:00:19. > :00:21.One Show with Matt Baker and Alex Jones. We are hoping that tonight's
:00:22. > :00:26.show is going to be a, wo of art. We Jones. We are hoping that tonight's
:00:27. > :00:31.are actually aiming for a masterpiece tonight with a help of a
:00:32. > :00:37.couple of kings of breakfast broadcasting. The laughing cavalier
:00:38. > :00:43.of Sunday mornings, Andrew Marr. Do you like your portrait? Beautiful.
:00:44. > :00:50.Isn't it dapper. Perfect. Really scary. Also here tonight, Radio 1's
:00:51. > :00:56.very own morning Mona Lisa, Nick Grimshaw. Wow! I think it's very
:00:57. > :01:03.unkind how they added chins to you. Grimshaw. Wow! I think it's very
:01:04. > :01:08.Wow. That is really horrible! Lovely to have you both here. That is fine
:01:09. > :01:13.art covered tonight. Tonight we will explore the art of conversation.
:01:14. > :01:14.Animal communication to be exact with real-life Doctor
:01:15. > :01:15.Animal communication to be exact Lucy Cooke. Good evening to you.
:01:16. > :01:17.Good evening. Nice to have you here. Lucy Cooke. Good evening to you.
:01:18. > :01:30.She will tell us how to chat chimp and say hello to a hippo. Our
:01:31. > :01:32.sofa guests are true artists. One is a multi-million selling Grammy
:01:33. > :01:36.sofa guests are true artists. One is # When the going gets tough
:01:37. > :01:44.# The tough get going # When the going gets rough
:01:45. > :01:46.# Tough get rough... # The other is an expert in the art
:01:47. > :02:00.# Tough get rough... # making people laugh. Please welcome,
:02:01. > :02:07.Billy Ocean and Lee Mack! CHEERING AND APPLAUSE Oh, a kiss. I
:02:08. > :02:11.can't move my arms, Lee. How are you doing? We were talking about your
:02:12. > :02:16.favourite hit, our favourite hits of yours. There has been so many, When
:02:17. > :02:27.The Going Gets Tough, Suddenly. One of my favourites. 76. That was a
:02:28. > :02:32.good year. Love Really Hurts Without You. You had a brilliant sense of
:02:33. > :02:37.style. The photos we found were phenomenonal. We liked the banana
:02:38. > :02:42.suit. This was nice. The country check. That is one of my favourites.
:02:43. > :02:46.All very tight. I had the figure to wear tight things in those days. I
:02:47. > :02:55.was young and brave. I wouldn't do it now. You were a tailor by trade?
:02:56. > :03:00.I made a lot of those things. I couldn't afford to, like I do now, I
:03:01. > :03:04.get my suits from sav ril row, etc, etc. But in them days I couldn't
:03:05. > :03:10.afford suits and things. I used to make my own. They were easy to make.
:03:11. > :03:15.Catsuits and trousers, simple things, simple but effective. If it
:03:16. > :03:20.was a bit tight it really didn't matter back then, did it? You could
:03:21. > :03:26.pull them off. Lee, on the other hand, in the 8 o 0's. Sorry... We
:03:27. > :03:31.have a lovely picture of you. As you can see, I have my own Mickey Mouse
:03:32. > :03:36.ears. Thats with a shadow. That wasn't a hat I had on. You have
:03:37. > :03:45.changed so much, Lee. I used to go down to Boots and see what I could
:03:46. > :03:50.pick up. It was a case of - affordability. Is that why you went
:03:51. > :03:57.to boot sales. It was because I genuinely thought I looked cool. It
:03:58. > :04:02.is a look I wanted because someone says to you - was that just because
:04:03. > :04:06.of affordability! We want to find a viewer who has changed their style
:04:07. > :04:15.the most over the decades. Maybe you were a punk who is prim and proper.
:04:16. > :04:21.Maybe you were a goth who is now into golf wear. Send your photos
:04:22. > :04:26.into the usual address. A letter sent to 11-year-old pupils from the
:04:27. > :04:29.head of Barrowford Primary School has caused an online sensation. It
:04:30. > :04:31.told them that there was much more to life than just their exam
:04:32. > :04:45.results. It says: Billy, nodding away. We will read
:04:46. > :05:05.on. They also said: So we asked some of our friends to
:05:06. > :05:11.think about the advice they would give their 11-year-old selves. Dear
:05:12. > :05:14.John, you have passed the 11 Plus. That means you're good at passing
:05:15. > :05:19.exams you've been carefully prepared for. It doesn't mean you know very
:05:20. > :05:26.much. The you will have to go on learning for the rest of your life.
:05:27. > :05:30.Dear Carrie, yeah, you are different. Over the next few years
:05:31. > :05:32.you will realise what a massive advantage that is being different.
:05:33. > :05:37.School has made you think that you are being squeezed into a box. But
:05:38. > :05:41.you are a box crusher. You are a boundary pusher. You are a creative
:05:42. > :05:46.thinker. Everything looks a little grey right now, from your home life
:05:47. > :05:49.to your second hand school uniform. In a few years from now you will be
:05:50. > :05:56.a woman of colour and you won't be afraid to stand out. Dear Dan, life
:05:57. > :06:00.is about to get tricky. Hang tough. The good times are just ahead over
:06:01. > :06:05.the horizon. Never let anybody tell you you can't achieve something. All
:06:06. > :06:09.the people who won Olympic gold medals, started successful
:06:10. > :06:15.businesses, come up with inventions, they were all 11-year-olds ones,
:06:16. > :06:20.they thought they were losers too. Be careful of alcohol. You're older
:06:21. > :06:24.brother might have thought it funny in France when you got tipsy after a
:06:25. > :06:36.glass of wine. When your bedroom started to rotate you knew it was a
:06:37. > :06:40.mistake. Dream big dreams. Live a big, hairy audacious life. Most
:06:41. > :06:45.importantingly, always love your self. -- You think you have it
:06:46. > :06:50.tough. You are one of the luckiest people in history. Being born in
:06:51. > :06:56.Britain at the end of the 2 o 0th century mean you have won the
:06:57. > :07:01.Lottery. Other people wrestle with war and disease, we have it easy
:07:02. > :07:03.compared to them. Next time you are complaining about what football
:07:04. > :07:08.cards you are missing, remember that. In the end, friendship matters
:07:09. > :07:22.more than passing exams. Good luck, John. Good luck, Dan. Love, Carrie.
:07:23. > :07:29.Gets you thinking. Yeah. Doesn't it? Great sentiment in that film from
:07:30. > :07:34.all of them who took part. That is right. What would you say to an
:07:35. > :07:39.11-year-old self? I would say, pursue your dream. Because I was
:07:40. > :07:46.never academic. I was fortunate that my parents encouraged me to pursue
:07:47. > :07:50.my - musical ambition. My father was a musician. You know, a lot of
:07:51. > :07:54.encouragement came from there. You know, the kids who have a talent and
:07:55. > :07:59.want to go this way and their parents are forcing them to go this
:08:00. > :08:05.way, another direction. I think it's very unfortunate really. I say,
:08:06. > :08:09.pursue your dreams. It's more important and having a social life
:08:10. > :08:13.doing the things that you enjoy doing most. I mean, what can be
:08:14. > :08:16.better than that? Similar to the thought in the letter at the
:08:17. > :08:20.beginning we talked about. What about you Lee? I have a school
:08:21. > :08:25.report about that age. It says - sooner or later Lee will realise
:08:26. > :08:31.that joking around in class will get him nowhere in life! You proved him
:08:32. > :08:36.right. I would rite write to myself, can carry on falling off that chair
:08:37. > :08:41.for cheap laughs. I know this, Lee, you have - do that, stick your arms
:08:42. > :08:46.up in the air. You know what this plate of stuff is all about. Billy
:08:47. > :08:50.have you seen this lot? No, I've never seen. It they are you canner
:08:51. > :08:56.bands. They are called Loom Bracelets. They are bracelet making
:08:57. > :09:00.craze sweeping the world, amongst youngsters. You will have a head
:09:01. > :09:04.start, Lee. We have a kit. Maybe with the help of Lee. You can make
:09:05. > :09:09.something in the next three-and-a-half minutes. Oh, right.
:09:10. > :09:17.We can do this. Anita will explain how these little bands have become
:09:18. > :09:23.the bane of vacuum cleaners all over Britain. The going will get tough. I
:09:24. > :09:30.don't know if you have written a song about it.
:09:31. > :09:38.The latest global sensation is loom bands. Now, celebrities have been
:09:39. > :09:42.spotted wearing them. The Duchess of Cambridge and even David Beckham.
:09:43. > :09:51.They're definitely big business, what is making kids loopy for looms?
:09:52. > :09:57.Hi. This is the loom. You put rubber bands around. What do you do with
:09:58. > :10:02.that? Then you make stuff and hook them together. Yes. That is the
:10:03. > :10:08.finished product? Yeah. Would you say you were obsessed? Yeah.
:10:09. > :10:15.Everyone into loom bands. Boys aren't as obsessed with loom bands
:10:16. > :10:21.as girls are. Is this a fad, will you soon be moving on to something
:10:22. > :10:27.else? Maybe grow out of it. Get fed up eventually. Hopefully, not for a
:10:28. > :10:31.long time. The creator has seen rainbow looms develop into a
:10:32. > :10:36.multi-million-pound business. Lovely to see you. Where did the idea come
:10:37. > :10:41.from? This idea started from my daughters. They were making rubber
:10:42. > :10:46.band bracelets and helped each other to make it. The rubber bands kept
:10:47. > :10:51.falling apart. I came up with a simple loom. It's been lucrative for
:10:52. > :11:03.you. I read reports you have made $80 million? Last year, in US, we
:11:04. > :11:07.sold $4 million worth of rubber bands and loom. Whatever happened
:11:08. > :11:10.last year is happening now on the international arena. Mums, tell me
:11:11. > :11:15.how you feel about this fad? international arena. Mums, tell me
:11:16. > :11:19.are into it. Obsessed. They have 8,000 bands and want to go out with
:11:20. > :11:24.their pocket money and buy more bands. You are like - really, do we
:11:25. > :11:28.need more. It keeps them from the TV and computers. It's a creative thing
:11:29. > :11:32.to do. They find out how to make even more complicate and exciting
:11:33. > :11:36.things. They team themselves. They are being resourceful as well. How
:11:37. > :11:39.good do you think you would be doing it? Have you tried o? Never tried.
:11:40. > :11:41.It's challenge time to it? Have you tried o? Never tried.
:11:42. > :11:52.adults can keep up with the kids. You have three minutes on the clock,
:11:53. > :12:03.starting from... NOW! Get looming. I can see the attraction. Can you? I'm
:12:04. > :12:15.finding it annoying at the moment. Half
:12:16. > :12:20.And, everyone, your time is up! OK, mums, let us see how you have done.
:12:21. > :12:21.Reveal - that's not bad. mums, let us see how you have done.
:12:22. > :12:26.mums. Well done. mums, let us see how you have done.
:12:27. > :12:35.you've managed to do in three minutes. Da-da! I think we know who
:12:36. > :12:42.is the more profishent loomer, the kids! Round of applause. Good team
:12:43. > :12:45.effort. Good effort. Billy, to be fair, didn't see much of that film
:12:46. > :12:52.he was looking down the whole time. Let us see how far you have got?
:12:53. > :12:58.Some. The basis for something. You are wearing it well. You are! Lee,
:12:59. > :13:04.you've managed to do more. With my finishing touches. The He did very
:13:05. > :13:08.well. Look at that. It's a full dress!
:13:09. > :13:18.APPLAUSE. Not bad! We happen to know that that
:13:19. > :13:27.lovely dress was brought in by Catherine Wright and her dawn Sian
:13:28. > :13:34.and made by Kathryn Burnand. Surely Kathryn Rubberbanand. How long did
:13:35. > :13:41.it take to make? 45 hours. How many loom bands? Over 20,000. Wonderful
:13:42. > :13:47.family entertainment. I'm sure you will agree. On that family theme.
:13:48. > :13:52.You are fascinated. I can't believe I'm sitting on a sofa talking rubber
:13:53. > :13:58.bands with Billy Ocean. Typical One Show. You were into the family you
:13:59. > :14:02.took a 14-year break at the height of your career to concentrate on
:14:03. > :14:05.looking after the kids? Yeah. It wasn't meant to be 14 years, it was
:14:06. > :14:12.taking time off. The kids started growing up. You know, my wife had to
:14:13. > :14:17.make several trips. I thought to myself. In fairness, I had done, had
:14:18. > :14:26.a certain amount of success in America. I had something like seven
:14:27. > :14:31.top 10, four number ones, etc, etc. Satisfied with what you achieved?
:14:32. > :14:36.Not quite. You don't get that much achievement without being slightly
:14:37. > :14:40.selfish. I just... Guilt set in. I thought, take time off and help out.
:14:41. > :14:44.There are so many things outside of what you are doing, you find if you
:14:45. > :14:49.stop for a while there are so many things to get involved in. That is
:14:50. > :14:54.more or less what happened. By the end of - it was more than 14 years.
:14:55. > :14:59.17 years, I thought, hold on, I'm supposed to be singing and making
:15:00. > :15:04.music. I sort of got back. You enjoyed the family so much. Yeah. My
:15:05. > :15:10.eldest daughter is one of my singers. Backing singers. That is
:15:11. > :15:14.right. Cherie. Before 19 93 you had sold over 30 million albums. Can you
:15:15. > :15:14.believe it? Worldwide. Let us look at some
:15:15. > :15:20.believe it? Worldwide. Let us look at classic Ocean.
:15:21. > :15:26.# Baby, love really hurts without you
:15:27. > :15:38.# Love really hurts without you # Now we're sharing the same dreams
:15:39. > :15:42.# Suddenly, life has new meaning to me
:15:43. > :15:59.# When the going gets tough # The tough get going. #
:16:00. > :16:08.Have you smooched to a Billy Ocean song? Is this a classic Welsh chat
:16:09. > :16:15.up line? I think it was When the Going Gets Tough! I have been known
:16:16. > :16:22.to... Haven't we all? I am glad to be of service! Billy, you have got a
:16:23. > :16:34.new single out, Love Train. Also, a new album as well. , Love Train is a
:16:35. > :16:41.beautiful song for this time of our lives. It is very happy. Let us all
:16:42. > :16:48.get together. It is really happy. There is enough sadness. I think I
:16:49. > :16:51.am very fortunate to have chosen that particular song at this time.
:16:52. > :16:58.It was just a coincidence. The album, Here You Are, covers of
:16:59. > :17:05.people you have admired. Who have you chosen? Let me give you a brief
:17:06. > :17:09.about the album. It is about a song that inspired me when I was growing
:17:10. > :17:16.up. My father used to be a musician and one day he came home, I don't
:17:17. > :17:21.know if you might remember, the old Philips radio, on and off switch,
:17:22. > :17:25.one day, my father sat down, there was not any money to buy food and
:17:26. > :17:31.one day he came home with this radio. Where he got it from, all I
:17:32. > :17:35.can imagine is someone's radio went missing. In the goodness of his
:17:36. > :17:43.heart committee brought radio home. On switching on this very simple
:17:44. > :17:49.radio, I heard songs I would not have heard otherwise, international
:17:50. > :17:54.songs, Frank Sinatra, Nat King Cole. My mother used to be domestic
:17:55. > :17:59.so she used to iron and wash people's close and on Saturday
:18:00. > :18:04.nights, it was ironing night. She would say to me, son, come and sing
:18:05. > :18:13.for me. I used to learn these songs and sing. This is a thank you to all
:18:14. > :18:19.of the people who have inspired you. I thought, one day when I grow
:18:20. > :18:26.up... I am still growing up! I thought I would love to do something
:18:27. > :18:31.with the songs. From those artists to some other artists. In April we
:18:32. > :18:37.launched our summer art competition and we had hundreds of entries from
:18:38. > :18:43.all over the UK. Last month the short list was whittled down to six
:18:44. > :18:48.finalists whose work is on display in the Royal Academy Summer
:18:49. > :18:52.Exhibition. Before Nick announces the result for the 13 to
:18:53. > :19:00.17-year-old category, here is a reminder of the talented artists. In
:19:01. > :19:03.April, we launched The One Show Summer Art Competition 2014 for
:19:04. > :19:08.amateur artists. Last month we moved one step closer to finding our
:19:09. > :19:12.winner when the judges selected re-entries from each category to go
:19:13. > :19:17.through to the final. From the short listed entries here at The One Show
:19:18. > :19:22.Summer Art Competition at the Royal Academy in London. Our first
:19:23. > :19:27.finalist in a 13 to 17-year-old category is Lydia from Norfolk who
:19:28. > :19:33.was 15. The judges loved the inventiveness of colour and also the
:19:34. > :19:39.boldness of the painting. Being a finalist is really exciting for me.
:19:40. > :19:43.I did not expect it at all. I think the competition has given me a lot
:19:44. > :19:50.of confidence. In myself and the way I work. They trick spotter is my
:19:51. > :19:56.main inspiration for my work -- Beatrice Potter. For my final piece
:19:57. > :20:01.for the competition, I looked at things around where I live and where
:20:02. > :20:07.I sit and paint in my room. It overlooks a meadow. I often see barn
:20:08. > :20:13.owls hunting outside the window. Of course it would be nice to win, but
:20:14. > :20:21.it is not too important for me, it is just nice to be there. Our next
:20:22. > :20:29.finalist, Spencer, 16, from Preston. The judges loved the way he painted
:20:30. > :20:33.the dog's fur. I have never had anything in a gallery before, do
:20:34. > :20:38.have it in the Royal Academy, it feels really good. I prefer
:20:39. > :20:43.portraits of people. I enjoy doing animals as well, but I like to try a
:20:44. > :20:47.few different things sometimes and experiment a bit with what I am
:20:48. > :20:56.doing. I was speaking to my dad about who I could do and he
:20:57. > :21:03.suggested my great Granma. I can do it all day. The last and youngest
:21:04. > :21:10.finalist is 14 and comes from Cumbria. The judges loved this
:21:11. > :21:26.because it is done in pirate and said the virtuosity of the picture
:21:27. > :21:33.was magnificent -- it is done in a Bich Biro. My previous piece, I
:21:34. > :21:37.spent hours. I am normally really happy that one of my pieces of
:21:38. > :21:42.workers in the Royal Academy. They thought of getting another one is
:21:43. > :21:48.amazing. Three talented people but who has got what it takes to produce
:21:49. > :21:52.a winner. I would not like to be a judge. Luckily, we have got Nick
:21:53. > :21:58.Grimshaw! You are presenting the award for the 13 to 17-year-old
:21:59. > :22:05.category. You have been celebrating at the Royal Academy with the head
:22:06. > :22:09.honcho 's. How tense was the judging process? It was really hard. As we
:22:10. > :22:17.saw last time, the level was so high. They stepped it up this time.
:22:18. > :22:19.They were all really different. I liked them all for different
:22:20. > :22:28.reasons. It was quite hard. Tougher than I thought. I am sure. What does
:22:29. > :22:32.Andrew think? We saw you earlier, we are very excited about having a look
:22:33. > :22:41.at this work. Were you surprised at the level? It is worryingly high.
:22:42. > :22:44.The other thing to say is that as you will see in a moment, they are
:22:45. > :22:48.all very different pictures. You are judging apples and
:22:49. > :22:52.all very different pictures. You are hard. We came to a decision but they
:22:53. > :22:58.are all fantastic. First, let us have a look at Lydia's second piece
:22:59. > :23:08.submitted for the final. It is a dog. Nick, what was your verdict?
:23:09. > :23:19.Did it start as an owl? She thought about drawing an owl! I was drawn to
:23:20. > :23:25.it immediately. I love a dog and the expression. He looks so happy and
:23:26. > :23:34.excited. I love the nose. It is amazing. He looks so good on telly
:23:35. > :23:38.which is rarely and for us! -- which is brilliant for us. Spencer
:23:39. > :23:52.Grimshaw from Preston. No relation! Beautiful. This is your great nan.
:23:53. > :24:00.We thought she was having a trip of some kind! Slightly scary mouth.
:24:01. > :24:06.Look at the skin, how good the mottled skin is, really talented
:24:07. > :24:12.piece of painting. In acrylics, maybe. Oils. What is really clever
:24:13. > :24:21.is that each tiny bit seems to jump out. Your eye keeps moving around.
:24:22. > :24:38.Last but not least, Georgia. What did you think of this? Last time you
:24:39. > :24:47.did the self-portrait in biro. I loved the detail. We loved all of
:24:48. > :24:51.the light reflections. Incredible. Looking into the distance, I wonder
:24:52. > :24:59.what she is looking at. This is the under 17! Mad! The moment has come.
:25:00. > :25:05.Would you like to announce the winner of the 13 to 17-year-old
:25:06. > :25:15.category? It is tough at over to you. We have decided it is Georgie.
:25:16. > :25:27.APPLAUSE Great news! They are all brilliant.
:25:28. > :25:33.They are also amazing, it was really hard. We loved them all for
:25:34. > :25:37.different reasons. You have all got a great deal to be proud of. Keep
:25:38. > :25:43.going. Great careers in front of you. You will sell pictures in the
:25:44. > :25:47.future. The good news is both of your works of art will be at the
:25:48. > :25:54.Royal Academy which is fantastic. Amazing. Still to come, the winner
:25:55. > :25:58.of the over 18 category. What if instead of doling out
:25:59. > :26:04.antidepressants, what if they had another way of tackling loneliness
:26:05. > :26:08.in elderly people? Here is Joe Crowley.
:26:09. > :26:16.Who would have thought it could make us happier, healthier and even
:26:17. > :26:23.bridge the generation gap? The humble hen. Until last year, the
:26:24. > :26:29.older residents of this housing association in Gateshead knew next
:26:30. > :26:33.to nothing about hens. Now thanks to a project, they have dozens. They
:26:34. > :26:42.take care of the hens, hatching eggs and rearing chicks. There is Doreen.
:26:43. > :26:49.You name them after the ladies here? What do you do everyday question at
:26:50. > :26:55.I made sure they have got water and let them out. How many eggs do you
:26:56. > :27:05.get? They lay one payday. I really enjoy it. It keeps you fit and
:27:06. > :27:18.healthy -- they lay one per day. I am only 23! Very good! We do that
:27:19. > :27:25.price a year to get rid of the lice and mites -- twice a year. She
:27:26. > :27:30.decided she would share a shower with us! Freshen up! With
:27:31. > :27:39.ever-increasing pressures on the NHS and social care, GPs are being urged
:27:40. > :27:45.to consider social prescribing. Social prescribing is about allowing
:27:46. > :27:52.our patients, elderly people, to get into some activities they enjoy as a
:27:53. > :27:59.part of recovery and well-being, rather than just prescribing a pill.
:28:00. > :28:04.What sorts of activities work? It could be simple activities like
:28:05. > :28:09.gardening, fishing. Since his wife's death five years ago, this
:28:10. > :28:15.long-term resident knows only too well how isolation can be bad for
:28:16. > :28:21.your health and well-being. I am 87. You have not got many friends left.
:28:22. > :28:25.They have passed away. What were you doing on your own? Watching
:28:26. > :28:34.television. The warden said one day, why don't you join the hen group?
:28:35. > :28:38.When I went down, I met quite a few friends and it opened my life out,
:28:39. > :28:43.really. I feel as though it has given me a focus in life now. Before
:28:44. > :28:51.there was nothing to look forward to. One man said, are you new? I
:28:52. > :28:58.said, I have been here three years. I knew nobody. Not until I started
:28:59. > :29:07.seeing the hens. The hens have been the catalyst for you to integrate
:29:08. > :29:11.and meet people will stop yes. These two led the campaign to win the
:29:12. > :29:15.lottery funding to take hen power cross country. Today they are
:29:16. > :29:20.spreading the word in a local school. We are going to tell you a
:29:21. > :29:23.little bit about chickens. I have followed them on their road show.
:29:24. > :29:28.Today they are at a primary school. This is about bridging the
:29:29. > :29:36.generation gap, getting them out and active and sharing their love of
:29:37. > :29:48.chickens. The first chicken was discovered in the jungle. Lovely and
:29:49. > :29:54.silky, isn't it? I think... You know a lot about chickens? My grandad has
:29:55. > :30:00.got chickens. There are eight projects like this in Gateshead and
:30:01. > :30:05.some of the pensioners say they not only feel better but they are on
:30:06. > :30:13.less medication too. Josh runs the project. Why does it work so well?
:30:14. > :30:17.They are social creatures, they are nice to handle, they are a nice
:30:18. > :30:24.shared response military. The school kids love it -- shared
:30:25. > :30:30.responsibility. It gets people out and makes them happy, getting fresh
:30:31. > :30:35.air, that is all life is about. Thanks to the lottery grant, maybe
:30:36. > :30:42.hen power will be spreading a little happiness down your way quite soon.
:30:43. > :30:47.Uplifting that. Chick advance been a wonderful adays to my life. Billy,
:30:48. > :30:53.you are a big fan of chickens? It's a west Indian thing, the boys in my
:30:54. > :30:59.family, village and area where I lived, the boys took care of outside
:31:00. > :31:03.things, the girls did indoor things, ironing and washing and things. The
:31:04. > :31:11.boys cleaned up the yard. I have a great story about a chicken. Let us
:31:12. > :31:15.hear it. Now, one of my hens had chickens and this, if you have ever
:31:16. > :31:21.seen a little chicken, it's a beautiful thing in the world, fluffy
:31:22. > :31:30.little thing. I took it inside to show my sisters. The chicken, they
:31:31. > :31:36.tend to pick at your legs. Right. So my youngest sister was afraid of it.
:31:37. > :31:40.Beautiful chicken. She climbed up on the chair. She didn't quite make it.
:31:41. > :31:47.She came back down and stepped on the chicken. Very sad. I cried.
:31:48. > :31:52.Please tell me that is not the end of the antidote? No, that is it.
:31:53. > :31:59.That is my chicken story. We didn't see that one coming. I have to say.
:32:00. > :32:05.That is my chicken story. Sing Caribbean Queen, pick us up again!
:32:06. > :32:14.That is my chicken story. We used to have a dog. He got run over! Right.
:32:15. > :32:17.OK. We will have to move on. We know what people thought about the
:32:18. > :32:22.project in that film. We do. We wonder what the hens thought of
:32:23. > :32:28.them. They are in stitches now. Someone who might be able to tell us
:32:29. > :32:32.is Lucy Cooke. Lucy is starring in a BBC series along with these adorable
:32:33. > :32:35.mongooses. They are excited, excited. A reason
:32:36. > :32:41.mongooses. They are excited, We worked it out.
:32:42. > :32:47.mongooses. They are excited, autumn. I'm trying to concentrate on
:32:48. > :32:52.- I'm going is it mongeese. We looked into this.
:32:53. > :33:01.- I'm going is it mongeese. We mongooses. I would have gone for
:33:02. > :33:06.mongeeses. Let us get back on track. Not Going Out.
:33:07. > :33:09.mongeeses. Let us get back on track. have a moon goose? There is is a
:33:10. > :33:15.relationship between what we talked about before. Because
:33:16. > :33:19.relationship between what we talked love chickens. Let us get on to Not
:33:20. > :33:21.Going Out. The seventh series is coming up in the autumn. I'm not
:33:22. > :33:27.going to say coming up in the autumn. I'm not
:33:28. > :33:33.There are happier chicken stories. Now, in the last series of Not Going
:33:34. > :33:38.Out. Lucy and Lee had a little kiss. Albeit in a play. Yes. What is the
:33:39. > :33:43.latest, what is going on? This is the new series. It's hard to talk
:33:44. > :33:48.about it, you don't want to give away what happens, do you? No We are
:33:49. > :33:52.changing the show. It's moving on. The end of the series. Is that vague
:33:53. > :33:57.enough. That is quite vague. Any more. I have a sex change and become
:33:58. > :34:01.a woman. No, we want Lee and Lucy to get it together! Well, that could
:34:02. > :34:05.happen. It could happen. We are moving it on. That could mean we are
:34:06. > :34:15.moving it on we are getting together or moving it on and going our
:34:16. > :34:20.separate ways. We talk off air and we say, can we say this or not. You
:34:21. > :34:25.were filming the Christmas special. You can say that. Is this the last
:34:26. > :34:28.show? We filmed the Christmas Special for this year, which will be
:34:29. > :34:34.the end of the series. That could be potentially be the last ever
:34:35. > :34:39.episode, yes. Many a tear was shed. Did you enjoy - did you enjoy the
:34:40. > :34:45.whole experience? Process. Yeah, I did. It's been seven years. Ages.
:34:46. > :34:50.Agent years. I've had offers. I can't say offers, I have had one
:34:51. > :34:55.offer from a film a long time ago. I can't really imagine doing it, it's
:34:56. > :35:00.not as physical, movement as singing. You are sitting in one
:35:01. > :35:04.place. My friend, Tim Vine has left the series, I'm looking for a new
:35:05. > :35:09.mate. Billy Ocean at the bar, he doesn't ever speak, he only ever
:35:10. > :35:13.sings. If I had chickens with me, I might be all right. There you go.
:35:14. > :35:18.For some people who have not seen Not Going Out. Here is a clip when
:35:19. > :35:22.Lee was trying to posh up a girl in a restaurant. See if you fans it,
:35:23. > :35:27.Billy. I hope you don't assume the man has to pay for dinner. I'm
:35:28. > :35:48.hoping you are not one much these women who assumes I can!
:35:49. > :35:51.LAUGHTER Same again!
:35:52. > :35:59.APPLAUSE It is very funny. More gags coming
:36:00. > :36:04.you are back on tour, aren't you? From the 7th September in hit Hit
:36:05. > :36:09.The Road Mack. Until Christmas Evish. 23rd. How much do you think
:36:10. > :36:13.the show will change between September and Stoke and Manchester
:36:14. > :36:17.when you get to the last show? Will it evolve? The jokes tend to stay
:36:18. > :36:21.the same. You chat to the audience. You don't know what will happen.
:36:22. > :36:24.Sometimes you get a lunatic in Doncaster who is not there in
:36:25. > :36:29.Manchester. Sometimes you get one that comes to every show. They are
:36:30. > :36:35.the really crazy ones. If we look at the moment of your tour of 2010. I
:36:36. > :36:40.love this joke. Here we go. I hate computers, the terminology that they
:36:41. > :36:45.use. The little terminology. I said, I can't get into my website. This
:36:46. > :36:56.bloke said, have you tried dubables cookies? -- disabling cookies. I
:36:57. > :37:03.said, I once bit the legs off a Gingerbread man! Thank you, One
:37:04. > :37:08.Show. I don't like the fact you have shown a clip where I'm two stone
:37:09. > :37:14.heavier. I look like a whippet with mumps. Swelly around the face. No,
:37:15. > :37:20.you don't! Billy is also on tour. Yeah, touring. Lots of festivals.
:37:21. > :37:24.Festival period now. I've done a lot of the indoor shows, theatres and
:37:25. > :37:29.what have you, concert halls and thing. I'm into festivals. I enjoy
:37:30. > :37:33.the festivals because the people come to have a good time. That is
:37:34. > :37:39.what I love about festivals. I hope you don't mind. I pushed him into
:37:40. > :37:43.slightly. Matt wants to ask you something. What is that. Back in the
:37:44. > :37:50.day, before all of this telly lark started. I was a member of a disco
:37:51. > :37:56.dance troop called Disco Inferno. 17 years ago, there, that is where I
:37:57. > :38:02.met my wife. Right. Lovely lady. Your song Love Really Hurts Without
:38:03. > :38:06.You, became our song. Thank you. Tonight is our tenth wedding
:38:07. > :38:10.anniversary. Congratulations. Nicola is over there. Because it's the only
:38:11. > :38:16.way she gets to see me because I'm working. OK. I wonder if, as the
:38:17. > :38:21.guitar is there, would you please give us a chorus. I'd love to. This
:38:22. > :38:28.is for Nicola and everybody out there who is celebrating an
:38:29. > :38:31.anniversary. Chorus, right? # Baby, love really hurts without
:38:32. > :38:35.you # Love really hurts without you
:38:36. > :38:41.# And it's breaking my heart # But what can I do
:38:42. > :38:45.# Baby, love really hurts without you
:38:46. > :38:48.# Love really hurts through and through
:38:49. > :38:58.# And it's breaking my heart # But what can I do... #
:38:59. > :38:59.Happy anniversary. APPLAUSE
:39:00. > :39:04.Happy anniversary to everybody out there. Happy anniversary, Nicola.
:39:05. > :39:10.Very good. It was worth asking. There you are. Thank you, Billy.
:39:11. > :39:15.Earlier we saw gore Gigha walked off with the first prize in the 13-17
:39:16. > :39:20.category in our art competition. It's time for 18 and over category.
:39:21. > :39:26.Before Andrew crowns the winner here is Phil with your finalists
:39:27. > :39:39.round-up. First up in the 18 and over category is an entry from
:39:40. > :39:45.Surrey. Th judges choose Friend's Wife. I paint in layers, work with
:39:46. > :39:49.soft layers on top of each other and add the detail in slowly to create a
:39:50. > :39:53.soft complexion. To have my work in the Royal Academy is an honour. I
:39:54. > :39:57.can't believe it again. It really means a lot. It makes me happy that
:39:58. > :40:04.people think it's valuable enough to be in there. My final piece is a
:40:05. > :40:08.portrait of my friend's great grandma, he is 100 years old. He has
:40:09. > :40:13.huge amount of energy and happiness about her. Especially in this
:40:14. > :40:19.photograph I have been given. She can touch her toes so deserves a
:40:20. > :40:26.portrait. Whoever wins deserves it, they are great painters and great
:40:27. > :40:30.artists. The judges loved Farmhouse Dominican Republic by Andrew
:40:31. > :40:37.Larsson, they love the sense of light he captured and they really
:40:38. > :40:41.felt the Primary school heat. Worker Andrew from Kent is our next artist.
:40:42. > :40:45.I've never entered a competition before. I toyed with the idea a few
:40:46. > :40:50.times, I never got the courage to go and do it. The main aim for me was
:40:51. > :40:56.to have a work of art in the Royal Academy and to get that, in itself,
:40:57. > :40:59.is like a dream come true. Trying to keep a level head. Not think about
:41:00. > :41:04.the competition too much. Just paint what I want to paint. Some of the
:41:05. > :41:11.photos I'm using for the composition is a place in Jamaica. I think,
:41:12. > :41:16.buildings have character. They have emotion. A bit like a face. And,
:41:17. > :41:20.they all have a story to tell, like people. It's just a little bit
:41:21. > :41:27.different. Maybe a little bit more difficult. I do like to challenge
:41:28. > :41:32.myself. The judges choose this portrait by Kurt Buckley it really
:41:33. > :41:41.captured the character and also he they loved the stubble. The last
:41:42. > :41:45.entry to get through comes from Southampton student Kurt. It means a
:41:46. > :41:49.lot to win because it's a massive platform. A lot of people will see
:41:50. > :41:55.the work. The first thing I do when I make a piece of art, I think about
:41:56. > :41:59.what I want to draw. I go out and look for some people much I walk
:42:00. > :42:03.around, scanning everyone thinking, yeah, no. When I find something I
:42:04. > :42:08.want. I will approach them and go and ask for their photo. This chap
:42:09. > :42:12.had powerful Piercing eyes, they screamed expression and emotion to
:42:13. > :42:16.me. The competitive streak I have within me is quite high. I don't
:42:17. > :42:21.really like to lose. I think everyone has an equal chance. They
:42:22. > :42:27.are all worthy winners. There is only room for one. There we saw two
:42:28. > :42:31.portraits in this character. You had your portrait done by David Hockney?
:42:32. > :42:37.It was devastatingly accurate. Really, really unfair at the same
:42:38. > :42:44.time. OK. It's a weird experience. He keeps stairing at you intensely,
:42:45. > :42:49.it is called eyeballing. You feel as if you had your skin stripped off.
:42:50. > :42:58.Not a comfortable thing to happen. It's really interesting. I couldn't
:42:59. > :43:06.afford it. Mates rates, $165,000. You are joking? That was the cheap
:43:07. > :43:10.version. Andrew! Owned by somebody in New York now. You have seen the
:43:11. > :43:14.old Erekat grill for the first time today? Yes. What did you make of the
:43:15. > :43:17.standard there? Again, the standard was so high. I was really bowled
:43:18. > :43:23.over. Really impressed. Two incredible portraits. We will see
:43:24. > :43:25.them now. Two incredible portraits and one landscape piece. I
:43:26. > :43:26.them now. Two incredible portraits them all for different reasons.
:43:27. > :43:30.them now. Two incredible portraits was quite, again, hard to make a Do
:43:31. > :43:37.you decision. Have a favourite in mind? Yes. I think so. Yes. OK. Let
:43:38. > :43:42.us look, shall we. If we look at the finished art from our three 18 and
:43:43. > :43:46.over finalists. This is Charlotte Bradley from Surrey and her portrait
:43:47. > :43:49.of her friend's great grandmother, Hilda. Look at that. We loved
:43:50. > :43:54.of her friend's great grandmother, soft expression you did last time.
:43:55. > :44:00.What was it that you loved and the judges loved? The texture of the
:44:01. > :44:04.skin. A lot of people draw from photographs. It feels like you are
:44:05. > :44:05.looking at the person. She has a very distinct impression on her
:44:06. > :44:10.looking at the person. She has a face. Lovely texture to her skin.
:44:11. > :44:14.Nearly 100 years old. Beautiful woman. A real sense of personality
:44:15. > :44:20.blazing out of. It that is really, really hard to achieve. Fantastic
:44:21. > :44:25.piece of work. A really hard to achieve. Fantastic
:44:26. > :44:32.get. Never seen that expression in a picture. Nearly mid sentence, isn't
:44:33. > :44:36.she? About to speak to us. Our next artist is Andrew Larsen from Kent.
:44:37. > :44:40.Our only landscape artist in the final. There it is. Nick, what did
:44:41. > :44:41.you make of this one? I loved this. It drew me in.
:44:42. > :44:47.you make of this one? I loved this. so much to look at. As we thought
:44:48. > :44:50.with the other one you did, the Dominican Republic, it feels warm.
:44:51. > :44:54.You can... All the different elements of light. I loved. It I
:44:55. > :44:58.loved all the texture, the wooden poles and the pavement. There is so
:44:59. > :45:01.much to look at. Which I like. I like looking at a painting for a
:45:02. > :45:06.long And finding time. Different elements. Let us look at the last
:45:07. > :45:10.one of the three. Kurt Buckley from Southampton. Kurt has this wonderful
:45:11. > :45:15.pencil portrait of a singer called King Charles. Again, I mean, you
:45:16. > :45:19.were saying, Andrew, how do you separate them? You don't. He
:45:20. > :45:25.deserves his name, King Charles. He looks a bit like me, I think! Very
:45:26. > :45:30.similar. Sadly not. A beautiful intricate piece of work. A lot of
:45:31. > :45:34.personality coming out of that. Three wonderful works. A treat for
:45:35. > :45:38.us to watch. We spent a lot of time in front of these pictures looking
:45:39. > :45:41.at them, talking about them at great length. You go away and come back
:45:42. > :45:46.again. Maybe your opinion has changed now. There can only be one
:45:47. > :45:47.winner. One winner. The winner is Charlotte, this wonderful painting
:45:48. > :46:02.here. Thank you so much for your time. We
:46:03. > :46:09.will see you next year. You can see all of the artists work and much
:46:10. > :46:13.more at the Royal Academy Summer Exhibition in London until the 9th
:46:14. > :46:21.of August. Lucy Cooke is here and soon we will be finding out how she
:46:22. > :46:26.can talk to the animals. Before that, here is George on how bees
:46:27. > :46:35.communicate with the flowers they feed on. What do they say? I don't
:46:36. > :46:41.know, maybe hello, petal! Nice! We have known for some time flowers
:46:42. > :46:48.advertise to bees right appealing to their sense of sight and smell. But
:46:49. > :46:53.scientists at Bristol University have discovered that bees have an
:46:54. > :47:01.additional sense. They can detect a rather surprising invisible queue
:47:02. > :47:05.macro. For the first time, they have discovered bees can sense an
:47:06. > :47:11.electric field. This professor has been leading the study. The first
:47:12. > :47:15.sign of it was when we saw footage of bees approaching flowers and we
:47:16. > :47:22.noticed the pollen was leaving the flour to jump on the beat. Then we
:47:23. > :47:27.understood that perhaps there was an electrostatic force at play --
:47:28. > :47:33.leaving the flower to jump onto the B. They created a flight arena for a
:47:34. > :47:40.colony of bees with a series of identical artificial flowers. Bees
:47:41. > :47:44.like sugar so they set up half the feeding stations with a sugary
:47:45. > :47:48.solution and half with a bitter one. Neither solution smells of anything
:47:49. > :47:54.and there is nothing visual to attract them. We would be able to
:47:55. > :47:58.test whether they can discriminate between these situations. As he
:47:59. > :48:02.thought, the bees fed randomly as there was no information to guide
:48:03. > :48:06.them to be sugar. But when a small electric field was added to the
:48:07. > :48:10.sugary liquid there was a marked change. They could spot the
:48:11. > :48:16.difference between them, choosing the sugar eight times out of ten. A
:48:17. > :48:21.little bit of voltage was sufficient to show them the way to the sugar.
:48:22. > :48:26.When we removed the electricity, none of the bees could do it any
:48:27. > :48:29.more. That shows they are able to sense the electric field and
:48:30. > :48:34.associate it with sugar. That is quite incredible. But then they went
:48:35. > :48:40.on to discover something even more extraordinary. Taking the experiment
:48:41. > :48:44.out of the lab and into the fields, they realised the bees and flowers
:48:45. > :48:49.are actively communicating with each other during pollination. With their
:48:50. > :48:53.fast moving wings, they become positively charged as they fly
:48:54. > :48:55.through the air. Flowers are negatively charged as they are
:48:56. > :49:03.grounded to the earth which is full of electrons. Both the flowers and
:49:04. > :49:07.the bees have an electric field and the two start to interact. He has
:49:08. > :49:14.connected an electrode to a flower to show this to measure current flow
:49:15. > :49:18.which we can here as a. As the current changes, so does the tone.
:49:19. > :49:27.We have a fake be that we can charge up so it acts like a real be. That
:49:28. > :49:36.is the flower on its own. If I take this artificial be and rub it on my
:49:37. > :49:45.trousers, that will create a charge. Amazing! Very clear. Just as we are
:49:46. > :49:57.testing, a real bumblebee comes along. What is happening here? It
:49:58. > :50:02.reaches the flower and it deposited charges. The flower has been visited
:50:03. > :50:07.and it will be different. We are hearing the interaction between the
:50:08. > :50:11.B and the flower's electric field. When the bumblebee lands on the
:50:12. > :50:16.flower, it alters the charge for up to two minutes. He believes they
:50:17. > :50:26.might be using the change to their advantage. If the bee is able to
:50:27. > :50:31.change the potential, it might be able to tell the difference between
:50:32. > :50:39.a flower that has been visited recently. It makes evolutionary
:50:40. > :50:43.sense for the bee to not visit a flower that has been recently
:50:44. > :50:54.visited. It is a win-win situation that benefits the bee Andy Flower,
:50:55. > :50:59.they are both using now electric fields to their advantage. We can
:51:00. > :51:03.see the invisible forces at work, flowers advertising themselves like
:51:04. > :51:11.electrical billboards. Unbelievable. Flowers talking to
:51:12. > :51:18.bees. How about zoologists talking to hippos? I am about to say hello
:51:19. > :51:20.to the hippos. Will they get the message? They are hiding under
:51:21. > :51:47.water. That was an, I am here, wasn't it?
:51:48. > :51:53.His head is popping up everywhere. That is from a new programme on BBC
:51:54. > :51:56.One tonight right after us, Talk to the Animals. It looks incredibly
:51:57. > :52:05.intriguing. Talk us through the premise of this. One of the most
:52:06. > :52:08.amazing experiences of my life. The really extraordinary thing about
:52:09. > :52:12.hippos is that they are the only animal we know of that can
:52:13. > :52:17.communicate above and below water at the same time. They have amphibious
:52:18. > :52:24.communication. They make a fantastic evil Father Christmas noise and they
:52:25. > :52:28.do that with their mouths and here it with their ears above the water
:52:29. > :52:33.but obviously sound bounces off the water. Under the water, the sound
:52:34. > :52:37.transmits through their throat in fatty deposits. They are
:52:38. > :52:41.incredible. The evil Father Christmas noise, does it mean they
:52:42. > :52:49.are unhappy? They have very eccentric sounds. They are rather
:52:50. > :52:51.run the full -- rather wonderful. You look at
:52:52. > :52:56.run the full -- rather wonderful. talk to each other. How varied would
:52:57. > :53:03.you say the Kimi negation systems are? You have just seen with the
:53:04. > :53:08.bees, animals use different ways of communicating. They use light,
:53:09. > :53:17.gestures, all sorts of things. Earlier we had a look at the clip. A
:53:18. > :53:25.little chat with some noisy mongooses. Why are they so vocal?
:53:26. > :53:29.They live in family packs and need to keep in contact with each other
:53:30. > :53:35.because they are always scoring around looking. Then to eat. They
:53:36. > :53:39.keep in touch by making contact calls. What is so fascinating is
:53:40. > :53:44.that they all sound the same to us, just a cacophony of squeaks, but the
:53:45. > :53:49.squeaks just under a second long actually have a whole sentence of
:53:50. > :53:53.information in there. They are giving away their identity and what
:53:54. > :54:01.they are doing. They say, I am Lucy, I am digging. I am Lee, I am
:54:02. > :54:09.foraging. I am Alex, I am resting. I am resting! That is quite apt! I
:54:10. > :54:13.told you about this piece of information in the meeting earlier
:54:14. > :54:17.and they looked at me as if I had two heads. Mongooses are sociable
:54:18. > :54:25.creatures. Very gossipy. two heads. Mongooses are sociable
:54:26. > :54:28.observed chimps in the series. How easy is it to decipher what chimps
:54:29. > :54:34.are easy is it to decipher what chimps
:54:35. > :54:37.their communication is a lot like ours. It was an
:54:38. > :54:40.their communication is a lot like doing that. We went into the forest
:54:41. > :54:46.in Uganda and saw wild chimps. One of the most fascinating things is
:54:47. > :54:49.that these days we have all seen the images of Diane Fossey and David
:54:50. > :54:53.Attenborough rolling around with apes and communicating with them,
:54:54. > :54:58.but the new research is to observe and you do not interact at all. When
:54:59. > :55:03.I was told that, all my life I had wanted to say hello and interact
:55:04. > :55:07.with our closest relatives and the producers said, you mustn't, you are
:55:08. > :55:11.not allowed. I was a bit disappointed. It was incredible
:55:12. > :55:17.nevertheless. You had to pretend to be interested in a leaf. It was all
:55:18. > :55:22.very profound. One animal you are very good at Munich catering with is
:55:23. > :55:27.a sloth. Could you do it for us -- app very good at communicating
:55:28. > :55:42.with. This is my best nation of a female sloth in heat. Very quickly,
:55:43. > :55:56.this is Melanie. She says, this is me, I Ami Goth now. -- I am a Goth
:55:57. > :56:01.now. She was an 80s' punk and this is her now. Before and after from
:56:02. > :56:13.Patricia. Lovely stuff. Lucy, thank you for coming in and doing your
:56:14. > :56:17.sloth. Thank you, Lee. Thanks to Andrew and Nick for being fantastic
:56:18. > :56:20.judges. We will be back tomorrow with Rudolph Walker and Diane
:56:21. > :56:25.Parish, Eastenders' Patrick and Denise. We leave you with Billy
:56:26. > :56:26.Ocean singing his Grammy award-winning hit Caribbean Queen.
:56:27. > :56:36.See you tomorrow. # She dashed by me
:56:37. > :56:41.in painted on jeans # And all heads turned cos she was
:56:42. > :56:45.the dream # In the blink of an eye
:56:46. > :56:51.# I knew her number and her name, yeah
:56:52. > :57:02.# She said I was the tiger she wanted to tame
:57:03. > :57:15.# I went in search of a good time # Love was the furthest from my mind
:57:16. > :57:24.# Caribbean Queen # Now we share in the same dream
:57:25. > :57:35.# And our hearts beat as 1 # No more love on the run
:57:36. > :57:41.# I lose my cool when she steps in the room
:57:42. > :57:50.# And I get so excited just from her perfume
:57:51. > :57:56.# Electric eyes that you cannot ignore
:57:57. > :58:07.# Passion burns you like never before
:58:08. > :58:14.# I was in search of a good time # Love was the furthest, furthest
:58:15. > :58:20.from my mind, yeah # Caribbean Queen
:58:21. > :58:31.# Now we share in the same dream # And our hearts, they beat as 1
:58:32. > :58:32.# No more love on the run # Caribbean Queen
:58:33. > :58:40.# No more love on the run # We share in the same dream
:58:41. > :58:41.# And our hearts, they beat as 1 # No more love on the run
:58:42. > :59:13.# Hello, I'm Ellie Crisell with
:59:14. > :59:15.your 90 second update. Police have arrested
:59:16. > :59:17.660 suspected paedophiles
:59:18. > :59:19.in a nationwide operation. Investigators spent six
:59:20. > :59:20.months targeting people The number of people in work is
:59:21. > :59:28.at record levels with another fall But wages are struggling to
:59:29. > :59:32.keep pace with rising prices. They went up less than
:59:33. > :59:35.one percent last year. Hollie Gazzard was stabbed to death
:59:36. > :59:38.in a hairdressing salon