:00:14. > :00:16.Hello and welcome to The One Show with Matt Baker.
:00:17. > :00:28.Nowhere else will you see a non-league side play
:00:29. > :00:30.the 12-time winners - and with just under
:00:31. > :00:33.an hour to kick off - we'll catch up with Matt Allwright
:00:34. > :00:36.at the Sutton ground as they prepare for tonight's epic David and Goliath
:00:37. > :00:45.They are just warming up. Just in case.
:00:46. > :00:48.For anyone who's more into a funky riff than footy -
:00:49. > :00:51.we'll also be travelling back to 1986 to explore the making
:00:52. > :00:52.of the extraordinarily successful album Brothers In Arms
:00:53. > :01:05.And tonight's guests are soon to be tapping up a storm on the West End.
:01:06. > :01:17.It's Amanda Holden and Tracy Ann Oberman.
:01:18. > :01:37.Accompanied by the Palmerstone Stage School. CHEERING
:01:38. > :01:46.Give us the full routine. Sit yourself down. Thank you to all of
:01:47. > :01:50.our lovely amateur tap dancers. Now, this has come from the amateur side
:01:51. > :02:03.of things because of the play Stepping Out which you are going to
:02:04. > :02:11.being. Now, tell others what is a Suzi Q and what is a cramp role?
:02:12. > :02:19.Well, we don't know. It goes around like this. I like a cramp role. It
:02:20. > :02:27.is like a horse. Initially, I was calling it a crab roll. For ages.
:02:28. > :02:32.When we are doing it, we make it up. Because of our brains in our mid to
:02:33. > :02:38.late 40s. It's complicated. I don't really know the proper names for
:02:39. > :02:48.everything. We make up stories. We say we are the Canadian Mounties.
:02:49. > :02:53.Style it out. It was just about the defeat at first but now in the West
:02:54. > :03:01.End, there is all hands and sticks and things. We will talk about it
:03:02. > :03:06.all later. According to a recent survey, 47% of people would like to
:03:07. > :03:10.change careers. What if you could get the job of your dreams and you
:03:11. > :03:17.didn't have to start at the very bottom. Alex Riley is on the case.
:03:18. > :03:21.Would you like a new career? Anybody fancy a career change. I'm helping
:03:22. > :03:25.the police with their recruitment drive. High level of integrity?
:03:26. > :03:36.Tough decision-making under pressure. Yes. Team leader with
:03:37. > :03:41.focus and vision. They are not looking for young PCs to plot the
:03:42. > :03:44.beat. They want experienced professional leaders. A few years
:03:45. > :03:57.more experience and they would bite your hand up. They go in as
:03:58. > :04:03.inspectors. 45 grand. Not to be sniffed at. You can now join the
:04:04. > :04:07.police force at a senior level without working up from constable.
:04:08. > :04:12.They are hoping it will breathe new life and ideas into the fours and
:04:13. > :04:16.challenge the status quo. Critics believe it could be elitist and
:04:17. > :04:21.caused dissent among the ranks. The programme launched in 2014 to
:04:22. > :04:26.attract exceptional people with transferable skills in management
:04:27. > :04:29.and leadership. If you are successful, you could end up like
:04:30. > :04:34.Mark who is four months into training to be an inspector for West
:04:35. > :04:38.Yorkshire Police. You have got the uniform but what is your career
:04:39. > :04:43.background? I worked in health and fitness for a number of years. I was
:04:44. > :04:49.a health club manager and personal trainer. I joined the highways
:04:50. > :04:54.agency for several years. I thought this was my dream career. I could
:04:55. > :04:58.combine being a police officer with all my experience and skills. And
:04:59. > :05:04.you can go in with the pips on the shoulder and the special cap. It's
:05:05. > :05:10.important to get a special grounding in policing. We are not let loose
:05:11. > :05:13.without experience. Nicola Dale heads the programme. She goes
:05:14. > :05:21.through applications and decides who to train up. What is the thinking
:05:22. > :05:26.behind this scheme? We have so much talent. Seeing things differently
:05:27. > :05:31.from a different perspective. We put the right person through a robust
:05:32. > :05:36.training programme. It is not about coming in and running a murder or a
:05:37. > :05:39.kidnap five minutes later. I've heard it's cost over half ?1 million
:05:40. > :05:49.and the amount of people that have made it into policing is only eight.
:05:50. > :05:57.This isn't about the people. Is it value for money? Yes. It is because
:05:58. > :06:01.it is changing policing. The rewards of coming through the scheme are
:06:02. > :06:08.there to be had. Elizabeth Chapple was a tax and HR consultant. Now she
:06:09. > :06:12.is police superintendent for neighbourhoods and royal Parks where
:06:13. > :06:16.amongst others she's involved in security for changing of the guard.
:06:17. > :06:20.Transferable skills I brought in from other roles were around
:06:21. > :06:25.inspiring other people to do their best and using negotiation and
:06:26. > :06:28.diplomacy skills. I need to work very closely with the Royal
:06:29. > :06:34.household and members of the public to keep people safe. If you go in
:06:35. > :06:40.the middle, see them come out both ways. I now very much look forward
:06:41. > :06:46.to coming to work everyday. I work a bit harder as well. The scheme has
:06:47. > :06:51.come in for criticism as well. As well as concerns about cost, Ken
:06:52. > :06:55.Marsh of the police officers Federation believes that police
:06:56. > :07:00.officers need to work their way through the ranks. My members are
:07:01. > :07:04.not keen on this at all. They feel that people coming into not
:07:05. > :07:07.understand the basics of policing. It is a die-hard years in the
:07:08. > :07:12.younger ranks that give you the skills to be a senior officer, I
:07:13. > :07:17.believe. They have experience of managing people and taking risks and
:07:18. > :07:22.dealing with curveballs in different walks of life. Most of all, they
:07:23. > :07:26.have a different perspective. Whether it be a high risk missing
:07:27. > :07:31.person investigation, they may see something different that others
:07:32. > :07:39.don't see. That makes us better at our job. With my background in
:07:40. > :07:45.documentaries, research and poster sales, I feel I might have what it
:07:46. > :07:50.takes. I think you will see that I have the right stuff. Interests?
:07:51. > :08:02.Solving crimes. Absolutely. We might need to teach you to IM. But I will
:08:03. > :08:07.give it some thought. -- to iron. I don't have high hopes for Alex. If
:08:08. > :08:16.you are interested, get your application in by 10th of March. 47%
:08:17. > :08:22.of workers are considering a change of career. With as are some who have
:08:23. > :08:28.made the leap. Damien, 20 years ago you were a baker. I should get that
:08:29. > :08:35.sign for my dressing room! Turn it around and show what you have
:08:36. > :08:41.become. I wasn't expecting that. What transferable skills have you
:08:42. > :08:45.from breaking into station managing? Always dealing with people. It is
:08:46. > :08:54.good to deal with people in the station. Also, I worked shifts as a
:08:55. > :09:00.baker. That's transferable. Why did you want to change so much? I hated
:09:01. > :09:06.my job. I fell out of love with being a baker. It was all about the
:09:07. > :09:17.money. Not about the pride. Now, I just love coming to work. Do you
:09:18. > :09:26.turn up with a view cakes? Oh, yes. Now, you trained as a lawyer. What
:09:27. > :09:31.do you do now? I am actually more of a high end cake maker. As a lawyer,
:09:32. > :09:35.I didn't enjoy what you are doing. When you look at the law from
:09:36. > :09:39.outside, it looks more glamorous. When you are sleeping under your
:09:40. > :09:44.desk and working through the night it is far from cameras. I knew that
:09:45. > :09:51.I wanted to have a family and a fulfilling social life as well. It
:09:52. > :09:57.is all about work life balance, isn't it? Absolutely. As long as you
:09:58. > :10:02.have a financial buffer and the back-up plan, it is something that
:10:03. > :10:06.you should try and do. As a mother, you can't put a price on the time I
:10:07. > :10:18.have had with my son. Jason's sign now. Now you are... An architect.
:10:19. > :10:25.What advice do you have for changing career? Think of the thing you like
:10:26. > :10:31.doing most and make that your career. It doesn't feel like work.
:10:32. > :10:39.For me it was drawing. If I could win the lottery, I would be drawing.
:10:40. > :10:47.A part-time gardener, a driver and an IT sales person could be part of
:10:48. > :10:55.changing career. On this programme, Robbie Savage and Gareth Southgate
:10:56. > :10:58.drew the balls that meant that non-league Sutton will be facing
:10:59. > :11:06.Arsenal. Matt is therefore the hottest ticket in town. The teams
:11:07. > :11:13.are just about to come out. A few subdued Arsenal fans. Only 750
:11:14. > :11:20.tickets. Arrest of it is just about Sutton United FC. Having seen
:11:21. > :11:26.Lincoln dump Burnley out of the cup, there is a belief that they can do
:11:27. > :11:30.it tonight. I think you get the picture. They are rather excited.
:11:31. > :11:37.They're in mind, once the cameras have gone... Thank you so much!
:11:38. > :11:44.There are still the people that keep the club going day after day. People
:11:45. > :11:48.like Wayne and Wendy, substitute goalkeeper and she runs the catering
:11:49. > :11:54.business. They took me on a tour today. Let's have a look inside
:11:55. > :12:00.Wendy and Wayne's world. I expected to come in here and find absolute
:12:01. > :12:07.chaos. It's not at all. You have things very much under control. No
:12:08. > :12:13.effing and getting in my kitchen. I have a motto. No drama. I love to be
:12:14. > :12:19.about it. I'm a feeder. I love looking after the boys. This is
:12:20. > :12:27.where Arsenal will be tonight. The ensuite is in there. Just three
:12:28. > :12:35.finals. Let's have a look in the showers. Oh my goodness. For showers
:12:36. > :12:45.between them. Hopefully, the pump is working. There we go. We've got a
:12:46. > :12:51.bit of a dribble for Alexis Sanchez. And its ice cold. The home changing
:12:52. > :13:00.room is luxurious. This is the way to go. This is the rider for the
:13:01. > :13:07.boys. The bag of sweets. Turkish delight. Jaffa cakes. Has this been
:13:08. > :13:13.designed by nutritionists? This is what the lads are used to. It is
:13:14. > :13:20.what they want. These are the names to conjure with tonight. Warner.
:13:21. > :13:30.Fitchett. Gomez. Collins. Tabs. Those are the names that will go
:13:31. > :13:37.down in history. CHANTING What are they going to do if they
:13:38. > :13:49.actually score? Talk me through it. Your prediction? 1-0, Sutton. Megan,
:13:50. > :13:58.how about you? 1-1 and back to the Emirates. So you get a replay and
:13:59. > :14:03.all the money and a brand-new stand. The BBC has to be impartial. We are
:14:04. > :14:15.half Arsenal and have Sutton. That is me. Come on such an X macro,
:14:16. > :14:23.Sutton! He looks like he's having a great time. Are you into football?
:14:24. > :14:34.I'm an ever toning. I love this. It's like a movie. My family are all
:14:35. > :14:41.Man U. Bit of a divide there. I like Newcastle because of the kit. I also
:14:42. > :14:48.like Norwich. Ten days to go before the West End. Stop it. I got of the
:14:49. > :14:53.plane from a little break with my family and counting the days, Fred
:14:54. > :14:59.Brie is really short. This time next week, we open. The 1st of March, we
:15:00. > :15:11.start previews. -- February is really short. Stepping Out, what is
:15:12. > :15:17.it about? It's about a group of women and one man who want to do tap
:15:18. > :15:21.dancing. Every evening in a church hall in 1983. You were watching the
:15:22. > :15:27.film and thought it would be brilliant? They made a movie with
:15:28. > :15:33.Liza Minnelli and Julie Walters and I watched it with the kids. I had a
:15:34. > :15:38.feeling that it was a play. The play is much better than the film. I
:15:39. > :15:46.bought it on a well-known Internet shopping site and... I was good
:15:47. > :15:52.then, wasn't I? Very good. I sent them out to my friends and said,
:15:53. > :15:57.pick a part. Everybody picked apart. We went to the Theatre Royal in Bath
:15:58. > :16:02.and pitch did. With my agent. You've been on a sell-out tour. Do you now
:16:03. > :16:17.have two pretend that you can't tap dance? We still can't. You know that
:16:18. > :16:23.series, Faking It? I'd never danced a step in my life. Maria who is
:16:24. > :16:30.directing, she is a great actress, she said to us, don't go on diets
:16:31. > :16:35.and don't get any better at tap. Eat loads and be rubbish at dancing.
:16:36. > :16:43.That's brilliant. Bring your pets in on Saturday. We've all got little
:16:44. > :16:46.girls, all the same age between ten and downwards. They've all been with
:16:47. > :16:52.us on tour and backstage at the theatre and it's been great. We are
:16:53. > :16:59.all such good friends. Some of us before. It's just been a real joy.
:17:00. > :17:06.Your characters, you play vera and you are Maxine. How did your
:17:07. > :17:11.characters differ? Maxine is a bit of a duo, she's on her second
:17:12. > :17:17.marriage. She's a bit like Del boy. She think she's fantastic. Maybe a
:17:18. > :17:25.little bit dirty, shut the kind of thing. Whereas Vera... My children
:17:26. > :17:32.have been to see this thing! My house is very clean, very organised
:17:33. > :17:36.by Kenya the teacher? No, Tamsin Outhwaite. Tamsin is the most
:17:37. > :17:43.incredible dancer. She can't have for real. She plays the tap dancing
:17:44. > :17:48.teacher. Whereas Vera is very OCD and very tidy. She wears marigolds
:17:49. > :17:52.all the time. She says things that should probably shouldn't say. A lot
:17:53. > :17:58.like me, really. She says stuff out loud. What is so lovely is to go
:17:59. > :18:05.into a cast full of women and one man. It's when in this business you
:18:06. > :18:09.are a female led by a female director. There's a short of that.
:18:10. > :18:13.It sounds like you had a right time at rehearsals. If you would like to
:18:14. > :18:16.see everybody up on stage and you can see Tracy-Ann and Amanda at the
:18:17. > :18:22.vaudeville Theatre from March the 1st in a Stepping Out. Tickets are
:18:23. > :18:29.available now. I'm sure you'll recognise this sound. A bit of Dire
:18:30. > :18:34.Straits for you, Money For Nothing. It is more than just a classic to
:18:35. > :18:41.Eddie Tartu. It changed the way we listen to music. -- classic to air
:18:42. > :18:44.guitar to. In 1986, Dire Straits' album
:18:45. > :18:49.Brothers In Arms than ten weeks of the number one spot and is the album
:18:50. > :18:57.credited with making BCD mainstream. Although compact discs were launched
:18:58. > :19:02.in 1982, initial sales were poor because this new technology was
:19:03. > :19:05.expensive to buy and there were very few titles available. The Dire
:19:06. > :19:14.Straits decided to record their fifth album digitally to target the
:19:15. > :19:18.CD market. Gennaro is the communications director for the
:19:19. > :19:23.British Phonographic Industry. They were looking to get people to switch
:19:24. > :19:26.from cassette to viable. This shiny new format was the future and this
:19:27. > :19:30.was the album that help to achieve that transition. People had more
:19:31. > :19:34.money in their pocket. We have the yuppie generation so associated with
:19:35. > :19:38.Thatcherism looking for aspirational products to buy into. And to
:19:39. > :19:42.demonstrate their growing wealth. All of these things were seemingly
:19:43. > :19:46.coming together and this was the catalyst for it. It became the
:19:47. > :19:50.poster album for what was to come. But it wasn't just the crisp sound
:19:51. > :19:55.reproduction that made the album a success will stop it was the music.
:19:56. > :19:59.There's a signature sound on one of the riffs in particular that
:20:00. > :20:03.captured the public's imagination. The track was Money For Nothing.
:20:04. > :20:08.Part of its energy comes from the unique way it sounds. To my ear,
:20:09. > :20:14.it's got a slightly raw edge, as if it's been recorded in a small space.
:20:15. > :20:18.Dire Straits's keyboard player is Guy Fletcher. At his recording
:20:19. > :20:24.studio B will attempt to replicate the classic sound just for The One
:20:25. > :20:27.Show. Neal was the sound recorder for Dire Straits.
:20:28. > :20:33.Neal, do you have any theories as to why do you have that special sound?
:20:34. > :20:37.Even a monkey gets lucky sometimes! The truth is, the night before the
:20:38. > :20:40.recording session Neal has and how was setting the microphones in
:20:41. > :20:47.place. But overnight one of them loosened from its stand. Wire to my
:20:48. > :20:53.horror, the microphone was pointing at the floor. Be herded and said,
:20:54. > :20:57.don't touch it! It unexpectedly produced a boxy sound and loved.
:20:58. > :21:05.Trying to reproduce that sound is virtually impossible. But along with
:21:06. > :21:09.this microphone malfunction, the song's distinctiveness came from the
:21:10. > :21:12.way the guitar was played. John Illsley is the bass player.
:21:13. > :21:18.Everybody's interpretation to that sound is different. Every guitarist
:21:19. > :21:23.knows the lake, but they can't get it absolutely the way it is. My son
:21:24. > :21:27.is a guitar player. Max was backstage one time at a gig and he
:21:28. > :21:37.asked Marco he played that bit. Mark said, here is what it is. Basically,
:21:38. > :21:45.it's finger picking. There is so much more! A lot of it
:21:46. > :21:50.is a rhythmic thing. So using your phone. It's kind of like chicken
:21:51. > :21:53.picking. Really old, kind of like blues.
:21:54. > :21:57.As the guys we got the mics and their equipment as closely as they
:21:58. > :22:01.can to the original setup, there goes the Mike pointing towards the
:22:02. > :22:12.floor, I get ready for a once in a lifetime jam.
:22:13. > :22:23.Money For Nothing RIFF Money For Nothing combines rock distortion,
:22:24. > :22:26.finger picking and a really catchy folk.
:22:27. > :22:29.But like all great music, there was an indefinable magic at the time of
:22:30. > :22:38.its recording. That's what makes Money For Nothing a classic.
:22:39. > :22:43.Got all of the microphones pointing at the flowing here! You can hear
:22:44. > :22:47.the difference in the sound. BBC Music one to celebrate your local
:22:48. > :22:52.legends by putting up blue plaques for BBC Music Day. Like this one
:22:53. > :22:56.here. That of a cobbled version! It's not exactly like this. We want
:22:57. > :23:06.your nominations for buildings and places that are played in major part
:23:07. > :23:08.in music venues. -- music heritage. You can nominate until midnight on
:23:09. > :23:16.Sunday and then all of the announcement we made on June be
:23:17. > :23:21.first. Amanda, auditions are being made for Britain's got talent. This
:23:22. > :23:26.year we have always been saying that little Britain's got talent. The
:23:27. > :23:33.children have been amazing. We have pressed our golden buzzer. And every
:23:34. > :23:37.single child... Should I say this? I'm rubbish at keeping secrets!
:23:38. > :23:42.Could you give us the theme of one act that you would like to see go as
:23:43. > :23:47.far as possible. I would like a comedian to win. You heard it here
:23:48. > :23:51.first. Island dancers, I love singers, I love variety. But I would
:23:52. > :23:56.really like a stand-up comic or somebody funny to win. Tracy-Ann, as
:23:57. > :24:00.soon as Stepping Out finishes, is it right you will be stepping back onto
:24:01. > :24:09.the stage in Fiddler on the Roof? Yes. We're going to be doing Fiddler
:24:10. > :24:13.on the Roof for Daniel Evans's first run at Chichester. When will that
:24:14. > :24:25.start? About four days later. Crazy girl. At the end of July! Good luck
:24:26. > :24:27.with that. If I was a rich man and Money For Nothing, it's all tying
:24:28. > :24:37.in. With temperatures reaching a balmy
:24:38. > :24:43.18 degrees today, it was nice today, hotter than Dubai. It was freezing
:24:44. > :24:48.in Dubai! Freezing! Sorry to interrupt! This is the thing. There
:24:49. > :24:52.is talk that spring is just around the corner. When the bees do start
:24:53. > :24:55.to buzz, after you have watched this, you will know why. Here is
:24:56. > :24:59.Patrick. Flowers are among the most beautiful
:25:00. > :25:04.things in the natural world. But from a plant's perspective, they
:25:05. > :25:09.have a practical function. Flowers are a plant's means of reproduction.
:25:10. > :25:12.Their purpose is to attract insects and other animals who then spread
:25:13. > :25:19.the plant's pollen onto other flowers. It takes energy for plans
:25:20. > :25:23.to make pollen. So it's in their interest to waste as little as
:25:24. > :25:28.possible. The most efficient pollinators are bees. Because they
:25:29. > :25:32.are rather messy foragers. While gathering pollen to take back to
:25:33. > :25:36.their hive, they spread a good deal from flower to flower. To maximise
:25:37. > :25:42.their chances of reproducing, sunflowers will only release their
:25:43. > :25:49.pollen when they are vibrated by a bee's bows. It is good buzz
:25:50. > :25:52.pollination, and this doctor has spent -- it is called buzz
:25:53. > :25:55.pollination, and this doctor has spent time studying it at the
:25:56. > :25:59.University of Stirling. I presume these are the plans you have been
:26:00. > :26:04.studying. What is so special about the? They keep their pollen tightly
:26:05. > :26:09.locked and prevent most pollinators from taking their pollen away. I
:26:10. > :26:18.right in saying that there is only a few flowers that are able to be buzz
:26:19. > :26:24.pollinated? In the UK, there are only a few including tomatoes and
:26:25. > :26:28.potatoes. But around the world there are over 15,000 found on every
:26:29. > :26:33.continent. In the UK, it is bumblebees who have mastered the
:26:34. > :26:38.art. Mario Vrancic colleagues have built a special cage so they can
:26:39. > :26:44.observe the behaviour at first hand. -- marry a man and his colleagues. A
:26:45. > :26:48.bumblebee can't vibrated when muscle several hundred times a second and
:26:49. > :26:52.it is these vibrations that creates the sound of the buzz.
:26:53. > :26:59.We have for a slow motion camera to work out how it happens. In this
:27:00. > :27:03.case, in a tomato plants. Slow down to around a tenth of normal speed
:27:04. > :27:12.and we can see exactly what's going on. The bee grasped the flour and
:27:13. > :27:15.vibrates her flight muscles without moving her wings. These
:27:16. > :27:18.high-frequency vibrations shake pollen out of the steam and where
:27:19. > :27:23.it's stored, and the pollen sticks to her body has. She will co-most of
:27:24. > :27:32.this pollen into baskets on her legs. -- she will comb most of this
:27:33. > :27:37.pollen. The picture of the sound is very
:27:38. > :27:41.important. What is also important is the intensity, the strength by
:27:42. > :27:44.putting each vibrates in. The more energetic the process, the more
:27:45. > :27:50.pollen that is released. It practice makes perfect. Mario's
:27:51. > :27:53.latest research shows that although bumblebees will seem to have the
:27:54. > :27:59.know-how to buzz pollinate, they do get better the more they do it. --
:28:00. > :28:03.although bumblebees instinctively know how to buzz pollinate. They
:28:04. > :28:08.often go for the wrong part of the flour, the petals, or somewhere
:28:09. > :28:11.else. But as they gain experience, they can focus on the correct area
:28:12. > :28:16.and tune the frequency so they get lots pollen out without expending as
:28:17. > :28:23.much energy. As far as I know, this is the first time it has been shown
:28:24. > :28:26.that these can learn to adjust these vibrations. Buzz pollination is
:28:27. > :28:30.crucial to our food process, which is one of the reasons why there has
:28:31. > :28:35.been such concern about the declining number bumblebees in the
:28:36. > :28:38.UK. In recent years, various experiments have taken place to see
:28:39. > :28:45.if a bee's vibrations could be replicated on a commercial scale,
:28:46. > :28:48.but with limited success. So far, nobody has found anything that does
:28:49. > :28:52.the job quite as well as a bumblebee. Which is why it's so
:28:53. > :28:59.important to stem the decline for these little vibrating super heroes.
:29:00. > :29:04.Those are amazing creatures. That sort of got time for tonight. Thanks
:29:05. > :29:09.to our guests, Amanda Holden and Tracy-Ann Oberman. Stepping Out
:29:10. > :29:13.opens up the void of March the 1st. Tomorrow we will be joined by the
:29:14. > :29:15.lucky man himself, James Nesbitt. Will it be lucky for some? It's time
:29:16. > :29:23.to find MUSIC: Another Day Of Sun
:29:24. > :29:26.from La La Land