:00:22. > :00:25.Hello and welcome to The One Show with Alex Jones. And Matt Baker. On
:00:26. > :00:30.these cold winter evenings, what could be better than the company of
:00:30. > :00:36.a good storyteller? Tonight we have the best in the business. With 25
:00:36. > :00:39.years of Jackanory under his belt, he is back on our screens. So, if
:00:40. > :00:47.we are all sitting comfortably, please welcome Bernard Cribbins!
:00:47. > :00:51.Bernard, we are on! I am sorry, I dropped off then. It is the warm
:00:51. > :00:58.environment of the studio. How have you been finding it? I do not
:00:59. > :01:03.really like Quinn to any more. you over the snow? I do not like it.
:01:03. > :01:08.I have stopped a sledging and skiing. I never did skiing, what am
:01:08. > :01:13.I talking about? Sledging used to be fun. When you get older it
:01:13. > :01:20.becomes a bit of a pain. To be honest, with us as well. We have
:01:20. > :01:25.had a few problems with guests. was surprised to see you here!
:01:25. > :01:33.did have the idea of having a stand-in Bernard. We hope you don't
:01:34. > :01:41.mind, no disrespect. This is Tia, a St Bernard. I see! She is with her
:01:41. > :01:49.owner, Kathy. Let's bring her over. Hello, Tia, let's have a little
:01:49. > :01:56.wonder. Come on over. Hello! goodness! She wants a drink of my
:01:56. > :02:06.water, first. Sit down. We will remove the goods around her,.
:02:06. > :02:07.
:02:07. > :02:13.that genuine in there? Yes, four star. Have we got the pliers, it is
:02:13. > :02:22.a bit stiff. He you can have mine, I do not drink any more. I will
:02:22. > :02:32.toast you in this. You would wait for a drink from that, with new?!
:02:32. > :02:38.think that will be enough. A bit of a winter warmer. Yes, you are going
:02:38. > :02:43.to be... It is still dripping. Later on, we are going to try and
:02:43. > :02:47.prove whether dogs have a sixth sense and they know their own is
:02:47. > :02:56.coming home. What do you think? think that is quite true. We have
:02:56. > :03:00.had beagles and with our beagles we had three of them. They used to
:03:00. > :03:04.know when people were coming. The best thing they did, it was not
:03:04. > :03:09.really psychic, but if my wife was in the garden, at 4:30pm, when they
:03:09. > :03:19.were normally fed and if she forgot, the dogs would go out and say, have
:03:19. > :03:19.
:03:19. > :03:23.you seen the time? On the dot of 4:30pm. What about Tia? Certainly
:03:23. > :03:28.dinner-time, as Bernard said. She always seems to know when my
:03:28. > :03:33.husband is coming home from work. She is all is that the door. That
:03:33. > :03:39.his habitual. But to be honest, you did not realise Bernard was
:03:39. > :03:44.teetotal. He must have had a few, he collapsed then! It is a slippery
:03:44. > :03:48.floor! Later on we will give you all the advice you need if you are
:03:48. > :03:54.looking after pets in these conditions. If you have pictures of
:03:54. > :04:00.your furry friends in the snow, send them into us. Later, Tia will
:04:00. > :04:05.be awarded best in snow. I like it! When it comes to driving in the
:04:05. > :04:10.snow, most of us, let's face it, should still have our L-plates on.
:04:10. > :04:14.Armed with a flask of hot tea and driving gloves, Lucy headed to
:04:14. > :04:18.snowbound County Durham for a less than.
:04:18. > :04:22.Did you wake up this morning to something like this? I think it is
:04:22. > :04:27.fair to say that many of us are not confident about driving in these
:04:27. > :04:32.challenging conditions. I'm here to take the bull by the horns and
:04:32. > :04:36.learn from an expert how to drive safely in the snow. Good luck,
:04:36. > :04:42.everybody. Peter Atkinson of the Institute of Advanced motorists has
:04:42. > :04:47.been advising drivers for over 20 years. Boots full of our emergency
:04:48. > :04:52.kit and I am ready to go. Harsh winters are few and far between in
:04:52. > :04:56.the UK so many drivers have never experienced conditions quite like
:04:57. > :05:02.this. Would it help if we were all more advanced drivers? Visibility
:05:02. > :05:05.is not brilliant. It is deteriorating, I am afraid. I am
:05:05. > :05:10.not as confident in these conditions because I am not used to
:05:10. > :05:15.them. That is true. Advanced driving is all about observation.
:05:15. > :05:19.If you have never seen something you cannot act on it. We have to
:05:19. > :05:25.watch the mirror. You do not want to be going any faster. Keep the
:05:25. > :05:29.momentum going. I should not have slowed down. He is a four wheel
:05:29. > :05:34.drive and he is going downhill so he should have given way to you,
:05:34. > :05:40.which he did. A going up the hill I have to keep my speed up because I
:05:40. > :05:47.do not want to stop. That is right. Nothing is routine. When Did You
:05:47. > :05:53.Look in Your Mirror last? Probably about an hour ago! That is a while.
:05:53. > :06:00.A situation like this, we can really do all the breaking with the
:06:00. > :06:06.engine and almost forget about the brakes. There is a person very
:06:06. > :06:14.close behind a. What is the speed limit? It is 30. Shall I give them
:06:14. > :06:19.a piece of my mind? Well... I will not! We do not encourage road rage!
:06:19. > :06:24.Under Peter's guidance I'd completed a circuit of local roads.
:06:24. > :06:28.There were a few hairy moments but the emergency shovel stage in the
:06:28. > :06:33.boot. I have always found snow magical. Driving it is about
:06:33. > :06:39.experience, understand what you're doing, commonsense and building up
:06:39. > :06:44.skills. There is no magic about it. It is terrifying driving in the
:06:44. > :06:52.snow. Minnie Mouse is very good in the snow. Just a bit further north
:06:52. > :06:56.from where you were filming your new series? Yes, indeed. We were 12
:06:56. > :07:00.miles north of Whitby. I had never been to that part of Yorkshire
:07:00. > :07:08.before and the North Yorkshire National Park is absolutely
:07:08. > :07:15.stunning. It sweeps down to the sea. There is a 25 degree slope. I would
:07:15. > :07:20.not want to try it in this weather! It is Old Jack's Boat that you are
:07:20. > :07:25.back on TV with. It is a beautiful production. Thank you very much.
:07:25. > :07:31.When it was being set-up, I was chatting with the producer, Dominic
:07:31. > :07:37.McDonald, good evening! We were agreeing that the nice thing about
:07:37. > :07:41.it is it harks back to Jackanory days where you talk to a child in
:07:41. > :07:48.the lens. What age would you say this is aimed at? It is pre-school
:07:48. > :07:52.children, 4-6, something like that. It reminds us of the programmes we
:07:52. > :07:56.used to watch as children. How been said it is for children, I have had
:07:56. > :08:01.four adults ring me this morning saying they enjoyed the first one
:08:01. > :08:04.yesterday. Two of them have been written by Russell T Davies. When I
:08:04. > :08:09.knew I was doing there were still stories to be written and I rang
:08:09. > :08:13.Russell to ask him what he thought and he produced two beauties. They
:08:13. > :08:18.are lovely. I am not sure which order they are being sent out in. I
:08:18. > :08:22.am looking forward to them. Even though we enjoyed it, we are a bit
:08:22. > :08:26.old to review it so it over breakfast... My children watch it
:08:26. > :08:34.and this is what they had to save. Morley was a bit concerned about
:08:34. > :08:41.the state of your boat. So are we. It is a Nessie inside the boat.
:08:41. > :08:47.They need to tidy up. -- it is a bit messy inside the boat. On a
:08:47. > :08:54.scale of 1 to 10, how Goodwood you say the programme is? Really good.
:08:54. > :09:04.For fabulous! Massively good. The day will go by in a blink of an
:09:04. > :09:04.
:09:04. > :09:14.I... Have you got a question for old Jack? Why is the dog called
:09:14. > :09:15.
:09:15. > :09:21.Salty? A very good question. That is not
:09:21. > :09:26.her real name. For the play she is good Salty because she is always in
:09:26. > :09:36.and out of the Sikh moaning about and she comes out and she is all
:09:36. > :09:37.
:09:37. > :09:43.salty! -- she is always in and out of the sea. It is a great show of
:09:43. > :09:48.peace to do, Jackanory. The idea of the clutter in your boat is you use
:09:48. > :09:51.the props to tell the story. He is an old fisherman who has collected
:09:51. > :09:57.things for years and a lot of things in the boat are used in the
:09:57. > :10:03.story. He says, whereas that pot of paint? There it is. I remember...
:10:03. > :10:06.And he is of telling a story about a pot of paint or whatever. It is a
:10:06. > :10:12.lovely series but recently spoke out about the state of children's
:10:12. > :10:19.television. Yes, I did. I think that an awful lot of children's
:10:19. > :10:24.television is, for me, far too noisy. Many flashing images, very
:10:24. > :10:30.fast editing. This one has gone back to the gentle story telling
:10:30. > :10:35.thing which we wanted to produce any way. And it works. Your two
:10:35. > :10:40.children. Yes, and if anybody wants to see it, it is just before
:10:40. > :10:46.bathtime. That is the old magic roundabouts lot, if you remember,
:10:46. > :10:50.just before the old -- the early evening news. Mum was getting dad's
:10:50. > :10:54.tea ready, I suppose, the kids were in front of the television and
:10:54. > :10:58.totally absorbed. A brilliant spot. Lovely programme.
:10:58. > :11:04.For the younger viewers and those who want to seek Bernard, Old
:11:04. > :11:09.Jack's Boat is on the CBeebies channel on weekdays at 5:40pm.
:11:09. > :11:12.is not just TV that you have done, you have been in some huge films,
:11:12. > :11:17.including one directed by Alfred Hitchcock. We will talk about that
:11:17. > :11:27.shortly. First, Larry Lamb has taken a look at the great
:11:27. > :11:29.
:11:29. > :11:35.director's early beginnings here in They are coming, they are coming!
:11:35. > :11:45.A master of his craft, Hitchcock's film's famously toyed with our
:11:45. > :11:50.
:11:50. > :11:56.emotions through suspense and Without him, the Mob movie
:11:56. > :12:01.landscape would be very different. -- that more than movie landscape
:12:01. > :12:11.would be very different. Cinematographer and friend, Nick
:12:11. > :12:16.
:12:16. > :12:25.Beal Taylor worked on Frenzy. knew everything about it. The cast,
:12:25. > :12:31.everything that went on, he used it. Hitch was a most inventive director.
:12:31. > :12:41.He was always looking to impress. Always something a bit big. He was
:12:41. > :12:46.very much alive into everything which was going. Back projection.
:12:46. > :12:51.Every kind of special effect that you could think of. Possibly
:12:51. > :12:58.Hitchcock's greatest gift was he could generate and cultivate eight
:12:58. > :13:04.basic, irrational fear, which will could begin as something harmless
:13:04. > :13:13.and innocuous. He seems could last four minutes without dialogue. The
:13:13. > :13:18.pictures and music alone build tension in the viewer. Where and
:13:18. > :13:24.when did these techniques begin? Long before the Hollywood glitz and
:13:24. > :13:29.glamour, as there was London grit. Pitch made 23 films right here in
:13:29. > :13:36.Britain before leaving our shores in 1939. What you might not know it
:13:36. > :13:42.is it was hitch's nine silent films that laid the foundations for his
:13:42. > :13:51.remarkable career, a career which may well have founded after just
:13:51. > :13:59.three features. The Llodra is about a murderer on the loose in London -
:13:59. > :14:04.- and the lodger. They felt they had an investment and it was
:14:04. > :14:10.acclaimed as the greatest -- greatest British picture ever made
:14:10. > :14:16.to that date. There is a slim red line between failure and success.
:14:16. > :14:21.Originally, Hitchcock shot 10 silent films but all reels of one
:14:21. > :14:25.of them have sadly been lost. Since 2010, the remaining films have been
:14:25. > :14:30.lovingly restored by the British Film Institute who have made some
:14:31. > :14:36.fascinating discoveries. When one film was shown around the world,
:14:36. > :14:40.regional editors cut it to suit them. Now the BFI have added 19
:14:40. > :14:45.minutes of new material thought lost for 88 years, which have
:14:45. > :14:50.transformed the film's rhythm, pace and structure. I am one of the
:14:50. > :14:54.lucky first few to see it. What have you put back in? We have put
:14:54. > :14:58.back a lot of performances of some of the secondary characters and
:14:58. > :15:03.some of their scenes are vital to the understanding of the movie. We
:15:03. > :15:07.have a couple of characters, the landlord and Lady of our leading
:15:07. > :15:12.lady. They help us to understand that the character on the right,
:15:12. > :15:15.Gill, is a little stuck-up say the least. We do not need to hear a
:15:15. > :15:22.word from her, we know precisely what she thinks of the new woman
:15:22. > :15:25.who has moved into her house. is the purpose of the dog? What is
:15:25. > :15:29.fantastic about his performance is he is the moral compass of the film.
:15:29. > :15:34.If you watch him and you know what to think. You know who the goodies
:15:34. > :15:37.and baddies are. Unless you have seen the silent films, you cannot
:15:38. > :15:47.understand Hitchcock's career. Everything that was to come later,
:15:47. > :15:50.if you can see here right from day Time may have marched on, but who
:15:51. > :15:56.moments free of language remained at the heart of his ideals and
:15:56. > :16:01.global appeal. The power of cinema, in its purest form, is so vast. It
:16:01. > :16:06.can go over the whole world, on a given night a film could play in
:16:06. > :16:11.Tokyo, West Berlin, London, New York. The same audience is
:16:11. > :16:21.responding, emotionally, to the same things. Thank you, Mr
:16:21. > :16:29.Hitchcock. Is there anything you Gets me every time!
:16:29. > :16:32.Antonia Quirke is here from Film 2013. You start being Frenzy. He is
:16:32. > :16:38.portrayed in lots of different ways, what was your lasting impression
:16:38. > :16:43.when he directed you? At that time, he was becoming a tired old
:16:43. > :16:49.gentleman. He sat down, the whole time. I sat beside him one day and
:16:49. > :16:54.we were chatting about the scene that I was going to play. We were
:16:54. > :16:57.just going on talking and I made the mistake of quoting a limerick
:16:57. > :17:05.or something like that. The next day, he brought in a book of
:17:05. > :17:09.limericks. Apparently he is a nut for them. He loved little jokes.
:17:09. > :17:13.many people said that he knew everything? That's right. Doing
:17:13. > :17:18.that scene was very strange. He was sitting here. We came towards
:17:18. > :17:26.camera, we went around the corner, up a flight of stairs. He didn't
:17:26. > :17:31.actually see the scene finish. It got to the end, cut, he said. Sound,
:17:31. > :17:41.absolutely fine. Lighting? That is fine. Camera? Nothing wrong there,
:17:41. > :17:49.sir. OK, print it. He trusted his grip so much. You as well, I guess?
:17:49. > :17:57.Buy stocks have been down, this past month. Watch what you're
:17:57. > :18:03.saying? To which he? Our friend says I have been stealing his booze.
:18:03. > :18:10.He always pays. I work with him. Keep Out Of This! Outside, you are
:18:10. > :18:16.fired. He never stole anything in his life, he always put the money
:18:16. > :18:23.in the tail. A thief or a drunk, it doesn't matter to me, I don't need
:18:23. > :18:26.either of them. There were lots of moustaches! Antonia Hitchcock, he
:18:26. > :18:31.spent a lot of time in Hollywood, but he returned to his roots?
:18:31. > :18:36.Literally, it was filmed in Covent Garden fruit and veg market.
:18:36. > :18:43.pub is still there, yes. His father had been a grocer. He spent a lot
:18:43. > :18:47.of time at that market, so he did go home. There is a brand new film,
:18:47. > :18:53.based on Hitchcock, out next month. It stars Anthony Hopkins, who looks
:18:53. > :18:59.brilliant. And Scarlett Johansson. I think we have a clip. We are
:18:59. > :19:04.going to have to go it alone, finance it ourselves. Anthoney
:19:04. > :19:08.Perkins, the rage lurking beneath that grin. Think of the shock value,
:19:08. > :19:18.killing off your leading lady, halfway through. You shouldn't wait
:19:18. > :19:24.until halfway through, kill her off This film is all about his
:19:24. > :19:30.relationship with his wife, whom he married when they were both 27.
:19:30. > :19:35.Wasn't she an editor? A brilliant editor. He depended on her a great
:19:35. > :19:39.deal. Bear in mind, if you see this film, entertaining in its own right,
:19:39. > :19:45.and if you saw the movie about The Birds, with Sienna Miller on Boxing
:19:45. > :19:48.Day, neither film portrays him in a flattering light. However
:19:48. > :19:52.entertaining they might be in their own right, he was a genius.
:19:52. > :19:58.Therefore, there is nothing we like more than to tear geniuses down.
:19:58. > :20:02.Also, he was rather secretive and private in real life, a little
:20:02. > :20:11.strange. That has left him open to all sorts of interpretations.
:20:11. > :20:17.Speculation. Speculation about his motivation. I am reading a book
:20:17. > :20:21.about Ingrid Bergman, he is portrayed as a real father figure?
:20:21. > :20:26.He was a gentleman, depending on who you listen to, exactly. It's
:20:26. > :20:32.interesting how he used animals and all of that. To build suspense.
:20:32. > :20:42.Fancy training all of those birds! Incredibly talented! Now it is time
:20:42. > :20:54.
:20:54. > :20:59.We did ask him who would present Trials, Lucy and Mike. There is a
:20:59. > :21:06.biscuit in front of each one of them. Tia is going to pick one. She
:21:06. > :21:11.has gone for Mike. It is remarkable how she senses the animal magnetism.
:21:11. > :21:19.Unfortunately, Gyles Brandreth was the only one available.
:21:19. > :21:26.It is well-established that dogs have senses far superior to ours.
:21:26. > :21:30.His nose has more sense receptors than our own. His ear can detect
:21:30. > :21:39.frequencies far higher than us. What is less well-known is the
:21:39. > :21:42.suggestion that they have a mysterious canine 6. -- 6NC. A
:21:42. > :21:45.survey of dog owners, more than half said that their friends and
:21:45. > :21:53.family reported that their pets relatively sat at the front door,
:21:53. > :22:00.anticipating a return, long before they arrived. Meet our dog owners
:22:00. > :22:04.and their dogs, Saxon and Sophie and Felix. They have agreed to take
:22:04. > :22:07.part in a One Show experiment, with cameras placed in each of their
:22:07. > :22:14.homes. We will be trying to tell exactly when they go to the front
:22:14. > :22:21.door to wait for them. The experiment we have set up was
:22:21. > :22:27.originally devised by Dr Rupert children. What are the obvious
:22:27. > :22:32.explanations? Its routine, hearing a familiar car, smelling somebody
:22:32. > :22:36.approaching, there is looking at clues from people at home. Once the
:22:36. > :22:42.obvious has been eliminated, what are we left with? Not much apart
:22:42. > :22:52.from telepathy. I think they are picking up the attention to go home.
:22:52. > :22:54.It's a theory that many dispute, but it goes back to 1995. Pam Smart
:22:54. > :22:59.claimed her dog had an uncanny ability to tell when she would be
:22:59. > :23:04.coming home. A film crew made a documentary about her. The evidence
:23:04. > :23:10.on tape is certainly compelling. Here she is, getting up to go home.
:23:10. > :23:14.At the same time, her dog get up to wait by the window. That's 20
:23:14. > :23:19.minutes before she gets home. Dr Rupert stands by his controversial
:23:19. > :23:26.claims. My research has shown me that when we have people go at
:23:26. > :23:29.least five miles away, come home at random times that are not arranged
:23:29. > :23:33.in advance, when they are travelling by unfamiliar vehicles
:23:33. > :23:38.and there is no possibility of them being smelled from five miles away,
:23:38. > :23:45.the dog can no, over and over again. We have done this hundreds of times
:23:45. > :23:48.with dogs that reliably do this. Our cameras took shots every 15
:23:48. > :23:54.seconds. After running the experiment for three days, have we
:23:55. > :24:02.captured similar, otherwise unexplained behaviour? Here he is,
:24:02. > :24:07.waiting at the top of the stairs. It's possible he might have heard
:24:07. > :24:11.hair coming, it was just before she came home. At Jenny's house, it was
:24:11. > :24:17.different. One evening, she went to the door 40 minutes before her
:24:17. > :24:21.owner came back from work. But on a day when she was early, Sophie was
:24:21. > :24:25.nowhere to be seen until she opened the door. Sophie might not be
:24:25. > :24:31.psychic, but she does appear to know her owner's routine. At Mary's
:24:31. > :24:35.House, little sign of Felix. But these results were intriguing.
:24:35. > :24:40.Whatever time Mary left work, the dog seemed to know about it. Day
:24:40. > :24:46.one, 25 minutes before she came home. He got up and appeared more
:24:46. > :24:50.alert. They two, he exhibited similar behaviour, becoming more
:24:50. > :24:55.alert 20 minutes before the owner came home through the door, even
:24:55. > :25:03.though it was a different time of evening. Day three. He gets up 50
:25:03. > :25:07.minutes before Mary's return. Too early? Perhaps not. She got up at
:25:07. > :25:11.the moment that Mary left work. What she didn't appear to know was
:25:11. > :25:17.that the journey time would take longer. She arrives, shopping bags
:25:17. > :25:20.in hand, after stopping at the supermarket. Coincidence or is she
:25:20. > :25:25.psychic? It will take a good deal more research before the sceptics
:25:25. > :25:33.think there is paranormal forces at work. I know what I think.
:25:33. > :25:36.The most in coppiced experiment we have ever conducted! Tia was
:25:36. > :25:43.absolutely gripped. We are now joined by Lisa Richards from the
:25:43. > :25:47.RSPCA. What are your thoughts? an interesting one, yes. I think it
:25:47. > :25:52.needs a little bit more research. But they are incredible. They are
:25:52. > :25:56.really sensitive to subtle environmental cues. It is probably
:25:56. > :26:01.more routine? They form associations with things. They like
:26:01. > :26:05.predictable routines. I think there is definitely something there. You
:26:05. > :26:10.have been inundated over the last few days with calls from worried
:26:10. > :26:14.pet-owners? We have, we have had over 500 calls in the last five
:26:14. > :26:18.days, mostly from people being concerned about dogs outside in the
:26:18. > :26:22.snow. Not having access to somewhere warm and dry to escape
:26:22. > :26:27.from the weather, really. How can people keep their pets womb? There
:26:28. > :26:32.are lots of simple things they can do. Just providing a dry, warm
:26:32. > :26:37.place for them to sleep. Somewhere for them to escape away from the
:26:37. > :26:41.cold weather. Summer dogs are more susceptible to the cold, if they
:26:41. > :26:46.are slightly underweight, old or young, they might need more
:26:46. > :26:54.protection. They will benefit from wearing a coat. It's important to
:26:54. > :26:59.make it well-fitting. Cats are very independent, but should you be
:26:59. > :27:03.cautious if it is predicted to be really cold, shut the cat flap?
:27:03. > :27:06.It's just about being aware. The most important thing is to provide
:27:06. > :27:10.somewhere warm and dry they can go to. If they outside and they get
:27:10. > :27:14.caught in a snowstorm they have somewhere warm and try to escape to.
:27:14. > :27:20.We were talking about them gritting the pavements. For humans, that is
:27:20. > :27:24.a brilliant thing. Not so much for a dog? It can cause problems. It
:27:25. > :27:28.contains rock salt. If the dog eats it, it can be poisonous. It can
:27:28. > :27:38.cause vomiting, lethargy and in severe cases it can cause kidney
:27:38. > :27:41.
:27:41. > :27:47.damage. Prevention is key. And its blitz their pants? -- splits their
:27:47. > :27:52.pads. We used to cut their feet in warm water. They like the attention.
:27:52. > :28:02.Like a little foot spa! Just a little bucket with warm water.
:28:02. > :28:06.Tia, you are looking fabulous, considering all of the snow. There
:28:06. > :28:14.are lots of beautiful pets out there. We are talking about cats
:28:14. > :28:23.going outside, this is from Katie, aged 12. Her kitten, taking his
:28:23. > :28:30.first adventure in the snow. On a leash! But at that. Relaxing in the
:28:30. > :28:40.snow, thanks to her Grant. Sup from Dunbar has sent in a picture of her
:28:40. > :28:43.
:28:43. > :28:51.Looks a bit like yours? It does. And before we go... And you might