:00:17. > :00:21.Hello and welcome to the One Show with Matt Baker And Alex Jones.
:00:22. > :00:27.Tonight, we're in the mood for a fight! We are. A proper fight.
:00:28. > :00:41.Because Robot Wars is back. We've got some of these met Al monsters
:00:42. > :00:46.who look ready to rumble. -- metal. Angela Scanlon will tell us more
:00:47. > :00:50.later on. Welcome back to Geoff. His sons help him battle illness and bat
:00:51. > :00:55.health. He is fighting fit and looking good. Looking very well. And
:00:56. > :01:00.we have got a gang of rebels with us who are ready to cause a ruckus in
:01:01. > :01:02.the studio. They are the stars of a brand new sitcom that looks
:01:03. > :01:31.absolutely smashing. LAUGHTER. What an entrance. It's
:01:32. > :01:40.Simon Callow, Anita Dobson and Bill Patterson.
:01:41. > :01:44.APPLAUSE. Now, this show, this new sitcom, is all about ageing
:01:45. > :01:49.hellraisers. We will talk about it later. We don't know whether you saw
:01:50. > :01:53.it. Theres with a survey out last week, ridiculous survey, wasn't it?
:01:54. > :01:57.Yes. Saying what age people think that people should stop doing things
:01:58. > :02:02.considered to be young things. For example, there is a picture here of
:02:03. > :02:07.Keith Richard, 72 years old, wearing a pair of trainers. The cut off
:02:08. > :02:19.apparently for trainers should be 49. Insane? On that giggle. What do
:02:20. > :02:24.you think is the age you should be wearing skinny jeans, Simon? Late
:02:25. > :02:36.70s. According to the survey, 47. Do you have a pair of skinny yeans? No.
:02:37. > :02:40.Would you like a pair! What age Anita should we stop going to a
:02:41. > :02:45.nightclub. Never. We should always go to nightclubs. Never. Should that
:02:46. > :02:54.be the voice of non-reason. 44, apparently. What about a tattoo? A
:02:55. > :02:59.tattoo. Ta-ta. I'm ready to start the tattoo. I have thrown caution to
:03:00. > :03:07.the wind. You You do not join the authority who say you should be 38.
:03:08. > :03:13.38. I'm approaching that! Dave disagrees with all of it. He thinks
:03:14. > :03:18.it's nonsense am look at him. Tattoos, skinny jeans. A selfie as
:03:19. > :03:24.well. You should be no older than 34 to take a selfie. You should be in
:03:25. > :03:27.at midnight at 52 years old. Midnight! Anyway. Depends if matron
:03:28. > :03:34.is there. The internet has revolutionised
:03:35. > :03:37.the way we shop - and not just for those of us staying the right
:03:38. > :03:39.side of the law. Because there's a hidden world
:03:40. > :03:42.online where you can buy a whole Dan Donnelley has logged
:03:43. > :03:49.into the 'Dark Web'. We all like to think our personal
:03:50. > :03:55.data is private and that the organisations we have to share it
:03:56. > :04:00.with will keep it safe. On this memory stick I've managed to get
:04:01. > :04:05.hold of some people's most personal details. Details they would never
:04:06. > :04:12.have willingly given to a stranger. So how does it feel when someone
:04:13. > :04:19.knocks on your door, hello... And shows you they've got your very
:04:20. > :04:24.private information? I'm shocked. I'm absolutely shocked. I've bought
:04:25. > :04:31.the personal data of a dozen people from a list of you thousand offered
:04:32. > :04:36.for sale online by cybercriminals. I did it by visiting a part of the
:04:37. > :04:40.internet most of us never see. It's called the dark web. It's an online
:04:41. > :04:48.black market selling anything a criminal could want. That includes
:04:49. > :04:53.stolen data. James Lyne is one of the UK's top cyber security experts.
:04:54. > :04:57.Its his job to keep a watchful eye on this internet underworld. The
:04:58. > :05:02.Dark Web is a basically a term to describe all of the more illicit
:05:03. > :05:06.sites on the internet where cybercriminals and others go to
:05:07. > :05:10.trade information. To access it you need special software that keeps
:05:11. > :05:14.your identity anonymous. Why isn't it being shut down by the
:05:15. > :05:19.authorities? Well, the challenge is the internet is borderless. Laws are
:05:20. > :05:23.far more national. By the time police and others track down a
:05:24. > :05:26.particular operation, it's very easy for the cybercriminals to have
:05:27. > :05:29.jumped to the other side of the planet. How easy is it to get hold
:05:30. > :05:34.of the kind of material criminals want? Well, with the help of James
:05:35. > :05:41.I'm going to enter the hidden world of the Dark Web. The first thing you
:05:42. > :05:44.notice is how ordinary it looks. Professional looking, isn't it? It
:05:45. > :05:51.isn't what I was expecting from the dark web. It's like shopping for
:05:52. > :05:55.insurance. Look at what is on sale. Everything from fake passports and
:05:56. > :06:02.hard drugs... This guy is doing a special offer on heroin. To weapons,
:06:03. > :06:09.from tasers to sub-machine guns. Wow! Oozy with silencer.
:06:10. > :06:13.Unbelievable. Also up for sale are stolen credit card details and
:06:14. > :06:18.personal data. We have access to the credit cards, expiry dates. Full
:06:19. > :06:21.addresses and telephone numbers of every one of those individuals.
:06:22. > :06:28.Absolutely everything required to commit some fraud online. That took
:06:29. > :06:34.seconds. That's just as easy as doing your shopping online. Some
:06:35. > :06:39.people harvest this site day in and day out for hundreds or thousands of
:06:40. > :06:44.credit cards. You can buy them singly or as a job lot. The crooks
:06:45. > :06:49.want your feedback reasons. The last thing we want to do is put money in
:06:50. > :06:55.their pockets. Clicking the buy buttons is the only way we can
:06:56. > :06:59.verify the card details for sale are the real deal. We bought a list of
:07:00. > :07:05.people's credit card details, including the security codes and all
:07:06. > :07:12.at just ?5 each. We are using the information we've bought to warn the
:07:13. > :07:17.card holders, like 80-year-old Dave. You're details are on this criminal
:07:18. > :07:23.website. Here is your bank details. Mine? ! Yep. My you actual bank
:07:24. > :07:29.details are on there? If you look there. Yes. How the hell did they
:07:30. > :07:34.get that in I'm shocked. The suspicion is that this website could
:07:35. > :07:35.be based in Russia, but the actual criminals trading on it could be
:07:36. > :07:44.anywhere. You have frightened me. Sorry about
:07:45. > :07:49.that. No, you helped me out a lot. This could go on forever. You do
:07:50. > :07:53.need to warn your bank that your details have been stolen. When you
:07:54. > :07:57.Levi will be strabth on to them. I can assure you that. Build we con
:07:58. > :08:01.tanthed all the people whose card details we bought and alerted the
:08:02. > :08:06.National Crime Agency to what we found. We also went back onto the
:08:07. > :08:13.Dark Web to tell the criminals who we really are. No surprises, they
:08:14. > :08:16.didn't reply. Just so you know, we are going to delete all of the
:08:17. > :08:21.personal information on here to make sure it doesn't fall into the wrong
:08:22. > :08:29.hands. Like anybody, Dave individual and his wife were stunned there. For
:08:30. > :08:38.tips to stay safe online we have put tips on there. To shine some light
:08:39. > :08:46.on this mist steerious subject is author of The Dark Net Jamie
:08:47. > :08:52.Bartlett. -- mysterious. Where did it come from A US government
:08:53. > :08:56.document, US Navy intelligence wanted a way to allow their spies to
:08:57. > :08:59.go online without giving away their location. To stay anonymous. You
:09:00. > :09:04.understand why. A couple of years after that, a decade ago or so, they
:09:05. > :09:09.opened sourced this. Made it available to anyone. A way to browse
:09:10. > :09:13.the net with a web browser who it encrypts your traffic and bounces it
:09:14. > :09:19.around computers around the world. You can go online without anyone
:09:20. > :09:22.knowing where you are. That is brilliant actually for civil
:09:23. > :09:28.liberties groups and journalists. It's run by a charity of civil lib
:09:29. > :09:33.rity people who believe in privacy and lack of censorship. Over the
:09:34. > :09:40.last few years criminals have migrated there. They see the
:09:41. > :09:46.benefits of staying hidden. How do the users not get ripped off? Some
:09:47. > :09:51.do. People get scammed, as they call it, very often. As you saw in that
:09:52. > :09:57.piece, they are like professional markets. Like Amazon or eBay. They
:09:58. > :10:01.work in the same way. The users reviews, for example, mean consumers
:10:02. > :10:05.who go there have some way of giving feedback to the vendors who try to
:10:06. > :10:11.get a feedback score. You will go back to them again. It's a highly
:10:12. > :10:16.competitive and very creative place. They use clever ways of payment with
:10:17. > :10:23.bitcoin toic make sure they are hidden as well. It's a very, very
:10:24. > :10:27.competitive marketplace. That is why there is a level of consumer
:10:28. > :10:31.protection. From those good points you talked about earlier. Do you see
:10:32. > :10:36.this as the future, the way it is going if you want to remain private
:10:37. > :10:41.in what you do online? Yes, actually. The internet changes very
:10:42. > :10:45.often. Every decade or so it changes what it is about. We never imagined
:10:46. > :10:50.it would be like how it is now. Evolves. I think the internet is
:10:51. > :10:54.starting to change. People are getting worried about their privacy.
:10:55. > :10:59.About what happens to their data. You saw what happened to that
:11:00. > :11:04.person's credit card details. Yes. More of and more of us live so much
:11:05. > :11:10.of our lives online it's places like the dark net where people care so
:11:11. > :11:13.much about privacy, using encryption and anonymous browsers that I can
:11:14. > :11:17.see lots of people will start using that. It will go mainstream because
:11:18. > :11:21.people are worried about what happens to their data. Data
:11:22. > :11:26.protection. Do you see it as a good or scary place? It's both. It's
:11:27. > :11:33.quite scary when you spend time there. It isn't only used by
:11:34. > :11:36.criminals. No. Whistleblowers and civil liberty activists and
:11:37. > :11:41.journalists like myself rely on it too. It keeps us safe. You can't
:11:42. > :11:45.have one without the other. If you build this software to keep the good
:11:46. > :11:48.guys safe and private, the bad guys are always going to use it as well.
:11:49. > :11:54.I'm afraid, we will have to live with that. Thank you, Jamie. Hope to
:11:55. > :11:58.see you again with more good advice and help. Thank you.
:11:59. > :12:00.Anglers on the river Avon in Hampshire have been hit
:12:01. > :12:04.They're catching too many fish And they're upset about it.
:12:05. > :12:08.Tommy Sandu packed his fishing rod and cast off to find out why.
:12:09. > :12:15.On a beautiful day like today what could be better than casting a line
:12:16. > :12:20.into the clear waters of the River Avon. Anglers here in Hampshire
:12:21. > :12:26.aren't happy. Not because there aren't any fish, quite the opposite.
:12:27. > :12:29.Something like 60,000 edible rainbow trout have appeared in this river
:12:30. > :12:35.behind me. Causing the local fishermen the unusual problem of
:12:36. > :12:38.having too many to catch. Andy Brown run as local tackle shop. He is not
:12:39. > :12:43.seeing the funny side of the situation. How did they get there?
:12:44. > :12:47.They have escaped from a trout farm. The anglers are catching one after
:12:48. > :12:54.another. After the first sort of 10-15 the noveltiy wears off. There
:12:55. > :12:58.are so many your cat can eat and you can put on the BBQ. They will attack
:12:59. > :13:05.the fry on in the river. The baby fish? The juvenile fish spawned this
:13:06. > :13:12.year. The trout will prey on them and eat them. We are telling people
:13:13. > :13:16.to catch them, take them home, give them to neighbours and get them out
:13:17. > :13:21.of the river. How much have you caught? 42 trout in three hours.
:13:22. > :13:25.Maybe I can catch fish. I have never fished before I should find this
:13:26. > :13:34.easy, shouldn't I? Yeah. No problem. Let's get some gear. Right, I've got
:13:35. > :13:40.my gear. Let's go and get some trout. Down by the river bank I meet
:13:41. > :13:43.local fisherman Jim who is struggling to overcome the
:13:44. > :13:50.disappointment of catching fish? To be honest, they are a plague. A real
:13:51. > :13:57.plague. Fishing hell. Why? The general angler wants to catch his
:13:58. > :14:02.species, but these are so envasive it's stopped me from fishing here. I
:14:03. > :14:08.live here and this is my local water. I would pop down here two,
:14:09. > :14:12.three, four times a week. It has stopped me from fishing here now. I
:14:13. > :14:18.have to fish other parts of the Avon. I'm here to do my bit. Is this
:14:19. > :14:23.a good bit? As good as any. Bright and sunny. We will see if we can
:14:24. > :14:27.catch a trout. If there are that many in there, will even I be able
:14:28. > :14:31.to catch one? It's stuck in my finger! I don't think that is
:14:32. > :14:36.supposed to happen. It's not as easy as it looks. Maybe I need to rely on
:14:37. > :14:40.Jim's skills. When he gets another bite, I manage to land it. Watch
:14:41. > :14:46.this. Here it comes. I can feel it pulling. What is that? What is that?
:14:47. > :14:56.That is a trout. I've got my first trout! 60,000 minus one, doing my
:14:57. > :15:04.bit for the river. Just a few more to get. You never forget your first
:15:05. > :15:11.trout, Tommy! What. Is that a thing? Maybe. It is now. Let us move on to
:15:12. > :15:18.The Rebel. It starts tonight. Your sitcom on Gold. You play henny
:15:19. > :15:23.Palmer who lost his wife and discovered his rebellious side. Some
:15:24. > :15:27.would describe him as Victor Meldrew on steroids. How do you see him?
:15:28. > :15:31.He's a very, very angry man. The thing that made him so angry is a
:15:32. > :15:35.feeling, I think a lot of people have this feeling at the age of 70,
:15:36. > :15:40.as he, is something like it, at retire am age, they have had their
:15:41. > :15:45.life stolen from them. They have spent 40 years of earning, of being
:15:46. > :15:49.serious, proper fathers and husbands and all the rest of it. Then
:15:50. > :15:53.suddenly they think - my life is about to be over. I haven't actually
:15:54. > :16:00.lived. The life he wanted to live was the life he lived as an
:16:01. > :16:07.18-year-old. He thought the world was changing for the better. That it
:16:08. > :16:09.was going to be a world of poets and singers and dope smokers. Heavily
:16:10. > :16:20.into dope. So he's not much like Victor
:16:21. > :16:25.Meldrew! So, Anita, where do you come in? Well, I play Margaret, who
:16:26. > :16:30.lost her husband a couple of years ago and she works as a volunteer in
:16:31. > :16:34.the local charity shop, where Henry comes in to have a look for the odd
:16:35. > :16:41.little waistcoat, jacket, hoping to pick one up quite cheap, and she's
:16:42. > :16:47.got a bit of a penchant for Henry, so she keeps things are signed --
:16:48. > :16:58.keeps things aside for him, hoping that one way she could set her cap
:16:59. > :17:07.that way. Bill, you're quite hip? I'm kind of the other side of the
:17:08. > :17:10.coin to the Mod gang, I'm the laid-back old hippy who's constantly
:17:11. > :17:14.looking for that new experience of light that never quite came. He is
:17:15. > :17:21.finding it now, he's finding it now, he's finding it, just as Henry is.
:17:22. > :17:25.So it's the other side of the same coin, we've been through the same
:17:26. > :17:29.decades and we've reached this one with a particular slander on life.
:17:30. > :17:36.Let's have a look at a scene that three of you are in, set in
:17:37. > :17:40.Margaret's charity shop. Peace, man! Margret, don't move, I want to
:17:41. > :17:46.remember you like this, standing there are amongst the old footwear.
:17:47. > :17:51.You dreadful man! I try my best! What can I do for you? I tell you
:17:52. > :17:58.what, I'm looking for a stress toys for my gerbils, have you got
:17:59. > :18:05.anything? How about this? ?1. Henry, that might make my gerbils even more
:18:06. > :18:09.neurotic. Goodness. What do you think? Well, it's like... It's
:18:10. > :18:24.terrible. So, this series is all kind of built
:18:25. > :18:31.on a cartoon? Amazing, none of us read, we're not nearly old enough to
:18:32. > :18:38.read! Hang on, we said you were a fan, Bill. Written and drawn by
:18:39. > :18:43.Andrew Burch. Andrew has very kindly given us this, of your experience on
:18:44. > :18:47.The One Show tonight. We will put it online as well, so you can have a
:18:48. > :18:53.look. We've got three. Thank you, they are lovely! It was interesting
:18:54. > :18:58.working with a writer in this commit you found it quite fluid, did you
:18:59. > :19:03.not? One of the joys... Because it's such a strong visual image, they're
:19:04. > :19:11.very masculine, junkies figures, even Anita! -- mass killing
:19:12. > :19:23.masculine chunky figures. He's not forcing a script on us. He was
:19:24. > :19:30.certainly very open to changes. The director, unusually, directors of
:19:31. > :19:33.comedy is often have very short timescales and they have to get it
:19:34. > :19:37.in the can and all that, but he really opened it out all of us, so
:19:38. > :19:43.we all made it together, which was fantastic and joyful. And Andrew was
:19:44. > :19:48.around, it's very personal to Andrew. Andrew's dad was a man not
:19:49. > :19:55.exactly like Henry Palmer but a man who just at the age of 70 started
:19:56. > :19:58.speaking in the way he started speaking in Anglo-Saxon, basically!
:19:59. > :20:04.Four letter words started coming out of this man's mouth that he had
:20:05. > :20:07.never heard before! His wife had died and he had been brought up by
:20:08. > :20:14.his mother very closely, the wife was very dominant and then she died,
:20:15. > :20:19.and suddenly this man was free! That what it's about, freedom, wanting
:20:20. > :20:22.freedom again. Well, the Rebel starts 10pm tonight on Gold.
:20:23. > :20:30.The question is, have you got a guitar in the garage, a lute in the
:20:31. > :20:37.loft or even a bass soon in the back room? Sounds wrong! So many Beeb
:20:38. > :20:43.will start learning an instrument, they give it up when they are young
:20:44. > :20:48.and they don't try it again. Richard has taken on the challenge of taking
:20:49. > :20:54.five amateur musicians and making them into a quintet of maestros. As
:20:55. > :21:00.the BBC's Get Playing season shines a light on amateur music and invites
:21:01. > :21:03.you to go online and play with a virtual orchestra, The One Show had
:21:04. > :21:07.the bright idea that we could put together our own band of budding
:21:08. > :21:11.musicians. I have taught music in schools and I play a broad range of
:21:12. > :21:14.instrument -- broad range of instruments but this latest
:21:15. > :21:19.challenge could be one of my toughest gigs yet. Can I take five
:21:20. > :21:23.The One Show presenters of different levels of musical ability and turned
:21:24. > :21:30.them into a top winter in just two weeks? -- top quintet. With the kind
:21:31. > :21:35.of musical talent I have got to play with, what could possibly go wrong?
:21:36. > :21:40.In The One Show quintet, I will be on the fiddle. Angelica Bell will be
:21:41. > :21:50.laying cello. Alex Riley thinks he's going to be rocking guitar. We have
:21:51. > :21:51.Miranda and her magic flute. And Christine walked and has dusted off
:21:52. > :22:04.her recorder. Our musical mission, to play a piece
:22:05. > :22:12.of composed music in harmony in just two weeks. We have a range of
:22:13. > :22:17.abilities, from Alex... I've never met Alex until today. He gets
:22:18. > :22:22.distracted quite easily! Miranda, on the other hand, is very experienced.
:22:23. > :22:25.I was playing piano from about the age of six, then I did recorder. I
:22:26. > :22:33.started the flute at the age of about eight or nine. The only thing
:22:34. > :22:39.I really one was a Young Musician of the Year, vision. With instruments
:22:40. > :22:42.tuned, it's now time to learn to play.
:22:43. > :22:52.CHUCKLES When he played the song I thought he
:22:53. > :22:59.had got it mixed up, because why on earth would we be doing an opera?
:23:00. > :23:03.Carmen? We're going to play one of opera's most famous arias, the
:23:04. > :23:10.Toreador song. We're going to perform publicly,
:23:11. > :23:14.quite an intimate venue, called Trafalgar Square! So essentially
:23:15. > :23:19.we're just going to be busking? It's for charity, for children in need.
:23:20. > :23:26.The tricky bit would be learning the music. I've written a version of the
:23:27. > :23:32.score for the instruments. Christine has a problem. It's her eyesight,
:23:33. > :23:36.she can't see the notes, so I have super-sized her sheet music. Oh! I
:23:37. > :23:44.can see it now instead of squinting and guessing. I think Alex and I are
:23:45. > :23:48.similar but the others can play! It's so flipping obvious, we are the
:23:49. > :23:52.mugs and they are the players! I started playing cello when I started
:23:53. > :23:57.at secondary school. It was a time when I was finding my creativity and
:23:58. > :24:00.when I played the cello when I was younger I didn't practice, it didn't
:24:01. > :24:04.sound good and that meant that I gave up. I want this to sound good,
:24:05. > :24:07.I want this to be a great experience. I want to get them all
:24:08. > :24:09.together, play it through and then we have got a benchmark we can go
:24:10. > :24:29.from. They are all fantastic one show
:24:30. > :24:32.presenters but playing music live is a bit of a different thing. I'm
:24:33. > :24:36.quite worried we might have that domino effect where one goes wrong
:24:37. > :24:44.end it puts off the next person. Well, it's close! Ish! I'd say it's
:24:45. > :24:50.just about everyone going home and doing masses of practice. It's all
:24:51. > :24:54.right in the rehearsal room, but a live performance? Let's wait and
:24:55. > :24:58.see. We're on the edge of our seats here but we will see how they get on
:24:59. > :25:14.a little bit later. We're very pleased to welcome someone special.
:25:15. > :25:23.He's called Jeff Wrightington. -- Geoff Whittingham. He was overweight
:25:24. > :25:26.and had been diagnosed with type two diabetes. Since then he has battled
:25:27. > :25:36.back to full fitness with the help of his two sons and you can see
:25:37. > :25:41.their story on Fixing Dad. I don't enjoy it! I don't enjoy cooking.
:25:42. > :25:49.He's sat in his ways. I want to make you learn how to do it. Bring me out
:25:50. > :25:56.of my comfort zone? Yes. Why? Really shouldn't be doing this but we need
:25:57. > :26:01.you to step up to this now. How many millions of pounds did we spend on
:26:02. > :26:05.this thing? At the end of the day it's because I'm eating the wrong
:26:06. > :26:07.stuff. All you've got to do is get out and do something like this and
:26:08. > :26:14.you can get through it. Unbelievable!
:26:15. > :26:20.APPLAUSE It's absolutely fantastic to see the
:26:21. > :26:25.three of you again. Geoff, we've met a couple of times. The first time
:26:26. > :26:29.you came on, you had sort of thrown in the town, in a sense, hadn't you?
:26:30. > :26:33.That was the beginning of the boys putting you back together, so to
:26:34. > :26:37.speak. Now you're fighting fit, a picture of health. But you have had
:26:38. > :26:42.a major setback in the last year? Yeah. Everything seemed to be going
:26:43. > :26:46.really well. I was feeling so much better all around, but because of
:26:47. > :26:53.the project itself, I was sent for a scan in Newcastle and the scan
:26:54. > :27:00.actually revealed cancer in my kidney. Basically, it hadn't been
:27:01. > :27:04.found at that time but I know now, it would have been found by now and
:27:05. > :27:08.could be at stage two, stage three. It's just thanks to the boys that
:27:09. > :27:13.that did happen. The lads helped you through it and you had the
:27:14. > :27:18.procedure. What's the situation at the moment? All clear with the
:27:19. > :27:22.cancer. Brilliant. It's just now purely concentrating on what we've
:27:23. > :27:25.been doing with the diabetes. On the Type two diabetes subject, you were
:27:26. > :27:34.20 stone at the start. You would never believe it now. Trim now,
:27:35. > :27:36.Geoff, trim. I can do anything now. The documentary is incredibly
:27:37. > :27:43.enlightening. You've got these big board and York putting up all these
:27:44. > :27:49.ideas to try and fix your dad, and a stubborn chap! He is! I think the
:27:50. > :27:53.whole project was driven by just the deluded hope. We didn't find
:27:54. > :27:56.anything online that gave us any kind of encouragement, it was just
:27:57. > :28:00.really, we said we are going to fix this. We looked for everything, we
:28:01. > :28:03.were positive about it and we said we are going to find the case
:28:04. > :28:09.studies that have and we came across some reversal Case studies and we
:28:10. > :28:14.said we are going to try our hardest. You broke it down to
:28:15. > :28:17.fitness, nutrition... That is what we decided to break it down to,
:28:18. > :28:22.because the mind is a very important part of it. Part of -- partly the
:28:23. > :28:26.stubbornness, partly this idea ingrained of what he thought was
:28:27. > :28:31.healthy food. The big thing was the big goal that we set. That's a key
:28:32. > :28:35.thing to get people motivated. The exercise was the motivation and the
:28:36. > :28:41.nutrition side was incredibly important in getting him to not be
:28:42. > :28:45.on any medication now. To get off the medication, the nutrition was
:28:46. > :28:49.the way forward. The cycling was much more than just cycling for dad
:28:50. > :28:55.committed literally led to the renewed use of his own two feet. He
:28:56. > :29:00.was able to get out, enjoy things. It was everything. How much cycling
:29:01. > :29:06.are you doing now? I'm out every day. A minimum of ten miles a day.
:29:07. > :29:10.We don't recognise you since the first time you came in! Completely
:29:11. > :29:14.different. But you're not finished yet, are you? You've done all this
:29:15. > :29:20.stuff and it's been a two-year journey. What's next, boys? The big
:29:21. > :29:27.thing is because dad is off all his diabetes medication now, we think he
:29:28. > :29:31.is an inspiration to a lot of people and we hope the film can inspire a
:29:32. > :29:37.lot of people to do the same. It does. We really hope it does and we
:29:38. > :29:41.hope people can do it. We're looking at a legacy for this, inspiring
:29:42. > :29:45.other people to do the same for their families, working closely
:29:46. > :29:48.together. We're working with Prudential Royal London together who
:29:49. > :29:54.are going to kick that off with a fixing challenge, which is going to
:29:55. > :30:00.be balloted with London 2017, we're going to beat men touring for Lucky
:30:01. > :30:06.Families! Who have got somebody to fix themselves? Yes, with health
:30:07. > :30:15.issues, who needs some help, really. We can just give them a viewpoint is
:30:16. > :30:18.from our experience. If you go to Prudential online, people will be
:30:19. > :30:23.able to enter for next year. I bet you are sober pleased that you made
:30:24. > :30:26.that packed with your son is where you said I will do whatever you tell
:30:27. > :30:34.me for the next year? Absolutely. There's no way I am now otherwise.
:30:35. > :30:35.The documentary is so inspiring. Fixing Dad, this Sunday at Tenby on
:30:36. > :30:43.BBC Two. Angela Scanlon will be here soon
:30:44. > :30:45.telling us about the brand new high-powered Robot Wars which is
:30:46. > :30:50.back bigger and Bader than ever before. First, Ruth Goodman has
:30:51. > :31:02.discovered a motor industry pioneer who we think would do very well in
:31:03. > :31:11.robot wars. Carl Benz, Henry Ford, names connected to the automobile.
:31:12. > :31:20.There was a car designed and built entirely by women. The Galloway car
:31:21. > :31:26.was the brain child of Dorothy Pullinger. She was the first
:31:27. > :31:29.successful female car manufacturer after managing 7,000 women in a
:31:30. > :31:36.munitions factory during the First World War. This old factory behind
:31:37. > :31:42.me in Scotland Dorothy and her women mechanics set up their first
:31:43. > :31:48.assembly line. Staffed entirely by women, her company designed,
:31:49. > :31:53.manufacturered and assembled 4,000 Go low way Cars over an eight year
:31:54. > :32:02.period. Becoming successful engineer wasn't easy. Dorothy's father was a
:32:03. > :32:08.well-known vehicle industry, Thomas Charles Pullinger who believed a
:32:09. > :32:13.woman's place was in the home. Yvette is his granddaughter. I don't
:32:14. > :32:16.think quite honestly my grandfather stood a chance against my mother. I
:32:17. > :32:25.think she would have just worn him out. Having proved her management
:32:26. > :32:29.skills in the war, Dorothy's father eventually made her Managing
:32:30. > :32:34.Director of Galloway Cars. Together, they introduced progressive work
:32:35. > :32:39.policies, such as installing a swimming pool and tennis courts on
:32:40. > :32:43.the roof of her factory. More importantly, Dorothy gave women a
:32:44. > :32:50.new kind of future. She believed they could do anything a man could.
:32:51. > :32:55.They had a three-year apprenticeship. She didn't see women
:32:56. > :33:00.should be doing the washing and the laundry and the ironing. It's a bit
:33:01. > :33:07.dull. Dorothy's company logo even adopted the colours of the
:33:08. > :33:12.suffragettes. She designed everything in the Galloway car with
:33:13. > :33:16.women in mind. She standardise what had is arguably one of the most
:33:17. > :33:27.important features of a car - one that we all take rather for granted
:33:28. > :33:34.today. Louise is Kew curator of transport at the National Mew
:33:35. > :33:38.#15i78s Scotland. Although, for instance, rear view mirrors had been
:33:39. > :33:44.used before. She introduced them as standard. An interesting book
:33:45. > :33:49.written in 1909 where she suggests taking your mirror off your dressing
:33:50. > :34:00.table and holding it up to see what is going on behind you. Oh, my
:34:01. > :34:05.goodness. One handed. She lowered the dashboard so that you could see
:34:06. > :34:09.over it better. The seat was fully adjustable. The gear stick, the
:34:10. > :34:16.inside is much, much easier. You are not reaching outside the car. It was
:34:17. > :34:21.probably with women drivers in mind. By the early 20s though men had
:34:22. > :34:27.returned from the war and a woman's place was firmly back in the home.
:34:28. > :34:34.She was told all the time - you're doing a man out of a job. You should
:34:35. > :34:39.do a woman's job. Dorothy's answer - to start a company that was of
:34:40. > :34:43.little interest to men. A laundry business. She found a form of
:34:44. > :34:52.engineering that the men didn't want? Therefore as a Exactly. Woman
:34:53. > :35:01.she was free to run it with no benches. Inter ference. She wouldn't
:35:02. > :35:08.know what to do. Next time you look in your rear view mirror remember
:35:09. > :35:13.it's innovators like Dorothy Pullinger who made it all possible.
:35:14. > :35:21.I love that film. Isn't it great? Up your street. From building cars to
:35:22. > :35:25.building bots. It's the long-awaited and hugely anticipated return of
:35:26. > :35:30.Robot Wars. Slightly terrifying. We saw it on the telly 12 years ago.
:35:31. > :35:35.Hugely popular. What has changed then for this brand new series?
:35:36. > :35:40.Visually the first thing you will see the difference is a giant
:35:41. > :35:44.bulletproof box. The battles happen inside that. #24e are more powerful.
:35:45. > :35:52.The weight restrictions have gone up. They are heavier. Batteries are
:35:53. > :35:59.lighter. They have more fiercest. They have been rebuilt? Yes. They
:36:00. > :36:04.are bigger, better. Most are double the size that they were originally
:36:05. > :36:11.in the previous series. They are scary. They are quite terrifying.
:36:12. > :36:19.Absolutely. Here is the all new Robot Wars. 3-2-1.
:36:20. > :36:34.The big question here, who can beat the mighty Razor. Oh, out come the
:36:35. > :36:39.bots. Mayhem here. It will come out and wedge in underneath and flip
:36:40. > :36:48.them up-and-over. They have activated the pit. Down goes the
:36:49. > :36:56.pit. Someone could be on the edge of doom... It's like a Gladiator arena.
:36:57. > :37:02.They screamed it, "in the pits" they get into it. Scarily so. It says as
:37:03. > :37:06.much about the people who build the robots as the men Absolutely.
:37:07. > :37:11.Themselves. It's metal on metal in the arein. In the pits watching
:37:12. > :37:16.people helping each other having torn lumps off each other inside the
:37:17. > :37:21.the arena. They get on board lending each other motors and fixing up. One
:37:22. > :37:29.of the robots was destroyed. Torn to pieces. There was 15 competitors all
:37:30. > :37:35.hands on deck helping them out. It was quite sweet and family kind of.
:37:36. > :37:40.The camaraderie comes from the team we have here. Gabriel and hes mill.
:37:41. > :37:45.Dad and daughter. Your connection to Robot Wars goes way back? The first
:37:46. > :37:54.time we went on Robot Wars was 2001 #. During that time when Esme's mum
:37:55. > :38:01.was pregnant with Esme. We were knocked out. On the way back - Mum
:38:02. > :38:09.was sitting safely. She was in the crowd In the pit, getting excited.
:38:10. > :38:14.Maybe too excited. On the way home her contractions started. No Esme
:38:15. > :38:18.was born two-days later. Born 11 weeks early. She spent a long time
:38:19. > :38:25.in hospital. Very small. Now you are on the team. Now on the team. How do
:38:26. > :38:32.you divide duties then? You look after the weapons, don't you, Esme,
:38:33. > :38:37.in these robots? Yeah. I saw my dad on it before. When I heard the new
:38:38. > :38:42.series was coming back he asked me if I wanted to be on the team I said
:38:43. > :38:47.- I'd love to be on the team much he was like - would you like to drive
:38:48. > :38:54.the weapons? At first I was nervous because I'd never done it before.
:38:55. > :39:01.Yeah. How much of Esme's inheritance have you spent on your robot, Sabre
:39:02. > :39:09.Tooth? The actual cost without any time is ?5,000. Goodness me. A lot
:39:10. > :39:17.of money. A lot of money. Where does it live in the garage? No, no. So...
:39:18. > :39:23.Oh, dear. There is another story. Sabre Tooth lives in the spare
:39:24. > :39:30.bedroom in our home. Your sister moved out. Yeah. Sabre Tooth has
:39:31. > :39:35.taken over the bedroom. Polly who was on the team, she moved out and
:39:36. > :39:40.Sabre Tooth moved in. Tucked in in the bed. We tuck in every night. As
:39:41. > :39:44.we mentioned earlier the house robots are back, bigger and better
:39:45. > :39:50.than ever. Go on. Where should we start. Matilda, the only female
:39:51. > :39:59.house robot. I thought Esme may have been named after Matilda if they she
:40:00. > :40:04.were die hard. Killalot. They patrol the arena. To keep law and order, if
:40:05. > :40:11.you like. They also act, you know, as moving hazards. There is the
:40:12. > :40:16.flames. They are hazards and competing robots will feed their
:40:17. > :40:21.opponents to Sir Killalot who can do a quicker job ending them than they
:40:22. > :40:27.could themselves. It becomes very, very tactical. They are being tame
:40:28. > :40:32.now because they can't go nuts. Snoop they do go nut. Our arena is
:40:33. > :40:37.too small. You filmed a demo. It wouldn't be appropriate here. We
:40:38. > :40:43.filmed a demo earlier on. Just a little one. Shall we have a look. Do
:40:44. > :40:50.you recognise that, Matt Sorry, yeah. There is my wife. That is a
:40:51. > :40:57.painting in your house, isn't it, of the BFG? Yes. Yes, it is. He got the
:40:58. > :41:04.death stare that Killalot has. Hang on. What we did with the particular
:41:05. > :41:11.picture was seeing how good Killalot was at destroying. That was painful.
:41:12. > :41:16.Yeah, great. That's my picture. Thanks ever so much. Why? Thank you.
:41:17. > :41:19.It was important to show these people put their heart and soul into
:41:20. > :41:29.things they really love theses machines. Yeah, yeah. Destroying it
:41:30. > :41:34.gives you a sense - Don't worry, it is's not the proper one. It's a
:41:35. > :41:38.lookalike. Nicola has - I wondered what was going on, you people. Good.
:41:39. > :41:43.What is happening? Your picture is safe. That is all you need to know.
:41:44. > :41:53.It was fine. A demo. It didn't go quite to plan, did it? Later in the
:41:54. > :41:57.show we have a Robot Wars challenge, they will go head-to-head against
:41:58. > :42:02.the daddy of them all Sir Killalot. I don't know what is happening. Have
:42:03. > :42:07.I got a picture or not? It's safe. Confused. 100%. Robot Wars returns
:42:08. > :42:12.on Sunday, 8.00pm on BBC Two. Who would have thought that a small
:42:13. > :42:15.budget British film set in, of all places, a launderette
:42:16. > :42:17.would compete for a Oscar against the likes of Platoon,
:42:18. > :42:20.Hannah and Her Sisters and Crocodile But it did happen and now one
:42:21. > :42:24.of it's stars, Gordon Warneck, has arranged a very special One Show
:42:25. > :42:34.screening to see if it It was low budget, shot in six weeks
:42:35. > :42:39.as a TV movie and never intended to be a cinematic smash. This 1985
:42:40. > :42:45.Oscar-nominated British classic became just that and had a cult
:42:46. > :42:50.following for more than 30 years. I played one of the leads, Omar. My
:42:51. > :42:57.Beautiful Launderette tells the unlikely love story between a former
:42:58. > :43:01.National Front punk and the son of a Pakistani immigrant navigating the
:43:02. > :43:08.ideals of Thatcher's Britain. In this damn country, which we hate and
:43:09. > :43:11.love, you can get anything you want. It's all spread out and available.
:43:12. > :43:17.That's why I believe in England. Fresh out of drama school, this was
:43:18. > :43:20.my first film. With subject matter challenging sterotypes, this was a
:43:21. > :43:30.project I really wanted to be involved in. Seduced by his uncle's
:43:31. > :43:34.promises of getting rich, Omar gets involved with his families dodgy
:43:35. > :43:38.dealings. He is harassed by a gang of punks who blame Asians for taking
:43:39. > :43:46.their jobs. Their leader is childhood friend, Johnny, played by
:43:47. > :43:53.Daniel Day who flirted with -Lewis fascism since they saw each other I
:43:54. > :43:58.read it and said this is really good. That is how we met. He had a
:43:59. > :44:01.father from Pakistan and a white English mother. I was white
:44:02. > :44:07.middle-class. He taught me everything. He taught me about mim
:44:08. > :44:10.grant life. I thought the critique of Margaret Thatcher was the
:44:11. > :44:16.important thing. I didn't notice there would be gay themes that would
:44:17. > :44:24.echo around the world. Despite Johnniy's racist past they rekinkle
:44:25. > :44:35.their relationship -- Johnny. They turned it into a think of drama and
:44:36. > :44:36.class, Powders. We were part of the do-it-yourself generation surrounded
:44:37. > :44:54.by the spirit of free enterprise. I loved the script. It was ambiguous
:44:55. > :45:00.and dark and questionable. I found it very thrilling. Cherry has an
:45:01. > :45:04.attitude she say, "I'm sick of hearing about these in-betweens.
:45:05. > :45:07.People should make up their minds where they are." You have to side
:45:08. > :45:11.with us or side with them. The racism comes from both sides then.
:45:12. > :45:14.The reaction to the film was about audiences coming faces to face with
:45:15. > :45:18.something that wasn't what they norm Al thought of as an immigrant
:45:19. > :45:24.community. One of the things I think that did bewilder people was the
:45:25. > :45:28.fact that you were talking about a wealthy middle-class Pakistani
:45:29. > :45:33.family effectively. Yes, it's been proven over and over in Britain's
:45:34. > :45:42.social history that immigrants are very aspiration Al. Powders a
:45:43. > :45:52.Portuguese restaurant. Around the corner is Dirty Laundry. A perfect
:45:53. > :45:59.place for tonight's screening. More than three decades on what will our
:46:00. > :46:08.group make of the movie? It has relevance irrespective of the fact
:46:09. > :46:15.it was done 30 years ago. It's relevant today. We had to deal with
:46:16. > :46:19.discrimination. I'm a professional businessman not a professional
:46:20. > :46:26.Pakistani. We met in the launderette at the student We got drunk union.
:46:27. > :46:30.In that launderette. As an Asian man growing up and thinking about my
:46:31. > :46:35.ethnicity and how it affected my only development as a gay man. I
:46:36. > :46:40.loved it. It was like the first time I felt I was represented on screen.
:46:41. > :46:44.It made me feel like - om, my God things are happening then. I can
:46:45. > :46:49.feel relevant now. New audiences need to be exposed to that material.
:46:50. > :46:55.My Beautiful Launderette's commitment to tell the stories of
:46:56. > :46:59.minoritieses means its message endures over 30 years on and still
:47:00. > :47:07.resonates with contemporary Britain today.
:47:08. > :47:16.That film tackled the issue of being gay in the 80s. The 80s was when you
:47:17. > :47:24.decided to come out yourself, Simon. Is it right that people advised you
:47:25. > :47:29.not to? Oh God, yes. When I went to the national theatre in the 70s I
:47:30. > :47:36.was interviewed for the first time in my life by national journalists
:47:37. > :47:40.and so on and they would say, so, you've got a girlfriend, have you? I
:47:41. > :47:46.would say no, I'm gay, and they never printed it at all. I realised
:47:47. > :47:52.that the British press wanted to find me out rather than me to tell
:47:53. > :47:55.them. So I carried on doggedly and valiantly saying this, I did
:47:56. > :48:02.Shakespeare's sonnets and the directors wrote a piece about it for
:48:03. > :48:09.the new statesman saying Simon and I worked on this, me as a heterosexual
:48:10. > :48:12.man and him as a homosexual man, and the national theatre department
:48:13. > :48:16.deleted the phrase. They told me it would be the end of my career. The
:48:17. > :48:24.only way I could actually come out was to write a book. In which I
:48:25. > :48:29.actually said, I just said "I'm gay". It wasn't an issue book, it
:48:30. > :48:33.wasn't about being gay, I just said, I'm gay. That has always been the
:48:34. > :48:37.most important single thing anybody can do in that situation is just
:48:38. > :48:42.stand up and be counted and say yes, I'm gay, that's that. The T-shirt
:48:43. > :48:49.says it all, some people are gay, get over it. That's exactly my
:48:50. > :48:53.attitude. I'm not militant about it but I think everybody who is gay
:48:54. > :48:58.would be much, much happier if they came out. If people do come out,
:48:59. > :49:02.everybody understands that being gay is a perfectly normal thing, there
:49:03. > :49:07.are gay people in nearly every family in the land, businesses,
:49:08. > :49:11.shops, every walk of life there are gay people. And there have been,
:49:12. > :49:17.from the beginning of time. So let's just get used to it. And we have to
:49:18. > :49:21.say congratulations, Simon, because we know that you recently got
:49:22. > :49:28.married! I did. CHEERING AND APPLAUSE
:49:29. > :49:36.It was very, very lovely. And he is gorgeous! He is, very gorgeous. Even
:49:37. > :49:43.more gorgeous than that, actually! You had a honeymoon? We had a
:49:44. > :49:49.four-day honeymoon in Turkey. But life is a honeymoon now. That's so
:49:50. > :49:56.nice! We will hark back to the 80s if we can for a moment regards Anita
:49:57. > :50:00.Dobson and EastEnders, I'm sure people ask you this a lot but how
:50:01. > :50:04.does that chapter of your life relate to everything you've done? It
:50:05. > :50:08.changed everything it changed my career and my life. I would never
:50:09. > :50:11.have met my husband had I not been cast as that character. It changed
:50:12. > :50:14.my career because I went from being a jobbing actress that nobody had
:50:15. > :50:18.heard of to suddenly being on the front page of every newspaper for
:50:19. > :50:27.about three years! It was massive. We loved Angie. Last time we came
:50:28. > :50:31.into me you were talking about Dad's Army, Bill. You told us then that
:50:32. > :50:35.you nearly turned the role down but today we discovered there was
:50:36. > :50:38.another film that you really did turn down. There's nothing more
:50:39. > :50:43.boring than actors telling you the films they turned down! You've still
:50:44. > :50:48.got the script? I have the script of this one to prove it. In 1978I got
:50:49. > :50:53.sent a very nice script, which you don't always get nowadays, you get a
:50:54. > :51:00.little bit on the computer with your name across, but I got a beautiful
:51:01. > :51:04.script for a film called Alien. I said oh, my goodness me, this is
:51:05. > :51:09.science fiction, I don't like science fiction! It's about a
:51:10. > :51:14.freighter going through space and something comes up... Nobody will
:51:15. > :51:18.watch it! Just tell Mr Scott I'm not turning up for the interview, and
:51:19. > :51:24.that was it. But I have still got that script. So if there's anybody
:51:25. > :51:32.watching, on the Internet, I still have it. You could sell that at
:51:33. > :51:37.auction. Get on the dark web! Earlier we saw Richard attempt the
:51:38. > :51:42.impossible, to create a quality quintet from some slightly musical
:51:43. > :51:48.members of our one show family. Well, it's time, everyone. It is in
:51:49. > :51:51.fact the moment of truth. How will their Carmen chorus go down in
:51:52. > :51:53.Trafalgar Square? We're all wondering.
:51:54. > :52:04.Two weeks ago I began turning this mob of The One Show presenters into
:52:05. > :52:13.a quintet. But it was clear we needed to practice. One, two...
:52:14. > :52:24.So, Christine and I managed to face time each other. I'm having problems
:52:25. > :52:29.with timing with some of this. If you write on your music "Long,
:52:30. > :52:34.short, long, short," I think that will really help. Like anything,
:52:35. > :52:38.playing in your bedroom is fine but when you actually come to play live,
:52:39. > :52:42.I am a bit concerned that this whole thing could still unravel.
:52:43. > :52:48.But ready or not, the time has come for our plucky players to face up to
:52:49. > :52:55.the challenge and perform for the Great Britain is public. -- great
:52:56. > :52:59.British public. I don't think I'm going to be nervous because there is
:53:00. > :53:02.safety in numbers, Trafalgar Square is an iconic place and I will be
:53:03. > :53:24.going in wanting to do well. One, two, three.
:53:25. > :53:38.This is the first time I've ever played a guitar in front of other
:53:39. > :53:47.people. Hopefully not the last! CHEERING AND APPLAUSE
:53:48. > :53:55.I thought they were very good, they did very well. Carmen, basking,
:53:56. > :54:01.intra- Albert Square! You can't get better than that! Marks out of ten?
:54:02. > :54:09.I would give it an 8.5. Top job, everyone! But The One Show producers
:54:10. > :54:13.are upping the ante. They want to know if our amateur musicians can
:54:14. > :54:20.cut it at an even higher level. I'm scared now! Read it out. You have
:54:21. > :54:30.been invited to play with the BBC concert Orchestra! BBC concert
:54:31. > :54:36.Orchestra. Ten night! Tonight? No way! We are out of our depth! Of
:54:37. > :54:43.course I haven't, I've only played with these four before! So, we're
:54:44. > :54:47.here. Whatever happens, this is going to be one of the most
:54:48. > :54:52.memorable experiences of their lives. We have some presenters from
:54:53. > :54:55.The One Show in the Orchestra tonight. We're not sure what to
:54:56. > :55:13.expect, but we're looking forward to it. And so we begin.
:55:14. > :55:24.I mean, just to be in it and to feel a part of it, it's just mind
:55:25. > :55:32.blowing. My solo was absolutely spot on, for two bars, I was part of the
:55:33. > :55:36.Orchestra! My dream has come true. Just feeling the music a bit better
:55:37. > :55:41.and being around such amazing people has made me feel like I want to be
:55:42. > :55:44.better. Music is not something you do by yourself, it's something that
:55:45. > :55:51.brings a lot of people together, that's what I love about it.
:55:52. > :56:05.LAUGHTER I think they will be recording The
:56:06. > :56:09.One Show theme tune before long! It was good until Christine did that on
:56:10. > :56:14.the record! BBC music lovers everywhere can join in the Proms
:56:15. > :56:21.celebrations. To find out how to take part, visit the get playing
:56:22. > :56:27.website. The deadline is the 27th of August, still time. Are you going to
:56:28. > :56:31.do it? Nobody wants to hear me on a violin, to be fair! If you thought
:56:32. > :56:35.that Robot Wars started on Sunday, think again! It's about to start
:56:36. > :56:39.right here and right now. Our top design team have built some
:56:40. > :56:44.state-of-the-art robots on behalf of tonight's guests, and they are about
:56:45. > :56:56.to do battle with the scariest robot on the planet, Sir Killalot! OK,
:56:57. > :57:03.Simon, you're going to be controlling Sir Callowbot! Anita,
:57:04. > :57:15.you're going to be in charge of the Dobinator! And then Bill, you're
:57:16. > :57:20.going to be in charge of Kill Patterson! Can they survive for a
:57:21. > :57:26.minute in our arena? All you have to do is avoid Sir Killalot. To be
:57:27. > :57:30.fair, Sir Killalot is not in a very good mood. I would get yourselves in
:57:31. > :57:34.position if I were you, because it's about to happen. Angela, any last
:57:35. > :57:38.words of wisdom? I think there absolutely doomed! Just go for it!
:57:39. > :57:48.OK, go! The Dobinator is often with a little
:57:49. > :57:59.kind of crawl. That's a bit underwhelming. Oh! No! He looked
:58:00. > :58:07.fearsome as always, but he's really going for it! OK, our hopes rest on
:58:08. > :58:13.Kill Patterson. Come on Kill, Patterson, get moving. I mean, to
:58:14. > :58:22.put this in perspective... CHEERING
:58:23. > :58:37.Kill Patterson... Keep rolling. You just have to survive this. 700
:58:38. > :58:42.kilograms. I don't know how much Kill Patterson ways, but my hunch is
:58:43. > :58:45.not very much. He's taunting him! Oh!
:58:46. > :58:58.They were absolutely annihilated! Build a year lasted the longest. He
:58:59. > :59:05.did, well done. -- Bill, you lasted the longest. The hair we are! That's
:59:06. > :59:16.all thanks to all our guests. Simon,
:59:17. > :59:23.Anita and Bill will star in The Rebel tonight on BBC Two. We will be
:59:24. > :59:36.back tomorrow with Simon Mayo. See you then. Goodbye.
:59:37. > :59:38.Hello, I'm Tina Daheley with your 90-second update.
:59:39. > :59:40.Theresa May has said Britain won't walk away from its friends
:59:41. > :59:44.in Europe as it negotiates its exit from the EU.