:00:22. > :00:25.Happy Valentine's Day and welcome to The One Show. Tonight's guest
:00:25. > :00:34.was Oscar-nominated for his very first film. He made Superman kneel
:00:34. > :00:38.before him and he has been immortalised in song. Please
:00:38. > :00:44.welcome Terry, or as he is better known, Terence Stamp. Good to see
:00:44. > :00:47.you. If you could use your microphone, I think we have a few
:00:47. > :00:55.problems with yours. I am so special that I have my own
:00:55. > :00:59.microphone. We thought you were going to join in with the song.
:00:59. > :01:08.says the one Terence! That song was about you and Julie Christie. We
:01:08. > :01:12.would like to take you back to a different romance. Think the 1960s,
:01:12. > :01:17.London. You moved in together. What was it about Michael Caine that
:01:17. > :01:25.made him the perfect flatmate? very in experienced with mail love-
:01:25. > :01:29.making. But you were good mates and you were actors. Were you starting
:01:29. > :01:34.out together, was it quite competitive with scripts? I had
:01:34. > :01:40.left drama school. I had done one job and I was spotted in this job.
:01:40. > :01:44.He was on tour with a thing called the long, short and tall. He
:01:44. > :01:50.understudied Peter O'Toole. And he had not got on, so he accepted the
:01:50. > :01:56.tour. After a few weeks, they lost States. They let the actors go. And
:01:56. > :02:05.then they got more dates. -- they lost dates. I knew the words, so I
:02:05. > :02:12.got the part. Now I am on the road with the great Maurice Nicol writer.
:02:12. > :02:22.He was very offhand with me. Unusually of hand. After a while,
:02:22. > :02:23.
:02:23. > :02:33.he saw that I was really into pulling birds, you know? He said, I
:02:33. > :02:37.
:02:37. > :02:40.thought he was a poof. There were many Valentines cards cent this
:02:40. > :02:46.year from secret admirers. We are challenging you to come clean.
:02:46. > :02:49.you have sent one anonymously today or on past Valentine's Days and you
:02:49. > :02:54.are feeling brave enough to say that it was you, we need your name,
:02:54. > :02:58.a photograph and the name of the person you sent it to. Do you think
:02:58. > :03:06.anybody will come clean? About what? About sending a card. If they
:03:06. > :03:11.had sent one anonymously. A to you? Not to me! I wish I had never asked.
:03:11. > :03:16.They sent a card to somebody, you mean? This is good, explaining it,
:03:16. > :03:22.maybe does at home didn't get it. If they have sent a card to
:03:22. > :03:26.somebody, they don't know who it is, we would like them to write in.
:03:26. > :03:30.That's what I did as a child. Hoping they would know it was me,
:03:30. > :03:38.but I never signed it. Today is a day for grand romantic gestures.
:03:38. > :03:43.Lucy Siegle is in Morley, near Leeds, to make what happened. She
:03:43. > :03:45.is just looking at the Valentine's cards, wondering what might have
:03:45. > :03:53.been? If we had a plan to prevent The One
:03:53. > :03:59.Show viewer Tina Fox from spending Valentine's Day or her own, while a
:03:59. > :04:04.love of her life, Scott, does his shift in Leeds. We can see that he
:04:04. > :04:09.has started his ship and is hard at work. He doesn't know what is going
:04:09. > :04:14.on. You work days, at the supermarket. Scott works nights.
:04:14. > :04:18.How much do you see of each other? Not a lot, it is like passing ships
:04:18. > :04:26.in the night. I know that you are very romantic? We like to spend a
:04:26. > :04:30.lot of time together, as much as we can. You call him Mr wonderful, he
:04:30. > :04:36.calls you Honey Bunny. We have a romantic meal for two in the
:04:36. > :04:40.supermarket. We have a bottle of wine, we have a waiter and we have
:04:40. > :04:44.the choir. We are keeping them under wraps. Remember, Scott knows
:04:44. > :04:49.nothing about this. His reaction is going to be priceless. See you
:04:49. > :04:53.later. Now, the Government says that over
:04:53. > :04:59.100,000 more new homes are needed to meet demand. The question is,
:04:59. > :05:03.where do you put them? Many are not happy with the answer, including
:05:03. > :05:08.residents of a village 20 miles up the road from Morley.
:05:08. > :05:12.If, like me, you have chosen to live in the countryside, you
:05:12. > :05:17.probably think you're stunning view and rural way of life are protected.
:05:17. > :05:21.Well, you and I could be in for a rude awakening. The Government is
:05:21. > :05:25.determined to push ahead with plans to declassify green belts and
:05:25. > :05:30.allowed the building of thousands of much-needed new homes in their
:05:30. > :05:35.place, right across the country. Here in the picture-postcard
:05:35. > :05:42.village of Menston in West Yorkshire, life in their real life
:05:42. > :05:46.picture postcard could prove to be as much of a curse as a blessing.
:05:46. > :05:54.The curse is this. These fields could soon become home to hundreds
:05:54. > :05:59.of new houses. Developers have already submitted plans to build
:05:59. > :06:03.900 new homes around the village, after Bradford Council began
:06:03. > :06:10.detoxifying parts of the green belt several years ago. 900 homes means
:06:10. > :06:15.3000 extra people. That is a 40% increase in the population that
:06:15. > :06:20.locals claim they cannot cope with. There is one secondary school, but
:06:20. > :06:26.it is a Roman Catholic school. So that restricts the intake. It takes
:06:26. > :06:30.children from all over the district. We have 15 shops, a couple of
:06:30. > :06:35.corner shops, a chemist and post office. We cannot create any more
:06:35. > :06:40.shops because there was only one street. Would you say it is going
:06:40. > :06:44.to be swamped? Can you cope? cannot cope with that number, it is
:06:44. > :06:49.not possible. The Government has pledged to take into consideration
:06:49. > :06:52.the public's view before allowing planning permission. But growing
:06:52. > :06:59.numbers of demonstrators say this is not happening. This protest was
:06:59. > :07:03.in West Yorkshire. Save our Green Belt! In Menston, they even
:07:03. > :07:08.commissioned their own referendum. Of those that quoted, 98% were
:07:08. > :07:11.against the development. -- voted. I am not going to stop until they
:07:11. > :07:16.say the last house is not going to be built. We will keep fighting the
:07:16. > :07:19.development as long as it takes. will never give up and nor will be
:07:19. > :07:22.community. Alan and his neighbours have spent tens of thousands of
:07:22. > :07:27.pounds of their own savings, commissioning reports on the
:07:27. > :07:32.potential risk of flooding to local sewage mains. The run-off from the
:07:32. > :07:35.Moore comes from dozens of different streams. It runs down to
:07:35. > :07:40.the north of the village. Everything travels through the
:07:40. > :07:43.village. What it means is if they build here, it will flood. What are
:07:43. > :07:50.the council saying? They are looking at the expert's report done
:07:50. > :07:53.by the developers. It is a bit galling, isn't it? We have asked
:07:53. > :07:57.Bradford City Council for an interview about the development.
:07:57. > :08:00.They tell us at city hall that nobody is available to give us one.
:08:00. > :08:04.The council did eventually sent a statement saying that their
:08:04. > :08:10.priority is to build on brownfield sites and protect green belt and
:08:10. > :08:15.quality landscape. If possible. The Government is determined to create
:08:15. > :08:19.up to 70,000 new homes by 2020. It believes communities like Menston
:08:19. > :08:23.will benefit from these plans. There are many, many improvements
:08:23. > :08:29.that this will bring, as well as the investment into the village,
:08:29. > :08:35.assisting businesses, further support for public transport, the
:08:35. > :08:39.fields beyond that tree belt will become a public open space, which
:08:39. > :08:44.will link with other open spaces in the middle of this site. You are
:08:44. > :08:51.going to build new countryside? Effectively, we are enhancing parts
:08:51. > :08:55.of the countryside. The let her look at this magnificent view. Like
:08:55. > :09:00.many in the countryside, Alan wants to preserve the view from his
:09:00. > :09:02.garden for as long as he can. If, as expected, the developers get the
:09:02. > :09:11.go-ahead to start building in early summer, Alan and his neighbours
:09:11. > :09:15.will have little choice but to bow to progress. Nowhere is ever forth
:09:15. > :09:21.across and -- sacrosanct forever. But is it proportional and
:09:21. > :09:26.sustainable? As far as Menston is concerned, no.
:09:26. > :09:30.They would say it is nimbyism. I don't want it here, everybody else
:09:30. > :09:35.doesn't want to have their view spoiled? It's not just about me, it
:09:35. > :09:39.is about future generations. We will carry on. The council have
:09:39. > :09:46.told us that the developers will have to provide affordable housing
:09:46. > :09:49.and improvements to local schools, highways, and sports facilities.
:09:49. > :09:55.With government regulations, they are not allowed to take the
:09:55. > :10:00.referendum into account. Let's talk about Song For Marion, the new film
:10:00. > :10:04.opening on Friday. 20 minutes in, we were both in tears. It is
:10:04. > :10:12.trailed as a light comedy, but it is a emotionally charged, a love
:10:12. > :10:22.story between yourself and Vanessa Redgrave? Why is this film so
:10:22. > :10:27.
:10:27. > :10:32.important? It deals with a subject I am familiar with, two people meet
:10:32. > :10:38.and it is that for life. Romeo and Juliet, as well. Are you talking
:10:38. > :10:45.about your parents? When I decided that I felt confident enough to
:10:45. > :10:51.play it, they were ordinary and that is what made it unusual. They
:10:51. > :10:56.were ordinary. What can I relate to? I thought, my mum and dad. They
:10:56. > :11:01.never wanted other lovers. They never wanted... He only ever got
:11:01. > :11:06.�12 per week. They had five children. They just loved each
:11:06. > :11:12.other, you know? He was very, very handsome. She worships him, you
:11:12. > :11:17.know what I mean? But he was closed down, the war had dropped him off
:11:17. > :11:21.the grace of his nature. That is what makes it even more emotional,
:11:21. > :11:26.watching it and knowing you are going through this. It is so
:11:26. > :11:31.beautifully shot and so real at the same time. I think people watching
:11:31. > :11:36.it feel they are looking through the window of that bungalow. They
:11:36. > :11:42.got the right people. It was a pleasure just to report for work in
:11:42. > :11:50.the morning. We all knew the real emotions that were happening to us.
:11:50. > :12:00.It all revolves around a community choir. Here is the time that Arthur
:12:00. > :12:02.
:12:02. > :12:05.gets to sing for the first time in # Hey, if you happen to see the
:12:05. > :12:10.most beautiful girl that walked out on me.
:12:10. > :12:20.The rig tell her I'm sorry, tell her I need my baby.
:12:20. > :12:26.
:12:26. > :12:33.Everybody that watches it will be able to take something away from
:12:33. > :12:37.it? Everybody I have spoken to that has seen it, they have not just
:12:37. > :12:47.related to it, they have empathised with it. Everybody has lost
:12:47. > :12:52.somebody. We do not think about it, do we? What is important for me is
:12:52. > :12:56.that everybody has to die, but not everybody lives. This is about the
:12:56. > :13:01.redemption of a man, you know? different to the sets you are used
:13:01. > :13:11.to filming on in Hollywood, the little bungalow? Did it feel like a
:13:11. > :13:14.world away? Yes. There is a trend, isn't there, of films that focus on
:13:14. > :13:21.problems that effect may be more mature people? You have the exotic
:13:21. > :13:28.marigold Hotel, It's Complicated, do you think it will start a new
:13:28. > :13:32.trend? When the film closed the Toronto Festival, when I was at the
:13:32. > :13:36.front of the cinema, the exit and entrance was at the back. It was a
:13:36. > :13:41.big room. At the end of the film, hundreds of people came to the
:13:41. > :13:50.front row, to tell make, make more movies like this. There are no
:13:50. > :13:56.movies being made for us. What is important for me is that that
:13:56. > :14:00.generation likes to go to the cinema. I was at a birthday party
:14:00. > :14:06.for the Queen Mother, some years ago. It is always a bit awkward,
:14:06. > :14:12.when you have to say hello, and she said, you are an actor? It said,
:14:12. > :14:18.yes. She said, what would I have seen you in? I said, have you got a
:14:18. > :14:25.video? She said, yes, but I like to go to the cinema. I like it when
:14:25. > :14:33.the lights go down. I thought, yes. That is what it is about. So, your
:14:34. > :14:43.individuality becomes at one worth the whole, you know? Song For
:14:44. > :15:05.
:15:05. > :15:14.dog house. ever made without nothing what it
:15:14. > :15:19.is about. I have a miss tear jous - no idea what this is about. It is a
:15:19. > :15:23.piece of paper it says on it that a leading forensic artist is at your
:15:23. > :15:26.home. Together we have to create a picture of my wife's face. Doing
:15:26. > :15:31.this will establish how accurately someone can remember a face that
:15:31. > :15:36.they think that they know well. You may not refer to photos. Good luck!
:15:36. > :15:44.Oh, dear! Argh! What will Clare think? We've been married 25 years.
:15:44. > :15:49.I really don't want to muck it up! Mike's not that observant. I have
:15:49. > :15:55.heard him. When we were fairly newly married, strike me as blue-
:15:56. > :16:01.I'd blonde, I am barely blonde, I am certainly not blue-eyed. I'm
:16:01. > :16:05.intrigued! I meet Stiev Driver, a forensic artist with the Yorkshire
:16:06. > :16:10.Police for 40 years. This test presents a challenge even for him.
:16:10. > :16:15.If I were working with a witness I would try to take them back menally
:16:15. > :16:18.to the scene. Have you met my wife, Clare? I have
:16:18. > :16:23.no idea. I cannot help you in that respect.
:16:23. > :16:27.A team of psychologists have been looking in the area in the study of
:16:27. > :16:30.relationships. One theory is much as you may love your partner, your
:16:30. > :16:37.mental picture is divorced from reality.
:16:37. > :16:43.OK. So she has blonde hair. Kind of falling to her shoulders.
:16:43. > :16:51.Steve starts with a sketch. How to describe her. It is only the start
:16:51. > :16:56.and already I'm getting stuck. A lovely smile... Pale... From my
:16:56. > :16:59.normal work we try to produce a type lightness of a person that
:16:59. > :17:07.witness may have seen somebody for two or three seconds. They encode
:17:07. > :17:13.the basic geem tri of the face into the memory but don't know the finer
:17:13. > :17:20.details. It is difficult for you as you want to produce the final image.
:17:20. > :17:26.Her eyebrows? I have not a clue. Never thought about her eyebrows?
:17:26. > :17:31.Does she pluck snem I don't think Her eyes, brownish, Hazel with a
:17:31. > :17:34.little bit of green in them. The sketch is done. We move to the
:17:34. > :17:39.computer to get the fine detail or try to.
:17:39. > :17:43.More hair around there. And her forehead looks too big.
:17:43. > :17:53.The odd thing is that I am beginning to question what she
:17:53. > :17:54.
:17:54. > :17:58.looks like at all! So, the moment of truth is it Clare? I think I
:17:59. > :18:03.have done quite well. The psychologist doing similar work
:18:03. > :18:07.discovered we don't see our partners as others see them. Our
:18:07. > :18:12.picture may even be frozen from the day of that first encounter.
:18:12. > :18:18.There is is a expression that love is blind. Do you think that is
:18:18. > :18:24.true? I don't think it is so much blind as wearing rose-tinted
:18:24. > :18:30.glasses. There is a tendency among romantic couples to idealise their
:18:30. > :18:35.partners. I think that Clare is warmer, Gent
:18:35. > :18:39.had -- gentler and nicer than she really is? That has a positive
:18:39. > :18:42.effect. It has a beneficial effect in your relationship.
:18:42. > :18:45.You have invested in your relationship. You think nicely of
:18:45. > :18:52.her, but it tends to stabilise the relationship as well.
:18:52. > :18:58.Now, obviously I prefer the real thing, but what will Clare make of
:18:58. > :19:05.my imagined wife? Meet your doppleganger! Oh, my goodness!
:19:05. > :19:09.There is is a likeness there. A defendant likeness. Can you see it?
:19:09. > :19:14.This is where I discover if Mike loves me or not.
:19:14. > :19:17.The lips are about right. The chin is not bad. The nose is a bit
:19:18. > :19:21.pointy. That is meant to be good, is it?
:19:21. > :19:29.Yes. It is not unflattering, to be fair.
:19:29. > :19:34.I don't think. I forgive you for it! Thank you!
:19:34. > :19:38.Michael, I didn't think that was too bad? I thought it was OK.
:19:38. > :19:44.Yes. So do you think that your results back up what the study
:19:44. > :19:49.said? To some degree. The original study, the idea is that you are
:19:49. > :19:54.blind to your partner's defects. They got blokes cruelly to judge
:19:54. > :19:58.their wives, give them a score of ten and then they got the general
:19:58. > :20:04.public to give them a score out of ten. Generally the blokes give a
:20:04. > :20:08.bigger score than the wife. I'm sure that they were frightened!
:20:08. > :20:15.Are you a romantic guy, Michael? try to be.
:20:15. > :20:18.Let's find account, Clare is in the audience. Clare, what is the most
:20:18. > :20:24.remonthic thing that mike Hal has done for you? Probably when he
:20:24. > :20:29.followed me. Got a plane and a canoe to follow me up the Amazon to
:20:29. > :20:33.propose. Michael! That is full on! Wonderful.
:20:33. > :20:38.So, all of these scientists are coming out with theories about
:20:38. > :20:42.where we fall in love, how we fall in love. Give us the best two.
:20:42. > :20:46.OK. One is the two people who are in love.
:20:46. > :20:50.They took them in a brain scanner to show them pictures of their
:20:50. > :20:55.beloved. Measures the brains and came back three years later to see
:20:55. > :20:59.which couples were together. Then they went back to the original
:20:59. > :21:06.brain image to see if they had something in common. What they had
:21:06. > :21:11.in common is the area of the brain had been switched off when they saw
:21:11. > :21:15.their beloved. So love is blind. Is that cynical? Well, let's try
:21:15. > :21:22.the divorce drug. The idea there is you are a couple,
:21:22. > :21:29.struggling. There will is a team in Oxford who give you a concoction of
:21:29. > :21:33.hormones and if you take it you fall back in love again! You are
:21:33. > :21:38.not buying it, are you? What if you start cuddling other people? How
:21:38. > :21:42.does it make you focus on your wife? Brilliant.
:21:42. > :21:47.I can't believe you canoeed up the Amazon?
:21:47. > :21:54.And when I saw Clare there I proposed on the spot.
:21:54. > :21:58.We bet you have something amazing planned for tonight, then? Love is
:21:58. > :22:02.when thought isn't. That appears to be what the
:22:03. > :22:05.research is, or at least it appears beyond thought.
:22:05. > :22:11.Right. If you have only put Valentine's plans together today,
:22:11. > :22:18.you are about to meet a man that puts you to shame.
:22:18. > :22:21.I nobody somebody like that. Well, he has been working on this
:22:21. > :22:26.for ten months but the girl in question has particular needs.
:22:26. > :22:30.These are the Fred and the Ginger of the fish world. A courtship that
:22:30. > :22:35.is a delicate dance where they spiral around each other and hold
:22:35. > :22:41.tails for hours on end. I'm hoping to see some of this behaviour
:22:41. > :22:45.first-hand, but this time I'm heading indoors. Here in Plymouth,
:22:45. > :22:49.the biologists are busy putting sea horses into the spotlight. They
:22:49. > :22:55.want British sea horses into every aquarium in the country. To do that,
:22:55. > :22:59.they have to breed them, but it is a tricky task. Sea horses are
:22:59. > :23:03.incredibly fussy creatures. Marcus Williams, the senior biologist here
:23:03. > :23:08.lass spent ten months trying to get everything just right.
:23:08. > :23:12.The water quality must be right. All elements of the PH temperature.
:23:12. > :23:17.The diet. We have to ensure that is right for the babies if we have
:23:17. > :23:23.them, also for the adults. The tanks have to be set up correctly.
:23:23. > :23:29.Whether it is the tanks the depths or for them to hold on to something.
:23:29. > :23:33.In the wild, the sea horses cling to seagrass. It stops them being
:23:33. > :23:37.washed away by the currents. Here they have to find the right
:23:37. > :23:42.thickness of rope to make them feel secure.
:23:42. > :23:46.If we don't get the elements right, the sea horses will not be happy,
:23:46. > :23:50.they will not be interested in breeding.
:23:50. > :23:54.Now after ten months, Marcus has to guess which of the fussy animals
:23:54. > :23:59.may like each other enough to breed. I have taken the strongest-looking
:23:59. > :24:04.fish. The ones that look feisty, who feed well, but what I try to do
:24:04. > :24:09.is to pick out pairs. Usually it is a bit pot-luck.
:24:09. > :24:13.To give the hopeful councils space, he has to move the others to
:24:13. > :24:20.another tank. With the delicate creatures holding on fast, there is
:24:20. > :24:30.another set of things to do. What we will do is gently take hold
:24:30. > :24:40.
:24:40. > :24:44.of the base of the tail holding on be moved in stages.
:24:44. > :24:49.Water from the new tank must be sioned into the buckets and the
:24:49. > :24:53.temperature matched to acclimatise. It is very much like if a person
:24:53. > :24:58.were to go from a hot to a cold climate. You would be in shock. You
:24:58. > :25:05.would not like it. It is the same with a sea horse but the effects
:25:05. > :25:09.can be worse. They can be stressed and become ill.
:25:09. > :25:14.But all of the attention to detail seems to be paying off. Sea horses
:25:14. > :25:21.tend to do their courting early in the morning. Dawn is the best time
:25:21. > :25:26.to sneak in the aware yum to have a look. At first we are not sure --
:25:26. > :25:32.aquarium. At first we are not sure, but these are subtle creatures.
:25:32. > :25:37.There, there is interest there. He is bending around the female now.
:25:37. > :25:41.She has really changed colour. She has gone paler. The pale sign is a
:25:41. > :25:47.really good sign that they are wanting to pair and are ready to
:25:47. > :25:53.pair. They are holding tails there.
:25:53. > :25:58.Yes, the tails are intertwined. You cannot imagine a fish being
:25:58. > :26:02.affection nait, but this is a fish being affectionate. This is lovely.
:26:02. > :26:07.It is the beginning but there is definitely a romance in the water.
:26:07. > :26:17.Given time, there could be the patter of tiny fins.
:26:17. > :26:23.Now, then, it is time to play our Valentine's Day surprise on the
:26:23. > :26:28.unsuspecting Scot. Lucy, is all in place? It is going to plan. The
:26:28. > :26:33.scene is set. Scot is in aisle two working on greeting cards. He does
:26:33. > :26:39.not know that this is happening, but Honey Bunny is about to summon
:26:39. > :26:44.him. Take away, Tina.
:26:44. > :26:51.Scot, please come to the foyer, I have a surprise for you. Come on,
:26:52. > :26:57.Mr Wonderful. Your Honey Bunny wants to see you! He is going to be
:26:57. > :27:03.in shock now. Tina, take your place at the table. He is coming around
:27:03. > :27:07.know. -- now, he will not know what to make of this, will he? Mr
:27:07. > :27:13.Wonderful. Good evening. Please, take your place.
:27:13. > :27:18.Sit down there. Scot, anything you would like to say to Honey Bunny,
:27:18. > :27:22.to Tina? Are you lost for words? I am a little bit.
:27:23. > :27:27.I know you are a romantic. I will discuss it later.
:27:28. > :27:33.Very well said. We need a drink here. Is this what
:27:33. > :27:36.you expected. Dinner, champagne, and a choir. Is
:27:36. > :27:40.it what you expected? No it is brilliant.
:27:40. > :27:46.Quick, get going on the starters. We have another surprise for you.
:27:46. > :27:54.Tina does not know about this. Have your starters, we have a limbo
:27:54. > :27:57.waiting, ready to whisk you both off to one of leed's -- Leeds top
:27:57. > :28:03.restaurants. You don't have to which are about a thing. All of the
:28:03. > :28:07.food is paid for. You are going to have a lovely evening. Are you lost
:28:07. > :28:14.for words, now? Yes. Is this a beautiful moment? All I
:28:14. > :28:20.would like to say on behalf of the One Show and everyone here, Happy
:28:20. > :28:28.Valentine's Day to Honey Bunny and Mr Wonderful. Hurry up, you have a
:28:28. > :28:33.limbo to catch! How romantic at work in the foyer. I know, and Scot
:28:33. > :28:40.said they would discuss it later! Hopefully they will make up.
:28:40. > :28:45.We asked you to send in Valentine's day cards. Lily has sent a card to
:28:45. > :28:50.Emma, Chloe and Lauren. They had no idea who they are from but that is
:28:50. > :28:55.a nice one from Brenda. And a Valentine's message from Joe.
:28:55. > :29:00.Joe says, "Deer Suzie, I always get on the same train as you, although
:29:00. > :29:08.we have not spoken, I would like to get to know you better. I want to
:29:08. > :29:14.wish you a happy Valentine's Day, and hope to see you soon.".
:29:14. > :29:18.Come on, Suzie. On that nofplt