:00:16. > :00:28.Hello, and welcome to the one Show with Matt Baker.
:00:29. > :00:30.He's the double Oscar winning actor who's appeared
:00:31. > :00:32.in classics like seven, The Usual Suspects
:00:33. > :00:38.He's also the star of hit political thriller -
:00:39. > :00:43.House of Cards - who, only last week, hosted
:00:44. > :01:02.And it's fair to say, he made a real song and dance of it.
:01:03. > :01:08.# My career is shattered on the ground
:01:09. > :01:15.# Broadway # This is the 71st annual Tony
:01:16. > :01:25.From Broadway to the BBC - It's Kevin Spacey!
:01:26. > :01:34.APPLAUSE .
:01:35. > :01:39.Come and have a seat. My word. I was back there, in the very tiny Green
:01:40. > :01:43.Room you have, and I didn't know why you were giggling through your
:01:44. > :01:49.entire opening, are you all right? Yes, it was fine. He is very
:01:50. > :01:56.unprofessional. I knew the old Blue Peter days. I was warping up I was
:01:57. > :01:59.back there, in the very tiny Green Room you have, and I didn't know why
:02:00. > :02:01.you were giggling through your entire opening, are you all right?
:02:02. > :02:04.Yes, it was fine. He is very unprofessional. I knew the old Blue
:02:05. > :02:06.Peter days. I was warping up by going "Classics like seven". I
:02:07. > :02:09.thought it Was Like Anchorman any way we were blown away Kevin by
:02:10. > :02:15.that. I had such a great time. Unbelievable. It wasn't really
:02:16. > :02:21.expected. Is that what drew you to do it. You have to understand the
:02:22. > :02:26.context, I was about the 15th person they asked to host the Tonies, so,
:02:27. > :02:29.they asked all these other people and there have been articles written
:02:30. > :02:34.they couldn't find a host, finally they asked me and I said yes, so
:02:35. > :02:38.that opening number was a journey I took the audience through of them
:02:39. > :02:43.not wanting me, me not being the right host, they didn't want me, and
:02:44. > :02:52.becoming the host and that is where their dance... You owned it. Rob
:02:53. > :02:56.Ashford choreographed that. As you know from my 12 years at the Old Vic
:02:57. > :03:02.I am a theatre rat. So the opportunity to be be able to
:03:03. > :03:07.celebrate Broadway, the season Broadway had, of which Groundhog Day
:03:08. > :03:11.was one of the shows that got lots of nomination, it was a great
:03:12. > :03:16.thrill.? We will talk about your honorary knighthood later on as well
:03:17. > :03:25.as House of Cards. Cards.. You can call me Sir space alot.
:03:26. > :03:30.What a way to start the day. There was air con. Brilliant. It has taken
:03:31. > :03:35.many years to find two people who are willing to go on camera to share
:03:36. > :03:37.two sides of the story. This is what happened when Tim and Cameron's
:03:38. > :03:54.paths crossed in 2011. My name is Tim. I am married with
:03:55. > :03:59.children. My name is Khamran, I am lucky to be able to get married.
:04:00. > :04:03.Hoping to open our own daycare centre. In August 2011, I had been
:04:04. > :04:09.out after work with some friends, I was making my way home on the train,
:04:10. > :04:13.when I dozed off, I woke up, and assumed I had missed my stop. So I
:04:14. > :04:19.got up and got off the train at the next station. This one night, I was
:04:20. > :04:24.sat in the car, I was having an argument over text messages with my
:04:25. > :04:28.ex-girlfriend. Made my way out, on to the platform, waiting for another
:04:29. > :04:32.train to take me home. I couldn't handle the pressure of argument. I
:04:33. > :04:36.seen a man walking around on his own. Hovering near the train
:04:37. > :04:42.platform and I just wanted to lash out and hurt somebody. It was very
:04:43. > :04:48.quiet. There was nobody round. I reached over into the back seat, I
:04:49. > :04:53.grabbed my baseball bat. I asked my friend. I followed man. The next
:04:54. > :05:00.thing I woke up on the floor, being shouted at and demands being made of
:05:01. > :05:06.me. Then I took his stuff. Like nothing had happened. I looked down
:05:07. > :05:12.at my clothes and my trousers and shoes and shirt were covered in
:05:13. > :05:17.blood. It dawned on me that this whirlwind occurred. I used to hang
:05:18. > :05:21.round with a dodgy crowd. Beat people up for no reason. The night
:05:22. > :05:26.after we attacked the man at the station, we were out looking for
:05:27. > :05:29.trouble again, got a bit cocky, and a police car noticed my car and it
:05:30. > :05:34.fitted the description so they followed up. The police found the
:05:35. > :05:40.man's wallet and his keys in my drawer. I got sentenced to a four
:05:41. > :05:42.year custodial sentence, I served 20 months inside, it is probably the
:05:43. > :05:47.best thing that could have happened to me at that time. I heard about
:05:48. > :05:51.this course called restorative justice that gives you a chance to
:05:52. > :05:57.meet your victim. I wanted to do it because I wanted to say sorry to
:05:58. > :06:01.Tim. When I first met Khamran, we talked about writing a letter from
:06:02. > :06:05.Khamran to Tim. When I plucked up the courage to open it and read it,
:06:06. > :06:11.it was very clear in the first two or three sentences that this was
:06:12. > :06:16.something that Khamran had written by himself, and expressed his
:06:17. > :06:20.remorse. Are the bottom of my heart I am so sorry for the things I put
:06:21. > :06:26.you through. I don't know how else to say it. I am seriously sorry.
:06:27. > :06:29.That made it very simple for me to agree to meet Khamran.
:06:30. > :06:34.For me it was about the opportunity to meet the person that had
:06:35. > :06:39.assaulted me, and maybe understand some reasoning, and what the motives
:06:40. > :06:43.were. I didn't know how he was going to react. I didn't know if he was
:06:44. > :06:47.angry, if he was going to attack me. They were both given time to talk
:06:48. > :06:52.about what happened, the impact it had. I just opened up to him and
:06:53. > :06:56.told him my life story and what led to that point. I knew immediately it
:06:57. > :07:01.wasn't a personal attack. I happened to be in the wrong place at the
:07:02. > :07:04.wrong time. He wished me the best of luck for the future, he told me he
:07:05. > :07:11.wanted me to make something out of my life. Tim said to Khamran, I'm
:07:12. > :07:16.not a religious man f, if I were I would give you my blessing. It Ian
:07:17. > :07:22.toss that doing this you get to see the best of human beings.
:07:23. > :07:27.First time I have been back stood on the station, since that night. Still
:07:28. > :07:32.remember how I was, not just the night I attacked you, but the way I
:07:33. > :07:38.was at a person. Talking to you, in this environment is strange, but it
:07:39. > :07:42.is useful. It is a way of, you know helping to kind of round that
:07:43. > :07:47.circle. I am getting on with my family, I am drug free, so I wanted
:07:48. > :07:51.to say thanks, I appreciate. I am glad to have been a small part in
:07:52. > :07:54.that. Strangely a very small part in that process. The consequences of
:07:55. > :07:59.our choices sometimes are last longer than we know at the time, but
:08:00. > :08:08.that, I don't think that should mean that you are bound by those choices
:08:09. > :08:14.for the rest of your life. Thank you to Tim and Khamran for sharing what
:08:15. > :08:20.must have been straition strange motion, to be standing there where
:08:21. > :08:26.that happened. For give it is a powerful thing. I
:08:27. > :08:32.forgive you from making the transition from that to what we are
:08:33. > :08:37.talking about. It is your work. As we said we saw it. You saw Baby
:08:38. > :08:42.Driver. Enjoyed it. There was air con in the cinema so it was really
:08:43. > :08:45.good. Some people have described it as Gone in 60 Seconds meets La La
:08:46. > :08:50.Land Gone in 60 Seconds meets La La Land. I think that is a good
:08:51. > :08:56.description. Are you sure they weren't drinking to? Let us give you
:08:57. > :09:02.a chance to sum it up. It's a heist film. Edgar Wright who you know from
:09:03. > :09:08.his incredible body of work, the Shaun of the Dead film, what he does
:09:09. > :09:12.remarkably is uses music, he chooses the soundtrack, every track he wants
:09:13. > :09:18.to have in all the scenes before he shoots the film. So when I got the
:09:19. > :09:24.script, there was a CD, and I could put on this is the music we will
:09:25. > :09:29.play in this scene. And I did it, it a wild way to read a screenplay.
:09:30. > :09:33.Then you take it a step further on set, he plays the music, prior to
:09:34. > :09:39.you shooting a scene, in some scene, those are in the film, you have to
:09:40. > :09:42.do your physical action to the Ritz -- rhythm of the sock playing. There
:09:43. > :09:46.is someone in particular I put down wads of money but I had to do it on
:09:47. > :09:55.the beat. So were they playing the music? In
:09:56. > :10:01.my ear. I bet that helped. Let us see some of it. Let's talk it. The
:10:02. > :10:17.target is an armoured truck. 10am sharp. Questions.
:10:18. > :10:24.Playing along as you were going, it is infectious. Baby is a wonderful
:10:25. > :10:29.actor, he has an ear situation, so he needs to play music to drown that
:10:30. > :10:33.out or has a constant buzzing so music drives the film. Actually, if
:10:34. > :10:36.it wasn't for your character, the film wouldn't be taking place at
:10:37. > :10:40.all, would it. I don't know how much you want to give away, what do you
:10:41. > :10:44.want to say about the character? I am the Michael Caine of this film.
:10:45. > :10:50.This is part Michael Caine would have played. What is funny I don't
:10:51. > :10:56.play him as Michael Caine and I could. Very good. That is a good way
:10:57. > :11:02.to describe it. But there, the I amazing driving scene, they take
:11:03. > :11:07.your breath away, unluckily your character doesn't get in a car, can
:11:08. > :11:16.we say that? I don't get in a car, I do however roll over a car. True.
:11:17. > :11:24.You do. At a very fast velocity, to a cool soundtrack. It is true that
:11:25. > :11:29.Edgar, put the actors in the cars and made them drive at high speed,
:11:30. > :11:36.to get proper real reaction. No actors were harmed in the filming of
:11:37. > :11:43.this movie. But they did, it wasn't green screened, you can tell. No we
:11:44. > :11:47.had very skilled stunt men and women who do the real stuff. It literally
:11:48. > :11:53.took my breath away. We have a moment of one of the car chases we
:11:54. > :11:56.are talking about. Here we are. You have been my driver for every
:11:57. > :12:05.job, you are the best in the business.
:12:06. > :12:13.I will need you behind the wheel again. One more job and I'm done.
:12:14. > :12:18.One more job and we're straight. The core graph few, the way that it just
:12:19. > :12:22.blends with the music, I love that, there is an opening sequence where
:12:23. > :12:29.one of the lead characters is walking along. It is is a bit dance.
:12:30. > :12:35.As far as your natural rhythms are concerned, what songs do you like to
:12:36. > :12:41.listen to Hotel California. I have this memory of driving to Arizona
:12:42. > :12:45.when I was 18, in a car with a speaker in my lap, listening to
:12:46. > :12:48.Supertramp # Even in the quiet moments
:12:49. > :12:53.# I wish I knew # What I had to do. #
:12:54. > :13:00.I was driving the car, I thought I was the coolest guy ever. Are you a
:13:01. > :13:07.good driver? I am an extremely good driver. Today I hit many mirrors
:13:08. > :13:13.driving down a very narrow street. Anybody who has mirrors... We want
:13:14. > :13:17.to watch the tennis today and they are very narrow streets. There will
:13:18. > :13:22.be some insurance claims coming through. I think not. Baby Driver, a
:13:23. > :13:29.fantastic fame is out on the 28th June. Shortly we will talk about how
:13:30. > :13:34.House of Cards, but first we will talk about politics closer to home.
:13:35. > :13:36.But first, we're looking at politics closer to home.
:13:37. > :13:39.After the recent general election one question on everyone's lips is
:13:40. > :13:44.So we've enlisted two comedians for a unique take on the party
:13:45. > :13:46.who've suddenly found themselves in the spotlight.
:13:47. > :14:00.The following film has been given an official rating of "satire".
:14:01. > :14:09.Hello I am Tim McGarry. I am Colin Murphy. We make a show that pokes
:14:10. > :14:16.fun at anything. I will instil in you a love of the Irish language.
:14:17. > :14:21.That is brilliant. Any way hello and welcome to Northern Ireland. We used
:14:22. > :14:24.to be in the news a bit with the bombs and the IRA and the peace
:14:25. > :14:31.process but then you forgot about it. Well, we are back. And it is
:14:32. > :14:35.thanks to the Democratic Unionist Party. A lot of people if Britain
:14:36. > :14:40.had never heard of them and they Googled it and thought you must be
:14:41. > :14:46.joking. A lot of the reaction was way over the top and showed a total
:14:47. > :14:48.ignorance of Northern Ireland. You would think we were a different
:14:49. > :14:58.country. So who is Theresa May getting into
:14:59. > :15:10.bed with? It is not the DUP leader, they don't approve of that sort of
:15:11. > :15:14.thing. Here is the bluffer's guide. Ian Paisley formed the party, you'll
:15:15. > :15:22.remember him, firebrand preacher that love shouting. We say never!
:15:23. > :15:27.Never! Never! Today, it is led by Arlene Foster. She is at the centre
:15:28. > :15:33.of a scandal involving a botched renewable heat incentive scheme that
:15:34. > :15:40.could cost up to ?490 million. It is all a bit complicated. If you want
:15:41. > :15:47.to know more, just Google RHI and chickens. The DUP is true to its
:15:48. > :15:54.Protestant roots, a somewhat pro-Unionist party and Eurosceptic.
:15:55. > :16:00.DUP voters are very partial to a flag and a march. They are socially
:16:01. > :16:05.very conservative. DUP MP Sammy Wilson does not believe in climate
:16:06. > :16:06.change, so he was made Northern Ireland Minister for the
:16:07. > :16:11.environment, obviously. If you do bump into any DUP MPs, there are
:16:12. > :16:15.some dos and don'ts. Never show them photographs of the gay wedding you
:16:16. > :16:22.were at last weekend. Probably best not to say that the BBC licence fee
:16:23. > :16:26.is worth every penny. Feel free to say Donald Trump is some crack.
:16:27. > :16:30.Despite the peace process, it is still a divided place. If we want to
:16:31. > :16:36.know how many Protestants and Catholics there are, we don't have a
:16:37. > :16:39.census, we have an election. The DUP mailing represents Protestants, and
:16:40. > :16:42.Sinn Fein mainly represents Catholics. Because of recent
:16:43. > :16:43.developments, Sinn Fein are not happy. That makes the DUP very
:16:44. > :16:54.happy! People here agree that the Theresa
:16:55. > :16:58.May and DUP deal could lead to some financial benefits for Northern
:16:59. > :17:04.Ireland. Now, we don't know exactly what has been agreed. What we can
:17:05. > :17:09.say is that just because the DUP have Theresa May over a barrel, we
:17:10. > :17:17.hope they don't use it to extort every single last penny they can.
:17:18. > :17:23.It's Arlene Foster. Hello? Colin, do you fancy a hospital or a motorway?
:17:24. > :17:35.One of each! One of each. That's cleared that up! We are going
:17:36. > :17:39.to continue with politics and talk about the massively successful House
:17:40. > :17:42.of Cards. The hit political drama, where you play the President, Frank
:17:43. > :17:48.Underwood, a very scheming President. The thing is, how hard is
:17:49. > :17:52.it? How much do you feel for the writers? You have just finished the
:17:53. > :17:56.fifth series. Trying to come up with something as compelling as what is
:17:57. > :18:00.actually happening? Well, we have never felt an obligation to compete
:18:01. > :18:05.with the real world. We believe we are an alternative universe, we are
:18:06. > :18:14.the alternative reality President. As opposed to the reality television
:18:15. > :18:17.President! I think that makes sense. We feel that as long as we are true
:18:18. > :18:21.to the story we want to tell, the runway we want to tell it on, the
:18:22. > :18:26.most exciting part about doing the show is how much fun we have. What
:18:27. > :18:30.generally seems to happen, and it has happened through every season,
:18:31. > :18:36.including this one, we start writing one year before we start shooting.
:18:37. > :18:39.We will come up with storylines and plot devices, new characters and all
:18:40. > :18:43.sorts of things we want to explore. Then we will write them, then we
:18:44. > :18:50.will shoot them. Some time between when we shoot them and when the
:18:51. > :18:54.series drops, one, two, three, five or six things we ventured into,
:18:55. > :18:58.described unplayed, happen in the real world. We always think people
:18:59. > :19:02.will think we stole it from the headlines, but it is the other way
:19:03. > :19:06.round. It's quite scary, thinking about what you have written, if you
:19:07. > :19:14.are putting number six down to paper at the moment? Is not unusual for an
:19:15. > :19:18.actor to become a President. But House of Cards, you have a huge
:19:19. > :19:22.insight into the White House. Does it appeal to you more or less in
:19:23. > :19:27.real life to have a career in politics? My particular problem with
:19:28. > :19:31.ever considering a career in politics is that I really, really
:19:32. > :19:39.enjoy having a goal and achieving it. I think it's so very difficult
:19:40. > :19:43.to accomplish anything. You know, those presidents that have been able
:19:44. > :19:50.to do so, I tip my hat to them. But it is an extremely divisive
:19:51. > :19:53.situation. I'm afraid I would end up murdering people. Like Frank
:19:54. > :19:59.Underwood does, just to get stuff done. He is quite effective, he does
:20:00. > :20:04.get stuff done. How real does it feel on set? You were saying to me
:20:05. > :20:08.before we came back that you've been to the real White House. The
:20:09. > :20:12.similarities there? We work with a large amount of consultants, people
:20:13. > :20:16.that work in the White House, people that do an enormous amount of work
:20:17. > :20:19.in government. Even if we are pushing the boundaries artistically,
:20:20. > :20:22.we want to make sure it feels genuine, it feels like this could
:20:23. > :20:29.genuinely happen. We do a lot of checking and make sure we are not on
:20:30. > :20:34.some totally polar universe. I made this joke, he didn't really say
:20:35. > :20:37.this, but I like saying it as if he did, President Clinton once said, I
:20:38. > :20:46.love that House of Cards. It's so good! 99% of what they do on that
:20:47. > :20:50.show is real. The 1% they got wrong, you could never get an education
:20:51. > :20:58.bill passed that fast. Thank you very much.
:20:59. > :21:08.You know that Frank Underwood is a very ambitious bloke. We heard that
:21:09. > :21:12.you are equally as ambitious. The story of how you got your first big
:21:13. > :21:17.break, the audition for your first big break? You are talking about the
:21:18. > :21:22.dreaded stealing of an invitation? Yes, it actually happened. I wanted
:21:23. > :21:26.desperately to play Jack Lemmon's Sun in a production going to
:21:27. > :21:31.Broadway. I went to a series of lectures that the director was
:21:32. > :21:34.giving. It was Jonathan Miller, all of the great British directors. An
:21:35. > :21:40.elderly woman was sitting next to me asleep. She was rather fashionable,
:21:41. > :21:45.very well put together, and sticking out of her bike I noticed there was
:21:46. > :21:48.an invitation to a cocktail reception that was going to happen
:21:49. > :21:58.after the lecture. I thought, well, she is tired. How old were you? I
:21:59. > :22:06.was 25. I thought, she probably knows everybody anyway. Very
:22:07. > :22:10.elegantly dressed. I swiped the invite. I made a beeline to the
:22:11. > :22:14.party and I ended up meeting Doctor Miller. He ended up giving me an
:22:15. > :22:21.audition two days later and I ended up winning the role. I now like you
:22:22. > :22:25.even more. I constantly thank that woman, who I never met. But I bless
:22:26. > :22:29.her. I am not encouraging thievery, but occasionally... You got to do
:22:30. > :22:30.what you've got to do. The next film isn't
:22:31. > :22:32.a Hollywood blockbuster, It's a love story with a difference
:22:33. > :22:35.starring George McGavin. It's about a beetle that goes
:22:36. > :22:38.on the ride of his life and, before you ask, he did
:22:39. > :22:52.do his own stunts. Britain's Wildflower meadows are
:22:53. > :22:56.bursting into life and they are the perfect place to come face-to-face
:22:57. > :23:02.with an alien like insect that is on a mission impossible. I'm on the
:23:03. > :23:05.trail of the oil beetle, and I really want to witness its
:23:06. > :23:12.extraordinary survival strategy, which all comes down to it being
:23:13. > :23:17.able to hitch a piggyback ride on a bee. To see this remarkable
:23:18. > :23:23.behaviour, I've come to Devon to meet naturalist Jon Walters. Using
:23:24. > :23:28.the latest macro lenses, we are going to reveal the life cycle of
:23:29. > :23:32.this bizarre beetle. There she is! The object of all our attention.
:23:33. > :23:37.That is obviously a female, she is really quite big. What makes them so
:23:38. > :23:41.fascinating? When I first saw one, it looked like some kind of alien
:23:42. > :23:45.creature. I thought, it's got to do something weird. It can't be a
:23:46. > :23:55.normal beetle, with normal behaviour. It is one of the
:23:56. > :24:00.strangest British beetles. If I hold her gently, she will secrete from
:24:01. > :24:04.home is a tiny blob of oil. That is what she gets her name from. It is
:24:05. > :24:12.toxic, it tastes vile and are protected from being eaten by birds
:24:13. > :24:16.or any other insects. She has to find a mate, that's the next thing
:24:17. > :24:19.for her. The female beetle releases pheromone scents into the spring
:24:20. > :24:32.air. It's not long before she attracts a mate. He is smaller than
:24:33. > :24:35.her, so he uses special hooked on -- looks to hold her in a lovers
:24:36. > :24:44.embrace. But she is not done with him yet. She drags her mate around
:24:45. > :24:46.for over an hour, which ensures that tens of thousands of eggs she will
:24:47. > :24:52.lay through the meadow are fertilised by him. She needs to lay
:24:53. > :25:01.so many because the chances of any of them surviving what is coming
:25:02. > :25:02.next are slim. When they emerge, they instinctively crawl at the
:25:03. > :25:12.nearby stems and had to the flowers. For those that get to the top, it is
:25:13. > :25:20.not the flower they are after. It is what is what it attracts. A solitary
:25:21. > :25:29.mining bee. They are visiting flowers on their incessant search
:25:30. > :25:33.for pollen. The beetles lie in wait, hoping for the ride of their lives.
:25:34. > :25:40.This is the critical point. The survival of the species depends on
:25:41. > :25:43.the young oil beetles being able to piggyback on one of them. They have
:25:44. > :25:51.only got seconds. If they get it wrong, it's game over. They crawl
:25:52. > :25:57.onto the bee's back. Many get knocked off, but a few will keep a
:25:58. > :26:05.hold as it flies back to the nest. The bees unwittingly carried a few
:26:06. > :26:12.that survive underground. These holes of the entrance to the nest.
:26:13. > :26:20.This is where the young oil bluffer mission ends. In that there are the
:26:21. > :26:29.bee eggs and stockpiles of pollen. It is these that the beetles after.
:26:30. > :26:33.The successful ones will feast on them and turn into adults. Of the
:26:34. > :26:37.50,000 eggs that are laid, only a handful will make it this far. Next
:26:38. > :26:41.spring, a new generation of adult beetles will emerge. One of
:26:42. > :26:46.Britain's most remarkable life cycles will begin all over again.
:26:47. > :26:53.I love the lengths that he goes to to take us into other worlds. Wasn't
:26:54. > :27:04.that wonderful? Well, it's what he does. You can do the same thing into
:27:05. > :27:08.that lens in a moment, watch. Since we last saw you been awarded with an
:27:09. > :27:11.honorary knighthood for your services to culture and British
:27:12. > :27:18.theatre. There you are, with Prince Charles, looking very dapper. That
:27:19. > :27:21.was remarkable. Normally, the way it happens, it is announced. There was
:27:22. > :27:26.one day when the Queen herself gives these awards out. Unfortunately, I
:27:27. > :27:30.was shooting in America and I couldn't do it. Normally what
:27:31. > :27:33.happens after that is that they may lead to you. Prince Charles, I
:27:34. > :27:39.happened to have been an ambassador for his foundation, The Prince's
:27:40. > :27:49.Trust, for many years. He said, no, no, I want to give it to him.
:27:50. > :27:55.Mother... So proud... Anyway, we went to Clarence House and have this
:27:56. > :28:01.wonderful morning last year, where he awarded me that. It means so much
:28:02. > :28:04.to me. My parents were Anglophiles and I spent a good part of my
:28:05. > :28:07.childhood learning about England, learning about this country,
:28:08. > :28:10.learning about the theatre, going to do theatre. For me to have
:28:11. > :28:15.transplanted myself here, my mother knew that I was doing before I
:28:16. > :28:22.passed away, she knew I was taking on the old Vic. She always said
:28:23. > :28:25.things like that. I said, they can't, I'm an American, I don't
:28:26. > :28:31.think it's going to happen. She always knew. You put so much of your
:28:32. > :28:36.self into your work in the West End. Do you have plans to return? I'd
:28:37. > :28:39.love to. As long as I'm doing House of Cards, it's difficult in terms of
:28:40. > :28:44.the amount of time, the commitment. I did a play at the Old Vic, a
:28:45. > :28:49.one-man show, and I just did it at Arthur Ashe Stadium, where they
:28:50. > :28:55.normally play the US open. I played to 5000 people a night. It was a
:28:56. > :28:59.remarkable experience to re-purpose a space that had never been used as
:29:00. > :29:04.a theatre space. That was pretty remarkable. I do that as much as I
:29:05. > :29:07.can. Thank you so much for your company. Baby Driver is out on the
:29:08. > :29:12.28th of June. We'll be joined by Cold Feet star
:29:13. > :29:17.John Thompson and we have