:00:18. > :00:24.Hello and welcome to the One Show with Angela Scanlon. And the
:00:25. > :00:36.sure-footed and Strictly fabulous, RA Duboeuf. -- Ore. That's nice.
:00:37. > :00:42.Fresh off the Strictly tour. Yes, it was amazing but what goes on on tour
:00:43. > :00:47.stays on tour. You can't give everything away, until you come on
:00:48. > :00:50.the One Show and you tell everybody. No, Lesley Joseph, your secret is
:00:51. > :00:58.safe. And cute everyone who came to watch in droves. How are your quads?
:00:59. > :01:03.Still tight. Everything hurts now but it is OK because it is great to
:01:04. > :01:07.be back on the sofa with you. But it is the first time in six months that
:01:08. > :01:14.I have not danced, so be prepared if I pull out a tango. The withdrawal
:01:15. > :01:19.symptoms are fresh. Pull out a tango! It is very handy because we
:01:20. > :01:28.have music to my from Anne-Marie, who has clocked up 500 million
:01:29. > :01:34.global screams and millions of YouTube views. Plus, she is
:01:35. > :01:38.nominated for Brit Awards. And our guest tonight will be hosting that
:01:39. > :01:44.ceremony next week. Let's hope she sticks to presenting and not
:01:45. > :01:47.singing! # Make you want to turn around and
:01:48. > :01:52.say goodbyes # Hold you down and make you cry
:01:53. > :02:00.# Don't you know, things can change # Things will go your way
:02:01. > :02:12.# If you hold on more day. # It's Emma Willis, everybody. Is it
:02:13. > :02:18.safe? Come on! I backed you. Yes, and I am backing you as the winner
:02:19. > :02:22.of the Voice 2017. I don't sing at home because I leave it to him
:02:23. > :02:29.because he is pretty good and I am pretty shocking, as you heard. But
:02:30. > :02:36.your moves, you do commit. I love that song. You just have to give it
:02:37. > :02:44.some. We loved it. They made me put on the headphones. I would listen
:02:45. > :02:48.for the next hour if I could. As we said, Emma will be presenting the
:02:49. > :02:52.Brits next week and Tommy Sandhu has been out to meet a DJ with a
:02:53. > :03:00.lifelong passion for music. But he might not be a fan of some of the
:03:01. > :03:03.artists nominated this year. He will play anything you want. He has one
:03:04. > :03:12.hell of a collection and if he hasn't got it, you will get it for
:03:13. > :03:18.you. I want a man like that. A lot of people, especially to see him. We
:03:19. > :03:23.are proud of him. I wish my dad was doing that. Don Barker definitely
:03:24. > :03:29.has music in his blood. He has been on the ones and twos in Plymouth
:03:30. > :03:35.since 1977. Tell us how this began. When did you first get into DJ in?
:03:36. > :03:39.We used to go to the holiday camp on a Saturday and there was a
:03:40. > :03:43.clapped-out old disco deck up there. One Saturday he said, the group
:03:44. > :03:49.hasn't turned up, can you bring your records and do a session? I did, and
:03:50. > :03:54.I got paid a five R. And you thought, hello, this is all right. I
:03:55. > :04:04.ended up doing two nights a week for 16 and a half years. Now aged 80, he
:04:05. > :04:12.is one of Britain's's oldest DJs and he shows no signs of hanging up his
:04:13. > :04:15.headphones. Every Thursday for the last 34-year is DJ Don Disco has
:04:16. > :04:25.been a regular fixture here at the Agaton social club for the golden
:04:26. > :04:30.oldies night. So this is his domain, this is his crowd and he says he
:04:31. > :04:35.knows them really well. What is a guaranteed floor filler? The
:04:36. > :04:47.drifters, Saturday night at the movies. I would go straight into
:04:48. > :04:51.kissing in the back row. Then you can come into things like a bar.
:04:52. > :04:59.They were the Little Mix of their day. They were glamorous without
:05:00. > :05:04.being lurid. I just love music. It is your message, your way of talking
:05:05. > :05:07.to your people. Exactly. A piece of music you like, someone else will
:05:08. > :05:14.like and it will possibly mean more to them than it does to you. We met
:05:15. > :05:23.here. Under his music. Who made the first move? I did. When you are
:05:24. > :05:29.good-looking, they will come to you! I understand that. Do you think
:05:30. > :05:32.there will come a time when you retire? It was supposed to be next
:05:33. > :05:39.month but they have been begging me not to. He can't retire because
:05:40. > :05:54.there are too many people who love him. He is never going to give up.
:05:55. > :05:59.He loves it. We are big fans of DJ Don on this show. Never retire. He
:06:00. > :06:05.is brilliant, really good. Staying with music, the Brits are next week.
:06:06. > :06:12.Emma, your first time presenting the show. Sharp intake of breath. Are
:06:13. > :06:14.you going to be OK? I have gone through waves, last week and the
:06:15. > :06:22.week before and the week before, from when I found out, it has been
:06:23. > :06:28.terror. Why is it so terrifying? You have done so much live television,
:06:29. > :06:34.surely this is in your bag. It is different, a mammoth show, 2.5 hours
:06:35. > :06:40.long. It is a big room. And a lot of the people on the floor are not
:06:41. > :06:48.listening! They are music heads, not TV heads. They are also drinking
:06:49. > :06:52.heads. They get wild. They do. It is their night out when they celebrate
:06:53. > :06:58.the industry they work in, so I get it. It is a hard room in that
:06:59. > :07:03.respect, but when you are doing one of the biggest gigs on TV, that is
:07:04. > :07:07.terrifying. But when you know you have Dermot O'Leary next to you it
:07:08. > :07:12.is slightly like, I can breathe a little bit, because he is amazing.
:07:13. > :07:15.And this week, because we have been in script meetings quite a lot and
:07:16. > :07:19.we have been together quite a lot and I feel I am getting to know it a
:07:20. > :07:24.bit more, I am starting to get excited rather than nervous. The
:07:25. > :07:38.nominees are amazing. Let's have a look.
:07:39. > :07:47.# There goes the alarm # Ringing in my head
:07:48. > :07:54.# Spinning away # And leaving no trace
:07:55. > :07:58.# You and me got a whole lot of history
:07:59. > :08:07.# I'm only human # Don't put the blame on me. #
:08:08. > :08:11.Those are the nominees. But the performances are what people are
:08:12. > :08:16.excited about. They always have an amazing line up and the one year
:08:17. > :08:23.that you get a host, you hope it will be amazing. And then you find
:08:24. > :08:31.out we have Katy Perry and Robbie Williams, Bruno Mars. I am a massive
:08:32. > :08:36.Bruno Mars fan. Little Mix who, again, I love the girls, they are
:08:37. > :08:42.incredible. Your kids must be excited about you getting up close
:08:43. > :08:48.and personal with these guys. My kids are massive Little Mix fans.
:08:49. > :08:56.Even my ten-month-old. But Katy Perry, my son is literally obsessed
:08:57. > :09:00.with her. Are you having to try and send him... I am slipping into my
:09:01. > :09:06.bag for rehearsals to try and get him to see Katy Perry. Goodluck
:09:07. > :09:11.Jonathan past security! It is a family affair. It is so notorious
:09:12. > :09:17.that when a award winners go up, they tend to take a little time.
:09:18. > :09:27.Have you figured out a way of trying to rein them in? Are you talking
:09:28. > :09:31.about the moment with Adele? There have been moments over the years.
:09:32. > :09:37.You've just got to hope for the best, haven't you? I would imagine
:09:38. > :09:44.there possibly might be moments when we do have to go, anyway, thank you
:09:45. > :09:52.very much. I do not want to give you tips, but have you tried the sock.
:09:53. > :10:03.No. This guy, not only does he have moves but he talks a lot. In the
:10:04. > :10:11.mouth. Yes? Yes. It works really well. Could you imagine? I might get
:10:12. > :10:18.escorted from the building. Don't try it on Robbie Williams. Who wants
:10:19. > :10:24.this sock? Going, going... It has gone. That is a horrible thing.
:10:25. > :10:29.Robbie is like, I am a Brit icon winner, why are you putting a sock
:10:30. > :10:36.in my mouth? For someone who has seen it all, that might be new. It
:10:37. > :10:40.is a big night for him. He has got 17 Brit awards, so many. And now he
:10:41. > :10:46.has the Brits icon award, and only three people have ever had one. But
:10:47. > :10:50.he is phenomenal, that incredible entertainer. Whether you are
:10:51. > :10:55.watching him on TV, or watching at Knebworth, or in a little venue, he
:10:56. > :11:01.has everybody eating out of his hand and it is so thoroughly deserved.
:11:02. > :11:05.That brings us to the Voice, where you are looking for a voice but so
:11:06. > :11:08.much more. You host the show. Is there anyone on this series that you
:11:09. > :11:13.think, that is the next Robbie Williams? Definitely we have
:11:14. > :11:26.potential to have future Brit winners. Mo, did you see Mo? Every
:11:27. > :11:31.time I hear it, I get shivers. And his best mate, was amazing. They
:11:32. > :11:37.were so different. He is quite alternative and I love the way he
:11:38. > :11:40.has these strange little moves. Diamond, I don't know if you saw
:11:41. > :11:48.her, she was this incredible teenager. Jennifer got up and taught
:11:49. > :11:53.her how to breathe differently and sing differently. She has been a
:11:54. > :12:00.revelation, Jennifer Hudson. She is amazing. I love the way she gets the
:12:01. > :12:05.band going. Take it down, take it up, get in there. That show is going
:12:06. > :12:10.phenomenally. You can see the Brit awards on Wednesday and The Voice is
:12:11. > :12:13.tomorrow evening, both on ITV. You are one of the busiest people in
:12:14. > :12:19.showbiz, we know this. Yes, you are, it is a fact. You have the pick of a
:12:20. > :12:27.lot of shows. If you had to pick and mix, what would be your favourite
:12:28. > :12:30.sweet. I like what you did there. One of my all-time favourites,
:12:31. > :12:34.because my grandad would have a jar of them in his house and I would
:12:35. > :12:38.literally eat the whole bowl... We will come back to that. First, we
:12:39. > :12:44.are going to talk about the bit of butterscotch because they celebrate
:12:45. > :12:53.a very big birthday. Ricky has been to sample them. Decisions,
:12:54. > :12:57.decisions. Whether you have a sweet tooth or not, there is something
:12:58. > :13:03.nostalgic about a traditional sweet shop full of delicious treats. And
:13:04. > :13:09.there is one particular treat that is celebrating its 200th birthday
:13:10. > :13:17.this year. Hold, the butterscotch. -- behold. If you are thinking it is
:13:18. > :13:23.from Scotland because of its name, you would be wrong. This humble
:13:24. > :13:28.toffee brittle was created further south, in Doncaster. Peter Robinson
:13:29. > :13:35.from Doncaster Museum is a bit of a butterscotch boffin. Tell me how
:13:36. > :13:38.butterscotch was invented. Samuel Parkinson, a local grocer and
:13:39. > :13:44.tobacconist, set up a business in 1817. He is reputed to have come up
:13:45. > :13:51.with the recipe. But how he came about it, who knows. However it was
:13:52. > :13:56.created, it wasn't long before the Royals knew about it. Took the
:13:57. > :14:00.opportunity to give some to Queen Victoria on her visit to Doncaster
:14:01. > :14:05.races. She liked it so much that she gave it the Royal Warrant, so after
:14:06. > :14:09.that it was sold by appointment to the Queen. Despite the royal
:14:10. > :14:14.approval, Parkinson 's empire could not with the competition from other
:14:15. > :14:20.manufacturers, and in 1977 the factory shut its doors for good.
:14:21. > :14:24.This is the boiling house cookbook, the only one we know of in
:14:25. > :14:28.existence, and it has all the recipes from Doncaster Royal
:14:29. > :14:34.butterscotch, all the way through to all the other sweet papered used
:14:35. > :14:39.throughout their 160 years. I want to recreate it. Can I look in the
:14:40. > :14:44.book? I can't do that, it is their trade secret. There might at some
:14:45. > :14:48.point in opportunity to bring back Doncaster butterscotch for the
:14:49. > :14:55.world. Have you got some I can taste so I have half an idea? Here is
:14:56. > :14:59.something we made earlier. Very different to what I know
:15:00. > :15:03.butterscotch to be. There is a citrus note to it. OK, I think I
:15:04. > :15:07.know what to do. I love a challenge and with only my taste buds to go
:15:08. > :15:10.on, the cos I can't see the recipe, I set to work making my
:15:11. > :15:19.interpretation of Parkinson 's butterscotch. We are going really
:15:20. > :15:25.basic. Water. And sugar. And a bit of butter. Yes, very simple
:15:26. > :15:29.ingredients. When I first heard it I thought, scotch, does it have
:15:30. > :15:33.whiskey in it? That comes from scorching the ingredients to make
:15:34. > :15:39.the caramel. What is the difference between modern butterscotch and the
:15:40. > :15:44.old-fashioned version? Modern butterscotch has cream and other
:15:45. > :15:48.flavourings in it. The original has two secret ingredients. Which you
:15:49. > :15:54.are going to tell me so I can make it properly. I can't do that. He is
:15:55. > :15:57.not giving anything away but his butterscotch definitely had a lemony
:15:58. > :16:04.flavour so I am adding citrus oil. Interesting. In needs to come to a
:16:05. > :16:10.hard crack, 140 degrees, to give you the crunch. In with the butter. It
:16:11. > :16:17.smells good. And then pour it out and wait for it to set. Cracking.
:16:18. > :16:25.The moment of truth. Try it and tell me what you think. That is really
:16:26. > :16:29.good. Really good. But how does my attempts stand up against the
:16:30. > :16:34.original recipe? Let's see what the locals think.
:16:35. > :16:43.I reckon mum and dad bought, it I were six or seven year old. We used
:16:44. > :16:47.to come back from the race and always bought us butterscotch. That
:16:48. > :16:52.was nice. This is too sweet. Which one did it look like? The darker
:16:53. > :17:01.one. Which do you prefer? This one. Easier to chew. Can I have a taste?
:17:02. > :17:05.That's just pure daddy that. You've taken me back 50 years. It looks to
:17:06. > :17:11.me that butterscotch still has a place in the heart of Doncaster
:17:12. > :17:17.people. Happy 200th birthday to the brilliant butterscotch. From
:17:18. > :17:25.butterscotch to liquorice toffee. How did you know! We know. We have a
:17:26. > :17:30.sweet treat in the studio, Giles! You're tracted now. I am, but you
:17:31. > :17:35.mustn't be. Don't chew. Keep one for later. Musical mysteries is on my
:17:36. > :17:39.menu. I've been discovering that nobody knows the recipe of the
:17:40. > :17:50.success of the Strood various violin. -- Stradivarious violin. The
:17:51. > :17:57.most perfect sound in the history of the world made by Antonio
:17:58. > :18:01.Stradivari, 1680. He and his family, lived to be 93, made more than a
:18:02. > :18:06.thousand of these instruments. 500 still remain. Nobody knows why the
:18:07. > :18:12.sound is so perfect. No other violin has it in the world. Why? Was it oil
:18:13. > :18:18.used on the wood? Was the wood itself special? Did it come from a
:18:19. > :18:26.church? Did it have heavenly qualities? Nobody knows the secrets.
:18:27. > :18:32.The family took the secrets to the grave. You hear about money involved
:18:33. > :18:34.in some of these artefacts. They are worth millions, Stradivarious
:18:35. > :18:40.violins are worth millions. I know this - Not something you want to
:18:41. > :18:45.drop. Because once I did drop one. I made a film many years ago. I held a
:18:46. > :18:50.Stradivarious. I was so excited, so nervous, that slipped my fingers and
:18:51. > :18:56.it fell to a stone floor. And it bounced... Before it cracked! Let's
:18:57. > :19:06.move on to a happier story, pot really. -- not really. This is a
:19:07. > :19:11.story about Otis Reading. It's 1967, a great hit of his Sitting on the
:19:12. > :19:14.Dock of the Bay # Siting on the Docofthebay wasting
:19:15. > :19:22.time... # This is a good one. I'm a big fan of
:19:23. > :19:27.These Arms of Mine. This number is historic because it doesn't have a
:19:28. > :19:32.finish to it. It's the best selling posthumous record ever made. He
:19:33. > :19:35.recorded it in December 1967 and three days later he was killed in a
:19:36. > :19:41.plane accidents. He never finished the recording. The whistling at the
:19:42. > :19:44.end, he was whistling at the end of the recording, but it might have
:19:45. > :19:50.been a last verse. He often whittled. But it didn't mean very
:19:51. > :19:56.much. That isn't him whistling. I'm sorry to tell you, that's Blues man
:19:57. > :20:01.Sam Taylor. I feel cheated. Don't, it's a superb recording. A legendary
:20:02. > :20:16.tale. To finish on a more favourable note. I have become a great fan of
:20:17. > :20:22.Bob Marley. He was here in 1975 and recorded on apparatus loaned to him
:20:23. > :20:26.by the Rolling Stones. Wonderful 24-track recordings were made. Those
:20:27. > :20:32.recordings disappeared. Nowhere to be found for 40 years. Until they
:20:33. > :20:37.turned up when a hotel was being rebuilt. An amazing guy called Joe
:20:38. > :20:45.Gat, here tonight, found them. He's here. These missing tapes have been
:20:46. > :20:51.restored. Thank you to Joe we can now after 40 years - He was there in
:20:52. > :20:57.1975. # Get up, stand up
:20:58. > :21:05.# Stand up for your rights. This is Bob marly from 1975 recorded live,
:21:06. > :21:09.lost for 40 years. Given your history of the violin, I'm a bit
:21:10. > :21:14.nervous. Oh, dear. He did that in rehearsal and it still hurts. I'm so
:21:15. > :21:18.sorry. Giles, thank you so much. You'll be having that back quickly,
:21:19. > :21:24.Joe. To musical discovery of another kind now, involving the famous Tudor
:21:25. > :21:27.warship The Mary Rose. Divers uncovered 19,000 artefacts including
:21:28. > :21:32.long forgotten musical instruments all rescued from the bottom of the
:21:33. > :21:38.Solent. What would they sound like after 400 years. Richard's been
:21:39. > :21:46.tuning up. Sunk at the battle of the Solent in
:21:47. > :21:52.1545, The Mary Rose lay silent on the seabed for four centuries. The
:21:53. > :21:56.discovery of her wreckage in the 1970s revealed 19,000 objects,
:21:57. > :22:01.including some mysterious musical instruments. Could they unlock the
:22:02. > :22:07.mystery of what Tudor music really sounded like? Alex was heart of the
:22:08. > :22:11.archaeology team that investigated and raised The Mary Rose. When you
:22:12. > :22:16.were down there, what were conditions like? At times, it was
:22:17. > :22:19.challenging. Bad visibility would be hand in front of your face. Your
:22:20. > :22:23.mind was so focussed that you didn't notice that you couldn't see
:22:24. > :22:31.anything. We were bringing up a home for these 500 people. Through four
:22:32. > :22:35.centuries, details of how people played and listened to music have
:22:36. > :22:40.been lost. There might be contemporary pictures and
:22:41. > :22:45.descriptions but no recordings. The raising of almost intact musical
:22:46. > :22:50.instruments was a eureka! Moment. The idea of listening to the same
:22:51. > :22:56.sounds that the Gunners and sailors might have heard, that's when
:22:57. > :22:59.history comes to life. Musical historian Jeremy Montague has
:23:00. > :23:07.studied with the instruments sounded like using replicas. Anita Felton
:23:08. > :23:12.and Ann Grey specialise in performing Tudor music. We have a
:23:13. > :23:18.wealth of instruments here which look slightly familiar. Let's start
:23:19. > :23:24.with this one. This is a replica of the one found on The Mary Rose.
:23:25. > :23:27.That's right. The one found on the rarery rose is the only -- Mary Rose
:23:28. > :23:31.is the only one in the world. We have a description of 50 years
:23:32. > :23:38.earlier. Then they found this. Now we know what it looks like. It is so
:23:39. > :23:41.long and the player must have been an enormously tall man with long
:23:42. > :23:53.arms. I cannot reach the finger holes. Anita's own smaller replica
:23:54. > :23:59.allows us to hear how it sounded. A good, rich, deep bass instruments.
:24:00. > :24:04.Really resonant and a slightly bawdy sound. A drum or table and pipes
:24:05. > :24:08.were found. The drum beater was found actually inside the pipe. That
:24:09. > :24:17.suggests they the same owner and were played together. That's
:24:18. > :24:22.actually really difficult to do, you're playing a melody here and a
:24:23. > :24:26.completely different rhythm. Yes. As a violinist I'm most keen to get my
:24:27. > :24:34.hands on the replica of the fiddle. You would play it like this? More
:24:35. > :24:38.like here on the elbow. Oh, really! Fantastic. Really beautiful
:24:39. > :24:43.instrument. Now, at last, the ship is secure in her special air
:24:44. > :24:47.protected museum in Portsmouth and I'm allowed privileged access to her
:24:48. > :24:53.main hall. It gives me the opportunity to perform next to these
:24:54. > :24:59.Tim pers to soak these old decks in atmospheric music. I can't wait to
:25:00. > :25:00.hear if the old timbers groan in recognition. This is the sound of
:25:01. > :25:32.history. Someone hoping to be making music
:25:33. > :25:38.history one day is Ann Marie. Hi! CHEERING AND APPLAUSE
:25:39. > :25:49.Nominated for two BRIT Awards. Which ones? Nominated for three. Oh! Go
:25:50. > :25:54.on. It is Best Song, Best Video and best British breakthrough act. It's
:25:55. > :26:00.a tongue twister. Which do you want, I mean all of them. All three. Of
:26:01. > :26:04.course you do. An incredible last 12 months. We assume that most of the
:26:05. > :26:09.people you're up against in the categories aren't going to want to
:26:10. > :26:13.win against you, because you've got a martial arts background. Yeah,
:26:14. > :26:22.three times world champion in awroughty. -- karate. Good luck to
:26:23. > :26:25.them. If you need to know, stand behind her. Best of luck, thank you
:26:26. > :26:28.very much. That is almost it for tonight. Emma is going to be
:26:29. > :26:36.presenting the Brits next Wednesday on ITV. Thank you to Ore. Matt and
:26:37. > :26:38.Michelle will step out with Amanda Holden and Tracey an Oberman on
:26:39. > :26:55.Monday. Go for it. # Asked you once,
:26:56. > :26:59.# Asked you twice now # There's lipstick on your collar
:27:00. > :27:04.# You say she's just a friend # Then why don't we call her
:27:05. > :27:08.# You want to go on with someone to do the things you used to do to me
:27:09. > :27:11.# I swear I know you do # You used to take me out in your
:27:12. > :27:15.fancy car # And make out in the rain
:27:16. > :27:18.# And when I ring you up don't know where you are till I hear her shout
:27:19. > :27:24.your name # I sing along when you play guitar,
:27:25. > :27:28.that's a distant memory # Hopes she treats you better than
:27:29. > :27:35.you treated me # I'm on to you.
:27:36. > :27:43.# I saw you with her # Kissing and having fun
:27:44. > :27:44.# I'm not going to sit here wasting my life on you
:27:45. > :28:00.# I'm done. # I'm done
:28:01. > :28:04.# I'm not going to sit and waste my time on you, yeah you
:28:05. > :28:08.# I'm done # Now you go around in your fancy
:28:09. > :28:11.car and make out in the rain # When she rings you up, she don't
:28:12. > :28:17.know where you are # I know a different thing
:28:18. > :28:21.# Now it seems so long when you play guitar, making brand new memories
:28:22. > :28:24.# Hope you treat her better than you treated me
:28:25. > :28:32.# I'm onto you # I'm not your number one
:28:33. > :28:35.# With her # You give her your number, money
:28:36. > :28:38.and time # I'm not going to be wasting my
:28:39. > :28:55.time on you # I'm done.
:28:56. > :29:08.Are you ready for the next ten years? I'm pregnant.
:29:09. > :29:11.You won't notice I'm gone. We've already started interviewing.