:00:35. > :00:40.And now for Wales. SPEAKS IN WELSH. Well done! Now, English. My English
:00:40. > :00:45.is not so good. Oh you're well she's coming on. I have a good
:00:45. > :00:49.teacher. Coming up, we have got the cutest it our all film in the world
:00:49. > :00:54.and Jay goes Japanese on us. guest tonight is a man bursting
:00:54. > :01:04.with wit, intelligence and musical talent. Who knows a lot about birds.
:01:04. > :01:26.
:01:26. > :01:30.MUSIC: "Flight Of The Bumblebee" by It is Bill Bailey! Welcome back. We
:01:30. > :01:40.saw you play the piano there. You play countless his tumours. I play
:01:40. > :01:42.
:01:42. > :01:46.the kazoo. Bongos, theremin. I do that. Any more? I have a lot of
:01:46. > :01:56.string instruments. I play a Turkish instrument which has just
:01:56. > :01:56.
:01:56. > :02:03.three strings among and a sound box to it. And I play guitars. I play
:02:03. > :02:09.the tune horns and the Alpine bells. And the Alpine horn. The wedding
:02:09. > :02:16.you get one of those? Not just any alpine horn. I have a carbon-fibre
:02:16. > :02:25.flick horn which flicks down into one bit and you open it. It comes
:02:25. > :02:30.with a case. How much? In euros, 400. I would love to have seen that.
:02:31. > :02:35.You can't just bring it out in public. You have to have a special
:02:35. > :02:38.licence to carry it across London. It perhaps for the Olympics. Bill
:02:38. > :02:42.is back on tour. We will be asking him why later.
:02:42. > :02:46.Now, for more than 200 years, Scotland helped change the course
:02:46. > :02:50.of modern medicine, from the introduction of anaesthetics to the
:02:50. > :02:54.discovery of penicillin. Recently, engineers in West Lothian have
:02:54. > :02:59.pioneered the development of the first bionic hand. Carrie Grant
:02:59. > :03:03.meets 15-year-old Kelly Holmes to find out what it means to her.
:03:03. > :03:07.Imagine life without being able to use your hands. It is a reality
:03:07. > :03:12.that some people faced daily, but today I am going to find out how
:03:12. > :03:16.cutting-edge technology is bringing life to one teenager's fingertips.
:03:16. > :03:21.Kelly Holmes was three years old when she contracted streptococcal
:03:21. > :03:26.septicaemia after being struck down with chickenpox. It turned out to
:03:27. > :03:32.be a class a blood disorder. Her whole body shut down. The it
:03:32. > :03:37.attacks everything in your body, all your major organs. The outcome
:03:37. > :03:41.was unfortunately that Chloe not pretty much most of her left hand.
:03:41. > :03:49.On her right hand, she only has half her index finger and thumb
:03:49. > :03:55.left. It makes you feel helpless. Seeing your kid on a machine that
:03:55. > :04:01.is making them brief and keeping them alive. When I was at school, I
:04:02. > :04:06.would get the mickey taken out of my hand every day. People used to
:04:06. > :04:13.shout out stumpy down the corridor. I would not be able to concentrate
:04:13. > :04:17.on my work after that. I would be crying every day. But three months
:04:17. > :04:21.ago, 15-year-old Chloe's life changed thanks to ground-breaking
:04:21. > :04:25.technology. Livingston, Scotland. This is where they make
:04:25. > :04:30.electronically operated bionic hands. I want to find out what they
:04:30. > :04:34.are and how they work. Bionic is about taking the natural functions
:04:34. > :04:40.of the body and using technology to mimic those functions. It could
:04:40. > :04:45.take a signal from a person's limb and translate that into movement in
:04:45. > :04:53.their hands. We start off with a motor which is assembled into a
:04:53. > :04:57.gearbox. You can see that it bends like a real finger. We would
:04:57. > :05:01.complete this with the rest of the digits. How many people have you
:05:01. > :05:11.fitted these hands to? We have installed over 2000 of these hands.
:05:11. > :05:14.
:05:14. > :05:19.Great in theory, but can I see how it works? Absolutely. Ooh! For
:05:19. > :05:25.someone that does not have fingers, that must be incredible. You can
:05:25. > :05:32.imagine. Today Chloe has travelled to Scotland for her three-month
:05:32. > :05:42.check-up. We are going to see how many blocks you can get across, and
:05:42. > :05:43.
:05:43. > :05:47.see how quickly you are able to operate the hand. You have a minute.
:05:47. > :05:52.What do you remember about the first time Clare we put that hand
:05:52. > :05:56.on? I had tears in my eyes. It was emotional. There was excitement
:05:56. > :06:00.seeing her pick up things around the room. The confidence in her was
:06:00. > :06:05.huge. She doesn't mind people looking at her. She is a lot more
:06:05. > :06:11.bubbly. He in two months, that is great progress. She is a totally
:06:11. > :06:17.different person. She is bubbly again. She loves it. Now that I
:06:17. > :06:25.have got the hand, I can dry my hair, carry things, hold a cup
:06:25. > :06:30.without spilling it. It has given me confidence to study. It has
:06:30. > :06:33.changed my life. What a brilliant story. All the best to Chloe and
:06:33. > :06:38.her new hand. Bill, you will shortly Bennett back on the road
:06:38. > :06:43.with your tour, Dandelion Mind. The big theme of the Tories doubt. But
:06:43. > :06:49.there is no doubt that the Welsh team will not win the rugby, is
:06:49. > :06:58.there? No. You were saying that your mum is well? That whole side
:06:58. > :07:02.of my family are Welsh. I have had many a happy holiday in Tenby.
:07:02. > :07:08.what is their doubt about? whole edifice of Western capitalism
:07:08. > :07:11.is about to teeter over the edge. Banks and politics and the press,
:07:11. > :07:16.everything. All the things I used to think were certainties are now
:07:16. > :07:25.no more. Was this a prophetic think? Sometimes people get novels
:07:25. > :07:31.right two years before. Perhaps you think I caused it. You start
:07:31. > :07:36.talking about finance and banks and crises and you think, perhaps I
:07:36. > :07:41.assured this in. No, it is about thinking about the bigger questions,
:07:42. > :07:49.plus the smaller questions about doubt in religion and the world.
:07:49. > :07:53.Are you saying it is the time of doubt? It is the age of uncertainty.
:07:53. > :08:03.But not in a bad way. Doubt can also mean being curious about
:08:03. > :08:04.
:08:04. > :08:08.things. My researcher's called Thomas, doubting Thomas. If you
:08:08. > :08:13.start with a subject that is quite a big subject, it leads you into
:08:13. > :08:18.different alleyways. Music is a big part of your routine. What gets the
:08:18. > :08:24.biggest laugh, the spoken stuffer or the musical stuff? It is about
:08:24. > :08:27.even. Music affects people on a different level. The spoken word is
:08:27. > :08:33.sometimes up slow-burn, so it takes a while to absorb the ideas and
:08:33. > :08:40.respond. But music can get you on a more visceral level. It is a bit of
:08:40. > :08:45.both. One of my favourite bits is when I play Cars by Gary Numan on
:08:45. > :08:54.the car horns. Why didn't you bring all this in? You can't fit this
:08:54. > :09:01.stuff in. It is all in a bunker somewhere. Are you a fan of James
:09:01. > :09:06.Blunt? And not especially. Is that why he features in your act? You do
:09:06. > :09:12.a good impression of him. I imagine he is going to sing at the Olympics
:09:12. > :09:18.opening ceremony. It will be him on top of a giant mechanical bull dog.
:09:18. > :09:23.You know he will be singing one of his lovely songs. Actually, James
:09:23. > :09:30.Bond was on the radio, and my son said, turn it off, Daddy. I said
:09:31. > :09:36.why? He said, it is spoiling my brain. I like James Blunt. He is a
:09:36. > :09:43.brain spoiler. Let's see your version.
:09:43. > :09:52.# But you are a beautiful flower. # You bloom every hour.
:09:52. > :10:01.# ooh. # So precious, and revealing.
:10:01. > :10:07.# Like a rabbit stuck to the ceiling. It is a bit cruel. It is
:10:07. > :10:12.an affectionate tribute. He will not be watching. He lives in Ibiza.
:10:12. > :10:16.He has a big house over there. is where I am going wrong. Bill's
:10:16. > :10:19.Dandelion Mind tour runs from the first and a member and stars in
:10:19. > :10:25.Birmingham. Tie now for Jay's Foodie Friday. If
:10:25. > :10:27.you thought Chris's wealth was good, listen to Jay's Japanese. Naze
:10:27. > :10:37.runchi ni sandowichi ni kawatte sushi o taberuyo ni natta no
:10:37. > :10:39.
:10:39. > :10:45.As a restaurant critic, I get more than my fill of rich food, so it is
:10:45. > :10:49.often a relief to know I can depend on lovely, fresh sushi. This
:10:49. > :10:53.Japanese delicacy is a serious business for the supermarkets, with
:10:53. > :10:57.the top five stocking it and one came selling a massive 30 million
:10:57. > :11:01.packs of the stuff each year. Sushi is a dish consisting of cooked rice
:11:01. > :11:05.with raw fish, seaweed or vegetables. Served with palate
:11:05. > :11:10.cleansing portions of pickled ginger, soy sauce and for the
:11:10. > :11:14.bravest among us, some eye-watering Japanese horseradish. But its
:11:14. > :11:17.origins are far from mass- production. People have been eating
:11:17. > :11:22.sushi as we know it in Japan for 200 years, but it has been around
:11:22. > :11:26.for nearly 2000. It was originally a way of preserving the fish by
:11:27. > :11:31.layering it on vinegared rice. But then, they used to throw the rice
:11:31. > :11:35.away. While there are still some who will not like the sound of raw
:11:35. > :11:39.fish, it is a big hit with many diners in the UK. There are now
:11:39. > :11:43.more than 400 Japanese shops and restaurants in this country, from
:11:43. > :11:48.Aberdeen to Plymouth. But while we might have taken sushi to our
:11:48. > :11:54.hearts, few of us make it at home. Learning to make sushi takes up to
:11:54. > :11:59.eight years. Some people look at it and think, it is just rice and raw
:11:59. > :12:03.fish. Where is the skill? There is a huge amount of skill in the
:12:03. > :12:07.polishing of the rice, cooking the rice, toasting it so that you get
:12:07. > :12:13.that a Roma, and the handling of the fish. Each cut is different. I
:12:13. > :12:19.have taken salmon here. I have cut it at an angle to get these marbled
:12:20. > :12:26.fat lines coming through the. I have a piece of sea bream here. It
:12:27. > :12:30.is important to draw it flat so that you have a nice edge. You want
:12:31. > :12:36.to allow the soy sauce to catch on it. Prison taking is important in
:12:36. > :12:40.Japanese food, but there is also an art to the eating. So how do you
:12:40. > :12:45.eat sushi? You might imagine with chopsticks, but no, it is with
:12:45. > :12:49.these. With your middle finger, you roll the sushi onto its back and
:12:49. > :12:56.pick it up between her thumb and forefinger. Put the fish through
:12:56. > :13:00.the saw source, and then it is fish side down on your tongue. Very good.
:13:00. > :13:05.But is there any difference between the sushi we buy in the
:13:05. > :13:12.supermarkets and what is served in the restaurants? Supermarket sushi
:13:12. > :13:19.comes out of a machine. The Rice is cold. Here we have warm rice, made
:13:19. > :13:23.by hand. Is it even fair to compare supermarket pre-packaged sushi with
:13:23. > :13:30.the sort of thing made in a restaurant like this? I would say
:13:30. > :13:33.yes. You are getting a degree of rice with a degree of raw fish.
:13:33. > :13:38.Supermarkets sushi may be at an all-time high, but I would choose
:13:38. > :13:43.to eat it in a restaurant every time. I adore the clean, fresh
:13:43. > :13:48.taste of sushi, with the sudden hit of course French-based. Some of the
:13:48. > :13:58.best meals I have had to have been Japanese, and sushi is a major part
:13:58. > :14:02.It is not always healthy, is it? have this habit of shoving avocado
:14:02. > :14:07.and mayonnaise it, which is a lot of fat. The rice is a lot of
:14:07. > :14:14.carbohydrate. The fish is good for you, but you have got to be wary of
:14:14. > :14:18.too much of the rise. Often you see the conveyor belt. It was invented
:14:18. > :14:22.in 1958 by a man who did not have enough staff. That was simply it,
:14:22. > :14:26.not enough staff, so he thought, how can I get sushi to my
:14:26. > :14:29.customers? He went to heavier factory and saw the bottles on a
:14:29. > :14:35.conveyor belt. So it was not the Japanese generation game with the
:14:35. > :14:40.conveyor belt. I prefer that story, that is exactly what it was! Bill,
:14:40. > :14:44.what about you? I love sushi. I went to Japan, I did not like it, I
:14:44. > :14:51.could not eat it, but I got addicted. I love it, it is
:14:51. > :14:56.brilliant. He will have to come to the Priory. I just love it, I love
:14:56. > :15:03.raw stuff! Japan I love, because my name in Japanese is the same as
:15:03. > :15:09.beer. When I introduce myself, I get a drink. Do you know loads of
:15:09. > :15:16.stuff! If he doesn't, make it up. It is all about Wales now.
:15:16. > :15:21.o'clock tomorrow morning. What can we have for breakfast, Jay. We have
:15:21. > :15:24.a number of Welsh delicacies, lava bread. The great Gareth Edwards,
:15:24. > :15:28.the rugby player, he used to read lava bread with cockles and bacon
:15:28. > :15:34.before every match. You have a Gareth Edwards story. You want to
:15:34. > :15:41.tell it? My dad would be annoyed! Glamorgan sausages. These are great.
:15:41. > :15:46.They have not got any animal in them. It is a vegetarian sausage.
:15:46. > :15:53.Cheese, leeks, breadcrumbs. Would you like one? I will have one.
:15:53. > :15:58.like them, they are very filling. Is that good? If you have not got
:15:58. > :16:02.any Kendal Mint cake handy, that will keep you going in a hurricane.
:16:02. > :16:06.The one controversial one, Welsh rarebit, the name, it is believed,
:16:06. > :16:11.it came from abuse of the Welsh by the English, because they did not
:16:11. > :16:16.have any need to put on it. We have to stop abusing them and cheer them
:16:16. > :16:19.on tomorrow! Come on, Wales. there is a supermarket near you and
:16:19. > :16:24.you can be bothered to make this before 9 o'clock, the recipes are
:16:24. > :16:33.online! We know you are a bird man, but can you do an impression of a
:16:33. > :16:36.owl? I am the nemesis of the bowl! That is nice. We could not have
:16:36. > :16:41.built on without showing a lovely third film, so how about some tawny
:16:41. > :16:47.owl chicks branches out into the big wide world? Over to live --
:16:47. > :16:50.over to Mike Dilger, then live owls in studio! Leaving home is a rite
:16:50. > :16:59.of passage that everyone goes through, but for tawny owl chicks,
:16:59. > :17:03.Their hesitant approach to the big wide world is called branching.
:17:03. > :17:07.This involves hopping from tree to tree and the watchful eye of their
:17:07. > :17:11.parents while slowly learning to become independent. They are
:17:11. > :17:15.incredibly vulnerable at this time. Moving along the branch while
:17:15. > :17:21.exercising their wings, they can lose their balance and end up down
:17:21. > :17:26.there. However, using their strong claws, they can climb back up into
:17:26. > :17:30.the tree. The problem arises when passers-by come across these young
:17:30. > :17:35.holes on the ground and, thinking they are abandoned, pick them up. -
:17:35. > :17:39.- owls. These checks are among so that 200 birds of prey to be
:17:39. > :17:48.brought into this conservatory Trust in Andover each year. They
:17:48. > :17:51.looked after by Dr Matt Stevens. Lots of tawny owls, why so many
:17:52. > :17:57.coming into the centre? Well, they have all been brought in from a
:17:57. > :18:01.very young age. They are very dependent on their parents for two
:18:01. > :18:05.months have to fledging. We want to get them to an age when they can be
:18:05. > :18:10.released into the wild. So it is all about rehabilitation.
:18:10. > :18:14.Definitely, yes. At the Conservancy, they aim to relies every bird
:18:14. > :18:19.brought in. Looking after them until they are old enough and
:18:19. > :18:24.healthy enough to survive outside the hospital, Matt and his team
:18:24. > :18:29.have a high success rate with howls as they keep human contact to a
:18:29. > :18:37.minimum hand preserve their natural behaviour. -- owls. Unfortunately,
:18:37. > :18:41.for some, it is already too late. This is Troy. What is the story?
:18:41. > :18:45.Troy was hatched probably in 2010, and she ended up on the floor. A
:18:45. > :18:50.passer-by found there, decided that the poor thing must be in trouble,
:18:50. > :18:54.so she took her home. She kept her for about six weeks. Well-meaning
:18:54. > :19:00.but exactly the wrong thing to do. It is, definitely. She thinks she
:19:00. > :19:03.is a person, she cannot be released back into the wild. So for the rest
:19:03. > :19:06.of their natural life, part of the furniture here. She cannot be
:19:06. > :19:11.released, but she will continue to give people information about what
:19:11. > :19:19.not to do with tawny owls. And also a tremendous amount of pleasure,
:19:19. > :19:22.she is one very entertaining, So while Straw is a much-loved
:19:22. > :19:32.resident, for the lucky ones here, they are almost ready to be
:19:32. > :19:34.
:19:34. > :19:40.Well, it has been two weeks since I last saw the tawny owls in hospital,
:19:40. > :19:44.and today it is time to see them regain their freedom. Before we
:19:44. > :19:48.take them back to the wild, Matt and I need to give them a quick
:19:48. > :19:54.health check. We need to measure, Way and ring them so we can track
:19:54. > :20:01.their progress. As soon as that is done, we are off to find them a new
:20:01. > :20:06.home. So, a lot of effort is taken to get them to this stage. The
:20:06. > :20:09.ultimate question is, are they go into survive? Well, it is looking
:20:09. > :20:13.good. The first few weeks are the most important, because they have
:20:13. > :20:18.to get used to this habitat away from the hospital, but they should
:20:18. > :20:24.be on their way. This is wonderful woodland, what do you reckon as a
:20:24. > :20:34.release site? Great, we should go for it. Let's do it. Right, the
:20:34. > :20:42.
:20:42. > :20:46.moment of truth, let's release the Oh, that is so lovely! It makes all
:20:46. > :20:56.that hard work worth it watching that. Let's released the last one
:20:56. > :21:04.
:21:04. > :21:14.Matt, put it there. Tawny owls, back where they belong, that is
:21:14. > :21:15.
:21:15. > :21:19.what is known as a good job. Let's Mike has made some brilliant films,
:21:19. > :21:25.that is up there with the best of them, brilliant film, well done.
:21:25. > :21:32.This is surely the tawny owl, Nigel is a white face scops owl, and Bill
:21:32. > :21:40.as Mulberry goodbye now. You took the barn owl. Yes, I fancied the
:21:40. > :21:47.barn owl. Yes, I did. I thought he was speaking Welsh for a minute. It
:21:47. > :21:51.is like owls as gangsters, I can stay in my head around! I love the
:21:51. > :21:57.barn owl because they are beautiful, quite ethereal, ghostly, amazing
:21:57. > :22:01.looking birds. Beautiful fees, amazing plumage. They are almost
:22:01. > :22:05.like supernatural, you know, in the history of British culture. You get
:22:05. > :22:09.people talking about ghostly apparitions, and they were probably
:22:09. > :22:15.barn owls. One of our most beautiful birds. Very magical,
:22:15. > :22:19.you're right. Is it true that you have a menagerie? Yes, I have
:22:19. > :22:24.various different parrots, cockatoos, cockatiel, starlings, a
:22:24. > :22:29.rabbit, four dogs, hissing cockroaches, a chameleon in the
:22:29. > :22:34.bathroom. And you live in the city. He has, a one-bedroom flat!
:22:34. > :22:38.looks after them when you are away! We just leave a load of crisps on
:22:38. > :22:42.the floor and leave them to it. They will be all right, shut the
:22:42. > :22:46.door. What about the difference between bird-watching and
:22:46. > :22:53.twitching? Twitchers are really hard core, the ones with pages on
:22:53. > :23:00.their hip. It goes beep, spoonbills, Devon, go! Birdwatchers are more
:23:00. > :23:04.like me. Easy, Tiger! They are more sort of pastoral, go out for a walk,
:23:04. > :23:10.watch a few birds. From natural art to human art. Pablo Picasso's work
:23:10. > :23:20.has often been divided in two periods, blue, Rose, African.
:23:20. > :23:23.
:23:23. > :23:27.has been finding out about his Pablo Picasso was arguably the 20th
:23:27. > :23:31.century's greatest painter and sculptor. He lived in Paris,
:23:31. > :23:35.Barcelona and the South of France. He came to Britain only twice, once
:23:35. > :23:41.in 1919 to seek a ballet for which he designed the sets and costumes,
:23:41. > :23:48.and then, in 1950, he came here, to Sheffield, the steel capital of the
:23:48. > :23:52.country. On a grey November day... Why? The most famous artist in the
:23:52. > :23:58.world had been invited to speak at the second international peace
:23:58. > :24:02.conference, and to the surprise of many he accepted. Bill was part of
:24:02. > :24:06.the delegation that welcomed Picasso to Sheffield. Do you
:24:06. > :24:11.remember that November day in 1950 when Picasso came to Sheffield?
:24:11. > :24:14.Very well, very well. I was appointed with two of my colleagues,
:24:14. > :24:19.and we came to the station to meet him. We had great regard for
:24:19. > :24:23.Picasso, because we all remembered his picture of Guernica, the anti-
:24:23. > :24:27.fascist picture from before the war. He was a brilliant figure among
:24:27. > :24:32.working people, particularly of the left. My colleagues presented him
:24:32. > :24:36.with a bunch of flowers, and we saw him on the Transport and then he
:24:36. > :24:42.was taken up to the rest are in town. We presented him with flowers,
:24:42. > :24:47.but we took them off in for our next visitor, who was the Dean of
:24:47. > :24:51.Canterbury. His arrival on the steps that City Hall was captured
:24:51. > :24:54.in the newsreels, but unfortunately the conference was not to be the
:24:54. > :24:58.great move to peace that had been planned. Has the event was
:24:58. > :25:02.organised by the Communist Party, the Labour home secretary of the
:25:02. > :25:06.day, at the last minute, refused to allow permission for some of the
:25:06. > :25:10.international delegates to come into the country. The conference
:25:10. > :25:15.had to be curtailed. However, Picasso still made a short speech
:25:15. > :25:20.to the crowd that had assembled and told them how his father had taught
:25:20. > :25:24.him to draw and how he believed in peace, not war. With time to kill
:25:24. > :25:31.in Sheffield, he did what all international celebrities would do.
:25:31. > :25:39.He got a haircut and stopped in at a local cafe for a bacon butty.
:25:39. > :25:48.can remember being really sort of a bit stunned, you know, really,
:25:48. > :25:53.Picasso? Not many world-famous painters appear on the platform at
:25:53. > :26:00.Sheffield City Hall. What was he like? Well, I told my granddaughter
:26:00. > :26:05.on the phone, he was a bit like Paddington Bear! All he needed was
:26:05. > :26:11.a label, because he was small and had a lot of clothes on. I think
:26:11. > :26:16.someone had told in Yorkshire would be very cold. I remember seeing him
:26:16. > :26:24.with his pieces of paper, and he was obviously drawing, and then he
:26:24. > :26:28.held up the paper, and he had signed this drawing. His famous
:26:28. > :26:38.drawing of the dove of peace. he had the idea of auctioning them
:26:38. > :26:38.
:26:38. > :26:41.to raise funds. Did you bid for it? My husband did, I was terrified. We
:26:41. > :26:49.probably had �30 in the cost- savings bank. And there was your
:26:49. > :26:56.husband bidding for a Picasso dart! What did it go for? Only 20 Guineas.
:26:56. > :27:00.I wish we had... It would be priceless now. I would not sell
:27:00. > :27:04.that, if I got my hands on it! think he probably would have
:27:04. > :27:07.accepted the fact that the flowers, like the ones I've brought you,
:27:07. > :27:14.were then taken away from him and given to the next visitor. If you
:27:14. > :27:18.do not mind, I'm going to take this with me! You are naughty! The peace
:27:18. > :27:22.Conference might not have been the success its organisers planned, but
:27:22. > :27:27.the incongruity of a modern master in the city of steel has never been
:27:27. > :27:31.forgotten. Even today, as visit -- his visit is elevated, and if you
:27:31. > :27:38.look closely, above the chimneys here, you can see steel domes
:27:38. > :27:42.inspired by Picasso's dove of peace. Pablo Picasso spotted in Sheffield.
:27:42. > :27:49.Where is the strangest place you have been spotted? In the
:27:49. > :27:51.Indonesian jungle. It took a little while to get there, planes, boats,
:27:52. > :27:56.ferries, more planes, buses. Right in the eastern part of Indonesia
:27:56. > :28:02.before you get to Papua New Guinea, quite off-the-beaten-track. I was
:28:03. > :28:06.on a bird-watching trip, was in a river, and heart from the jungle
:28:06. > :28:11.came these two Australians who had seen me and my show in Melbourne.
:28:11. > :28:16.The bloke went, oh, it is Bill Bailey! He pointed at me like I was
:28:16. > :28:20.a hologram or an apparition. He had to come and poke me in the chest to
:28:20. > :28:26.make sure it was made. He was blown away, what the hell are you doing
:28:26. > :28:35.here?! What do you have here? Somebody sent in this lovely
:28:35. > :28:40.picture of two really cute owls. That his two Inuit women with
:28:40. > :28:44.sleeping bags. Unsolicited, thank you very much, showing initiative.