17/02/2012

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:00:18. > :00:23.Hello, friends, and thank you for tuning into the Friday One Show

:00:23. > :00:28.with Alex Jones and Chris Evans. Tonight, the comedy metre is in

:00:28. > :00:32.danger of overload. Tonight, to start, someone who helped to create

:00:32. > :00:40.and starring one of the most popular sketch shows ever. Let's

:00:40. > :00:48.remind ourselves of some of its catchphrases. Suit you, sir.

:00:48. > :00:58.Scorchio. This season, I will be mostly wearing yoghurt. I was very,

:00:58. > :01:05.

:01:05. > :01:15.very drunk. Brilliant! It is Paul Whitehouse! Hello. How are you? I

:01:15. > :01:15.

:01:15. > :01:19.have always wanted to give you a nickname. Everybody calls you Chris.

:01:19. > :01:25.Do the catchphrases still chase you down the street? Are some older

:01:25. > :01:33.women. I can safely say there are no old woman has ever shouted out

:01:33. > :01:42.one of my catchphrases. Builders, they say suit you, mainly. Do you

:01:42. > :01:45.ever hated? Know. James Corden was on Desert Island Discs and he said

:01:45. > :01:50.that anyone who pretends they do not like it is a liar. Not that

:01:50. > :01:56.I've always live my life by what James Corden says. Sometimes it is

:01:56. > :02:02.a pain, but most people are nice usually. It is a compliment. What

:02:02. > :02:12.is better than one comedy legend? Two. He has put away his punk

:02:12. > :02:18.

:02:18. > :02:26.hairstyle and given away his bottom, Hello. This is going to be a riot,

:02:26. > :02:32.isn't it? It already is. Stay tuned. Have you really got a comedy metre?

:02:32. > :02:36.We had it in rehearsal but we thought it was rubbish. You are

:02:37. > :02:42.presenting a show for the enemy about the countryside. Is it the

:02:42. > :02:47.enemy? They are the ones that will give me a job. Should Matt Baker be

:02:47. > :02:56.worried? If he is not worried, he looks very worried when he is doing

:02:56. > :03:01.this show. Yes, I hope so. You are competition. Yes, right. Could use

:03:01. > :03:06.cycle the length of the country with somebody in the back? I don't

:03:06. > :03:10.think so. Stay tuned. Also coming up, what would happen if you put

:03:10. > :03:16.Tony Blackburn and David Hamilton together with the Great Britain

:03:16. > :03:22.rhythmic gymnastics team? I have always wondered that. We will find

:03:22. > :03:26.out live on the show later. Plus, we will be speaking to Malcolm

:03:26. > :03:33.Jarvis, who hit the headlines this week when he risked his life

:03:33. > :03:38.crawling across a frozen pond to save his dog. In his pants. That is

:03:38. > :03:44.the weird bit about that story. We will get to the bottom of it before

:03:44. > :03:48.8pm. For the past nine decades, royal brides, including the Queen,

:03:48. > :03:57.Princess Diana and the Duchess of Cambridge have had wedding rings

:03:57. > :04:01.crafted from Welsh gold. Sadly, most of the UK's Gold mines have

:04:01. > :04:06.now closed, but in Scotland one man has found a way to carry on the

:04:06. > :04:12.tradition, as Alison Craig reports. In the Wild West, it was the stuff

:04:12. > :04:16.of dreams, hopes and a fervent fever. This is not the Wild West.

:04:16. > :04:23.This is the Scottish Highlands. And I have heard rumours of treasure in

:04:23. > :04:28.these parts. In fact, I hear there is a Scottish gold rush. But

:04:28. > :04:33.Scotland has a rich tradition when it comes to gold mining. In the

:04:33. > :04:38.1860s, the precious metal was discovered, resulting in a mini

:04:38. > :04:43.gold rush. This was short lived. And in the late 1860s, it looked

:04:43. > :04:50.like the time of Scottish gold was over. But 150 years later, things

:04:50. > :04:54.could be changing. Gold mining is due to start here next year. The

:04:54. > :05:01.man in charge is Chris. Are we standing literally with gold within

:05:01. > :05:05.our grasp? Indeed. If you look above your head, you can see that

:05:05. > :05:09.sulphite memorisation, which is the bits of rock that contain the gold.

:05:09. > :05:16.Gold particles are very small, so you will not see them, but you are

:05:16. > :05:23.standing underneath gold. How much do you expect to get out? We have a

:05:23. > :05:28.resource of 165,000 ounces, worth about �165 million at current

:05:28. > :05:34.prices. Can you show us where it is? You can see the difference in

:05:34. > :05:41.contrast. The white, with the sulphite material through it.

:05:41. > :05:45.is what you're looking for. This dark part is where most of the gold

:05:45. > :05:51.is concentrated. That is not the gold, but it does look like it.

:05:51. > :05:56.does, it sparkles and shines. That is why it is known as fool's gold.

:05:56. > :06:02.On the other side of the mountain, I found John, a man prepared to

:06:02. > :06:09.spend hours in freezing streams hunting for tiny flecks of precious

:06:09. > :06:15.metal. The technique that I use is to flog it out and swirl in a

:06:15. > :06:24.circular motion, and slowly Tippett in a sideways action. And then I

:06:24. > :06:29.wash. And emerging at the bottom... The gold, being 19 times heavier,

:06:29. > :06:36.it should fall, if it is there, into the bottom. I think I caught

:06:36. > :06:44.gold fever. I was going out for 15 hours a day. Bit by bit, I managed

:06:44. > :06:47.to collect enough to make arena. Getting engaged is fantastic. But

:06:47. > :06:53.to know all the hard work and effort that has gone into actually

:06:53. > :06:58.making the ring, that makes it all the more special. Anybody can pan

:06:58. > :07:06.for gold on a small scale with the landowner's permission. You can do

:07:06. > :07:13.it with one hand. There is loads. Is that gold? It could be you.

:07:13. > :07:18.really does stand out. That is a Nugget, really. That is probably

:07:18. > :07:22.one of the best I have ever found. Really?

:07:23. > :07:28.That is what independence is all about. They know they have loads of

:07:29. > :07:34.gold. The new series of the Fast Show is back. Six episodes before

:07:35. > :07:44.Christmas, and it came back yesterday. What prompted you to

:07:45. > :07:47.

:07:47. > :07:56.bring them back? Was it money? is beneath me. Says the man from

:07:56. > :08:06.ITV on my left. U2 just carry on! Where did you spend the first four

:08:06. > :08:12.years of your life. You have already ridiculed my accent. We

:08:12. > :08:18.will stop that, shall we? We will get back to the question before he

:08:18. > :08:23.tried to hijack my section. Let's ask a different question. We did it

:08:23. > :08:31.for nothing, Chris. We were approached, and when we stopped

:08:31. > :08:35.doing the Fast Show 10 or 15 years ago... Which I cannot believe!

:08:35. > :08:40.is a long time. We got bored with the endless repetition. That was

:08:40. > :08:44.not like we were about to kill each other, but we would have her teach

:08:44. > :08:48.other seriously. We thought a spell apart would be beneficial. -- we

:08:48. > :08:52.would have hurt each other. We all had things that we wanted to do, so

:08:52. > :08:57.it was good at the time to part. We remembered the show very fondly,

:08:57. > :09:01.were very proud of it. When we were asked, after a period of time had

:09:01. > :09:09.elapsed, we thought we would give it a go. Also, I think this

:09:09. > :09:14.internet thing is going to catch on. Do you? I have a feeling it might

:09:14. > :09:21.just work. You say you were asked to bring it back, but who did they

:09:21. > :09:28.go to first? They went to him and he said, wrong number. Somebody

:09:28. > :09:32.must have rallied the troops. Was it you? Charlie and I were approach

:09:32. > :09:36.to jointly. He likes to think he has the power behind the throne! We

:09:36. > :09:42.got in touch with everyone and they were very keen, even John Thompson.

:09:42. > :09:47.Caroline, we have not done anything with her for years. You did not

:09:48. > :09:53.think Carol Laing would want to do it. We did not even talked to her.

:09:53. > :10:00.-- Caroline. We had not spoken to her for a long while. She did not

:10:00. > :10:06.do the last series. We thought she would not be interested. She is a

:10:06. > :10:09.big fish up there in that place called Manchester. But John bumped

:10:09. > :10:14.into her and said we were thinking about doing the Fast Show and she

:10:14. > :10:21.said she would love to do it. We said, fantastic. It is online.

:10:21. > :10:31.Shall we watch it on TV? Apparently, if you give Richard Branson �10

:10:31. > :10:34.

:10:34. > :10:40.million, or maybe 11, he will send you into space. Brilliant! The Fast

:10:40. > :10:44.Show is known for its catchphrases. Have you got any new ones? No, we

:10:44. > :10:49.decided we were bringing back the Fast Show, so that is what we did.

:10:49. > :10:58.It is the old characters and catchphrases. But we have updated

:10:58. > :11:03.the references. We mention the Internet. Twitter. Telephones.

:11:03. > :11:12.you did a bit of Downton Abbey. would know about that, being an ITV

:11:12. > :11:22.man. He has something on BBC, as well. Yes, I am I pay my dues in

:11:22. > :11:24.

:11:24. > :11:31.non-paying comedy. Enough of you. Brilliant! We asked some viewers

:11:31. > :11:41.for their favourite catchphrases. Selling cars is like making love to

:11:41. > :11:44.

:11:44. > :11:51.a beautiful woman. I was very, very drunk. Nice! You Ain't seen me.

:11:51. > :11:59.Suit you, sir. They are too good at that, those guys. They are a worry.

:11:59. > :12:03.I have alerted the authorities. new series can be viewed online.

:12:03. > :12:07.Another Fast Show character was Competitive Dad, always trying to

:12:07. > :12:17.beat his kids at games. We have a film about a dad who is not

:12:17. > :12:18.

:12:18. > :12:23.competitive with his little one. He This is the sort of action in the

:12:23. > :12:30.four wheel drive adrenaline junkie would love. -- any four-wheel-drive

:12:30. > :12:34.adrenaline junkie. Go forward until you feel the pivot point. For Nigel

:12:34. > :12:38.Holland, this is one of 50 challengers on a list he is

:12:38. > :12:43.determined to complete before his 50th birthday. Why? To prove that

:12:43. > :12:52.anything is possible if you put your mind to it. Do I need to hold

:12:52. > :12:57.on? Yes. I think so. His activity list comprises of everything from

:12:57. > :13:03.baking bread regularly, scuba- diving, to completing a 1000 piece

:13:03. > :13:07.jigsaw. These challenges take every ounce of energy for him because he

:13:07. > :13:10.has a disease called Siem tea, a hereditary condition affecting the

:13:10. > :13:15.nervous system, which means the muscles in his arms and legs are

:13:15. > :13:20.wasting away. His youngest daughter, Eleanor, also has the condition.

:13:20. > :13:26.What is the main challenge of this challenge, driving? It is a

:13:26. > :13:32.challenge for me to grip the wheel and control the car. What drives

:13:32. > :13:36.you to do this? Why go through the list? Primarily, it is to show my

:13:36. > :13:44.daughter that anything is possible. Also doing it just to inspire

:13:44. > :13:47.others. And other people with disabilities. Nigel's wife, Lisa, a

:13:47. > :13:54.and his son, Matthew, are waiting up ahead. I would be interested to

:13:54. > :13:59.find out what they make of this? Is there anything you are worried

:13:59. > :14:03.about your husband doing? I am slightly worried about the bungee

:14:03. > :14:09.jump. How confident are you that Nigel is going to achieve

:14:09. > :14:19.everything on his list by his birthday? Is your dad going to do

:14:19. > :14:19.

:14:19. > :14:29.it? Yes. I am having a look at the list. What is next? Skydiving? What

:14:29. > :14:39.on earth... Why has this made your list? It is a bit of a cliche, but

:14:39. > :14:42.

:14:42. > :14:47.you are as free as a bird. I am out Is it weird to see your husband

:14:47. > :14:56.flying about? Yes. It isn't something that you see every day of

:14:56. > :15:00.So far, Nigel has negotiated rough terrain and flown through the air.

:15:00. > :15:05.I'm guessing that the last challenge today is water related.

:15:05. > :15:09.It is more than ticking things off a list? Yes, it is to show people

:15:09. > :15:13.that anything is possible. To show my daughter anything is possible.

:15:13. > :15:16.It is something I've always fancied doing. What does this mean to your

:15:16. > :15:23.family, that you are doing these challenges and pushing yourself in

:15:23. > :15:27.this way? I want them to be proud of me. But I want to help my

:15:27. > :15:32.daughter and held her realise that there is a whole world ahead of her

:15:32. > :15:42.and she can do anything she wants. If she gets to 50 and wants to do a

:15:42. > :15:44.

:15:44. > :15:47.LEA has been really quiet all day. But I think she wants to sit on her

:15:47. > :15:56.dad's lap and then I think she will tell us how she feels about the

:15:56. > :16:06.whole thing. What do you like most about today? The boat ride! Why?

:16:06. > :16:08.

:16:08. > :16:12.Because it is fast. It is, isn't How inspiring. Thanks to Lucy and

:16:12. > :16:22.Nigel for the lovely film. Could you do owe us a favour? Could

:16:22. > :16:23.

:16:23. > :16:29.you go and get ready for the THING? Oh, the THING? He's going to do a

:16:29. > :16:33.special thing later. Time to meet a man who declaim and the hero of dog

:16:33. > :16:41.lovers everywhere. At the same time scaring the living daylights out of

:16:41. > :16:51.the rest of us. Let's meet there mad man from the icy pond who is in

:16:51. > :16:54.

:16:54. > :16:58.Welcome to the programme. Nice to see you. When I saw that photograph,

:16:58. > :17:04.it was horrific, it was frightening, it was intriguing, compelling. But

:17:04. > :17:08.why were due in your underpants? Really, it was a case of making

:17:08. > :17:12.sure I didn't have too many clothes on. Basically, I was wearing jeans

:17:12. > :17:17.at the time. The last thing you want to be wearing his heavy, wet

:17:17. > :17:22.jeans. I don't care that you saved the dog, I just care that he went

:17:22. > :17:28.out in your pants. They do not wonder that somebody might steal

:17:28. > :17:32.your clothes, while he went to rescue Bentley? Thankfully I had my

:17:32. > :17:39.wife and two daughters to look after them. Was it a family

:17:39. > :17:46.decision? I looked at Rachel and I said, OK, I'm doing it. To be

:17:46. > :17:51.honest, I started taking my coat and boots off. This is still to do

:17:51. > :17:55.with the dog? At which point, Malcolm year that he had to do it.

:17:55. > :17:58.It is a crazy thing to do. You have been harangued by a lot of people,

:17:58. > :18:03.as much as you have been praised, you have been criticised?

:18:03. > :18:07.Absolutely. How do you feel about it in retrospect? It was a reckless

:18:07. > :18:11.act. But when you see your dog drowning in the water, it takes

:18:11. > :18:17.over and you have to do something. That is the decision that I took.

:18:17. > :18:25.What you do it again? I think the message has to beat clear to all

:18:25. > :18:34.dog owners, keep your dog on a lead mere water. Kids, don't think about

:18:34. > :18:40.doing anything like this. But he was originally a rescue dog. What

:18:40. > :18:46.is he? A Jack Russell. Pure. pure?! I don't think you have seen

:18:46. > :18:51.the breed book. As we say, that was extremely dangerous. It was a bit

:18:51. > :18:57.of a mad thing to do. Please be careful. But he did get into the

:18:57. > :19:02.papers in your pants! What could be better? It is the Oscars next

:19:02. > :19:06.weekend. In one of the categories, visual effect, Britain has two

:19:06. > :19:11.chance of winning. Harry Potter and Hugo were both filmed at Pinewood.

:19:11. > :19:15.Angelica could not resist dropping in to see if they could transform

:19:15. > :19:19.her into some groovy little character. And they did.

:19:19. > :19:24.Pinewood Studios is one of the Prime filming locations out of

:19:24. > :19:28.Hollywood. It is at the cutting edge of technology, attracting huge

:19:28. > :19:32.blockbusters from James Bond to Harry Potter. As well as finding

:19:33. > :19:39.the largest blue screen in Europe and a purpose-built underwater film

:19:39. > :19:44.stage, you can also enter the world of motion capture, or mo-cap. In

:19:44. > :19:48.the 1932 film Bambi-like Island, artists used rota scoping to draw

:19:48. > :19:53.over each frame individually and create an animated character that

:19:53. > :20:02.dances in a realistic way. Computer technology can now do all of this

:20:02. > :20:06.and much more. There would be no Avatar, trolls and Harry Potter or

:20:06. > :20:11.Gollum in Lord Of The Rings without motion capture. Avatar to get to

:20:11. > :20:15.new heights, but it's not just $37 million films that are using it. At

:20:15. > :20:20.Pinewood, a whole variety of smaller projects have also utilised

:20:20. > :20:30.the technology. From music videos, to computer games. And award-

:20:30. > :20:31.

:20:31. > :20:36.Today, it is even possible for children's television to animate

:20:36. > :20:42.quickly and do for the bleak using mo-cap. Phil is the resident expert.

:20:42. > :20:47.You know your stuff. But can you simply explain how it works? Sure.

:20:47. > :20:52.Motion capture starts by putting a performer into a very tight Lycra

:20:52. > :20:56.suit. Then we take these, which are markers. We put them on to the key

:20:56. > :21:00.joints of the body. Then someone identify his or of the Mark Ayres,

:21:00. > :21:06.a little bit like doing... When you are a trialled. It is this template

:21:06. > :21:11.that we used to drive the character. -- a bit like joining the dots when

:21:11. > :21:17.you are eight child. Performance is key? Yes, and this is Brian he was

:21:17. > :21:23.already set up. This allows you to see Brian as the character. Would

:21:23. > :21:26.you like to have a go? I would love 2. This is incredible, brilliant.

:21:26. > :21:30.It's a very new technology. It is making motion capture a little bit

:21:30. > :21:34.more like a live-action shoot. Technology is moving so fast that

:21:34. > :21:39.you can now move around your actor and see the character on screen in

:21:39. > :21:43.front of you. What is especially great is that Brian, with the

:21:44. > :21:49.glasses, he is also seeing this. It allows him to perform like he was

:21:49. > :21:56.doing it to camera. This is at work, this is having fun! No, it is work.

:21:56. > :22:03.One thing we have not done is get you into the suit. I am all suited

:22:03. > :22:07.and booted. Is that me on are the screen? Yes, you are the red one.

:22:07. > :22:11.If you do they spin, you can see yourself moving around. How did you

:22:11. > :22:17.get into this sort of acting? came into it from a puppetry

:22:17. > :22:23.background. I started on Spitting Image many years ago. This is the

:22:23. > :22:27.next step. It's like doing puppetry but with pixels. You are wearing

:22:27. > :22:31.the suit, but without all of the Brabant the first. This is the kind

:22:31. > :22:36.of technology they use in Avatar and Lord Of The Rings. Hopefully I

:22:36. > :22:42.might pick one of those it! Let's make our own film, now. Because you

:22:42. > :22:48.have such a small character and you take dainty steps, I take big steps.

:22:48. > :22:51.My character lumbers about and does his stuff. But you are doing small,

:22:51. > :22:56.quick steps. I have to forget about what I look like and think about

:22:56. > :23:06.what ants look like? Concentrate on what you see in the Gorbals.

:23:06. > :23:11.The possibilities are endless, from audience interaction to

:23:11. > :23:14.resurrecting stars from the dead. With the technology already

:23:14. > :23:20.spreading to games consoles, it will not be long before we can all

:23:20. > :23:28.have mo-cap in our living rooms. But I think I need a bit more

:23:28. > :23:31.You have all of that to come, mo- cap in your living room. How

:23:31. > :23:36.excited are you already? Angellica Bell is here. What a fun film to

:23:36. > :23:39.make. It was fantastic Kirkuk go to the studios and see it all done.

:23:39. > :23:43.It's really hard for actors. They are in the room, there is no set

:23:43. > :23:47.and they have no real interaction, but they have to act out the

:23:47. > :23:54.characters realistically. It was really good. Is this really you?

:23:54. > :23:57.is, it's not motion capture. Touch me. There is always the issue, the

:23:57. > :24:02.problem with the Oscars and this kind of acting. Like you said

:24:03. > :24:06.earlier, the Oscars are next week. There was a campaign to try and get

:24:06. > :24:12.motion capture its own category. Some people believe it is actually

:24:12. > :24:15.the visual effects team that do the work. But actors like Andy Serkis

:24:15. > :24:18.think that they should be recognised in the best actor

:24:18. > :24:22.category itself because they are using their facial features, they

:24:22. > :24:27.are using their bodies to make those characters realistic on

:24:27. > :24:33.screen. We can see him, there. did we first see motion Capture

:24:33. > :24:37.being used? Well, their arguments about that. Visual effects have

:24:37. > :24:42.been used since the beginning. it was just rubbish models?

:24:43. > :24:47.wasn't very good. The ground- breaking moment was terminated two:

:24:47. > :24:54.Judgment Day. It was the first realistic movements in a CGI

:24:54. > :24:58.character. The first full length film was Toy Story. I didn't know

:24:58. > :25:02.that it used that kind of stuff. Are they laughing in the

:25:02. > :25:06.background? They are laughing at Paul Whitehouse because he is ready

:25:06. > :25:16.for the thing. We are doing motion capture, live on the The One Show.

:25:16. > :25:20.

:25:20. > :25:24.Basically, he is wearing the suit. It's brilliant, isn't it? He has 18

:25:24. > :25:27.gyroscope sensors, similar to my suit. But I had lots of little

:25:27. > :25:31.balls on mine. They lie in his seat and they are basically making him

:25:31. > :25:41.look like a monkey, creating those movements. Could you move more?

:25:41. > :25:47.

:25:47. > :25:56.That is what it is all about, mate! Look at that! That is absolutely

:25:56. > :26:00.brilliant. Is that monkey enough? Can you give yourself a high-five?

:26:00. > :26:07.I suppose you can't, you would turn the opposite way. Look, don't ask

:26:07. > :26:16.me to do anything. You've already humiliated me. My children will be

:26:16. > :26:23.watching this. Could you storm off together? He's going to fall!

:26:23. > :26:33.they storm off, hand in hand? Go back to the two shot. The Artist

:26:33. > :26:41.

:26:41. > :26:49.Brilliant! Paul is welcome to come back when he has told his suit off.

:26:49. > :26:53.Ade is now appreciating the beauty of the countryside. Let's see him

:26:53. > :26:59.swap anarchy in the UK for the beauty of the countryside.

:26:59. > :27:09.# As I went down to the river to pray, are studying about that good

:27:09. > :27:13.

:27:13. > :27:18.old way... # Stop! You are going all Matt Baker and

:27:18. > :27:23.John Craven on us. What is your connection with The Dales? I don't

:27:23. > :27:27.really have a strong connection. I was born in Bradford, The Dales

:27:27. > :27:31.used to beat my playground. We used to go on school trips to look at

:27:31. > :27:40.limestone pavement. When your teenagers, you go camping, trying

:27:40. > :27:44.to pick up girls. It's a fantastic part of the world. I started to

:27:44. > :27:49.ring with a folk band recently. I started going to smaller parts of

:27:50. > :27:53.the UK. Normally when you do big comedy shows, you only do the

:27:53. > :27:56.cities. You start going to smaller places and there was so much of

:27:56. > :28:01.Britain that is fantastic. You forget it is there. Sometimes when

:28:01. > :28:05.you watch television you think it is all just one homogenous whole.

:28:05. > :28:11.But there are brilliant bits. it's so big, you've got to get out

:28:11. > :28:17.and investigated? The Dales are so remote. There is a beautiful family

:28:17. > :28:23.I visit, she is a shepherd with six kids, all born in lay-bys... No,

:28:23. > :28:28.not because she is that sort of woman! Because she is so far away

:28:28. > :28:32.from the hospital. She usually has to go to the army hospital in

:28:32. > :28:37.Catterick to deliver. But they live so far away from everything, in the

:28:37. > :28:42.Middle England. I'm amazed you cannot see the Lake District from

:28:42. > :28:52.here because it is so big when you get there. So, 6 and a half hours?

:28:52. > :28:55.I think it is 12. We heard that it was six. Maybe they could it and

:28:56. > :28:59.didn't tell you? What other kind of things do you do? Well, we follow a

:28:59. > :29:03.lot of different stories around. It's not really about me. It is

:29:03. > :29:07.about following a group of singers around, a community choir that you

:29:08. > :29:17.just saw, with a very amusing man that is part of the Quaye and never

:29:18. > :29:18.

:29:18. > :29:26.sings. He does every rehearsal and We see a prize-winning sheep owner.

:29:26. > :29:30.You don't get that in Hackney, do you? In a city farm, you don't know.

:29:30. > :29:36.Are you completely in the country now? I've lived on Dartmoor for the

:29:36. > :29:41.last 15 years. So, The Dales or Dartmoor? I like them both. I love

:29:41. > :29:47.the excitement in town and then I like going back to the country, the

:29:47. > :29:51.big Skype and the stars. Can you chop wood? Of course. Can you

:29:51. > :29:55.reverse a trailer? I've got this fantastic thing called a topper,

:29:55. > :30:02.you put it on the back of your tractor. It's like a helicopter

:30:02. > :30:07.blade in a tin box. You are still acting? A new series? The Bleak Old

:30:07. > :30:15.Shop Of Stuff. You might have seen the special over Christmas.

:30:15. > :30:25.didn't, to be honest. It's a Dickensian spoof? Not a bit of a

:30:25. > :30:30.

:30:30. > :30:34.Is this my dormitory? Full of new chums to share in pillow fights,

:30:34. > :30:41.midnight feasts and adolescent acts I shall never mentioned to my

:30:41. > :30:48.future wife? Hold on, where are my new chums? The only chance you will

:30:48. > :30:57.have will be misery, pain and anger. -- the only chums. That is more

:30:57. > :31:02.like it, because that is on BBC Two next Monday. At 8:30pm. I was only

:31:02. > :31:08.paid BBC Three money! Nasty school master. You had some unconscious

:31:08. > :31:14.research for that role when you were a kid. I did suffer at school.

:31:14. > :31:24.I got 66 strokes. Mock all at once, but throughout my career. Did you

:31:24. > :31:25.

:31:25. > :31:30.count? You nearly made me Douai Clarkson there. -- do a Clarkson.

:31:30. > :31:37.got whacked and a few times but I never counted. Another one, another

:31:37. > :31:47.one, another one. Halfway through the best of six, just writing it

:31:47. > :31:47.

:31:47. > :31:53.down, do you mind, sir. The Dales starts on ITV one on Monday. But

:31:53. > :32:03.The Bleak Old Shop Of Stuff is on BBC Two next Monday at 8:30pm.

:32:03. > :32:03.

:32:03. > :32:07.have my band starting on Monday as well. I am on Fosters Funny. Coming

:32:07. > :32:11.up, we will find out where the Great Britain rhythmic gymnastics

:32:11. > :32:18.team might have narrowly missed qualifying for the London 2012

:32:18. > :32:23.Olympics, despite being amazing. And why Tony Blackburn and David

:32:23. > :32:27.Hamilton are with them, looking good in a Tutu. There is a big live

:32:27. > :32:31.shows starting tomorrow night, the biggest hit on TV. More about that

:32:31. > :32:41.in a moment. Before that, time for the story of a band that enjoyed a

:32:41. > :32:47.

:32:47. > :32:50.fleeting moment in the sun thanks # Welcome aboard. #

:32:50. > :32:54.what would you bring back from a sunny Caribbean holiday. When Jeff

:32:54. > :33:04.Calvert went on a cruise with his dad, he came back with a suntan and

:33:04. > :33:05.

:33:05. > :33:09.an idea for a song that became the hit of 1975. Barbados was the title.

:33:09. > :33:14.Totally Tropical was the band, and no one was more surprised to reach

:33:14. > :33:21.number one than they were. We are not performing artists. Never have

:33:21. > :33:26.been, never will be. We made the record as a joke. Both Geoff and

:33:26. > :33:31.Geraint were working as technicians at a music studio in London,

:33:31. > :33:34.sneaking in after hours to record their own songs. My dad was a

:33:34. > :33:41.musician, a guest artist on a ship out of Southampton doing a

:33:41. > :33:45.Caribbean tour. He said, do you fancy coming along? As a, yes. One

:33:45. > :33:50.of the islands was Barbados. I loved it. I thought, I have to

:33:50. > :33:57.write a song about Barbados. We sat down one rainy afternoon in west

:33:57. > :34:04.London and set to it, him on guitar, me and piano. 9 EUFOR chords, so

:34:04. > :34:10.there are four chords in the song. The four that I know. In about half

:34:10. > :34:13.an hour, it was there. Did you realise you were sitting on a hit?

:34:14. > :34:18.Not really. I thought we were going to have a laugh and it was strange

:34:18. > :34:24.how everybody was liking the song. Radio 1 picked it up and away it

:34:24. > :34:30.went. Suddenly, they were shooting up the charts with their very first

:34:30. > :34:34.release. Were people surprised that it was you? We kept it quiet

:34:34. > :34:39.because people thought it was a good idea to keep the mystery going.

:34:39. > :34:48.For quite a while we never emerged. It actually came out on the front

:34:48. > :34:52.page of Record Mara. It was us in a tropical looking setting, outside

:34:52. > :34:59.St John's Wood Underground station, where they have some wonderful palm

:34:59. > :35:04.trees. A defining part of the record has to be the Caribbean

:35:04. > :35:14.vocals. I was doing a lot of work for Trojan at the time, working

:35:14. > :35:14.

:35:14. > :35:19.with a lot of reggae artists. started to pick up the patois.

:35:19. > :35:27.was what it was. There was nothing derogatory in we were doing. It was

:35:27. > :35:32.a celebration of a style of music and of an island, really. Typically

:35:32. > :35:39.tropical was a one-hit wonder, although they did go on to further

:35:39. > :35:45.chart success by writing Starship trooper. Then in 1999 they received

:35:45. > :35:52.a welcome phone-call. It was our publisher. They said, we have had a

:35:52. > :35:56.phone call from the Finger boys. Really, what did they want? They

:35:56. > :36:01.were keen on doing a version of our song but they said would we mind if

:36:01. > :36:05.they changed the title. I thought, one of the biggest pop bands around

:36:05. > :36:13.at the moment. Everything that they touched was getting massive. I said,

:36:13. > :36:18.I think we will let them do it. was a good call. The version was a

:36:18. > :36:24.hit right across Europe and brought another UK number one. Did you

:36:24. > :36:31.imagine that would happen? Number one twice is a weird to think about,

:36:31. > :36:41.especially with a gap of 25 years. Now, I wanted to be number 13 times.

:36:41. > :36:42.

:36:42. > :36:52.A hat-trick. I have got a taste for it. Where is buzzing late sleeve. -

:36:52. > :36:57.

:36:57. > :37:03.- lately? Have you been to Ibiza? have. Look at me, compared to you.

:37:03. > :37:08.Was that the biggest one-hit wonder? No, Spirit In The Sky was a

:37:08. > :37:13.hit three times, first in 1969 for Norman Greenbaum, who wrote it. It

:37:13. > :37:18.was number one here, number three in the US. The same song was a hit

:37:18. > :37:24.for Dr and the medics in 1986. They went to the top of the charts. They

:37:24. > :37:30.looked amazing. And in 2003, Gareth Gates and a big hit with it for

:37:30. > :37:37.comic relief. What was the first one hit wonder? The official charts

:37:37. > :37:44.companies say the first one was a track called Broken Wings. It was

:37:44. > :37:52.by art and Dotty Todd. No wonder they only had one hit. Not a catchy

:37:52. > :38:00.name. But the big non-charity ensemble record was the Teletubbies.

:38:00. > :38:05.Nothing wrong with the Teletubbies. I have seen them live! Are you sure

:38:05. > :38:11.it was the Teletubbies? What are the ingredients for a one-hit

:38:11. > :38:16.wonder? It has to be very Nish. And faddish. You have to get the moment

:38:16. > :38:24.that is happening in society at that moment and write about it.

:38:24. > :38:34.of the ingredients together. have my former student. I had a

:38:34. > :38:36.

:38:36. > :38:41.one-hit wonder myself. It is still funny, that. I thought it was worth

:38:41. > :38:46.more time on screen than that. We were ready for one minute!

:38:46. > :38:50.advantage of being a one-hit wonder is that you keep your anonymity. We

:38:50. > :39:00.have a couple of such artists in the studio tonight. Who had a hit

:39:00. > :39:00.

:39:00. > :39:06.with this? This

:39:06. > :39:16.# The best things in life are free # But you can give them to the

:39:16. > :39:17.

:39:17. > :39:22.birds and bees She was great. She was. She

:39:22. > :39:32.subverted the whole thing. which one was Sri? And we recognise

:39:32. > :39:40.

:39:40. > :39:50.her? -- which one is she. Their Shias. Remind us what you want a.

:39:50. > :39:57.

:39:57. > :40:01.Money. Are you still doing music? In a manner of speaking, yes.

:40:01. > :40:11.will you be able to recognise these guys that are behind this number

:40:11. > :40:22.

:40:22. > :40:29.# Didn't we have a lovely time the Adrian, as a folk musician, is that

:40:29. > :40:39.classed as folk music? It has folk instruments. See if you can spot

:40:39. > :40:48.

:40:48. > :40:57.them here. Well, I know them. There So, how did that single change your

:40:57. > :41:03.life? In the long run, it meant that we met Ade Edmondson. What

:41:03. > :41:07.about the up side? We have employed him twice, actually. We run a

:41:07. > :41:17.festival in June and he and his band have been kind enough to come

:41:17. > :41:21.and play. Brilliant. Lovely to have you here tonight. We have to warn

:41:21. > :41:25.you that this next film contains Jay Rayner getting a bit steamy.

:41:25. > :41:30.But don't worry, he is tucking into steamed puddings which are so good

:41:30. > :41:35.that you can almost smell them through your TV. This is a

:41:35. > :41:39.brilliant film. Cold winds from the east, economic

:41:40. > :41:43.hardship looming, the haves and have-nots at loggerheads. It is

:41:44. > :41:48.easy to look at today's state of affairs and be reminded of

:41:48. > :41:52.Dickensian story lines. Hard times indeed. But the modern British

:41:52. > :41:58.public is also looking to the Dickensian age for comfort food -

:41:58. > :42:01.Victorian puddings, hot, steamed and stodgy, are back in fashion.

:42:01. > :42:08.Invented to satisfy 19th century hunger, steamed puddings are

:42:08. > :42:13.selling like hot cakes again. One supermarket's spotted dick sales

:42:13. > :42:18.are up 39%. It is proper freezing out there and on a day like this I

:42:18. > :42:22.do not want tiramisu or souffle. This hits the spot, dense, rich and

:42:22. > :42:27.filling. It was good enough for the Victorians and is exactly what I

:42:27. > :42:31.need, too. The National Trust Wimpole estate in Cambridgeshire.

:42:31. > :42:38.When Queen Victoria dined here in 1843, a typical desert was, of

:42:38. > :42:41.course, a stodgy sponge pudding. This is a cabinet pudding from the

:42:41. > :42:45.1840s, which we think Queen Victoria would have eaten when she

:42:45. > :42:49.visited the house. It is a basic custard mixture with brandy, orange,

:42:49. > :42:56.candy peel running through it, using things like old sponge and

:42:56. > :43:06.bread. It is always important to taste these things. It is very soft

:43:06. > :43:06.

:43:06. > :43:10.and rich, isn't it? It is quite solid. In a good way. This is a

:43:10. > :43:15.Winnifred pudding, invented by Thomas Alison at the end of the

:43:15. > :43:19.19th century, using whole breadcrumbs. Actually, that is

:43:19. > :43:23.surprisingly light. I think that is cracking. I love the lemon running

:43:23. > :43:25.through it. Waiting three hours free pudding to steam did not

:43:25. > :43:30.appeal to twentieth-century families and the recipes went out

:43:30. > :43:36.of fashion. Luckily, some cooks have been quietly keeping the

:43:36. > :43:40.family recipes alive. Myrtle makes 500 steamed puddings each week, all

:43:40. > :43:45.by hand. It is all about nostalgia. You have a generation that probably

:43:45. > :43:50.have not even tried them before, but the amount of people that say,

:43:50. > :43:55.that is just like my mum used to make, it is a nostalgic thing.

:43:55. > :44:00.is this one that you are about to take out? This is a really old

:44:00. > :44:06.traditional pudding called a Sussex pond pudding. Oh, yes. I know about

:44:06. > :44:09.those. There is a whole lemon in the middle. Indeed. And the source

:44:09. > :44:19.that is around it, made with sugar and butter that is inside their,

:44:19. > :44:32.

:44:32. > :44:36.that comes out and creates the pond. There is citrus, but it is also

:44:36. > :44:39.slightly better from the lemon peel. It's a very sweet. He would

:44:40. > :44:43.definitely know that you had eaten one of these. Some versions were

:44:43. > :44:47.called Lemon bombs because the skin of the lemon could explode in the

:44:47. > :44:53.heat of the oven. But I'm going to make the less dangerous spotted

:44:53. > :45:00.dick. First, the ingredients. Cilic, a sort of beef fat, flour,

:45:00. > :45:03.breadcrumbs, sultanas and caster sugar, mix together with milk, egg

:45:03. > :45:08.and possessed of an orange. The next comes together in minutes,

:45:08. > :45:18.unlike the cooking time. Then it is sealed with string and baking

:45:18. > :45:18.

:45:18. > :45:23.parchment. If I could borrow your Steaming for three-and-a-half hours

:45:23. > :45:27.might be a painful amount of time to wait, but it produces more even

:45:27. > :45:33.baking with no crust. The proof really is in the pudding. Let's be

:45:33. > :45:37.honest, I'm never going to be cast as a poor Victorian wife. But where

:45:37. > :45:47.Great British pudding is concerned I am a veritable Oliver Twist. I

:45:47. > :45:49.

:45:49. > :45:54.The pudding looked lovely, but it sounds quite taxing to make. There

:45:54. > :45:58.is an easier route? It's actually quite simple, it's just following

:45:58. > :46:05.the recipe. Traditionally, you would steam it. But you can use the

:46:05. > :46:08.same recipe and microwave it. Put the clingfilm on haplessly, because

:46:08. > :46:18.otherwise it collapses. If you microwave it you have to eat it

:46:18. > :46:21.

:46:21. > :46:26.straight away, and not leave it. It's actually an old naval recipe.

:46:26. > :46:33.It has run in it. It's the same as spotted dick but with rum and spice

:46:33. > :46:36.in it. Traditionally, puddings were done without deserts and it was

:46:36. > :46:40.only the Victorians that reduced the price of sugar and that is

:46:40. > :46:43.where the pudding used to become more popular. Now it has gone out

:46:43. > :46:49.of favour, but it is coming back the date for vengeance. It's

:46:49. > :46:55.usually got to be served with custard. That was a necessity?

:46:55. > :47:00.was invented by a British pharmacist. Canonise him! Alfred

:47:00. > :47:07.Bird invented it because his wife was allergic to egg. That is why

:47:07. > :47:12.the dried custard mix was invented. He also invented baking powder.

:47:12. > :47:19.Alfred Bird of Bird's custard? Absolutely. That is the yellow one.

:47:19. > :47:25.This is a French custard. English is done with vanilla. Most famously

:47:25. > :47:29.you can use it with custard. If it is done with whole eggs it is egg

:47:29. > :47:33.custard. Or you can take this mixture, put it into an ice-cream

:47:33. > :47:38.machine and you have ice-cream. just said that is lovely, but you

:47:38. > :47:45.said you don't like custard? think I am used to Mr Bird's

:47:45. > :47:50.custard. The bright yellow stuff with skin on it. Standard recipe, 8

:47:50. > :47:55.egg yolks will set one litre of liquid. A pint of cream, a pint of

:47:55. > :47:59.milk, ate a yolks and eight ounces of sugar. Thank you for one thing

:47:59. > :48:06.in particular, keeping these two quiet for a few minutes. This is

:48:06. > :48:10.incredible. Can we move on to Shrove Tuesday? What is the

:48:10. > :48:14.difference between a pancake and a crater? Basically the thickness.

:48:15. > :48:21.The French, you put more milk into it traditionally, for a thinner

:48:21. > :48:26.pancake. A larger pan. Tell us a few tips. You have to watch the

:48:26. > :48:30.show tomorrow. You are doing pancakes? I'm doing a masterclass

:48:30. > :48:36.on Saturday Kitchen. The most popular shows on television, one of

:48:36. > :48:41.the most successful, huge ratings. Who do you have tomorrow? Rhod

:48:41. > :48:45.Gilbert is facing food heaven and food health. Curry and chips and

:48:45. > :48:54.scallops. And we had a brilliant chef that uses no butter. I'm going

:48:54. > :49:02.to compensate by making a battered Kerry. Fantastic. Live tomorrow.

:49:02. > :49:06.Everybody has heard of honey bees, what about honey buzzards? For

:49:06. > :49:11.starters, they are not buzzards and they do not make honey. This is our

:49:11. > :49:16.favourite film, we watched it twice. Mike Dilger, over to you.

:49:16. > :49:20.Summer in Britain brings a very rare visitor to do words. Somewhere

:49:20. > :49:27.in the forest around me is the nesting site of a bird of prey that

:49:27. > :49:32.enjoys near mythical status. The magnificent honey buzzard. Although

:49:32. > :49:36.commonly found breeding in Europe, very few actually nest here. Those

:49:36. > :49:42.that do are so secretive that little is known about their

:49:42. > :49:46.movement. What we do know is that every year a small number of them

:49:46. > :49:49.risk their lives crossing the Sahara to get here. What route they

:49:49. > :49:56.take or exactly where they spend the winter we are only just

:49:56. > :49:59.beginning to find out. For the last 25 years, Steve Roberts and his

:49:59. > :50:05.colleague Malcolm have been recording any nest sites they can

:50:05. > :50:09.find around the country. I like my birds, but the honey buzzard is

:50:09. > :50:12.something I've hardly ever seen. Why are they so rare in Britain?

:50:12. > :50:16.They always will decline it didn't suit them in this country.

:50:16. > :50:19.Increasingly it seems there are other reasons for that. -- they

:50:20. > :50:24.always thought that the climate didn't suit them. Maybe it is that

:50:24. > :50:28.final sea crossing. It's a few jigsaw pieces in an incredibly

:50:29. > :50:33.complex puzzle. So little is known about the bird? It's not just that,

:50:33. > :50:36.a lot of what was written before is patently wrong. It has been

:50:36. > :50:40.regurgitated over the years. We would like to think we are shedding

:50:40. > :50:46.light into those dark corners. We are hoping to put some of that

:50:46. > :50:50.right. One misconception concerns the name. They are not in fact

:50:50. > :50:56.buzzards, but more closely related to kites. And they don't eat honey,

:50:56. > :51:04.either. While other birds of prey feed on small mammals, birds or

:51:04. > :51:09.fish, they eat something rather more extraordinary. Wasps. Of

:51:09. > :51:17.course, there is no honey in a wasp nest. What they are really after is

:51:17. > :51:22.the juicy grubs. Here in South Wales, in this Forestry Commission

:51:22. > :51:30.would, a new site is being kept under surveillance. Today I am

:51:30. > :51:33.going to be helping Steve with the tricks. This is honey bowler that -

:51:33. > :51:39.- honey buzzard television. We are watching them live, they are about

:51:39. > :51:45.100 metres away. They are just gorgeous. Look! The female.

:51:45. > :51:55.female has just come in, yes. is she doing? She has brought in a

:51:55. > :51:56.

:51:56. > :51:59.bit of the wasp nest. Look at those yellow eyes. And it is a round eye,

:51:59. > :52:05.without the fierce expression that a hawk has got. It's very different

:52:05. > :52:10.to a buzzard. Short legs? That is because they use them for digging,

:52:10. > :52:15.rather than grasping fast-moving pre. I cannot take my eyes off the

:52:15. > :52:20.screen. It's priceless footage. Watching the birds is so

:52:20. > :52:23.captivating that it is easy to forget the important job in hand,

:52:23. > :52:33.to get the rings on. As soon as they are alone it is action

:52:33. > :52:39.

:52:39. > :52:49.With no way of telling when the parents will return, we have to be

:52:49. > :52:54.

:52:54. > :53:02.quick. You are not pulling very hard! It's gorgeous. Look at that.

:53:02. > :53:06.First, a general health check. A then the all-important ringing.

:53:06. > :53:11.These coloured plants contain a unique code revealing where and

:53:11. > :53:19.when they hatched. Let's have a look at his sibling. He's got a bit

:53:19. > :53:23.of an attitude, this one. Job done. Back up to the nest. If it all goes

:53:23. > :53:26.well, within a few weeks they will be undertaking the extraordinary

:53:26. > :53:32.non-stop flight to Africa. Hopefully they will be tempted back

:53:32. > :53:37.next year. Our changing climate might mean more insects. That means

:53:37. > :53:45.lots more Wasps. And that equates to better hunting for these guys.

:53:45. > :53:51.If it eats Wasps, it is my kind of bird!

:53:51. > :53:55.Two legends, Tony Blackburn and David Hamilton, everyone. Before we

:53:55. > :54:03.talk about what is happening tonight, what is happening tomorrow

:54:03. > :54:09.night? Well, it is Sport Relief tomorrow, 7 o'clock on BBC One.

:54:09. > :54:13.Let's Dance? Yes. We are going to do and that the routine. After all

:54:13. > :54:16.these years of knowing each other, we have decided to do it. And you

:54:16. > :54:21.had been rehearsing? I don't think there is a future career in dancing,

:54:21. > :54:26.but it might be comedic. It's also competitive, you get to go through

:54:26. > :54:30.to the final? We are not sure about that. I'm already voting for them.

:54:30. > :54:34.There are five acts tomorrow night. I think you have a brilliant chance.

:54:34. > :54:42.You will see them like you have never seen them before. I can't

:54:42. > :54:47.wait. That is live tomorrow, BBC One, 7 o'clock. And Steve. How is

:54:47. > :54:51.he? He's all right. We're going to see you in action shortly. Before

:54:51. > :54:56.that, a special routine with these amazing ladies, the Great Britain

:54:56. > :55:06.rhythmic gymnastics team. Before Tony and David tried in... They are

:55:06. > :55:06.

:55:06. > :55:59.Apology for the loss of subtitles for 53 seconds

:55:59. > :56:08.Relax! How are you? Rachel, how I do? Introduce us to began. We have

:56:08. > :56:15.Louise, Annie, Jade, Frankie and Jade. There is a tone of sadness,

:56:15. > :56:20.you just missed out on the Olympics by... 0.2. 0.2 what? Points.

:56:20. > :56:26.there any chance of you redeeming this? Is there an appeal? We have

:56:26. > :56:31.put in an appeal. We will find out at the end of the month. And what

:56:31. > :56:35.did you lose out on, that a 0.2? What could you have done to secure

:56:35. > :56:40.your place? The routine we did on Tuesday was not the routine that we

:56:40. > :56:43.had originally... It didn't go as we wanted it to go. There were few

:56:43. > :56:46.mistakes that could have been corrected. We went into the

:56:46. > :56:50.competition believing that we could get the score on any of the three

:56:50. > :56:55.days. We were told that was not good enough. We got the score on

:56:55. > :56:59.the last Wednesday, we beat the qualification then. So there is not

:56:59. > :57:05.another Team GB, it is you or no one? Yes. Let's hope the appeal is

:57:05. > :57:08.successful. If it isn't, how will you progress? At the moment we are

:57:08. > :57:11.training for the European Championships at the end of May in

:57:11. > :57:17.Russia. We will carry on training with the support of the University

:57:17. > :57:21.of Bath and our coach, Sarah Moon. You that really upset. In sporting

:57:21. > :57:25.terms, it must have been devastating? It was difficult.

:57:25. > :57:29.happened when you realised you haven't made it? We didn't really

:57:29. > :57:33.know until Tuesday. They said it was not good enough. We have worked

:57:33. > :57:36.so hard and given that so much for this that it was difficult. We are

:57:36. > :57:41.still training and we are hoping for the appeal. What are the

:57:41. > :57:44.realistic chances of that coming off? We don't know. Fingers crossed.

:57:44. > :57:49.Speaking of training you have been doing a different kind of training.

:57:49. > :57:53.How have they been doing? Are they getting it? They are really good.

:57:53. > :57:58.They are getting it! We are going to get it in a moment. I don't

:57:58. > :58:03.think we are going to help their chances. That is almost all for

:58:03. > :58:08.tonight. Thanks to Ade, The Dales is on ITV one on Monday, 27th

:58:08. > :58:14.February. And The Bleak Old Shop Of Stuff is on BBC Two this Monday at