in into an artist whose works still hold pride of
:20:00. > :20:06.place in the Scottish National Gallery, and it is this portrait of
:20:06. > :20:11.Margaret that is his most outstanding piece. Love had made in
:20:11. > :20:17.defy with convention and her father, and the free-spirited approach were
:20:17. > :20:21.showing in his work as well. Was it love that inspired him? Absolutely.
:20:21. > :20:26.It is an unusual picture. He was paid to paint portraits, usually
:20:26. > :20:30.quite formal, but in this picture you have got her taking part in an
:20:30. > :20:34.everyday activity, arranging flowers in a vase. It must have
:20:34. > :20:40.been something that he just thought, I love this, I love this! He wanted
:20:40. > :20:43.to paint him doing that, and he has caught up. She is dressed in the
:20:43. > :20:47.latest Parisian fashions, and she it -- he is proud of that.
:20:47. > :20:51.always had technical ability, but thanks to his new-found confidence,
:20:51. > :20:57.born of his love for Margaret, his skill was coupled with style and
:20:57. > :21:01.grace. Out went the formal pose and the oval surround, and in its place
:21:02. > :21:07.he discovered the ability to capture a moment. The picture has
:21:07. > :21:11.an overall warmth and depth that is absent in his earlier work. I think
:21:11. > :21:15.his style relaxed, he got hugely competent, he knew he was at the
:21:15. > :21:20.top of his game. Someone he was happy, contented, and when you see
:21:20. > :21:25.the portrait, you see why. When he was painting his wife, he at all
:21:25. > :21:29.the time in the world, and he would pull off a complete masterpiece.
:21:29. > :21:34.His reputation grew, and he was appointed the official painter to
:21:34. > :21:37.King George the Third. So the man who was rejected by his father in
:21:38. > :21:45.law for being unworthy had proved himself, and the older daughter
:21:45. > :21:53.love. -- he owed it all to love. I understand you are a bit of a dab
:21:53. > :21:57.hand. Not bad! Do not talk yourself down! I wanted to go to art college,
:21:57. > :22:01.but I cannot afford it, so I went to a printing factory. Caricatures
:22:01. > :22:06.are my speciality, drawing caricatures of my co-workers, very
:22:07. > :22:13.adult caricatures! Staying with that thing, it is time to introduce
:22:13. > :22:18.Alex, the lute player. Isn't that beautiful? Alex's here because
:22:18. > :22:24.we're going a bit Judah now. Ruth Goodman is here to tell us how
:22:24. > :22:32.couples in Tudor times tied the At the heart of modern marriage is
:22:32. > :22:36.the idea of romantic love. No-one can doubt that when these two Wedd,
:22:36. > :22:41.it clearly symbolised their love for each other. Judah marriage in
:22:41. > :22:47.Britain was also a symbolic, not just of love, but our family power
:22:47. > :22:53.and politics. -- Judah. Hundreds of years ago, Winchester Cathedral
:22:53. > :22:59.hosted another Royal Wedding. Love may have been in the air, but like
:22:59. > :23:04.every marriage in those times, so was business and politics. On 25th
:23:04. > :23:10.July, 1554, huge crowds gathered here to watch a Royal Wedding. It
:23:10. > :23:14.is one that tells us a lot about marriage at all levels of society.
:23:14. > :23:19.At this quarter, while this specially written music played,
:23:19. > :23:24.Queen Mary, Henry VIII's eldest daughter, married Prince Philip of
:23:24. > :23:30.Spain. They had never met before. They spoke different languages. And
:23:30. > :23:37.the apparently found the plane. -- he found her plane. The marriage is
:23:37. > :23:41.a perfect example of power politics at the time. Philip was the heir to
:23:41. > :23:45.Spain, a huge power, and England could be on good terms, they had a
:23:45. > :23:50.good position in Europe. This is his approach to marriage was common
:23:50. > :23:55.thrill all levels of society. -- Business approach. Arrangements
:23:55. > :23:59.would be put in place before a baby was born. Orders were the property
:23:59. > :24:04.of their fathers, and as such they worked sort of pawns on chess
:24:04. > :24:08.boards. They were moved around. Even at the lowest strata of
:24:08. > :24:11.society, it was really important for a woman to get married. She had
:24:11. > :24:16.no right if she was not married. If she did not make a good match, she
:24:16. > :24:20.could possibly have no rights if she was widowed. Agreements had to
:24:20. > :24:25.be hammered out beforehand, and it was as important for a farmer's
:24:25. > :24:29.daughter to marry well and move into another family as it was for a
:24:29. > :24:34.king's daughter. Weddings, even those not in cathedrals, were
:24:34. > :24:40.showing affairs, a chance to dress up and show off. Particularly if
:24:40. > :24:44.the bride came with a nice big dowry. There was no such thing as a
:24:44. > :24:49.wedding dress at the time, people just walk their best, but they
:24:49. > :24:53.meant their best! Look at all the jewels all over it. It was
:24:53. > :24:59.important to make a show. After all, a marriage was a contract between
:24:59. > :25:03.the families, and you put a great deal of effort into it. And you
:25:03. > :25:09.show off you're young woman, she is what you have paid that huge dowry
:25:09. > :25:15.for! Give us a twirl, girl! After the ceremony, the marriage deal was
:25:15. > :25:19.sealed with a feast. They really liked to make a Big Splash at their
:25:19. > :25:24.wedding feasts, particularly at the top end of society. The food was
:25:24. > :25:29.spectacular. He would get all sorts of weird and wonderful things like
:25:29. > :25:34.poor boys, swans, Peacocks, and there would be sugar sculptures all
:25:34. > :25:39.along the table. And then, remember, pound for pound at this time, it
:25:39. > :25:44.cost far more than gold. So by having a grand sugar display, if
:25:44. > :25:48.you were really showing off your wealth. I have got a recipe for
:25:48. > :25:54.making something that was really typical, made of almonds, sugar,
:25:54. > :25:58.rosewater. I am going to have a go. It is a Mazatlan delicacy, the
:25:58. > :26:03.centrepiece of the table. It would be decorated with gold leaf. --
:26:03. > :26:08.marzipan. Other gifts would be exchanged. Imagine at the end of
:26:08. > :26:12.the wedding day, nibbling your sugar and gold leaf, conspicuous
:26:12. > :26:19.consumption at the most edible end of the spectrum. Think of it that
:26:19. > :26:25.day, full of pomp and ceremony, and dignity, that should impress the
:26:26. > :26:30.new relatives, I think. If you have forgotten a Valentine's
:26:30. > :26:36.present, a bag of sugar, perfect! Time for Sunday has to serenade
:26:36. > :26:40.their partners by reading out poetry. Yes, Steve, you are going
:26:40. > :26:49.to be our love judge, so after each poem, you have got your little
:26:49. > :26:55.paddle there. They would get a beautiful rose. Yes, they will.
:26:56. > :27:00.they would get a tin of One Show mushy peas. I like mushy peas!
:27:00. > :27:07.Shall we introduce Alex, our lute play again? Can we have our first
:27:07. > :27:11.poet partnership? It is Ryan and Sara. When I say I love you, I
:27:11. > :27:15.promise this is true. On 5th May, we will stand together and we will
:27:15. > :27:21.both say I do. Thank you very much for making me the happiest man
:27:21. > :27:31.alive. I cannot wait for the day to come when you will be my wife.
:27:31. > :27:38.Beautiful! That is lovely. Mr Jones? Homs, I loved it! Our next
:27:38. > :27:43.couple, please. My husband is an amazing guy, EC's me laugh, he sees
:27:43. > :27:48.me cry. A gentleman with a caring heart, incredibly wise, incredibly
:27:48. > :27:57.smart. He comforts make and brings me joy, he is wonderful, he's my
:27:57. > :28:06.toyboy. Toyboy! She could have gone anywhere with her rhyming couplets!
:28:06. > :28:10.Mega Lush! Shall we move on to Mark? It is Valentine's Day, it is
:28:10. > :28:18.always like Christmas Day to me. Every day I wake with you, it is
:28:18. > :28:25.like Valentine's Day, Christmas Day and my birthday all in one.
:28:25. > :28:30.Romantic! This is tension, this one, it could go either way! Really
:28:30. > :28:40.lush! Why are doing well with the roses. How we got plenty to go
:28:40. > :28:41.
:28:41. > :28:51.round! The next one is Justine and David. You never pushed on
:28:51. > :29:01.questioned why, just allowed made time to think and ponder, will you
:29:01. > :29:07.marry me and always be by my side? I will. Wonderful! We have got a
:29:07. > :29:16.proposal live on BBC One! Huge congratulations! Isn't that lovely?
:29:16. > :29:22.Champagne! All on our very special Valentine's programme. Super lush!
:29:22. > :29:26.Thank it is the poor coming in, and Let's Dance will start on Saturday.