:00:22. > :00:29.Hello and welcome to The One Show. Tonight we have a One Show take on
:00:29. > :00:38.the modern pentathlon on. We have dancing from Rio. Only have got a
:00:38. > :00:43.special tribute from Team GB medalists. There they are! Fabulous
:00:43. > :00:53.security from the servicemen and women. We have gardening from John
:00:53. > :00:56.
:00:56. > :01:00.Humphrys. And finally swashbuckling from the film star Sean Bean. We
:01:00. > :01:04.have five things to get our teeth into. Talking of the modern
:01:04. > :01:14.pentathlon, you would have been good at that because we understand
:01:14. > :01:21.you got medals for fencing at Rada. Yes, two medals a long time ago. It
:01:21. > :01:26.was good. One is that sabre? Do you remember? I got a bit technical.
:01:26. > :01:32.They called it dagger and small sword. All so the horse riding as
:01:32. > :01:37.well. Not at the same time. Away from fencing, what about the
:01:37. > :01:42.Olympics - did you get a seat any of the events? I watched it on
:01:42. > :01:48.television and I was quite gripped by it. I went to see some of the
:01:48. > :01:55.boxing, I am quite a big fan of boxing. We went down there and saw
:01:55. > :01:59.13 fights, a lot of fighting to see in one night. It was brilliant,
:01:59. > :02:06.packed full, a great atmosphere. When it is in your back garden, it
:02:06. > :02:15.is good to have the opportunity. And plenty to shout about from a
:02:15. > :02:22.Yorkshire perspective. If it was a country, it would have been 12.
:02:22. > :02:27.at one point it was in fifth place. Do you think the Olympics has made
:02:27. > :02:31.people prouder to be British? Yes, it is a very good thing. These
:02:31. > :02:35.young people have been working for years and years just for these few
:02:36. > :02:44.minutes of time where they have to perform, and it has been a
:02:44. > :02:49.magnificent effort. It has brought a tear to everyone sighs. Did you
:02:49. > :02:59.cry when the flame went out? not really. Alec kept going on
:02:59. > :03:01.
:03:01. > :03:06.about it. I did like Jessica Ennis. He you know the struggle they have
:03:06. > :03:12.gone through and the back stories, it is great to see them there.
:03:12. > :03:15.see what they have been through and there personal problems, getting to
:03:15. > :03:21.that point is incredible and admirable. For we are a joined by
:03:21. > :03:25.the armed forces who served at the Olympics, so if you at home were
:03:25. > :03:29.snapped with any of them at the Olympic Games, send them in and we
:03:29. > :03:35.will show them later. When the think some of our amazing
:03:35. > :03:37.Olympians hadn't even taken up their sport four years ago, it
:03:37. > :03:43.makes their achievements even more remarkable.
:03:43. > :03:49.Alex Riley has been to meet the people who decide if you at home
:03:49. > :03:53.have what it takes. That is a called prowess of our athletes has
:03:53. > :04:00.made us a new superpower in the sporting arena, but it was Heather
:04:00. > :04:03.Stanning and Helen Glover who really embody Britons can do sports
:04:03. > :04:08.ideology. Both were plucked from relative
:04:08. > :04:13.obscurity and the fact that just over four years ago, Helen hadn't
:04:13. > :04:19.even set foot in a rowing boat, begs the question can we all the
:04:19. > :04:24.Olympic champions? They owe their success to the Team GB Start
:04:25. > :04:33.programme, Steve Redgrave's sporting giant has helped to
:04:33. > :04:36.broaden the talent base. criteria was to be tall. It
:04:36. > :04:44.suggested having a go at three different sports and trying to make
:04:44. > :04:48.it to the Olympics. I had experienced hockey to quite a high
:04:48. > :04:54.level so I have an idea of what it takes to get to the top. What is it
:04:54. > :05:00.about your physique that makes you good at rowing? Because I am quite
:05:00. > :05:05.tall, every stroke I take I can go further distance in the water.
:05:05. > :05:10.terms of my physique, do you think I have what it takes to beat a
:05:10. > :05:20.rower? He you at all enough but your legs might need some work.
:05:20. > :05:22.
:05:22. > :05:28.limpet gold might remain a dream for me. Maybe I can find someone
:05:28. > :05:33.who does measure up to the dream of winning gold. When it comes to the
:05:33. > :05:40.Octon and physique for swimming, look at Michael Phelps - his dance
:05:40. > :05:45.fan is two metres and his feet are a size 14. I senior citizens are
:05:45. > :05:50.allowed to compete? If they are fast enough. A do you want to see
:05:50. > :05:56.my body in speedos? Clearly scouting for talent is not a simple
:05:56. > :06:05.as that. Someone who knows more about maximising every day people's
:06:05. > :06:08.ability is talent-spotter and coach for Team GB rowing, Paul Stannard.
:06:08. > :06:14.We go out and we attend centres around the country looking for new
:06:14. > :06:18.talent. This is a good example of someone who has come through the
:06:18. > :06:23.programme after being spotted in his local school. I played cricket
:06:23. > :06:29.and all sorts. For someone to come along and hand-pick may, to say
:06:29. > :06:34.this is what you can do was what I needed and wanted. Her how do you
:06:34. > :06:39.assess if somebody is naturally predisposed to being a good rower?
:06:39. > :06:44.We do a power test and an endurance test, and we know what sort of
:06:44. > :06:52.scores we are looking for. So there is no reason why somebody from an
:06:52. > :06:57.ordinary background can't do it? absolutely. To maintain Team GB's
:06:57. > :07:03.competitive advantage, Paul does not want to give away the exact
:07:03. > :07:10.scores he is looking for. If we compare your score to Sam's, you
:07:10. > :07:17.are about 15 descent of what he's got as a 16 year-old. Am I in or
:07:17. > :07:27.not? On fortunately not,. someone at home thinks they have
:07:27. > :07:31.
:07:31. > :07:35.what it takes? They should go to the Team GB website. I need to go
:07:35. > :07:40.and lie down. Why didn't he go to see a high jump
:07:40. > :07:45.coach because he would have been signed up for real by now. Sean,
:07:45. > :07:50.the BBC had a thing on the website where you could put in your vital
:07:50. > :08:00.statistics and it would come up with a sport you are suitable for.
:08:00. > :08:01.
:08:01. > :08:10.We put yours in, we might have fought in a few extra pounds but we
:08:10. > :08:15.were amazed at what it came up with. It is a Ukrainian female discus
:08:15. > :08:24.thrower, Natalya Fokina Semenova. should be her. Apparently. You
:08:24. > :08:28.would be good at the discus. That is my body type? Ladies discuss.
:08:29. > :08:32.course, we are proud of Team GB and behind every one of our 65 medals
:08:32. > :08:37.is a very personal story. We thought it would be fitting to give
:08:37. > :08:45.some of those Olympians the opportunity to thank the people who
:08:45. > :08:55.helped them through tough times so please welcome rower Heather
:08:55. > :08:58.
:08:58. > :09:08.Stanning, and high jumper and Robbie Grabarz. However, whereas
:09:08. > :09:08.
:09:08. > :09:15.your gold medal? Helen has it, she was in the video. It is very kind
:09:15. > :09:21.of you to share your medal! Just described when you went over the
:09:21. > :09:27.line. Has it sunk in? It is a big moment, you are trying to get your
:09:27. > :09:32.feelings across, but now can you sum it up? We are so glad our dream
:09:32. > :09:36.came true and we were able to share it with so many people. Having the
:09:36. > :09:41.Olympics at home has been fantastic for that and it is nice to have
:09:41. > :09:45.something to show for the effort you have put in for the last few
:09:45. > :09:48.years. Your day job is captain of the Royal Artillery and we have
:09:48. > :09:58.some lovely footage of your colleagues in Camp Bastion
:09:58. > :10:00.
:10:00. > :10:03.celebrating. Look at that. The British flag! They gave you a
:10:03. > :10:11.lovely message, they sent it straight down to the line and it
:10:11. > :10:15.must have brought it all back. they have missed out on the
:10:15. > :10:21.Olympics so I was so glad they got to watch it and they know someone
:10:22. > :10:31.who has been there and done it. your thank you is to warn the guys?
:10:32. > :10:35.
:10:35. > :10:42.Yes, I can't thank them enough. There we are. You have you for your
:10:42. > :10:46.dreams of the bronze medal, Karina Bryant, but a very special couple
:10:46. > :10:51.helped to - tell the story. I was struggling at the beginning
:10:51. > :10:56.of the with transport and my car kept breaking down. The locks went
:10:56. > :11:00.and I have to scramble through the vote, which make me look like I was
:11:00. > :11:04.breaking into my own car. I was having a lot of problems with it
:11:04. > :11:09.and they caught hold of the fact I was struggling with transport, and
:11:09. > :11:12.they contacted me directly through e-mail and it took me about five
:11:12. > :11:22.times to read through it and I couldn't believe it - they came
:11:22. > :11:23.
:11:23. > :11:33.forward and help to me to secured temporary car to London. And this
:11:33. > :11:33.
:11:33. > :11:39.is Heather and Roger? Yes, they have helped me out fantastically.
:11:39. > :11:44.Some think a simple as a car, it sounds ridiculous, but then you can
:11:44. > :11:48.go to training and get that medal. He was massive, it took a lot of
:11:48. > :11:53.stress away from me before the Olympic Games. I didn't have to
:11:53. > :12:03.worry about getting to training and it was fantastic. This is the
:12:03. > :12:09.
:12:09. > :12:15.moment, the ippon. That term, what does it actually mean? It means you
:12:15. > :12:23.have thrown someone flat on their back with impetus. I was unaware I
:12:23. > :12:32.have scored that because my head ended up underneath her shoulder.
:12:32. > :12:39.If the the ground were -- the crowd were going crazy. Robbie, you are
:12:39. > :12:44.sitting there proudly with your medal round. You were outside the
:12:44. > :12:48.top 40 last year, which made it impossible to get any funding, and
:12:48. > :12:53.one man help you achieve your Olympic dream. Who was that? In it
:12:53. > :12:57.was my coach who told me to pull my finger out. He said you are better
:12:57. > :13:04.than this, we sat down and had a chat. He told me to take myself
:13:04. > :13:09.away from the sport. I went to restore classic cars, which is mild
:13:09. > :13:14.the dream, and to have that offer to say pick one, which one do you
:13:14. > :13:23.really want to do? I came back with a vengeance to get my high jump
:13:23. > :13:27.back on track. That was a lovely moment. It came back and I've
:13:27. > :13:36.decided I should not be afraid to fail any more, commit 100% and see
:13:36. > :13:41.what I was capable of. Are you still into cars? Karina, he might
:13:42. > :13:46.be able to fix yours. All the best with what you have planned, and we
:13:46. > :13:51.will keep everything crossed for you if you carry on to Rio. Most
:13:51. > :13:56.would claim we are honest as the day is long, but Gyles Brandreth
:13:56. > :14:01.was not quite so convinced so he set up an experiment. Camera traps
:14:01. > :14:06.are normally used to catch a rare wildlife in some of the world's
:14:06. > :14:12.most remote locations. The One Show is unleashing them on the British
:14:12. > :14:16.public to reveal a whole hidden world of human behaviour. We are
:14:16. > :14:21.going to look at honesty, how honest are we if we think we can
:14:21. > :14:26.take something and get away with it? The One Show is putting this to
:14:26. > :14:30.the test, and what better way to do that than by using the roadside
:14:30. > :14:35.honesty box? The quintessential salute to integrity, where
:14:35. > :14:42.customers are trusted to put the right amount of money in the box
:14:42. > :14:47.and not just steal. We set up camera tracked at two honesty boxes,
:14:47. > :14:54.where they have been thefts in the past. We left them there for one
:14:54. > :14:57.month. These camera traps are dormant most of the time, only
:14:57. > :15:07.waking up when they detect movement which triggers them to record the
:15:07. > :15:08.
:15:08. > :15:10.Like this honest chaffinch going about his business. A Robin
:15:10. > :15:16.guarding one of the cartons and a thiefing crow helping himself to
:15:16. > :15:19.the eggs. We wanted to see if the mere
:15:19. > :15:23.suspicion that we are being watched is enough to keep our behaviour in
:15:23. > :15:27.check. Could a picture of someone's eyes affect the way people behave?
:15:27. > :15:32.We will come back to our results later.
:15:32. > :15:37.We will be seeing the results of that experiment later.
:15:37. > :15:40.Let's take us back to the closing ceremony once more. You had just
:15:40. > :15:43.cried when the flame went out. programme comes to an end and there
:15:43. > :15:49.is a glimmer of hope because there is a trail for a new BBC drama and
:15:49. > :15:53.there is Sean Bean in a dress. It's a brand new drama called The
:15:53. > :16:01.Accused. It starts tonight. This is a departure, this role, for you?
:16:01. > :16:10.Yeah, it is. Quite a big departure, actually. I suppose people are used
:16:10. > :16:13.to seeing me as maybe a bit, kind of villain, psychotic, psychopath
:16:13. > :16:16.character and it was something very different. It was a challenge. It
:16:16. > :16:21.was a piece of work I thought was controversial and provocative and
:16:21. > :16:24.that's the sort of thing that excites me. You say you were
:16:24. > :16:31.excited there, were you surprised they had asked you and did it take
:16:31. > :16:36.a lot of time to reply and say yes? Not really, no. You know, I was
:16:36. > :16:42.asked about it and at first I was quite surprised, you know, because
:16:42. > :16:48.I had never been asked to do anything like this before. The role
:16:48. > :16:53.is a transvestite. Yeah and, obviously, it was a big departure,
:16:53. > :16:59.as you can imagine. A different role. But, you know, I got it and
:16:59. > :17:05.it was by Jimmy McGovern, extremely talented writer who has a fantastic
:17:05. > :17:09.track record in The Street and The Accused and a wonderful script.
:17:09. > :17:12.Fantastic dialogue and I knew as soon as I saw that and I thought,
:17:12. > :17:17.well, this is something I have not done before. This is something that
:17:17. > :17:21.I can really kind of step out of my comfort zone here. Then I found out
:17:21. > :17:26.Steven Graham was in it who I have always admired. I think he is a
:17:27. > :17:31.terrific actor. And he was my partner in it. We kind of went on
:17:31. > :17:36.from there and the preparation began. That's when I started
:17:36. > :17:42.panicking! No need at all, it's an hour of top-notch quality drama. We
:17:42. > :17:45.saw it earlier. Here is a clip from tonight.
:17:45. > :17:53.You look good. You get nothing here tonight, darling, glass of wine and
:17:53. > :17:59.that's it. I am just saying you look good, that's all. Thank you.
:17:59. > :18:08.I will make it up to you. A weekend away somewhere.
:18:08. > :18:15.Just the Two of Us. Where do you fancy? The Lake
:18:15. > :18:21.District. All right. As soon as I can I will sort it.
:18:21. > :18:27.Promise. APPLAUSE AND CHEERING.
:18:27. > :18:31.There you go, yeah. It's 9.00pm tonight. You said there,
:18:31. > :18:35.just before we went to that clip, when the preparation began was the
:18:35. > :18:44.moment you had that reality check. How did you start and what did you
:18:44. > :18:49.do? After having read the script I thought well, how am I going to
:18:49. > :18:54.approach this? And in a physical sense and psychological aspect and
:18:54. > :19:02.emotional approach that I wanted to bring to it. It kind of started
:19:02. > :19:08.from scratch, I did research, I read up, I watched programmes and I
:19:08. > :19:12.talked, I went to Canal Street in Manchester, met a few people up
:19:12. > :19:17.there, gay guys and talked about what it felt like, what reactions
:19:17. > :19:22.do you get and tried to immerse myself in what it was all about.
:19:22. > :19:28.The physical side was wearing the stilettos which was difficult at
:19:28. > :19:32.first. Isn't it high maintenance being a girl? It is. A lot to do,
:19:32. > :19:42.isn't there? There is a lot. Did you do the waxing and the rest of
:19:42. > :19:46.it? I had a full body wax. Well, almost. It's changed your
:19:46. > :19:53.perspective then? It certainly has. It's a story, it's a dark story,
:19:53. > :19:59.it's about someone, I play a school teacher who is disaffected, he is a
:19:59. > :20:03.hum-drum, ordinary guy, lonely guy. His alter ego is Tracey, loud,
:20:03. > :20:08.colourful and loves life and it's about someone trying to find his
:20:08. > :20:12.own identity. And Steven Graham's character, who plays Tony, who is
:20:12. > :20:17.married, but not quite sure what he wants, where he wants to be, what
:20:17. > :20:21.his life wants to be and the two of them meet together and it's a real
:20:21. > :20:26.beautiful love story. It's a dark love story. It's very poignant.
:20:26. > :20:29.It's humour, but it also has, you know, it makes you ask questions.
:20:29. > :20:33.It is controversial and it deals with intolerance and deals with
:20:33. > :20:41.aggression. It's on at 9.00pm tonight. Another famous role you
:20:41. > :20:43.played is Mellor, Lady Chatterley's Lover and we wondered if John
:20:43. > :20:48.Humphreys likes to garden in the same manner.
:20:48. > :20:53.Sorry to interrupt you, you are still turning over... The tenacious
:20:53. > :20:56.interviewing technique of John Humphreys, scourge of countless
:20:56. > :21:01.politicians. What's been going on here is straightforward
:21:01. > :21:07.corruption... And reportedly, scary enough to frighten off even the
:21:07. > :21:12.most persistent of garden pests. Allotment holders were plagued with
:21:12. > :21:18.deers eating their produce, so they took a radio to the allotment with
:21:18. > :21:24.the Today programme on it. They used that to keep the deer away and
:21:24. > :21:28.it worked. I just wish it would work for slugs in this garden.
:21:28. > :21:33.That's unbelievable! It's not just digging up stories John's good at,
:21:33. > :21:37.his love of gardening blossomed over half a century ago behind a
:21:37. > :21:44.small ter aced house in Cardiff. There was a sort of patch at the
:21:44. > :21:52.back where we threw ashes from the fire but it grew great mint, but I
:21:52. > :21:57.used to flog for 2p a small bunch. I got the bug, I think, the
:21:57. > :22:00.gardening bug and I got an allotment when - I think I was 13,
:22:00. > :22:05.manage now a 13-year-old kid getting an allotment, they would
:22:05. > :22:10.laugh at you. A 15-year waiting list, you know. These days John's
:22:10. > :22:13.tending a grander, but equally tricky patch in London, a shady
:22:13. > :22:20.north-facing garden packed with flowers and shrubs. Look, it's a
:22:20. > :22:24.mess! Why is it a mess? Look at it. It's not a mess. It's all in the
:22:24. > :22:29.eye of the holder and it's not a mess. This has died. No, it's not.
:22:29. > :22:34.I am disappointed because the flower dies off very quickly.
:22:34. > :22:41.gets better as she gets older, like a woman. Right. Next, we move on to
:22:41. > :22:45.the King of the garden. And this is my famous tree. You are
:22:45. > :22:48.lucky to have such a nice spesman. There are some of these trees in
:22:48. > :22:52.Parliament Square and it's said there was a particular Prime
:22:52. > :22:55.Minister who never sacked any of his cabinet Ministers until the
:22:55. > :22:58.tree came into flower and that's because, as you know better than me
:22:58. > :23:03.t comes into flower very late, all the MPs were going on holiday so
:23:03. > :23:09.they weren't there to make trouble. But it soon becomes clear John gets
:23:09. > :23:15.as frustrated with his plants as he does with awkward politicians.
:23:15. > :23:19.all that for this? These have gone bonkers. What do I do about that?
:23:19. > :23:21.Nothing. This is the bane of my life. It's about that big and I
:23:21. > :23:31.brought it here and it's taken over the garden. I don't think I like
:23:31. > :23:33.
:23:33. > :23:38.that. OK, take it out. But you do get glimpses of a gentler soul.
:23:38. > :23:42.This transplanted from Wales, a cluster of delicate Japanese
:23:42. > :23:47.flowers. They're here, played out in the garden and people say it's
:23:47. > :23:54.just a garden. It's a theatre to life, is a garden. That's a lovely
:23:54. > :23:58.expression. Absolutely right. And we are... Players. But mere players.
:23:59. > :24:04.This is the first garden where John has grown more flowers than
:24:04. > :24:09.vegetables, another reflection perhaps of the man these days. They
:24:09. > :24:14.say a garden reflects the person, does this reflect you? Probably,
:24:14. > :24:18.it's a sort of past its sell-by date, you know, everything - brief
:24:18. > :24:24.flashes of colour and it becomes boring. Give over! Look at it,
:24:24. > :24:27.there was a time, very briefly, about four hours, I think, this
:24:27. > :24:34.summer when everything was great and lovely and now look at it, sort
:24:35. > :24:39.of sad and tired. Is it heck! dread spirits really. He is
:24:39. > :24:44.certainly not sentimental but in my view there's one childhood plant
:24:44. > :24:48.missing from this garden. Now I want you to start growing
:24:48. > :24:56.vegetables here because I want to take you back to the very beginning
:24:56. > :24:59.when the bug got you and you started growing mint. The mint!
:24:59. > :25:04.There you are. That's sweet of you, I will plant it, guaranteed.
:25:04. > :25:08.There you are. OK, now yesterday we were saying
:25:08. > :25:10.how wonderful the Games-makers were and a wonderful job they made in
:25:10. > :25:14.greeting everybody from over the world. I have to say the troops
:25:14. > :25:17.have been incredible, members of the armed forces, how you welcomed
:25:17. > :25:22.everybody with a smile on your faces. APPLAUSE AND CHEERING. It
:25:22. > :25:26.was typical British, it was great. And made us all feel incredibly
:25:26. > :25:31.safe, as well. That's the message lots of people said, that you did
:25:32. > :25:35.make them feel safe? Yeah, being in Greenwich, loads of people have
:25:35. > :25:38.come up to us and said how we made them feel so safe. Obviously we
:25:38. > :25:41.have people coming over to watch the Games from different countries,
:25:41. > :25:44.they've even said to us how happy they are about how safe we are
:25:45. > :25:50.making them feel just being there. Even David Cameron went past you,
:25:50. > :25:54.didn't he. I have spoken to David Cameron, yeah. How much warning did
:25:54. > :25:57.you have that you would be working on the Games? We had a couple of
:25:57. > :26:01.weeks mobilisation, so a couple of weeks to notify ourselves about
:26:01. > :26:07.what we are doing and where we will be working. Alex, you had more
:26:07. > :26:11.notice, you were based out at Northolt. Yeah, we had time,
:26:12. > :26:16.because we are doing quick-reaction alert, we had been ready to go at a
:26:16. > :26:21.moment's notice. It's something we are used to, we do that 365 days a
:26:21. > :26:25.year in the UK and Falklands. APPLAUSE. You are all superb.
:26:25. > :26:29.We have to move on, we are running out of time. Quickly, we would like
:26:29. > :26:35.to thank the police force, we did the Games-makers and the armed
:26:35. > :26:40.forces and the police force also. Earlier Giles sent us an experiment
:26:40. > :26:43.to discover how honourable we are using honesty boxes. He meets one
:26:43. > :26:48.academic who believes there are subtle ways of making people more
:26:48. > :26:52.honest without them actually realising it.
:26:52. > :26:56.We wanted to see if the mere suspicion that we are being watched
:26:56. > :27:03.is enough to keep our behaviour in check. Could a picture of someone's
:27:03. > :27:09.eyes affect the way people people behave? At the University of
:27:09. > :27:14.Newcastle Professor Batesman is leading the way. Her studies began
:27:14. > :27:17.with another British institutions, 11s. I used to be in charge of the
:27:17. > :27:23.tea and coffee supplies and I had a problem because people weren't
:27:23. > :27:26.putting enough money in the honesty box to cover my costs. Like any
:27:26. > :27:30.behavioural biologist, she was intrigued to find out if people's
:27:31. > :27:35.behaviour could be engineered. Could she draw on evolutionary
:27:35. > :27:41.theory to make her workmates pay up? The idea was to see whether we
:27:41. > :27:44.could use pictures of eyes to alter people's behaviour and eyes might
:27:44. > :27:50.give people a subtle feeling of being watched by others and they
:27:50. > :27:54.might give more money. For ten weeks I put up a picture of eyes in
:27:54. > :27:58.one week and then I had a picture of flowers in other weeks.
:27:58. > :28:01.Amazingly, we got nearly three times as much money in the weeks
:28:01. > :28:05.where we had pictures of eyes on the wall compared with the weeks
:28:05. > :28:09.when we had flowers up. It's thought that a primal instinct
:28:10. > :28:14.might be the reason a photograph of a pair of eyes makes us more honest.
:28:14. > :28:19.We are an inately social species and few of us want to risk being
:28:19. > :28:24.cast out of the social group. So even a subconscious fear that we
:28:24. > :28:28.are being watched is enough to keep our behaviour in check.
:28:28. > :28:31.Back to our experiment, taking the honesty test into the countryside,
:28:31. > :28:36.where customers shopping for eggs can come and go seemingly
:28:36. > :28:40.unobserved. The results are in! Over the course
:28:40. > :28:44.of 31 days there were nine thefts in all.
:28:45. > :28:49.But did the Professor's eye signs make a difference? Where we placed
:28:49. > :28:53.eyes next to the box three thefts occurred, where there was a picture
:28:53. > :28:56.of flowers there were six thefts. So it appears there were half as
:28:56. > :29:02.many thefts when people subconsciously felt they were being
:29:02. > :29:10.watched. People are beginning to explore
:29:10. > :29:14.whether this could have real world applications.
:29:14. > :29:22.One of the first to jump on board was the security department at
:29:22. > :29:26.Newcastle University where the research first began.
:29:27. > :29:31.We identified three specific areas where the cycle thefts were quite
:29:31. > :29:35.high. We put the eye signage in those areas. The eyes went up and
:29:35. > :29:40.crime came down? That's correct. We gave it a try over six months and
:29:40. > :29:45.at the end of the six months it's proved to be quite effective.
:29:45. > :29:49.clearly worked. It seems the eyes have it.
:29:49. > :29:53.It's not a complete substitute for common sense and a solid metal
:29:53. > :30:03.delock but perhaps those eyes will help nudge us on to the right side
:30:03. > :30:11.
:30:11. > :30:15.Well, it wouldn't be worth stealing that wallet, would it? Giles?!
:30:15. > :30:19.asked for you to send pictures of you posing in with servicemen at
:30:19. > :30:24.the Olympic Games. We did. This is Lauren Thompson at the ExCel, there
:30:24. > :30:29.to watch the wrestling. What a lovely couple they make. Paloma
:30:29. > :30:34.there with the torch. Thanks to everyone. You can see Sean in The