:00:15. > :00:16.Hello, and welcome to The One Show with me, Angela Scanlon.
:00:17. > :00:19.And, as always on a Friday, I've got myself a new co-host.
:00:20. > :00:22.I wonder what Brenda from Bristol would say about that?!
:00:23. > :00:32.Sorry, Brenda, but we're very pleased to have him here -
:00:33. > :00:33.it's journalist and restaurant critic Amol Rajan!
:00:34. > :00:48.Thank you, guys, thank you! You have had an intense week.
:00:49. > :00:50.You started the week on that side of the sofa.
:00:51. > :00:52.How does it feel to be on this side?
:00:53. > :00:57.I feel like I've gotten a promotion! And we have two brilliant guests, so
:00:58. > :00:59.I'm excited about that. Who else could we get for a man
:01:00. > :01:02.who loves eating good food but someone who knows how
:01:03. > :01:04.to make it! It's the master chef
:01:05. > :01:11.from MasterChef - John Torode! Now, I Demps want this to get
:01:12. > :01:17.awkward from the start, but... -- I do not want this to get awkward.
:01:18. > :01:23.What is your opinion on food critics, John? Careful! I think
:01:24. > :01:27.everybody should take note of what a food critic says, because they know
:01:28. > :01:32.their job. Absolutely. What a diplomat! I listened to everything.
:01:33. > :01:35.John's not the only master of his craft on the show tonight.
:01:36. > :01:36.providing the music, it's this man...
:01:37. > :01:41.# We bring the women and the cars and the cards out
:01:42. > :01:47.# Let's have a toast, a celebration, get a glass out
:01:48. > :01:49.Yes, Tinie Tempah there with his smash-hit single, Pass Out.
:01:50. > :01:52.And he'll be performing his latest single with the brilliant
:01:53. > :01:54.Jake Bugg later in the show. You're joking!
:01:55. > :01:59.If none of that tickles your fancy - stay tuned, because later on you're
:02:00. > :02:07.For many new mums, the prospect of returning to work after taking
:02:08. > :02:16.As a new dad, I can vouch that is true of many new dads as well.
:02:17. > :02:18.To see if all that worry is justified, Angellica's followed
:02:19. > :02:20.two mums preparing to swap the morning playgroup
:02:21. > :02:30.Approximately 500,000 new mums return to the workplace every year.
:02:31. > :02:33.And, as I know all too well, it can be a daunting prospect. Whether it's
:02:34. > :02:37.the thought of leaving your child, the fear of losing your position at
:02:38. > :02:40.work, or trying to figure out that all-important work- like balance,
:02:41. > :02:46.it's going to take some adjustment for all the family. She had a little
:02:47. > :02:50.sleep... We have asked two new mums from Manchester to keep video
:02:51. > :02:56.diaries as they prepare for the big day. Fashion by Gerry, whose
:02:57. > :03:00.daughter Cecily is nine months old. -- fashion buyer. I feel now I'm
:03:01. > :03:05.going to be OK on Monday, but it could get a Monday morning and I
:03:06. > :03:09.could be crying and a mass. Marketing manager Vicky, whose
:03:10. > :03:14.daughter Olivia is eight months old. I feel really sad, I feel really sad
:03:15. > :03:20.that in some ways it's over. But I believe it's the right thing to be
:03:21. > :03:23.doing. Along with almost three quarters of British families
:03:24. > :03:29.nowadays, they have both decided to use professional childcare whilst
:03:30. > :03:34.they are at work. Gerry's daughter Cecily is trying her first taster
:03:35. > :03:39.session. She did cry as soon as I handed her over, I can hear her
:03:40. > :03:44.through the window crying. So... We will see. But luckily, husband
:03:45. > :03:48.Alistair has a plan in place. I'm going to be the bad cop in the
:03:49. > :03:52.situation, really. I'm the one who drops are off, and Gerry will pick
:03:53. > :03:56.her up. Gerry is also concerned about how she will cope in the
:03:57. > :04:02.workplace. I am a bit worried about not being able to just stay until
:04:03. > :04:09.the job is done, especially because there lots of other women at my
:04:10. > :04:13.level that can stay. Fortunately for Gerry and Vicky, there are employers
:04:14. > :04:18.are very understanding. But sadly, that's not always the case. -- their
:04:19. > :04:21.employers. According to be equality and human rights commission, the
:04:22. > :04:25.number of women facing discrimination after maternity leave
:04:26. > :04:28.has doubled in the last ten years, and the National childbirth trust
:04:29. > :04:31.says 50% of new mums return to work sooner than they would like because
:04:32. > :04:37.they are worried about their job security. Rachel is one of the
:04:38. > :04:41.executive coaches at women returners, which helps women of all
:04:42. > :04:45.ages returned back to the workplace. So what advice would you give to
:04:46. > :04:50.anybody going back after having a baby? Have a think about the story
:04:51. > :04:53.that you are telling. So when you're introducing yourself, use language
:04:54. > :04:57.that would honour both you as a working person as well as you having
:04:58. > :05:04.a career break. Is there an answer to that eternal question of work-
:05:05. > :05:08.like -- life balance, how can we do it and be good at it? Small changes
:05:09. > :05:13.committed big difference, and remember it's not going to be
:05:14. > :05:17.perfect. -- small changes can make a big difference. The big day finally
:05:18. > :05:22.arrives, and it's an early start for Gerry. I'm a little bit sad, because
:05:23. > :05:26.Cecily wasn't awake before I left the flat. So I went in and gave a
:05:27. > :05:30.little kiss goodbye, I didn't actually get to see her this
:05:31. > :05:36.morning, so it's going to be a long day. Without seeing her. And three
:05:37. > :05:42.hours into the day, Vicky is still reflecting on her difficult morning.
:05:43. > :05:50.Really tough. I didn't cry too much. I won't lie, I was a little bit sad.
:05:51. > :05:55.It's like it's the end of an era, and that part of my life. And it's
:05:56. > :06:00.not just the separation from Olivia that Vicky has had to adapt to, as
:06:01. > :06:03.her boss explained. It's good to have Vicky back. There have been one
:06:04. > :06:06.or two changes to the business while she has been a waste of yellow I
:06:07. > :06:11.expected things to be exactly the same at work, but there have been a
:06:12. > :06:15.lot of changes which I have had to come to terms with. The day flies by
:06:16. > :06:20.for both mums, and before they know it is time to click the children
:06:21. > :06:23.from nursery. So we have just picked Cecily up from her first day at
:06:24. > :06:28.nursery, and she has had a brilliant day! She was smiling when we went
:06:29. > :06:32.in, so it seems like she's had a really good day, as have I, really.
:06:33. > :06:38.So far, so good, a great first day for everybody. It's been a couple of
:06:39. > :06:42.weeks since our mums first went back to work. I'm on my way to find out
:06:43. > :06:47.how they are feeling now about their decision to go back. Vicky! Hi, are
:06:48. > :06:52.you all right? It's going really well. But ultimately there is so
:06:53. > :06:55.much that happens in those months, and there is a potential but I'm
:06:56. > :06:59.going to miss some of it. I have spoken to the nursery about how if
:07:00. > :07:03.any of those moments happen they keep it from me, if I end up
:07:04. > :07:07.witnessing it when I'm with her it still feels like it's the first
:07:08. > :07:11.time. How was it going, week three? You are getting into a routine now?
:07:12. > :07:16.Definitely, I get home earlier now to get a few hours with her before
:07:17. > :07:22.she goes to bed, isn't mummy cool? Thanks to Gerry and Vicky
:07:23. > :07:31.for keeping those video diaries My son Winston started nursery last
:07:32. > :07:35.month, lovely name, isn't it? You feel like the bad cop when you are
:07:36. > :07:42.dropping him off at nursery, I know exactly what he means. It's tough,
:07:43. > :07:44.but it does get better. Of course, fans of The One Show will be
:07:45. > :07:45.wondering... And of course, we have one new mum
:07:46. > :07:54.a little closer to home who's Yes, I'm coming back to The One Show
:07:55. > :07:58.on Monday. Hopefully you will look after me because I will be feeling a
:07:59. > :08:02.bit nervous. Excited to see everybody, the whole team, but it
:08:03. > :08:06.will be hard leaving little Ted, as every parent I'm sure understands.
:08:07. > :08:11.So Comey yeah, I will be back on Monday two days per week to begin
:08:12. > :08:16.with, and then we'll see how we go. Teddy, not on camera! He has just
:08:17. > :08:22.filled his nappy! See you then! APPLAUSE
:08:23. > :08:25.I think little teddy is going to take after his mum, he has
:08:26. > :08:28.impeccable timing, made for tele-! We're looking forward
:08:29. > :08:30.to having you back, Alex. And speaking of comebacks, John,
:08:31. > :08:32.Masterchef has been back on our screens for a few weeks now,
:08:33. > :08:42.and it's just as popular - That's because you were on it! Is it
:08:43. > :08:48.the quality of the guest critics that has really taken it... That is
:08:49. > :08:51.one reason! I really enjoy it, you get to read fantastic food.
:08:52. > :08:56.I find it hard when you get food that doesn't reach the really
:08:57. > :08:59.top-class standard and you end up being horrible to people and
:09:00. > :09:03.crushing their dreams. Have you ever gone over and felt that I was too
:09:04. > :09:07.horrible to that person? No, or you can do is be honest, you can't be
:09:08. > :09:11.honourable. If you are not honest in the first place, you build people up
:09:12. > :09:15.and eventually they are going to be heartbroken. If you are honest and
:09:16. > :09:21.say it's not good enough, it's done. It is a tough gig, you need to be
:09:22. > :09:24.ready to date a bit of criticism. People know, they watch it enough,
:09:25. > :09:27.you stand in front of somebody and look them in the eye and tell them
:09:28. > :09:31.exactly what their food is like. That is somehow unnerving, but the
:09:32. > :09:35.only thing you can do is be honest. They are fantastic, the contestants.
:09:36. > :09:39.The standard has been extremely high. Do you ever go home and think,
:09:40. > :09:46.I was a bit rude about that person's relate? I never rude! -- that
:09:47. > :09:51.person's creme brulee. The fact is, whatever we do there is a reason for
:09:52. > :09:55.it. We watch everybody involved, you can't go back and say, I wish I
:09:56. > :09:59.hadn't done that, no way. You are encouraging, you like them to get
:10:00. > :10:04.creative. But, vegetables in dessert is a bit of a step too far for you,
:10:05. > :10:11.isn't it? We have had lots of vegetables in dessert. Sweet potato
:10:12. > :10:16.in a chocolate mousse! The girl who cooked it was a vegan and wanted to
:10:17. > :10:19.find a substitute. I really respect it, it's great. Innovation is an
:10:20. > :10:23.amazing thing. The fact is, we are all searching for something, which
:10:24. > :10:27.is good. It might be my poison but somebody else's... How was it?! I
:10:28. > :10:36.think the less said the better! There has been some talk about
:10:37. > :10:39.banning certain dishes, there are dishes which are quite familiar.
:10:40. > :10:41.There is talk about whether pasta or panna cotta should be banned.
:10:42. > :10:44.If you had to ban one dish from the show, what would it be?
:10:45. > :10:51.I would never ban passed, because the way I say it, everybody gets
:10:52. > :10:56.upset! It is like people here's a garage and Bath... I'm with you,
:10:57. > :11:04.John, don't worry -- it is like people here say Darren Anbar.
:11:05. > :11:11.Somethings seem very difficult like a chocolate fondant, it's not that
:11:12. > :11:16.difficult, you just put it in the oven! Perfect chocolate fondant is
:11:17. > :11:22.quite hard to get right, isn't it? Maybe! You haven't convinced him!
:11:23. > :11:27.Who wants to see a collapsing cheesecake? Yes, you do! This is
:11:28. > :11:33.from tonight's episode. This is not working...
:11:34. > :11:41.What are you going to do? I'm not sure, I'm going to try and clean it
:11:42. > :11:46.up. You've got to find a way to present at least some of it. One
:11:47. > :11:50.thing is evident, the majesty of honey. It is running through every
:11:51. > :11:55.single part of this dish. I'm so upset it didn't turn out. We have
:11:56. > :11:59.got probably the most divine flavoured puddle I've ever
:12:00. > :12:05.experienced! APPLAUSE
:12:06. > :12:14.I mean, the heartache is witnessed... Written all over his
:12:15. > :12:17.poor little face. He is one of those guys to look out for. The last
:12:18. > :12:24.quarterfinal is tonight at 8:30pm on BBC One. And then straight into the
:12:25. > :12:28.knockout. Next week is knockout week, that is when the big tasks
:12:29. > :12:35.start to happen, we grab our lot. They make it to the semifinal and we
:12:36. > :12:38.knock them out. You are hard-core! What happens now? Don't they have to
:12:39. > :12:42.cook at really upper class restaurants and all that Brazil
:12:43. > :12:47.doing lots of different tasks in restaurants, they get a bit of the
:12:48. > :12:53.nest, they do a huge dinner for the cost of Holby city, 120 people with
:12:54. > :12:56.a marquee. It is all about just learning what they are able to do.
:12:57. > :12:59.And what's incredible about MasterChef is you start with
:13:00. > :13:02.something and you suddenly start to believe in yourself and realise you
:13:03. > :13:06.can achieve a lot more. And that's what makes them better and that's
:13:07. > :13:07.why it's fantastic. John, we will have more for you in just one
:13:08. > :13:10.moment. In just a minute, we'll be chatting
:13:11. > :13:13.to the man responsible for more number ones this decade
:13:14. > :13:15.than any other artist. But Tinie Tempah's new album's got
:13:16. > :13:17.competition from this Yes, sales of Now That's What I Call
:13:18. > :13:21.Music 48 surged last week - Tommy looks at the power music has
:13:22. > :13:38.to instantly transport # Wherever you go
:13:39. > :13:40.# I'm going to be their # Wherever you go I'm going to be
:13:41. > :13:45.that # Pure and simple
:13:46. > :13:48.# Going to be that # Whatever it takes
:13:49. > :13:53.# And go into by their # Everyone's got a track that takes
:13:54. > :13:57.them back to a memory of a first kiss, a first dance, or even a time
:13:58. > :14:01.that they'd rather forget. And, compilation CDs, thanks to Peter
:14:02. > :14:12.Kay's car share have got a whole load of us reminiscing. Just tell me
:14:13. > :14:22.where this takes you back to? Oh, Tiffany's nightclub! In the Cage in
:14:23. > :14:26.Grimsby. It was probably about 68 or 69. Dancing in a circle, handbags in
:14:27. > :14:34.the middle, guys stood around drinking, looking at the girls. OK,
:14:35. > :14:45.it takes me back to school this goes in year four when they had... --
:14:46. > :14:51.school discos. Do you know this song? On the school bus are used to
:14:52. > :14:58.sit next to Matt Hills. Matt Hills, are you listening? We are thinking
:14:59. > :15:04.of you right now because of Comment People. It brings back memories of
:15:05. > :15:08.feeling quite emotional. Isn't it strange how a song can bring out all
:15:09. > :15:16.of these emotions and feelings? Yes, that's what music can do, though.
:15:17. > :15:31.My God! Go on, what are you feeling right now? I remember it so well.
:15:32. > :15:37.Leiua a fan of Rick? He was not bad. When you reminisce what do you think
:15:38. > :15:41.of? The time going out with my mates trying to get into a club, you
:15:42. > :15:45.couldn't get into a club with a group of guys, you had to go in with
:15:46. > :15:49.a group of girls to get in. You don't have to speak to me after
:15:50. > :15:59.that. Just to get in, that was the one. No memories? No memories of
:16:00. > :16:03.that at all. I probably have but can't remember it. Probably because
:16:04. > :16:10.you were to outside your head? Quite possibly. What is going through your
:16:11. > :16:16.mind? It is bringing back memories of the dance. I could bust a move.
:16:17. > :16:25.Could you still do the move now? I will just leave it there for
:16:26. > :16:29.safety's sake! LAUGHTER
:16:30. > :16:37.Guess who is on the sofa. It's only Tinie Tempah!
:16:38. > :16:42.CHEERING That's nice, thanks, guys. How is it
:16:43. > :16:48.going? Earlier we asked you which song to you back to your childhood
:16:49. > :16:53.and this is what you chose. Where does that take you back to? At that
:16:54. > :16:57.point I had one of those Nokia phones when you can make ring tones
:16:58. > :17:02.and I was dreaming to be a rapper and that was pretty much it, I was
:17:03. > :17:07.about 12 years old. We are both South London boys so we were
:17:08. > :17:14.probably doing the same thing at the same time but I feel your career has
:17:15. > :17:21.gone down a better path. I'm going to start a new crew soon so you
:17:22. > :17:25.should join. Is that on offer? Yes. You want to be like salt-and-pepper,
:17:26. > :17:29.you want to be in everything. John, this was yours.
:17:30. > :17:34.# Gold! # Always believe in your soul
:17:35. > :17:45.# Always believe in # Beautiful memories, the wind blowing
:17:46. > :17:50.in your hair? No, just roll the windows down and turn the air
:17:51. > :17:57.conditioning up. Your album was out last Friday. Collaborate, you are
:17:58. > :18:00.the collaborator. I love collaboration, yes. You have a knack
:18:01. > :18:04.of finding the next big thing, plucking them out of nowhere and
:18:05. > :18:08.turning them into stars. Cheers, I guess I have a bit of Simon Cowell
:18:09. > :18:11.in me. LAUGHTER
:18:12. > :18:17.I've been excited to work with a producer on this album who produced
:18:18. > :18:21.six of the tracks out of 17 who works closely with us and has just
:18:22. > :18:29.produced passion fruit for Derek, so he is literally for north London and
:18:30. > :18:33.his life has completely changed -- Drake. Is not a front man or a
:18:34. > :18:37.singer but he's done well. You have a thing about finding emerging
:18:38. > :18:41.talent and collaborating with them and helping them make the big leap
:18:42. > :18:46.you have. Clearly with this album you have a thing about celebrating
:18:47. > :18:50.London. Of course. You say of course but in many ways it is a love letter
:18:51. > :18:58.to London. Your studio is near where you grew up. South London, yes. Why
:18:59. > :19:04.are you so passionate about your hometown? I wanted to have more
:19:05. > :19:07.context and meaning and be more socially responsible at 28 and say
:19:08. > :19:11.something that matters. London with all of this diversity and how
:19:12. > :19:15.liberal it is as a city, it has definitely been a place for me to be
:19:16. > :19:18.nurtured as an artist and a talent and to fulfil my dreams. I can't
:19:19. > :19:23.think of that many places outside of this incredible city that we have
:19:24. > :19:27.that has as many opportunities and even has a level of hope there as
:19:28. > :19:32.well. You want to move to a big country pile any time soon? You know
:19:33. > :19:36.what, I might do. Not too far away from London. It is important to say
:19:37. > :19:40.I called this album Youth and released it in April because looking
:19:41. > :19:46.back at my family history, my grandmother had 19 children. Some of
:19:47. > :19:51.whom were born in April and today is the Queen's birthday. A long time
:19:52. > :19:54.ago, maybe 40 years ago, the Queen honoured my grandma on her birthday
:19:55. > :19:59.which is today because my grandma had some triplets Peter, Paul and
:20:00. > :20:04.Patrick and my name is Patrick. Obviously my grandma didn't have me!
:20:05. > :20:08.LAUGHTER Let's talk about that because
:20:09. > :20:12.Patrick is a good solid name. Why not just be called Patrick? You
:20:13. > :20:22.could be called Paddy, couldn't you? I know. Paddy Tempah has a ring to
:20:23. > :20:27.it. It didn't seem cool when I was at school. I heard that when this
:20:28. > :20:30.album was launched at you had a party at your house and a load of
:20:31. > :20:36.fans came over. That party was three weeks ago, I tried to invite you. No
:20:37. > :20:40.you didn't, because we met a few times before and I try to give you
:20:41. > :20:44.my number. My battery was dead all of those times. The next time you
:20:45. > :20:48.have a party at your house I'm definitely free, my mates and my
:20:49. > :20:54.wife are free. 1,000,000%, the invite is already in the post. Do
:20:55. > :21:00.you cook? I'm not the best, I feel embarrassed in front of John. Are
:21:01. > :21:04.not the best cook but I can make a great... Tinie Tempah Rick? Wild
:21:05. > :21:14.salmon with organic sweet potatoes and maybe a little salad -- tiny
:21:15. > :21:19.tempi are. We can exchange, we can swap talents. Does that mean I get
:21:20. > :21:25.to go to Ibiza as well? Yeah! I'm doing a party for 16 weeks this
:21:26. > :21:27.summer. He's in! You will be performing with Jake Bugg very soon.
:21:28. > :21:30.It sounds ideal. Now, it's the moment
:21:31. > :21:32.we promised you earlier - one of the most surprising wildlife
:21:33. > :21:34.films we've shown this year. Allow us to introduce
:21:35. > :21:49.you to - the bee team. For many the first sign of spring is
:21:50. > :21:54.spotting a bumblebee. On sunny days you can see them out and about
:21:55. > :21:58.taking advantage of the early spring flowers. But bees are not just
:21:59. > :22:03.pretty pollinators. Recent research has shown that they can use tools
:22:04. > :22:09.and even learn from each other to solve problems, just like humans. At
:22:10. > :22:17.London's Queen Mary University, a team of scientists have designed a
:22:18. > :22:21.remarkable experiment. He has been putting bumblebees through their
:22:22. > :22:27.paces. What is this experiment supposed to show? So we already know
:22:28. > :22:30.that bees are really smart and can navigate in complex environments so
:22:31. > :22:34.in this experiment we wanted to know whether bumblebees can learn to
:22:35. > :22:39.manipulate artificial objects. These blue discs posing as flowers have an
:22:40. > :22:43.irresistible sugary solution in their centre. The problem for the
:22:44. > :22:52.bees is that they are covered by a sheet of glass. The bees must find a
:22:53. > :22:55.way to reach the treat. Look at that. It's actually pulling the
:22:56. > :23:01.string in order to get that flower out from under the glass and thus a
:23:02. > :23:06.reward. First-time. How long did it take the bees to learn this trick?
:23:07. > :23:12.Not all of the bees learned this without any demonstration, only two
:23:13. > :23:19.bees out of 110 sold the task. Genius bees. Very few bees worked
:23:20. > :23:23.out the problem for themselves but once one bee learned it for
:23:24. > :23:28.themselves it wasn't long before the whole colony learned it too. The
:23:29. > :23:32.bees we're learning from each other. That is not something she would
:23:33. > :23:38.experience naturally in the wild. You don't find strings hanging
:23:39. > :23:41.flowers. Exactly but they need to interact with flower parts in nature
:23:42. > :23:47.and is not totally unnatural. Talking about pulling, a manoeuvre
:23:48. > :23:50.that a bee might use when foraging but Olly and his team wanted to see
:23:51. > :23:54.if they could teach them to do something they would never do in the
:23:55. > :24:01.wild. The task is to roll a small ball into the circle in the centre.
:24:02. > :24:04.Once the ball is in the goal Olly releases a sugary solution into the
:24:05. > :24:10.hole as a reward. This unnatural behaviour wasn't something the bees
:24:11. > :24:15.could work out on their own so that the teams sent in a coach, a dummy
:24:16. > :24:19.be to train them up to show them what they had to do to get the treat
:24:20. > :24:26.-- dummy bee. It's a new thing that bumblebees
:24:27. > :24:31.would never have experienced. Exactly, bumblebees do not do this
:24:32. > :24:36.in nature. Release a bee and let's see what they can do.
:24:37. > :24:42.She is on the ball all right. Little bit of a struggle. She's getting
:24:43. > :24:54.there. Getting warmer. Going the wrong way. Come on. She's trying.
:24:55. > :25:08.Come on. There is no reward, you've got to get the ball. This time. Yes!
:25:09. > :25:13.Fantastic. Goal. That is unbelievable. Back of the
:25:14. > :25:22.net. And with practice the bees mastered the fanciful work. -- fancy
:25:23. > :25:28.footwork. This might look like a game but it is in fact the very
:25:29. > :25:34.first evidence of insects learning to use artificial objects to solve a
:25:35. > :25:36.problem. These brilliant insects are rewriting science and providing
:25:37. > :25:41.insights into the evolution of social learning.
:25:42. > :25:52.We know that you like honey, have you ever seen bees do that? Kick a
:25:53. > :26:02.goal. Could they be taught to play Aussie Rules football? No, not butch
:26:03. > :26:04.enough. Thank you to John. Alex will be back with Matt on Monday. Don't
:26:05. > :26:09.miss that. But now playing us out
:26:10. > :26:13.with the new single Find Me from his album Youth -
:26:14. > :26:17.it's Tinie Tempah and Jake Bugg. # Got the heart of Bear
:26:18. > :26:36.Grylls, mind of a boss # Need a brand new
:26:37. > :26:38.Supremes diva like # Blew my first check
:26:39. > :26:41.on Stone Island and Mosch # Word to the hardware that
:26:42. > :26:50.brought me my success # I know the time we living
:26:51. > :26:59.in is crazy and hot # Every time we flourish,
:27:00. > :27:07.they don't wanna see us sprout # Crabs in a barrel,
:27:08. > :27:10.they don't wanna see us out # You know what I'm
:27:11. > :27:20.about, yeah, yeah # We was on our paths,
:27:21. > :27:50.yo, way before we met # So all the darkest nights
:27:51. > :27:53.are the days we won't regret # Disturbing
:27:54. > :27:55.London screaming Imhotep # Forgive my need to
:27:56. > :28:00.succeed and progress # They were all my
:28:01. > :28:01.favourite rappers, # I know the time we
:28:02. > :28:07.living in is crazy, huh? # I know that we're
:28:08. > :28:09.in modern day slavery # They tell me more commercial
:28:10. > :28:11.and more mainstream # Sick of the chicanery,
:28:12. > :28:16.skullduggery # That's why
:28:17. > :28:18.I had to holla Jake, # The same mindset since
:28:19. > :28:21.I made Disc-Overy # Now people all around the world
:28:22. > :28:24.wanna come and see, yeah Let me see you make some noise for
:28:25. > :29:00.Jake Bugg. # The One Show
:29:01. > :29:04.# Jake