:00:22. > :00:26.Show with Alex Jones. And Matt Baker, nice to have you back. We
:00:26. > :00:35.thought we would keep our guest a secret, but it appears that word has
:00:35. > :00:41.got out. So they are not here for us? No, they are here to see a man
:00:41. > :00:51.who exude style and sophistication. And a fabulous voice, let's give a
:00:51. > :01:07.
:01:07. > :01:11.day for you today, the new album is out. How are you feeling? I feel
:01:11. > :01:16.really good, and I thought I would celebrate by coming here with you,
:01:16. > :01:24.but I also want to look like twins with my friend. I guess you do not
:01:24. > :01:28.know how it is going with sales, but we have got some news. Come on!You
:01:28. > :01:35.are already at number one in the download charts with the album! That
:01:35. > :01:41.is all right, isn't it? Do you know family times I called and bought my
:01:41. > :01:45.own song today?! We have set up this stage especially for you. This is
:01:45. > :01:51.going to be so much fun. You are going to sing later, but can you
:01:51. > :02:01.give them a taster? I will do it, can I get in the middle of you guys
:02:01. > :02:06.
:02:06. > :02:16.and be part of the group. What are # You make me feel so young. Eric's
:02:16. > :02:24.
:02:24. > :02:33.you make me feel that spring has # Man, I just feel so...
:02:33. > :02:39.# You make me feel so young! #. We will have more from that later
:02:39. > :02:42.on. That was wonderful. First, Declan Curry launches a new series
:02:42. > :02:47.following British businesses trying to make a profit in times of
:02:47. > :02:50.financial hardship. Is the start of a new holiday season
:02:51. > :02:55.for the seaside resort of Cleethorpes, and for the Pleasure
:02:55. > :02:59.Island theme park. This is my first stop on a journey through a year of
:02:59. > :03:06.British business. I want to see for myself what it is like trying to
:03:06. > :03:11.turn a profit in a faltering economy. Welcome to Pleasure Island.
:03:11. > :03:16.The current boss is Melanie Wood. Tell me about the place. It opened
:03:16. > :03:19.in 1993, my dad opened it then, and we are celebrate in our 20th
:03:20. > :03:24.anniversary. That should be an enormous year for us, we are very
:03:24. > :03:29.excited, we have got a lot planned. Yes, very much looking forward to
:03:29. > :03:33.it. Today the park is closed, but tomorrow is the first day of the
:03:33. > :03:38.season and the start of the Easter holidays. There is a lot to do, but
:03:38. > :03:44.I'm keen to find out what it takes to keep this place going. My running
:03:44. > :03:52.costs just under �2 million. awful lot of money, what do you
:03:52. > :03:57.spend it on? �900,000 is wages, and the maintenance bill is almost
:03:57. > :04:03.�300,000. �40,000 on paint alone, massive outgoings. How many people
:04:03. > :04:10.do you need through the gates to cover those costs? I need a people
:04:10. > :04:14.through the gates to cover my costs. Last year we got 135,000.
:04:14. > :04:22.are you covering the shortfall? are personally funding the
:04:22. > :04:27.shortfall. From your...Personal savings, yes. Melanie has a lot
:04:28. > :04:31.invested in the business, and she is always looking for ways to bring in
:04:31. > :04:38.extra customers. There is a new children's farm, brand-new this
:04:38. > :04:43.year. �500,000 project, very nervous, because a lot of time and
:04:43. > :04:47.money has gone into this, so you just hope and pray you have made the
:04:47. > :04:54.right decision. A new attraction means new staff, and every year
:04:54. > :05:00.Melanie employs around 200 seasonal workers. This is Rosie the Lamb, I
:05:00. > :05:05.am Rebecca. What is it like working here? It is a great opportunity for
:05:05. > :05:08.someone my age, there is nothing round here like this at all, so it
:05:08. > :05:16.is perfect. With unemployment a real issue in the region, Pleasure Island
:05:16. > :05:20.is a vital part of the economy. Without it, how would it affect the
:05:20. > :05:26.amusement arcades, the caravan parks, the donkey man on the beach?
:05:26. > :05:31.I do feel pressure! Melanie has invested �300,000 of her own money
:05:31. > :05:36.into the miniature farm, but there is still a lot to do. Are you sure
:05:36. > :05:41.this place is going to be ready? Last phone calls, guys still
:05:41. > :05:47.working, you have only got 24 hours. I can see jobs as I am walking
:05:47. > :05:50.around, but we will get there. The weather has not helped, I must be
:05:50. > :05:56.honest. And the weather makes a huge difference as to whether people come
:05:56. > :06:04.or not. People watch the forecast and plan accordingly, and if it is a
:06:04. > :06:07.bad forecast, they do not come. Last year we opened on April the 1st, and
:06:07. > :06:10.that is when the heavens opened, and they did not stop for seven months.
:06:10. > :06:14.It was a massive blow to us. We have managed to survive one bad year. I
:06:14. > :06:18.would not like to make any predictions at this point, but to
:06:18. > :06:21.survive two years like that would be very difficult. There are clearly
:06:21. > :06:28.tough Times editor for Pleasure Island, and the next 12 months could
:06:28. > :06:33.be make or break for Melanie. It is 9am, the first day of the season,
:06:33. > :06:37.Good Friday, there is only a handful of people waiting at the gates.
:06:37. > :06:47.can always tell by your dues on the morning how busy it is going to be,
:06:47. > :06:49.
:06:49. > :06:53.and I know it is not going to be is the moment of truth for Melanie
:06:53. > :06:59.as she finds out how many visitors turned up. She would normally expect
:06:59. > :07:04.around 2000 people through the gates. The figure today was 323,
:07:04. > :07:09.which is very disappointing. It is a long way from where it needed to
:07:09. > :07:15.be, not a good start. Not getting too despondent at the moment,
:07:15. > :07:19.because we still have time to make that up. But, you know, something
:07:19. > :07:24.needs to change quickly. I will be back in Cleethorpes later in the
:07:24. > :07:28.year to see if things improve for Pleasure Island.
:07:28. > :07:35.We all need to get down and supported. Cleethorpes has a fond
:07:36. > :07:40.place in my heart, I used to dance at the end of that year. In your 70s
:07:40. > :07:44.group. He used to be in a 70s group. This is the thing, because
:07:44. > :07:49.Cleethorpes is just along the road from a very big fishing port, and
:07:49. > :07:54.your dad was a commercial fisherman. My father was, his father was, and
:07:54. > :07:59.his father emigrated from Italy as a ship owner, so we came from a long
:07:59. > :08:05.line of people in the fishing business. Were you going to follow
:08:06. > :08:13.in his footsteps? Did you go to see yourself? I did, 13 was my first
:08:13. > :08:20.half crew, I did it until I was 21. If you have ever seen shows like the
:08:20. > :08:24.Deadliest Catch, it could be dangerous, all of these things. But
:08:24. > :08:28.also rewarding, because you are learning camaraderie, respect, the
:08:28. > :08:33.value of hard work and all that stuff. But when I turned 1920, my
:08:33. > :08:37.father said, you want to be a singer, you should probably
:08:37. > :08:43.concentrate on that full-time. Used to bake me and say, work with your
:08:43. > :08:47.head, not your hands. -- he used to beg me. It is just as well you did
:08:47. > :08:57.not become Michael Buble the fisherman, because we would have
:08:57. > :09:00.
:09:00. > :09:10.# let me go home. # I am just too far from where you
:09:10. > :09:47.
:09:47. > :09:51.are. That first clip, I looked sad, I was
:09:52. > :09:58.like... Every time I hear that song, it's does it to me, that is my
:09:58. > :10:02.favourite. That is a really good one, I like Lost, which was not in
:10:02. > :10:09.there. The last one, It's A Beautiful Day, is the new single,
:10:09. > :10:15.and that is kind of an anti-love song, isn't it? I wanted to pull a
:10:15. > :10:19.trailer swift, you know. -- Taylor Swift. I thought it was fun to write
:10:19. > :10:25.a song that was not about love and between us, I miss you, I love you.
:10:25. > :10:29.I wanted to write a song that was a tribute and an anthem for all of
:10:29. > :10:32.those people out there right now who have been with their boyfriend or
:10:32. > :10:42.girlfriend, treated them badly, dumped them, and you have now
:10:42. > :10:43.
:10:43. > :10:49.realised that life is way better without that should mark. --
:10:49. > :10:52.schmuck. Can I ask and many of you have gone through that? Exactly! I
:10:52. > :10:58.wanted to give people hope that it gets better, don't let yourself
:10:58. > :11:03.down. Some interesting duet on this album as well. You have got Bryan
:11:03. > :11:09.Adams on there, you are a big fan of him, that was your first album,
:11:09. > :11:14.wasn't it? I bought Reckless when I was eight years old, I was from
:11:14. > :11:19.Vancouver, and he was a Canadian kid who had made it, world-famous, and
:11:19. > :11:25.it gave you hope as a Canadian boy from a small town, that if he did,
:11:25. > :11:30.maybe you could, too. I loved his house, -- his voice. We became very
:11:30. > :11:35.close, we have the same manager, we became like stepbrothers. This was
:11:35. > :11:42.just might excuse to be able to work with him, I was thrilled to do that.
:11:42. > :11:51.And Reese Witherspoon. That is random! Yeah, it seems like it's...
:11:51. > :11:55.How do you really feel about it?! No, I loved that, I was a big Johnny
:11:55. > :11:58.Cash fan, June Carter was just the best, and I thought that she had
:11:59. > :12:04.this great voice, and I knew that as an actress she understood subtext,
:12:04. > :12:09.and that song is all about the subtext. So it was a coup getting
:12:09. > :12:15.her, and it was not easy, because she was a little bit nervous. I know
:12:15. > :12:19.she said she was nervous when she did Walk The Line, but we were in
:12:19. > :12:23.the studio for just 20 seconds, and I knew she was wonderful, very
:12:23. > :12:29.natural. We do things in a very organic way on this record, and I
:12:29. > :12:34.mean... It is a difficult way to make a record, but it is the reason
:12:34. > :12:39.I loved the old Motown records and the old Reprise records, everyone in
:12:39. > :12:43.one room, you just go for it. All the pitching, all the computers...
:12:43. > :12:49.We went to take for a lot of it, which is really old school, but it
:12:49. > :12:53.gave it that great feeling that I had missed so much. Back in 2003 US
:12:53. > :12:58.out on a sofa with a certain Michael Parkinson, and we have got a little
:12:58. > :13:03.surprise for you. He's not the worst looking man in the world, is he? I
:13:03. > :13:06.must say. I thought, you are not just going to be a great recording
:13:06. > :13:12.artist, you are going to be a great start, and that is what he has
:13:12. > :13:21.become. And it is all down to me, apparently! I do not believe that
:13:21. > :13:27.for a moment. A bit of recognition maybe? Poor, out of work...
:13:27. > :13:33.Have you got a message for him? do, I do have a message back, where
:13:33. > :13:37.is my camera? You know what? The truth is, he did have more to do
:13:37. > :13:41.with it than anyone can imagine. I had come to London to do my first
:13:41. > :13:46.showcase with a very few people, and I had this woman from the company
:13:46. > :13:51.came running up to me, she was emotional, truly crying, and she
:13:51. > :13:54.said you have got Parkinson's, I thought, I'm going to die for sure.
:13:54. > :13:58.Little did I know that truly this gentleman, this wonderful man and
:13:58. > :14:04.his wife would take me under their wing and truly, truly take me to a
:14:04. > :14:08.place I never thought I would go, not just for me, but Jamie Cullum,
:14:08. > :14:18.such a wonderful champion for us, and I love him to death. I'm so
:14:18. > :14:20.
:14:20. > :14:23.You never know. We might be doing recorded messages for you in a
:14:23. > :14:28.couple of years. Don't forget, Michael, of course, will be
:14:28. > :14:33.performing for you live at the end of the show. Without us, we might
:14:33. > :14:37.add. Michael has sold 40 million albums... Woo! Sorry. That was me.
:14:37. > :14:40.Extraordinary, isn't it? APPLAUSE
:14:40. > :14:45.But a blockbuster in Victorian times could be a new book by
:14:45. > :14:48.Charles Dickens or even the unveiling of a painting. Well,
:14:48. > :14:57.Gyles has the story of one artist who had to hire security guards
:14:57. > :15:02.when his latest work of art went on display.
:15:02. > :15:06.Brunel's Paddington Station open for business since 1838 - if these
:15:06. > :15:10.cast iron columns could speak, what tales they would tell. All human
:15:10. > :15:20.life is here. This is the perfect place to come to observe people,
:15:20. > :15:29.
:15:29. > :15:34.On 28th August 1860, British artist William Powell Frith put paint to
:15:34. > :15:37.canvas in an artwork that would stand the world of art on its head.
:15:37. > :15:40.Frith's painting at Paddington Station would be mass produced like
:15:40. > :15:45.no other work of art before and would allow anyone the opportunity
:15:45. > :15:49.to own a masterpiece. It took two years to complete, and now it hangs
:15:49. > :15:54.here in the beautiful picture gallery at Royal Holloway
:15:54. > :15:57.University of London. And here it is. The railway station caused a
:15:57. > :16:00.sensation when it was first exhibited, and thousands of people
:16:00. > :16:05.were willing to part with their hard-earned shilling to see it.
:16:05. > :16:12.Mark Bills is an expert in Victorian art. Well, it was really
:16:12. > :16:15.the blockbuster of 1862. People flocked to see it. His last two big
:16:15. > :16:19.blockbusters had been big sensations. In fact, it required a
:16:19. > :16:22.policeman and a rail in front of the picture to keep the crowds back,
:16:22. > :16:27.so of course, the participation - the press had built it up, then
:16:27. > :16:31.when the doors opened, it was a big, big moment. Why did it cause such a
:16:31. > :16:35.stir? People saw themselves in the picture and saw all of life
:16:35. > :16:39.colliding at Paddington Station. This was a drama. Before the age of
:16:39. > :16:44.cinema, people could go see a world laid out before them. So these are
:16:44. > :16:47.real people. Who have you got in the centre? That's Frith. That's a
:16:47. > :16:54.self-portrait and his wife Isabelle and his children. He had a large
:16:54. > :17:01.family, didn't he? He did, and he also had a mistress, Mary. People -
:17:01. > :17:04.it's rumoured it's the reason he didn't get a knighthood. To a
:17:04. > :17:08.Victorian audience, there were familiar faces - they might have
:17:08. > :17:12.spotted two popular police officers. Those are two sergeants of the City
:17:12. > :17:15.of London police. These are real detectives? Real detectives, real
:17:15. > :17:19.portraits. They're arresting a white collar criminal. If you look
:17:19. > :17:24.closely you'll see the fashion at the time was to have mutton chop
:17:24. > :17:30.whiskers. He shaved them off, trying to make a get-away. There he
:17:30. > :17:35.is being collared. The Railway Station holds a pivotal place in
:17:35. > :17:39.art history because unusually the painting was commissioned by an art
:17:39. > :17:45.dealer. That's him appearing as a mysterious character in the
:17:45. > :17:50.background. He was an art dealer but quite an entrepreneur. He was.
:17:50. > :17:54.He paid �4,500 to Frith for this picture. But that included
:17:54. > :17:58.copyright. He acquired the copyright? Yes, he did. He wanted
:17:58. > :18:02.exclusive rights because where he made his money was not just people
:18:02. > :18:06.visiting, but the subscription you bought - an engraving after the
:18:06. > :18:11.painting. They sold huge numbers. It was estimated he made over
:18:11. > :18:16.�40,000 on this picture - it's quite extraordinary. �40,000 in an
:18:16. > :18:23.era when a teacher was earning �400 a year. Exactly. It's a vast amount.
:18:23. > :18:30.So this picture, The Railway Station means everything. It does.
:18:30. > :18:35.Her it is as painted by Frith. But Frith was also breaking new ground
:18:35. > :18:39.with a pioneering technique to help him capture photography. It was
:18:39. > :18:43.something he was very koi about but we know he did use photographers
:18:43. > :18:48.for several pictures. For this picture he used a copy from Samuel
:18:48. > :18:54.Frye. He copied the photograph?You could see the detail. You can see
:18:54. > :18:58.how useful it was for him to recreate this amazing train shed.
:18:58. > :19:02.If I can ask you to hold that - if photography was good enough to
:19:02. > :19:12.assist him, I think photography is going to be OK for me to create my
:19:12. > :19:12.
:19:12. > :19:17.modern-day version of Frith's The Railway Station. So here it is -
:19:17. > :19:23.with a little help of some television trickery, The Railway
:19:23. > :19:29.Station, 2013. I think Mr Frith would be rather pleased, don't you?
:19:29. > :19:35.And Gyles right in the middle. course. You're a photography
:19:35. > :19:40.collector? It's art. There is a gentleman named Claxton. He used to
:19:40. > :19:45.live near me. We're close. He's a wonderful gentleman. He's gone now
:19:45. > :19:48.but he got many of the famous photographs of Steve McQueen and
:19:49. > :19:53.Satchmo and all of these great people. You have his stuff in your
:19:53. > :19:57.house. Where do you hang it? I have a bunch in different place - some
:19:57. > :20:02.just in safes and places, but I loved him. That's yours?Yes,
:20:02. > :20:05.that's Chet Baker, one of his great shots. He was a trumpeter?He was a
:20:05. > :20:08.great jazz musician, a troubled soul, very cool - I am looking
:20:08. > :20:13.forward to the movie they're going to make about his life one day.
:20:13. > :20:16.Yeah. And you spent lots of your childhood in sort of swing clubs,
:20:16. > :20:20.didn't you, because your grandad, he was sort of your inspiration is
:20:20. > :20:24.that fair to say, for getting into the type of music you do now?
:20:24. > :20:29.would say he was - I was at a young age drawn to it through Christmas
:20:29. > :20:33.music and everything, Bing Crosby and all of that. Is that you?
:20:33. > :20:38.That's me. You have changed loads. He's my best buddy still. What he
:20:38. > :20:43.would do - he was a plumber and would go into different clubs - I
:20:43. > :20:50.was only 16 when I started in the clubs - not drinking age, so he
:20:50. > :20:57.would sneak me in and basically do plumbing work under the table so
:20:57. > :21:00.they'd let me play. Love it.How does he feel about becoming a great
:21:00. > :21:05.grandad? This is number five. I don't want to say I am the special
:21:05. > :21:09.one, but I like to say I'm the special one. Are you going to start
:21:09. > :21:13.singing lullabies now? I do. I sing - I thought about that many times -
:21:13. > :21:20.would I make a nice record for the kids? It's funny - a lot of people
:21:20. > :21:25.say to me their kids play my music in the car. You've Got a Friend in
:21:25. > :21:29.Me. It's on this record. Great. Knowing how close he is to his
:21:29. > :21:34.grandfather, we asked some of our viewers to share their stories with
:21:34. > :21:37.us. I am Bill. This is Simon. his grandson. He's a very different
:21:38. > :21:42.grandad to lots of other ones because he played the trumpet when
:21:42. > :21:45.he was younger. He has played all over the country in the hugest
:21:45. > :21:52.clubs, and I was lucky enough to have him inspire me to play the
:21:52. > :21:57.trumpet. This was the first trumpet I played. As you can see now, it's
:21:57. > :22:01.jolly old and disreputable. I gave it to Simon, so it was his first
:22:01. > :22:07.trumpet. It was. This was the one grandad learnt on, and so for me to
:22:07. > :22:13.play it, it was a fantastic thing. The family's old recording of me
:22:13. > :22:23.playing when I was in the air force - I'd be about 18. I've never heard
:22:23. > :22:29.
:22:29. > :22:32.Take note of what you've got to get up to. MUSIC I'd been desperate to
:22:32. > :22:41.impress him, desperate to have that approval from him, which I have got,
:22:41. > :22:45.which is good. Lovely.I'm Ann, and this is Sophie. And I'm her
:22:45. > :22:49.granddaughter. I have 13 grandchildren altogether. Sophie's
:22:49. > :22:51.the oldest granddaughter and so was the first cherished one.
:22:51. > :22:58.LAUGHTER I was a costume designer in the
:22:58. > :23:04.'70s, early '80s. This was probably the strongest memory I have of nan,
:23:04. > :23:10.her entertaining me. I would watch her for hours. I would sneak into
:23:10. > :23:15.nan's studio and watch her. Girly time. Yeah, girly time. Which is
:23:15. > :23:19.better than having Lego under your feet. I was so thrilled when Sophie
:23:19. > :23:24.decided she wanted to be a designer. My nan has been a massive
:23:24. > :23:31.inspiration to me. She's seen me through from when I first decided I
:23:31. > :23:38.wanted to be a designer, ever since I can remember, to when I graduated
:23:38. > :23:45.to my first job. This is my sketch book at college. It's a bit
:23:45. > :23:52.battered. I only saw these recently. I used it as my next inspiration,
:23:52. > :23:58.working it into something I do now. It's a bit faded. I like it though.
:23:58. > :24:02.I am Fred. This is Ryan. I am his grandson. One of my memories of him,
:24:02. > :24:07.when he was younger, when he started fishing when he was seven
:24:07. > :24:12.and he actually fell in the canal... That out of 18 years is all you can
:24:12. > :24:16.think of - are you serious? Yeah. You've got the memory span of a
:24:16. > :24:21.goldfish, man. He ain't changed really. He's the same funny person
:24:21. > :24:25.he used to be. I used to say to him, "Would you like to come fishing
:24:25. > :24:29.with your grandad?" He said yeah, and away we went. We never looked
:24:29. > :24:33.back since. That was a good day that first day. I still remember
:24:33. > :24:37.the first day. I enjoyed gutting. I started to think about becoming
:24:37. > :24:40.an electrician at the age of 15. He's inspired me to become what I
:24:40. > :24:46.become, so he, like, sort of showed me the path and said, that's what
:24:46. > :24:50.you can get if you want to do it. With a grandson, you can give them
:24:50. > :24:54.advice. You can take them out for the day, help them and then you
:24:54. > :24:58.don't have to live with them. The best part about being a grandparent
:24:58. > :25:02.is you can give the grandkids back at the end of the day. Back on
:25:02. > :25:06.stage, the three of us, Michael. It's like old times. We are not
:25:06. > :25:12.singing this time. We're not. But Michael, what you are about to sing
:25:12. > :25:15.has a bit of a connection, doesn't it, to your grandfather It does. I
:25:15. > :25:18.started off the record with You Make Me Feel So Young then ended
:25:19. > :25:27.with Young at Heart. I asked my grandfather what it felt like to be
:25:27. > :25:30.85. He said, "Sunshine, I am 85 but up here I am still 17." It has been
:25:30. > :25:34.absolutely wonderful to have you. Do you want to hear him sing?
:25:34. > :25:38.APPLAUSE Thought so. We will leave it with
:25:38. > :25:41.the wonderful Michael Buble. That's all we have time for. Thank you
:25:41. > :25:47.very much. Tomorrow we'll be joined by Lisa Riley and Craig Revel-
:25:47. > :25:52.Horwood. But now it's time for Michael to perform You Make Me Feel
:25:53. > :26:02.So Young from his brand new album To Be Loved. Thank you, everybody.
:26:03. > :26:12.
:26:12. > :26:14.# You make me feel so young. # You make me feel like spring has
:26:14. > :26:18.sprung. # And every time I see you grin
:26:18. > :26:21.# I'm such a happy individual. # The moment that ya speak
:26:21. > :26:31.# I wanna go play # Hide and seek.
:26:31. > :26:31.
:26:31. > :26:35.# I wanna go and # Bounce the moon.
:26:35. > :26:36.# Just like a big balloon # You and I are just like a couple
:26:36. > :26:38.of tots. # Running around the meadow
:26:38. > :26:45.# Picking up all those forget me nots
:26:45. > :26:50.# You make me feel so young. # You make me feel there are songs
:26:50. > :26:54.to be sung. # Bells to be rung
:26:54. > :27:03.# A wonderful fling to be flung. # And even when I'm old and grey
:27:03. > :27:13.# I'm gonna feel the way I do today. # Cos you make me feel so young
:27:13. > :27:18.
:27:18. > :27:24.# You make me young. APPLAUSE
:27:24. > :27:26.# You make me young # You make me feel that spring has
:27:26. > :27:30.sprung # And every time I see you grin
:27:30. > :27:34.# I'm such a happy individual. # The moment that you speak, hmm
:27:34. > :27:38.# I wanna go play hide and seek.. # I wanna go and bounce the moon
:27:38. > :27:40.# Like a big balloon # Because you and I are just like a
:27:40. > :27:50.couple of tots # Running across the meadow
:27:50. > :27:57.
:27:57. > :28:03.# Grabbing up all. # You make me -
:28:03. > :28:07.# You make me feel there are songs to be sung.
:28:07. > :28:12.# Lots of bells to be rung and a wonderful fling to be flung.
:28:12. > :28:20.# And even when I'm old and grey # I'm gonna feel the way I do today
:28:20. > :28:30.# You make me feel so - # Man. I just feel so -
:28:30. > :28:34.
:28:34. > :28:37.# You make me feel so young. # You make me feel so young, babe.