:00:16. > :00:19.Hello and welcome to The One Show with Matt Baker.
:00:20. > :00:26.Tonight's guests are familiar faces from Walford but they've come up
:00:27. > :00:29.West tonight and are practically unrecognisable - for a start he's
:00:30. > :00:34.not wearing his trademark trilby and she's actually smiling!
:00:35. > :00:37.Please welcome Rudolph Walker and Diane Parish.
:00:38. > :00:48.Rudolph and Diane are going to be at the centre of a gripping storyline
:00:49. > :00:56.next week and we'll chat to you both about it a bit later on.
:00:57. > :01:00.This time last year newspapers were predicting that Britain would be
:01:01. > :01:01.flooded with immigrants from Romania and Bulgaria due to changes
:01:02. > :01:14.Tim Samuels has set out to discover if that was actually the case.
:01:15. > :01:24.As working restrictions fell away from the start of January, there was
:01:25. > :01:33.a prediction of a mass influx Ocean of Bulgarian 's and Romanians. This
:01:34. > :01:36.intrigued me. Up to 28 million people, who want to come to this
:01:37. > :01:44.country can. Freedom of workers who want to get on and work. We want our
:01:45. > :01:50.country back. Will there be another wave of Eastern European immigrants
:01:51. > :02:05.to add to the thousands of Polish people who came ten years ago. They
:02:06. > :02:19.filled up the towns like Austen. It used to be a nice town, you could
:02:20. > :02:21.understand what everybody was saying. If they work, I have no
:02:22. > :02:23.objection. 1st of January, 2014 and we don't know if there is about to
:02:24. > :02:25.be a flood of Romanians and Bulgarians or not. Where do you come
:02:26. > :02:31.from? Italy. Is it your first time here? No, I live here. We have now
:02:32. > :02:38.found a new person. A pig farmer who's coming for a better living.
:02:39. > :02:46.His arrival has caused a media frenzy. What a crazy start? Yellow
:02:47. > :02:49.macro maybe it is a good start. He heads off, his future uncertain.
:02:50. > :02:55.What drives them to leave their homes and family to come here? I
:02:56. > :02:59.travelled to Bucharest to meet this man. He invites me to meet his
:03:00. > :03:10.family. Where do you live and sleep last remark him and as neighbours
:03:11. > :03:14.dream of buying land to build better homes, but to do that they need
:03:15. > :03:25.money. How much money will it cost to build the house? What will you
:03:26. > :03:34.make it from? Like this. Breeze block? You can see why they are
:03:35. > :03:36.willing to take a gamble. But with few skills and little English, will
:03:37. > :03:44.he find work rush to mark in the UK, I need V to see how his first few
:03:45. > :03:50.months have been. Today is my birthday. Today? How old are you? 30
:03:51. > :03:59.years old. the house with five others, paying
:04:00. > :04:05.?300 a month the house with five others, paying
:04:06. > :04:14.in construction and is pleased with what he is earning. I was working
:04:15. > :04:18.in construction and is pleased with a labourer and was paid ?60. After I
:04:19. > :04:22.went to another job, a labourer and was paid ?60. After I
:04:23. > :04:32.with ?80. a labourer and was paid ?60. After I
:04:33. > :04:44.him. He has arrived in London, chasing his dream of ?8,000 but he
:04:45. > :04:51.has no work and nowhere to stay. Are you still full of hope you might be
:04:52. > :04:56.able to turn this around? Things are looking grim. He has joined
:04:57. > :05:02.London's rough sleepers. One in ten are said to be from Eastern Europe.
:05:03. > :05:07.Victor has been more fortunate and his girlfriend has come to visit.
:05:08. > :05:12.Victor has been more fortunate and How are you doing? V, what jobs have
:05:13. > :05:27.you been doing? I am working two jobs.
:05:28. > :05:36.you been doing? I am working two citizens have moved to the UK each
:05:37. > :05:45.year. But the citizens have moved to the UK each
:05:46. > :05:51.working in the UK has fallen. It seems
:05:52. > :05:53.working in the UK has fallen. It any Romanian is free to follow their
:05:54. > :06:08.dream here, just like V. You can see
:06:09. > :06:30.The Great Big Romanian Invasion in Alp Mehmet joins others. Do you
:06:31. > :06:36.accept it hasn't happened? Others may have read it did it, and we said
:06:37. > :06:43.over the next five years it would average out over the five years. We
:06:44. > :06:47.are pretty sure we are going to be right. As far as how many have come
:06:48. > :06:54.here already, there is something close to 50,000. That is not the
:06:55. > :06:58.issue. It is not the fact nice Romanians are coming here as we have
:06:59. > :07:06.just seen, we want steady, managed migration. They are playing into
:07:07. > :07:12.something at the moment that is a little bit out of control. If that
:07:13. > :07:18.continues, what are your fears? Migration at the present rate,
:07:19. > :07:25.between 2012 and 2013, we had 400 thousand more in our population than
:07:26. > :07:31.we did a year before. It is a lot of people! You have to find homes for
:07:32. > :07:34.people, kids need schools. You need services to provide for them. That
:07:35. > :07:40.is the longer term impact of uncontrolled migration and that is
:07:41. > :07:48.what we would like to see lowered. Not stopping immigration. I am an
:07:49. > :07:56.immigrant myself. But we want sensible, managed migration. How do
:07:57. > :08:01.you put a stop to it? What measures do you put in place? The government,
:08:02. > :08:08.with regard to non-EU migration has done pretty well. They have brought
:08:09. > :08:18.levels down, so it is possible. We then get into another story
:08:19. > :08:32.altogether when we look at EU migration. Countries like Romania
:08:33. > :08:37.and Bulgaria, a lot of people will want to come here. We have seen in
:08:38. > :08:45.that clip of film, for a better way of life. Why not. It is a case of
:08:46. > :08:47.being aware of that so we have the right number of school places and if
:08:48. > :08:49.possible, bring it down. Rudolph, was that your reason for coming to
:08:50. > :08:55.England, a better way of life? As an actor, there was no opportunities in
:08:56. > :09:02.Trinidad. I have no regrets. I could have gone to America. But I have no
:09:03. > :09:07.regrets, I have made a contribution and I have children and
:09:08. > :09:10.grandchildren. Is it true to say lots of people are a bit scared to
:09:11. > :09:14.vocalise their thoughts on immigration because they may be
:09:15. > :09:19.labelled as racist. When in fact they don't have a problem with the
:09:20. > :09:24.migrants, but they have a problem with the amount of people, like
:09:25. > :09:30.yourself? It is absolutely right. If you ask most people, I am an
:09:31. > :09:37.immigrant and when I meet people I hope they don't say, this is a nasty
:09:38. > :09:42.individual. But if you ask people what their biggest concern is, as
:09:43. > :09:48.recent polls showed, 75% of them think immigration is even more
:09:49. > :09:53.important to them than the economy. That is really only to be expected,
:09:54. > :09:57.if you allow it to get out of control like it has been in the
:09:58. > :10:03.recent past. Thanks for that, we will leave it there. Nick and
:10:04. > :10:15.Margaret from the apprentice have been looking into it. John Dolan who
:10:16. > :10:23.was once homeless is making a name for himself as an artist, but is at
:10:24. > :10:29.risk of being upstaged by his dog. From sleeping rough, to the darling
:10:30. > :10:33.of the artwork, but this man has made the transition thanks to a
:10:34. > :10:40.little bit of help from man's best friend. In the aged 19, John was
:10:41. > :10:49.trapped in a cycle of homelessness, present and drugs ending up on the
:10:50. > :10:54.streets of East London. My life revolves around shoplifting in the
:10:55. > :10:56.daytime. Then you would be phoning drug dealers and hanging about on
:10:57. > :11:01.street corners. It was either change or kill myself. How did this man
:11:02. > :11:06.turn his life around, from homeless drug addicts who celebrated artist?
:11:07. > :11:12.It is all down to George, a Staffordshire bull terrier with a
:11:13. > :11:19.big personality. Some friends gave the dog to me. One moment I have no
:11:20. > :11:24.responsibilities, next I have the responsibility of an animal. How did
:11:25. > :11:28.George help you turn your life around? I was touring pictures of
:11:29. > :11:36.the buildings across the road. Then a lady asked me to draw a picture of
:11:37. > :11:41.my dog, so I did and she bought it off me. You started to behave
:11:42. > :11:48.differently? I started to take myself seriously as an Ardis. There
:11:49. > :11:54.was a buzz going around Shoreditch, and people would come and wish me
:11:55. > :11:58.luck. Gallery owner, Richard Howard Griffin discovered John on the
:11:59. > :12:04.streets of Jordan -- Shoreditch. It is quite a leap of faith seeing
:12:05. > :12:10.somebody on the streets and thinking you wanted to work with them. What
:12:11. > :12:15.was it about his art? There is an honesty and realism. If you look at
:12:16. > :12:20.his architectural studies, there is a great deal of detail and
:12:21. > :12:27.refinement. What is in this new exhibition. This is his home aged to
:12:28. > :12:33.George the dog. We have created his old pitch. This is the box he used
:12:34. > :12:41.to sit at with George. Obviously we are surrounded by hundreds of
:12:42. > :12:48.pictures of George. Those people who bought a picture of George did well,
:12:49. > :12:54.only ?10. They are selling for up to ?3000, which is an increase from ?10
:12:55. > :12:59.and I am sure it is a price that will go up as he becomes more
:13:00. > :13:04.relevant. So, as the great and the good of the artwork celebrate
:13:05. > :13:12.Hoxton's latest hit, George has in the spotlight to look forward to.
:13:13. > :13:15.George is going to have an easy life. He has been sat outside in the
:13:16. > :13:33.cold long enough, it is about time he put his feet up. Cute little dog.
:13:34. > :13:41.You have been on the show for eight and a half years. I have been on six
:13:42. > :13:49.and three quarters. You are having a great time as an actress? Yes,
:13:50. > :13:53.material is so rich. One minute you can be incarcerated in a cellar by a
:13:54. > :14:01.serial killer, the next you are having bust ups in the Vic. I love
:14:02. > :14:07.working with Rudolph. I really feel fortunate. It is reciprocated. Your
:14:08. > :14:13.characters are very close and you are close in real life but you are
:14:14. > :14:19.at the centre of a sensitive storyline? Can you explain what
:14:20. > :14:26.Patrick is going through? The producers from EastEnders did get
:14:27. > :14:31.you on here to talk about this. We did this thing it a spoiler, but
:14:32. > :14:35.they are very keen did this thing it a spoiler, but
:14:36. > :14:43.important. I will blame you if I get the sack tomorrow! Patrick suffered
:14:44. > :14:49.a stroke and it the sack tomorrow! Patrick suffered
:14:50. > :14:57.signs, what the producers want to put out there, the slightest problem
:14:58. > :15:00.or indication that put out there, the slightest problem
:15:01. > :15:14.wrong, you should have it checked out. It is better to be safe than
:15:15. > :15:15.sorry. Even a younger, visiting the hospital, you realise there are
:15:16. > :15:22.sorry. Even a younger, visiting the people at the age of 40. But there
:15:23. > :15:25.are signs you should not ignore. We can see those signs in a clip that
:15:26. > :15:58.we have from tomorrow night's episode.
:15:59. > :16:05.Powerful. It is powerful stuff, and it's a big responsibility as an
:16:06. > :16:09.actor to depict somebody that is suffering from a stroke. You were
:16:10. > :16:13.watching him doing the scene on the other day and he looked shattered
:16:14. > :16:16.because of the concentration. How much help have you had from your
:16:17. > :16:21.producers in terms of the brief and how to deal with this sort of
:16:22. > :16:31.storyline? I haven't really been briefed as much as Rudy. He is the
:16:32. > :16:37.protagonist. From my point of view, it's being a carer, being thrust,
:16:38. > :16:41.suddenly finding herself having the responsibility to look after
:16:42. > :16:45.Patrick. You know, everybody seems to have been touched by an illness
:16:46. > :16:51.like this in some way or another. In my family, we have been as well. So,
:16:52. > :16:55.you know, it is the stripping down of somebody after they have had a
:16:56. > :17:04.stroke. I think what it signified for me was that Patrick is a strong,
:17:05. > :17:08.able, fun character. And it gives you a different perspective on your
:17:09. > :17:11.work when you know that some in the people out there could potentially
:17:12. > :17:16.benefit? Absolutely. One of the things I tend to do, I have visited
:17:17. > :17:23.the stroke hospital and I've gotten involved with this situation, if I
:17:24. > :17:28.can be helpful, if I can be the voice, I can gladly do that. You are
:17:29. > :17:33.quite right, it has been a strenuous challenge. Isn't it fantastic to get
:17:34. > :17:39.something so challenging on the show? As much as you can, we look
:17:40. > :17:48.forward to seeing what is to come. What happens, yes. Today, we heard
:17:49. > :17:50.that Oscar-winning film-maker Ron Howard is to direct a documentary
:17:51. > :17:58.about the early years of the Beatles. A Hard Day's Night is bound
:17:59. > :18:00.to feature, and Carrie has been to meet the people that starred
:18:01. > :18:05.alongside the boys in their first feature film.
:18:06. > :18:12.In 1964, Beatlemania was in full swing. The record company bosses
:18:13. > :18:16.looked for ways to cash in on the new phenomenon and came up with a
:18:17. > :18:23.tried and tested formula. Elvis had done it, and now it was the Beatles
:18:24. > :18:32.turn to make a movie. 50 years ago, cameras started rolling here,
:18:33. > :18:36.London's Mala bone station. The film is a fictional day in the life of
:18:37. > :18:41.the biggest pop band in the world as they travel to London for a TV
:18:42. > :18:44.performance. Richard Lester shot the film in a documentary style, with
:18:45. > :18:56.hand-held cameras and thick cuts between shots. The station has
:18:57. > :19:06.changed since the 60s. But expert Richard Porter knows all about its
:19:07. > :19:09.role in the film. In the film, they are supposed to be travelling from
:19:10. > :19:16.Liverpool lime Street to London. But there was a lack of budget, so they
:19:17. > :19:19.had to use this station twice, for their departure and arrival. What
:19:20. > :19:25.would it have been like for the fans? They knew what the Beatles
:19:26. > :19:30.were going to be before they even knew. You had all of the extras, but
:19:31. > :19:40.you also have the real fans turning up. It does feel chaotic at times?
:19:41. > :19:46.It does, it showed how claustrophobic it was for the
:19:47. > :19:52.Beatles. It was going to be called Beatlemania? It was. Ringo Starr
:19:53. > :19:57.slumped into a chair, he said, it's been a hard day. They realised it
:19:58. > :20:02.was my time. They said, it's been a hard day's night. They said, that
:20:03. > :20:07.the title we want. The anarchic style set the film apart from rock
:20:08. > :20:16.'n' roll movies of the 60s. Alan Nolan's script played on their
:20:17. > :20:21.cheeky ad-libs. How did you find America? It's right next to
:20:22. > :20:22.Greenland. Ringo escapes from the spotlight and goes for a walk along
:20:23. > :20:36.the towpath. Have you got a license for that?
:20:37. > :20:39.Don't be so stroppy! We were handed this white script with no title. I
:20:40. > :20:46.was sitting, wondering what it was. When we opened the page it said,
:20:47. > :20:52.John, Paul, George and Ringo. What was your thoughts? Oh, my God! What
:20:53. > :20:58.was it like filming with Ringo Starr? He did seem a little bit
:20:59. > :21:01.nervous. At one part we were walking along and going through the dialogue
:21:02. > :21:11.committee said, it's all right for him, he knows what he's doing.
:21:12. > :21:15.Charlie! What were the reactions to your getting the role? My rating
:21:16. > :21:24.went up a little bit at school. I wasn't short of girlfriends for a
:21:25. > :21:29.while. A Hard Day's Night premiered at the London Pavilion in 19 system
:21:30. > :21:33.for and brought Piccadilly Circus to a standstill. It wasn't a day too
:21:34. > :21:40.soon for these three fans. It's the first time we saw them walking and
:21:41. > :21:47.talking, moving continuously. Do I snore? Yes, the windows rattle. We
:21:48. > :21:53.go home and pretend we came from Liverpool, talking without Liverpool
:21:54. > :21:55.accent. They didn't pretend, they didn't try to be somebody else and
:21:56. > :22:03.you thought you could be somebody else. They still make me laugh and
:22:04. > :22:06.it's stood up to the test of time. Rudy has just spent the last four
:22:07. > :22:11.menace reminiscing of his student days. You have both had lots of jobs
:22:12. > :22:13.on Albert Square. But you have worked at the same place for a
:22:14. > :22:22.period of time, the Minute Mart. Home sweet home! We are going to
:22:23. > :22:31.test your knowledge of what happened in that beautiful place. We have a
:22:32. > :22:36.basket full of cans. We've been doing our shopping. It's quite
:22:37. > :22:40.heavy, they are full hands. Those are more products than we have
:22:41. > :22:45.there. We'll ask you to pick one and will ask you a question. With the
:22:46. > :22:55.help of the voice of the original talking till... Would you like to
:22:56. > :23:00.continue? By coincidence, she was in Eastenders at one point. Do you want
:23:01. > :23:08.to start us off? I'm very excited, I get to scan it. Lovely. Your
:23:09. > :23:15.question, when you worked in the Minute Mart, what colour apron did
:23:16. > :23:23.you wear? Oh, I'm colour-blind! It has to be British, burgundy... --
:23:24. > :23:43.read. I'll write the scores down. Any can. OK, what vegetable did you
:23:44. > :23:50.say that Ian talks to? Mane aubergine! I'll never forget that.
:23:51. > :24:02.Time for one more. Go for it. Ready? What award did Heather get while
:24:03. > :24:07.working in the shop with you? We can both work that one. With me? You can
:24:08. > :24:15.work that out together, it's the last question. I can't remember.
:24:16. > :24:28.Hurry up, there is a queue behind you. Employee of the month. Card
:24:29. > :24:36.declined! You got one each. You can take those for your tea, we don't
:24:37. > :24:37.know what is in them. You'll be pleased to know that Mr Papadopoulos
:24:38. > :25:11.will be here tomorrow answering questions about the launderette.
:25:12. > :25:13.Things get tense in Albert Square, punch-ups are ten a penny. According
:25:14. > :25:14.to Miranda, that's not the only place where you can place with an
:25:15. > :25:15.enemy. Spending a gentle afternoon poking around in a rock pool is one
:25:16. > :25:16.of life's pleasures. For the creatures that live in a rock pool,
:25:17. > :25:16.life is far from being a gentle affair.
:25:17. > :25:17.They are constantly changing and life is a real battle. Animals have
:25:18. > :25:25.to be willing to fight for resources. One of my favourite rock
:25:26. > :25:31.pool inhabitants are hermit crabs. Sometimes they take a shell from
:25:32. > :25:38.another hermit crab. If you notice the one that you are holding, the
:25:39. > :25:45.shell is too small for that crab. So yours will want to take the shell
:25:46. > :25:56.from mine. Mine notices the better shell immediately. So, it's hiding
:25:57. > :26:01.inside the shell. Can you see he's grabbing the little one? He's
:26:02. > :26:05.literally going to pull him out? There's one thing he has to do
:26:06. > :26:14.before that's going to happen. Which is that. That is shell wrapping. The
:26:15. > :26:38.harder and faster he hits it, the more likely he is able to get him
:26:39. > :27:11.out of it. It's a demonstration of stamina. The small crab has been
:27:12. > :27:38.injected. The big one doesn't waste a lot of time. No hermit crab wants
:27:39. > :28:14.to stay without a shelf along, at least this loser has a consolation
:28:15. > :28:48.prize. As the tide recedes, rock The limp are not the only
:28:49. > :28:51.on the side. It is quite aggressive and it drives the starfish. They
:28:52. > :28:58.stomp on the starfish and it often drives it away. Look at it going
:28:59. > :29:06.down. It is incredibly energetic behaviour. The feisty limpets will
:29:07. > :29:10.live to see another day. Up here it all seems calm, but under the
:29:11. > :29:16.surface, the watery world of rock pools is one of drama. Animals
:29:17. > :29:20.literally fight for survival. Thank you Miranda. Thanks to Rudolph
:29:21. > :29:27.and Diane Blood joining others. Good luck with the storyline, it is
:29:28. > :29:31.something we all identify with. We will be talking about space food
:29:32. > :29:32.with Heston Blumenthal and astronaut, Tim Peake.
:29:33. > :29:50.Goodbye. I'm not going to carry on
:29:51. > :29:51.as if nothing has happened. I'm afraid there's not much
:29:52. > :29:56.we can do. # Not giving in... # ..how would you fight
:29:57. > :29:59.to get her back? This is wrong.