:00:15. > :00:17.EastEnders in half an hour, but now on BBC One -
:00:18. > :00:19.The One Show, with the very handsome, Greg Davies.
:00:20. > :00:22.You must watch this episode of The One Show just to stare
:00:23. > :00:24.at his outstanding beauty, the new beautiful face
:00:25. > :00:36.And Greg Davies is funny, the funniest comic actor
:00:37. > :00:40.A man with soft hands, and man I would like to hold me for
:00:41. > :00:57.eternity... O Connor hello and welcome to the
:00:58. > :01:02.One Show with Angellica Bell. And a cut. Today is a momentous day in the
:01:03. > :01:12.history of the BBC. We had the birth of BBC One in the 1930s. And then
:01:13. > :01:17.BBC Two in 1964 followed closely by colour television in 1966. And in
:01:18. > :01:25.the 90s and naughties, the digital revolution came, including iPlayer.
:01:26. > :01:30.Bet now on February 16 2016, BBC Three has become the only channel to
:01:31. > :01:35.go completely online. We have two of its biggest stars with us tonight.
:01:36. > :01:42.The first, a big comedy star whose job actually was as a TV announcer.
:01:43. > :01:49.And now he has announced himself so we will move on. Also a documentary
:01:50. > :01:55.maker for BBC Three. What began as a peaceful demonstration quickly
:01:56. > :02:02.turned violent. I ran into a hotel before security shutters came down.
:02:03. > :02:08.It is chaos! Please welcome Stacey Dooley and Greg Davies!
:02:09. > :02:16.APPLAUSE You're both here to tell us about
:02:17. > :02:22.this big move BBC Three online. It is online now I think. We are doing
:02:23. > :02:29.the official launch. You are here because you will be cutting this
:02:30. > :02:35.ribbon. Am I? Did you not know? We will get you to cut it. As well as
:02:36. > :02:40.all of that, later we will be giving you all the information you need to
:02:41. > :02:45.the big switch online with the boss of the whole channel. Yes, the big
:02:46. > :02:48.cheese is in. Before that, how happy are you with
:02:49. > :04:05.the rail service? Dom is over With delays and overcrowding
:04:06. > :04:07.making the headlines, A new survey says our experience
:04:08. > :04:23.of riding the rails . We. -- we will have to. We are. I
:04:24. > :04:28.pick the children up from nursery, I have been late for that. I don't
:04:29. > :04:34.think anyone is happy with the service. When they are bad, they are
:04:35. > :04:40.really bad. Road-macro you can't even breathe properly. How much do
:04:41. > :04:48.you pay? About five grand. Any other service you would not pay this money
:04:49. > :05:02.for. With long delays, packed carriages and expensive prices. In a
:05:03. > :05:06.survey, Which found that rang true. Another survey found customer
:05:07. > :05:12.satisfaction had risen for the first time since 2012. Head of policy at
:05:13. > :05:19.Transport Focus said it depends on which passengers you ask. With
:05:20. > :05:25.leisure travellers you have 86% of the section but with commuters it
:05:26. > :05:30.drops to 76%. If you break that down, with hard-core commuter
:05:31. > :05:35.groups, it goes even lower. The bad experiences stay in people's minds.
:05:36. > :05:42.No one remembers when the trains turn up on time, everyone remembers
:05:43. > :05:51.when it is awful. One service to do well is the First Hull service from
:05:52. > :05:56.London. Sarah has been a train manager for several years. What is a
:05:57. > :05:59.difference between this train and the commuter trains? I think it is
:06:00. > :06:03.hard for them because the commuter services are not as long as our
:06:04. > :06:08.journeys. We have a two-hour service so we have the rapport with
:06:09. > :06:13.passengers. Would you fancy working on some of the commuter trains? No!
:06:14. > :06:17.Seems like roots like this are getting it right, but there is no
:06:18. > :06:19.doubt about it, these trains do not have the sheer numbers of passengers
:06:20. > :06:36.to cope with as the commuter train I took from
:06:37. > :06:38.Brighton this morning. So, having experienced the morning rush-hour
:06:39. > :06:40.and a leisurely lunch time service, it is time to brave the evening
:06:41. > :06:42.commute between Manchester and Cardiff. Passengers on this busy
:06:43. > :06:52.route regularly squeezed into just two or three carriages. Sorry. Once
:06:53. > :06:55.or twice if you have to stand up, you don't mind. When you are doing
:06:56. > :07:05.it five times a week and you have still paid ?25 for your ticket, you
:07:06. > :07:12.think, hold on a minute. It is always round, round. Sardines. The
:07:13. > :07:16.One Show contacted Southern trains and a Riva trains. Southern say
:07:17. > :07:22.their network is one of the busiest in the country that they do
:07:23. > :07:26.everything in their power to provide passengers with a better service.
:07:27. > :07:30.Arriva declined to comment about the train operators said they are
:07:31. > :07:34.working hard to improve satisfaction. Outside the rush-hour,
:07:35. > :07:41.passenger satisfaction is on the up when it comes to getting us to and
:07:42. > :07:46.from work. Which's survey said the train companies still have some way
:07:47. > :07:52.to go. An interesting report from Dan. You
:07:53. > :08:03.have got to move! I really going for it! Do I have to keep doing this?!
:08:04. > :08:09.It must be difficult to get heard as an angry, upset commuter, can you
:08:10. > :08:14.give us some tips? What I would say is if you have got a complaint, and
:08:15. > :08:19.sadly only one out of every five people do actually campaign, of
:08:20. > :08:25.those, only one in eight ask for compensation. If you ask someone to
:08:26. > :08:33.complain, make a note of the train time and destination. It is such a
:08:34. > :08:39.palaver. Use the bright into London route that was featured in that
:08:40. > :08:44.film. Are you an unhappy commuter? I am so unhappy it hurts. I will moan,
:08:45. > :08:54.moan, moan but I never do anything about it. I need to. There is a
:08:55. > :08:58.system in place called Delay We Pay. If your train is delayed by 30
:08:59. > :09:04.minutes you can claim back. It is in vouchers, not cash. You will get
:09:05. > :09:13.your money back in vouchers. When it reaches the destination, not when it
:09:14. > :09:24.leaves. I think I might be overcooking the movement! I am a
:09:25. > :09:29.trained actor. Can I just chip in? As far as I am concerned, train
:09:30. > :09:35.delays are an excuse to eat more crisps. I thought we were on the
:09:36. > :09:40.quiet carriage! It is not all bad news? A lot of people say we have
:09:41. > :09:47.the highest fares in Europe but only 15% higher than Europe. That will
:09:48. > :09:51.come as a surprise to viewers. Surprises me because I think they
:09:52. > :09:56.are extortionate inexpensive. Britain has very aggressive in their
:09:57. > :10:00.strategy. They target the fares that the business and commuters use. As
:10:01. > :10:05.far as leisure travel goes, if you get online and book in advance you
:10:06. > :10:10.can go all around the UK for peanuts. 85% is similar to Europe or
:10:11. > :10:24.cheaper. It is the 15% that will get you. Book in advance if you can
:10:25. > :10:34.then. What are you doing? Get with it, grandad, I am watching TV
:10:35. > :10:38.online! The way we watch TV now has all changed.
:10:39. > :10:42.Stacy has been investigating. I'm Stacey Dooley and I have been handed
:10:43. > :10:48.a mission by the One Show to find out how people are watching telly
:10:49. > :10:52.these days. I grew up, like most of us, watching television on an actual
:10:53. > :10:58.television. But the ability to download and stream programmes mean
:10:59. > :11:01.people can watch TV out and about on their portable devices, on their
:11:02. > :11:07.smartphones and even on their tablets on the move. Watching TV on
:11:08. > :11:12.the move could be the future. Henry mounts from the Financial Times
:11:13. > :11:18.certainly thinks so. We really live in a smartphone world now. People
:11:19. > :11:22.have access to a device that plays video. Now you have 70% of adults in
:11:23. > :11:27.the UK saying they catch up on programmes. This stream them online
:11:28. > :11:31.or they go to a certain website like the iPlayer. That means the schedule
:11:32. > :11:34.is much less important. You still have some moments like a Sunday
:11:35. > :11:38.night when the channel controllers can put on a drama and expect
:11:39. > :11:43.millions of people who gather round but there will be some people who
:11:44. > :11:46.missed it and they can watch it the following night. We are watching in
:11:47. > :11:49.a much more consumerist world where people say, I am in control, I will
:11:50. > :11:56.decide what I want to watch and when I want to watch it. I never watch TV
:11:57. > :12:02.any more. If I'm out at work, I will watch something on my device. We
:12:03. > :12:08.will catch up on the tablet. I love TV on my phone. That is basically
:12:09. > :12:14.where I watch it. I watch everything on my iPad. I am big boxing fan, you
:12:15. > :12:20.can watch the replay is on your phone. I watch programmes at home on
:12:21. > :12:27.my laptop. The pure traditional TV is not really there for me any more.
:12:28. > :12:33.To reflect the changing viewing habits, BBC Three is moving online.
:12:34. > :12:37.See you somewhere soon on a portable device.
:12:38. > :12:42.A big thank you, Stacey, for conducting that investigation. Today
:12:43. > :12:47.is the big online launch of BBC Three, the first TV channel to move
:12:48. > :12:51.solely online. The control of the channel Damian Kavanagh was here to
:12:52. > :13:03.answer some of your questions. But first, let's cut the ribbon. Greg,
:13:04. > :13:07.you are poised and ready. As it is a digital channel, we have a digital
:13:08. > :13:14.ribbon. We have gone on to school with the scissors. Let's have a
:13:15. > :13:26.countdown, three, two, one! CHEERING
:13:27. > :13:31.Damian, you are the boss of the whole thing, why have you decided to
:13:32. > :13:35.make this move? It was borne out of financial
:13:36. > :13:39.necessity but I think it was a firm strategic choice behind that. I
:13:40. > :13:47.think people noticed the way viewers were behaving. 50% of the video
:13:48. > :13:52.viewing time for youngsters, 16 to 24-year-olds is non-live TV now.
:13:53. > :13:56.Something is happening quite fast. We felt with BBC Three when we moved
:13:57. > :14:05.it online we would be able to learn quickly. I understand what you're
:14:06. > :14:09.saying that we need to move with the times, but isn't there an element of
:14:10. > :14:12.sadness with the fact the channel has gone. There was a massive
:14:13. > :14:19.campaign to save the channel which must have been good for you to know
:14:20. > :14:23.about? Of course. You can switch it around but there should be a massive
:14:24. > :14:28.feeling of pride which has been achieved. If you think of Gavin and
:14:29. > :14:40.Stacey and Stacey's shows, I will leave somebody out now and defend
:14:41. > :14:44.Sunday, but and Cuckoo! LAUGHTER What is your favourite, Cuckoo or
:14:45. > :14:50.Stacey? I love them all. It is difficult to
:14:51. > :14:51.know all of the content which is there. There is no schedule so how
:14:52. > :15:05.will this work? We will be in the press. The
:15:06. > :15:08.newspapers have been talking about Cuckoo, Life After Death Row, all
:15:09. > :15:14.coming back. We have built a platform. It will show you what
:15:15. > :15:21.shows are coming out on a daily, weekly basis. And we have a social
:15:22. > :15:25.media team. We are working differently. I looked at iPlayer
:15:26. > :15:30.earlier, Cuckoo waltz number five, the fifth most watched. How did
:15:31. > :15:33.people find out about that? Because of our social media team, marketing
:15:34. > :15:40.team, we are all doing an excellent job. -- was number five. It is
:15:41. > :15:44.exciting because it will be online all the time. What have you put in
:15:45. > :15:49.place to make sure there is a watershed? We take that seriously.
:15:50. > :15:54.We work with editorial policy and compliance. We want to make sure
:15:55. > :16:01.unsuitable content isn't being watched by young people. All of the
:16:02. > :16:07.shows will also play on iPlayer. Exact same guidelines. Parents can
:16:08. > :16:12.put in settings. And we will have warnings for programmes which might
:16:13. > :16:18.be unsuitable. Really good to know. The plan is to...
:16:19. > :16:21.Well, BBC Three's plan is to "Make You Think",
:16:22. > :16:24."Give you a Voice" and "Make you Laugh".
:16:25. > :16:39.My wife is about to give birth. 20 minutes? We can hold on. I would
:16:40. > :16:47.like a prawn jalfrezi, bhuna... Tandoor with special for four. Well
:16:48. > :16:56.done. What, the baby is late, spicy food induces labour! I love that. I
:16:57. > :16:58.had very spicy curries towards the end of my pregnancy. I could eat
:16:59. > :17:04.them, but nothing happened. That was a clip from Greg's comedy Cuckoo.
:17:05. > :17:08.Bring us up to speed for those who have not seen it. It is so
:17:09. > :17:13.complicated. CHUCKLES
:17:14. > :17:16.My character, Ken, I am playing against type, fat middle-aged guy
:17:17. > :17:22.with a family. CHUCKLES
:17:23. > :17:26.But that is acting for you. His daughter in series one had an
:17:27. > :17:31.unsuitable hit the boyfriend whom I fairly set in his ways character
:17:32. > :17:34.disapproved of, and lots of parents watching also disapproved of,
:17:35. > :17:41.because a lot of them wrote to me and said, why don't you punch him?
:17:42. > :17:47.Then he disappeared under mysterious circumstances. We don't know if he
:17:48. > :17:53.is alive or not. Then his son, via a teenage bling, he comes to the
:17:54. > :17:58.house, I welcomed him into the family, he then got involved with my
:17:59. > :18:06.daughter. Right... And that is Taylor Lautner. Yeah, my body
:18:07. > :18:10.double. Hollywood star. Are you really enjoying your acting at the
:18:11. > :18:14.moment? We know that you write, as well, how does that fit, and
:18:15. > :18:23.stand-up, where all you, really, at the moment? I spend a lot of time
:18:24. > :18:27.crying. Alone. In my flat. At night. At the moment I am lucky enough to
:18:28. > :18:33.be acting in two shows, I host another show. Had you put stand up
:18:34. > :18:36.to one side for the moment? I have had to, unfortunately. Because I
:18:37. > :18:43.love stand-up. I would love to do a tour next year if I can squeeze it
:18:44. > :18:49.in. I I miss it. Stand-up with petrify me. I cannot think of
:18:50. > :18:53.anything I would least rather do. What about being chased by a bear?
:18:54. > :19:04.LAUGHTER Maybe. I know one thing you cannot
:19:05. > :19:08.handle, lifts. I know excavation market is not rock 'n' roll. I can
:19:09. > :19:11.go to all of these hostile environments, I'm OK, but I get to
:19:12. > :19:17.the BBC, and I cannot get into my left! -- I know! It is not rock 'n'
:19:18. > :19:23.roll. You can see episode one of Cuckoo
:19:24. > :19:26.on BBC Three online from today. We love a tenuous link
:19:27. > :19:28.on the One Show, and we've Greg's just been talking
:19:29. > :19:31.about his sitcom, 'Cuckoo' and our next film celebrates a glam
:19:32. > :19:46.rock pop star, of the 70s and 80s My Coo Ca Choo. With the song isn't
:19:47. > :19:55.called Cuckoo. Tenuous link, I said. LAUGHTER
:19:56. > :19:59.It is now time for Shaun, his son, to talk about it.
:20:00. > :20:04.Morning assembly has finished. We are going back to Reigate Grammar
:20:05. > :20:10.School where I am headmaster, very different career to my father. He
:20:11. > :20:15.was Alvin Stardust. Despite his dark and brooding image, he would have
:20:16. > :20:25.been much more at home here at school. He was born Bernard Drury.
:20:26. > :20:28.He didn't have a difficult background. In fact, he was a
:20:29. > :20:33.boarder at a school at it like this. Like some of our pupils, he started
:20:34. > :20:43.his career as a chorister. He also occasionally would sing in a group.
:20:44. > :20:49.Then the BBC got in touch. They said we would like you to come and play.
:20:50. > :20:57.They had a first few hits. By that point he left Bernard Drury behind
:20:58. > :21:00.and became Shane Fenton. My mum, she was a dancer, they got together and
:21:01. > :21:10.started a double act working as Shane Fenton and Iris. In the early
:21:11. > :21:17.1970s, record company had a song called Coo Ca Choo, but they did not
:21:18. > :21:21.have an artist. My dad turned up all in black and they went with it. It
:21:22. > :21:28.was due to be on top of the Pops that week. He died his hair black. I
:21:29. > :21:35.woke up in the morning, all of these blue streaks running down my face. I
:21:36. > :21:39.said, excuse me, do you do side burns ready-made? Stuck them on and
:21:40. > :21:47.I turned up at the BBC centre and I did Top Of The Pops. Suddenly Alvin
:21:48. > :21:50.Stardust was a massive star. I don't how much of it is genuine
:21:51. > :21:59.stagecraft, and how much of it was in dealing with head I all over his
:22:00. > :22:07.face. There is a lot of him looking moody. If you look at me with him in
:22:08. > :22:11.photographs, I didn't smile, because I did not want to let my dad down.
:22:12. > :22:17.Back at home, he was playing football with us in the back garden,
:22:18. > :22:22.just being my dad. All of that success came at a cost. Mum and dad
:22:23. > :22:31.split up. That was devastating for all of us, really. I missed my dad.
:22:32. > :22:35.Into the 80s I have started at my senior school. That was the time
:22:36. > :22:40.when he felt most like my dad. He came to watch me playing rugby. He
:22:41. > :22:49.and Paris to me, cheering, but it meant a lot he was there. -- he came
:22:50. > :22:54.along to watch me, cheering. He had lots of hits. Very different image.
:22:55. > :23:07.No more black leather and big question. He started to be more
:23:08. > :23:11.himself. -- big quiff. Our relationship was at its best when I
:23:12. > :23:15.became a headmaster. And when I had my children. We were able to talk as
:23:16. > :23:21.two women, two fathers. He was diagnosed with cancer when he was
:23:22. > :23:25.about 70. He never stopped working. He would say, I need you to listen
:23:26. > :23:33.to this track, hopeful it would be a big album for him. He died at 7am.
:23:34. > :23:37.It was on the radio, every channel, it seemed. That was one of those
:23:38. > :23:41.times when I felt he wasn't my dad he was somebody I shared with
:23:42. > :23:48.everybody else. He was certainly my hero. I looked up to him.
:23:49. > :23:58.Of course, in teaching the pupils are the stars.
:23:59. > :24:08.And they did -- they are good, aren't they? What do you make of it?
:24:09. > :24:16.I like it, I have seen the video on YouTube. My mum used to sing with
:24:17. > :24:20.Alvin Stardust. Really? Small world. Yeah!
:24:21. > :24:27.Thanks for doing that film for us, Shaun.
:24:28. > :24:31.We are talking about BBC Three this evening. Part of the ethos is to
:24:32. > :24:33.find new talent and nurture it. Now Stacey, you are known
:24:34. > :24:35.for your hard-hitting documentaries You have been to some of the worst
:24:36. > :24:43.places in the world for women to go. Before we talk about your next
:24:44. > :24:51.project, just explain how you came I fell into it. Very organic. I
:24:52. > :25:03.started as a contributor nine years ago. As part of a documentary? Yes,
:25:04. > :25:07.and they took me to India. It was about fast consumerism. You were
:25:08. > :25:12.excellent. I don't know, I cannot watch myself in it now. From that
:25:13. > :25:16.the boss called me in and said, you were inquisitive, you had empathy,
:25:17. > :25:20.what do you reckon, do you fancy your own series? I was working at
:25:21. > :25:23.Luton airport at the time selling purview.
:25:24. > :25:37.LAUGHTER -- perfume. Can I get back to you?
:25:38. > :25:42.No. We will now show a clip of you in Turkey where women's lives have
:25:43. > :26:04.been ruined by Isis. Do you believe the Isis fighters are religious man?
:26:05. > :26:12.You get access to some volatile situations and circumstances. Do you
:26:13. > :26:17.ever get concerned for your safety? Sometimes. It wouldn't be natural if
:26:18. > :26:21.you were not a bit cautious, apprehensive, but the channel are
:26:22. > :26:26.spot on. They look after us. We have a local with us all the time. But
:26:27. > :26:29.these are important stories. BBC Three does do that, I genuinely
:26:30. > :26:35.believe they do brilliant documentaries. They are current
:26:36. > :26:40.affairs issues, but they are not stuffy, they are not about
:26:41. > :26:44.statistics... Real people. Exactly, and I think that is necessary. Do
:26:45. > :26:51.you just rely on your own instinct, going in there, able to ask the
:26:52. > :26:56.right questions, how'd you like to work as a documentary maker? I have
:26:57. > :27:01.found my feet as I have gone along. The producers and directors are
:27:02. > :27:05.brilliant. They put hours in beforehand. But you take them as
:27:06. > :27:09.girls, as people, you try and find out what their lives are like and
:27:10. > :27:12.how they feel. I think you can have preconceived ideas of what women
:27:13. > :27:17.far-away are like. You do an excellent job. Thank you.
:27:18. > :27:19.Now, to a hard-hitting documentary that will appear
:27:20. > :27:26.The first episode of a second series of BAFTA award winning series,
:27:27. > :27:30."Life After Death Row". Here's an exclusive look...
:27:31. > :27:40.Lieutenant Stuart Alexander died. He was killed by a suspect fleeing in
:27:41. > :27:49.an SUV. When they finally let me see him in the hospital he asked me, did
:27:50. > :27:55.I kill a police officer? I said yes, he died. Tears ran down his eyes. He
:27:56. > :28:02.said I couldn't see. How could he have done it on purpose? He was
:28:03. > :28:08.trying to get to me. He is a 21-year-old. He has police cars
:28:09. > :28:13.chasing him. The silence, the chaos. Police say he was in the grass,
:28:14. > :28:21.laying out a spike strip which stopped cars being pursued. --
:28:22. > :28:32.police say the lieutenant was. He avoided it. He moved to the right
:28:33. > :28:35.and he struck the officer. I want everybody to understand we will do
:28:36. > :28:44.everything possible to make sure somebody like this is sent away
:28:45. > :28:48.forever. I would have never tried -- had I never tried fleeing, nobody
:28:49. > :28:52.would have died. It is partly my fault. I will accept my punishment.
:28:53. > :28:57.I am ready, right? Gripping. It is online from 8pm
:28:58. > :29:01.tonight. On a day where BBC Three feels
:29:02. > :29:15.different. What a monument to stay. Remember, BBC Three is online now
:29:16. > :29:18.and you can watch any of its content including
:29:19. > :29:19.Greg's "Cuckoo", by Tomorrow, Britain's best close-up
:29:20. > :29:23.magician who'll be making Adam Hills Goodbye.
:29:24. > :29:29.Good night.