:00:38. > :00:46.Welcome to The One Show with... Matt Baker. With us tonight is a
:00:46. > :00:56.man who is never short of a word unless it is this one.
:00:56. > :01:11.
:01:11. > :01:14.It is Bradley Walsh. People have got to earn their applause on this
:01:14. > :01:24.show. Bradley, we were in your dressing room, and we have
:01:24. > :01:37.
:01:37. > :01:44.practised how to say it properly. It is. Take the applause. It is
:01:44. > :01:48.echoing all over across London! Ah, brilliant.
:01:48. > :01:52.Thank goodness you were there with that card!
:01:52. > :01:58.We have tested your pronunciation and we will have a word about your
:01:58. > :02:00.agenting. Over Christmas, London Bridge really was falling down. The
:02:00. > :02:06.A4 flyover was closed for emergency repairs.
:02:06. > :02:10.They found out that the bridge was corroding, but how many bridges
:02:10. > :02:14.around the country are in danger of going the same way. Marty Jopson
:02:14. > :02:20.does digging. Concrete, it is the building block
:02:20. > :02:26.of the world we live in today. Made up of cement, crushed limestone and
:02:26. > :02:30.sand and water, we produce seven- and-a-half billion cubic meters of
:02:30. > :02:33.the stuff each year. While its modern use is universal, concrete's
:02:33. > :02:43.strength as a building material means it has been used for hundreds
:02:43. > :02:46.of years. It was used in Rome, built back in 120 AD, an early form
:02:46. > :02:51.of concrete is believed to have been used in the pyramids. 2,000
:02:51. > :02:55.years later and we are still using concrete, but for bridges like this
:02:55. > :02:59.one in Hammersmith, the concrete needs to be reinforced with steel
:02:59. > :03:02.so it can bend and that's where the problem begins.
:03:02. > :03:06.The problems that happen in Hammersmith could happen in a lot
:03:06. > :03:11.of old concrete structures where you have steel running through the
:03:11. > :03:15.middle of the structure and if they get wet and if the water contains
:03:15. > :03:21.salt, then you can get corrosion of the steel and then your structure
:03:21. > :03:24.becomes at risk. Imagine these yarns are the tendons
:03:24. > :03:31.which are inside a bridge like Hammersmith. We will see what
:03:31. > :03:38.happens if they fail at the same time.
:03:38. > :03:43.In England, the Highways Agency knows about the problem. They test
:03:43. > :03:49.their 18,500 reinforced concrete bridges and flyovers every two
:03:49. > :03:58.years. They are working on the Tewkesbury Road underbridge. Last
:03:58. > :04:02.year, they spent �2..7 million on maintenance at Spaghetti Junction.
:04:02. > :04:10.In Scotland, they are taking no chances and they are making sure
:04:10. > :04:15.the concrete in that bridge, not that one, that bridge is 100% OK.
:04:15. > :04:20.Chief engineer, Barry Coalford is showing me the problem.
:04:20. > :04:22.This is the place where the main cable slays out and is anchored
:04:22. > :04:26.into the rock at the end of the bridge.
:04:26. > :04:29.This is the big cable? Yes. This is the end of it? Yes, that's
:04:29. > :04:33.right. So what's the problem? These steel
:04:33. > :04:40.cables look fine? They do. They do and they are, but the problem is
:04:40. > :04:44.what happens down there in the bits that we can't see. It is a 60 meter
:04:44. > :04:48.long concrete tunnel. It is an aggressive environment. The
:04:48. > :04:54.seawater goes up and down with the tide and we need to establish the
:04:54. > :05:02.condition of the steel cables within the tunnel.
:05:02. > :05:05.What's going on here? This is the excavation for us to get down to
:05:05. > :05:10.the tunnel where our issues are likely to be.
:05:10. > :05:15.What do you if it turns out if the cables are rusty? That's a
:05:15. > :05:18.difficult question to answer. We will have to evaluate the existing
:05:18. > :05:21.strength of the anchorages and make a prediction of what the strength
:05:21. > :05:27.is likely to be over the next few years and that's not an easy thing
:05:27. > :05:32.to do. It is possible to build new anchorages and we can do that
:05:32. > :05:35.without disturbing traffic, but it is a big piece of civil engineering.
:05:35. > :05:40.Traffic is still rolling here, which is good news for commuters,
:05:40. > :05:50.but the bad news is that as Britain's concrete structures grow
:05:50. > :05:55.older, there is likely to be more Thanks, Marty. Dick Strawbridge is
:05:55. > :05:59.here. Bradley... Yes. You could have been an engineer,
:05:59. > :06:02.well you were for a bit. Well, I worked on jet engines for
:06:02. > :06:07.Rolls-Royce. I went to their training school and stuff like that
:06:07. > :06:11.and I ended up fitting aircraft engines, yeah. The helicopter
:06:11. > :06:16.engines and the factory which I worked is defunct and is the Harry
:06:16. > :06:22.Potter film studios in Watford. How are you on bridges though?
:06:22. > :06:24.I am steady on bridges! LAUGHTER
:06:24. > :06:26.Well, some of the ones coming up, you won't be.
:06:26. > :06:30.It is a worrying thing because there is so many bridges around
:06:30. > :06:34.Britain? Concrete and steel together, the problems they have
:06:34. > :06:39.got, it will continue getting worse. We have been building bridges
:06:39. > :06:43.forever. The oldest bridge in the UK, we are talking about Power
:06:43. > :06:48.Steps, a granite on blocks and rock solid and we are talking about
:06:48. > :06:52.something the best part of 1,000 BC and it works today, but in modern
:06:52. > :06:56.times, we are talking from Victorian times, people are using
:06:56. > :07:01.less materials to build bridges because bridges are expensives.
:07:01. > :07:04.Instead of making a big, chunky one that will last forever, they build
:07:04. > :07:13.a bridge with less materials and that can introduce problems.
:07:13. > :07:18.It is not corrosion, it is resonance. Alex and her terms!
:07:18. > :07:23.also trained as an engineer. If you have got a light bridge, it
:07:23. > :07:28.can move. The best way to talk about resonance. You know a kiddy
:07:28. > :07:34.on the swing, if you push them, they go further and further. If you
:07:34. > :07:36.just randomly shove them, they keep banging into your hand. The
:07:36. > :07:39.resonance is when you have something make ago structure move
:07:39. > :07:45.with a frequency that is going to get to the stage where it will
:07:45. > :07:51.start moving a lot. Gallopin Gertie is the most
:07:51. > :07:56.incredible example. Bradley, look at this. This is a suspension
:07:56. > :08:00.bridge, we are talking about 1940 here, when the wind was 40mph, it
:08:00. > :08:04.was known to move. Get the wind at the right speed and instead of
:08:04. > :08:09.moving a couple of inches, it moved 28 feet.
:08:09. > :08:15.Didn't they find that on the millennium Bridge, at one time it
:08:15. > :08:17.had resonance and once a body of people start moving with it...
:08:17. > :08:22.can experience that for yourself with the aid of jelly.
:08:22. > :08:25.Right! If we are looking at resonance. It
:08:25. > :08:32.is all about seeing when you wobble things to the point where they
:08:32. > :08:37.break up. Grab your jellies! I will have the breast implant.
:08:37. > :08:42.yet. Not yet. Steady. Steady. Just move it a little bit, you can see
:08:42. > :08:46.your jelly is safe. Yes, it is looking good.
:08:46. > :08:51.looking good. A very secure pyramid.
:08:51. > :08:55.That looks wrong! If you wobble it quickly, very,
:08:55. > :09:00.very quickly, backwards and forwards, and it is all right. Now,
:09:00. > :09:03.if you vibrate backwards and forwards and try and get to the
:09:03. > :09:07.point where your jelly goes backwards and forwards.
:09:07. > :09:12.If you are having jelly or your tea join in.
:09:12. > :09:17.It has gone. I'm sorry.
:09:17. > :09:22.Mine is pretty secure. Let me borrow yours. If you can
:09:22. > :09:30.imagine people marching across. It starts to go into... Oh, there we.
:09:30. > :09:33.Oh, your top has come off. The pyramid has dislodged.
:09:33. > :09:40.It is not often you see 1,000 people walking across a bridge with
:09:40. > :09:42.a plate of jelly. The army aren't allowed to march across bridges
:09:42. > :09:47.anymore anymore in case this anymore anymore in case this
:09:47. > :09:57.happens. The jellies are real? Of course,
:09:57. > :10:07.
:10:07. > :10:11.they are! FANFARE We usually have trumpets at
:10:12. > :10:15.the beginning. A trumpet in the middle, can only mean one thing,
:10:15. > :10:24.the bride is on her way. Lady Diana Spencer is one of the
:10:24. > :10:28.countless brides who walked up the aisle to trumpet voluntary.
:10:28. > :10:33.But the life of its composer is shrouded in mystery. Little is
:10:33. > :10:37.known about Clarke's early life. He was born around 1674, but we don't
:10:37. > :10:41.know where. What we do know is that at the age
:10:41. > :10:47.of eleven, he was one of the elite band of boys at the Chapel Royal,
:10:47. > :10:51.singing in the Royal Family's personal choir. And in 1699, aged
:10:51. > :10:58.25, he arrived here at a place that would have a huge impact on his
:10:58. > :11:06.life, St Paul's Cathedral. Clarke came here at a significant
:11:06. > :11:13.time. Some 30 years earlier, in 1666 St Paul's had been destroyed
:11:13. > :11:17.by the Great Fire of London. Sir Christopher Wren had created a new
:11:17. > :11:23.building. When Clarke arrived, there was a new building.
:11:23. > :11:27.He came here as a singer and became organist and trained the choristers
:11:27. > :11:31.as well. It is unusual that somebody should hold both those
:11:31. > :11:38.jobs simultaneously. His trumpet voluntary, wasn't
:11:38. > :11:43.created for a religious setting, it was composed for the theatre.
:11:43. > :11:48.It was not uncommon for come for composers to write for the theatre
:11:48. > :11:54.as well as the church. What was the job? It it might have
:11:54. > :11:59.covered the arrival of some prince or some scenery that would have
:11:59. > :12:02.thrilled the audience and given them excitement.
:12:02. > :12:06.Clarke performed the piece at St Paul's.
:12:06. > :12:09.How do we get theatre music into a cathedral? There was no hard and
:12:09. > :12:16.fast rules in those days. A piece that was written for the theatre
:12:16. > :12:21.would almost certainly will have been adapted for Clarke for his
:12:21. > :12:27.daily use at St Paul's. You are seated at an organ? Organs
:12:27. > :12:33.and then had stops that could simulate orchestral instruments.
:12:33. > :12:36.There is a trumpet. There is servicemen trumpets -- several
:12:36. > :12:42.trumpets. This is a little one that might have sounded similar to
:12:42. > :12:47.Clarke's. It marked the beginning of a
:12:47. > :12:50.prestigious career. Then tragedy struck and the press of the day
:12:50. > :12:53.recorded the event. What happened? The poor man shot
:12:53. > :12:58.himself. He shot himself in the head with a pistol.
:12:58. > :13:05.Do we know why? It seems to be for the love of a young woman. It says
:13:05. > :13:10.she was a a young married woman. So it could be that he got himself
:13:10. > :13:15.into a pickle with a married girl? It does suggest that he was an
:13:15. > :13:22.unhappy man at the time. It talks about him having a discontent.
:13:22. > :13:28.a tragic story. Clarke's tune fell into obscurity
:13:28. > :13:33.for almost 200 years. Then in 1897, Henry Wood, founder of the Proms,
:13:33. > :13:43.came across the manuscript. He believed the tune was by Purcell,
:13:43. > :13:53.but made it popular again. 40 years later, experts recognised it was
:13:53. > :14:01.
:14:01. > :14:06.It is a wonderful piece. Why does it stand out from the crowd? It is
:14:06. > :14:09.the strength of the tune. It is a good Royal, regal tune. Then it is
:14:09. > :14:12.the fact that it is wonderful to walk to. If you are a bride
:14:12. > :14:17.listening to this, it is a good speed and it makes you feel that
:14:17. > :14:21.you are in a really important day. It stood the test of time and yet
:14:21. > :14:26.it seems fresh today? It always does. That's one of the great marks
:14:26. > :14:36.of a good piece of music. And the setting helps, doesn't it?
:14:36. > :14:53.
:14:53. > :15:01.What a delightful film. Now, the 6th series of Law & Order UK, two
:15:01. > :15:06.weeks there now. The third one is on Friday, a big episode. Is the
:15:06. > :15:11.transition from comedian to actor complete? Maybe. To be fair, I was
:15:11. > :15:14.acting many years ago and I sort of drifted into comedy. I found I was
:15:14. > :15:19.always one of the lads messing around but doing a bit of acting
:15:19. > :15:24.anyway and I found myself ending up in television, presenting and Ray
:15:25. > :15:29.Winstone told me to go back into acting and so I did. At the episode
:15:29. > :15:34.on Friday, let's have a look at Friday's Abersoch and an old case
:15:34. > :15:38.come back to haunt you. The -- episode.
:15:38. > :15:47.We know Simon Burnett is as guilty as the day is long. I thought that
:15:47. > :15:52.as well. And you don't any more? don't know. He had her blood all
:15:52. > :16:01.over his shirt. You tell me how he -- out-hit got there it P wasn't
:16:01. > :16:10.the one caving her head in. What if we got it wrong? What if you got it
:16:10. > :16:15.wrong? It is a fabulous episode. I have got to say, or Tom and Tim,
:16:15. > :16:21.who are in the episode, it is really good. It is so sad, though,
:16:21. > :16:27.get ready, have your tissues ready, because a girl dies and the father
:16:27. > :16:32.gets blamed for the murder. It is reopened 14 years later. Really sad
:16:32. > :16:38.and it is sad to watch. Very moving. As we have heard tonight, you have
:16:38. > :16:42.had loads of different jobs. Comedian, actor. You were also a
:16:42. > :16:49.professional footballer. I played at Brentford or two years, I
:16:49. > :16:57.actually played at Loftus Road. There I am. I look like my son
:16:57. > :17:02.there. We also found your player profile from a match-day programme.
:17:02. > :17:08.It asks you some questions. We have got the actual questions. We will
:17:08. > :17:16.see if you can remember the answers. 30 seconds on the clock. Are you
:17:16. > :17:24.going to kick off? Yes. How much did you wait then? When I play?
:17:24. > :17:32.About 10 stone 12. Close, 10 stone eight. What Cardiff to drive?
:17:32. > :17:38.-- What Car. He was your biggest influence? My dad and my grandad.
:17:38. > :17:44.Miscellaneous dislikes. Injustice, racism? It putting weight on and
:17:44. > :17:50.being unfit! He did you say your favourite artists were? Shirley
:17:50. > :17:56.Bassey, Tom Jones, Norman Wisdom. It is a real mix. You have got
:17:56. > :18:06.Russell Harty as well. I used to love his show. And when his Law &
:18:06. > :18:07.
:18:07. > :18:11.Order UK on? A Friday at 9pm. Aksa had indeed. A please don't go yet!
:18:11. > :18:15.-- thank you for having me on. One crime that could be beyond even
:18:15. > :18:17.Bradley's Detective Brooks is cyber spying. It's the theft of valuable
:18:17. > :18:20.information from the computers of individuals, companies and even
:18:20. > :18:29.entire countries. Matt Allwright searches for ways to
:18:29. > :18:34.stem the tide of a multi-billion- pound criminal web.
:18:34. > :18:42.Alexander Graham Bell invented the telephone, right? Yes, but two
:18:42. > :18:47.other inventors, and Italian and American, had roughly the same idea
:18:47. > :18:50.at the same time. The difference was that Alexander Bell managed to
:18:50. > :19:00.protect his idea and so the telephone is not Italian or
:19:00. > :19:01.
:19:01. > :19:05.American, it is British. Hello? How do modern inventors
:19:05. > :19:09.protect their ideas and get their products to market first? Answer me
:19:09. > :19:14.that. Good question. Now that industrial
:19:14. > :19:19.Ettrick -- espionage has gone cyber, it is getting tougher. Last year,
:19:19. > :19:23.the theft of intellectual property from UK companies cost �9.2 billion.
:19:23. > :19:28.That is why here, at Dyson headquarters, they are not taking
:19:28. > :19:37.any chances. Dyson research and development, it is where the magic
:19:37. > :19:41.happens. No chance.
:19:41. > :19:46.Sir James Dyson owns one of the UK's most successful technological
:19:46. > :19:52.companies and that success is based largely on his original innovation
:19:52. > :19:54.and design. We are looking five, 10, 15 years out, so it is extremely
:19:54. > :19:58.important to keep what we are working hard and what we are
:19:58. > :20:02.thinking of working on completely secret. You don't know when you
:20:02. > :20:06.have been spied upon, or you find out is a couple of years later that
:20:06. > :20:12.somebody got advance knowledge of what you are doing. This is our
:20:12. > :20:17.livelihood, what we make our money from and our export from, so if our
:20:17. > :20:20.ideas are copied or stolen, we lose jobs and we lose exports and the
:20:20. > :20:23.benefit of wealth creation for the country. We have spoken to a number
:20:23. > :20:27.of leading British companies to find out if they have been the
:20:28. > :20:31.victims of a cyber attack. But surprisingly, most were reluctant
:20:31. > :20:36.to reveal details but industry experts tell us that this type of
:20:36. > :20:39.cyber crime is now commonplace. Funnily enough, though, it seems
:20:39. > :20:47.that hackers aren't terribly keen to give up their secrets. That is
:20:47. > :20:51.why we are about to meet Ken and Chris, penetration testers, ethical
:20:51. > :20:55.hackers employed by companies to see just how far in they can get.
:20:55. > :20:59.Increasingly, we are starting to see cleverly targeted attacks.
:20:59. > :21:02.People are not just going scattergun, they are going for an
:21:02. > :21:06.individual within a business to compromise their profile and get
:21:06. > :21:11.their credentials and use that to step around the business and find
:21:11. > :21:16.intellectual property. What are the tools you are using? Area social
:21:16. > :21:20.networking side. The amount of information you can get is quite
:21:20. > :21:24.scary. There are dresses, at what they do, their friends, where they
:21:24. > :21:29.used to work -- There are dresses. Social media is the way to get to
:21:29. > :21:32.market, it is also the way to lose intellectual property. I am going
:21:32. > :21:35.to meet some guys who are relatively new business with big
:21:35. > :21:42.ideas but want to keep them to themselves. Can you do some work
:21:42. > :21:48.and see what you can find on them? One company's ingenious invention
:21:48. > :21:54.impressed the entrepreneurs of Dragons' Den in 2010. With his
:21:54. > :22:00.magic wand, I can, for example play some music up a pot I can rotate it
:22:00. > :22:04.to turn the volume up. With your consent, we have been doing some
:22:04. > :22:11.digging around and you are pretty secure. Has anything strange
:22:11. > :22:14.happened recently? Well, the website went a bit slow and a host
:22:14. > :22:19.provider fund has up to say it looked as if somebody was doing a
:22:19. > :22:24.penetration test. -- fundus. did you know it was the provider?
:22:25. > :22:28.Good question. That phone call was the penetration test that he was
:22:28. > :22:32.calling you using an agent of theirs in the United States, which
:22:32. > :22:35.is why it sounded convincing because they knew your provider is
:22:35. > :22:40.based in Texas. They didn't ask for information because they were
:22:40. > :22:43.trying to get due to reset your password on his client website --
:22:43. > :22:47.get you. It would have meant he had complete control of your company
:22:47. > :22:50.website. Thankfully, Chris and Richard are
:22:50. > :22:55.naturally suspicious and did not changed their password, keeping
:22:55. > :22:58.their intellectual property and customer information say. The most
:22:58. > :23:03.worrying thing about the test was somebody is able to phone up and
:23:03. > :23:06.say something and almost hack into your brain and bypass all that
:23:06. > :23:11.equipment by making one phone call, pretending to be somebody else that
:23:11. > :23:15.using little bits of information. So there is security is pretty
:23:15. > :23:20.watertight but if British ideas are still our greatest asset, cyber
:23:20. > :23:25.crime poses a formidable threat. If you have got the big ideas, you are
:23:25. > :23:29.in the biggest danger. It is losing British jobs, British exports and
:23:30. > :23:36.British wealth. It is death, it is exactly what it is and it should be
:23:36. > :23:40.stopped. -- it is daft. Matt is here, and it is very
:23:40. > :23:43.unsettling watching that. It is when you think about business but
:23:43. > :23:48.when you take it to the level of government and the people looking
:23:48. > :23:52.after Russ, the UK government are spending �650 million in very tight
:23:52. > :23:56.times to make sure all of their systems are safe. They had admitted
:23:56. > :24:02.that they have already had a full 1,000 attempted attacks on their
:24:02. > :24:05.systems. You have got commerce, government being attacked. And we
:24:05. > :24:09.know through the e-mails we received ourselves they are always
:24:09. > :24:13.tried to find out our details. far as protecting yourself is
:24:13. > :24:18.concerned, what are the best things to do? A lot of people would reset
:24:18. > :24:23.their passwords. It was interesting spending time with those guys who
:24:23. > :24:27.are paid to try and hack in. What came out of it for me is what ever
:24:27. > :24:32.you do, protect your date of birth. That is the one that seems to be
:24:32. > :24:37.for a lot of banks and financial institutions, the key to the door.
:24:37. > :24:44.How many people put on it is my birthday on Facebook and put
:24:44. > :24:49.pictures up. For the record, I am 26 and my birthday is in June.
:24:49. > :24:54.It is incredible, because Facebook, Twitter, it is all out there, so it
:24:54. > :24:59.is quite accessible. It is the first way in for those guys. Your
:24:59. > :25:03.birth they must be very easy to get hold of, I imagine.
:25:03. > :25:06.-- birthday. Historian Ruth Goodman loves a
:25:06. > :25:09.mystery to solve, so we sent her to York to investigate the case of a
:25:09. > :25:17.600-year-old skeleton, a church and a woman who was literally sealed
:25:17. > :25:21.into it brick by brick. Wherever you go in the City of York,
:25:21. > :25:25.there is history to be found. Even in this rather bleak spot outside
:25:25. > :25:31.the city walls of the scares remains of a medieval church. --
:25:31. > :25:35.our best guess remains. Just recently, archaeologists made a
:25:35. > :25:39.perplexing discovery. They found the skeleton of a middle-aged woman
:25:39. > :25:44.buried in a really unusual way. Tyche crouched and buried within
:25:44. > :25:48.the walls of the Church. -- tightly. The 600-year-old skeleton was
:25:48. > :25:51.buried in a church much like this one, All Saints Church in the
:25:51. > :25:56.centre of York, where I have come to meet the archaeologist Graham
:25:56. > :26:02.Bruce. These are photographs of some of the normal burials we would
:26:02. > :26:08.expect to find in a medieval church, you can see the graves are laid out
:26:09. > :26:12.on their backs. This burial was very different. With that type of
:26:12. > :26:17.body position, with the knees pulled right up and the arms
:26:17. > :26:21.wrapped around, it is a strange burial and we had to try and find
:26:21. > :26:26.out why it had happened. Graham knew of one unusual figure
:26:26. > :26:32.associated with the Church. Was this her? And what do we know about
:26:32. > :26:38.her? And an Caresse lived in the churchyard in the early 15th
:26:38. > :26:41.century. This was a woman who withdrew from society in an act of
:26:42. > :26:47.devotion to God, and in 15th century Britain, the practice was
:26:47. > :26:51.widespread. She would live alone as a religious hermit, secluded from
:26:51. > :26:57.the world in a special cell. Few of these remain but there is still won
:26:57. > :27:04.at All Saints. A woman who chose to do this was
:27:04. > :27:09.actually walk into a space like this. -- sealed. It was a ceremony
:27:09. > :27:14.that was really rather like a funeral ceremony, she was Ricked
:27:14. > :27:19.into the space. Her only contact was through this whole, through
:27:19. > :27:23.which she could hear Mass. In return for this religious devotion,
:27:23. > :27:28.an anchor rest could become a venerated figure in society. She
:27:28. > :27:32.would become almost like a living saint. She would have been well
:27:32. > :27:35.known in her community and consulted as a source of divine
:27:35. > :27:41.wisdom. She was certainly the kind of important figure likely to be
:27:41. > :27:47.buried inside the church, like Alice skeleton. These are the
:27:47. > :27:57.medieval Wales that back-up Graham's theory -- testaments. And
:27:57. > :28:01.they have an intriguing detail. We had a name. Lady Isabel. Nothing
:28:01. > :28:08.else is known about Lady Isabel but the manuscripts contain another
:28:08. > :28:14.vital clue. A date. Here, we have got her Testament.
:28:14. > :28:19.The date is 1448, that must have been presumably when she died.
:28:19. > :28:24.This is all proof of Lady Isabel serving at the church. But could
:28:24. > :28:29.science prove this was her skeleton? The team turned to radio
:28:29. > :28:38.carbon dating to find out. It is looking like the burial was made
:28:38. > :28:40.around about 1450. A bat is amazing. The documentary evidence, 40 and 48
:28:40. > :28:46.was supposedly had death. This really could be the woman we are
:28:46. > :28:50.thinking of -- 1448 was supposedly had death.
:28:51. > :28:54.But the bones revealed the life of this living saint was in fact a
:28:54. > :29:04.living hell. Analysis uncovered a distinctive lesions which meant one
:29:04. > :29:10.thing. Lady Isabel died riddled with syphilis. There is one here.
:29:10. > :29:15.This whole that you can see here was actually formed to allow us to
:29:16. > :29:20.be drained out. So we are talking about something on her arm that was
:29:20. > :29:25.opened. Poor woman. The agony of syphilis was not just
:29:25. > :29:30.physical but spiritual as well. In medieval times, the disease was not
:29:30. > :29:35.known to be sexually transmitted. It was a curse strayed from God. So
:29:35. > :29:39.it is easy to imagine Lady Isabel, a woman who devoted her life to God,
:29:40. > :29:44.asking herself just what she had done to deserve his curse.
:29:44. > :29:49.For me, this is how archaeology really comes into its own. Beyond