:00:28. > :00:29.# Living for each other was why we were living
:00:30. > :00:32.# When we were lovers, when we were lovers
:00:33. > :00:34.# Giving it all was everything we were giving
:00:35. > :00:37.# Living for each other was why we were living
:00:38. > :00:39.# When we were lovers, when we were lovers
:00:40. > :00:51.# It felt like love # APPLAUSE
:00:52. > :00:53.Hello and welcome to The One Show with Matt Baker.
:00:54. > :01:02.That was the incredible Jack Savoretti and he'll be
:01:03. > :01:08.Very good guitar playing with cold fingers. Real skills!
:01:09. > :01:10.And over the next hour, we've plenty more to brighten this
:01:11. > :01:13.cold January evening - just look at the explosion of colour
:01:14. > :01:21.Isn't it just beautiful. This lot have been touring the country.
:01:22. > :01:26.Festival kicks off here in London - ahead of the Chinese New Year -
:01:27. > :01:28.and we're delighted to have some of their beautiful lanterns
:01:29. > :01:32.My favourite is the giant baby. Couldn't agree more.
:01:33. > :01:35.And lighting up the inside of our studio is an all-female
:01:36. > :01:37.line-up of guests - three stars who've never met before
:01:38. > :01:40.but who all shine bright in their respective fields.
:01:41. > :01:42.From the world of drama, comedy and reality TV
:01:43. > :01:57.APPLAUSE Welcome. Welcome. Shut the door, it
:01:58. > :01:58.is freezing, keep warm. Una and Katherine, it's
:01:59. > :02:00.lovely to have you back on the show, but Scarlett -
:02:01. > :02:03.this is your first time. We think we've included
:02:04. > :02:09.an item for all of you. There is something for everyone.
:02:10. > :02:17.Fingers crossed. We know you are a fan of the Carry On films, which is
:02:18. > :02:21.your favourite? Carry On Screaming. I love your approach, as soon as you
:02:22. > :02:24.walked in and you said, he is a lot smaller than I expected. It's weird,
:02:25. > :02:33.I always watched it and thought that he was huge. As far as the content
:02:34. > :02:37.of the night's show is concerned, embroidery has been a big thing in
:02:38. > :02:41.your life. You have written four books on it!
:02:42. > :02:45.LAUGHTER A long time ago. Tonight we have a
:02:46. > :02:54.tailor swapping tips with a surgeon especially for you. No! And
:02:55. > :02:59.Katherine, we have pig vaccinations or special snooker trick shots, what
:03:00. > :03:03.takes your fancy? I'm famously pro-vaccination but antique pig so I
:03:04. > :03:10.will go for the snooker. Good, we have a brilliant snooker trick shot
:03:11. > :03:14.setup here in The One Show offices. It took hours to set this up. This
:03:15. > :03:18.was upstairs on the seventh floor. The question is, will it work, will
:03:19. > :03:19.the ball get all the way down here? All will be revealed later. It is
:03:20. > :03:24.tense. Nobody likes spending
:03:25. > :03:26.more than they have to - especially on everyday essentials
:03:27. > :03:28.like energy - but according to the latest figures,
:03:29. > :03:30.almost half of us have Experts say we should switch once
:03:31. > :03:34.a year to get the biggest savings. But cheap tariffs don't guarantee
:03:35. > :03:45.decent customer service, It's that time of year again when we
:03:46. > :03:51.raise the temperature and watch our energy bills shoot up. But with a
:03:52. > :03:55.choice of more than 40 energy suppliers on the market, could it be
:03:56. > :03:58.time to ditch the big six and go for one of the smaller companies
:03:59. > :04:04.instead? One of the newest companies on the market is this one, Extra
:04:05. > :04:10.Energy, lodged in early 2014, they have already broken some records,
:04:11. > :04:13.just not once you'd be proud of. Richard from Bristol decided to
:04:14. > :04:18.switch from one of the big six to Extra Energy when he spotted a much
:04:19. > :04:23.cheaper deal on a comparison website. So far so good. Now all
:04:24. > :04:27.I've got to do is find a new supply and let them know you want a change
:04:28. > :04:32.and it will all be done for you, no problem, hunky-dory, great, smooth,
:04:33. > :04:37.works like clockwork. Except, no, it doesn't. Extra Energy didn't switch
:04:38. > :04:40.his account properly done correctly, leaving Richard paying his former
:04:41. > :04:47.supplier for his electricity and his new supply Extra Energy for his gas.
:04:48. > :04:50.It was about six, seven, even eight months of a total shambles. There
:04:51. > :04:54.was obviously a problem which they just wouldn't admit to and simply
:04:55. > :05:05.could not sort out. Also the length of time you had to spend on the
:05:06. > :05:09.phone. On one occasion it was about 10:05pm for 10:10pm, sitting on the
:05:10. > :05:13.phone waiting listening for to music. Extra Energy has since
:05:14. > :05:17.resolved Richard's complaint and given ?30 as a goodwill gesture but
:05:18. > :05:19.Richard's case is far from being a one-off.
:05:20. > :05:22.It may be less than three years old but already the company is top of
:05:23. > :05:27.the leaderboard when it comes to complaints.
:05:28. > :05:32.According to the Citizens Advice Bureau, Extra Energy was the worst
:05:33. > :05:37.energy supplier for handling customer complaints last year. Their
:05:38. > :05:44.figures show for every 100,000 customers there were more than 1500
:05:45. > :05:48.complaints. The CAV's director of energy, Victoria McGregor, says the
:05:49. > :05:53.company needs to sharpen up its act. -- CAV. We are worried about Extra
:05:54. > :05:57.Energy's performance, they have been at the bottom of the league table
:05:58. > :06:02.for three quarters in a row which is unprecedented. In terms of examples,
:06:03. > :06:06.what is wrong with the billing? It is late bills or inaccurate bills.
:06:07. > :06:09.One lady came to us who had diligently provided meter readings
:06:10. > :06:13.online but haven't received a built in over a year and then received a
:06:14. > :06:19.bill that was ?2000 which she just couldn't afford to pay in one go.
:06:20. > :06:22.Citizens Advice says it is continuing to see complaints about
:06:23. > :06:25.Extra Energy on a regular basis. I've come to Extra Energy's
:06:26. > :06:31.headquarters in Birmingham to get some answers.
:06:32. > :06:35.Ben Jones is Extra Energy's managing Director of Operations and he's
:06:36. > :06:38.agreed to give me an interview. According to the Citizens Advice
:06:39. > :06:42.Bureau, you are the most complained about energy supplier of the year.
:06:43. > :06:47.Why are things so that? Firstly I would like to offer a
:06:48. > :06:52.sincere and unreserved apology to any customer that has faced any
:06:53. > :06:57.issues. And to be frank, we vastly underestimated the popularity of our
:06:58. > :07:00.cheaper tariffs, and as a result grew very quickly. When the Citizens
:07:01. > :07:05.Advice Bureau say to me they are still receiving lots of complaints
:07:06. > :07:08.today, yesterday, this current quarter, coming through about you,
:07:09. > :07:11.how can people trust you have turned a corner and that you are putting
:07:12. > :07:16.things right? Admittedly, we have less and customers down. You are not
:07:17. > :07:19.fixing it quickly at all. Historically we have not been but we
:07:20. > :07:24.are now and that's the important point to note. The data I've seen
:07:25. > :07:28.does not seem to reflect that. It still has you at the wrong end of
:07:29. > :07:30.things. The data that you seek reflects a point in time that
:07:31. > :07:34.happened three, six, nine months ago. This is about investing in the
:07:35. > :07:38.future and fixing what is in front of us now and focusing on the
:07:39. > :07:42.future. We feel we can look forward now rather than backwards. More
:07:43. > :07:45.suppliers on the market like Extra Energy should mean more competition
:07:46. > :07:49.and lower bills. But as we have seen it's not always
:07:50. > :07:51.as simple as that and the reality of your tariff going down could be that
:07:52. > :08:02.your temperature starts rising. STUDIO: Ben Jones, we saw in the
:08:03. > :08:06.film, he fessed up to it and took responsibility for the problems at
:08:07. > :08:09.Extra Energy, didn't he? But is it going to be an easy problem to fix?
:08:10. > :08:13.Clearly it can't be that easy because they have been struggling
:08:14. > :08:16.this for a while. Every three months the Citizens Advice Bureau bring out
:08:17. > :08:20.their league table ranking energy supplies in terms of how well they
:08:21. > :08:24.deal with really tricky customer complaints and by tricky I mean the
:08:25. > :08:26.complaints that have to go to a third-party Web people seek help
:08:27. > :08:32.from the Citizens Advice Bureau, say. -- where people. For a year
:08:33. > :08:36.Extra Energy have been rooted to the bottom of the table. Yes, he was
:08:37. > :08:39.honest and seemed to fessed up as you say, and he showed me around the
:08:40. > :08:43.offices, lots of people dealing with complaints there now but what will
:08:44. > :08:47.tell is if they are in the bottom of the league table next time it is
:08:48. > :08:53.published. Extra Energy said they were not expecting the kind of
:08:54. > :08:55.influx of customers that have got. How are other smaller companies
:08:56. > :09:00.covering as far as the league table is concerned? I was looking for that
:09:01. > :09:03.and it is a mixed bag. I don't think this is an excuse either way because
:09:04. > :09:09.at the top of the leaderboard doing really well as a small company, and
:09:10. > :09:12.at the bottom is Extra Energy. You think what about the big six? The
:09:13. > :09:17.established provides should deal with complaints really well and
:09:18. > :09:20.again it is mixed. SSE, PDF and British Gas are in the top five
:09:21. > :09:25.doing well but at the same time ScottishPower unfortunately are in
:09:26. > :09:29.the bottom five -- EDF. My advice is if you are thinking about switching
:09:30. > :09:32.keep an eye on the league table. It's not all about price, it's about
:09:33. > :09:35.how well it will turn out and whether you are letting yourself in
:09:36. > :09:39.for a headache. Is is quite interesting for you because you've
:09:40. > :09:41.just moved house and moved to London, are you good at the
:09:42. > :09:47.practical details? I'm going to be really honest,
:09:48. > :09:50.whoever the provider is I just leave it because you end up being on the
:09:51. > :09:56.phone for ages and it's just really confusing. I almost feel as if I'm
:09:57. > :09:58.not adult enough to make those decisions.
:09:59. > :10:02.LAUGHTER I sort of just ring my mum come or
:10:03. > :10:07.go, it's that provider, I will stick with that. If you change you will
:10:08. > :10:10.save money on these days there are so many comparison sites online, if
:10:11. > :10:14.you put in who your current provider is and if you of your details will
:10:15. > :10:19.come up with the offers. I'm sure you would save ?200 for ?300 because
:10:20. > :10:24.that's what people say normally if they haven't changed for a while.
:10:25. > :10:29.That is why this studio is so small, Scarlett, it is so cheap to heat. We
:10:30. > :10:33.have a very good provider with all of these lights, I will tell you. If
:10:34. > :10:36.you have any consumer issues at home that you think The One Show should
:10:37. > :10:40.investigate, please do let us know, Joe is happy to help. Yes!
:10:41. > :10:43.Gyles Brandreth seems to have more energy than any supplier -
:10:44. > :10:48.Over the last few months, we've seen him recreate all sorts
:10:49. > :10:51.of iconic film stunts from James Bond to the Italian Job.
:10:52. > :10:57.That is not him, by the way! Look at him go!
:10:58. > :10:59.To be honest, we've pushed him so hard,
:11:00. > :11:01.I wasn't sure he'd be able to carry on.
:11:02. > :11:19.For almost 60 years British audiences have been entertained by a
:11:20. > :11:27.Goliath of innuendo and double entendre in the Carry On series.
:11:28. > :11:30.Infamy! Infamy! They've all got it in for me. With 30 titles to its
:11:31. > :11:34.name the brand's irreverent and bawdy humour centre of everything
:11:35. > :11:39.from the NHS to the British monarchy, with plenty of source and
:11:40. > :11:42.slapstick. Hi. What a lovely looking pair. Took the words right out of my
:11:43. > :11:48.mouth! CHUCKLES
:11:49. > :11:51.In Carry On don't lose your head French Aristocats feared for their
:11:52. > :11:56.lives as Madame guillotine steadily reduces their numbers.
:11:57. > :11:59.Short back and sides, not too much off the top.
:12:00. > :12:03.LAUGHTER Entered lewd, crude and downright
:12:04. > :12:14.rude upper-class saviour in the shape of the inevitable Sid James.
:12:15. > :12:17.You who! It's me. After him! In the finale stunt double standing
:12:18. > :12:21.in for Charles Autry uses wires and some sped up film magic to seemingly
:12:22. > :12:28.swing from a chandelier and crashed through a window. 50 years on, The
:12:29. > :12:33.One Show is attempting to recreate this swashbuckling finale with
:12:34. > :12:37.stuntman Gordon Alexander and stunt coordinator Jamie.
:12:38. > :12:42.But what is it about that... What? Don't be ridiculous, I've only
:12:43. > :12:46.had the one. What is it about the Carry On series that so hooked the
:12:47. > :12:48.nation? Robert Ross is the official Carry On
:12:49. > :12:54.historian. Robert, why were the Carry Ons so
:12:55. > :12:58.popular? The musicals were closing down and the comedies took over and
:12:59. > :13:04.the Carry Ons played to packed houses. What is the place of
:13:05. > :13:07.slapstick and stunts? He was very clever, he get other people, like
:13:08. > :13:10.Peter Diamond, who did the Star Wars films and they would be paid more
:13:11. > :13:14.money almost than the actors because they were technically brilliant. He
:13:15. > :13:20.could replace an actor, he could not replace a stuntman. He would want
:13:21. > :13:23.them to look as good as possible for the cheapest amount. Preparations
:13:24. > :13:27.underway as our stunt team sets up for the big leap for sup safety wise
:13:28. > :13:32.they were using bed mattresses because they never had crash mats.
:13:33. > :13:37.They most probably were using boxes from a very early age. Boxes are
:13:38. > :13:42.very beautiful on, that's one thing that has never changed and never
:13:43. > :13:46.will. How was it? Soft? The evolution of distant business in the
:13:47. > :13:50.early days, there were a lot of doormen looking after the stars and
:13:51. > :13:53.everybody knew everyone, so the moment they needed somebody to fall
:13:54. > :13:58.through a glass window will be in a punch-up, it fell back on these
:13:59. > :14:03.security guards who were, like, we can do that. The stunt business now
:14:04. > :14:05.is structured where it wasn't in those days.
:14:06. > :14:11.Which is just as well because The One Show stuntman Gordon Alexander
:14:12. > :14:15.will be smashing his way through an eight foot 4' window. Get it wrong
:14:16. > :14:22.and it will be a right pain in the glass.
:14:23. > :14:29.To be continued. We do need a resolution for the story and Gyles
:14:30. > :14:36.Brandreth has promised one later in the show. Easy! Easy! Moving on.
:14:37. > :14:39.Did the Carry On films make it as far as Canada Katherine?
:14:40. > :14:47.No! I love Gyles Brandreth, so if he's selling the something, whether
:14:48. > :14:51.it be energy for this falling around, I love it. I don't like to
:14:52. > :14:54.see people fall over. It looks to have a real British five and a nice
:14:55. > :14:59.flavour, I could get into Carry On films. You are a massive fan of the
:15:00. > :15:04.Carry On films, what is it you love about them so much? Me and my nanny,
:15:05. > :15:09.it was our favourite thing to do and we would watch Carry On movie after
:15:10. > :15:13.Carry On movie and it's just really funny and slapstick. It is only as I
:15:14. > :15:19.told that I understood some of the innuendo. I've watched them since I
:15:20. > :15:22.was about five and obviously some of it went over my head but it is just
:15:23. > :15:30.pure Britishness, it's amazing. I love carry on screening and Carry On
:15:31. > :15:35.Camping. Carry on Camping, that seems. It's amazing, isn't it. There
:15:36. > :15:41.is a connection between Sherlock and Carry On because Benedict's mum
:15:42. > :15:53.wander was in several Carry On films and you were friends. And I worked
:15:54. > :15:56.with her in several films. B films. She was so glamorous and still is
:15:57. > :16:03.very glamorous and when they needed somebody glamorous in a film they
:16:04. > :16:11.always got wander we have a picture of the Perov you. Do you remember
:16:12. > :16:18.that photo? -- the pair of you. Are you on the far left? The far right.
:16:19. > :16:24.You look lovely. Obviously we have got to talk to you about Sherlock
:16:25. > :16:29.which has just finished, and your lovely portrayal of Mrs Hudson. What
:16:30. > :16:35.an action hero she turned out to be. Who knew she had such a gritty past?
:16:36. > :16:39.I think it was gradually creeping in. They let the audience know that
:16:40. > :16:42.my husband was pretty rocky and Benedict had got rid of him, or
:16:43. > :16:48.Sherlock had got rid of him. I had no idea the script was coming. A lot
:16:49. > :16:53.of the crew had read it and said, wait until you see your episode.
:16:54. > :16:57.That usually means you are going to fall down an elevator shaft. It must
:16:58. > :17:02.have been really fun to do because you got totally stuck in. I know!
:17:03. > :17:08.And I loved it. When they handed you the keys of the Aston Martin. You
:17:09. > :17:13.went for it! Let's have a look at how tough you got.
:17:14. > :17:22.Where is Mrs Hudson. He will have be up in a moment. Would you like a cup
:17:23. > :17:28.of tea. Thank you. The kettle's over there.
:17:29. > :17:34.# Bad to the bone. On you go. Examine him. I am the widow of a
:17:35. > :17:38.drug dealer, to the last time I am not your housekeeper.
:17:39. > :17:50.He has no idea what an idiot you are.
:17:51. > :17:55.APPLAUSE That car chase was trending. It got
:17:56. > :17:57.everybody talking, but when your grandchildren for example are
:17:58. > :18:02.watching you on the telly, what do they think, they must think you are
:18:03. > :18:07.Super Gran? They are quite young, some of them, and some of them are
:18:08. > :18:11.grown up. I have a granddaughter in Madrid, and she texted me, she was
:18:12. > :18:14.really thrilled and one of my trending. It got everybody talking,
:18:15. > :18:16.but when your grandchildren for example are watching you on the
:18:17. > :18:19.telly, what do they think, they must think you are Super Gran? They are
:18:20. > :18:21.quite young, some of them, and some of them are grown up. I have a
:18:22. > :18:24.granddaughter in Madrid, and she texted me, she was really thrilled
:18:25. > :18:27.and one of my little ones said to me "Are you on television granny? "
:18:28. > :18:30.That is all they know. Of course, will you be honest with us here,
:18:31. > :18:32.when you get the scripts, from a viewer's perspective it can be
:18:33. > :18:35.complicated to follow. When they give you the scripts and you read
:18:36. > :18:37.through them to you think what is happening? Well, it is, the script
:18:38. > :18:41.reading is nervewracking so you are concentrating on doing as good a
:18:42. > :18:45.read as you can do, but I think with Sherlock, yes, it is quite
:18:46. > :18:49.complicated in a way, but that is quite good, to work it out. I have
:18:50. > :18:52.got it and all that sort of thing goes on. So yes is the answer to the
:18:53. > :18:58.question. Yes. LAUGHTER
:18:59. > :19:03.It was a bit long and boring. It's a chat show, that is what we are here
:19:04. > :19:07.to do. What everyone will want to know, including myself, do you think
:19:08. > :19:12.there is going to be a fifth series? We don't know. That is truly, we
:19:13. > :19:18.really don't know. And sometimes you say, I wonder if we do any more and
:19:19. > :19:23.Sue, our producer goes, we don't know. You never know. You are trying
:19:24. > :19:28.to read the signs and facial expressions. We really don't know. I
:19:29. > :19:32.would say... As far as preparation was concerned for this series, huge
:19:33. > :19:37.ebbing presentation tasting and what have you as opposed to the early
:19:38. > :19:41.series r I guess your preparation must have changed slightly. Because
:19:42. > :19:48.you must have been getting worked up at what you would have to produce
:19:49. > :19:52.for the fans. I am not on twitter. I have never been on twitter. I had no
:19:53. > :19:58.idea there was quite a fuss made about that episode. Oh yes. . I had
:19:59. > :20:03.no idea. Then Sue rang me and said they have gone bananas. So
:20:04. > :20:09.thrilling, actually. Your fans really want a spin off series, they
:20:10. > :20:09.would like to see you in your own special show.
:20:10. > :20:15.APPLAUSE . Thank you. The people we have got
:20:16. > :20:20.in here tonight. We have got a Sherlock and Dr Watson with a baby,
:20:21. > :20:25.it is not a real baby. I have met them before. Have you? It is
:20:26. > :20:30.surprising where the superfans get to? Series four, is out on DVD on
:20:31. > :20:34.Monday, so we look forward to that, it is available as a digital
:20:35. > :20:39.download on BBC store, so no excuse not to watch it.
:20:40. > :20:41.Now, Una here's a film we think you'll enjoy -
:20:42. > :20:45.This is master tailor Patrick Grant looking for inspiration
:20:46. > :20:49.If this was a Sherlock episode it would be called
:20:50. > :21:07.I am fashion designer and sewing is what my world is all about it is the
:21:08. > :21:12.same for Roger here but he is a surgeon. Today we will see what we
:21:13. > :21:17.can learn from each other in a special One Show job swap.
:21:18. > :21:21.Roger is a Professor of surgical education at Imperial College
:21:22. > :21:24.London. He is interested in parallels between surgery and
:21:25. > :21:29.craftsmanship. He learns from professionals who work and
:21:30. > :21:32.communicate under pressure, like Formula One teams, and even bomb
:21:33. > :21:36.disposal experts. I have been looking at how you approach
:21:37. > :21:40.something that is very high stakes for the people involved, because if
:21:41. > :21:43.it goes wrong they get blown up, and there are interesting parallels
:21:44. > :21:48.there, with surgery, where there are high stakes of a different kind, by
:21:49. > :21:53.finding out what experts outside medicine do with their worlds, we
:21:54. > :21:56.can improve what we do in ours, we can teach people to do what they
:21:57. > :22:00.need to do but better. Roger thinks the best way to learn
:22:01. > :22:07.from other experts is to get hands on, and first up it is my turn. I am
:22:08. > :22:12.going to try surgical stitching. So Roger, what are we looking at
:22:13. > :22:17.here? We are looking at a simulation of a surgical operation, which we
:22:18. > :22:21.have designed for teaching medical student, we are looking at the
:22:22. > :22:26.insides of somebody's stomach. This is not a real body? The idea is you
:22:27. > :22:30.have different organ, they feel different. If you feel that and you
:22:31. > :22:35.imagine what it would be like to sew it, and you feel the liver, or the
:22:36. > :22:38.spleen, you imagine what it would be like to sew that. Roger demonstrates
:22:39. > :22:42.the stitch to close the stomach. They use different materials for
:22:43. > :22:47.joining different parts. Nylon for the skin, silk in the brain, and
:22:48. > :22:52.steel for the ribs are. He holds the needle with instruments
:22:53. > :22:55.and it is curved. We want to go in and then out again, if we used a
:22:56. > :23:04.straight needle it would be going straight down. Into the important
:23:05. > :23:11.bits. Yes. There we are. Now it is my go. In there. That is
:23:12. > :23:18.right. Make sure that you don't put it through anything underneath. That
:23:19. > :23:22.is it. Release it. I mean just managing the needle holders, is
:23:23. > :23:26.extraordinarily difficult. You feel strangely disconnected from the
:23:27. > :23:29.needle by the simple mechanics of this holder. It seems normal to me
:23:30. > :23:35.because this is the only sewing I have ever done. It is tricky, but I
:23:36. > :23:42.can see the instruments would give me extra precision once I had
:23:43. > :23:47.mastered them. So how did I do? That is very good actually. Well done.
:23:48. > :23:52.Thank you Roger. That was certainly a new experience
:23:53. > :23:58.for me. Now it is final for Roger to be the student at our workshop on
:23:59. > :24:00.Savile Row. Rachel Smith worked as a tailor for ten year, she
:24:01. > :24:08.demonstrates a cross stitch joining a lapel to a collar.
:24:09. > :24:13.You make it look very simple. I strongly suspect it isn't nearly as
:24:14. > :24:17.simple as it looks. Stronger has a try under my supervision. The same
:24:18. > :24:21.way you are putting the right amount of tension on your stitch, to get
:24:22. > :24:27.the two edges of the skin edge to edge, we are doing the same thing.
:24:28. > :24:31.Not too tight. Exactly. I don't know what I have done there. There. I
:24:32. > :24:37.think am going from bad to worse, this is taking me back to an
:24:38. > :24:43.uncomfortable position of being a complete novice. In the end, he
:24:44. > :24:49.doesn't do a bad job. Pretty impressed. He is inspired by
:24:50. > :24:55.our robust yet flexible collar stitch. The fact you have a
:24:56. > :25:00.particular cross stitch for a particular purpose would be value
:25:01. > :25:04.for surges to know about. We learn to do stitching from o surgeons and
:25:05. > :25:10.there are other people who do stitching, there is this whole area
:25:11. > :25:14.of expertise in joining and using threads and needles that I am
:25:15. > :25:19.unaware of as ex pers in one field, we need to know what experts in
:25:20. > :25:23.other fields do. I really admire Roger for stepping
:25:24. > :25:25.outside his familiar environment and being open to learning from all
:25:26. > :25:37.sorts of other professions. Out of interest if you were
:25:38. > :25:45.stitching up a stomach what stitch would you go for? Overstitch. Every
:25:46. > :25:49.time. There are good tips in here, are you still into sewing? No it
:25:50. > :25:53.takes me half an hour to thread a needle. It was a lovely thing to do.
:25:54. > :26:02.Catherine we know you are handy with a sewing machine. Yes. These are
:26:03. > :26:09.your Prom photos. I made that dress. It is more like an expensive leather
:26:10. > :26:13.that skin! I wanted the front of it to look like a butterfly, like stuck
:26:14. > :26:20.on. I mean tell that to my headmaster, because I was just a
:26:21. > :26:25.baby. I am amazed you could show it. We didn't have eye pads or things or
:26:26. > :26:30.other Android type tablet it is a are available. My daughter got a
:26:31. > :26:36.sewing machine for Christmas. Good man, there you go. Is she using it.
:26:37. > :26:41.Are you helping her? I have a nice glasses case. Fun. We are almost
:26:42. > :26:47.half way through the programme. Well we're almost at
:26:48. > :26:49.the halfway point in the show, so it's only right that -
:26:50. > :26:52.in true Gogglebox style - we find out how things are going
:26:53. > :26:55.from a viewer's point of view. Betty, Mark, Ava - what do
:26:56. > :27:07.you think of the show so far? Hiya. Enjoying it? Yes, it is going
:27:08. > :27:11.well, going well. Enjoying it. Good so far. They are hard to please.
:27:12. > :27:15.Scarlett you had no idea this was going to happen? I have got really
:27:16. > :27:23.red. It is my own family, I don't know. How do you think your daughter
:27:24. > :27:30.is doing on The One Show? Can I say when I won the Jungle I said to my
:27:31. > :27:35.dad I said how did he I do? He went yeah, all right. This isn't
:27:36. > :27:41.surprising. Don't expect anything... We will go back for more analysis of
:27:42. > :27:50.the show later on. Nice to see you. Back with you shortly.
:27:51. > :28:05.There is a delay, County Durham must be 3,000 miles away.
:28:06. > :28:11.These are self made millionaires so that was with inspiring because when
:28:12. > :28:16.I found out I was going to do the show and it is introspective
:28:17. > :28:19.journalism, documentary, but funny, I thought these people, they have
:28:20. > :28:24.just inherited all their Monday, no, they came from nothing, all of them
:28:25. > :28:30.and they made millions. What kind of jaw-dropping situations did you find
:28:31. > :28:35.yourself in? I was in Monaco on yacht, private plane, which I didn't
:28:36. > :28:42.love. I feel like the bigger the plane the safer you are. It can get
:28:43. > :28:49.too bumpy. But they have champagne for that. I like that bit I was in
:28:50. > :28:53.palace, genuine mansions that people own and operate and learning about
:28:54. > :29:00.their story. I think Channel 4 does a good job, when I watch Gogglebox
:29:01. > :29:05.and Secret Life, The Updatables they are good at showing the character
:29:06. > :29:12.and developing the story. I am curious, I ask all the questions
:29:13. > :29:18.that maybe are a bit goesh, I had to accost people on the street. Is that
:29:19. > :29:24.doorsteping people? That is it. I was worried I would be thrown out if
:29:25. > :29:28.I got too cheeky but I am apparently very charming. Were people open to
:29:29. > :29:33.talk about their wealth? You sort of travelled round quite a bit for
:29:34. > :29:39.this, did you find that different countries were more open and
:29:40. > :29:43.unenthusiastic to talk? I hate to make generalisation but British
:29:44. > :29:47.people get it under hair hat. They were more humble and less inclined
:29:48. > :29:53.to say how much things cost, but they were sweet. I got it out of
:29:54. > :29:55.them in the end. Let us have a look at you exploring Monaco with an
:29:56. > :30:09.A-list party planner. Super fun. Much wealth will be on the yacht
:30:10. > :30:19.tonight with Mac between 30 and 50 billion. That's 35-50,000,000,000.
:30:20. > :30:22.You've got to understand is the kind of wealth that would make the Queen
:30:23. > :30:33.looked like she is on a budget. This represents maybe 4 billion euros.
:30:34. > :30:36.This represents your guest list. I guess the all-important question is,
:30:37. > :30:41.would you say money can't buy you happiness? Yes.
:30:42. > :30:45.LAUGHTER Certainly not. I think money can buy
:30:46. > :30:48.you freedom in the world that we live in and you can like that or
:30:49. > :30:53.not, but it is the case. I think freedom is the key to happiness. You
:30:54. > :30:57.don't need that much money. I certainly don't need that much money
:30:58. > :31:04.but I do value freedom, therefore I would never marry a millionaire.
:31:05. > :31:12.Shell's mother said to her marry a rich man and she said to her, I am a
:31:13. > :31:19.rich man. -- Cher'. You didn't come away from it thinking you wanted all
:31:20. > :31:22.of those claims and yachts. You can deny climate change if you want but
:31:23. > :31:26.I wouldn't have if private jet. I just want freedom, and I'm happy the
:31:27. > :31:30.British public come to see me onto land they have made it possible as
:31:31. > :31:35.an immigrant, a single mum, to have a lot of freedom with my daughter in
:31:36. > :31:39.the UK. We have takeaway once in awhile. That's all I ever wanted.
:31:40. > :31:44.And I have a Netflix special coming out on debris 14, which is super
:31:45. > :31:48.exciting, and that's because of you. It's one of the only British
:31:49. > :31:52.worldwide stand-up specials they have and it's because people come to
:31:53. > :31:58.see me on to and watch things on this and the culture of live comedy
:31:59. > :32:03.here, so I am super blessed. Talking about comedy, one of your comedy
:32:04. > :32:08.heroes is Joan Rivers, isn't she? I love any powerful woman who broke
:32:09. > :32:11.down barriers when they existed. There are still barriers for us to
:32:12. > :32:20.break down today but if we look at how far we have come, I'm sure even
:32:21. > :32:24.in your lifetime, not that long ago women couldn't have a mortgage or a
:32:25. > :32:27.bank account, in our parents' lifetime, but I'm fortunate to live
:32:28. > :32:30.in the year in the country I do. That's an interesting point from
:32:31. > :32:33.your perspective, knowing the movie stars that you do and the life you
:32:34. > :32:42.have had, what is your perspective on wealth now? I feel very much the
:32:43. > :32:46.same as you do. I just think it could bring happiness, but on the
:32:47. > :32:48.whole it could bring unhappiness. And I think there is a lot of
:32:49. > :32:54.unhappiness about at the moment, I really do. One of the biggest
:32:55. > :32:57.problems facing the world today which money cannot sort out is the
:32:58. > :33:01.rise of antibiotic resistant infections.
:33:02. > :33:03.And while the over-prescription of drugs is a big factor -
:33:04. > :33:07.Andy's been to meet a farmer at the forefront
:33:08. > :33:27.Grange Lodge farm, North Yorkshire. Home to 1000 sows and multitudinous
:33:28. > :33:31.offspring and for today, meet too. I think they have this consumption and
:33:32. > :33:36.edibility business the wrong way around. I'm not just here to indulge
:33:37. > :33:38.my on-off relationship with farm animals, because these little swine
:33:39. > :33:43.are a bit different from your average pig. You might not think so,
:33:44. > :33:50.especially when they are trying to eat my wellies but these little
:33:51. > :33:54.critters are at the forefront of veterinary science and what happens
:33:55. > :34:02.to them may also keep us a little bit safer too. Now then, come on to
:34:03. > :34:06.your uncle Andy. It's all to do with antibiotics. When we have an
:34:07. > :34:11.infection, taking them has become second nature, but the Government
:34:12. > :34:15.and senior medics say we have been overprescribing them for years. So
:34:16. > :34:21.much so that some forms of the drug have now become ineffective because
:34:22. > :34:26.diseases mutate to resist the antibiotic. Please can I have half a
:34:27. > :34:30.dozen of the traditional pork. Of course you can. Farmers have also
:34:31. > :34:34.been giving their animals way to many antibiotics and that's left
:34:35. > :34:41.many experts worried that antibiotic resistant bacteria might be creeping
:34:42. > :34:46.into our food chain. When antibiotics no longer work against
:34:47. > :34:51.infections, we're all in trouble. GPs have already been cutting how
:34:52. > :34:55.much they give out. Now, farmers are having to follow their lead with the
:34:56. > :35:02.Government demanding they cut their use by 20% by next year. The
:35:03. > :35:07.question for farmers is how? Well, pig farmer Richard Lister may have
:35:08. > :35:13.just found the solution. Richard's pigs produce up to 600 piglets a
:35:14. > :35:17.week. The problem was, many were falling sick. The particular problem
:35:18. > :35:23.on the farm was a bacterial infection that tends to give a
:35:24. > :35:28.respiratory problem so what we look to do is try and identify that
:35:29. > :35:31.strain. There is lots of different strains of this and we developed a
:35:32. > :35:39.vaccine that was bespoke to this farm. So, vaccines instead of
:35:40. > :35:43.antibiotics. It is what that Duncan Barkes is busy giving out to
:35:44. > :35:47.Richard's pigs today. But how does it work and is it any better? What
:35:48. > :35:53.is the problem of treating livestock with antibiotics? If you use
:35:54. > :35:57.antibiotics in any animal it disrupts the normal friendly gut
:35:58. > :36:01.bacteria as well as the ones that we want. Useful bacteria? We have just
:36:02. > :36:06.as many useful bacteria, in fact a lot more in the gut, which help us
:36:07. > :36:12.with their digestion and be healthy. Antibiotics attack all of those.
:36:13. > :36:15.Like carpet bombing? Yes, exactly, whereas if we have one that is
:36:16. > :36:22.bespoke and particular to one infectious agent, it will leave the
:36:23. > :36:26.useful bacteria alone. But there is a twist in the tail. So far they are
:36:27. > :36:30.on their third vaccine to deal with different strains. Each can take 18
:36:31. > :36:34.months to develop in the lab and cost up to ?35,000 to deliver as a
:36:35. > :36:40.treatment. Richard says that is, for his farm, about the same of Dominic
:36:41. > :36:44.as regularly using antibiotics. So, is it a viable solution for farmers
:36:45. > :36:50.nationwide? Alun Davies, advises farmers on disease control.
:36:51. > :36:52.What do you think of the bespoke targeting vaccine idea as an
:36:53. > :36:58.alternative to giving animals antibiotics? It is not a silver
:36:59. > :37:01.bullet. The best thing to do is to identify where the bacteria that
:37:02. > :37:08.causes an infection comes from in the first place. So rather than test
:37:09. > :37:14.an animal to find the bacteria to develop a vaccine to treat all the
:37:15. > :37:18.animals with, what we should do is test the animals' environment, deal
:37:19. > :37:23.with the source as a means of prevention instead of treating. Back
:37:24. > :37:28.on the farm and a few more of Richard's pigs are going under the
:37:29. > :37:32.needle. To these girls you are literally a pain in the neck,
:37:33. > :37:37.Duncan. Many people have said that before. And for Richard he's working
:37:38. > :37:41.economically and in terms of the health of his heard and seen a 30%
:37:42. > :37:44.drop in their mortality rates. It's been very successful, overall the
:37:45. > :37:49.pigs are far healthier, less treatment, and it has been a win-win
:37:50. > :37:53.all around. At the moment we seem to be saving money. You'll be passing
:37:54. > :37:54.on the low costs to the consumer. We are always passing them on!
:37:55. > :38:04.CHUCKLES From vaccinated pigs to fluffy dogs
:38:05. > :38:08.and very cuddly penguins. I'd be happy to do the show in all of these
:38:09. > :38:12.all of the time, it's very comfortable. The best job ever
:38:13. > :38:15.chilling in your slippers and talking. My dad doesn't take off his
:38:16. > :38:21.shoes, he wears a shirt and tries as to watch TV. Whereas my mum is
:38:22. > :38:28.wearing a onesie chilling out. Smart attire? Yes, I don't know what's
:38:29. > :38:33.going on. What are you guys' TV routines? As soon as I get in the
:38:34. > :38:43.door, nightshirt. Love it. That's me as well, indoor clothes. One man
:38:44. > :38:50.enjoyed that a lot. I can't do a onesie, it's too hot, and what if
:38:51. > :38:54.you need to go to the loo. The loop situation is tricky, you've got to
:38:55. > :39:03.think about these situations, you are right. But it is cute and the
:39:04. > :39:07.slipper situation. Mac -- slippers are cute. You are going to be part
:39:08. > :39:11.of the presenting team at the National Television Awards. How cool
:39:12. > :39:16.is that? It is unbelievable because I've never been to an awards
:39:17. > :39:19.ceremony. What are you expecting? I don't really know because I've never
:39:20. > :39:23.been to one and when I was asked to do it I was so overwhelmed and I was
:39:24. > :39:28.like this is amazing and I love watching the NTA is and I get to go
:39:29. > :39:36.backstage and find out the gossip. I am taking over the Twitter. Everyone
:39:37. > :39:40.else is experiencing the red carpet with me as well. It's my first time
:39:41. > :39:45.and hopefully by encouraging people to tweet we will be asked loads of
:39:46. > :39:50.fun questions. Twitter have kindly given us one of those emoticons, so
:39:51. > :39:59.if you hashtag NTA the little symbol comes up. I get to award the first
:40:00. > :40:02.NTA with Dermot. This is amazing. Are you taking anyone with you to
:40:03. > :40:10.enjoy the experience? My whole family are going. But I asked my dad
:40:11. > :40:16.to be my date on the red carpet. So I'm really excited about that. So,
:40:17. > :40:21.it's Wednesday at 7:30pm. It's very soon, isn't it! ? The strange thing
:40:22. > :40:24.for you is obviously you've been talking about these people on
:40:25. > :40:28.television for a long time and now you are going to be chatting to
:40:29. > :40:31.them. I am a bit nervous because I've done Gogglebox for two and a
:40:32. > :40:37.half years and I can't remember what I've said about everyone. That's
:40:38. > :40:40.interesting! It is and we have some quotes about things you have said
:40:41. > :40:45.about people. Don't judge me, I was a lot younger and I started
:40:46. > :40:56.Gogglebox. Could you read that out, and Katherine? We will go with this
:40:57. > :41:00.first and the idea is you've got to guess who you were talking about.
:41:01. > :41:02.People with glasses tend to be rubbish dancers.
:41:03. > :41:07.Just physics. The law of physics.
:41:08. > :41:16.That was, I'm so sorry, it's not the law of physics, that was somebody on
:41:17. > :41:23.strict Li, was it Greg? Yes, it was. It was Gregg Wallace -- strictly. If
:41:24. > :41:25.you see any other girls on the red carpet with their dads, it's
:41:26. > :41:32.probably not their dad. LAUGHTER
:41:33. > :41:41.Don't make any assumptions. OK, next one. At university we used to drink
:41:42. > :41:46.our own wee all the time. It's nothing! I feel I have to explain
:41:47. > :41:49.that a little bit because it makes me sound bad. That is about Bear
:41:50. > :42:02.Grylls because on one of them to survive they had to do drink you're
:42:03. > :42:09.-- wee and I got a tip-off that we would have to drink our own wee so I
:42:10. > :42:16.drank a lot of water so to be fair mine was like warm water. I'm really
:42:17. > :42:18.sorry! All we needed was a name! Bear Grylls, Bear Grylls it was
:42:19. > :42:19.about! LAUGHTER
:42:20. > :42:23.And finally. He's my twin, everyone
:42:24. > :42:25.says I look like him. It's me. Alan Carr!
:42:26. > :42:38.LAUGHTER APPLAUSE
:42:39. > :42:44.Very good, it was Alan Carr. We could swap heads. Are you going to
:42:45. > :42:47.do a TV show with him? Yes, we are just trying to develop ideas of what
:42:48. > :42:54.we are going to do which is exciting, I love Alan so much, I'm
:42:55. > :42:59.so excited. Shall we check in with your dad and have a word with your
:43:00. > :43:03.date for the NTAs. We were just talking earlier on about the fact
:43:04. > :43:06.Scarlett has moved away from home, so it must be a very different place
:43:07. > :43:13.around there without her. Are you missing her? We always miss her but
:43:14. > :43:18.we've upgraded and got a new model now taking her place. That's a
:43:19. > :43:26.better model, to be fair. It's a lot cleaner as well! Have you taken over
:43:27. > :43:32.my bedroom yet? She has, yes. I think that's a no. Have I turned
:43:33. > :43:37.that Southern that they can't understand what I'm saying? What
:43:38. > :43:41.will you miss the most, Scarlett? You've moved down to London as you
:43:42. > :43:45.said before, and you are obviously close to your family which is lovely
:43:46. > :43:49.to see. What will you miss most? I am missing watching the TV with
:43:50. > :43:54.them. Like, honestly, some of my best memories in life, I don't know
:43:55. > :44:04.if this means I'm a bit deprived, I just sat watching TV, even watching
:44:05. > :44:11.The One Show. I just miss that. I love watching TV with my boyfriend,
:44:12. > :44:16.Luke. Sorry! But I do miss watching television with them. One of my best
:44:17. > :44:18.memories in life is watching you watch telly!
:44:19. > :44:24.LAUGHTER Let's have a word because you will
:44:25. > :44:28.not be doing Gogglebox anymore without Scarlett as a family. Are
:44:29. > :44:32.you going to miss it as a family doing it and what has the whole
:44:33. > :44:38.experience been like for you all? Well, we always felt like we were
:44:39. > :44:43.just sofa fillers because she couldn't talk to herself on
:44:44. > :44:50.Gogglebox. No! And I was chief tea maker! My dad was in charge of the
:44:51. > :44:55.tea when watching Gogglebox. Come on, dad, it is your time to shine,
:44:56. > :44:58.put the kettle on. You hear people saying, I'm moving on and will try
:44:59. > :45:03.other things but this is where you made it big on Gogglebox. Is it hard
:45:04. > :45:09.to leave it behind? I still love Gogglebox. I'm not even saying
:45:10. > :45:16.never. I would honestly still do Gogglebox. I think I just love
:45:17. > :45:20.family shows. Because I'm all about family, I just love what Gogglebox
:45:21. > :45:24.represents. I think it's nice that we get different regional accidents
:45:25. > :45:31.on the TV and it's not the typical people that you would see on TV. I
:45:32. > :45:35.would just sing Gogglebox's praises. Do you watch the other families on
:45:36. > :45:42.Gogglebox and comment on them? I fast forward myself. Do you? Have
:45:43. > :45:46.you ever heard yourself back? It sounds awful. Do I really looked
:45:47. > :45:54.like that? Do I sound like that? But I do love Gogglebox and watching it.
:45:55. > :45:55.I just laugh at it all day long. Thank you everyone.
:45:56. > :46:01.APPLAUSE Now, any snooker fans out
:46:02. > :46:03.there will know that the Masters are underway here in London, but -
:46:04. > :46:07.as thrilling as the matches are - they don't come close to this
:46:08. > :46:09.trick shot that's been It's the brain child of Bristol bar
:46:10. > :46:15.manager Shane O'Hara - who spent 11 hours and 100 test runs
:46:16. > :46:21.perfecting the 500ft putt. Well, Shane's with us
:46:22. > :46:42.tonight and we asked him Everyone from The One Show has gone
:46:43. > :46:45.home. I have the entire night to work out a trick shot. Starting on
:46:46. > :46:50.the seventh floor and ending on the ground floor. Fingers crossed I can
:46:51. > :46:58.pull it off. It is all about materials, the more you have to work
:46:59. > :47:07.with the better. Requires patience, really open mind.
:47:08. > :48:11.A hell of a lot of coffee. Fingers crossed.
:48:12. > :48:49.APPLAUSE It's here. In the studio. He's the
:48:50. > :48:53.man! Well done. It happens. So, come on then, the whole night you were in
:48:54. > :48:58.the office, what was the trickiest bit and why? Well I couldn't get
:48:59. > :49:04.into the studio without Dave. Dave is very handy. He deserves a share
:49:05. > :49:10.of the credit. I can hear the calls from Vegas. There was one sticking
:49:11. > :49:15.point, we have got a clip here, this is Martin our studio manager's desk.
:49:16. > :49:19.This was the tricky part. I just wouldn't happen. I would love to
:49:20. > :49:26.blame everybody else. That is all on me, it is just a big domino, if it
:49:27. > :49:33.doesn't work, can't blame anybody. If it was working up all night. My
:49:34. > :49:33.energy started waning. One more time.
:49:34. > :50:00.APPLAUSE You are training in ballroom
:50:01. > :50:05.dancing, I don't know if I am allowed to say. It isn't Dr Dancing
:50:06. > :50:09.Dermot is doing. It is singing. Maybe I will get in trouble for
:50:10. > :50:15.that. He is singing. I have heard, maybe.
:50:16. > :50:22.As far as your ballroom, Strictly, surely? I feel like, though, maybe
:50:23. > :50:27.because I have already danced before, maybe... Doesn't matter. Do
:50:28. > :50:35.you not think so? People would be like it's not fair because she has
:50:36. > :50:41.danced. They get good dancers. We have some dancing of you, with Cliff
:50:42. > :50:50.Richard. Back in the day. Shaking your tush. That is wonderful. Is
:50:51. > :50:57.this the dance troupe Cool For Exacts What is that?! I don't think
:50:58. > :51:03.it is. -- apparently it is, we are hearing it is definitely you. Any
:51:04. > :51:10.way. Maybe not. Whoever you are... LAUGHTER
:51:11. > :51:16.It is very good. It is very good. Congratulations to everyone doing
:51:17. > :51:22.that. Catherine, you are into dancing? Yes, some of the best
:51:23. > :51:29.dancers in the world. Let's dance for Comic Relief. Let's move on. Let
:51:30. > :51:37.us see if the stunt team have managed to recreate one of the Carry
:51:38. > :51:49.On famous slapstick scenes. Here we go.
:51:50. > :51:56.In 1966 Carry On released one of their best-loved titles. Can I cut
:51:57. > :51:59.in? The revolutionary French farce Carry On Don't Lose Your Head. Will
:52:00. > :52:06.the stunt team manage to recreate its finale, 50 years on? Or will
:52:07. > :52:12.they fall flat on their Khyber Pass? In the original stunt wires were
:52:13. > :52:17.worn to make it look as if the Duke swings from a chandelier and crashes
:52:18. > :52:20.out of the window. But for us, we are going commando, we will be
:52:21. > :52:24.wearing nothing. We are at the headquarters of the
:52:25. > :52:30.theatre school in Bristol, because we will be using their trapeze ring,
:52:31. > :52:34.the stunt will be pieced together from three separate manoeuvre, stunt
:52:35. > :52:39.co-ordinator Jamie has planned for Gordon to dive from a balcony and
:52:40. > :52:46.drop on to box below. Next Gordon will jump from the platform, holding
:52:47. > :52:50.on a specially made chandelier rigged to thing Your position if you
:52:51. > :52:55.go through the glass, you would go through knees. Main concern is to
:52:56. > :52:59.make sure I fly straight and let go at the right moment, because when
:53:00. > :53:04.this is at height, if I let go early I am going to go potentially
:53:05. > :53:09.underneath the pane of glass or I could go over the top. We only have
:53:10. > :53:12.one pane so we have to get it right. After practising the swing, with
:53:13. > :53:16.team are confident they have the correct position for the frame.
:53:17. > :53:20.Which is just as well, as it would be a very unpleasant collision, into
:53:21. > :53:29.a steel frame the Gordon misjudges the jump. And here is where things
:53:30. > :53:34.get French fancy! Ooh! For a window this size, only real glass will do.
:53:35. > :53:37.It is toughened so it will shatter into small pieces but it is still
:53:38. > :53:41.too dangerous for the stuntman to break it on impact. In the film
:53:42. > :53:46.industry, there is a way to do this. Use explosives.
:53:47. > :53:50.So we have put two nail breakers at the bottom of glass, we will fire a
:53:51. > :53:54.charge that will fire the nail into the glass, breaking it, just before
:53:55. > :53:59.he goes through. Then he will come off to this area here, where our
:54:00. > :54:03.paramedic will be, and he will quickly give him the once over.
:54:04. > :54:10.Rehearsal time is over. The rig is up, and the pressure is truly on as
:54:11. > :54:15.we can only get it up once. You know, I don't think these people
:54:16. > :54:23.could do justice to the proud tradition of Carry On. It is time
:54:24. > :54:40.for me Giles to enter the boudoir of chance. Manufacture
:54:41. > :55:27.Liberty, equality, fromais frais. J' arrive.
:55:28. > :55:49.Voila. As the Duke always says, non! What a carry on! That is almost it.
:55:50. > :55:53.A big thank you to our guests. And thanks too to the Magic Lantern
:55:54. > :55:58.Festival for brightening up the place. Sherlock is out on DVD on
:55:59. > :56:03.Monday, you can see Catherine harassing the rich and famous and
:56:04. > :56:10.the NTAs are next Wednesday night. Tomorrow we will be joined by Dame
:56:11. > :56:15.Joan bake wall and Frank Skinner. Now it is Jack Savoretti.
:56:16. > :56:17.# Travelled far to get ourselves here
:56:18. > :56:32.# And you learned to say what's on your mind
:56:33. > :56:37.# And now we build our love and memories, living heart to heart
:56:38. > :56:40.# Glowing like an open fire, we came out from the dark
:56:41. > :56:56.# Only you know where to go to get to me
:56:57. > :57:08.# And stop me living behind the lines enemies
:57:09. > :57:20.# We travelled rough to get ourselves here
:57:21. > :57:31.# Now laughter dries the tears we cry
:57:32. > :57:34.# I placed the love you gave me closer to my heart,
:57:35. > :57:41.# You took the songs I sang to you alone in the dark
:57:42. > :57:52.# Only you know where to go to get to me
:57:53. > :58:15.# And stop me living behind the lines enemies
:58:16. > :58:17.# When I'm with you baby it's a beautiful life,
:58:18. > :58:24.# Together this world feels like home
:58:25. > :58:26.# Walk me beside now until the end of time,
:58:27. > :58:49.# Only you know where to go to get to me
:58:50. > :59:04.# And stop me living, and stop me living,
:59:05. > :59:20.# And stop me living behind the lines of enemies #
:59:21. > :59:22.Hello, I'm Sophie Long with your 90 second update.
:59:23. > :59:26.Boris Johnson has warned EU leaders not to give the UK "punishment