:00:19. > :00:23.Hello. Welcome to the One Show with Alex Jones. And Matt Baker. When
:00:23. > :00:27.tonight's guest was a budding actor he called Robert De Niro his idol.
:00:27. > :00:31.Now he's such a success in his own right, that he now just calls him
:00:31. > :00:41.Bob. Please welcome a film star voted sexiest man alive, even with
:00:41. > :00:41.
:00:41. > :00:49.a hangover. It's Bradley Cooper. Thank you so much for stopping off!
:00:49. > :00:59.We are your first port of call. Nice of you to pop in. You really
:00:59. > :00:59.
:00:59. > :01:05.did it up for Christmas. It is very comfy. It is a good time to be a
:01:05. > :01:12.Bradley in this country at the moment because of Bradley Wiggins.
:01:12. > :01:18.Congratulations. He won the Tour de France. Amazing. He also won Sports
:01:18. > :01:27.Personality of the Year on Sunday. Was it a good night? Fantastic.
:01:27. > :01:33.you have a hangover? World... have just handed over your title of
:01:33. > :01:39.60s man alive to Channing Tatum. How did he get it? Will take a look.
:01:39. > :01:47.The real question is how did I get it? I guess it takes the pressure
:01:47. > :01:52.off. Year. The pressure is off! LAUGHTER. You can eat what you like
:01:52. > :01:57.over Christmas without having to worry. Maybe I should have worried
:01:57. > :02:02.a little bit more! We will be talking about your new film Silver
:02:02. > :02:07.Linings Playbook. One of Bradley's huge film hits has been the
:02:07. > :02:13.Hangover franchise. Did you overdo it at the Christmas party last
:02:13. > :02:21.night? If you did, send us a picture of you nursing your
:02:21. > :02:27.hangover. Also, we need a best man to get in touch, the film is about
:02:27. > :02:36.stag do's. Bradley will arrange a stag do it live on the show
:02:36. > :02:39.tonight! I am very excited! But before all that, Tony Livesey
:02:39. > :02:45.has been finding out about a type of theft that only gets reported
:02:45. > :02:49.10% of the time because the victims are too embarassed to talk about it.
:02:49. > :02:54.No matter how busy our lives are, most of us have to get the weekly
:02:54. > :02:59.shopping and it is usually quite a painless experience. Apart from the
:02:59. > :03:08.woman that follows me around. My item is in the backing every year!
:03:08. > :03:13.Stop going on about it! -- bag every year. Excuse me, I am trying
:03:13. > :03:19.to find the Trafford Centre. Can you show me where I am now? Over
:03:19. > :03:25.here. He seems like a nice bloke. Hang on! Where is my laptop? I
:03:25. > :03:32.can't believe it! I have been a victim of destruction theft, or a
:03:32. > :03:36.demonstration of this crime by Richard Taylor. They call it the
:03:36. > :03:40.art of distraction. There is a slight act to it because you have
:03:40. > :03:45.to work to distract people because it takes literally seconds to be
:03:45. > :03:51.able to steal from somebody's vehicle. A why is a car-park
:03:51. > :03:56.perfect? They are distracted already. Especially this time of
:03:56. > :04:01.year. How easy is it? The One Show decided to put it to the test with
:04:01. > :04:05.some expert help from Richard and done the watchful eye of a police
:04:05. > :04:11.officer. Instead of stealing from them, we will place a Christmas
:04:11. > :04:14.present in their car. We will let you know how the test went later.
:04:14. > :04:21.It is not just in public places that people use distraction to
:04:21. > :04:29.steal. They target our homes. Distraction burglary is any crime
:04:29. > :04:35.where Patrick or distraction or falsehood is used to gain access to
:04:35. > :04:39.our homes to commit burglary. Police believe the real figure is
:04:39. > :04:44.much higher than reported. Seven months ago, a man came to this
:04:44. > :04:49.house posing as a police officer. He said that he was sorry to
:04:49. > :04:54.trouble me but that they had apprehended two youngsters and they
:04:54. > :05:00.had been seen coming out of my garden gate. I said, look, my purse
:05:00. > :05:05.is on the table, it hasn't been mute. He asked if I had any more
:05:05. > :05:12.money in the house. I said yes. I have got some at the side of me.
:05:12. > :05:19.How much was it? �700. Jean had the cash to pay some work on her house.
:05:19. > :05:23.The man-made has feel uncomfortable but she asked him to leave -- the
:05:23. > :05:28.man had made her feel uncomfortable. But not before he had stolen her
:05:28. > :05:34.money. That man came to my home with the deliberate intention of
:05:34. > :05:38.robbing me. I cannot trust anybody any more. I am he also to see the
:05:38. > :05:44.head of Operation bomb a team of detectives that specialise in
:05:44. > :05:49.crimes across the country that involved distraction burglary --
:05:49. > :05:58.Operation Bombay. Many people are too embarrassed to report this
:05:58. > :06:05.crime. These red dots represent 20 distraction burglaries. Mary Kom
:06:05. > :06:13.has claimed to be a social worker there to help the victims. That was
:06:13. > :06:19.clearly working with somebody else. Mary was linked to all 20 offences,
:06:19. > :06:25.William was linked to four of them. This is not a hobby, this is a
:06:25. > :06:29.procession. This is serious organised crime. And it was CCTV
:06:29. > :06:34.footage from different locations that gave them away. Let's look at
:06:34. > :06:41.them in action. You can see that black vehicle, that is the car they
:06:41. > :06:46.were using. A so you can place them there. They stole over �20,000 from
:06:46. > :06:51.the victims before they were caught by police. There you have the link
:06:51. > :06:56.between the two different offences. One of the victims was over 100
:06:56. > :07:01.years old. She had worked all her life. Meanwhile, back at the
:07:01. > :07:06.supermarket, we have had an interesting day. The shoppers at
:07:06. > :07:13.Manchester are a canny bunch. Some spotted us. And others locked their
:07:13. > :07:19.car doors. You the first would today that has locked her car door.
:07:19. > :07:26.But for every failed attempt, there was a success. Where are we on this
:07:26. > :07:31.map, please? Can you show me? just shows how easy it is to
:07:31. > :07:36.distract somebody and steal something! That is the message.
:07:36. > :07:46.Remember this Christmas, keep your wits about you, because that is
:07:46. > :07:50.
:07:51. > :07:57.when thieves do their shopping, too. Charming! I don't think he will be
:07:57. > :08:03.doing many more films for us. The gumption of some people. It is
:08:03. > :08:06.ridiculous. What was the last thing you had stolen? I bought this
:08:06. > :08:10.little house in California and the second week I was there I went to
:08:10. > :08:15.get something to eat with my friend and somebody had stall and
:08:15. > :08:19.everything in that short time. It must have been an inside job --
:08:19. > :08:23.somebody had stolen everything. My dogs were fine. But if they had
:08:23. > :08:29.done something creepy, like put the fire on and left a half-eaten
:08:29. > :08:36.sandwich in the fridge, I would have moved. But I am still there.
:08:36. > :08:40.They just took everything. It is a horrible feeling. They prey on
:08:40. > :08:44.people's goodwill. Especially with the distraction. Your film, Silver
:08:44. > :08:48.Linings Playbook, is on nationally at cinemas and you have described
:08:48. > :08:54.it as one of the most emotional films you have worked on. Why is
:08:54. > :08:59.that? Basically, because it is that David Russell movie and all he
:08:59. > :09:04.cares about its authenticity, and it is about these people, they are
:09:04. > :09:09.not quite matters... But you recognise yourself in them. I play
:09:09. > :09:15.a man who was recently diagnosed as bipolar and never knew it his whole
:09:15. > :09:18.life and he is desperately trying to get his life back together and
:09:18. > :09:22.he is living at home with his father and mother and then he meets
:09:22. > :09:26.this woman, Jennifer Lawrence, who is grieving the loss of her husband
:09:26. > :09:32.and it is about how these people come together. It is a heartfelt
:09:32. > :09:37.movie with a lot of comedy. Why was it so tough? Because of the
:09:37. > :09:41.directors. You cannot say anything. It is emotionally demanding. I was
:09:41. > :09:49.terrified to be honest to play this guy because his emotions were on
:09:49. > :09:53.the surface. He has no filter. You have to go from A to Z. Also you
:09:53. > :09:59.are working with people like Robert de Niro and Jennifer Lawrence and
:09:59. > :10:04.Jacki Weaver. It was intense. We shot it in 33 days. When I came
:10:04. > :10:14.back from the cinema, that is how I described it. Intense. But it is
:10:14. > :10:19.At I just want us to be friends! Don't let Tiffany get you in
:10:19. > :10:25.trouble. Why would you say that? can only do my dance thing if I
:10:25. > :10:31.have a partner. I am not going to dance with you. Is this the girl
:10:31. > :10:35.you wrote about? You wrote about me? You have to pay attention. When
:10:35. > :10:45.life reaches out at a moment like this, it is based in if you don't
:10:45. > :10:48.
:10:48. > :10:53.reach back, I'm telling you! -- it is as sin. I understand that some
:10:53. > :10:56.of the scenes were so intense that you had to ditch them! We did not
:10:56. > :11:00.ditch the scenes, but we just got rid of what I did. My character
:11:01. > :11:04.comes back from a football game and you really messed up and got into a
:11:04. > :11:09.fight and my father thinks the reason why the team lost was
:11:09. > :11:14.because of this fight so he is screaming at me, but when we went
:11:15. > :11:20.into it, I mean, it is very real, so I started crying right away, but
:11:20. > :11:25.it was really awful, like at tackling sounding cry! When we were
:11:25. > :11:30.editing the movie, it is so distracting! We actually had to
:11:31. > :11:36.take out all of this sound! But if you watch the movie, you can hear
:11:36. > :11:41.little moments of screams that we could not take out! Through all
:11:41. > :11:47.this intensity, it is always in the comedy category is of any awards.
:11:47. > :11:52.Yes. That is the tricky thing. We knew that when we were shooting it.
:11:52. > :11:57.The music shifts quite a bit, like life. Any dramatic moment I have
:11:57. > :12:03.been a part of has been comedic as well. The main thing I would say it
:12:03. > :12:08.is it is hard and with heart comes drama and comedy. It is the second
:12:09. > :12:14.film you have done with Robert De Niro. What is it like? Do you go
:12:14. > :12:19.down to Bob's house? He is the greatest guy. For someone who has
:12:19. > :12:24.been in the business for 40 years and done hundreds of movies, he is
:12:24. > :12:29.just so normal. I can't believe that he is my friend but he is. He
:12:29. > :12:34.was a big reason why I got this movie. He really champion to me.
:12:34. > :12:39.And you didn't let him down. I hope not. We saw you in the trailer
:12:39. > :12:46.doing a funny dance. The funny little dance! I wasn't a
:12:46. > :12:50.leprechaun! When they came to you and said, there is some dancing in
:12:50. > :12:55.this, or were you up for it? I was very excited because I do love to
:12:55. > :13:00.dance. As an actor, or whenever you can do something physical, it takes
:13:00. > :13:04.you out of your head. It is wonderful. So for dancing it was
:13:05. > :13:10.great. It was also a great way to get to know Jennifer because we had
:13:10. > :13:14.not met before. It is quite a complicated dance. It is a very
:13:15. > :13:22.bipolar dance routine that shifts with music. Like a leprechaun! You
:13:22. > :13:29.nailed it! I loved it. I ate it up. Lots of different genres of dance.
:13:29. > :13:34.Stevie Wonder and Jack White, yeah. Do you think you will do more heavy
:13:34. > :13:38.roles like this? You have obviously had an appetite for it? It is all
:13:38. > :13:44.about the director, that is all I care about. You put a lot of trust
:13:44. > :13:48.in them. You have to. They are the captain of the ship. You said it.
:13:48. > :13:53.The main thing you want to do is think about the full make-up.
:13:53. > :13:56.we are. Right. Now how many of you are holding onto a secret, itching
:13:56. > :14:00.to tell the world, if only you could still keep it secret? If that
:14:00. > :14:06.sounds like you, Phil Tufnell has just the thing.
:14:06. > :14:10.A secret, not known to us Maxime or not meant to be known by others. A
:14:10. > :14:20.secret. And if you want to get something of your chest, meet the
:14:20. > :14:22.
:14:23. > :14:26.My name is Frank and I collect secrets. In eight years, over
:14:26. > :14:31.500,000 people from around the world have written down their
:14:32. > :14:36.deepest confessions on postcards and mailed them to my home.
:14:36. > :14:40.secrets Frank's collected are online. Frank, explain the concept
:14:40. > :14:45.and how did it start? I printed up 3,000 self-addressed postcards and
:14:45. > :14:50.handed them out to strangers, inviting them to write down a
:14:50. > :14:55.secret and mail it to me anonymously from all around the
:14:56. > :15:02.world. Have you got some examples? I do. This was handed to me if
:15:02. > :15:08.Bristol not long ago. It says, "Being fat is my disguise." This is
:15:08. > :15:13.one that has three Rush stickers and it says "You called me an idiot.
:15:13. > :15:17.I guess you're right. I sent your bags to the wrong destination." So,
:15:17. > :15:23.it pays to be kind to people who are helping you out like that.
:15:23. > :15:28.That's for sure. Even vegetarians think of meat from time to time. I
:15:28. > :15:35.received a postcard with the Twin Towers in New York City and the
:15:35. > :15:39.secret was, "Everyone who knew me before 9/11 believes I'm dead."
:15:39. > :15:44.you worry about the senders? If we have good news we tell our friends
:15:44. > :15:48.or e-mail it, but the secrets can be dark. Going through the process,
:15:48. > :15:53.the rich of putting a secret on a postcard and unburdening people,
:15:53. > :15:59.that's my hope. With thousands around the world giving their
:15:59. > :16:04.innermost secrets to Frank, it's inspired me to get a tiny amount of
:16:04. > :16:08.the great British public to do the same. This should be fun. Our One
:16:08. > :16:15.Show box is independent of Frank's work and all responses are
:16:15. > :16:23.anonymous. Tell me a secret. Would you like to tell me a secret in our
:16:23. > :16:29.room over there? Into the One Show booth. It's aun anonymous. -- it's
:16:29. > :16:34.all anonymous. She'll be in there an hour! Hello. How are you? How
:16:34. > :16:42.did that feel? All right. I hope no-one finds out. Of course not.
:16:42. > :16:46.How long have you been keeping that secret in? A couple of years.
:16:46. > :16:54.the many secrets we collected, here's a few we can share. "I once
:16:54. > :16:57.pushed my sister down the stairs and blamed it on the dog." Then, "I
:16:57. > :17:02.once told my friends I met Prince William and he asked me out. I kept
:17:03. > :17:07.it going for three months and said I was seeing him secretly." Then,
:17:07. > :17:14."I've got no-one to talk to about the way I feel." All this opening
:17:14. > :17:19.up can be infectious. We all have secrets. "Dear birth mother. I've
:17:19. > :17:23.found love and I'm happy." Some of these secrets are almost like the
:17:23. > :17:27.confessions of a journey through troubled times. If you can share
:17:27. > :17:34.those secrets I think it cannot only help you, but help bring hope
:17:34. > :17:37.to others too. This one said, "When I was young I believed the Queen of
:17:37. > :17:40.England installed cameras in my bathroom and watched me on the
:17:40. > :17:49.toilet, so I always smiled, sat up straight and folded the paper
:17:49. > :17:55.neatly." Great. I can't believe people trusted Phil. I've got a
:17:55. > :18:00.very trusting face. With the cameras too. There are so many
:18:01. > :18:05.coincidences when we get our guests on, but you know Frank? Yeah, I
:18:05. > :18:10.came across his show on Ted. Fascinating and how it started so
:18:10. > :18:16.small. Millions now. Phil, we have to mention the England cricket team.
:18:16. > :18:24.Wrapped up yesterday? First one for loung? 1984. Fantastic effort --
:18:24. > :18:27.for who loung? 1984. With -- for how long? 1984. It's great to come
:18:27. > :18:32.back with a series win. Alastair Cook, the captain broke all the
:18:32. > :18:38.records down there, so fn it's tick effort. Are you into cricket,
:18:38. > :18:41.Bradley? -- so fantastic effort. Are you into cricket, Bradley?
:18:41. > :18:46.loved it as a kid, but as an American you have to find the right
:18:46. > :18:50.group of people to get into cricket. I loved it. Absolutely loved. It I
:18:51. > :18:55.played it for one summer when I was 13. It goes on for a week, five
:18:55. > :19:00.days. One game, that's a long time. How you're putting it down! Phil
:19:00. > :19:06.used to play cricket. I know. Listen to what he did. Tell your
:19:06. > :19:11.secret Phil. Announce to the nation. I put Deep Heat in Sir Ian Botham's
:19:11. > :19:16.jock strap before he went out to bowl once for England. He bowled
:19:17. > :19:21.very fast that morning. Did he do well? Then he ran off at lunchtime
:19:21. > :19:28.and was anything everyone who put it in. Is that still a secret?
:19:28. > :19:32.it's not any more! He's going to give me a smack. That's hardcore.
:19:32. > :19:36.How did you feel, Phil, when people in the film, as we saw, some
:19:36. > :19:41.secrets were pretty dark, how did you feel when they were confiding
:19:41. > :19:47.in you? It was like a confession. Some of those secrets when they
:19:47. > :19:51.came out, I asked them how long they had been holding on it it and
:19:51. > :19:55.some said 25 years. They wrote it down. They sort of came out a
:19:55. > :20:00.little bit sort of lifted. As though they've got something off
:20:00. > :20:04.your chest. It was interesting. They said, "I really enjoyed that
:20:04. > :20:12.and feel better." Do you find people tell you a lot of their
:20:12. > :20:16.secrets? I do. I am the secret carrier. People do. I think it's
:20:16. > :20:21.human nature. They do tell their stories and their secrets. That's
:20:21. > :20:26.why most - at least in the States most police find out things by
:20:26. > :20:30.people confessing more than anything else. Has Bob ever told
:20:30. > :20:37.you any? No. Have you got anything you would like to get off your
:20:37. > :20:42.chest? I'm so glad you asked me that!! In the Hangover, your
:20:43. > :20:52.character and the boys are bad at keeping a secret. Here's the moment
:20:53. > :20:57.
:20:57. > :21:00.where it comes down to secrets from the bride. Tracey, it's Stu. Don't
:21:00. > :21:10.listen to Phil he's completely out of his mind. He's probably still
:21:10. > :21:10.
:21:10. > :21:15.drunk. Where's Doug? He's paying the bifplt we are in a -- paying
:21:15. > :21:20.the bill. We're in a big hurry to get back. How did you keep that
:21:20. > :21:23.look going of being hungover for the whole length you were filming?
:21:23. > :21:30.Were you actually hungover? there is no way we would have made
:21:30. > :21:36.that schedule. There was a lot of memory. I don't know how we did it.
:21:36. > :21:39.You have just finished the third one? Two days ago. It's all very
:21:39. > :21:43.hush-hush and all the rest of it. On the first one, you had a baby in
:21:43. > :21:50.a sling and the second one, a monkey on your back. What will be
:21:50. > :22:00.on the third poster? Can you hint? You know, we are sworn to secrecy.
:22:00. > :22:00.
:22:00. > :22:08.Bradley?! They are serious about it. There could be a red dot somewhere.
:22:08. > :22:14.You are hungover in it? I can't even say that. We shot it in Las
:22:14. > :22:20.Vegas. We go back there. We shot it in Mexico and in LA. I can say that.
:22:20. > :22:24.And Mr Chow's back, for anyone's who's a fan. We loved him. Very
:22:24. > :22:29.kindly you agreed to arrange a stag do and we have been inundated with
:22:29. > :22:33.people. We have chosen these two here. This is double trouble, two
:22:33. > :22:38.ginger brothers, Phil and Tom are getting married to their
:22:38. > :22:45.girlfriends next year. Both are each other's best man, so it's a
:22:45. > :22:49.double stag do. Phil, you have got the Hangover generator just there.
:22:49. > :22:54.If you put it between yourself and Bradley. You have got to pick one
:22:54. > :23:04.from each category. Then we put them at the end. The first one, the
:23:04. > :23:04.
:23:04. > :23:14.groom will get a tattoo. The first one, "I'm better looking at Chang
:23:14. > :23:24.Tatum.". Or number two there or number three? I think we go with
:23:24. > :23:27.
:23:27. > :23:31.number two. Now costumes. First, is it mankinis, Hobbits, figure feet
:23:31. > :23:36.included, or reindeer with antlers? This is a tough one. I think
:23:36. > :23:43.because it's a topical one, we'll go with the Hobbit. Combine all
:23:43. > :23:48.three, quite an outfit! You don't want to take them apart! The third
:23:48. > :23:55.one is things that can go wrong. First, your mum tags along and gets
:23:55. > :24:01.on with wink, wink, nudge, nudge. Second I, you catch the norovirus.
:24:01. > :24:07.Or third, one of you forgets your passport and you end up going to
:24:07. > :24:12.Staines rather than Las Vegas. think this is a recipe for a bit of
:24:12. > :24:18.fun. Finally, we are on to the activities. You end up in a three-
:24:18. > :24:23.hour recording of Dancing on Ice. That is an ice version of Dancing
:24:23. > :24:26.with Stars. You all undergo a full body wax. At the end of the night
:24:26. > :24:31.you bump into Bradley Wiggins who insists you all cycle ten miles
:24:31. > :24:39.home? This would be good for the hangover. I say that. Very sensible.
:24:39. > :24:45.There, we are Tom and Phil, is your stag do. Any responsibility for
:24:45. > :24:50.what happens and we are not paying for it. Now, then it's a lot easier
:24:51. > :24:56.to turn your film into a block bus fer if you hire stars like Bradley
:24:56. > :25:05.Cooper. But how do you make a book a best seller? Here is Arthur Smith
:25:05. > :25:12.with the answer. They say you shouldn't judge a book by its cover,
:25:12. > :25:21.but really you do. It might be the use of colour. Or a fearful
:25:21. > :25:24.background. Or an intriguing looking figure. Powerful words or
:25:24. > :25:31.images. Author recommendations, just what is it that makes that
:25:31. > :25:39.book jump out at you? Graphic artist and book designer John Grey
:25:39. > :25:44.faces these challenges every day. There are a lot of cliches, so with
:25:44. > :25:49.a thriller you'll get a lone figure in a landscape, so you're basically
:25:49. > :25:53.showing the reader the landscape, it's set in snow and it's set in
:25:54. > :25:57.Venice and then this lop figure who is either kind of struggling --
:25:57. > :26:02.lone figure who is either kind of struggling against himself or the
:26:02. > :26:06.elements. You want to leave that character as open to the readers'
:26:06. > :26:10.interpretation as possible. What you are aiming for is not really to
:26:10. > :26:16.impress anyone with the art, but to make people buy the book? Exactly.
:26:16. > :26:20.You are designing the front door to the book inside. My job is to just
:26:20. > :26:25.make an object that people want to pick up and take home. There are a
:26:25. > :26:30.lot of colourful jackets. Like the JK Rowling is colourful and bold.
:26:30. > :26:37.It will stand out against a sea of other colours because it's so bold.
:26:37. > :26:41.Sometimes it's the big author so we need the Thame -- name to be huge.
:26:41. > :26:44.Names sell, but sometimes it's a famous author's name that sells
:26:45. > :26:54.someone else's book. You are looking for a become by best-
:26:54. > :27:00.selling author John grish ham, but your eye is -- Grisham, but your
:27:00. > :27:04.eye is Brawn to the new one by Arthur Smith. Quotes by other
:27:04. > :27:11.authors work well. If another crime writer thinks this one is great,
:27:11. > :27:15.quite often the quote will go on the cover. Strap lines, he then to
:27:15. > :27:20.guide you. Originally, book covers were just words and very simple
:27:20. > :27:25.designs. I think certain design trends come and go with development
:27:25. > :27:32.in production and printing tech feebgz. Back in the 30s and 40s, --
:27:32. > :27:36.techniques. Back in the 30s and 40s, that is what was affordable, but
:27:36. > :27:40.then full-colour imagary was able to be used later. As you get more
:27:40. > :27:48.and more photographs, then someone wants to do the opposite and then
:27:48. > :27:52.there is new illustration. That Clockwork Orange is there with the
:27:52. > :27:57.boldness and colour and block graphic and it looks fresh again.
:27:57. > :28:01.Maybe we evoking the bold graphics and colours. Some of the cores are
:28:01. > :28:05.like that now. Some designs are crazy. They are looking for
:28:05. > :28:08.something different and new avenue to take. We have just done a cover
:28:08. > :28:12.looking for something fresh and it's just colour. No title and no
:28:12. > :28:16.author on the front. Just to see how that would look and I think in
:28:16. > :28:20.a shop it looks really brave and stands out. If it was my book I
:28:20. > :28:25.would frankly be a little upset if it didn't have my name or the title
:28:25. > :28:30.on it. The proof must be in the pudding. If it sold really well you
:28:30. > :28:34.would be happy. That's true. Will the E book mean that there are no
:28:34. > :28:40.physical book covers? No. Books will always be around and book
:28:41. > :28:47.covers will always be around. You have movies and they are different
:28:47. > :28:54.media. People thought in the 50s and 60s that TV would kill the book
:28:55. > :29:00.and it didn't. No, it didn't. Earlier on we asked you for your
:29:00. > :29:06.hangover pictures, or pictures of you nursing them. Look at this.