:00:16. > :00:19.For the future, so the loss of the nurse bursary means that there is
:00:20. > :00:21.fewer nurses applying to go into nursing in the future, the high cost
:00:22. > :00:23.of medical course, university, all means that you deter people from
:00:24. > :00:25.doing that. Hello and welcome to The One Show
:00:26. > :00:29.with Matt Baker. And Lex Jones. We are joined by three dream guests The
:00:30. > :00:33.first played the TV District Counciltive Marcella and will be
:00:34. > :00:38.starring in Broken. The second has the night off from her award-winning
:00:39. > :00:45.performance in Dreamgirls to be here for one night only. Did you just say
:00:46. > :00:54.one night only? Any excuse. Anna Friel. And Amber Riley.
:00:55. > :01:00.Evening. Evening. So you have the night off. What do you normally do?
:01:01. > :01:04.Oh gosh, sleep, drink a-ha lot of water, watch a little TV. Help
:01:05. > :01:09.yourself you can drink as much as you want. Thank you. Anna we saw you
:01:10. > :01:15.at the Baftas last night. Presenting with Sean Bean. Gorgeous dress.
:01:16. > :01:20.Thank you. How are you feeling today All right. I think I imagined to say
:01:21. > :01:28.yes that my dress is going to be given off to the auction. No! After
:01:29. > :01:34.two champagnes. That is a gorgeous dress, can we auction it. I said
:01:35. > :01:43.yes. Are you regretting it. It is pretty but it is for a good cause.
:01:44. > :01:46.There you go. Talking of award ceremonies, Amber, congratulations,
:01:47. > :01:51.an Olivier Award. How do you celebrate winning something like
:01:52. > :01:55.that? It must be a lifelong dream. It was a dream. I never expected
:01:56. > :02:00.that was going to happen, it was amazing, my mum was here with me and
:02:01. > :02:05.my sister was here, you would have thought my mum won when they said my
:02:06. > :02:10.name. She jumped out of the chair, she scared me, but it was an amazing
:02:11. > :02:15.night. Congratulations. But we promised you three dream guests so
:02:16. > :02:18.later in the show Amber and her Dreamgirls co-star Liisi LaFontaine
:02:19. > :02:22.will be performing live for us here in the studio.
:02:23. > :02:29.CHEERING AND APPLAUSE There you go. It is your night off
:02:30. > :02:35.but you are singing for us. I heard row doing scales, I thought what was
:02:36. > :02:42.that? That was me, just before the show! Now, moving on to our first
:02:43. > :02:45.serious story of the night. Nobody likes litter on the street. Dropping
:02:46. > :02:50.it is a criminal offence and anyone caught doing so can be fined up to
:02:51. > :02:55.?80. It seems fair enough but according to figures in Panorama the
:02:56. > :03:01.number of finings have soared from 700 ten years ago to over 140,000.
:03:02. > :03:09.Critics are saying this is about profit rather than justice.
:03:10. > :03:14.Meet the alleged criminals. The pill lates ballet teacher, the retired
:03:15. > :03:18.civil servant. The graphic designer and her dog Olive. Each accused of
:03:19. > :03:22.dropping litter and facing a hefty fine. If they don't pay they face
:03:23. > :03:27.court and the possible of a criminal record. The trouble is, they are all
:03:28. > :03:33.innocent. All I want to do is pick up the poo you say I am responsible
:03:34. > :03:36.for. Amber was confronted by a council litter enforcement officer,
:03:37. > :03:44.he accused her of failing to clear up her dog poo. A poo she says her
:03:45. > :03:48.German Shepherd never did. The time is 11.50. If you do not mention
:03:49. > :03:55.something you later Dee any in court... Amber says she found it
:03:56. > :03:58.intimidating. I think that is a deliberate ploy to confuse people
:03:59. > :04:04.and scare them into accepting a fine. She complained and Tower
:04:05. > :04:07.Hamlets council dropped the case. It told us that environmental
:04:08. > :04:12.enforcement officers changed people's behaviour. Increasingly,
:04:13. > :04:18.enforcement officers are provided by private companies. Kingdom Services
:04:19. > :04:24.has 28 contracts. There have been allegations that it pays its staff
:04:25. > :04:29.by the ticket so we decided to send in an understood cover reporter. A
:04:30. > :04:35.manager tells her every day once she has issued four tickets she will get
:04:36. > :04:53.a bow news of up to ?6 a fine. -- bonus.
:04:54. > :05:00.In Ealing kingdom officers have taken to riding on council rubbish
:05:01. > :05:03.truck, their find people whose recycling has not been put out
:05:04. > :05:11.properly. It hasn't gone down properly. Liz fell foul of kingdom
:05:12. > :05:16.officers is last Christmas. So I put the big blue recycling bin out, six
:05:17. > :05:23.small extra bags of recycling, and my green food bin. Nothing unusual,
:05:24. > :05:28.everyone doing the same. I received a Fixed Penalty Notice for ?80 for
:05:29. > :05:34.fly-tipping, on to the public high way, outside my own property.
:05:35. > :05:40.Liz complained, the council dropped the case, saying the decision to
:05:41. > :05:45.fine her was an error of judgment. Also in Ealing retired civil servant
:05:46. > :05:50.Sue was served with a Fixed Penalty Notice. Can have a have a coffee
:05:51. > :05:54.please. She allegedly had polluted the water course. On the day I
:05:55. > :05:58.bought myself a take away cup of coffee, I thought I want rid of this
:05:59. > :06:04.because I was rushing to a meeting. I put the coffee down the drain in
:06:05. > :06:07.the road. Then I walked towards the waste bin, when the enforcement
:06:08. > :06:11.officer stopped me and told me I was going to be fined and it was illegal
:06:12. > :06:15.to put coffee down a drain in a public place.
:06:16. > :06:21.To avoid a criminal record, Sue paid the fine, but then, went to her
:06:22. > :06:34.local paper. The council caved in and handed her money back. Kingdom
:06:35. > :06:40.told us: site. It says the allowance is met if they meet basic come pen
:06:41. > :06:45.ten ises. It provides councils with a cost effective service and helps
:06:46. > :06:49.Keep Britain Tidy within the law. Britain's anti-litter leading
:06:50. > :06:52.charity is demanding a national academy for officers We would like
:06:53. > :06:56.them to be properly trained. We would like them to understand what
:06:57. > :06:59.needs to be achieved within the guideline, and I think we need to
:07:00. > :07:05.continually check with the public, that this is very much done on their
:07:06. > :07:09.behest. But as more private companies win litter contracts more
:07:10. > :07:14.and more of us are at risk of being branded criminals.
:07:15. > :07:23.And you can see that report in full on Panorama tonight at 8.30. Now,
:07:24. > :07:29.Anna, let us talk about your new drama, starts Tuesday 23rd May. It
:07:30. > :07:34.is called Broken. I have seen it and when you watch it. It's a lot to
:07:35. > :07:40.take in. How doous with wanted to sell to it the nation. What do you
:07:41. > :07:46.want to say. Jimmy McGovern, we will start there. We worked together once
:07:47. > :07:51.before, doing something Called the Street it is a state of the nation
:07:52. > :07:58.drama. My character is Christina who has three children, and she can't
:07:59. > :08:01.afford to feet feed them. She is stuck in this circle, and, it is
:08:02. > :08:04.about how she survives and what lengths she goes to in order to be
:08:05. > :08:09.able to put food on the table for her kids. She seems to be the victim
:08:10. > :08:13.of so many circumstances, that just get piled up on top of her. We can't
:08:14. > :08:17.talk about the twist, something happens that is shocking but the
:08:18. > :08:23.central character is the wonderful Sean Bean who plays a priest and he
:08:24. > :08:26.tries to inspire and give hope to people, and hopefully religion helps
:08:27. > :08:30.in some way. He is more like everybody's best friend. Very early
:08:31. > :08:35.in the first episode your character loses her job, this is her trying to
:08:36. > :08:40.get some emergency money from the DSS. Do you know anyone else who
:08:41. > :08:47.could lend you some money. Bono, McCartney. Elton John. I don't nope
:08:48. > :08:51.anyone who isn't skint. I have three kinds and no money. There must be
:08:52. > :08:58.something I can claim to feed my kids. There might be the possibility
:08:59. > :09:02.of a an emergency loan. Who decides what is genuine? Obviously a
:09:03. > :09:08.successful amoment must have been genuine. But I won't need the money
:09:09. > :09:14.then, would I? No. APPLAUSE
:09:15. > :09:19.You don't watch this for escapism, this is about real lives. To have to
:09:20. > :09:22.wait for 13 weeks, she says what am I supposed to do? I can't afford to
:09:23. > :09:27.feed them. They say ask a friend, she is like none of my friends have
:09:28. > :09:30.any money, they are having trouble feedling their own children, that is
:09:31. > :09:34.based on fact. We have to really look at our nation, think that is
:09:35. > :09:38.what Jimmy McGovern helps us to do through the powerful medium that is
:09:39. > :09:42.television. Is that what you get as an actor out of playing these kind
:09:43. > :09:48.of roles? What do you mean? Like, you know, there is no laughs, it is
:09:49. > :09:52.not about entertainment as such, for you to be portraying real life
:09:53. > :09:56.roles. Like I say, television is a powerful medium to tell a story. And
:09:57. > :10:01.I was back in Liverpool for the first time, and Jimmy McGovern and I
:10:02. > :10:08.both started on Brookside, so it came full circle. We loved Beth. I
:10:09. > :10:13.was 16, so it was like going home. The most wonderful crew and a great
:10:14. > :10:17.director, and I have been a huge Sean Bean fan, so I was very
:10:18. > :10:25.honoured to be given this wonderful part. It is a very special drama.
:10:26. > :10:31.One of the things... I am biased but I do think it is. We love reading
:10:32. > :10:34.about how you get into character, you have shopped for the clothes for
:10:35. > :10:38.your character, so you went out and went to charity shops and the like,
:10:39. > :10:42.and got things that you thought the character would wear. We went
:10:43. > :10:49.through the budget. I didn't go to do the shopping. I got involved very
:10:50. > :10:57.much. We had a costume designer who did that, we wanted it to be real. I
:10:58. > :11:01.have a bit a thing, I think those shoes are brand-new, we budgeted not
:11:02. > :11:07.one piece of her clothing would cost more than ?4. We went to charity
:11:08. > :11:11.shops and nothing was more than ?4. She wears flip-flops, and you can
:11:12. > :11:15.hear her coming and they are quick and easy, she has three kids, and
:11:16. > :11:22.she is under stress. You can fling it on. To get through your day. And
:11:23. > :11:27.Amber, where does the drive for your character come from, when, obviously
:11:28. > :11:30.it's a world away from this kind of drama, Dreamgirl, still, very real
:11:31. > :11:36.character, with real struggles going on. I pretty much feel like everyone
:11:37. > :11:40.has dealt with rejection somewhere in their life, you have to dig down
:11:41. > :11:44.into that place, when you felt rejected, to get, you know, to my
:11:45. > :11:50.character, because she is rejected a lot by the people that are closest
:11:51. > :11:54.to her, in the show, and there is a type of youth and resilience she
:11:55. > :11:59.shows throughout the whole entire show, that I feel like mirrors my
:12:00. > :12:03.life a lot, so kind of helps me to get through it. With a smile like
:12:04. > :12:08.that I can't imagine you ever being rejetted. That is where it came
:12:09. > :12:12.from. We will talk more about Dreamgirls and how you got the part,
:12:13. > :12:18.all of that still to come, but while you are singing above ground in the
:12:19. > :12:19.West End, did you realise that under ground Europe's biggest
:12:20. > :12:26.infrastructure project is being built. It has taken eight years so
:12:27. > :12:30.far and ?15 billion but Crossrail is nearly complete. It will stretch
:12:31. > :12:34.from ring in the west, under Central London to Essex in the east. Matt
:12:35. > :12:42.has been helping put the finishing touches to the Elizabeth line.
:12:43. > :12:46.Last time I was here in 2015, they were in the final stages of digging
:12:47. > :12:52.26 miles of tunnel, under Central London. And I was right on the
:12:53. > :12:56.scene, as the monster 1,000 tonne tunnelling machine broke through the
:12:57. > :13:00.wall at Liverpool St Station. That is something you don't see every
:13:01. > :13:06.day. That was nearly two years ago, and
:13:07. > :13:09.since then, up to 10,000 construction workers at any one time
:13:10. > :13:13.have been working on project round-the-clock. Now, it is not so
:13:14. > :13:17.much about digging great big tunnels, as about installing all of
:13:18. > :13:23.the facilities, that passengers will need on a day-to-day basis. This is
:13:24. > :13:27.going to be the main ticket hall at Tottenham Court Road station. Soon
:13:28. > :13:31.there will be more than 170,000 passengers passing through daily. So
:13:32. > :13:39.they are going to need some pretty big escalators.
:13:40. > :13:48.Rachel Morris is the engineer in charge of these huge machines.
:13:49. > :13:51.These escalators are 45 metres long, they have 23-and-a-half metres from
:13:52. > :13:57.the top landing down to the bottom landing. Each escalator weighed 45
:13:58. > :14:02.tonnes, that is as much as 11 double decker buses. How do you get
:14:03. > :14:06.something this big into this space? These escalators have been built
:14:07. > :14:09.once in the factory many in the Czech Republic, they were broken
:14:10. > :14:13.down, so they were packaged up into boxes and then you have to work out
:14:14. > :14:17.how to lower it into position, and how you hold all the sections of the
:14:18. > :14:23.escalator in place, because it is only secure when you have the final
:14:24. > :14:26.piece in position. It is quite an interesting engineering challenge.
:14:27. > :14:33.Interesting means really difficult. Yes. Of course, nothing in this
:14:34. > :14:40.project is easy. Further into the construction site, teams are still
:14:41. > :14:44.laying tracks for the new line. The man in charge is Greg Purcell. Today
:14:45. > :14:48.we are building the cross over. What it does is enables the trains to go
:14:49. > :14:52.from one tunnel to another. If you have a train that is broken down in
:14:53. > :14:56.one of the stations you can move trains around stations. Right now,
:14:57. > :15:03.they are moving one of the cross over rail pieces into position and I
:15:04. > :15:11.am helping. Where will we left it from Here, one chain there. A single
:15:12. > :15:16.lift chain at that end. You have to keep the chains away from you. OK. I
:15:17. > :15:21.got you. Right, shall we get out the way then? Can do, yes. We drop them
:15:22. > :15:25.on top of this concrete which is called the first stage concrete and
:15:26. > :15:30.we concrete the whole thing in. So it is set permanently. For the next
:15:31. > :15:35.120 years. As the workers get on with laying another six miles of
:15:36. > :15:40.track, I am off to check out one of the eight new underground stations.
:15:41. > :15:46.All the new platforms will have screens to separate the passengers
:15:47. > :15:52.from the track. They are pioneering a new method of installation, headed
:15:53. > :15:55.up by Steve Coll. Typically these are built piece by piece on the
:15:56. > :16:00.platform and what we have done is built them in the factory, bringing
:16:01. > :16:05.them in on the train where they are lifted and dropped onto the edge of
:16:06. > :16:09.the platform. We can put in typically a platform worth of doors
:16:10. > :16:14.in a week, to build them from scratch would take about five weeks.
:16:15. > :16:23.That is a thing of beauty, I am telling you,. What are the screams
:16:24. > :16:28.for? It makes a safer environment for the passengers, by going all the
:16:29. > :16:33.way to the ceiling, it separates the tunnels from the platform space.
:16:34. > :16:36.When the trains come, you will not get a horrible blast of air. It
:16:37. > :16:41.enables the temperature to be controlled better. I have been
:16:42. > :16:45.following the Crossrail shift for 12 hours and it is well past midnight
:16:46. > :16:49.at the construction project that never sleeps. It has been a
:16:50. > :16:53.fascinating day, seen all the incredible technology that goes into
:16:54. > :17:00.making this astonishing railway. I for one cannot wait to ride on it
:17:01. > :17:06.for real. And part of Crossrail will be opening in the coming weeks and
:17:07. > :17:10.the documentary starts next Monday on BBC Two. We were chatting there
:17:11. > :17:19.about your new life in London, Amber, how do you get on with the
:17:20. > :17:24.underground system? You know... It took me awhile, we do not really
:17:25. > :17:28.have the trains back home, I am from California, we just drive and it
:17:29. > :17:32.took me awhile to get a handle on it but I recently got lost because I
:17:33. > :17:36.did not know the difference between the circle and the district line. It
:17:37. > :17:42.is an easy mistake to make. Where did you end up? I don't know! Back
:17:43. > :17:49.where you started! I had to start over, I was very late for a meeting.
:17:50. > :17:54.As we mentioned at the beginning of a shill, congratulations, you won
:17:55. > :17:58.the Olivier award and Jennifer Hudson won a BAFTA and an Oscar for
:17:59. > :18:04.her role in Dreamgirls and we think it is down to this song. This is
:18:05. > :18:14.what nails it every time. # You're going to love me.
:18:15. > :18:24.# Love me. # Love me.
:18:25. > :18:44.# Love. # You're going to love me.
:18:45. > :18:52.CHEERING AND APPLAUSE. Oh my goodness! It is so hard to watch. If
:18:53. > :18:56.I could sing like that, I would listen to myself all day!
:18:57. > :19:00.Definitely! Talking about that boys, the part nearly did not happen for
:19:01. > :19:07.you because of something that was going on with your throat. I had
:19:08. > :19:11.recently had surgery, I was on Plea for so many years and when your
:19:12. > :19:15.adrenaline is going and you finally get time to rest, sometimes your
:19:16. > :19:19.body wants to take you down and take you out like you need to chill out
:19:20. > :19:25.and I ended up having surgery on my voice and then I had the audition
:19:26. > :19:29.for Dreamgirls two weeks later and I was like, once opportunity, I have
:19:30. > :19:36.got to go and it it ended up working out. It is such a feel-good show and
:19:37. > :19:42.the audience, every night, they want to join you. I think so. I think
:19:43. > :19:46.some people would rather be on stage than in their seats! It is such big
:19:47. > :19:50.songs, you cannot help but sing along. It is amazing, it is a
:19:51. > :19:55.mixture of an audience, you have the people who are used to go into the
:19:56. > :20:02.theatre and then a young crowd that watches it like television or a
:20:03. > :20:04.movie and they want to be interactive and involved. The
:20:05. > :20:08.emotions are high in that show. It is a lot of fun, it is a lot of
:20:09. > :20:14.drama, a lot of funny moments, a lot of music and lights, lots of
:20:15. > :20:20.crystals for those of you who like glitter. We are going to have some
:20:21. > :20:25.music shortly. We are. The cast recording of Dreamgirls will be out
:20:26. > :20:33.and we will have a live performance of Listen which is one of our four
:20:34. > :20:37.Brits. -- Michael one of our favourites. Next week Andrew Neil
:20:38. > :20:41.will be interviewing party leaders and it will be interesting to see if
:20:42. > :20:46.they manage to remain on message at all times which often means avoiding
:20:47. > :20:52.the question entirely. Isn't that right? I refuse to confirm or deny
:20:53. > :20:59.what you said! What I can say is that this is a film by Jill Crowley
:21:00. > :21:02.looking at avoiding the question. You're not answering the question.
:21:03. > :21:08.We have all seen them at it. Politicians refusing to give a
:21:09. > :21:12.straight answer. I am asking a simple rather basic question. How do
:21:13. > :21:16.they get away with it? The skill any politician must learn is not just
:21:17. > :21:23.avoiding the question if they do not want to answer, it is doing it in a
:21:24. > :21:26.way that you do not notice. That is why many politicians are media
:21:27. > :21:30.trained in specialist techniques designed to throw even the most
:21:31. > :21:34.determined into pure off dissent. And we want to let Yue Lin on the
:21:35. > :21:41.secrets as well so that the next time you see a petition doing it,
:21:42. > :21:45.you're wise to it. Nora is a regular on the programme is one show
:21:46. > :21:49.pensioner and has strong views on politicians who avoid the question.
:21:50. > :21:54.They think no one has noticed and they just carry on and say whatever
:21:55. > :21:57.they want. Today in a bid to see if anyone can be media trained, the
:21:58. > :22:02.tables are being turned and it is Norah who will be put under the
:22:03. > :22:06.spotlight in the scenario to show how it works. Let us say that her
:22:07. > :22:12.friend Vicki Wilson is a leading light in the local ladies bakery
:22:13. > :22:18.circle. Final touches. Her friends are arriving for a coffee morning
:22:19. > :22:23.and there is just one unspoken rule, everyone must bring a home-baked
:22:24. > :22:28.cake. Cheating with a cake from the shop is an thinkable. But Nora is
:22:29. > :22:37.running late, although with enough coming, will anyone notice. Thank
:22:38. > :22:40.you. You have excelled yourself. Sorry to interrupt, Vicki, I think
:22:41. > :22:47.you should see this receipt that Nora dropped. How could you? Nora is
:22:48. > :22:52.in big trouble. A simple lie like this could escalate for a
:22:53. > :22:56.politician, so if Nora was a politician, how would she defend
:22:57. > :23:01.herself against a grilling from one of the top interrogators? To find
:23:02. > :23:06.out we have enlisted the help of Jim Hancock, a veteran of the TV
:23:07. > :23:09.political interview and media trained. I would never personally
:23:10. > :23:12.suggest that you do not directly answer the question but a lot of
:23:13. > :23:16.politicians are taught three techniques to do precisely that. So
:23:17. > :23:22.I will teach them to you. Excellent the first one is this, you go on the
:23:23. > :23:25.attack, you say you do not know anything about coughing mornings. To
:23:26. > :23:32.protect her credibility, Nora cannot admit that she did buy the cake, but
:23:33. > :23:36.you cannot lie either. How could you go to a shop and buy cakes and
:23:37. > :23:41.masquerade them as home-made cakes for this coffee morning? What do you
:23:42. > :23:45.know about coughing mornings? The whole point is that there was no
:23:46. > :23:51.brief given that it had to be home-made. That was pretty feisty.
:23:52. > :23:54.Technique number two, the non-specific response. In other
:23:55. > :23:59.words, when put on the spot, change the subject to create space for what
:24:00. > :24:02.you want to say. You do not want to be like a boxer with all the
:24:03. > :24:06.questions coming in and you are on the ropes, you need to say, perhaps
:24:07. > :24:11.we need to look at it in a different way. You're missing the whole point,
:24:12. > :24:18.this was a coffee morning, people come together to meet and have a
:24:19. > :24:21.drink of coffee or tea and they meet to discuss the cake that they have
:24:22. > :24:25.brought. You're hesitating a bit. Technique number three, refuse to
:24:26. > :24:31.answer the hypothetical question. It is a long line of what if something
:24:32. > :24:34.happened, OK? Nora should now be fully armed. Brilliant, I think
:24:35. > :24:40.you're ready for your grilling. Thank you. Breakfast presenter
:24:41. > :24:45.Rachel burden wastes no time getting to the point. Did you buy back cake?
:24:46. > :24:51.To understand fully the rules of a coffee morning? Because I do not
:24:52. > :24:56.think you do. The rules are you take a cake. Nora, I have a receipt here.
:24:57. > :25:02.Was this not a receipt for items that you purchase, none other than a
:25:03. > :25:06.cake and lemons? I am not denying that that is my receipt. Nora is
:25:07. > :25:11.under pressure, time to change tactics. The whole point about this
:25:12. > :25:15.is not about the cake, it is about going to a cake and coffee morning
:25:16. > :25:20.with friends that you love, having a nice time and just enjoying your
:25:21. > :25:25.self with a chat and a piece of cake and a cup of coffee. Nicely done!
:25:26. > :25:28.What if you went to a coffee morning and you saw a friend there who had
:25:29. > :25:33.brought along a cake that you knew to be shop bought? That is purely
:25:34. > :25:39.hypothetical and I am not point to answer that question. What did you
:25:40. > :25:42.think of Nora? She was amazing, brutal, single-minded. She was not
:25:43. > :25:46.when to give you that answer. She knew exactly what she had to say and
:25:47. > :25:49.you stayed on it. That was a wonderful experience, the next time
:25:50. > :25:57.friends of mine give me any lip, I know how to deal with them. I think
:25:58. > :26:04.we all learned something. Thank you to everyone. Thank you to Anna Friel
:26:05. > :26:09.for joining us. Broken is on BC1 at nine o'clock. We will be here
:26:10. > :26:10.tomorrow with Frankie Dettori. Now we have Liisi LaFontaine and Amber
:26:11. > :26:45.Riley performing Listen. # To take my share of blame. The
:26:46. > :26:51.rig-macro for what went wrong. Listen.
:26:52. > :26:59.# The one who loved you so. # For all so long.
:27:00. > :27:07.# Listen. # To the girl you used to know.
:27:08. > :27:15.# The one who loved to sell back in the day.
:27:16. > :27:19.# Oh, Deena, I know what you're going through.
:27:20. > :27:23.# I got through it and now you can too.
:27:24. > :27:30.# You have got to learn to listen. # Listen.
:27:31. > :27:33.# There is a voice deep in you. # This is the voice that will guide
:27:34. > :27:40.you. # To where you need to be.
:27:41. > :27:44.# It will set you free. # Listen.
:27:45. > :27:50.# It is alone and lonely road. # But you have got to take it.
:27:51. > :27:54.# It is going to hurt like hell today.
:27:55. > :27:59.# But trust me girl, it will go away.
:28:00. > :28:04.# It goes away. # I don't want to do it alone.
:28:05. > :28:14.# Will you help me be strong? # Please.
:28:15. > :28:22.# Sister, please. # Listen.
:28:23. > :28:30.# To the girl you used to know. # The one who loved you so.
:28:31. > :28:37.# Back in the day. # Now I know what I must do.
:28:38. > :28:42.# I am going to leave it, sister. # I will be strong.
:28:43. > :28:46.# I know I can. # I will pick myself up.
:28:47. > :28:50.# And believe that man. # I'm going to make it on my own.
:28:51. > :29:02.# On my own.