:00:18. > :00:24.Hello and welcome to your Thursday before Christmas One Show, with Matt
:00:25. > :00:28.Baker and Alex Jones. Separately, our guests have appeared in some of
:00:29. > :00:32.the biggest shows and movies of recent years, from The Office, to
:00:33. > :00:37.the Hobbit, Love Actually and Mr Selfridge. But this couple are about
:00:38. > :00:43.to star together in a series with millions of fans on both sides of
:00:44. > :00:51.the Atlantic. Any idea? Elementary, my dear Alex, from Sherlock, it is
:00:52. > :00:56.Martin Freeman and Amanda Abbington. You have been a couple for about 13
:00:57. > :01:05.years. Is it right that it started from a text message? It is, isn't
:01:06. > :01:11.it? We met on a make up bus and got on very well and spent the rest of
:01:12. > :01:17.the afternoon flirting. I presume it was at work, not just a random make
:01:18. > :01:25.up bus. We were working and I came in and saw this lovely woman. And
:01:26. > :01:28.then you saw me! We hit it off and it was very nice. You went home and
:01:29. > :01:32.I did not have a chance to say goodbye, so I got in touch with the
:01:33. > :01:39.second assistant director and I said, could I get her number? I sent
:01:40. > :01:46.a text. You said, I had not finished flirting with you. Is that what it
:01:47. > :01:50.said? Yes, so he said, come back to work and we can pick up where I left
:01:51. > :01:55.off. I knocked on his trailer the next day and said hello. We checked
:01:56. > :02:02.we were both single. You loved that. We have never had a real-life
:02:03. > :02:10.couple. This is very exciting. You mean you two are not... If you
:02:11. > :02:16.started with a flirting text like Martin, send a pic show and tell us
:02:17. > :02:22.what you wrote. Keep it clean, and we will read some out later. Maybe
:02:23. > :02:29.you could read them out. That would be lovely. Also tonight, like Holmes
:02:30. > :02:34.and Watson, the One Show is going to help victims of what can only be
:02:35. > :02:36.described as a heinous crime. For more information, over two Alex
:02:37. > :02:46.Riley for the facts. I am here in Blackpool with Neville
:02:47. > :02:49.and Maureen Hoyland, whose house has become a local Christmas attraction
:02:50. > :02:53.because every year Neville covers it with Christmas lights. This is a
:02:54. > :02:58.picture of what it looked like a couple of weeks ago. Last week,
:02:59. > :03:03.disaster struck when thieves made off with every single one of them.
:03:04. > :03:09.Neville, tell us how long you have been doing this, and why do you do
:03:10. > :03:12.it? I have been doing it for the last ten years, for our grand
:03:13. > :03:18.daughters. Also, we live close to a school, so schoolchildren are
:03:19. > :03:22.passing during the evening. They stand outside and look at the lights
:03:23. > :03:27.and get enjoyment from it. So do the neighbours, and so do we. Maureen,
:03:28. > :03:33.talk us through the moment you realised they had been stolen. I
:03:34. > :03:37.opened the blinds and looked out and I was totally shocked. Everything
:03:38. > :03:44.was gone. I was devastated. I could not believe it. Terrible! The good
:03:45. > :03:47.news is that we are in Blackpool and nobody does illuminate and is
:03:48. > :03:53.better. We set a challenge to the head of Blackpool illuminations to
:03:54. > :04:00.light up the house again in time for the end of the show. How are you
:04:01. > :04:06.getting on? Still quite a lot to do. You have only got 20 minutes. Get
:04:07. > :04:11.your skates on. I hope he does it. Join us later to find out if he gets
:04:12. > :04:16.the house lit up. There is definitely a reindeer
:04:17. > :04:25.involved. I am not holding out much hope for him. Hopeless. We will
:04:26. > :04:29.catch up with them later. For that, when British Rail was privatised
:04:30. > :04:34.nearly 20 is ago it was supposed to herald a new era of efficiency
:04:35. > :04:38.fuelled by competition. But with one major line now running under public
:04:39. > :04:45.ownership, very smoothly, why change it?
:04:46. > :04:49.It has been 20 years since our railways were privatised. All of the
:04:50. > :04:53.main routes are run by independent companies, all except this one, the
:04:54. > :04:57.East Coast main line from Edinburgh to London, which runs through this
:04:58. > :05:05.station in York. It has been in public hands for the last four
:05:06. > :05:08.years. Previously, it was run privately by two companies, but both
:05:09. > :05:14.lost the franchise when they failed to make it profitable. In 2009 it
:05:15. > :05:18.was taken over by Department for Transport, trading as East Coast.
:05:19. > :05:25.So, is Britain's only state-run railway any good? I am satisfied
:05:26. > :05:31.with the service. It is cleaner than it used to be. The service was not
:05:32. > :05:38.as good when it was National Express. For the last five years it
:05:39. > :05:42.has been brilliant. East coast is selling more tickets than ever, and
:05:43. > :05:47.with no shareholders to pay, no franchise targets to meet and a bit
:05:48. > :05:52.of careful management, it has made over ?600 million profit for the
:05:53. > :05:55.Treasury so far. It has also had some healthy competition from
:05:56. > :06:01.specialist private operators linking both Sunderland and Hull to the
:06:02. > :06:05.capital. But despite its success, the government has put the franchise
:06:06. > :06:10.up for sale again, sparking protest and a petition, with over 23,000
:06:11. > :06:14.signatures. The situation is so sensitive that East Coast have asked
:06:15. > :06:18.us not to film on any of their trains. So here I am on the platform
:06:19. > :06:25.in York waiting for my next interview. This is the chairman of
:06:26. > :06:28.the Institute of directors and a regular passenger on the line, who
:06:29. > :06:32.supports a return to private ownership, despite the disastrous
:06:33. > :06:36.performance of the two previous franchise owners and the current
:06:37. > :06:39.success of the state run operation. What do you say to those who say
:06:40. > :06:43.this is an advert for nationalising the whole lot? I would say the
:06:44. > :06:47.opposite because there is more private competition on this line
:06:48. > :06:52.than any other line. It shows that competition proves you get at a
:06:53. > :06:56.service, more efficient, by having competition, and that is something
:06:57. > :07:01.we want more of. What guarantees are there that under future owners it
:07:02. > :07:04.will not be a shambles? It comes down to the government making sure
:07:05. > :07:09.that when they released the franchise, they do it under the
:07:10. > :07:14.right terms. They have to make sure it is going to be effective for the
:07:15. > :07:19.passenger and the business. So, do other travellers agree? We are not
:07:20. > :07:23.allowed to bring cameras on the train, so I am recording on a mobile
:07:24. > :07:26.phone. It is hard to assess the service on just one trip, so let's
:07:27. > :07:34.find out what some regular passengers make of it. People want
:07:35. > :07:39.the best service they can get, whoever is running it. As long as I
:07:40. > :07:44.can get on the train and sit in the seat, I am quite happy. What do you
:07:45. > :07:53.make of it going back into private hands? If profits are put before the
:07:54. > :08:00.service, it could decline again. I think the service decreases. It is
:08:01. > :08:06.not as punctual, more crowded. I think it is going to be problematic.
:08:07. > :08:09.Ticket prices are going to be crazy. The Private user will not be able to
:08:10. > :08:15.afford to go backwards and forwards to London. Most people seemed to
:08:16. > :08:18.prefer leaving things as they are, but the latest passenger survey
:08:19. > :08:24.revealed that passenger satisfaction on the route is no better than four
:08:25. > :08:28.years ago when run privately. Even so, many passengers and observers
:08:29. > :08:34.feel strongly it should stay in public hands, including a leading
:08:35. > :08:38.transport commentator. Why is the government keen to put it in private
:08:39. > :08:43.hands? It is functioning perfectly well, when other franchises, which
:08:44. > :08:49.are more problematic, they are delaying rather than letting out.
:08:50. > :08:53.The government does not like the idea of a successful public company.
:08:54. > :08:59.It shows up the fact that we do not need privatisation. The Department
:09:00. > :09:02.for Transport told us a strong private sector partner would deliver
:09:03. > :09:07.a world-class railway for passengers and best value for the taxpayer.
:09:08. > :09:10.Virgin Trains and several foreign companies are competing to buy the
:09:11. > :09:15.rights for the line. The franchise is due to be awarded next October,
:09:16. > :09:20.with the operators taking over in February 2015. A bit like Harry
:09:21. > :09:24.Potter, the most famous passenger at King's Cross, you would have to be a
:09:25. > :09:27.wizard to get your head round the nuts and bolts of this deal. But
:09:28. > :09:31.speaking to many passengers, it seems clear that all they are that
:09:32. > :09:38.about is getting from a to B as quickly as possible.
:09:39. > :09:44.It takes a bit of getting your head round. ?600 million to the Treasury.
:09:45. > :09:47.Why bother privatising this? Greenman wrote the government have
:09:48. > :09:50.said, this was always an interim measure and they have not had to
:09:51. > :09:55.invest in infrastructure. They say a private franchise will have two pay
:09:56. > :09:59.a premium to the government and invest in the railway, which they
:10:00. > :10:03.have not been doing so far. The short list of candidates will be
:10:04. > :10:08.announced in October 2014 and we will know the winner by 2015. There
:10:09. > :10:15.is a campaign group opposing it with 27,000 signatures now. Moving
:10:16. > :10:19.swiftly on from trains to safety at the station. There is a new campaign
:10:20. > :10:24.to stop people coming a cropper on the escalators. We have some footage
:10:25. > :10:31.that will make you crease. Watch this.
:10:32. > :10:45.Never wear high heels on the escalator. This last one, he has
:10:46. > :10:53.luggage and should take the lift. He decides to wait. He is on his way.
:10:54. > :11:05.As it gets steeper, you can imagine it rolling back. Nobody was hurt.
:11:06. > :11:12.There is a serious side to this. Were you about to say that we should
:11:13. > :11:19.not laugh! Three golden rules. Don't wear high heels. Get a lift if you
:11:20. > :11:27.have luggage. And don't rush. Easier said than done when you are late.
:11:28. > :11:33.Amanda, you had an incident. I got stuck on an escalator when I was
:11:34. > :11:36.little. I can't really remember. I was really young. There was a
:11:37. > :11:44.plastic thing where the escalator handle went up and I climbed up. But
:11:45. > :11:49.my grandmother fell down the escalator at Angel when she was 30,
:11:50. > :11:55.from the top, right down. Her spine clipped in and out again. As a
:11:56. > :12:00.child, there is nothing more daunting than getting on and off the
:12:01. > :12:08.escalator. It is like an initiation test. As we mentioned, Martin and
:12:09. > :12:14.Amanda will soon be appearing together in the return of Sherlock.
:12:15. > :12:15.For the millions of fans, there is a no spoilers glimpse right here of
:12:16. > :12:30.series three. I do not care how you faked it. I
:12:31. > :12:39.want to know why. The one person he thought did not matter to me was the
:12:40. > :12:45.one person that mattered. I think I will surprise John. Perhaps jump out
:12:46. > :12:52.of a cake. Baker Street is not there any more. He has got on with his
:12:53. > :13:02.life. It has been two years. What life? I have been away.
:13:03. > :13:07.It looks like a really good show. There is a lot to get your head
:13:08. > :13:23.round. Watson now has a moustache. What has he been up to? He has been
:13:24. > :13:28.up to this. Enter Mary. Don't say that! Just carry on. It has been two
:13:29. > :13:32.years since his friend died. His life is not as exciting in terms of
:13:33. > :13:37.life and death, he is not fighting crime with his mate. But he has
:13:38. > :13:43.fallen in love. There is a new excitement. Can I say that? It is
:13:44. > :13:47.not life and death. It is a very enjoyable thing. Rather like a
:13:48. > :13:51.soldier coming back from a war zone, you miss the high and that
:13:52. > :13:56.adrenaline, and it can leave you slightly adrift. I think John has
:13:57. > :14:02.been probably quite sad until he met Mary. They met through work. She is
:14:03. > :14:07.a nurse, and they fall in love. John is very happy when we join him. And
:14:08. > :14:20.resigned to the fact that Sherlock is not coming back. Give us Mary's
:14:21. > :14:31.background. I cannot. I can't really tell you a thing. Forget that, Park
:14:32. > :14:39.that. That's a lovely picture. Yes, me with blonde hair. She is a
:14:40. > :14:44.nurse. The end. The bromance between Watson and Sherlock is immense. How
:14:45. > :14:54.will it work now there is a third person? Can you go into that? I
:14:55. > :14:59.think when Sherlock returns, the reunification, that is what people
:15:00. > :15:03.have been waiting for. That is what happens. If you found out your best
:15:04. > :15:06.friend is actually alive, when you thought he was dead, that would be
:15:07. > :15:11.quite a major shifting point in your life and you would not necessarily
:15:12. > :15:17.be delighted with that person. Mary, in that case, for John, is a
:15:18. > :15:25.stabilising third wheel. She likes him. She kind of negotiate them back
:15:26. > :15:32.together. An interesting dynamic, being together in real life. Has
:15:33. > :15:36.that been good, bad, hard, easy? It's really good, I have always
:15:37. > :15:41.loved Amanda's acting, genuinely. I've always thought she's great.
:15:42. > :15:47.It's true, I'm a brilliant actor. This is it now. What are the perks
:15:48. > :15:52.of working together? We share a car. We share a flat. We see each other
:15:53. > :15:56.as well, we haven't seen each other for a long time when Martin was
:15:57. > :16:01.doing The Hobbit. We do most of the filming in Cardiff, not as far as
:16:02. > :16:06.New Zealand. But still, you are not together. It did mean, literally, as
:16:07. > :16:15.far as a perk, as a couple, it means you can wake together and see each
:16:16. > :16:19.other. We can dissect it, talk about it and it is lovely. If we cannot
:16:20. > :16:24.talk about the series, we can talk about the last series. It's fair to
:16:25. > :16:29.say that it left us on a cliffhanger. Let's have a bit of a
:16:30. > :16:33.recap. Sherlock summoned Moriarty to the roof of a hospital. Moriarty
:16:34. > :16:36.told Sherlock all his friends would be killed if Sherlock refused to
:16:37. > :16:43.jump. Moriarty shot himself, Sherlock jumped. The question is,
:16:44. > :16:44.how did he survive the fall? We asked a couple of crime masters to
:16:45. > :17:01.come up with their own theories. It has been one year, 339 days and
:17:02. > :17:03.about 23 hours since Benedict Cumberbatch's Sherlock jumped to
:17:04. > :17:10.certain death from that very rooftop. Only he didn't die, did he?
:17:11. > :17:17.The cars we saw him at his own funeral. So how did he do it? --
:17:18. > :17:19.because we saw him at his own funeral. I've enlisted the help of
:17:20. > :17:26.people who know about this sort of thing to look at the evidence and
:17:27. > :17:30.try to work out the mystery. Tim Kirby, not an easy man to full.
:17:31. > :17:36.Ex-flying squad comedies dealt with some the most devious criminals.
:17:37. > :17:41.Alison Joseph, a crime writer who understands a criminal mind and the
:17:42. > :17:45.darker side of life. This is where it took place. Let's talk about some
:17:46. > :17:50.theories. The most significant thing is that Sherlock was in control of
:17:51. > :17:56.the situation. He chose the venue, he knew that pathology labs. I think
:17:57. > :17:59.that is spot on. He got Moriarty and Watson where he wanted them. What do
:18:00. > :18:13.you need? You. At that point, he behaves
:18:14. > :18:19.completely out of character. We have never seen him go up to anyone and
:18:20. > :18:26.say, I need you. Was he manipulating poor Molly? No, I think he means it.
:18:27. > :18:33.I think he is such a cold fish that he does want to manipulate her.
:18:34. > :18:39.Let's talk about Watson, why was he made to stand here? Stay exactly
:18:40. > :18:43.where you are, don't move. Is important, from here, Watson could
:18:44. > :18:50.see Sherlock jumped off the roof, but he would be unable to see the
:18:51. > :18:55.landing. Watson comes over here... It's very important that Watson does
:18:56. > :19:02.not get there straightaway. That cannot have been an accident? I
:19:03. > :19:08.think we agree on that. Watson, a medically trained doctor, feels for
:19:09. > :19:13.a pulse and there isn't one. You can put a rubber ball under your arm and
:19:14. > :19:16.prevented from registering. We see a group of people swarming towards the
:19:17. > :19:22.body, could they have got there that quickly? I don't think so, I think
:19:23. > :19:29.they have to be associates. They have got to surround the body, this
:19:30. > :19:37.spiriting away out of sight. How did he manage to fool the world and fake
:19:38. > :19:43.his death? I think it is Moriarty that landed. As long as I am alive,
:19:44. > :19:50.you can save your friends. Good luck with that. You think it was Moriarty
:19:51. > :19:56.thrown off the roof, with a Sherlock mask on? What do you think? He jumps
:19:57. > :20:00.off the roof, lands on the back of a lorry that breaks his fall. He rolls
:20:01. > :20:05.over, he is found on the pavement, lots of fake blood. Then he is
:20:06. > :20:09.whisked away. Hang on, I think I have cracked this.
:20:10. > :20:15.We just have to say, please don't try that rubber ball trick at home,
:20:16. > :20:23.it can be very dangerous if you are not Sherlock. Your theory was in
:20:24. > :20:26.there. I'm not saying anything, I don't want to be responsible for
:20:27. > :20:28.giving anything away. We will look at your faces, did we get anything
:20:29. > :20:38.right? OK, I guess we will have to wait
:20:39. > :20:44.until 9pm. It was the rubber ball! New Year's Day, for one, I cannot
:20:45. > :20:47.wait. When you are filming this in central London, how on earth do you
:20:48. > :20:56.keep it secret? With great difficulty. There are dummy runs,
:20:57. > :21:00.red herrings. When we were filming around this very thing for the new
:21:01. > :21:05.series, for the first episode of when we answer this question, this
:21:06. > :21:08.riddle, there were hundreds of people watching. Hundreds and
:21:09. > :21:22.hundreds of people watching, trying to get a glimpse, clues. See you
:21:23. > :21:27.kind of do a real-life Sherlock? They did a dummy. They might have,
:21:28. > :21:31.they might have not. It's difficult to keep under wraps. In an age of
:21:32. > :21:38.high, fast technology, as soon as people get wind of anything they are
:21:39. > :21:42.tweeting and texting. There were lots of different versions. Some
:21:43. > :21:48.versions we have heard are not that necessarily far from the truth.
:21:49. > :21:59.Talking of a second series... In January, Mr Shell -- Selfridge back.
:22:00. > :22:04.You play head of accessories. Can you tell us about that? Five years
:22:05. > :22:18.on, the start of the First World War. Miss Mardle, her brother dies,
:22:19. > :22:22.he leaves her a big house and disposable income. But she comes
:22:23. > :22:26.back to still work in accessories and her journey begins to try to
:22:27. > :22:31.find love again. If you won the lottery, would you go back to where?
:22:32. > :22:34.We are going to be catching up with Alex Riley in Blackpool as he tries
:22:35. > :22:42.to help the couple whose Christmas lives were... -- Christmas lights
:22:43. > :22:47.were swiped by thieves. Matt came in super early to put up these
:22:48. > :22:53.beautiful life lights. We are about to switch them on. Are you ready?
:22:54. > :23:12.Three, two, one! One of the joys of Christmas is
:23:13. > :23:15.getting the fairy lights out of the attic to decorate the tree. But
:23:16. > :23:21.these lights first made their appearance in a rather unusual
:23:22. > :23:27.place. It was here, on this very stage, at the Savoy Theatre, on the
:23:28. > :23:33.25th of November, 1882. The gaslit world of Victorian London, where
:23:34. > :23:38.this vision caused a sensation and was part of an invention that change
:23:39. > :23:42.the world. Three years before, Joseph Swan had first demonstrated
:23:43. > :23:45.his revolutionary invention, the electric light bulb. The Royal
:23:46. > :23:50.Society in London has an early example. It is an absolute original.
:23:51. > :23:57.You can see that we have the filament, a carbon filament. Then
:23:58. > :24:03.you have the glass envelope, the bulb part, and the electrode at each
:24:04. > :24:10.end. Can we lighted up? I'm afraid not, it's rather special. Worth a
:24:11. > :24:17.try! What have you got instead? This is something similar, a jam jar. We
:24:18. > :24:20.have a pencil lead, really. It represents a version of a carbon
:24:21. > :24:26.filament, the type used in the original lamp. If I connected to the
:24:27. > :24:30.supply, let's see if it works. Look! That lights up really well.
:24:31. > :24:35.It's not super bright, but it is a jam jar with a piece of pencil lead.
:24:36. > :24:41.What do you expect? But it shows the principle of how it works. In 1881,
:24:42. > :24:45.the Savoy Theatre became the first building in the world lit entirely
:24:46. > :24:48.by the electric light bulb. It had been purpose-built to showcase the
:24:49. > :24:54.comic operas of renowned musical partnership Gilbert and Sullivan. In
:24:55. > :24:58.November of 1882, the Savoy Theatre was launching its latest Opera. The
:24:59. > :25:04.producers wanted something spectacular with which to wow the
:25:05. > :25:07.audience is. They came up with something illuminating. Who better
:25:08. > :25:11.to turn to Dan the man who had provided the lights for the theatre?
:25:12. > :25:17.They commissioned Joseph Swan to create special, miniature lights for
:25:18. > :25:24.the humorous story of a group of the immortal fairies. They powdered
:25:25. > :25:30.about that there would be self lighting fairies in this new piece.
:25:31. > :25:35.-- put it about. It wasn't until the second act, when the Queen of the
:25:36. > :25:38.fairies came on with these extraordinary illuminated stars in
:25:39. > :25:43.their headdresses. Which was extraordinary. Electricity was new,
:25:44. > :25:49.but portable electricity like that was phenomenal. What did the
:25:50. > :25:52.audience think? They were completely delighted, they thought it was
:25:53. > :25:59.marvellous. One critic claimed the lights were to write and obscured
:26:00. > :26:04.the performers's faces, so they went back to Joseph Swan to ask for
:26:05. > :26:09.smaller lights. They've managed very quickly indeed to reduce the size,
:26:10. > :26:12.so two weeks later they all had what we now know as fairy lights running
:26:13. > :26:17.through their hair. It's remarkable that Swan was able to make a
:26:18. > :26:20.miniature version, just two years after inventing it. They have been
:26:21. > :26:25.called fairy lights ever since after the fairies that wore them. At the
:26:26. > :26:28.performance was not without its problems. Electricity was very
:26:29. > :26:35.primitive them. There were stories of one or two fairies getting singed
:26:36. > :26:39.bottoms from malfunctions of the battery pack. It's possible it was
:26:40. > :26:43.put about by detractors, who were furious he was getting all of this
:26:44. > :26:47.publicity. There were some that genuinely believed that electricity
:26:48. > :26:50.was dangerous. Today, no Christmas would be complete without fairy
:26:51. > :26:55.lights. They illuminate the high streets and homes.
:26:56. > :27:00.Time to go back to Neville and Maureen in Blackpool, who had their
:27:01. > :27:06.Christmas lights stolen. Have you managed to cast light on the
:27:07. > :27:09.situation? I have, thank you. If you remember, this morning there were no
:27:10. > :27:14.lights here whatsoever. A few hours later, after lots of hard work, it
:27:15. > :27:17.is covered in lights. That is down to the generosity of local
:27:18. > :27:22.businesses and Blackpool Council. This is the head of Blackpool
:27:23. > :27:27.illuminations. How does it compare to your day job? We take just as
:27:28. > :27:31.seriously as the day job. Hopefully they will be happy with what we have
:27:32. > :27:34.done. To make it extra special, we have brought the genuine switch that
:27:35. > :27:41.has been used for many years. By all of the celebrities? Jonathan Ross
:27:42. > :27:46.last year. Tonight's celebrities are Neville and Maureen. Are you ready
:27:47. > :27:51.for the countdown? Five, four, three, two, one. Lighted up.
:27:52. > :27:59.What do you think about that? How does it compare to your usual
:28:00. > :28:02.display? It's light fantastic, Christmas is back on! How do you
:28:03. > :28:09.feel about having lights back on the house at last? Fantastic, I would
:28:10. > :28:13.like to thank Blackpool Council, and all of the local businesses for
:28:14. > :28:23.donating these beautiful decorations and lights. Wealth said -- well
:28:24. > :28:28.said. We have actually brought you a new security camera, so they stayed
:28:29. > :28:35.put. Christmas, brought back to Blackpool. Back to the studio. We
:28:36. > :28:38.asked you to send in your flirty text messages, if that is how you
:28:39. > :28:44.got together, as Martin and Amanda did. Lucy and James met at college.
:28:45. > :28:49.Their question was, I'm great at English, you are great at maths,
:28:50. > :28:56.together we can learn a lot. Jamie and Nicky, from Birmingham, I feel
:28:57. > :29:00.like a kiddie in a sweet shop, who cannot touch. Just to clarify what
:29:01. > :29:05.Tony said earlier, applicants for the East Coast line privatisation
:29:06. > :29:09.will be short listed next month, the winning bidder will be confirmed in
:29:10. > :29:15.October. Sarah and Johnny said, it is your driving test on Tuesday,
:29:16. > :29:20.fancy a dress to sell it -- drink to celebrate? He replied, make it a
:29:21. > :29:26.meal, and it's a date. Sherlock is on New Year's Day. The morrow is our
:29:27. > :29:28.last show before Christmas. We will be joined by Jimmy Carr. See you
:29:29. > :29:32.then. Good night!