:00:26. > :00:37.# Oh, tell me the odds on you # Just so you could cut me lose
:00:38. > :00:45.# Do everything I've lost on you # Is that lost on you... #
:00:46. > :00:51.APPLAUSE Every so often a song comes along
:00:52. > :01:02.that just gets into your head and this one has been climbing
:01:03. > :01:05.the charts all over the world. It's called Lost on You and
:01:06. > :01:08.the singer, LP, will give us If you want heroics - we've got
:01:09. > :01:13.a show full of them tonight. EastEnders Adam Woodyatt -
:01:14. > :01:15.aka Ian Beale - will be here with his son Sam to tell us
:01:16. > :01:18.about the real-life drama which has led them both to take
:01:19. > :01:21.on the challenge of their lives. We'll also catch up with the heroic
:01:22. > :01:24.efforts of kayaking couple Steve Backshall and Helen Glover
:01:25. > :01:26.on their 125 mile race. As for our first two guests,
:01:27. > :01:34.one has played the all-American And the other, well,
:01:35. > :01:53.he's a bit more British. # What a man, man, man
:01:54. > :02:01.# What a mighty good man... # There's been a hanging. Hold on!
:02:02. > :02:06.Over confident, aren't we? # What a man, what a mighty good
:02:07. > :02:09.man... # Two peas in a pod.
:02:10. > :02:10.Please welcome Dennis Quaid and James Norton.
:02:11. > :02:23.That was action. So British, cricket, tea and bikes. I know,
:02:24. > :02:27.opposite sides of the spectrum. You have taken on each other's accents
:02:28. > :02:33.as well? At times, I guess. I'm sure you do a better American accent. I'm
:02:34. > :02:40.not going to try. We have it on good authority you used to use a British
:02:41. > :02:44.accent? When I was 15, door-to-door, I sold brushes, I was a brush
:02:45. > :02:49.company salesman. I got tired of people shutting the door on me. What
:02:50. > :03:01.I would do, I took on an English accent. It was really Van Dyke in
:03:02. > :03:07.Mary Poppins - hello, would you like to buy a brush! We have some here.
:03:08. > :03:16.Were you a grout cleaner as well? Yes. Tile and grout cleaner. I have
:03:17. > :03:25.a full array of products. For the tile and grout and whatever you need
:03:26. > :03:29.a brush for, Fuller has it! Right! The English accent, it was bad, it
:03:30. > :03:34.would keep them at the door. Right. They would even call their entire
:03:35. > :03:43.family in to hear it. That is how I started acting. There you go. Have
:03:44. > :03:47.you used that accent since? No! We will leave it there for now.
:03:48. > :03:52.No-one likes a bully and when that bullying hides
:03:53. > :03:55.anonymously behind a computer, it can feel all the more menacing.
:03:56. > :03:58.With increasing calls for social media sites to protect their users,
:03:59. > :04:01.Lucy Siegle has been to meet both victims and the big three
:04:02. > :04:11.Becoming the target of abuse and harassment online can have a
:04:12. > :04:16.dramatic impact on someone's life. I felt so violated and under attack.
:04:17. > :04:21.It was floods of racist, sexist abuse. Should three of the major
:04:22. > :04:28.players in the industry, Google, Facebook and Twitter, be doing more
:04:29. > :04:31.to protect their users? I'm here to meet a man whose 16-year-old
:04:32. > :04:40.daughter suffered so badly at the hands of internet trolls she paid
:04:41. > :04:44.the ultimate price. She was a vibrant, articulate, goofy,
:04:45. > :04:48.beautiful young woman. When Adrian Derbyshire's daughter Julia told her
:04:49. > :04:51.friends about her sexuality she started receiving a series of
:04:52. > :04:56.abusive messages on social media from strangers. Saying, "you're
:04:57. > :04:59.going to burn in hell because this is against the Bible. This is
:05:00. > :05:06.against what God wants and God hates you." They used their social media
:05:07. > :05:12.platform, which is the easiest form of bullying now, it's instant. The
:05:13. > :05:17.abuse had such a devastating effect that in October 2015 she attempted
:05:18. > :05:21.to take her on life. She died five days later in hospital. Adrian
:05:22. > :05:26.believes social media companies need to take more responsibility and take
:05:27. > :05:32.action the moment any abuse starts. Let us talk about this, a multi
:05:33. > :05:36.pound industry here. They can create this phenomenal website that has
:05:37. > :05:43.changed lives forever, it's positive and negative, but can't stop hate.
:05:44. > :05:46.That's just ridiculous. Forlan East London councillor, Shayee it's not
:05:47. > :05:53.about the companies being proactive they are not being reactive enough
:05:54. > :05:58.either. She was sunted to vile abuse last year after a video of one of
:05:59. > :06:03.her speeches was posted on the other hand Facebook and shared on Twitter.
:06:04. > :06:06.There was floods of racist, sexist abuse calling me the N-word and the
:06:07. > :06:11.B words. References to being linched and that's when I thought - OK, I
:06:12. > :06:15.don't feel safe. I feel I need to report this. Without a phone number
:06:16. > :06:19.to call it took Twitter and YouTube, owned by Google, more than three
:06:20. > :06:23.days to remove the comments and that no-one was punished or prosecuted
:06:24. > :06:27.for posting the remarks. After a while it was like - is there a point
:06:28. > :06:32.of me doing this? I stopped. I didn't get acknowledgment. People
:06:33. > :06:35.think this computer or tablet screen protects them from the consequences
:06:36. > :06:38.they would face if they said that on the streets. Adrian agrees. He
:06:39. > :06:43.believes there is far too much opportunity for people to hide
:06:44. > :06:47.behind anonious accounts. They are allowing people to kret as many pro
:06:48. > :06:51.files as possible and without any idea, without any information from
:06:52. > :06:56.that person. I think you must have to prove your age, your ID, for you
:06:57. > :07:00.to allowed to have access to an account. Also, as well, if you do
:07:01. > :07:07.that, then you can be accountable for what you put on because they can
:07:08. > :07:10.trace you. Former head teacher, Pepe Hart says getting downpours
:07:11. > :07:18.companies like Facebook to identify users is far from easy. In 2015 a
:07:19. > :07:23.private Facebook group was set up to damage her reputation. Some things
:07:24. > :07:29.that were said was a vile, horrid cow. I was Hitler. Some people
:07:30. > :07:32.wanted to punch me in the face. I wanted to find out more about the
:07:33. > :07:38.account, who the members of the group were. Facebook refused to take
:07:39. > :07:42.anything down. I felt very much as though the doors were being closed.
:07:43. > :07:47.Facebook eventually told her they would provide the details of her
:07:48. > :07:52.abuser if she got a court order. But she thinks the whole process should
:07:53. > :07:55.be much simpler. They provide that service, when are Facebook going to
:07:56. > :07:59.say - we do think we need to take more responsibility? All three
:08:00. > :08:04.companies have said they are improving their platforms to make
:08:05. > :08:07.them safer. Later in the programme I will meet with Facebook, Google and
:08:08. > :08:16.Twitter to find out what they have to say about the criticism they're
:08:17. > :08:22.receiving. Thank you to the people who shared their stories.
:08:23. > :08:25.Stay tuned to see what happens when Lucy knocks on the doors of the big
:08:26. > :08:29.We want to hear from you, where do you think responsibility
:08:30. > :08:31.lies in ending online abuse and what can be done?
:08:32. > :08:38.Maybe you have done bullying yourself and you may have ideas on
:08:39. > :08:41.how it could be stopped. What are your experiences with this. You have
:08:42. > :08:47.young children. I grew up old school back in the day when you meet
:08:48. > :08:51.outside the bar after school. There was bullying, got shoved around. I
:08:52. > :08:57.was concerned about my kids, especially these days. My son is 24.
:08:58. > :09:02.It was just starting I think back in the 90s when everything went online.
:09:03. > :09:08.My twins are 10 and younger and younger they come online and social
:09:09. > :09:16.media is part of what they learn. It can be hazardous out there. For
:09:17. > :09:21.sure. There is haters. The bullying comes out of insecurity from people
:09:22. > :09:25.it can be anonymous or it can just be, you know, the social circle of
:09:26. > :09:29.school where it's, they go to school and they have to face it there. Then
:09:30. > :09:35.they have to face it. You can't escape. It feels ever present. Like
:09:36. > :09:38.the whole world knows. It's an interesting debate and where the
:09:39. > :09:42.responsibility lies. We will see where we get to later in the
:09:43. > :09:50.programme about that. Grantchester, third series. Dennis anyway not be
:09:51. > :10:00.aware of the series. Set it up. You are an fan, right? A fan. No. So
:10:01. > :10:04.it's a show about a young vicar who finds himself in a beautiful village
:10:05. > :10:12.called Grantchester, a real place. He finds his life a little bit slow
:10:13. > :10:16.and, perhaps, in need of a bit of speed and excitement he solves
:10:17. > :10:20.crimes and makes an unlikely friendship with a policeman called
:10:21. > :10:24.Geordie played by the wonderful Robson Green. They embark on
:10:25. > :10:29.adventures together accompanied by the wonderful Dickens. There is lots
:10:30. > :10:34.of romantic entanglements. Now, you are going to watch it. There you go.
:10:35. > :10:45.You sold it. A Catholic priest? No, no. OK. There is a chance! I have to
:10:46. > :10:51.say... Robson Green, he wore your spacesuit from the Right Stuff in a
:10:52. > :10:55.film he did, called Rocket Man. It's one of his favourite anecdotes. He
:10:56. > :11:01.wanted me to tell you. He is in next week. I can track that thing down.
:11:02. > :11:08.He is coming in next week. He didn't want to be on the same show as you!
:11:09. > :11:12.We last saw your character Sidney in the Christmas special. As far as
:11:13. > :11:17.this series is concerned, are we picking up off the back of the
:11:18. > :11:24.Christmas special? Definitely is. A murder mystery a week. They are over
:11:25. > :11:28.acig narratives insist. Four months on from the end of the Christmas
:11:29. > :11:31.special. We find Sidney and Amanda is the first time in their lives
:11:32. > :11:37.they are able to be in love and enjoy it. They are in denial a
:11:38. > :11:41.little bit. The music has moved on from jazz into rock-and-roll. They
:11:42. > :11:46.are partying a bit more. They are living in denial. They are having a
:11:47. > :11:49.lot of fun, but they are aware that they are star crossed because they
:11:50. > :11:52.can't be together, as we know. They have to make a choice. They do.
:11:53. > :11:58.Dennis, would you like to see James in action? I'm definitely going to
:11:59. > :12:01.see it now. Let's have a look. Here's James or Sidney having a
:12:02. > :12:07.reality check. If I know what's going on with your and Mrs Hopkins
:12:08. > :12:18.then others know. There is nothing going on. Don't think I've ever seen
:12:19. > :12:25.you happier. Little miss here, I suppose we all are. But how long do
:12:26. > :12:30.you think it can last? With your job and her down the road? You can't be
:12:31. > :12:37.a vicar and be with her. You can't marry a divorced woman. That's the
:12:38. > :12:42.truth of it. Sooner or later, you'll have to make a choice.
:12:43. > :12:53.APPLAUSE Wow. Will he chose the woman he
:12:54. > :13:00.loves or his faith? Love versuses duty. Who can say? In the 50s a
:13:01. > :13:04.vicar wasn't allowed to marry a divorcee. If she is going to
:13:05. > :13:09.separate from her previous marriage she becomes unavailable to him. The
:13:10. > :13:14.writing is so good. We are blessed with great writers who write these
:13:15. > :13:20.uneasy ethical dilemmas. No-one knows which he can choose. The Best
:13:21. > :13:26.Dramas are impossible choices. The grey area in between. It's cool. He
:13:27. > :13:32.has the choices or the romance with Amanda. James has a romance as well
:13:33. > :13:36.acid any on set. Yourself and Robson are quite tight. He almost killed
:13:37. > :13:44.you this time? He almost killed me. On set. We have a couple of stunts.
:13:45. > :13:51.He pushed - he, was throwing water at me and I fell backwards into a
:13:52. > :13:54.river and the whole crew saw me disappear under water. The
:13:55. > :14:00.producers, yeah, there was a gasp of fear. Robson - thought you had been
:14:01. > :14:05.swept away. Was that part of the plan? No. There was quite a lot
:14:06. > :14:11.of... We do have quite a lot of fun. He has this... We basically, now in
:14:12. > :14:17.the third series, we commit to our work and are very focused, sometimes
:14:18. > :14:25.our executive producer is here today. Be careful! There is a great
:14:26. > :14:32.thing about the show - Here's your co-star. Forget about Robson. Here
:14:33. > :14:40.is Dickens. Hello. Wonderful. We opened the door and he ran.
:14:41. > :14:48.You have helped rear him because he was a little pup? He was tiny. In
:14:49. > :14:56.the show he is called Dickens and a real life he is called Dickens. Very
:14:57. > :15:02.chilled! Do you have to bribe him on set or is he quite well-behaved? He
:15:03. > :15:08.is pretty good. Sometimes we have to put a little sausage in our pocket.
:15:09. > :15:16.Aye a little false edge in the pocket once in awhile! Apparently
:15:17. > :15:21.you have bacon in your film? Dickens will know there are quite a lot of
:15:22. > :15:27.residents of Grantchester. Come over here, there's a good boy, come over
:15:28. > :15:32.here. We have a very special new resident here in the shape of
:15:33. > :15:36.Rachel. Rachel, give us an idea of what your new role will be if we
:15:37. > :15:42.can't guess from what you are wearing? From July the six I will be
:15:43. > :15:45.Vicar of Grantchester and also new known in Cambridge. I will be the
:15:46. > :15:51.real Vicar of Grantchester as people keep telling me. At the moment there
:15:52. > :15:56.is no Vicar so will you be moving into the vicarage? Yes, into the
:15:57. > :16:00.church, it is a very nice vicarage to move into. We have some residents
:16:01. > :16:07.of Grantchester here. What is it like compared with what we see on
:16:08. > :16:13.the TV? We have fewer murders! Usually! We are hoping for a more
:16:14. > :16:17.stable Vicar when she arrives. Grantchester is a sort of suburb of
:16:18. > :16:21.Cambridge in lots of ways but it is a couple of miles away so it is
:16:22. > :16:27.still quite rural and we have a very nice mixed economy there. We have
:16:28. > :16:37.four pubs. And you have all these screenings and all sorts. We do. It
:16:38. > :16:40.is huge fun. We are thrilled to be extras on the set as well and we get
:16:41. > :16:43.to meet James and Robson and have cricket matches and rounders
:16:44. > :16:49.matches, and the occasional pint and ice cream. What did you say about
:16:50. > :16:55.James' attire? I said he wears the most wonderful cashmere jumpers that
:16:56. > :17:04.I have ever come across! He is not wearing one today, unfortunately.
:17:05. > :17:07.Big jump fans over here, James! -- jumper fans.
:17:08. > :17:10.It's great to have Dickens here, he'll love this next film.
:17:11. > :17:13.After all, his new film is called, A Dog's Purpose.
:17:14. > :17:21.Marty has found one canine who seems to have found his true calling.
:17:22. > :17:29.Three years ago, fire tore through the iconic Glasgow School of Art. In
:17:30. > :17:36.just a few hours, this architectural gem was devastated. After the flames
:17:37. > :17:42.were put out, a new problem began. All the water used to put out the
:17:43. > :17:48.fire created the perfect moist conditions for a fungus to start
:17:49. > :17:55.growing in the building. The fungus feeds on the ward and causes what we
:17:56. > :18:01.call dry rot. What is an invisible menace in many old buildings, and if
:18:02. > :18:06.it is left unchecked it will do this too would. So it is vital that it is
:18:07. > :18:10.sniffed out before it has a chance to take old. Fortunately, the
:18:11. > :18:19.restoration team have the perfect weapon on hand to stop the rot. This
:18:20. > :18:25.is Sam, a 12-year-old Labrador, with a nose for the job. Known as a rot
:18:26. > :18:31.hound, Sam has been trained to recognise the aroma of fungus in the
:18:32. > :18:36.air, and locate where the rot is in a building. His owner is building
:18:37. > :18:43.surveyor Peter Monaghan from Cumbria who has a passion for training dogs.
:18:44. > :18:49.He found Sam in a rescue centre where he had been abandoned by his
:18:50. > :18:54.former owners. I went to see him, very boisterous, very bouncy dog,
:18:55. > :19:00.just the sort of dog I like. Not a particularly good pet. My wife still
:19:01. > :19:05.cannot control him! But Peter thought Sam's natural energy could
:19:06. > :19:09.be harnessed to tirelessly search historic buildings. And after almost
:19:10. > :19:15.two men three years of training, Sam was ready for work. Labradors have
:19:16. > :19:19.particularly unsuited noses. Sam is able to detect the smell of just a
:19:20. > :19:23.few molecules of dry rot in the air and then hone in on their source.
:19:24. > :19:28.Senior Project manager Liz Davidson knows the value of Sam's skills.
:19:29. > :19:34.Three years ago he detected the start of dry rot in the school of
:19:35. > :19:39.art on this is spot. How damaging is dry rot? Dry rot can do more damage
:19:40. > :19:43.than fire. It can keep on travelling. It can go through walls
:19:44. > :19:47.and pick up the wood on the other side. You are trying to track this
:19:48. > :19:51.invisible enemy the whole time. Sam was probably one of the most
:19:52. > :19:56.important because he came in very early and was able to find things in
:19:57. > :20:00.the building we did not know where a problem. Sam has returned to the
:20:01. > :20:07.room where he first detected rot. If he finds it again this time, it will
:20:08. > :20:14.be a headache for this and her team. But fortunately, Sam does not sniff
:20:15. > :20:19.out any rot Corona top thanks to his and Peter's efforts, the building is
:20:20. > :20:24.given a clean bill of health. Whether they find dry rot or not,
:20:25. > :20:29.Peter needs to keep Sam's skills sharp, so we have laid on a test. I
:20:30. > :20:35.have got here some dry rot infested wood, and I have put it in this
:20:36. > :20:48.little container, and then hide it in the corner and see if he can find
:20:49. > :20:53.it. Come on, Sam, off we go. Sam gives us the ability to search a
:20:54. > :20:58.large building. Sometimes you can't even see it, it is behind panelling
:20:59. > :21:04.or it is behind other materials. When searching for dry rot, Peter
:21:05. > :21:09.works Sam around the room, sniffing for a scent trail. It is a team
:21:10. > :21:12.effort between the dog and the handler. The handler have to
:21:13. > :21:21.interpret what the dog is showing the handler. The dogs are about 98%
:21:22. > :21:25.accurate. It takes Sam just a few minutes to hunt down the rot. Wow,
:21:26. > :21:31.that is pretty impressive. Well done, Sam, that is amazing! Sam is
:21:32. > :21:36.trained to know he will receive a reward for all his efforts. For him,
:21:37. > :21:45.that is time alone with his favourite toy, one of Peter's old
:21:46. > :21:49.gloves. Dennis is still doing the accent! You cannot beat that kind of
:21:50. > :21:58.job for me. That is the camaraderie and the wonderful relationship you
:21:59. > :22:09.have. This leads us on to your new film, A Dog's Purpose. It is about a
:22:10. > :22:13.dog's spirit. I say it is like Old Yellow but without the tragic
:22:14. > :22:18.ending. Dogs, as it turns out in this film, are reincarnated. They
:22:19. > :22:24.remember their past lives and in the beginning, me as a young boy, had
:22:25. > :22:29.this relationship with this dog Bailey, and then he is reborn again
:22:30. > :22:33.and again other dogs' bodies, different breeds and different
:22:34. > :22:41.people. And we meet up again later on in life and... But it is a
:22:42. > :22:47.beautiful movie. I hadn't read the book which is a beautiful book. My
:22:48. > :22:52.agent started to tell me, he got about four sentences in and I
:22:53. > :22:56.started to well up. I said, I will do it. Is that because it brought
:22:57. > :23:05.back memories for you growing up with a dog? I had the classic boy,
:23:06. > :23:11.dog relationship. Everybody has that. It is about unconditional
:23:12. > :23:17.love. What they give us and what we give them. Let's have a look at even
:23:18. > :23:22.after he has been reunited with his old dog Bailey but he does not know
:23:23. > :23:27.it is him yet. I'm going to make a bet that you are hungry. You must
:23:28. > :23:49.be! Nobody likes my cooking. Don't look at me like that. You
:23:50. > :24:01.can't stay here. You have got to go home, you belong to somebody. Home,
:24:02. > :24:07.yes, yes, I am home. Dumb dog. You just want that clip to be longer! As
:24:08. > :24:11.you can see, dogs also have a voice over going on in their head all the
:24:12. > :24:16.time! They understand English but they do not have vocal chords! You
:24:17. > :24:21.cannot help it. You laugh the next second, it is really funny. We talk
:24:22. > :24:27.about romantic comedies and it is a kind of romance of sorts. Of course
:24:28. > :24:33.it is, it is unconditional love. We were laughing only about the sausage
:24:34. > :24:38.on the bacon but it must be a reality, did you have meat and bacon
:24:39. > :24:43.or the time? You walk in, I was working with that dogs there and it
:24:44. > :24:47.is like, you don't just walk into a relationship, you have to get to
:24:48. > :24:52.know each other and stuff. So you kind of speed it up with what they
:24:53. > :24:59.like, you have a little bit of bacon in your bag and you rub it around
:25:00. > :25:06.like that, like Cologne! Raw bacon or cooked? Doesn't matter! You have
:25:07. > :25:11.got to keep trying. I am just imagining. When you're not on the
:25:12. > :25:15.film set, are you in any way like Samuel L Jackson. He was sacked
:25:16. > :25:21.where you are a month ago and he says he has a golf tour is written
:25:22. > :25:28.into his contract. Without blowing smoke, you are a very good golfer.
:25:29. > :25:34.Identified to put it in my contract but I seek it out. If you are on the
:25:35. > :25:38.road, like a musician or an actor, you have to keep your head on
:25:39. > :25:45.straight. Golf is everywhere, especially over here, it is great.
:25:46. > :25:54.Do you play over here? Have you edged out some time? This time I
:25:55. > :26:00.didn't but I only play once the day! And James, flat line is, you have
:26:01. > :26:08.just finished filming, a big Hollywood blockbuster, does that
:26:09. > :26:15.feel like a gear change -- Flatliners. I have played a lot of
:26:16. > :26:20.golf. It was fun, my first big movie. A car pulled up on Michael
:26:21. > :26:27.Douglas and two executives got out suited and with sunglasses. I
:26:28. > :26:32.thought, my goodness, I am in a movie. You have got all the toys and
:26:33. > :26:36.there is a certain amount of support behind you with the money and the
:26:37. > :26:44.expertise, it is a different world. It was fun. Enjoying dipping in and
:26:45. > :26:47.out? I hope I will dip in and out. We hope we won't lose you! Of course
:26:48. > :26:50.not. We've been inspired by your film
:26:51. > :26:53.Dennis and the idea of reincarnation and we're going to play a little
:26:54. > :26:59.game called, Cast From The Past. We're going to show you a real
:27:00. > :27:02.person from history and we want to know which well known celebrity
:27:03. > :27:18.we think they look like. We are going to start off with
:27:19. > :27:23.number one. This is Nicolae Grigorescu, the 19th century painter
:27:24. > :27:29.from Romania. Who do you think that looks like? Without the moustache,
:27:30. > :27:35.I'm just trying to map paddle boarding, think paddle boarding. He
:27:36. > :27:44.is on the One Show next week. Orlando Bloom? It is a Orlando
:27:45. > :27:54.Bloom! Next we have is or Neil Hurston. She is an American author.
:27:55. > :28:02.I love this music! You go for this one. She is an American actor. It is
:28:03. > :28:06.not going to happen, is it? It is Queen Latifah. There we go, look at
:28:07. > :28:18.the likeness. Good luck with this one, everyone. Who is this? Is that
:28:19. > :28:33.Bob Hope? It looks like Bob Hope for me. School of Rock. Jack Black. We
:28:34. > :28:39.will only do a few more, don't worry. Millard Fillmore, the 30th
:28:40. > :28:47.president of the United States. I want to say Donald Trump. He has
:28:48. > :28:51.been playing a lot of Donald Trump recently, Alec Baldwin! I think we
:28:52. > :28:57.should go straight on to number six here. We are going for Pope Gregory
:28:58. > :29:15.the Knights, a 500-year-old painting by Rafael in the Vatican. Dennis
:29:16. > :29:21.Quaid. Had you already said it?! Well done!
:29:22. > :29:23.Now, James here didn't always want to be an actor.
:29:24. > :29:26.His first choice of career, when he was a little boy,
:29:27. > :29:32.So here's a film to appeal to the five-year-old James
:29:33. > :29:34.and anyone who wants a smoother journey.
:29:35. > :29:40.Helen has been to see the future of rail travel.
:29:41. > :29:49.The great engineer Brunel once said, "the time is not far off when we
:29:50. > :29:53.should be able to take our coffee and write while going noiselessly
:29:54. > :29:58.and smoothly." We are still not quite there. We can get a coffee,
:29:59. > :30:03.but we can't guarantee a quiet and smooth I ride, but we could be
:30:04. > :30:06.close. Although bumpy journeys and noisy trains may be annoying
:30:07. > :30:11.passengers across the country, at this depot, just outside Bristol,
:30:12. > :30:19.new trains, built by Hitachi Rail, here in the UK, are being prepared
:30:20. > :30:25.for use on the Great Western and Require yen East Coast Main Line.
:30:26. > :30:30.You are building lots more in the UK? We are. We are building 122
:30:31. > :30:35.trains. That has given employment as well to the region? 900 jobs.
:30:36. > :30:40.Purpose-built plant for the provision of new trains into the UK.
:30:41. > :30:45.When as a passenger am I likely to see trains like this pulling up on
:30:46. > :30:53.to the platform? You will see the first inter-city units in service in
:30:54. > :30:56.October. These trains are packed full of the latest technology to
:30:57. > :31:00.make journeys smoother and more comfortable for passengers. Could
:31:01. > :31:06.they finally make Brunel's prediction come true? Once the line
:31:07. > :31:10.is fully electrified it will shave significant time off the journey.
:31:11. > :31:15.There are three engines spread along the train as opposed to one large
:31:16. > :31:19.engine. The acceleration is quicker. They can run on diesel and electric.
:31:20. > :31:24.It means we can get our trains out into the public a lot quicker and
:31:25. > :31:28.eventually it will run on electric so it will be greener and cleaner.
:31:29. > :31:42.Who is picking up the tab for this? It's point of the o ?5.7 billion
:31:43. > :31:46.Government-funded ed programme. This power system allows the trains to
:31:47. > :31:51.run on track that isn't Lek arified. A first for UK passenger trains.
:31:52. > :31:55.What are the company doing to enhance the interior experience? A
:31:56. > :32:02.lot of people this is their office when they are on a train journey?
:32:03. > :32:12.Yes, it is. More seats. That is the biggest problem on the trains. Each
:32:13. > :32:17.seat as a plug socket and a reservation panel. Some will recline
:32:18. > :32:21.back. A lot more luggage space. The new trains will provide a
:32:22. > :32:25.comfortable experience on the inside, but what tricks are these
:32:26. > :32:30.hi-tech trains going to use to ensure a smooth ride? These lasers
:32:31. > :32:36.will measure the profile of the wheel. They will also measure the
:32:37. > :32:41.break pads within a millimetre. Adding to the smoothness of the run
:32:42. > :32:51.of the train. It will pick up defects on the trains. My could
:32:52. > :32:55.coffee cup won't wobble. The company has high hopes you will see the
:32:56. > :32:57.difference, but hopefully the only worry will be how we take our
:32:58. > :33:01.coffee. The first trains will start
:33:02. > :33:05.appearing in October of this year. That answers your questions. There
:33:06. > :33:09.you are. Yeah. 50,000 runners will be taking
:33:10. > :33:13.on the London Marathon this Sunday. Sorry if that sends shivers down
:33:14. > :33:18.your spine if you are watching this. Adam Woodyatt and his son Sam,
:33:19. > :33:30.who join us now. Are you nervous? A little bit. I'm
:33:31. > :33:35.looking forward to. It I'm glad all the training is out of the way! The
:33:36. > :33:38.marathon I think is going to be a really enjoyable experience. The
:33:39. > :33:45.training has been a pain. When did you start? February. Did you? I had
:33:46. > :33:48.to leave it late because of work. Sam, it's quite remarkable that you
:33:49. > :33:53.are doing this. I don't know who knows out there. Seven months ago
:33:54. > :33:57.you were involved in quite a serious road traffic incident. Give us an
:33:58. > :34:03.idea of the injuries you sustained? So I was placed in an induced coma
:34:04. > :34:08.for I think two or three days. Then I had a five hour operation to, kind
:34:09. > :34:13.of, piece my pelvis together. There is a lot of metal in me now. I had
:34:14. > :34:19.minor lacerations on my arm and neck.
:34:20. > :34:26.You might be able to see the scars. Quite minor brain injury so my
:34:27. > :34:30.intole is a bit foggy. Amnesia. We couldn't tell a difference! I don't
:34:31. > :34:35.remember the night or anything. That's more or less it. That's the
:34:36. > :34:40.worst nightmare for any parent. How did you feel when you got that knock
:34:41. > :34:44.at the That knock-on the door. Door is horrendous. The worst thing you
:34:45. > :34:52.ever want. Fortunately, he's all right. Thanks to the emergency
:34:53. > :34:55.services. I have to say, the London air ambulance their rapid response
:34:56. > :34:59.vehicle came out to Sam. They were there within three minutes. They are
:35:00. > :35:04.brilliant. You just hope that you never need them, but when you do,
:35:05. > :35:08.unbelievable. That's really the sense that you are, the memories,
:35:09. > :35:12.what you will run with at the weekend? Yeah. It's, we started
:35:13. > :35:16.planning to do it before his accident, but obviously since the
:35:17. > :35:20.accident it's made it even stronger the reasons for wanting to do it for
:35:21. > :35:24.the air ambulance because a lot of people don't realise. They are not
:35:25. > :35:26.funded. All the donations have to come from the public. It doesn't
:35:27. > :35:31.come from Government or anything like that. It's vital. Not just in
:35:32. > :35:37.London, but all over the country. Across the country. Running for two
:35:38. > :35:42.very good causes. Sam, from a training perspective, how have your
:35:43. > :35:47.injuries affect that? I was going to say I started training really late.
:35:48. > :35:50.I told them that. I didn't know he started training in February. I
:35:51. > :35:58.started training in January when I could walk again. He's still
:35:59. > :36:03.quicker! When I started training I had to go slower. I couldn't run.
:36:04. > :36:11.Can you go a bit slower on Sunday? Will you run together? No,
:36:12. > :36:19.problemibly not. He'll be gone. Bye Have you started on carbon loading?
:36:20. > :36:25.No. I've been on a diet. He has been a no rb diet. I told him he needs to
:36:26. > :36:35.do carb loading. Have pasta on the way home. You did a marathon. I ran
:36:36. > :36:40.the LA marathon. 92. After mile 20, it's, the gas tank is low. What is
:36:41. > :36:51.the longest run you have done so far? 18 miles. 15. I have to say 18.
:36:52. > :36:58.You'll make it. I was quite happy. I was happy with how it had gone. The
:36:59. > :37:05.pace was slow. The cameras will follow you all the way round. Don't.
:37:06. > :37:10.Bring snacks. You brought bacon snacks all around the marathon.
:37:11. > :37:17.Drink and eat. I'm going past a pub, I will try not to stop. The bacon
:37:18. > :37:23.snacks, where would I get them? Mill pet store! We wish you all the very
:37:24. > :37:27.best. Of course, to each and every one of the 50,000 runners that will
:37:28. > :37:29.take part this weekend. Good luck. All the best and safe and happy
:37:30. > :37:31.rung. We saw earlier the traumatic effect
:37:32. > :37:34.that online bullies and trolls can So how seriously do the social
:37:35. > :37:49.networks take the issue and what can Facebook, Google, who owns YouTube
:37:50. > :37:52.and Twitter, have been criticised for not reacting quickly enough to
:37:53. > :37:58.internet trolls. Why aren't they doing better? None of the companies
:37:59. > :38:03.gives users the opportunity to call and speak to someone directly to
:38:04. > :38:06.report abuse. Katie O'Donovan is in charge of policy at Google's UK
:38:07. > :38:11.office here in London. People have told us what they want is to be able
:38:12. > :38:14.to pick up the phone and say, it's an emergency situation, they want an
:38:15. > :38:19.emergency response. Why is that not an option? We get hundreds of
:38:20. > :38:24.thousands of flags a day using an online system is the most effective
:38:25. > :38:29.way of doing that. 98% of our flags are done within 24-hours. Many wins
:38:30. > :38:33.minutes and hours. If somebody close to you was experiencing these
:38:34. > :38:36.threats would you have a different response I absolutely understand how
:38:37. > :38:40.hurtful this can be. It's a horrible situation and we work very, very
:38:41. > :38:44.hard to prevent that happening. At Twitter's European headquarters in
:38:45. > :38:50.Dublin the person in charge of policy is Sinead McSweeney.
:38:51. > :38:53.She tells me Twitter is experimenting with a direct
:38:54. > :38:57.messaging service. It's taken a while for Twitter to tackle this
:38:58. > :39:03.problem? It's a big priority within the company. We are now dealing with
:39:04. > :39:08.updates on abuse in days and hours rather than every few months. By far
:39:09. > :39:13.the biggest social media platform in the world is Facebook. Currently, it
:39:14. > :39:19.takes up to 48-hours to react to reports of abuse. Head of safety,
:39:20. > :39:24.Julie, wants to improve on that. Where we have maybe some work to do
:39:25. > :39:28.still is on things that might be more hidden. Maybe repeated abuse in
:39:29. > :39:32.different ways. If it's bullying, it's bullying. Whether it's mildly
:39:33. > :39:35.bullying or incredibly bullying. It's upsetting for people. We
:39:36. > :39:39.understand how important it is for for us to look at it and remove it
:39:40. > :39:43.so that it doesn't get seen by more people. Responding to reports of
:39:44. > :39:48.abuse is one thing, but shouldn't they all be doing more to monitor
:39:49. > :39:53.their platforms and identify the abuse the moment it starts? What
:39:54. > :39:56.people have difficulty understanding is how such clever organisations
:39:57. > :40:00.can't do that more effectively? What we do is we make sure we know who is
:40:01. > :40:03.making the comments or uploading hateful content. If it violates our
:40:04. > :40:09.terms and conditions we will ban that person. We will monitor them to
:40:10. > :40:14.make sure that they do not try to reupload or make hateful comments in
:40:15. > :40:18.the future. Google also say it is's trialling new technology to spot
:40:19. > :40:21.abuse as soon as it's posted. For Facebook and Twitter while they will
:40:22. > :40:24.look at the development of technology it's not quite so simple.
:40:25. > :40:28.Context changes everything. You could have ten people sharing
:40:29. > :40:31.the same photo, but the caption is completely different, the comments
:40:32. > :40:35.are very different, the intent is different. . No machine could make a
:40:36. > :40:39.decision on what they think is bullying or not. When you put up an
:40:40. > :40:42.obstacle in one place people will figure out another way to hurt
:40:43. > :40:48.people. I think that's why it's important that we address this from
:40:49. > :40:57.a wider perspective. That we give people the skills to deal with what
:40:58. > :41:00.they encounter online. From the beginning social media has been an
:41:01. > :41:04.open and free platform all. What about the abusers who hide behind
:41:05. > :41:09.anonymous accounts. Isn't anonymity one of the central issues? I don't
:41:10. > :41:13.believe it is. Anonymity in and of itself isn't the sole driver here.
:41:14. > :41:17.There are plenty of cases where actually anonymity is important to
:41:18. > :41:20.the power of the platform. Why are you so reluctant to address that
:41:21. > :41:26.issue? What we have done is address it is from the other side. If you
:41:27. > :41:30.are on Twitter you can chose to never see content from someone who
:41:31. > :41:37.has chosen not to verify their account with their email address or
:41:38. > :41:40.phone number. It's difficult to prove identity online and improve
:41:41. > :41:45.active dialogue. Dialogue.. Want YouTube o to be an open community
:41:46. > :41:49.but strict guidelines in force snoochl we are mindful of balls
:41:50. > :41:52.balancing safety measures and maintaining privacy of people's data
:41:53. > :41:55.and not asking too much information. Why not make it a requirement of
:41:56. > :41:59.opening a Facebook account, what is the problem? It's not what we have
:42:00. > :42:03.in place at the moment. I'm not ruling it out in the future. It's
:42:04. > :42:08.invasive to provide an ID to Facebook is not a routine process.
:42:09. > :42:12.All three companies insist it's in their best interest to stamp out the
:42:13. > :42:16.abuse. We will never be static about it and will review it to make sure
:42:17. > :42:22.we are meeting the NEETs needs of our community and how it can remain
:42:23. > :42:25.an open open platform with no room for Haysful content. We have a
:42:26. > :42:28.responsibility to ensure we are doing everything we can to make sure
:42:29. > :42:32.people are safe and people feel safe. We need to have a conversation
:42:33. > :42:35.around responsible sharing. So that people understand how do they
:42:36. > :42:41.control the content that they are seeing and the content that they are
:42:42. > :42:52.sharing. Lucy joins us now. We will get to what our viewers have been
:42:53. > :42:56.saying later on. They have broadly saided that they are pleased that
:42:57. > :42:59.the social media companies are taking online abuse really
:43:00. > :43:04.seriously. However there are some caveats. They were disappointed that
:43:05. > :43:07.there wasn't provision to stop anonymous accounts. I think Dennis
:43:08. > :43:12.referenced that before. That they aren't doing more to deal with
:43:13. > :43:16.reports more quickly and Adrian made the point as well that the companies
:43:17. > :43:20.say they want to give people the skills to deal with this and educate
:43:21. > :43:23.us users, but how exactly is that going to work? How practically is
:43:24. > :43:29.that going to work? He didn't feel they answered that at all. In terms
:43:30. > :43:31.of, you know, legislation, what are campaigners and politicians and
:43:32. > :43:36.police calling for? Well, I think one of the things that they are
:43:37. > :43:40.calling for. There is an acceptance that social media platforms are very
:43:41. > :43:43.important to lots of people there are millions of positive
:43:44. > :43:48.interactions. However, you keep hearing from the companies this
:43:49. > :43:51.phrase "shared responsibility." We have to bear in mind that the legal
:43:52. > :43:56.framework is rather behind the curve. In the UK alone we have 30
:43:57. > :43:59.different bits of legislation which you could use to prosecute some of
:44:00. > :44:03.this if you can work out whether or not it's a crime. It's very
:44:04. > :44:06.complicated. In the ether with we have a few things that may happen
:44:07. > :44:10.which would consolidate. One of the things we have got is a malicious
:44:11. > :44:14.communication or social media bill due for its second reading in the
:44:15. > :44:17.House of Commons early next month. That would put the responsibility
:44:18. > :44:22.squarely on the shoulders of the social media companies. For example,
:44:23. > :44:28.they could be fined up to ?2 million if they failed to police abuse
:44:29. > :44:30.adequately. We have the Culture Secretary, Karren Bradley, leading
:44:31. > :44:35.the new internet safety strategy. That aims to make the UK the safest
:44:36. > :44:40.place in the world for online for young people and children.
:44:41. > :44:47.I think it's clear that something has to be done. What have our
:44:48. > :44:53.viewers being day in? They would agree with you. David says these
:44:54. > :44:58.organisations aiding and abetting abuse should be prosecuted. Abigail
:44:59. > :45:02.says you can report posts as spam or having nudity, why can't you report
:45:03. > :45:08.something as bullying? Peter says he refuses to be part of it while they
:45:09. > :45:11.allow abuse to continue. And another person says shouldn't we be treating
:45:12. > :45:17.our years of the way we would like to be treated? The companies say it
:45:18. > :45:24.is about shared responsibility. So what is happening at home and
:45:25. > :45:28.online? Indeed. We think of social media of connecting people but there
:45:29. > :45:33.is also a massive sense of isolation and if someone is suffering from
:45:34. > :45:37.bullying or online abuse, what can they do? The first thing is to
:45:38. > :45:41.document the evidence and take screen grabs. It is difficult that
:45:42. > :45:45.you have to ignore it, you have to detach from it to some degree. Think
:45:46. > :45:50.carefully about what you post but also what you share. Check your
:45:51. > :45:55.privacy settings and also use the platform systems to report abuse and
:45:56. > :45:58.above all, don't suffer in silence. There are organisations that are
:45:59. > :46:00.trained to deal with this and what you're going through so please get
:46:01. > :46:02.in contact. More information on how to deal
:46:03. > :46:05.with online abuse Now Dennis, you're about to start
:46:06. > :46:11.filming series three of the hit We've got a little clip that
:46:12. > :46:25.sums up your character, You want milk? What? With your
:46:26. > :46:32.Americano? You don't put milk in an Americano. It's the only one you
:46:33. > :46:37.don't put milk in, that is why they call it an Americano. Not a lot
:46:38. > :46:45.they, for example, or a cappuccino. You are the guy that killed the
:46:46. > :46:51.bear. So? Coffee expert as well. You're welcome. An Americano with
:46:52. > :46:58.milk. APPLAUSE
:46:59. > :47:05.So, Dennis, you are a fisherman in a sci-fi? I am an expat American. I
:47:06. > :47:11.tried my digs and I accent! They said we will make you an expat. But
:47:12. > :47:16.I love the show, and of the story and the weight is unfolding. Nobody
:47:17. > :47:19.knows where it is going. With the series who do take off like that,
:47:20. > :47:25.you don't know how long it will run for. They say, get the writers in,
:47:26. > :47:31.we need another series! It is written basically by one guy. It is
:47:32. > :47:36.in his head. He doesn't even know! Everything is based on what could
:47:37. > :47:41.happen. Everything is based on science or stop he just makes it up
:47:42. > :47:49.off the top of his head. Meanwhile, you are off filming the BBC thriller
:47:50. > :47:55.McMafia. Have you been unleashing your in a Godfather? Yes. I am a
:47:56. > :47:59.Russian hedge fund manager. The character is immersed in the modern
:48:00. > :48:07.day Mafia, which is quite exciting. There you go. Do you speak any
:48:08. > :48:11.Russian? I am speaking a Russian who has been brought up in the UK so I
:48:12. > :48:23.speak with an English accent but I also speak some Russian. Matt was
:48:24. > :48:31.speaking Russian earlier on! HE SPEAKS RUSSIAN. It means hurry up,
:48:32. > :48:39.get on with it! Music is a big part of your life. Is it right you will
:48:40. > :48:44.go on tour with ZZ Top? Yes, we will do a Texas tour with ZZ Top in
:48:45. > :48:52.little towns around Texas. What is the vibe of the band? What do you
:48:53. > :48:57.play? Dirty rock and roll. Dirty rock and roll! We are a junkyard of
:48:58. > :49:01.American music. Stuff we grew up loving and one of them was ZZ Top
:49:02. > :49:06.for sure and it is great to be with them. James, you have managed to
:49:07. > :49:10.squeeze your parents in as extras in most of the things you have done.
:49:11. > :49:19.Did you bring them to Russia? So less cool. There is your dad! My mum
:49:20. > :49:25.and dad are back. My mum made me promise not to mention that she's in
:49:26. > :49:30.the new series of Grantchester. So dad got War And Peace? Dad is in
:49:31. > :49:36.everything. He has got his own agent now. They are both in the episode.
:49:37. > :49:40.We are sorry you did not bring them tonight. Next time!
:49:41. > :49:42.This time last week we were joined by golden couple
:49:43. > :49:45.Steve Backshall and Helen Glover who were celebrating their first
:49:46. > :49:54.Easter as a married couple rowing 125 miles in a kayak.
:49:55. > :50:02.They were going from Devizes to Westminster. They were hoping to do
:50:03. > :50:10.it in 24 hours. From the start it looked like they may be up the creek
:50:11. > :50:14.without a paddle. After six weeks of intensive training, race day has
:50:15. > :50:20.arrived and the nerves are kicking in. I did not sleep for a while last
:50:21. > :50:26.night which is not a good thing. No turning back now. The enormity of
:50:27. > :50:30.what we are doing is hitting home. Sir Steve Redgrave, the greatest
:50:31. > :50:35.Olympian we have ever had, has tried and not succeeded. That makes you
:50:36. > :50:38.think. The 125 mile nonstop Devizes to
:50:39. > :50:46.Westminster race is considered to be the canoeists Everest with 126 pairs
:50:47. > :50:51.aiming to finish in 24 hours. Each team chooses their own start time.
:50:52. > :50:59.It is 10:15am and we are off! Thank you all very much! What have we let
:51:00. > :51:05.ourselves in for? Anyone know which way London is? The first 52 miles
:51:06. > :51:11.along the Kennet and Avon Canal. Then we hit the River Thames at
:51:12. > :51:22.Reading in Berkshire. It is a very, very long wait, isn't it? One and a
:51:23. > :51:27.half miles in! Only 123 and a half to go! There are plenty of obstacles
:51:28. > :51:35.to navigate. But some are friendlier than others. Take it easy there,
:51:36. > :51:43.Fowler. Did he just peck the back of our boat?! We will paddle over
:51:44. > :51:49.135,000 strokes during the race and it is my job to set the pace. At the
:51:50. > :51:54.moment we are feeling strong and slightly ahead of schedule so I
:51:55. > :52:01.don't want to stop for anything. Annoyingly, I need a PE already. If
:52:02. > :52:07.you want to go, go in the boat. I do not want to go in the boat! It is
:52:08. > :52:12.not just kayaking we have to contend with. There are 77 locks where we
:52:13. > :52:18.have to grab the boat and run. It feels good to be out of the boat.
:52:19. > :52:22.Imagine, you run a marathon with a boat on your shoulders.
:52:23. > :52:33.This is also when our heroic support team
:52:34. > :52:38.feed us and give us water. Every hour we burn around 100 calories so
:52:39. > :52:41.we need to eat on the go. Am I facing the right way? But after only
:52:42. > :52:46.30 locks and four hours in, we have a problem. Are you OK? Somehow I
:52:47. > :52:51.have splintered the back of the boat and the cockpit is coming off in my
:52:52. > :52:56.hand. The constant running has smashed our boat. We will have to
:52:57. > :53:03.paddle while it is stuck together with heavy duty tape. We still have
:53:04. > :53:07.20 hours to go with a broken boat. It has completely split across from
:53:08. > :53:13.one side to the other and then all the way back to the stern and my
:53:14. > :53:17.cockpit is merely. As the day ends after 51 miles of relentless
:53:18. > :53:24.paddling, we take our only proper stop of the race. The stopwatch is
:53:25. > :53:29.as we take up our inking boat. Steve's parents have been waiting
:53:30. > :53:34.for us to arrive. His dad kicks up -- cooks up a storm and his mum
:53:35. > :53:39.feeds us at top speed. I never thought my mother-in-law would be
:53:40. > :53:43.force-feeding me sausage rolls! As the sun sets, we take off our wet
:53:44. > :53:48.kit and prepare for the long night ahead.
:53:49. > :53:54.Once it gets dark, it will be really, really cold. But we are not
:53:55. > :53:59.even halfway and as the dreaded night paddle looms ahead of us, deep
:54:00. > :54:03.fatigue suddenly overwhelms me. I don't know why I am getting
:54:04. > :54:09.emotional. I think now we have stopped I realise how tired I am. I
:54:10. > :54:15.think maybe I just need to keep going. Thanks, guys, that was
:54:16. > :54:20.amazing. Well done, everyone. Night time is when most crews give up due
:54:21. > :54:25.to exhaustion. The next hours will test us to the limit. Mentally and
:54:26. > :54:31.physically tough. Injuries kick in. It will hurt in my back on my
:54:32. > :54:37.forearm. A quarter of the crews will not make it through the long night.
:54:38. > :54:44.Whether we do is anyone's gas. Steve Van Hammer and will be joining
:54:45. > :54:48.us tomorrow when we were -- Steve and Helena will be joining us
:54:49. > :54:54.tomorrow when we will see the final part of their epic journey.
:54:55. > :55:04.LP is with us. You have written songs for Rihanna, the Backstreet
:55:05. > :55:09.Boys, Christina Aguilera and Cher. It is definitely a dream country. It
:55:10. > :55:14.is nice to connect with people on a song. It meant a lot to me. While
:55:15. > :55:21.you were writing this, did you know it was a corker and radio to some of
:55:22. > :55:25.the week? No, I was discussing a thick skin and it is part of how you
:55:26. > :55:30.get through stuff. You cannot go, this is the one! I used to go, this
:55:31. > :55:46.is the one! This is the one, this is the one. The
:55:47. > :55:51.next one is always the one. So a European tour with a UK date?
:55:52. > :55:54.Yes, we are playing cocoa on the 24th. Brilliant, we will let you get
:55:55. > :56:01.ready. I big thank you to our guests come Quaid! And also James Norton.
:56:02. > :56:06.Tomorrow, we are joined by the Star Wars actor John Boyega. Now with the
:56:07. > :56:08.title single of her album Lost On You, it is LP! Get toe-tapping.
:56:09. > :56:13.APPLAUSE # Burning like embers,
:56:14. > :56:28.falling, tender # Longing for the days
:56:29. > :56:30.of no surrender # Wishin' I could see
:56:31. > :57:25.the machinations # Understand the toil
:57:26. > :57:27.of expectations # Hold me like you never
:57:28. > :57:33.lost your patience # Tell me that you love
:57:34. > :57:36.me more than hate me # Just that
:57:37. > :58:50.you could cut me loose Hello, I'm Sarah Campbell
:58:51. > :59:17.with your 90 second update. MPs have overwhelmingly backed
:59:18. > :59:20.the Prime Minister's call for a general election
:59:21. > :59:25.on June the 8th. More than 520 voted in favour
:59:26. > :59:28.with only 13 against.