:00:15. > :00:18.Hello and welcome to the One Show with Angela Scanlon.
:00:19. > :00:20.And bringing the fun to our Friday once again,
:00:21. > :00:29.I see our stage is all set up for a wonderful vocal
:00:30. > :00:31.performance tonight - I'm so excited to sing
:00:32. > :00:41.But the good news is that our performance tonight
:00:42. > :00:43.is from an actress and singer who has one of the greatest
:00:44. > :00:56.She's won a Bafta, two Grammies and let's not forget - an Oscar!
:00:57. > :01:15.We did a triplet. A trio. Trio. You didn't need my help. I feel left out
:01:16. > :01:20.because you are both singer, in the same musical together. You did
:01:21. > :01:30.Hairspray. I did it on the stage. Who did you play? Edna. Oh my God.
:01:31. > :01:35.Wow. I'm motor mouth. Look at that. I know, I'm so hot. I am gorgeous.
:01:36. > :01:42.You are gorgeous. Isn't it the best show. I had the best experience,
:01:43. > :01:48.doing the show. And terrifying do doing it live. It was the most fun
:01:49. > :01:53.thing preparing it but the scariest, none of us realised up until the
:01:54. > :01:57.tail end before we got ready to go live, guys we are gambling our
:01:58. > :02:01.careers now, if we mess it up it is over. Studio You didn't. If you
:02:02. > :02:06.haven't seen it, check it out. A newborn baby is both
:02:07. > :02:09.precious and fragile - but one that is born 17 weeks early
:02:10. > :02:12.brings a whole new range Sarah Jarvis has met one mum
:02:13. > :02:25.who refused to give up hope. This the neo-natal unit as the
:02:26. > :02:29.Princess Anne hospital in Southampton. Huge advances have been
:02:30. > :02:32.made in caring for babies like these, with improvement in breathing
:02:33. > :02:37.support and nutrition, as soon as they are born. But 20 years ago, the
:02:38. > :02:42.chances of survival for the tiniest babies was slim.
:02:43. > :02:47.So when in 1998, Paula's baby started to be born at just 23 weeks
:02:48. > :02:51.she was terrified. After seven previous miscarriages
:02:52. > :02:54.she knew it was far too soon. I was feeling very scared and I thought
:02:55. > :02:59.not again. I am going to lose another baby. They said, if the baby
:03:00. > :03:05.takes a breath they would try to ventilate him and give him a chance.
:03:06. > :03:10.The doctor was their clant at the time. If the picture, the baby
:03:11. > :03:15.wasn't showing signs of wanting to breathe for itself, or had a low
:03:16. > :03:19.heart rate, we would have allowed mum and dad to cuddle the baby by
:03:20. > :03:24.and wait for nature to take its course. But Paula's baby did take a
:03:25. > :03:29.breath and she named him Andrew. It was hours before I got to see him.
:03:30. > :03:33.It was very frightening to look into the incubator and see this tiny
:03:34. > :03:37.little baby full of wires, I put my hand in and he held my finger.
:03:38. > :03:45.Andrew continued to fight for life. But Paula only dared to hope one day
:03:46. > :03:50.at a time, as she told the BBC programme City Hospital. It was four
:03:51. > :03:53.months before they would tell us he would live before they would stop
:03:54. > :03:59.saying he is all right at the moment. If you look at the survival
:04:00. > :04:02.rates in those days, 5%, and the vast majority wouldn't have
:04:03. > :04:06.survived. It was really after we left the
:04:07. > :04:12.hospital they started talking about Andrew as having a future. Soon back
:04:13. > :04:16.in for his first check up. And drew was a happy baby but he was blind in
:04:17. > :04:22.one eye. His lungs and heart were affected. He has a slight narrowing
:04:23. > :04:26.of one of his heart valve, you can see a bit of indrawing of his lungs
:04:27. > :04:30.here, of his chest. When Andrew was two he needed surgery on his heart.
:04:31. > :04:36.How do you feel about him going back in? Scared. Sick. They will deflate
:04:37. > :04:41.his lungs and tie off the valve in his heart. Andrew pulled through. It
:04:42. > :04:46.was a turning point for Paula. We are getting closer, we can see light
:04:47. > :04:53.at the end of tunnel. Do you want to speak to Andrew. These days it is
:04:54. > :04:57.half the babies of that gestation that get into the unit and go home.
:04:58. > :05:02.You have to say that is what we are here for.
:05:03. > :05:07.Well, today, in Andrew's case, all that hope is fully justified. Now
:05:08. > :05:12.18, he is aiming for the future. So archery. Yes. A bit of a passion. It
:05:13. > :05:18.is a very bit of a passion. Would you like a go? I would love a go. It
:05:19. > :05:23.may not seem the sport for anyone who is visually impaired but Andrew
:05:24. > :05:27.disagrees. I would say it probably helped my eyesight. I am having to
:05:28. > :05:31.aim at the exact target so I have to really focus mid advice, so if
:05:32. > :05:36.anything it feels like it helps me. Olympic sport maybe? Maybe. I could
:05:37. > :05:40.do that, give it time. I I was grateful to get Andrew to
:05:41. > :05:45.18. He has had some hairy times in the past. There is times where we
:05:46. > :05:50.think, he ain't going to make ate. I have him into adulthood and I can
:05:51. > :05:55.maybe take a bit of a step back and he can take responsibility for only
:05:56. > :05:59.some of his own life. I feel I have a whole host of opportunities. The
:06:00. > :06:05.only thing that worries him is his eyesight. He has developed glaucoma.
:06:06. > :06:10.A couple of years ago his eye pressure shot up so high his life
:06:11. > :06:15.was in danger. It is a problem and a scary problem, but I don't let it
:06:16. > :06:22.control my life. I probably see myself hopefully in an IT career,
:06:23. > :06:26.and just try and live my life like everyone should. He survived against
:06:27. > :06:31.the odds and that is what he intends keep doing. It keeps me going, going
:06:32. > :06:36.that 5% chance, don't waste it. I hope he is happy R get on with his
:06:37. > :06:42.life and just have some fun. I couldn't ask for anyone to come
:06:43. > :06:47.band help my the through my life. It has been rather troubling, and hard,
:06:48. > :06:50.but I, we have got through it, and if anything it has made me stronger
:06:51. > :06:54.as a person, and I would like to say thank you and I love you.
:06:55. > :06:59.What a lovely man, such a credit to his mother.
:07:00. > :07:01.Hopefully we'll all get to see him in the Olympics soon!
:07:02. > :07:03.We saw in the film there the incredible bond
:07:04. > :07:09.David Jnr is thinking about following in your footsteps?
:07:10. > :07:21.He is. He is a little performer, he sings, dances, he doesn't wrestle as
:07:22. > :07:26.much like his father does, but... He thinks he has muscles now like his
:07:27. > :07:30.dad. How old is he? Seven. He wants to be the next Michael Jackson.
:07:31. > :07:35.Would you encourage him? Definitely. I take the same approach as my mum.
:07:36. > :07:42.She says whatever makes you happy, as long as you're happy momma's
:07:43. > :07:47.happy. We support him. Brilliant. Remember Me, your new single written
:07:48. > :07:50.by Jamie Hartman who wrote Human by Rag 'n' Bone Man, which is having a
:07:51. > :07:56.massive moment. Tell us about the song. Remember Me which Jamie and I
:07:57. > :08:00.wrote, it came together. I have been sitting with a lot of song writer,
:08:01. > :08:04.we wrote it a month ago but it was the perfect gelling between us, I
:08:05. > :08:07.had woke up the night before in the middle of my sleep and I was
:08:08. > :08:10.thinking about a friend. I thought I need to deliver this message, other
:08:11. > :08:15.than that I won't be able to fall asleep. I did that and I was able to
:08:16. > :08:19.go back to sleep. When I woke up he was like, Jamie said I have this
:08:20. > :08:24.hook, to this song and then we can build from there, write the verses
:08:25. > :08:31.and it so happened to say I know you remember me in those moments before
:08:32. > :08:34.you sleep. And I was like, I woke right out of my sleep with the same
:08:35. > :08:38.sentiment. So that is where it came from and it formed that song. Didn't
:08:39. > :08:42.you have a strange recording technique? I I did. It was the
:08:43. > :08:48.strangest recording process, because Jamie is an artist as well. So he
:08:49. > :08:54.had me record the verses in a vault. So my head... I heard it, like a
:08:55. > :09:01.fish bowl. It was like a black dome. He was OK, I want you to get up,
:09:02. > :09:07.don't think I'm crazy, I am like, I won't. I want you to go in the booth
:09:08. > :09:14.and record the add lips, it was a unique process, And you lay down. I
:09:15. > :09:19.sat down with my head in the vault... And I recorded the verse,
:09:20. > :09:25.like I'm sitting here right now, I sang the verses and he said get up,
:09:26. > :09:30.and go in the booth, and record the add lips -- ad-lib, I did don't know
:09:31. > :09:34.why but I did it. It sounds great. We will hear it later on. It is your
:09:35. > :09:38.first song in three year, did you feel pressure, was there a lot of
:09:39. > :09:45.anticipation when you were going to make that move? No, because I am an
:09:46. > :09:51.an trespass, if I am not singing I am acting, if I am not doing that
:09:52. > :09:55.I'm a spokesperson. Now is the cycle of the music, as an artist I am
:09:56. > :10:00.anxious to get back in the music. It is a different process, like I am
:10:01. > :10:04.sitting with musicians and we are creating the music from the piano
:10:05. > :10:10.and Justin Lee Collins producers saying sing line for line. So this
:10:11. > :10:12.way I get to be the. It is interesting you say you are an
:10:13. > :10:18.actress, you didn't start thinking that. No. When you got the part of
:10:19. > :10:24.Effie White. 800 other girls had gone up for the part. You had not
:10:25. > :10:28.done any acting before. Never. My mum said, I think you could act.
:10:29. > :10:35.Mum, whatever. Then I turned round and won an Oscar on my first film.
:10:36. > :10:43.I'm like, what? You make it look easy. Oscar-winning performance.
:10:44. > :10:48.# I am telling you #
:10:49. > :10:55.I'm not going # You're the best man I'll ever know
:10:56. > :10:59.# That's the -- no way I could ever go
:11:00. > :11:04.# No, no, no. # I have never been so jealous of
:11:05. > :11:08.someone singing a song. Thank you. With that, there, you see why you
:11:09. > :11:10.won the Oscar, it is an extraordinary performance, it is
:11:11. > :11:14.difficult though, to play a character, having that kind of
:11:15. > :11:20.emotional Kath sips, and yet still to control what is coming out of
:11:21. > :11:26.your mouth, control the voice. Yes. Is it instinctive. I am glad to hear
:11:27. > :11:33.someone who can relate. I can't sing and cry at the same time, can you? I
:11:34. > :11:37.remember in that moment, they rapped the chair, the extras, I was the
:11:38. > :11:41.last thing this there. That was the last thing filmed and I was hanging
:11:42. > :11:45.on by a wing and a prayer, my head was pounding and when you cry your
:11:46. > :11:49.head hurts too and I was like put the emotion, all the pain you feel,
:11:50. > :11:54.put it in the singing, I used it in the scene. They don't know what
:11:55. > :11:59.you're crying about. So those were real tears, and although when you
:12:00. > :12:03.see the film it is play back, but I singalong to every thing. I am
:12:04. > :12:09.singing full out. So the bigger the notes the more my head is pounding,
:12:10. > :12:14.the more the tears, the more my head is pounding, I am like let me go
:12:15. > :12:22.home. The headache was worth an Oscar. Have you seen the production
:12:23. > :12:29.here? I cannot wait to go see. Of course. Will you let everyone know
:12:30. > :12:34.you are going? No I am going to sneak in. I cannot wait. By the time
:12:35. > :12:39.they are going to get done singing they will hear me screaming. They
:12:40. > :12:42.will know I am there. As a performer, I did Broadway and a lot
:12:43. > :12:46.of the talent doesn't like to know who is in the audience, so I don't
:12:47. > :12:55.want to interrupt their process, so I am going to sneak in. Just wear
:12:56. > :13:02.white fur! I can't wait. We look forward to it.
:13:03. > :13:10.It is St Patrick's Day a. I am off the booze but tonight I am going
:13:11. > :13:15.out. I am going out. Well, in honour of St Patrick's Day we have decided
:13:16. > :13:23.to go with an Irish monster. Cute though. Is it Daniel O'Donnell?
:13:24. > :13:30.This is a story about a genetic experiment. That combines science
:13:31. > :13:34.and nature to produce a creature the likes of which has never been sign
:13:35. > :13:39.before. Yes, I think I can hear something.
:13:40. > :13:50.Meet the world's tallest dog. The Irish wolfhound. Or the original
:13:51. > :13:56.frankenpooch. Eddie is meeting up with other owner, over the last 30
:13:57. > :14:03.years he has kept nearly 50 of these mighty hounds. They grow to about
:14:04. > :14:10.34-36 inches at the shoulder. They stand over six foot tall when they
:14:11. > :14:14.are on their hind legs. We have played a huge roll role in shaping
:14:15. > :14:19.the wolf hound. They were large because they had to hunt Wolves and
:14:20. > :14:22.deer, they height meant they could catch their prey, grab them by the
:14:23. > :14:29.neck and kill them quickly. The next chapter of this story takes place in
:14:30. > :14:33.the 1860s. I am off to meet Betty Murphy, the keeper of the archives,
:14:34. > :14:38.accompanied by my new friend Shannon. Betty has the notebooks of
:14:39. > :14:43.Captain George Graham. A dog breeder who came to Ireland in the aftermath
:14:44. > :14:47.of a devastating famine when the breed was in a sorry state. What was
:14:48. > :14:53.his role in reviving the breed if you like? He said we have to go back
:14:54. > :14:58.to the original robust wolf hound, and he said in his own words, sadly
:14:59. > :15:04.it can only be seen in a very few places at stage. It was almost
:15:05. > :15:11.extinct. Graham's solution was to make a genetic intervention, using a
:15:12. > :15:13.close cousin of the world hound. He used deerhound blood, selecting
:15:14. > :15:18.those of good size. He saved the breed. He wrote the breed standard,
:15:19. > :15:24.a check list of the features of the ideal world hound. Going down to the
:15:25. > :15:29.sort of the individual feature, for example, the head, the shape of the
:15:30. > :15:34.top line, the angulation of the forequarters of the hind quarters.
:15:35. > :15:37.How would captain Graham's breed standard have been used? The first
:15:38. > :15:43.place it would be used would be at dog shows. He was striving to
:15:44. > :15:47.improve the breed and in the 20th century dogs that met the criteria
:15:48. > :15:53.were champions. Naturally, breeders wanted to use them to create the
:15:54. > :16:02.next generation of champion, but, there was a problem. Doctor Maura is
:16:03. > :16:06.an ex per. She has charted the lineage of one dog that has fathered
:16:07. > :16:10.pups round the world. There is a particular dog, he was a ram Ely
:16:11. > :16:16.handsome hound and won a lot of shows so people wanted to use him.
:16:17. > :16:21.But not only was he a handsome hound, he had a handsome son who was
:16:22. > :16:27.used a lot. He also had a handsome son who was used a lot. Consequently
:16:28. > :16:29.-- consequently that particular sire is now behind 37% of the wolf hounds
:16:30. > :16:38.alive today. Research has revealed the effect of
:16:39. > :16:41.this kind of inbreeding with genes causing health problems passed on
:16:42. > :16:44.through generations rather than being weeded out by natural
:16:45. > :16:49.selection. The main concern has been a deadly heart condition,
:16:50. > :16:54.cardiomyopathy. But a genetic problem could have a genetic
:16:55. > :16:58.solution. The Irish wolfhound database maps the interlinking
:16:59. > :17:03.family trees of the world's wolfhounds. People can look at the.
:17:04. > :17:09.'S pedigree all the way back to the 1850s. We hope readers can make good
:17:10. > :17:15.decisions and breed long life, healthy dogs. How does Shannon
:17:16. > :17:21.Wright on the inbreeding? We have captivated the average inbreeding
:17:22. > :17:26.according to the population in the database. For a five generation
:17:27. > :17:33.pedigree, the average inbreeding is 3.3 six. We can see Shannon's
:17:34. > :17:36.inbreeding is 2.44%. The numbers sound good, but what about Shannon's
:17:37. > :17:43.health? Today he gets his annual checkup with that Brian Jones. We
:17:44. > :17:51.are checking for a normal heart. Normal beat, not too fast or slow.
:17:52. > :17:55.-- with the vet. So the future is bright for these amazing and vibrant
:17:56. > :18:01.dogs. Isn't it? Lovely kisses! Gypsy is here with us now,
:18:02. > :18:11.she's four years old. She is massive. How do she compare
:18:12. > :18:16.to your dogs, Jennifer? My dog is about the same size as the head!
:18:17. > :18:22.Those are my babies. You could put a saddle on this one and head to
:18:23. > :18:27.Cheltenham. Beautiful. I'm a dog person. We thought we would have
:18:28. > :18:34.some fun, she comes from a very musical household. We will give you
:18:35. > :18:39.three clues as to who the famous owners are. At home, this couple who
:18:40. > :18:51.owned her, or always trying to style her. She is a Police dog and goes
:18:52. > :18:56.for walks in Fields of Gold. You met this couple at the 55th Grammy
:18:57. > :19:12.awards. Would it be staying and Trudie? -- would it be Sting and
:19:13. > :19:17.Trudie? It is, big fans of the breed. Tomorrow night, God help us
:19:18. > :19:25.all, the one show... Tomorrow night, God help us all,
:19:26. > :19:28.The One Show are sending a team into battle as part of Let's Sing
:19:29. > :19:31.and Dance for Comic Relief. With less than 24 hours to go
:19:32. > :19:34.until their live performance, we caught up with Michelle to see
:19:35. > :19:46.how the team is holding up. We are backstage at Let's Sing and
:19:47. > :19:54.Dance to do a rehearsal. You found the green room, this is posh. Nice
:19:55. > :20:02.to see you. This is a competition. Bring your A game, because it's on.
:20:03. > :20:05.This is where the magic happens. We are ready for make-up. You have to
:20:06. > :20:12.go, it's secret. Do I put my wig on or not? Lady Gaga
:20:13. > :20:37.needs her space! What was that? This here is killing
:20:38. > :20:44.me. What about my dress, it stinks! Sorry, this is a closed set. Lots of
:20:45. > :20:47.Lady Gagas. Good luck to The One Show team
:20:48. > :20:50.tomorrow - they'll need it. Please do tune in at 6:45 tomorrow
:20:51. > :20:52.and give them your support. Jennifer, do you think The One Show
:20:53. > :21:02.team have what it takes? Any tips you can give them? Live in
:21:03. > :21:12.the moment. Feed off the crowd. You are absolutely right. You are over
:21:13. > :21:17.here doing The Voice at the moment. Are you loving it? I love it so
:21:18. > :21:21.much. I love music, I love being around talent and the other coaches.
:21:22. > :21:30.It's a great experience. I came from a show like this as well. 13 years
:21:31. > :21:36.ago. American Idle. I get to be a coach and help to call the shots!
:21:37. > :21:40.Yeah! It gives you a unique perspective. It does because I
:21:41. > :21:45.understand the space they are in and what it means to them. I can help
:21:46. > :21:50.coach them in the right direction. I can prepare them for the music
:21:51. > :21:54.industry. My money is on your team. The contestants seem to favour you.
:21:55. > :22:01.Who's the biggest rival from the other coaches? There is always "A
:22:02. > :22:09.problem" will stop but he knows how to compete. When will.i.am talks he
:22:10. > :22:15.goes into outer space. He likes to trick you and things like that. And
:22:16. > :22:17.the legend, Tom Jones, who can compete with him? Nobody. He's
:22:18. > :22:20.amazing. With just a week until Red Nose Day,
:22:21. > :22:24.it's important to remember why Comic Relief isn't
:22:25. > :22:26.just about the laughs. Sara Cox meets the Box Girls
:22:27. > :22:49.of Kenya to see how your donations It empowered me to know that I had a
:22:50. > :22:56.new chance. It gives us skills to help in our lives. Boxing changed my
:22:57. > :23:03.life. # Here come the girls...
:23:04. > :23:12.Since last Red Nose Day your money has helped almost 7 million women
:23:13. > :23:17.and girls across Africa. Box Girls in Kenya is empowering a whole new
:23:18. > :23:21.generation of girls. Some of them are so small, so sweet. It's like a
:23:22. > :23:28.mini army of girls. It's helping them cope with threats of violence
:23:29. > :23:33.and educating them to make better life choices. Who had negative
:23:34. > :23:41.experience in the slums to make you realise it's a good job to be here?
:23:42. > :23:46.We could have just dropped out of school or be abreast.
:23:47. > :24:06.-- or be oppressed. It helps make me know my rights. If I say yes, it's
:24:07. > :24:29.yes, and no means no. Since Box Girls, everything is OK.
:24:30. > :24:35.This lot behind me are completely amazing. It's thanks to you and your
:24:36. > :24:41.money, they are blossoming into these bright, bold, confident young
:24:42. > :24:45.women. They are breaking the cycle of violence, early pregnancy, the
:24:46. > :24:49.risk of HIV. These girls want an education and career, and it's
:24:50. > :24:51.because they come to Box Girls. If you can donate, we appreciate every
:24:52. > :24:56.penny. Give what you can. If you would like to donate money,
:24:57. > :24:59.which goes to fund Comic Relief projects at home in the UK
:25:00. > :25:02.and in Africa, here's how to do it. To donate ?5, text the word
:25:03. > :25:04.HELP to 70205 or to donate
:25:05. > :25:11.?10 text HELP to 70210. Texts will cost your donation
:25:12. > :25:14.plus your standard network message charge and all of your donation
:25:15. > :25:17.will go to Comic Relief. You must be 16 or over and please do
:25:18. > :25:20.ask the bill payer's permission. For full terms and conditions,
:25:21. > :25:22.more information or to donate any amount you like online please go
:25:23. > :25:31.to bbc.co.uk/rednoseday. And Sara of course is embarking
:25:32. > :25:34.on a "24 Hour Danceathon" outside of the Radio 2 studios from Monday
:25:35. > :25:38.morning in aid of Comic Relief. She'll be hopefully finishing her
:25:39. > :25:50.epic challenge on the Radio 2 breakfast show on Tuesday -
:25:51. > :25:53.which I'll be presenting - That's almost all we have time for,
:25:54. > :25:57.thank you to my co-host But now, playing us out
:25:58. > :26:01.with her new single Remember Me, # Say I forgot
:26:02. > :26:30.to give you what you need # Well, I promised you gold yeah,
:26:31. > :26:33.to have and to hold # In those moments
:26:34. > :27:03.just before you sleep? # Swear to me the
:27:04. > :27:11.memory isn't sweet. # That it doesn't
:27:12. > :27:22.make your heartbeat # Oh baby we don't
:27:23. > :27:36.even have to speak # On your heels same
:27:37. > :27:44.as you # In those moments
:27:45. > :28:16.just before you sleep # In those moments
:28:17. > :28:33.just before you sleep # Swear
:28:34. > :28:42.to me the memory isn't sweet. # That it doesn't
:28:43. > :28:55.make your heart beat # No it doesn't make
:28:56. > :29:04.your heart beat?# MasterChef is back, to find the
:29:05. > :29:10.country's best home chef. The MasterChef kitchen is alive once
:29:11. > :29:15.more. Come on, let's go! That's one of the hardest things
:29:16. > :29:23.I've ever had to do in my life.