:00:45. > :00:53.Hello and welcome to the one show. Patrick Kielty is back. Lovely to
:00:54. > :00:58.see you. Lovely to see you, lovely to be back. It's OK, use totally
:00:59. > :01:15.fine, he's alive and well and here, Mr Michael McIntyre! APPLAUSE
:01:16. > :01:22.I'm dismounting. Nicely handled. However you? Let me take your coat.
:01:23. > :01:34.Thank you, darling. Great to see you. Darling. Yey! We were a bit
:01:35. > :01:40.worried halfway round, we weren't sure. Hit me with this little studio
:01:41. > :01:45.velodrome. You handled it so well, do you normally do your own stunts?
:01:46. > :01:50.Yes, I did that one, though really. I could have brought out some moves
:01:51. > :01:54.but we have a show to get on with. It was Daniel Craig meets Boris
:01:55. > :01:57.Johnson. It was, I been cycling around four weeks promoting my show,
:01:58. > :02:05.it's such a relief to get off the bike. Britton for weeks. We'll talk
:02:06. > :02:08.about Michael's show later. We have a big One Show for you tonight. We
:02:09. > :02:13.find out what it's like growing up with Bob Hoskins from his daughter,
:02:14. > :02:20.Rosa. We have a mystery guest for Michael. I wonder who it could be.
:02:21. > :02:31.Slightly puzzled face. A guest for me, what do I have to do with the
:02:32. > :02:41.guest? Who knows? So exciting. If that's not enough, we have live
:02:42. > :02:45.music from Ronan Keating! Yes. Now, most people find it really hard to
:02:46. > :02:50.resist a bit of juicy gossip, especially when somebody famous is
:02:51. > :02:53.involved. Do you really want to read all about it in the newspapers,
:02:54. > :02:55.though? After a busy week for the press, Angela has been asking that
:02:56. > :03:01.very question. Over this past week we've seen
:03:02. > :03:04.stories of sordid affairs, tax affairs and the issuing of an
:03:05. > :03:10.injunction restricting what we get to know, but is that fair? In the
:03:11. > :03:14.case of that injunction, the court ruled it was not in the public
:03:15. > :03:17.interest. In the case of John Whittingdale, the press ruled it was
:03:18. > :03:22.not in the public interest. But what should we have the right to know?
:03:23. > :03:26.Politician accused of tax avoidance. Do you think we have the right to
:03:27. > :03:31.know everything about celebrities and politicians? We have the right
:03:32. > :03:36.to know about that because they are public figures. Not really, like
:03:37. > :03:39.anybody else, everybody deserves privacy, don't they? We should be
:03:40. > :03:45.allowed to know about people's tax. Offshore accounts. What about if a
:03:46. > :03:48.politician is accused of tax avoidance, is it different? A little
:03:49. > :03:52.bit more because they are the ones making decisions about what the
:03:53. > :03:56.country can and can't do. You said definitely, why? Because they are
:03:57. > :04:01.paid to manage the national interest. Celebrity has an affair,
:04:02. > :04:05.does anyone care? It's not our business. I would say private
:04:06. > :04:10.affairs should always stay private. It's only a problem if politicians
:04:11. > :04:14.are preaching family values, they become fair game at that point.
:04:15. > :04:19.Every person is entitled their own progressive if they decide to share
:04:20. > :04:24.with us, bless them. If you are cheating on your husband or wife, it
:04:25. > :04:30.should be public as well. We all have affairs, don't we, if we can
:04:31. > :04:34.get it? Do we? LAUGHTER What about injunctions, does it feel
:04:35. > :04:38.like a privilege of the rich customer the super injunction, yeah,
:04:39. > :04:42.that is a little more sinister, they seem to have queue jumping on
:04:43. > :04:45.justice. People with a huge amount of money can gag the media and
:04:46. > :04:48.that's not right, they shouldn't be able to do that. Yet, if they want
:04:49. > :04:53.to keep it anonymous they should be able to. In terms of the law there
:04:54. > :04:56.is a difference between stories of public interest and stories the
:04:57. > :05:00.public are interested in. The issue is that we, the public, seem to be
:05:01. > :05:08.pretty much interested in all of them. Happy birthday, Michael! It
:05:09. > :05:12.would seem. It wasn't a real newspaper, it didn't look like a
:05:13. > :05:17.real newspaper. You had a real party with lots of proper celebrities. I
:05:18. > :05:21.had my 40th birthday party. Were there many super injunctions after
:05:22. > :05:25.that? Are these photos of people arriving? I saw photos... Nigella
:05:26. > :05:30.came and she was holding a big present which I never got. I don't
:05:31. > :05:34.know if she took the present back home with her, I saw it in the
:05:35. > :05:39.paper. And thought, what happened to Nigella's present? Is it a smoothie
:05:40. > :05:44.maker? I don't know if she did it for the cameras and didn't give it
:05:45. > :05:49.to me. That's what she does. You said it feels like a big milestone.
:05:50. > :05:53.My wife and I had a joint party, we are both 40. She looked 25 and I
:05:54. > :06:03.looked... People react to the same way when people tell -- we tell them
:06:04. > :06:08.we are 40. Somebody was 57 and told me I was closer to their age. I'm
:06:09. > :06:12.happy. I've never had a party before. I had it in this place, the
:06:13. > :06:18.Chiltern fire house, a very cool place. It's utterly cool place. If
:06:19. > :06:24.you are staying in the hotel you could use the bar area. Nice. It's
:06:25. > :06:31.not nice, there were people staying in the hotel at my party. It looked
:06:32. > :06:34.full. At the beginning I was like, stay. They spent the whole night
:06:35. > :06:37.there, these four gentlemen, from the Middle East, they weren't
:06:38. > :06:41.impressed by anything and they didn't move the whole night, they
:06:42. > :06:45.just sat there. I shared my very special night with four complete
:06:46. > :06:48.strangers. Will they be on your new show, have you made a connection,
:06:49. > :06:53.will they come on the Big Show question much the four Middle
:06:54. > :06:58.Eastern gentlemen staying in the hotel? No, but a lovely link
:06:59. > :07:04.nevertheless. I'm trying my best. It's the One Show, anything goes! I
:07:05. > :07:07.have a new show starting tomorrow, called Michael McIntyre's Big Show.
:07:08. > :07:11.At 7pm. I've never been more excited about any show I've ever been
:07:12. > :07:15.involved in. I was part of the show a couple of weeks ago and it's
:07:16. > :07:22.brilliant. It's a bit like a variety show, isn't it? There's variety, we
:07:23. > :07:26.have comedians, acrobats, all sorts. Entertainment items. Here are some
:07:27. > :07:34.clips. Tinie Tempah is on tomorrow night, deeply cool individual. These
:07:35. > :07:39.gentlemen here. I saw them. Middle Eastern. From Chiltern fire house.
:07:40. > :07:42.They didn't show the good bit, that man put the other man on top of his
:07:43. > :07:47.head, extraordinary. They want to hold it back for the actual show.
:07:48. > :07:50.The main thing we're doing on the show is having... We have people
:07:51. > :07:57.playing centaurs, the liberties like yourself came, which was fun. And,
:07:58. > :08:03.in fact, Ronan over there came on the show, which was hilarious.
:08:04. > :08:08.Russell Crowe texted back. It's probably the biggest a list we had.
:08:09. > :08:15.That was a good one. I lost some mates as well, as you know. You said
:08:16. > :08:21.you weren't going to mention that. You brought that up! He fell out
:08:22. > :08:25.with somebody and it's my fault entirely. It's the risk you take but
:08:26. > :08:28.in the main it has been very fun and hilarious and unfortunately a lot of
:08:29. > :08:39.your texts back were in Welsh. I know. He had Russell,. The most
:08:40. > :08:44.famous person I had was Shelley -- Shelley YeyTan, who does my tanning.
:08:45. > :08:50.Geri Horner is on the show, she gets a text from a farmer she met once,
:08:51. > :08:54.which is hilarious. We've got a clip of Geri in the theatre with all this
:08:55. > :09:06.going on. Let's remind ourselves what the text was.
:09:07. > :09:19.We said that text. Let's go through them. Is this mother? Yes. Sorry, I
:09:20. > :09:24.only had two match soldiers in my life, I hate it. It has a great
:09:25. > :09:30.ending. Try Katharine, she's my shape.
:09:31. > :09:37.My gosh, it's really funny when it's happening to somebody else. It's
:09:38. > :09:43.great. I should tease Ronan's text. His text was... "Feeling a little
:09:44. > :09:51.insecure, do you still think I'm hot?" I mean... Justin Bieber, Harry
:09:52. > :09:55.Styles, that guy who plays Poldark. Can I still compete with these guys
:09:56. > :10:00.customer it was sent to everybody on his phone and there were hilarious
:10:01. > :10:04.responses. Ronan has taken part, I've taken part, James Gordon did it
:10:05. > :10:07.to you. Effectively, you've done it. The odd one out is... Patrick. --
:10:08. > :10:15.James Gordon. We took Patrick's phone earlier and
:10:16. > :10:23.sent a question to his contact list. Oh no. This was the text. Hosting
:10:24. > :10:28.the programme that night, doing an item on bad habits. They want to
:10:29. > :10:37.know my worst any suggestions? You sent this to everybody? Obviously
:10:38. > :10:43.we've had some replies. Fun. This night isn't as fun as it was. It so
:10:44. > :10:51.is. The first is from Wendy, who is Wendy? Wendy's might be a. She's
:10:52. > :10:58.your key a? It says, worst habit, only the fact you use my razor to
:10:59. > :11:05.shave your pets. Which annoys me. I can live with all the other bad
:11:06. > :11:13.habits. -- shave your pits. That's deeply humiliating. And deeply true.
:11:14. > :11:17.You shave your armpits? What on earth is going on? There's nothing
:11:18. > :11:23.under here. What kind of a man are you, Patrick Kielty? It's like a
:11:24. > :11:29.baby 's bottom under there. Paul Wendy and her razor. That was from
:11:30. > :11:34.Wendy. Let's go on to somebody we all know... We don't need to go onto
:11:35. > :11:39.any more. We have Jimmy Nesbitt next. Jimmy Nesbitt. You used to
:11:40. > :11:45.stare at my transplant a lot while talking to me. I believe that the
:11:46. > :11:51.years ahead and nothing more sinister. Britton I believe that is
:11:52. > :11:58.our hair transplant. That hasn't helped the situation. I was talking
:11:59. > :12:03.to him, I couldn't keep eye contact, my eyes were drifting up going...
:12:04. > :12:06.That's impressive. Is it because you are considering one? I could... I
:12:07. > :12:12.could take some from here and stick it under here. There's a lot of hair
:12:13. > :12:23.and lack of in your life. The next one is from Steve Coogan. To three
:12:24. > :12:31.macro. I could think of a few. How about your nose picking? He has put
:12:32. > :12:39.two crying with laughter emojis. He's asked if you can give a shout
:12:40. > :12:44.out to three people from Obama. Shout out! -- from Tim three macro.
:12:45. > :12:58.The last is from Ronan Keating. In a Matt Prior I can vouch for
:12:59. > :13:06.that. You can say it is a habit or instruction. I didn't see that
:13:07. > :13:08.coming. That text. When I got it, I just responded.
:13:09. > :13:21.You were on my show fractal delete macro! Nothing to it? Great sport,
:13:22. > :13:30.come on, Paddy Kielty. Shaven Paddy Kielty. You have no idea how
:13:31. > :13:35.relieved I currently am. That is all we got back. It could have been so
:13:36. > :13:38.much worse. And macro starts tomorrow at 7pm on BBC One,
:13:39. > :13:40.definitely worth watching, it's really funny. -- Michael McIntyre's
:13:41. > :13:52.Big Show starts tomorrow. It a lot worse than eight delete macro
:13:53. > :13:56.and awkward reply to a text. We've all been there, stuck behind an
:13:57. > :14:01.erratic driver just to discover they are on their mobile phone is legally
:14:02. > :14:06.are talking or texting. Research has shown that for every text you read
:14:07. > :14:10.or write whilst driving you look at your phone around five times.
:14:11. > :14:19.Studies have found texting while driving decreases reaction time by
:14:20. > :14:22.over a third. So how bad is it? These four are self-confessed
:14:23. > :14:28.driving textures and they've come to take part in a One Show experiment.
:14:29. > :14:32.You know why you are here, to redeem your motoring since. Michael, what
:14:33. > :14:37.do you do that you think might be close to the edge? Probably the
:14:38. > :14:42.temptation to reply to a text you want to tap it and have a quick look
:14:43. > :14:48.at it. I try to do it when it's safe but I know it's never safe. Are used
:14:49. > :14:57.to text when I was driving. 70 mph on the motorway. In my own country.
:14:58. > :15:01.70 mph? Texting? First, we want to find out how long their eyes are off
:15:02. > :15:06.the road when texting. To help us, we have driving instructor David
:15:07. > :15:09.Kane and Doctor Felix Mercer Moss from the Bristol vision Institute at
:15:10. > :15:13.the University of Bristol, who has brought along some very special
:15:14. > :15:20.glasses. These have three cameras, one facing out that chose as exactly
:15:21. > :15:25.what you are seeing. And two little cameras facing up to your eyes. I
:15:26. > :15:32.can see them. In a macro they are tracking where you eyes are looking.
:15:33. > :15:35.There's nowhere to hide? Nowhere. Felix fit each driver with the
:15:36. > :15:37.glasses and David takes them onto the circuit. Whilst they are
:15:38. > :15:51.driving, I'll be texting. A text. As soon as they receive and
:15:52. > :15:56.answer the text, the tracking glasses showed that in some cases
:15:57. > :16:03.their eyes are off the road for up to two seconds. If travelling at 50
:16:04. > :16:06.mph, the car would have gone nearly half the length of football pitch
:16:07. > :16:12.before they were looking back at the road. We discover it is what their
:16:13. > :16:17.eyes are not doing when they look up which is cause for concern. He looks
:16:18. > :16:22.back after looking at his phone and he makes much less of those
:16:23. > :16:31.peripheral eye scanning movements. There could be lots going on in the
:16:32. > :16:36.periphery. Cyclists. Of course. We are going to show our drivers in
:16:37. > :16:41.extreme measure what happens when they take their eyes off the road.
:16:42. > :16:48.On the press of a button, everything will go completely black. They don't
:16:49. > :16:52.know this. At some point, the driver won't be able to see anything for
:16:53. > :17:00.two seconds. The longest that most of them look down to look at a text.
:17:01. > :17:10.David lets our drivers get comfortable and then presses the
:17:11. > :17:24.button. How did you find that? That was interesting. Horrible. All
:17:25. > :17:32.right? You're OK. Don't worry. It was scary. I'm in shock. You can see
:17:33. > :17:38.how important it is. To see where you're going. Even though our
:17:39. > :17:42.experiment was a little bit light-hearted, the underlying
:17:43. > :17:49.message is that using a phone while driving is illegal. As we can see,
:17:50. > :17:54.it can be very dangerous. Absolutely... When it went
:17:55. > :17:59.completely black, terrifying. Thank you. As part of Michael's show
:18:00. > :18:04.tomorrow night, there is an unexpected start of the show every
:18:05. > :18:14.week. We have invited one on for you tonight. Mr Guest, ready. Can you
:18:15. > :18:20.please give us a clue? There we go. As we can see, it is to guests...
:18:21. > :18:31.Wasted -- wait a minute? Is this a child I
:18:32. > :18:41.didn't know about? Is this some holiday romance? I met you in it be
:18:42. > :18:45.fair in 1988! One of these people entered the world due to you. Any
:18:46. > :18:51.thoughts? That's exactly my biggest fear. Think back to one of your
:18:52. > :19:01.shows. Did something dramatic happens? Is this the lovely lady who
:19:02. > :19:15.went into labour at my show? Bingo! Kara Brown and your lovely daughter,
:19:16. > :19:20.come on in. APPLAUSE Hello, darling. Hello. Oh my
:19:21. > :19:30.goodness! Isn't she gorgeous? Thank you for bringing her in. What
:19:31. > :19:36.happened? At what point in the show did she start to let you know? We
:19:37. > :19:41.had gone to watch the opening night of the show. After the show, after
:19:42. > :19:47.laughing all the way through, we were walking back to the car and my
:19:48. > :19:54.waters went. I felt my genes get wet and there was a puddle on the floor.
:19:55. > :19:59.Then it was panic stations. Somebody went to get some staff. The people
:20:00. > :20:05.in the queue were panicking. They phoned my partner who was at work in
:20:06. > :20:14.Essex, Clacton. We went to hospital and she was born. So nice to meet
:20:15. > :20:24.you. She seems to like the! A fan already. The first laugh. That is
:20:25. > :20:31.really sweet. It was such a heart-warming e-mail. So good to see
:20:32. > :20:36.it worked out. From a proud mum to a famous dad. Bob Hoskins was known
:20:37. > :20:47.for playing a hard man in his films but what was he really like? When I
:20:48. > :20:56.was born, everybody said I looked like my dad, the actor Bob Hoskins.
:20:57. > :21:03.He had this public persona. People assumed that he was a cockney
:21:04. > :21:09.Hartman. But he was also very learn it and very bookish. He was quite a
:21:10. > :21:19.nerd, really. But he struggled at school, down to a couple of things.
:21:20. > :21:23.He was dyslexic, as am I. I'm a businessman with a sense of history,
:21:24. > :21:29.and I'm a Londoner. He got into acting by accident. He went to an
:21:30. > :21:36.audition with a friend and was having a feud ranks in the bar. The
:21:37. > :21:41.people auditioning came out and said, you're next. He got the job.
:21:42. > :21:46.He'd never been to drama school or had any experience. He just thought
:21:47. > :21:52.he could do it. One of my earliest memories of my dad was I was about
:21:53. > :21:57.three and I remember him in the Kitching frying sausages and singing
:21:58. > :22:02.a song. Dad loved the Kitching, it was the centre of the house. He was
:22:03. > :22:10.a great cook. Dad used to describe this restaurant in Primrose Hill as
:22:11. > :22:15.his favourite in London. This is rave. I can't render a time when he
:22:16. > :22:19.wasn't part of our family? There wasn't anything I didn't do. From
:22:20. > :22:25.painting and fixing to looking after Rosa and Jack. I think it worked
:22:26. > :22:31.because it gave dad the security that he could go away. Everybody
:22:32. > :22:37.used to ask me what it was like working for a big fund staff. I
:22:38. > :22:45.said, just like working with my own brother. -- big film star. Bob was
:22:46. > :22:54.lovely except when he was upset and then he was lethal. What you see in
:22:55. > :22:58.those films, him exploding, it was how Bob would be. But around his
:22:59. > :23:04.family, he was always calm and helpful. I've always said what I
:23:05. > :23:09.thought of him and he did the same. London zoo. My dad used to bring me
:23:10. > :23:14.a lot when I was little. I particularly liked the Penguins. Dad
:23:15. > :23:22.did funny voices for them as they went by. All right? Yes, I see you!
:23:23. > :23:27.Because he was away a lot, when he came back, I wanted to be the golden
:23:28. > :23:35.child. I wasn't because nobody ever can be. He didn't expect that from
:23:36. > :23:39.me. I suppose, I knew he was going to go away again so I did bottle
:23:40. > :23:46.things up because, even though it was hard, I recognised that it
:23:47. > :23:51.wasn't just his job but who he was. This is where I got married.
:23:52. > :24:04.Opposite the news and the Wallabies. That was incredibly nervous. It was
:24:05. > :24:07.very strange. -- the news. At it was obvious that he was starting to get
:24:08. > :24:11.on well, his memory, he was struggling with things. Even six
:24:12. > :24:22.months later we wouldn't have had the Web -- wedding that we had. He
:24:23. > :24:26.was diagnosed with an aggressive form of Parkinson's disease. I
:24:27. > :24:31.started writing because as I saw him start forget things and saw him
:24:32. > :24:37.crumble, I wanted to do something to try and keep him together and to try
:24:38. > :24:43.and record those memories. The book that I eventually wrote, not only
:24:44. > :24:49.told his story but also dealt with grief and what it is like to lose
:24:50. > :24:54.someone very slowly. He was absolutely determined and resolved
:24:55. > :25:00.to enjoy what he had left. He would say to me, laugh, no matter what is
:25:01. > :25:14.going on. Have a laugh. Life is short, enjoy it. It is brief. Thanks
:25:15. > :25:21.very much to Rosa. A lovely film. Very emotional. Look who we've got
:25:22. > :25:26.here. The man of the moment. You're doing everything, texting, going for
:25:27. > :25:33.a pint, a new tool, a new single. It's great to be back. Touring all
:25:34. > :25:38.over the country? Everywhere in UK and Ireland and then Europe and
:25:39. > :25:45.across Asia. It is going to be crazy. Looking forward to hearing
:25:46. > :25:59.this new single. This is the new single, Breed. --
:26:00. > :26:10.and you were at Augusta last week? Yes it was brilliant. It was great
:26:11. > :26:15.to follow Danny. A great week. A big thank you to Michael McIntyre. His
:26:16. > :26:21.show starts tomorrow night at 7pm on BBC One. On Monday, we will be
:26:22. > :26:30.joined by Philip Schofield. Playing is out with his new single, it is
:26:31. > :26:36.Ronan Keating. From his album Time Of My Life.
:26:37. > :26:41.# Built these walls around me so they never see me fall
:26:42. > :26:44.# A boy made of stone I was unbreakable
:26:45. > :26:46.# How was it you found me broken
:26:47. > :26:52.# Even at my darkest you still wanted me
:26:53. > :26:56.# Lost or found now I can
:26:57. > :27:10.# You are the everything I need
:27:11. > :27:25.# All this time I was lost you finally found me
:27:26. > :27:30.# If I could tell the younger naive version of myself
:27:31. > :27:36.# There's nothing I could tell you that you don't know yourself
:27:37. > :27:41.# The wheels are always turning hearts are always lost or found
:27:42. > :28:00.# You are the everything I need
:28:01. > :28:06.# All this time I was lost you finally found me
:28:07. > :28:08.# Running at the speed of light
:28:09. > :28:16.# I wanted to protect myself and hide away
:28:17. > :28:24.# Now I don't have to ask if I am lost or found
:28:25. > :28:51.# You are the everything I need
:28:52. > :29:02.# All this time I was lost you finally found me