:00:17. > :00:20.Hello and welcome to the One Show with Matt Baker.
:00:21. > :00:25.Let's paint a picture of our guest tonight.
:00:26. > :00:30.He's an Oscar nominated, Emmy-award winning actor who's
:00:31. > :00:32.starred in The Devil Wears Prada, The Lovely Bones
:00:33. > :00:36.And in his latest film he's recreated the true story of renowned
:00:37. > :00:43.artist Giacometti painstakingly painting his final portrait...
:00:44. > :00:48.Actually, Dave, that's not too bad for a first go!
:00:49. > :01:09.Welcome, Stanley. And good job, Dave. Sit down.
:01:10. > :01:10.Welcome, Stanley - have you ever actually sat
:01:11. > :01:21.Yes, a long time ago. My dad was an artist and I sat with the friend of
:01:22. > :01:31.his when I was seven. Did you sit still for all that I'm? As far as I
:01:32. > :01:36.know, but he was a fast painter! We will talk about your latest project,
:01:37. > :01:45.obviously a passion of yours if you dad was an artist.
:01:46. > :01:46.Your new film Final Portrait which looks
:01:47. > :01:48.at the relationship between a portrait artist
:01:49. > :01:51.Which got us thinking, we'd like to see
:01:52. > :01:54.If someone in your family - maybe your children -
:01:55. > :01:57.have drawn portraits of you and your loved ones,
:01:58. > :02:00.Maybe they're stuck on your fridge, maybe they're in their schoolbooks,
:02:01. > :02:04.take a photo of them and send them to the usual address and we'll show
:02:05. > :02:08.Over the weekend Barack Obama said that, "People must learn to hate,
:02:09. > :02:11.and if they can learn to hate, they can be taught to love."
:02:12. > :02:14.That was of course in response to the awful events which unfolded
:02:15. > :02:16.at a white supremacist rally in Charlottesville,
:02:17. > :02:20.Well, here are two people in the UK who are living proof that such
:02:21. > :02:31.There is always an anti-British anti-forces sentiment from the
:02:32. > :02:39.Muslims. Sharia law cutting people's Hans off, abominable. I joined them
:02:40. > :02:47.and they gave me a chance to make a difference. The EDL. Father of six
:02:48. > :02:51.from Suffolk was recruited by the far right group that includes
:02:52. > :03:00.defence league back in 2009. I shared a video on Facebook... The
:03:01. > :03:03.video prompted Ivan to post an angry message online and within minutes
:03:04. > :03:10.the EDL contacted him and asked him to join. What was the feeling like
:03:11. > :03:15.at your first EDL meeting? It was amazing, really, I had found a place
:03:16. > :03:23.I belong. It also gave him the opportunity to confront Muslims who
:03:24. > :03:27.he saw as the enemy, people like this man. I was seen as the pioneer
:03:28. > :03:36.of recruiting people to fight for Islamic State in the UK. Manwar
:03:37. > :03:39.attended training camps and even fought in the front line. I thought
:03:40. > :03:43.myself and I wanted others to die fighting for the cause of God. When
:03:44. > :03:49.Manwar was rumoured to be setting up a new mosque in Ipswich, Ivan
:03:50. > :03:52.decided to challenge him face-to-face. Things can't go on as
:03:53. > :03:56.they are. Britain is becoming more and more divided. I'm not going to
:03:57. > :04:01.stand for this any more. But when Ivan finally met Manwar their two
:04:02. > :04:09.worlds collided in an unexpected way. There is only one way to deal
:04:10. > :04:15.with our Muslim brothers. Hello, you made it. Great. And that is with
:04:16. > :04:18.respect. It came to meet them both, firstly to find out how they became
:04:19. > :04:23.best friends, and how their friendship is helping in the fight
:04:24. > :04:30.against extremism. This is the reason I met Manwar, this church, it
:04:31. > :04:33.was to become a mask... It turned out he wasn't setting up a mosque
:04:34. > :04:37.but a community centre for everyone. He turned his back on his extremist
:04:38. > :04:47.views in 2000 and was now determined to engage with the far right. -- in
:04:48. > :04:50.2000 and he was now determined. I wanted to understand that, and a lot
:04:51. > :04:54.is through ignorance, not understanding and mixing with other
:04:55. > :04:59.people, so I wanted to mix with so-called problematic people like
:05:00. > :05:04.the EDL. I have met Manwar and other Muslims who challenged my views, and
:05:05. > :05:09.I was able to challenge my misguided hate. Ivan was inspired by Manwar
:05:10. > :05:12.and soon left the EDL and now the two men are working with others to
:05:13. > :05:18.help them change their behaviour as well, through the Government
:05:19. > :05:23.strategy Prevent. Introduced in 2003, Prevent has two main aims. To
:05:24. > :05:26.get the public to report any extremist behaviour, and to educate
:05:27. > :05:31.people about the dangers of radicalisation. Today, Manwar and
:05:32. > :05:35.Ivan are talking to a group of young people in Watford. Yes, there is a
:05:36. > :05:39.problem. There are people out there who feed on your prejudices and a
:05:40. > :05:44.lack of knowledge. Now I am working for the police and the provision to
:05:45. > :05:48.stop people being terrorists. If you don't talk to anybody there will
:05:49. > :05:53.always be a problem. But can this really work and has it made a
:05:54. > :05:56.difference? Since 2012 the strategy has intervened in 1000 cases
:05:57. > :06:06.involving people at high risk of radicalisation. During the period of
:06:07. > :06:09.the Manchester, London Bridge and Finsbury Park attacks, the number of
:06:10. > :06:14.tip-offs made by the public has doubled. However in a society
:06:15. > :06:19.already full of mistrust, encouraging people to report on each
:06:20. > :06:23.other has been branded toxic by some opponents. Will people feel like
:06:24. > :06:28.they are just being spied on? How can you avoid that? It is all about
:06:29. > :06:31.trying to protect people from being exploited, because they are
:06:32. > :06:36.vulnerable. Being a recruiter myself, I know very well how these
:06:37. > :06:40.things work in terms of getting people radicalised. Had Manwar not
:06:41. > :06:44.stepped in, Ivan may never have seen the opposite view. That is why they
:06:45. > :06:49.believe this kind of early intervention and education can make
:06:50. > :06:52.a difference. Five years ago I would never have thought that, do you know
:06:53. > :06:55.what I mean? It has been amazing. And really it has just started.
:06:56. > :06:58.On that note, let's hope that's the start of us hearing many
:06:59. > :07:07.It is very hopeful, that film. Stanley, when you see the country
:07:08. > :07:12.you grew up on the news, what do you think when you see those images? I
:07:13. > :07:14.am very saddened, sad and there is an administration that is not
:07:15. > :07:19.stepping up to the plate immediately. And saying, what is
:07:20. > :07:23.wrong with this? And also in some ways, well, and lots of ways,
:07:24. > :07:28.allowing it to happen, and in some ways encouraging it to happen. It is
:07:29. > :07:30.unfortunate. That conversation we saw there is the key. Communication,
:07:31. > :07:32.isn't it? Stanley, let's talk about your new
:07:33. > :07:35.film which you wrote and directed - it's the story of the final portrait
:07:36. > :07:42.of Swiss-Italian painter Giacometti. It's based on the memoirs
:07:43. > :07:44.of his final subject, You've taken a snapshot of a time
:07:45. > :07:52.in Giacometti's life, You are a big fan of him as an
:07:53. > :07:57.artist. So what was the idea, why choose that format? The film is
:07:58. > :08:02.based on a book by Lord Brittan in 1964 which was just a couple of
:08:03. > :08:09.years before Giacometti died. -- a book by Lord written in 1964. I
:08:10. > :08:14.called it Final Portrait to make it more dramatic, the title. But the
:08:15. > :08:17.idea is he documents 18 days of sitting for Giacometti and their
:08:18. > :08:20.conversations. To me it is the greatest book ever written about the
:08:21. > :08:24.creative process. I have carried it around with me since I was in my
:08:25. > :08:33.early 20s and finally got up... Really? Right? 67 years ago.
:08:34. > :08:37.LAUGHTER He wasn't sure for a minute. I was
:08:38. > :08:42.just thinking, carrying it around for that amount of time, wide and is
:08:43. > :08:46.only come to fruition now? It took something to get the rights of it
:08:47. > :08:50.from Lord, then it took a couple of years to write it, then a decade to
:08:51. > :08:54.get the money for it. So you have gotten to know Lord. How did all
:08:55. > :08:59.that but? Is saved all the correspondence, the old airmail
:09:00. > :09:05.letters, those crispy pieces of paper -- how did it all come about?
:09:06. > :09:11.He was a bit of a curmudgeon but after a while I got him to give me
:09:12. > :09:15.the rights. You were pen pals and eventually he gave? Yes, then we
:09:16. > :09:21.would have dinner together. Is he still around? He died in 2009, so it
:09:22. > :09:23.has been a long time. We will have a little look at the film now.
:09:24. > :09:26.Let's take a look at the moment James Lord sits for Giacometti
:09:27. > :09:40.You have the head of the brute. Gee, thanks. You look like a real thug.
:09:41. > :09:44.Thank you. If I was to paint you as I see you now and a policeman was to
:09:45. > :09:49.see this painting, they would be crawling jail like that. Perhaps we
:09:50. > :09:58.shouldn't continue. No, it is all right. As long as I can paint you as
:09:59. > :10:03.I see you. Are you sure? Of course. It is impossible.
:10:04. > :10:07.APPLAUSE There we are. Geoffrey Rush is such
:10:08. > :10:10.a fantastic actor and the resemblance between him and
:10:11. > :10:15.Giacometti is uncanny. That must have been part of the reason he was
:10:16. > :10:20.cast in the role. Without question, without question. And then Geoffrey
:10:21. > :10:24.is just a great actor. He's brilliant! This is the first film,
:10:25. > :10:29.or the first time you have directed a film you're not actually in? Why
:10:30. > :10:35.did you not put yourself in this? Is it a taste of things to come for
:10:36. > :10:39.you? I hope so. I felt the film would suffer in some way. I really
:10:40. > :10:42.wanted to focus on the film as a whole and really look at the picture
:10:43. > :10:46.as a whole and not have to worry about getting back into Maycock, is
:10:47. > :10:56.my beard or moustache following off, that of thing -- back into make-up.
:10:57. > :11:02.Was it a relief, just doing one job as opposed to all of them? Yes, and
:11:03. > :11:07.you get to pick up a little later. It was great. It is based in Paris
:11:08. > :11:10.but it was filmed in London, not Paris, and that was handy for you?
:11:11. > :11:14.LAUGHTER Yes, we filmed here not to make it
:11:15. > :11:19.convenient for me, but because we couldn't really afford to film in
:11:20. > :11:26.Paris. So we had a week and a half of locations. Whereabouts were you?
:11:27. > :11:31.All over this is the Royal Navy Academy College in Greenwich. We
:11:32. > :11:38.shot in Bermondsey, north London, all over the place. You would never
:11:39. > :11:41.know. No, and a lot of it is CGI and it is actually cheaper for a small
:11:42. > :11:46.film these days to do some CGI than actually go to the place. Stanley,
:11:47. > :11:51.you have carried this around for so long and now is out there. How much
:11:52. > :11:54.of a relief, how pleased you? It is very much a relief, and sometimes I
:11:55. > :11:57.am pleased with it. LAUGHTER
:11:58. > :12:03.Well, everybody can decide because it is out on Friday in cinemas. As a
:12:04. > :12:07.Hollywood actor and director, we would be very interested to know
:12:08. > :12:11.what you think about this next film. It has been here all day long and
:12:12. > :12:14.now came for you to cross your legs for the next four minutes and do
:12:15. > :12:26.your best to stay with us. Here we go. I knew I should have crossed my
:12:27. > :12:32.legs. I have missed the ending now. What happens? Does the hero succeed?
:12:33. > :12:37.Does the girl get the boy? Bursting for at pee in the middle of a
:12:38. > :12:40.gripping movie can really ruin your entertainment, and when things start
:12:41. > :12:43.to get uncomfortable decision has to be made, do you go for a comfort
:12:44. > :12:47.break and risk missing that all-important plotline, or do you
:12:48. > :12:56.just hang on? Well, luckily, there is a new app to help relieve you of
:12:57. > :13:01.that, and it is called run-pee, and when you want to go you just pop it
:13:02. > :13:04.in your pocket, so when it vibrates during the movie you can safely go
:13:05. > :13:08.for a break without messing an essential part of the film. What
:13:09. > :13:13.happens if you get a quarter halfway through and you need to go to the
:13:14. > :13:17.toilet? What is your strategy? We wait. We don't want to miss
:13:18. > :13:21.anything. I hold it. I wait until there is a part that doesn't seem to
:13:22. > :13:28.dramatic and then I go to the toilet and comeback. The app is part of
:13:29. > :13:33.many such apps that could help cinemagoers have stress-free
:13:34. > :13:38.experience. I would like to find out more about your app? It came when I
:13:39. > :13:42.was watching Peter Jackson's remake of King Kong and I really wished I
:13:43. > :13:49.had it back then, more than three hours long. How does the app know
:13:50. > :13:53.the best time to run out for pee? We have a time and we try to find the
:13:54. > :13:57.best pee times we can for each movie. Let the user know if this is
:13:58. > :14:02.a good pee time, which pee time is the best in the movie, in case they
:14:03. > :14:08.have a chance to decide. Often times your bladder chooses which pee time
:14:09. > :14:11.you use. Thing to put it to test... This will allow you to go at the
:14:12. > :14:16.opportune moment and not lose any sleep about missing the rest of the
:14:17. > :14:21.film. Sound good? Sounds good. It works a bit like a film review.
:14:22. > :14:27.There are cue-mac pee times in Atomic Blonde, but it advises
:14:28. > :14:30.against going in the second break because there are so many
:14:31. > :14:38.characters. I wouldn't have left, it was that good. Suit you had no need
:14:39. > :14:42.to use the app? Let's take Dunkirk. One hour and 48 minutes long. It
:14:43. > :14:47.says here it is one long battle scene with only a brief moment of
:14:48. > :14:55.dialogue. The two pee times during four minutes of frantic fighting
:14:56. > :14:59.with no dialogue. I came to my weeing, which I don't think I have
:15:00. > :15:04.ever done! Vibrated and I thought, good, I can go to the toilet now.
:15:05. > :15:09.I'm allowed! All in all it seems like a pretty good app, you can go
:15:10. > :15:12.to the toilet and not miss any key content, it is not causing a
:15:13. > :15:16.distraction in your pocket, and it is freezer you don't even have to
:15:17. > :15:22.spend a penny. And dangerous territory, ladies and gentlemen!
:15:23. > :15:26.Stanley and I are not up for this. It is a terrible idea. Nothing could
:15:27. > :15:32.be worse for cinema. Nothing. Just hold it excite go before the film.
:15:33. > :15:39.It is part of the routine, isn't it? Have a very small drink, nu go.
:15:40. > :15:43.LAUGHTER -- in you go. Let's go back to safer
:15:44. > :15:49.territory. Stanley, you are obviously into art, because of the
:15:50. > :15:53.film, but not all art is as good as a Giacometti masterpiece. I don't
:15:54. > :15:57.know if you have seen this on the news recently, this courtroom sketch
:15:58. > :16:01.of Taylor Swift. Taylor Swift? Attracting a lot of attention over
:16:02. > :16:07.the last few days, saying it looks nothing like. But it was under...
:16:08. > :16:12.Anyway. Under duress? LAUGHTER
:16:13. > :16:14.There are lots of examples where the picture does not look like the
:16:15. > :16:16.person, so we have some portraits that fans have drawn of different
:16:17. > :16:33.celebrities. We wondered if you could guess who
:16:34. > :16:44.they are. Here is the first. That is Meryl Streep. But she needs to go to
:16:45. > :16:52.a dentist. It is Meryl! It is not horrendous. Not the most flattering.
:16:53. > :17:00.This is more difficult. That looks like Daniel Craig in drag. This
:17:01. > :17:06.person is 27 years old. The Hunger Games. Is that Jennifer? It's
:17:07. > :17:12.supposed to be. It is Jennifer Lawrence. We are going to be looking
:17:13. > :17:19.at some of your portraits later. Are you an artist yourself? I sketch and
:17:20. > :17:25.stuff. And do you have your own work up at home? Some of it. You have
:17:26. > :17:31.gone a bit shy. It is that thing of actually showing people and saying,
:17:32. > :17:34.that's mine. It is scary sometimes. Before the summer break, we revealed
:17:35. > :17:38.that according to statistics provided to us by Deloitte, 15.5
:17:39. > :17:43.million of us think that we use mobile phones too much. So using
:17:44. > :17:47.your suggestions on how to achieve a better phone-life balance, we have
:17:48. > :17:51.put together The One Show phone plan, and we asked the family from
:17:52. > :17:57.Bolton to put it to the test. Here is how they got on. Like many
:17:58. > :18:01.families up and down the country, the Farnworth family from Bolton in
:18:02. > :18:06.Lancashire were worried that their phone use was getting out of hand. I
:18:07. > :18:10.just don't know where it's going. And when we asked them to monitor
:18:11. > :18:20.their mobile use over one weekend, the results were shocking. You spent
:18:21. > :18:25.32 hours on your phone. So to help us all achieve a better phone-life
:18:26. > :18:33.balance, we asked you viewers to come up with suggestions on what to
:18:34. > :18:38.do. The first person to use their phone does family chores for a week.
:18:39. > :18:41.The Farnworths agreed to be our guinea pigs and test out The One
:18:42. > :18:44.Show plan for a week, but not everyone in the family was looking
:18:45. > :18:48.forward to giving it a go. And like last time, we gave them a video
:18:49. > :18:53.camera so they could capture their experiences. It is the Farnworth
:18:54. > :18:57.family's turned to see if we can reduce our mobile phone usage by
:18:58. > :19:07.sticking to Alex Riley and the BBC's One Show viewerss' phone plan.
:19:08. > :19:10.Mealtimes used to be like this. So viewers suggested banning the phone
:19:11. > :19:21.from the dinner table. Guys, lunchtime. Phone, please. Thank you.
:19:22. > :19:25.I would be the easiest rule on the phone plan to stick to is not having
:19:26. > :19:32.your phone at mealtimes. It's time to catch up with what everybody has
:19:33. > :19:37.been doing in the day. What are you doing? Reading the news. The
:19:38. > :19:40.Farnworth family is notorious for their nocturnal smartphone
:19:41. > :19:44.activities. To stop this, one suggestion was to have a central
:19:45. > :19:50.charging point, and to not take your phones to bed. The charter point has
:19:51. > :19:57.been a difficult one. Not taking them to bed, they have improved, but
:19:58. > :20:00.still a way to go. Jacob Farnworth is on his phone. When did this phone
:20:01. > :20:07.appear at the side of your bed? I don't know. Jacob's biggest vice was
:20:08. > :20:14.ignoring the world around him, including some important traffic
:20:15. > :20:19.laws. Jacob! But this seems to be one phone plan suggestion he has
:20:20. > :20:26.stuck by. He has his hands in his pockets, no sign of a phone. Have
:20:27. > :20:30.you got your phone? No. Fantastic! I have actually improved in not
:20:31. > :20:33.looking at it while walking. Grace is a social media addict, spending
:20:34. > :20:40.up to six hours a day on Snapchat alone. You feel like you are doing
:20:41. > :20:47.more on your phone than in reality. How did she get on when forced into
:20:48. > :20:52.some real-life FaceTime? Hello? I was wondering if you would like to
:20:53. > :20:59.meet up for a drink at about 11? All right, bye. How is the phone plan
:21:00. > :21:05.going? It's going all right, but parts are difficult. We have two
:21:06. > :21:10.lead our phones at night at the central charging point. It was nice
:21:11. > :21:14.to catch up with people in person, even though we generally use
:21:15. > :21:18.messaging most of the time. The other one I hate this Sunday, when
:21:19. > :21:22.I'm not allowed my phone at all. Which brings us to their final
:21:23. > :21:28.challenge, spending a whole day without using their phones. It is
:21:29. > :21:35.phone free Sunday. I have just taken the children's phone from their
:21:36. > :21:37.bedrooms. And as I picked one up, I noticed that somebody hasn't turned
:21:38. > :21:44.off their notifications, Jacob Farnworth. The hardest thing is
:21:45. > :21:50.Switch Off Sunday. It is the willpower not to use your phone,
:21:51. > :21:56.because it's still there. Do we need to lock it away? Yeah. But this
:21:57. > :22:00.time, after some arm-twisting, all the family rose to the occasion.
:22:01. > :22:07.It's brilliant when we get rid of them. We have had much better
:22:08. > :22:12.quality family time. Hopefully, we can take some of the points and
:22:13. > :22:20.embed them in. It will be better in the future. Well, the Farnworth
:22:21. > :22:25.family join us now in the studio, along with Alex, who has the
:22:26. > :22:30.all-important results. Let's give them applause for doing it. Good
:22:31. > :22:37.work, team. The applause could be premature. But for the effort, yes.
:22:38. > :22:45.The effort varied between family members. Grace and Jacob first.
:22:46. > :22:49.Grace went from five hours six minutes a day to around four hours
:22:50. > :23:00.and 17 minutes a day. That is not much. Where did it go wrong? I don't
:23:01. > :23:03.know. What about since we have finished the measuring? We went
:23:04. > :23:08.away, and that was when it really improved. Because you couldn't get
:23:09. > :23:14.the internet. You were on a ship, weren't you? Let's move on to Jacob.
:23:15. > :23:19.Jacob went from three hours 54 minutes a day to around three hours
:23:20. > :23:26.19 minutes a day. That is just a bad day, not an improvement. Shouldn't
:23:27. > :23:32.you have tried harder? Probably come but... Luckily for the Farnworths,
:23:33. > :23:39.the parents better. Mum and dad, Lindsay went from using the phone
:23:40. > :23:47.from 11 hours a week to six hours 22 minutes a week. Well done. Have you
:23:48. > :23:54.changed your life? Definitely. More time for shopping and ladies who
:23:55. > :24:01.lunch and watching telly. Very nice. John, the winner, went from 18 hours
:24:02. > :24:07.40 minutes a week to eight hours 43 minutes a week, a drop of ten hours.
:24:08. > :24:13.What was the secret? I followed the One Show phone plan, particularly
:24:14. > :24:17.the notifications and the central charging point. So you didn't have
:24:18. > :24:24.it in the bedroom. And you didn't get distracted and carry on looking
:24:25. > :24:28.at things. So in general, what worked and what are you going to
:24:29. > :24:37.stick with? I think unplugging the wi-fi in the evening. What time do
:24:38. > :24:43.you unplug that? 11 o'clock in the holiday. We need that when we go
:24:44. > :24:46.back to school. We will need to offer that when they go back to
:24:47. > :24:51.school. Having the central charge point has been good. Not having
:24:52. > :24:54.phones at mealtimes, particularly when you go out dining. You see
:24:55. > :25:03.people out on their phones and it's terrible. And lots more phone free
:25:04. > :25:09.date nights. Many elements of the plan are about trying to engage with
:25:10. > :25:13.the people in front of you. You said that you enjoyed mealtimes, because
:25:14. > :25:18.you all put the phones in a central place and you were able to talk and
:25:19. > :25:21.interact. It's bizarre that we have come to this, though, where you need
:25:22. > :25:27.to put the mobiles down in order to interact. Where do you stand,
:25:28. > :25:32.Stanley? You have come to this fresh tonight. Are you on board with the
:25:33. > :25:36.fact that people use their mobiles too much? Without a doubt. I would
:25:37. > :25:45.love to go back to the time when we didn't have them. Except for when
:25:46. > :25:51.you get lost. We don't allow them at the table in our house. I love your
:25:52. > :25:56.very expensive solution you were telling us about. Yes, my kids went
:25:57. > :26:00.to Namibia on a charity thing and they didn't have their phones and
:26:01. > :26:11.access to stuff for a month. That's the way to do it. Send your children
:26:12. > :26:16.to Namibia. And if you can't find the money to send your children to
:26:17. > :26:23.Namibia, keep mealtimes mobile free. Don't take phones to bed. That is
:26:24. > :26:25.such a big thing. I don't do that. But your husband takes it to the
:26:26. > :26:31.smallest room in the house and watches telly on that. We are still
:26:32. > :26:36.in debate about that. And meet people instead of messaging. Have an
:26:37. > :26:42.interaction in the real world instead of the virtual world. Across
:26:43. > :26:46.the whole week, 32 hours were on the phone before they did the plan. Now,
:26:47. > :26:59.it's been reduced to just under nine hours. Pretty impressive. And that
:27:00. > :27:05.is down to mobile free Sunday, of course. Even so, it is a significant
:27:06. > :27:10.improvement. Jacob and Grace, you get to do The One Show phone plan
:27:11. > :27:17.for another week! Not really. Thanks for being our guinea pigs. It's been
:27:18. > :27:21.lovely to meet you. Now, back in May, we revealed the school who won
:27:22. > :27:25.a garden direct from the Chelsea Flower Show. Now it's time to see
:27:26. > :27:30.whether it has successfully gone from grey to green.
:27:31. > :27:35.Earlier this year, The One Show asked you to nominate community
:27:36. > :27:42.spaces around the UK that could use greening up. With this garden from
:27:43. > :27:46.the royal horticultural Society's Chelsea Flower Show. This is the
:27:47. > :27:51.place it is about to transform, a primary school in Swansea. Since the
:27:52. > :27:56.school was built two years ago, staff and pupils have been desperate
:27:57. > :27:59.to transform this empty courtyard, almost entirely grey and with clear
:28:00. > :28:05.potential to benefit hundreds, the school was selected from a short
:28:06. > :28:09.list of suggestions in May by RHS chief horticulturalist Guy and
:28:10. > :28:14.garden designer Nigel Danek. Today, head teacher Alison Bastin is
:28:15. > :28:17.overseeing the final preparations for planting. We moved into this
:28:18. > :28:20.building two years ago with the hope that we would have lots of green
:28:21. > :28:26.spaces, but we were just left with a great piece of tarmac. So the hope
:28:27. > :28:30.was always for some kind of green space. The whole school revolves
:28:31. > :28:34.around this courtyard. Everybody can see it, so we were hoping to create
:28:35. > :28:38.a calm area where children can learn about plants and have a place to sit
:28:39. > :28:45.and reflect and read. This has been our vision and we can't believe the
:28:46. > :28:49.dream has become a reality. With the plans coming off the trucks and
:28:50. > :28:53.pupils and staff getting to work, I'm catching up with a guy, who has
:28:54. > :28:59.been tweaking the design of the garden to fit the school's
:29:00. > :29:02.courtyard. All the elements, we have carried over, except the water
:29:03. > :29:07.features. It is probably a question of safety for children. There is
:29:08. > :29:10.that. The courtyard also has tarmac underneath and we didn't want to dig
:29:11. > :29:14.into the tarmac in case we damaged essential services like the
:29:15. > :29:17.electricity and gas. So everything has to go on top. Show me the plan
:29:18. > :29:21.for the courtyard and tell me how you are overcoming the tarmac
:29:22. > :29:27.challenge. The first thing we did was to build raised beds. We have
:29:28. > :29:31.mass edges for children to sit on. One of the innovations at the
:29:32. > :29:35.Chelsea garden was an edible table, so we brought that along, but also
:29:36. > :29:39.these insect hotels. Well going to replicate those. Do you feel you
:29:40. > :29:44.have captured the spirit of this Chelsea garden and made it work here
:29:45. > :29:49.at Burlais primary school? Yes, I do. The space will only fit a
:29:50. > :29:52.quarter of the plans and there are loads left over for the rest of the
:29:53. > :29:57.school grounds, but for now, it's time to get plenty that courtyard,
:29:58. > :30:07.with a few pointers from Guy. What do you think of that? Make it a bit
:30:08. > :30:12.higher. Time to get stuck in. Max, tell me what you and your brother
:30:13. > :30:17.are doing. We are digging a hole to put the plant in. Do you do any
:30:18. > :30:24.gardening at home? I water the flowers. What will it feel like when
:30:25. > :30:29.you look out of the window and see? When I am sad, I will look out of
:30:30. > :30:33.the window and feel happy. Is by Spieth, the garden is taking root in
:30:34. > :30:38.Swansea. The garden is looking fantastic. Give me a big cheer if
:30:39. > :30:48.you are proud of your achievements. Yes! Our wonderful school has a
:30:49. > :30:51.beautiful garden and I think the children will thrive. How do you
:30:52. > :30:58.think this garden will make everyone at the school field? Happy.
:30:59. > :31:03.Delighted. Words can't describe it. It's a real transformation. And we
:31:04. > :31:08.met some of the pupils at the Chelsea Flower Show, so hello to you
:31:09. > :31:13.all if you are watching. There will be back at school seemed to enjoy
:31:14. > :31:18.the garden. We ask you for your portraits earlier and we have had
:31:19. > :31:25.loads. Let's start with one of yours, Stanley. This is my
:31:26. > :31:31.favourite. These are family portraits. It is by a
:31:32. > :31:35.three-year-old. They never draw a body, they just draw legs and a
:31:36. > :31:46.head. These are the arms, but they look like dumbbells. And whose work
:31:47. > :31:51.is that? This is mine. No. It is a portrait of Katie and her husband,
:31:52. > :31:56.drawn by their son Charlie. Digby 87 drew this picture of his damn
:31:57. > :32:02.parents, Mimi and pop are, in front of their favourite window. Jenny
:32:03. > :32:04.sent this one in. It is her five-year-old granddaughter who did
:32:05. > :32:15.it. She has given her supermodel legs. This one here is Ali's nephew
:32:16. > :32:21.Leo who drew this of his dad, who loves coffee. So the coffee cup is
:32:22. > :32:24.as big as the person! On that note, you can put the kettle on because
:32:25. > :32:29.that's all we've got time for. Stanley's film is out on Friday.
:32:30. > :32:31.Tomorrow, Gabby Logan and I will be joined by Ronnie Wood. See you then.
:32:32. > :32:34.Bye-bye.