:00:17. > :00:20.Hello and welcome to a rare glimpse of The One Show with Matt Baker.
:00:21. > :00:30.referendum coverage we've found it hard to get a look in recently.
:00:31. > :00:32.Awkward because when Dave opened up this morning he found one
:00:33. > :00:35.of the world's leading a capella groups outside.
:00:36. > :00:42.They'd flown in specially but the schedulers wouldn't be moved.
:00:43. > :00:45.Then we told them someone had brought in an amazing machine that
:00:46. > :01:00.But when we explained who was hammering at the door
:01:01. > :01:02.demanding to sit on the sofa tonight they finally they gave in.
:01:03. > :01:17.And great line-up to. This machine that makes breakfast. Do not call it
:01:18. > :01:23.today Teasmade, what ever you do. -- do not call it a Teasmade, whatever
:01:24. > :01:24.you do. Not that there's anything wrong with
:01:25. > :01:30.a Teasmade. If you could invent an all in one
:01:31. > :01:43.machine what would it do? Maybe a robot butler. They could
:01:44. > :01:46.maybe get a machine that would dress you. Could they do that? We will
:01:47. > :01:47.ask. This morning I went to interview
:01:48. > :01:49.Britain's greatest ever She was the first British female
:01:50. > :01:53.gymnast to win European, World and Olympic medals and in 2010
:01:54. > :01:55.she was given an MBE. But earlier this year her life
:01:56. > :01:58.was turned upside down after agreeing to take part
:01:59. > :02:11.in a celebrity TV challenge show. It involved a ski jump. For Beth
:02:12. > :02:16.Tweddle it all started at the age of seven. In a career that spanned 13
:02:17. > :02:21.years, Beth won numerous titles. She was world champion three times and
:02:22. > :02:23.after winning her Olympic medal she retired as the most successful
:02:24. > :02:30.British gymnast in the history of the sport. Then, on the 7th of
:02:31. > :02:33.February this year, tragedy struck. The Olympic gymnast Beth Tweddle has
:02:34. > :02:38.had surgery on two fractured vertebrae in her neck. The gymnast
:02:39. > :02:42.to won bronze in the London 2012 Olympics crashed into a barrier. Her
:02:43. > :02:47.parents say early indications have been positive. She has been able to
:02:48. > :02:53.move her hands and feet. Five months on and I am meeting up with Beth to
:02:54. > :03:01.find out how her recovery is going. Beth, how you doing? Good, thanks.
:03:02. > :03:05.Come and have a seat over here. Let's go back to the start. What was
:03:06. > :03:09.it about The Jump that made you want to do it in the first place? For me,
:03:10. > :03:14.it was another way to try new challenges. I was learning from some
:03:15. > :03:18.of the best coaches in the world. Read you think about the possibility
:03:19. > :03:24.of getting injured? I think you always think about that. -- did you
:03:25. > :03:30.think. There is always a risk. What happened with that jump? The short
:03:31. > :03:34.is, I did a jump, and I collided with a barrier. I fractured and
:03:35. > :03:39.dislocated my neck. They took a small piece of bone from my hip, put
:03:40. > :03:43.it between the two vertebrae, and I have a bolt and four screws in there
:03:44. > :03:47.now and it is fusing back together. You have coped with a lot of
:03:48. > :03:51.physical injury in your time, but this is a very different thing for
:03:52. > :03:57.you all stop for me, it is still quite a hard thing to talk about. --
:03:58. > :04:02.different thing for you. That is why I am using a sports psychologist.
:04:03. > :04:06.That is why I am processing the details. Your family have always
:04:07. > :04:10.been by your side throughout your gymnastics career, all over the
:04:11. > :04:15.world, where they with you at the time? They had flown out to watch me
:04:16. > :04:19.that weekend. When I was given that information, you have broken your
:04:20. > :04:23.neck, I had them by my side. My brother walked into the room, I just
:04:24. > :04:30.started sobbing, I was just so happy to see him. The amount of support I
:04:31. > :04:33.was getting from the general public, sending the messages, saying, we
:04:34. > :04:37.have had the same injury as you, we know you will begin a dark place
:04:38. > :04:41.right now, but we are now running marathons. That put a smile on my
:04:42. > :04:45.face, thinking I am not the only one who has gone through this. As far as
:04:46. > :04:50.regret is concerned, how do you feel about it on that front? If you could
:04:51. > :04:55.take the accident out of it, of course I don't regret it, but it has
:04:56. > :05:00.been a very hard road. I have been lucky to have say mini people to
:05:01. > :05:05.support me on that road. -- so many people. Throughout this five months,
:05:06. > :05:13.have you ever doubted the fight you had in yourself? I've been upset. I
:05:14. > :05:17.kept saying to my parents, why am I doing this? This is so unfair. When
:05:18. > :05:23.I was a gymnast, I don't remember that aspect. Where do you want to go
:05:24. > :05:28.from here? I want to be able to go out there and do what I normally do.
:05:29. > :05:31.Love working with children. Inspiring them to achieve their
:05:32. > :05:39.dreams. I'm glad to say I pushed through it. You can tell it is still
:05:40. > :05:43.really raw. She is an inspiration. Even just
:05:44. > :05:47.hearing her talk. All of the physical injury she has had as a
:05:48. > :05:52.gymnast, she's never had to cope with psychological issues like this.
:05:53. > :05:58.She is fighting it and she will. How did she appear to you
:05:59. > :06:01.off-camera? Unsettled. In a way that she's
:06:02. > :06:04.coping with things she's never had to cope with before. But she's
:06:05. > :06:10.getting through it. She will beat it.
:06:11. > :06:13.Bill, you always said you will never take any part in any reality TV show
:06:14. > :06:19.like this, and I imagine this hasn't changed your mind. Absolutely. There
:06:20. > :06:23.are risks involved in everything. But that particular one was
:06:24. > :06:28.particularly risky. A friend of mine, Marcus Brigstocke, he was
:06:29. > :06:33.injured, as well. Of course. That extreme sport stuff is always risky.
:06:34. > :06:37.I'm not going with it. Stick with your tour.
:06:38. > :06:43.Stick with your stand-up. And we are going to talk about Limboland. It is
:06:44. > :06:48.the longest or you've ever done. You have extended the dates. What have
:06:49. > :06:53.you hit upon that people love so much? The jokes, they are always
:06:54. > :07:00.handy. It is a traditional stand-up show. Shows I have done in the
:07:01. > :07:05.recent past have been technical. I have had a lot of screens, films,
:07:06. > :07:08.animation, projection, and it all got out of hand. At one stage I was
:07:09. > :07:13.thinking, this is starting to look like some sort of gigantic
:07:14. > :07:19.multimedia spectacle, not stand-up. I made a conscious effort to make
:07:20. > :07:24.this might a cabaret show, the stand-up I started out doing.
:07:25. > :07:29.Traditional elements such as stories, music, lots of audience
:07:30. > :07:33.participation. It is a very family friendly show, as well, people can
:07:34. > :07:38.bring the kids. Three generations can come to the show. We have a clip
:07:39. > :07:42.of you on the Michael McIntyre shown. British happiness is
:07:43. > :07:48.basically knowing that things could have been a lot worse. That is
:07:49. > :07:52.British happiness. British happiness is, what was your weekend like? Not
:07:53. > :07:57.too bad. We thought it was going to be really bad, but we have dialled
:07:58. > :08:00.it down to not as bad as we thought. We are measuring out our lives in
:08:01. > :08:03.diminishing increments of diminishing expectation. Not too
:08:04. > :08:12.bad. LAUGHTER
:08:13. > :08:15.So true. You reflect on random decisions you
:08:16. > :08:22.have made in your life. Looking back, which ones would have had the
:08:23. > :08:25.most Matic effect on your life had he gone with them, because you
:08:26. > :08:32.delivered cakes for a while, didn't you? I did. Dream job.
:08:33. > :08:36.For many. Had I stuck with that things would have been very
:08:37. > :08:40.different. Strange job. Sometimes the recipients were no longer there.
:08:41. > :08:44.I would turn up, they would tell me they do not work here any more, I
:08:45. > :08:50.would ask, what shall I do with the cake? They would say, you keep it.
:08:51. > :08:55.So I lived off cake for a while. Music, maybe, I have been in music
:08:56. > :09:04.bands... Review nearly became a music professor at one point, didn't
:09:05. > :09:08.you? -- you nearly became. I did a diploma. The next step was a
:09:09. > :09:11.teaching diploma. That is where I was headed. You have to have a lot
:09:12. > :09:18.of patients to be a teacher. My attention span is too short. --
:09:19. > :09:24.patience. I love spoken word, as well, I love... You know... There,
:09:25. > :09:29.the language, the English language, it is a rich language. I would have
:09:30. > :09:34.been very frustrated if I was a teacher. Do you remember the first
:09:35. > :09:39.time you made somebody laugh? Yes... It was... When I was a kid. It was
:09:40. > :09:43.at a funeral, actually, for an elderly aunt who has passed away.
:09:44. > :09:49.There was tea and sandwiches at the house. I was copying an old Les
:09:50. > :09:55.Dawson routine. I grew up watching him. He was fantastic. He did this
:09:56. > :09:59.routine where he played Tchaikovsky's piano concerto and got
:10:00. > :10:05.it slightly wrong. I practised this routine. I was playing this while
:10:06. > :10:10.people were commiserating. My dad was talking to an elderly relative,
:10:11. > :10:18.jinking tea, then he just spat it out all over this tiny woman's hair.
:10:19. > :10:23.Then my mother swore. She never swore. She dropped a piece of cake.
:10:24. > :10:27.I call it a chaos bomb had gone off. That was the power of comedy. At an
:10:28. > :10:28.early age I just thought there was an enormous power in comedy.
:10:29. > :10:32.You can see Bill in "Limboland" until 10th July.
:10:33. > :10:35.Love it or loath it - modern art certainly divides opinion.
:10:36. > :10:44.I kind of like it, yeah, I do. Quite funny, some of it.
:10:45. > :10:46.With the new Switch building at Tate Modern opening
:10:47. > :10:49.last Friday in London - we sent the people behind its
:10:50. > :10:51.construction to give their opinion on some of the art exhibits.
:10:52. > :11:03.And let's just say their reactions are mixed!
:11:04. > :11:09.And Sarah, I'm an electrician, I worked at the new Tate modern
:11:10. > :11:17.extension. To be honest, I'm not sure what I think about modern art.
:11:18. > :11:21.I'm John, I was a project manager on the external scaffolding. My
:11:22. > :11:26.experience of modern Art is very little. I sometimes feel it is like
:11:27. > :11:31.the Emperor's new clothes. The critics call it art, and maybe
:11:32. > :11:36.nobody else sees it. My name is Claire. My job here at the Tate was
:11:37. > :11:40.an assistant construction manager. As far as art goes, some is decent,
:11:41. > :11:45.I like it, I keep an open mind, some of it, I'm not too fussed about.
:11:46. > :11:58.CHUCKLES My name is Jason. I was a brickwork
:11:59. > :12:02.Foreman. For me, brickwork is art. I like the name of the new building,
:12:03. > :12:05.it is called the switch house after the old electricity power station
:12:06. > :12:10.that used to be here. But I would say that because I am a sparky. When
:12:11. > :12:16.I was last here, the galleries were empty. The artwork was not in place.
:12:17. > :12:23.I would be interested to see what the artwork looks like.
:12:24. > :12:31.I like it, but I don't know if I liked being this close to it. I
:12:32. > :12:38.don't like spiders. No, not at all. I don't mind some sculptures. My
:12:39. > :12:42.normal taste would be into painting, things like that, straightforward
:12:43. > :12:52.stuff, to be honest with you. What was the artist trying to convey?
:12:53. > :12:55.CHUCKLES waste management, reuse, recycle,
:12:56. > :13:00.put products to some sort of use. I wouldn't have it in my house, if I
:13:01. > :13:08.had a big enough house, no. That building is the most difficult job I
:13:09. > :13:14.have ever built and I will ever build. No doubt. Construction
:13:15. > :13:17.started in 2010. First they had to construct a huge steel skeleton.
:13:18. > :13:24.Concrete panels were bolted onto those pieces of steel. We were the
:13:25. > :13:28.last ones to clad all of it with brickwork. The main thing about
:13:29. > :13:33.those bricks is they all look very similar, but they are not. It is
:13:34. > :13:37.just like one huge jigsaw puzzle in the sky. When I stand here and look
:13:38. > :13:42.at it now, it makes me feel really proud I built that. I'm not too sure
:13:43. > :13:43.what is on the inside, but I am looking forward to having a look at
:13:44. > :14:08.it. It is a raw material. Once that raw
:14:09. > :14:15.material is used, I believe that becomes art. I'm not so sure I can
:14:16. > :14:19.see that as art. That, that is a stack of bricks. If I could get my
:14:20. > :14:21.Netherlands to do it like that I would be well happy.
:14:22. > :14:30.CHUCKLES -- levellers. This is fairly simple.
:14:31. > :14:34.Mirrors with holes in. When you look through it it is infinite. You can
:14:35. > :14:43.see a number of holes going on forever. A lot of people will enjoy
:14:44. > :14:48.this one as soon as they see it. It is more like it. Nice and big, nice
:14:49. > :14:51.and bold, colourful, bit of fun. Not really bothered about trying to
:14:52. > :14:57.understand what the artist is trying to say, it is just pleasing. I would
:14:58. > :14:59.have that one on my wall at home, but it would need to be a bit
:15:00. > :15:06.smaller. CHUCKLES
:15:07. > :15:10.She has brought country life into the future, I think that is what
:15:11. > :15:14.that one is. I think the artist is trying to show how communication has
:15:15. > :15:18.evolved. Very interesting. I love radios, I listen to them all the
:15:19. > :15:22.time. There are some fantastic pieces of art in here, but for me it
:15:23. > :15:27.is the building, that is the work of art, that is modern art for me.
:15:28. > :15:39.That little bees got a lot of people talking. She is talking! -- little
:15:40. > :15:46.piece. A Mannus joins us now -- MA Mannus. You saw what the constructor
:15:47. > :15:51.is said and it had quite a reaction. Certainly, as cultural events go,
:15:52. > :15:55.this is a big deal. 143,000 people have visited since it opened, so a
:15:56. > :15:59.lot of contemporary art lovers out there. What makes it different to
:16:00. > :16:03.the Boilerhouse is that there is 60% more space, going global, they
:16:04. > :16:07.believe that great contemporary art comes from all over the world, they
:16:08. > :16:13.will have more women artists, I think Devon team percent when the
:16:14. > :16:18.Tate first opened -- 17%. Really exciting. The first museum to have
:16:19. > :16:26.dedicated space for performance art and digital. If you like things like
:16:27. > :16:32.Matisse's Smale, there is something for you. Give yourself a day to get
:16:33. > :16:36.around it. Saying that, there are many people who are not huge fans of
:16:37. > :16:41.modern Art and trying it for the first time. Is there a section that
:16:42. > :16:44.they should try the first time? They have the start room which is really
:16:45. > :16:48.an introduction but if you want to go to a room that epitomises what
:16:49. > :16:55.they are about, go to the Sheila Goudie room, she has a piece called
:16:56. > :17:01.Behold, it is car bumpers suspended on four kilometres of human hair.
:17:02. > :17:10.What? Human hair! It is like being at a hairdresser. She would love
:17:11. > :17:17.you, Bill? It epitomises the celebration of global art and women.
:17:18. > :17:22.It is exciting, you will walk around thinking, what is this? In one room,
:17:23. > :17:27.the start room, there is a Sainsbury's shopping list behind the
:17:28. > :17:32.Perspex glass and I thought... But you realise what the art is. That's
:17:33. > :17:35.what's fun, you don't have to connect with everything. Stay with
:17:36. > :17:39.us because we are going to have a test for you both. If you want to
:17:40. > :17:46.see Brenda's programme, it is an iPlayer now. Bill, it is time for
:17:47. > :17:52.you to get some breakfast now. Finally I get something! If you've
:17:53. > :17:56.just started watching, we have a machine, that is in the corner, it
:17:57. > :18:02.will do toast can boil an egg, make a cup of tea, and then it will clear
:18:03. > :18:06.up after you, in one go. That is the star prize. Pete Browne and Murphy
:18:07. > :18:15.get are standing by with their invention now. --
:18:16. > :18:19.there are strings attached. You may have heard the story of the young
:18:20. > :18:26.boy who put a pair of glasses into an art medium in San Francisco and
:18:27. > :18:30.people started taking photos of it. We're going to test you, four
:18:31. > :18:36.pictures and you have two Guess which ones are real art exhibits and
:18:37. > :18:43.which ones are fake. We have four, let's have a closer look. This is
:18:44. > :18:52.the first one called Clean Sweep. OK, some of them you have mocked up?
:18:53. > :19:02.Yes, the question is whether Swan Bifocal is real? This glass on a
:19:03. > :19:07.shelf is called An Oak Tree. And we have this one called Memories. They
:19:08. > :19:17.all look real to me, is it a trick question? Would you have gone to be
:19:18. > :19:21.trouble to put out those brooms? No. Look at the bricks that were laid
:19:22. > :19:27.out. The swan, maybe. The glass looks real, that is real. We like
:19:28. > :19:33.that and then, what do you think, the dustpan and brush or the brooms?
:19:34. > :19:41.I'd go for the brooms. Real or fake? You are saying two and four. Number
:19:42. > :19:47.one, you are right, it is real art, A Clean Sweep by Lucien Smith,
:19:48. > :19:54.inspired by the changing streets of his home City of New York. The
:19:55. > :20:00.second one was created by our props department! The third one which you
:20:01. > :20:05.said it was real, you are right, it is An Oak Tree by the conceptual
:20:06. > :20:12.artist Michael Craig-Martin. Meaning that Memories was a prop, and here
:20:13. > :20:16.is the proof! You mentioned the boiled egg earlier on. Would you
:20:17. > :20:28.like to win it? It is all to play for, Bill. The question is this,
:20:29. > :20:37.which landscape photo was sold for ?2.7 million in 2011? Which one is
:20:38. > :20:43.it? Was it this one? OK, that's just somebody out in their car. Or this
:20:44. > :20:55.one Weston these are just iPhone photos! 2.7 million, surely not.
:20:56. > :21:09.Which one? Are we looking for the real one? I think the first one.
:21:10. > :21:16.Correct, it is by Andreas Gursky. Put the egg on, it's going to
:21:17. > :21:21.happen! Listening to Bill, quite a reminder of how important our voices
:21:22. > :21:24.are to our identity. There was a clip of Bill talking on the radio
:21:25. > :21:27.and you would recognise who he was, but our science man has been to meet
:21:28. > :21:33.somebody facing the reality of losing his voice. Thanks to
:21:34. > :21:37.technology, he will still be heard. The sound of your voice is unique.
:21:38. > :21:42.It is as individual as your face or fingerprints. My voice is a very
:21:43. > :21:46.important part of me, instantly recognisable to the people who know
:21:47. > :21:49.me. So imagine having a disease where you are not only losing the
:21:50. > :21:53.voice of your arms and legs, but your speech as well. Your ability to
:21:54. > :21:59.communicate with the people you love. This is the dire prospect for
:22:00. > :22:04.thousands of people with motor neurone disease. It is an Injera
:22:05. > :22:10.ball, degenerative disorder that causes muscle wastage and often
:22:11. > :22:16.leaves to -- leads to speech loss for the music teacher Malcolm Dowie
:22:17. > :22:20.was diagnosed four years ago. Having music is my life, I have been a
:22:21. > :22:26.singer, I have been on stage, a teacher, I need my voice to
:22:27. > :22:30.communicate with people. I need my voice to cause trouble, it is me, it
:22:31. > :22:37.is my identity. Can you imagine him without his voice? Not really! Is
:22:38. > :22:42.not really. He has always been a very vocal person. Professor Stephen
:22:43. > :22:52.Hawking has one of the most recognised computerised voices on
:22:53. > :22:57.the planet. The accent is describable and everyone can
:22:58. > :23:01.understand it. But in fact it is an off-the-shelf generic voice, one of
:23:02. > :23:09.only a handful available to motor neurone sufferer 's. Scientists at
:23:10. > :23:14.the Andy Raleigh clinic in Edinburgh are pioneering a way to give back
:23:15. > :23:22.motor neurone sufferer is with the -- their voice. This speech
:23:23. > :23:26.therapist is leading the study. So the voice bank project is aiming to
:23:27. > :23:29.create personalised voices for people to use in communication aids
:23:30. > :23:34.rather than the generic ones you might get pre-installed. Malcolm is
:23:35. > :23:39.one of 100 people taking part in the voice banking trial. Today he's
:23:40. > :23:44.going to record his voice before it is lost for ever. Here we go, when
:23:45. > :23:50.the writing turns Reid, will you say that for me. Physicists have found
:23:51. > :23:55.it is not reflection but refraction by the raindrops that causes
:23:56. > :23:59.rainbows. Sorry. That's OK, we will try again. It would take too long to
:24:00. > :24:04.record every word in the English language. To build a personalised
:24:05. > :24:07.synthetic voice you need about ten hours of speech which was somebody
:24:08. > :24:12.with a condition like motor neurone disease can be exhausting. Malcolm
:24:13. > :24:15.will only need to record one hour of speech, which will then be
:24:16. > :24:20.supplemented with recordings from a database. It will be matched and
:24:21. > :24:28.blended with voices of a similar accent, tone and pitch. We all have
:24:29. > :24:31.our egos and don't want to lose. The advantage of this system is that
:24:32. > :24:34.they only need to take fragments of a voice, so even those patients
:24:35. > :24:41.whose condition has deteriorated can be helped. In some ways, it is very
:24:42. > :24:46.poignant, listening to him now. It is, yeah. To think that the
:24:47. > :24:49.wonderful boys is going to go. Unfortunately that is the reality
:24:50. > :24:55.for a lot of people, yes -- wonderful voice. It can take weeks
:24:56. > :24:58.to build a complete synthetic voice but the team are giving Alchemy
:24:59. > :25:03.preview of what is customised computer voice will sound like. --
:25:04. > :25:09.giving Malcolm a preview. Now we will see what it sounds like, do you
:25:10. > :25:18.want to type something in? OK. My new voice. Another wonderful way of
:25:19. > :25:23.causing trouble. LAUGHTER What do you reckon? It is quite
:25:24. > :25:29.emotional because it is part of him. It is quite reassuring and it gives
:25:30. > :25:33.me that confidence. I think it is fantastic that this kind of
:25:34. > :25:40.technology is going to mean I'm able to communicate, it gives me the
:25:41. > :25:46.opportunity Kameni date -- to communicate using my own voice.
:25:47. > :25:50.Outstanding. Wonderful. That's the most remarkable technology. Isn't
:25:51. > :25:56.it? We have a bit of a technology theme this evening. Bill is waiting
:25:57. > :26:00.for his breakfast. To bring you up to date, his tea has been brewed,
:26:01. > :26:11.poured out and the livered as well. It is a beautiful colour. -- and the
:26:12. > :26:22.livered. A beautiful colour, yes. -- and delivered. The verdict?
:26:23. > :26:27.Delicious. We have the presenter of Britain's Most Spectacular Backyard
:26:28. > :26:32.Builds, Piers Taylor with us. When you are looking for inventors, what
:26:33. > :26:36.were you looking for? We were looking for projects that married
:26:37. > :26:40.real artistry with invention but at the same time, were amateur in their
:26:41. > :26:46.nature and all of these inventions are really set the breaking the
:26:47. > :26:49.amateur. There we are! The amateur spirit that exists up and down the
:26:50. > :26:55.country. Merv and Pete, it is mind-boggling. Tell us what is
:26:56. > :27:08.happening. We didn't expect this, did we? Good save! Nobody saw that!
:27:09. > :27:14.The egg is being delivered by the crane, as you can see, carefully
:27:15. > :27:20.delivered. It will be the perfect egg delivered. There we go. It has
:27:21. > :27:24.got a face on it. I'm going to grab it, there we go. Ooh!
:27:25. > :27:33.APPLAUSE Well done. Where is it
:27:34. > :27:36.APPLAUSE The whole thing is built around this
:27:37. > :27:43.spoon, it started off in Peter's wife, Andrea's kitchen. We had the
:27:44. > :27:48.idea of doing it, we wanted to hold the egg. How do you do that, eight
:27:49. > :27:53.spoon. He took the silver one out of the draw, he bent it into that shape
:27:54. > :27:59.and from that, the whole machine was built around it. Andrei didn't get
:28:00. > :28:04.her spoon back. You are going to do the clearing away as we say goodbye?
:28:05. > :28:10.That's remarkable, it is all we've got time for. Britain's Most
:28:11. > :28:15.Spectacular Backyard Builds is on tomorrow at 8pm on BBC Two. And
:28:16. > :28:18.thanks so much to Bill Bailey. Some more dates have been added to his
:28:19. > :28:23.limb Colantuono, which goes until the 10th of July. We are off there
:28:24. > :28:28.for the next two days because of the football but we will be back on
:28:29. > :28:32.Thursday with Holly Willoughby. Not long until the EU referendum and
:28:33. > :28:39.here is our last word on the subject from Gobsmacked! Chuck it away!
:28:40. > :28:44.# And then you've got to slow it down
:28:45. > :28:47.# Cos if you believe that a love can
:28:48. > :28:52.# And soon you will find that there comes a time
:28:53. > :29:08.# Don't let others change your mind
:29:09. > :29:21.# If I stay there will be double
:29:22. > :29:25.# Should I stay or should I go?
:29:26. > :29:36.# You're happy when I'm on my knees
:29:37. > :29:38.# One day is fine and next it's black
:29:39. > :29:42.# Come on and let me know
:29:43. > :29:57.# If I stay there will be double