:00:20. > :00:23.Hello, and welcome to The One Show with Matt Baker. And Alex Jones and
:00:23. > :00:27.with us tonight is one of the most famous actresses ever to come out
:00:27. > :00:31.of Liverpool - mind you, you wouldn't know it from her accent.
:00:31. > :00:34.You really wouldn't. She played quint essential New Yorker Samantha
:00:34. > :00:37.in Sex and the City, but as this photo proves, you can take the girl
:00:37. > :00:44.out of Liverpool, but you can't take the Liverpool out of the girl.
:00:44. > :00:50.It's Kim Cattrall. APPLAUSE
:00:50. > :00:56.Good to see you, Kim. What a nice welcome, thank you.
:00:56. > :01:00.your shirt is lovely, matches the sofa. Yes, I had no idea. We were
:01:00. > :01:04.shocked earlier. I had no idea you were born in Liverpool, but you did
:01:04. > :01:08.leave at three years old. Where have you been? I know. Do you still
:01:08. > :01:16.feel a connection with Liverpool now? Yes. I proudly call myself -
:01:17. > :01:21.or I say on Facebook and I say I'm a Liverpudlian raised in Canada,
:01:21. > :01:24.also a New Yorker. So still, obviously, you feel quite a big
:01:24. > :01:29.connection. Do you still have family, then? Yes, most of my
:01:29. > :01:33.family - some I am born with, some in Norfolk, but most - my memories
:01:33. > :01:36.are from Liverpool. I left when I was three months old, but I came
:01:36. > :01:40.back in the '60s and went to theatre school for awhile, and
:01:40. > :01:43.that's where my dream to become an actress started was in Liverpool.
:01:43. > :01:49.We'll talk about all of that in a little while and also your new role
:01:49. > :01:54.as Cleopatra - all coming up. It is Ladies Day tonight. Ann
:01:54. > :01:57.Widecombe is here, and will be telling us what to do if debt
:01:57. > :02:00.collectors start sending you demands for money you don't know.
:02:00. > :02:04.As it's harvest time Lucy Siegle will be out on the farms for us
:02:04. > :02:07.over the next few days. She's in Norfolk to see how they're coping
:02:08. > :02:10.with one of the best years on record. How is it looking out there
:02:10. > :02:13.today, Lucy? Pretty good, actually. We have had really good weather
:02:13. > :02:17.today, which is great because it's allowed the farmer here, Nigel
:02:17. > :02:21.Stangroom, and his team of 11 to make up some ground in what's been
:02:21. > :02:24.a very difficult harvest period. They specialise in herbs here.
:02:24. > :02:28.These are chives, and they've actually harvested eight times this
:02:28. > :02:32.amount today, which is great. Those are being dried now. To do this
:02:32. > :02:35.they work very hard. They get up early. They don't mind that, but
:02:35. > :02:39.what's difficult for them - and farmers everywhere - is obviously
:02:39. > :02:44.the unpredictability of the weather, but also the unpredictability of us
:02:44. > :02:48.as consumers. What do we want? When do we want it? Take a look at this.
:02:48. > :02:54.So how do did supermarkets make sure that the shelves are stocked
:02:54. > :02:59.with the fresh produce we want when we want come rain or shine?
:02:59. > :03:04.This is the daily planning meeting at Morrison's headquarters in
:03:04. > :03:07.Bradford, where the weather forecasts are analysed and acted on.
:03:07. > :03:12.Looking at the weather forecast for the end of the week, temperatures
:03:13. > :03:16.are still strong so we're looking at 26 Celsius down south. Andrew is
:03:16. > :03:19.the Director of Produce and horticulture. We work closely with
:03:19. > :03:23.a weather organisation that gives us information daily, weekly and
:03:23. > :03:27.monthly. Our buying teams will be talking to growers from 6.30am
:03:27. > :03:32.every morning in the UK to work out what's happening in their area.
:03:32. > :03:37.there a precise temperature at which certain products fly out the
:03:37. > :03:41.door? Brits think when it gets to 18 degrees that summer has arrived,
:03:41. > :03:46.and that generally tends to be the temperature we see the switch from
:03:46. > :03:53.potatoes, carrots and broccoli to tomatoes, cucumbers, strawberries -
:03:53. > :03:58.soft fruits get bought in abundance. In an average week 2 to 300 iceberg
:03:58. > :04:01.lettucees. When the sun comes up we can sell up to six to 700,000.
:04:01. > :04:11.they reckon they'll need more salad on the shelves here, the message
:04:11. > :04:15.comes through here to get cutting. We get a massive Pike when the sun
:04:15. > :04:19.comes out, puts a lot of pressure on all areas of the business from
:04:19. > :04:21.the harvesting side, the growing side and right the way through to
:04:22. > :04:27.the distribution network. These guys are going pretty fast.
:04:27. > :04:30.Presumably, they can't go any faster than this. There is surplus
:04:30. > :04:33.harvesters to cope with the spiex in the sale, but these guys will
:04:33. > :04:36.have a little bit of notice. The sales will know that we're looking
:04:36. > :04:40.at the weather patterns of it's becoming warm. Sales are going to
:04:40. > :04:43.start to increase. We're looking at where we can move people around the
:04:43. > :04:46.farm to where the peak production will be. Producers only receive the
:04:46. > :04:50.orders from the supermarkets the night before, then at first light,
:04:51. > :04:55.pickers are dispatched to cut over 5,000 lettucees each a day. They
:04:55. > :05:01.are packed in the field and on the supermarket shelves within 24 hours.
:05:01. > :05:05.On a sunny day this can lead to an increased order of 60%.
:05:05. > :05:09.Excessive wind and rain are what farmers dread, so Chris Makin
:05:09. > :05:14.leaves nothing to chance. His three million strawberry plants are lined
:05:15. > :05:18.up in polytunnels on more than 200 miles of shelving, but the crop
:05:18. > :05:23.still needs one more vital ingredient. The sunlight is what we
:05:23. > :05:26.need to make the crop ripe, and we cannot control that, and that's put
:05:26. > :05:30.us behind this year by 21 days. That's what's delayed the season.
:05:30. > :05:33.What is it like when you don't get the summer that you expect...
:05:33. > :05:38.Terrible. As a grower? Terrible because we can close the doors. We
:05:38. > :05:41.can do everything, but the customer is shouting for the fruit. "We want
:05:41. > :05:45.the fruit!" And we're doing everything we possibly can. What
:05:45. > :05:47.would I see if a strawberry has been affected by the weather
:05:47. > :05:52.conditions? That's a typical condition - the misshape. Which
:05:52. > :05:55.people aren't going to buy, are Tay? Of course not. In one season
:05:55. > :05:59.Chris will produce 1500 tonnes of strawberries. That's more than the
:05:59. > :06:03.weight of a hundred double-decker buses, but even then sometimes it's
:06:03. > :06:09.not enough. So how do you deal with the stress - you know, when the
:06:09. > :06:13.supermarkets are on the phone going, "We want more. We want them now?"
:06:13. > :06:18.always tell them we have the telephone number for God, we'll
:06:18. > :06:22.have a word with him. Send us some more sunshine. This feast or famine
:06:22. > :06:25.of the business leads to a headache for produce specialist Adrian Ford
:06:25. > :06:29.who needs to change the store to suit the stock. With the British
:06:29. > :06:33.weather, we have to be flexible in stores and change at short notice.
:06:33. > :06:37.For example, if a farm had a glut of produce we need to sell quickly,
:06:37. > :06:40.we need to be able to move things on to the promotional end.
:06:40. > :06:43.unpredictability of the weather, demand and supply leads to a fine
:06:44. > :06:47.balancing act for the supermarkets. Customers fundamentally make their
:06:47. > :06:52.minds up of what they want to buy in our shop, but it's how we can
:06:52. > :06:55.get those crops as quickly as possible to meet the demands of our
:06:55. > :06:59.customer, which can be up or down depending on the weather. So the
:06:59. > :07:02.next time you decide to buy a melon because it's warm or a cabbage
:07:02. > :07:06.because it's turned cool, bear in mind that the supermarket probably
:07:06. > :07:10.knew what you were going to buy a few days before you did.
:07:10. > :07:13.Just incredible, isn't it? We'll have more from Lucy on the farm
:07:13. > :07:16.with the biggest amount of parsley you'll ever witness. I didn't know
:07:16. > :07:20.there was that much parsley in the world. There you go. And the
:07:20. > :07:24.connections just keep on coming - you can say hello to your cousins
:07:24. > :07:28.up there. Indeed. You have plenty of people to look after you while
:07:28. > :07:31.you're here? I do. You're back playing Cleopatra for the second
:07:31. > :07:35.time. You were here in 2010 playing Cleopatra. We were talking in the
:07:35. > :07:40.film there - lots of people see her as a seductress, but you were
:07:40. > :07:44.explaining to Matt and I there's a lot more to Cleopatra, isn't there?
:07:44. > :07:50.Yes. This is one of the greatest love stories of all time, but it's
:07:50. > :07:54.also a very political game of chess between Caesar - October aivius
:07:55. > :07:58.Caesar and Antony and Cleopatra, so I think this version that is being
:07:58. > :08:02.directed and has been adapted from the original play is really
:08:02. > :08:05.riveting, and you get that emotional connection. You get the
:08:05. > :08:08.romance, the connection of these two strong people being drawn
:08:08. > :08:13.together but also split apart by the events that are happening in
:08:13. > :08:18.their lives and how politically savvy this particular woman is. I
:08:18. > :08:22.like savvy, strong, sexy, funny women. It's just a very cunning...
:08:22. > :08:26.Have you used any women in particular for the role as
:08:26. > :08:31.inspiration or anything like that? Oh, there's so many wonderful women
:08:31. > :08:34.- Hillary Clinton in her own way is very much that way. OK. I look at
:08:34. > :08:37.the women, and I think about the challenges that they have even
:08:38. > :08:42.today to be as powerful as this woman was. I mean, she was a Queen.
:08:42. > :08:45.She was a goddess. She was in some ways a little girl too, so to play
:08:45. > :08:49.that - the challenge of playing this particular character is that
:08:49. > :08:52.she's so changeable all the time. It's not very often that women
:08:52. > :08:56.characters have that kind of psychology written into them - into
:08:56. > :08:58.the character. They're either very good or very bad.
:08:58. > :09:05.LAUGHTER Ann Widecombe is a great example -
:09:05. > :09:09.she's coming up very shortly. We have played -- you have played
:09:09. > :09:13.an ancient Egyptian before. Oh, no. I knew you were going to show this.
:09:13. > :09:18.This is Somme bairsing. Oh, God. This is serious. Mother, I want to
:09:18. > :09:22.settle down. I want to do things. I want to invent things. I want to
:09:22. > :09:28.try things nobody has ever tried before. I want to fly. Sure, and I
:09:28. > :09:34.want to smoke and tell your father to go to hell.
:09:34. > :09:38.APPLAUSE You do look - There will be none of
:09:38. > :09:42.that in this production. I was going to say, have they more budget
:09:42. > :09:47.for the costumes? In theatre, yes, of course they do. That looked like
:09:47. > :09:51.toilet paper. It did a little bit. It was the '80s, you know? It
:09:51. > :09:55.didn't look the way it was supposed to. You mentioned in the programme
:09:55. > :09:59.you wanted to be an actress - looking at the director that was
:09:59. > :10:05.directing the production - you were 11 years old. Yes, I saw her in a
:10:05. > :10:09.production of As You Like It at the RSC. It was one of most moments
:10:09. > :10:13.where I thought if I work hard I might be able to do that in my life.
:10:13. > :10:17.How did you end up hopping the Atlantic and training on both
:10:17. > :10:20.sides? It's one of those things - it was sort of the journey I took.
:10:20. > :10:24.I had no control over it. My parents immigrated because there
:10:24. > :10:28.wasn't a lot of work in the middle '50s in Liverpool, and it was a
:10:28. > :10:32.chance for a new beginning, and we had really tough times, and then we
:10:32. > :10:35.came back in the '60s, and that's when I sort of harvested this dream
:10:35. > :10:39.of being an actor, and then I went to summer schools, and I got
:10:39. > :10:42.accepted to the American Academy in New York and then work begot work.
:10:43. > :10:46.I got an agent. I started working and having a career and people
:10:46. > :10:50.saying, "Oh, I like what you're doing," and just working more and
:10:50. > :10:54.getting more of a reputation and studying and continuing to do what
:10:54. > :10:56.I love. Yeah. You have had a very, very long career. I know!
:10:56. > :11:00.LAUGHTER And you have spoken candidly about
:11:00. > :11:04.it being quite tough for women of a certain age in Hollywood, so
:11:04. > :11:08.playing the role of Samantha Jones must have been a blessing even
:11:08. > :11:12.though you started in your 40s and carried on into your 50s. It was. I
:11:12. > :11:19.wouldn't be sitting here talking to you today if I hadn't done Sex and
:11:19. > :11:23.the City. It was such a wonderful - it came in my early 40s, and to
:11:23. > :11:27.play a femme fatale even when it all began, it just wasn't heard of.
:11:27. > :11:32.A femme fatale was in their early 30s at the very least, but I think
:11:32. > :11:35.that really broadened people's idea of women at that age and how sexy
:11:36. > :11:43.and wonderful and fabulous they can be. You were fabulous in it. Thank
:11:43. > :11:48.you. I really enjoyed it. Kim will be in Anthony and Cleopatra from
:11:48. > :11:52.September 7th at the Chichester Theatre. Here's a question - if you
:11:52. > :11:57.were an industry body spokesman defending your industry's behaviour,
:11:57. > :12:03.who was the last person you would want to turn up with a film crew?
:12:03. > :12:07.I'd have to say Ann Widecombe. can't top that, can you? He's the
:12:07. > :12:11.very image of a successful businessman, but look at Andrew
:12:11. > :12:19.Walker's financial records and a different picture begins to emerge.
:12:19. > :12:26.For the last six years, Andrew's been bombarded by debt collection
:12:26. > :12:32.agencies pursuing him for sums that amount to �100,000. There have been
:12:32. > :12:36.letters - lots of letters - and phone calls, lots of phone calls.
:12:36. > :12:40.Some demanding repayment, others threatening a visit to his home,
:12:40. > :12:46.and he's got thick files stuffed full of correspondence with debt
:12:46. > :12:53.company, but here's the thing - Andrew doesn't owe a penny. They've
:12:53. > :13:00.got the wrong Andrew Walker, but it seems there is absolutely nothing
:13:00. > :13:05.that he can do about it. There are 1,700 Andrew Walkers in
:13:05. > :13:10.the UK. One of them's got the same date of birth as this Andrew Walker,
:13:10. > :13:17.and he's got a lot of debts. The companies he owes money to hired
:13:17. > :13:21.debt collectors to find him, but they keep getting the wrong Andrew
:13:21. > :13:26.Walker. They keep writing to me, phoning me up, and they still keep
:13:26. > :13:30.doing this. I am at my wit's end about it all, but I am not the
:13:30. > :13:34.Andrew Walker with any debt at all, but the problem is they still think
:13:34. > :13:40.I am. Every time he gets a letter or a phone call, he persuades them
:13:40. > :13:45.he doesn't owe the money. Then suddenly it reappears again with
:13:45. > :13:50.another debt agency or phone call, then I have to go through the whole
:13:50. > :13:53.rigmarole of proving I am not the man with this debt. So why do debt
:13:53. > :13:59.collectors keep chasing this man for money he doesn't owe? I am
:13:59. > :14:03.going to get dot bottom of it. -- to the bottom of it. I have a lot
:14:03. > :14:07.of sympathy for Andrew because a couple of years ago debt collection
:14:07. > :14:15.agencies were bombarding my house with requests for payment for a
:14:16. > :14:20.debt that had nothing whatever to It was a real struggle to get rid
:14:20. > :14:24.of them and hundreds of people go through this every year. Francis I
:14:24. > :14:29.have come to the home of the Credit Services Association, the umbrella
:14:30. > :14:37.body that represents debt collectors. Andrew Walker have to
:14:37. > :14:45.suffer this forever if you people do not get their act together.
:14:45. > :14:48.not believe it is asked to blame. No? Clearly you would expect me to
:14:48. > :14:53.defend my members. They are not turning up on a Monday morning
:14:53. > :14:58.hell-bent on making people's lives a misery. When debt collectors are
:14:58. > :15:03.looking for someone that owes them money, the use information held by
:15:03. > :15:07.credit agencies. They hold details of nearly every adult in the UK. In
:15:07. > :15:13.theory, the debt collectors are supposed to verify the information
:15:13. > :15:17.they are given. If they find they have the wrong person, they are
:15:17. > :15:25.supposed to pass the information back. Why is Andrew Walker still
:15:25. > :15:29.being bothered? Where does the buck stop? Our members do pass
:15:29. > :15:32.information back to their clients, and it is usually the banks or
:15:32. > :15:38.other creditors that would advise the credit agency that the address
:15:38. > :15:42.is no longer correct. This is not happening. It is not something the
:15:42. > :15:47.members what to do, Cook -- repeatedly contacting the wrong
:15:47. > :15:53.person. It costs money and they would rather avoid the expense.
:15:53. > :15:58.Never mind the issues of contacting somebody in correctly. He is not
:15:58. > :16:02.taking responsibility for this mess in the way I had hoped. The Office
:16:02. > :16:05.of Fair Trading is not pleased either. They have warned the
:16:05. > :16:10.industry they must improve the accuracy of their information.
:16:10. > :16:14.There is some good news for Andrew at the end of this. One of the
:16:14. > :16:19.companies that have been chasing him sent him a letter of apology
:16:19. > :16:29.and a cheque for �100. All the companies have said he will not be
:16:29. > :16:30.
:16:30. > :16:36.missed traced again. -- mistraced. I will be watching. Talk about a
:16:36. > :16:41.strong, powerful woman. Andrew had you on his side, but for the people
:16:41. > :16:45.at home who do not have you, what do they do? Do not ignore it and
:16:45. > :16:51.throw it away because it does not go away. The first thing to do is
:16:51. > :17:00.write to the debt collection company, give them the fact, if
:17:00. > :17:09.that does not work, you need to go up to a higher level. If that fails,
:17:09. > :17:14.get a solicitor. I'm afraid it is a difficult thing to get rid of.
:17:14. > :17:19.do you think the system can be improved? The problem is there is
:17:19. > :17:23.no one body that takes responsibility. The creditor passes
:17:23. > :17:32.on the information they have got originally, the debt collection
:17:32. > :17:35.agency Act side, discovers it is wrong. -- the debt collection
:17:35. > :17:39.agency uses the information. But then the information is passed on.
:17:39. > :17:45.I think the original creditor should be made responsible for the
:17:45. > :17:53.accuracy. Peter did quite well behind the desk, I would have been
:17:53. > :17:59.a nervous wreck. Have you seen Sex And The City? I would much rather
:17:59. > :18:09.see Antony and Cleopatra. tickets are on the. I will take you
:18:09. > :18:12.
:18:12. > :18:19.up on that. -- on me. Yesterday we spent with Lucy Siegle on farms,
:18:19. > :18:23.she is seeing how it farmers are dealing with crazy weather. It is
:18:23. > :18:28.sun rise on a beautiful Norfolk morning, but on Hamrow Farm, the
:18:28. > :18:34.weather conditions have made attaining a good crop difficult.
:18:34. > :18:44.Good morning. This is beautiful, very pretty. We have a field over
:18:44. > :18:46.
:18:46. > :18:52.here we would like to look at. has just gone 6pm. -- 6am. From
:18:52. > :19:00.parts lated chives, this diversity has helped this borough to deal
:19:00. > :19:05.with the downturn at in fortunes. - - This farmer. We need to wait for
:19:05. > :19:11.the sun to come out and burn the moisture off. Jason Mitchell has
:19:11. > :19:21.worked on Hamrow Farm for five years. This crop represents about
:19:21. > :19:21.
:19:21. > :19:25.50% of the income. The farm has 15 acres set aside for this crop.
:19:25. > :19:30.Sometimes we are working 24 hours a day because it is such a bad spring.
:19:30. > :19:40.We need to get certain crops in before they go over the top and rot
:19:40. > :19:42.
:19:42. > :19:52.in the soil. This is the dry area? Yes. When the chive crop is ready,
:19:52. > :19:53.
:19:53. > :20:00.several loads are dry-eyed throughout the day. -- dried.
:20:00. > :20:04.mid is ready. Would you like to help? I have just checked it, when
:20:04. > :20:09.you rub your hands on it, you can do is not getting wet. Completely
:20:10. > :20:16.dry. When I squeeze it, there is no water coming out at all. Ready to
:20:16. > :20:20.go. These crops around the a small part of the challenger Nigel faces
:20:20. > :20:25.when it comes to harvest. There is a lot more to do and work has only
:20:25. > :20:32.just begun. Lucy is live on the farm with that
:20:32. > :20:38.enormous crop. I want to show you what 50 tons of dried parsley looks
:20:38. > :20:47.like. This is amazing. You were hybrids think -- harvesting chives
:20:47. > :20:54.today. Did you get this much? This would take about 40 days.
:20:54. > :20:58.you are pleased with today. Yes, it has been a nice day. What has your
:20:58. > :21:04.heart has been like generally? Pretty challenging. I knew that you
:21:04. > :21:09.would say that. -- you harvest. Have you lost crops? Yes, because
:21:09. > :21:14.we have not had the sunlight we hoped for. There has been lot of
:21:14. > :21:18.inclement weather. We have had farmers bringing in hundreds of
:21:18. > :21:22.tons of potatoes because they cannot pick them up, are you
:21:22. > :21:27.worried you will lose out to foreign herbs? I hope not because
:21:27. > :21:35.the customers are local, and we deliver in an hour. That is
:21:35. > :21:40.brilliant. Here is trite chives. How much is this worth? 50p. I.
:21:40. > :21:45.Throwing it all over the place. Just a quick word to your wife.
:21:45. > :21:51.What is it like during the harvest? It can be quite lonely, you're
:21:51. > :21:57.pretty much a single parent during the harvest season. It is a long
:21:57. > :22:04.season. From the end of May until November. Do you miss your dad when
:22:04. > :22:11.he is at a harvest? Yes! Soon you can help him. Thank you for showing
:22:12. > :22:17.me around. Tomorrow night, I will be at another farm. It is very near
:22:17. > :22:27.to this farm. We will be looking at his hardest. He is nine miles in
:22:27. > :22:28.
:22:28. > :22:37.that direction so I should get a move on. Goodbye! We will catch up
:22:37. > :22:42.with her tomorrow for the second day of harvest. It is really busy.
:22:42. > :22:45.We want to see any crops you have been harvesting at home. Send us
:22:45. > :22:52.pictures of what you have been digging up in the garden or
:22:52. > :22:56.allotment. We will show them tomorrow. It is a project. Kim, you
:22:56. > :23:06.cannot believe this. It is more than I ever thought I needed to
:23:06. > :23:08.
:23:08. > :23:17.know. Have you ever grown anything? That is legal? I am joking! I had a
:23:17. > :23:27.vegetable garden. It was neglected. I was like the farmer's wife.
:23:27. > :23:28.
:23:28. > :23:34.not worry, my plants have died. Farmers across the land will not
:23:34. > :23:42.have been the only ones working. We have been finding out how animals
:23:42. > :23:47.can struggle to survive when the combine is moving. Farming is a way
:23:47. > :23:53.of life, I job and it provides a vital source of food for the nation.
:23:53. > :24:02.But stop from moment and there is much more than that going on. Just
:24:02. > :24:10.out of sight, countless insects, mammals and birds live in these
:24:10. > :24:17.fields. Among them is a harvest mice. They used to harvest --
:24:17. > :24:23.hibernate in crops, but now they live on the brink. When the combine
:24:24. > :24:28.harvesters arrive, the mice, their nests, and everything else in their
:24:28. > :24:32.path faces destruction. It is a big deal because a quarter of the
:24:32. > :24:37.British countryside is arable. David Mills from the British
:24:37. > :24:46.Wildlife Centre in Surrey used to be a farmer. He says a harvest mice
:24:46. > :24:52.are particularly hard hit. Years ago, when the corn was brought in
:24:52. > :24:57.in September, they were brought into the farm hard -- barnyard, the
:24:57. > :25:02.mice would be inside them. Today, the harvest is much earlier, you
:25:02. > :25:09.have big modern machinery. In the past they were given places to
:25:09. > :25:15.shelter? It is all about loss of habitat. There are many animals
:25:15. > :25:19.impacted. The impact on harvest mice has been so serious they have
:25:19. > :25:25.been added to a government list of animals at risk. Farmers get
:25:25. > :25:31.funding to create refuges for small animals at harvest time. The good
:25:31. > :25:38.news is simple practices by farmers can really make a difference.
:25:38. > :25:43.margins of on cultivated weeds at the side of fields give animals
:25:43. > :25:50.places to shelter. We can artificially boost the populations
:25:50. > :25:54.of some tiny man also -- a tiny mammals. David runs a project to
:25:54. > :25:59.breed them in captivity and release them into the wild. He has asked me
:25:59. > :26:02.to help. Where do you release them? Normally on the edge of cornfield
:26:02. > :26:07.where there is plenty of cover, because they need to be on the edge
:26:07. > :26:16.where they can find shelter and food. They will make a nest in here.
:26:16. > :26:23.They come out of here and they will live here. This is the big moment.
:26:23. > :26:28.I'll just put it there. There you go. How all that these mice? These
:26:28. > :26:34.are juveniles, about five weeks old. They will stack breeding when they
:26:34. > :26:39.are six weeks old. -- begin breeding. They could have two
:26:39. > :26:48.letters before the weather turns nasty in October. Can I have a
:26:48. > :26:58.shot? Please do, take it by the tail. I will put him in there. Off
:26:58. > :27:01.
:27:01. > :27:08.He is a wild animal, and is very happy sitting there. They are so
:27:08. > :27:15.cute and so tiny. It is like holding an insect, not an animal.
:27:15. > :27:20.You deserve a little space in the grass. Do you want to go there?
:27:20. > :27:26.This breeding project, is it on going? Is there ever going to be a
:27:26. > :27:30.time when the population is be established? No. These are the food
:27:30. > :27:36.source, and quite honestly, you keep releasing them, you'd read
:27:36. > :27:40.them, breed thousands of them, because you are helping nature.
:27:40. > :27:48.Freedom for another dozen mice. This is one tiny example of how
:27:48. > :27:54.hard this and nature can live side by side. -- harvest. There is a
:27:54. > :28:00.side that has gone out across the nation. We would like to say happy
:28:00. > :28:09.birthday for yesterday. We got you a little present. There is a story
:28:09. > :28:19.behind this. The deputy editor is a man. He put your age on it. We will
:28:19. > :28:27.
:28:27. > :28:34.not sure that. -- display that. is up to year. Look at that!
:28:34. > :28:39.erect and be proud. That is all we have time talk -- a time for. Kim,
:28:39. > :28:45.thank you. Antony and Cleopatra starts at Chichester Theatre on
:28:45. > :28:49.September 7th. This time next week, we will be in the middle of a