:00:21. > :00:22.Hello and welcome to The One Show with Matt Baker...
:00:23. > :00:26.And we're starting the show in the spirit of the new US
:00:27. > :00:27.administration's approach to press conferences.
:00:28. > :00:29.Our guest tonight is so popular that we can say,
:00:30. > :00:32.without doubt, the audience is the largest we've ever had.
:00:33. > :00:40.We've actually installed different flooring in the studio which may
:00:41. > :00:42.highlight gaps in the audience that haven't been obvious
:00:43. > :00:48.And in the same spirit - our guest is the most-intelligent,
:00:49. > :00:50.the funniest and the best looking comedian that we've
:00:51. > :01:09.Welcome! It has been a busy few days. Donald Trump was sworn in last
:01:10. > :01:13.week and we were talking about the ceremony. You said you were quite
:01:14. > :01:21.surprised by the music acts? I didn't really recognise any of them.
:01:22. > :01:25.It was acts like Toby Keith, circus 1903, sounds like everybody was
:01:26. > :01:32.dead. The best one was the Mexico City Philharmonic Orchestra, they
:01:33. > :01:39.were asked to do the catering. They were going to do Pink Floyd's The
:01:40. > :01:43.Wall, but he refused to pay for it! We started the programme in
:01:44. > :01:47.reference to Sean Spicer, the US press adviser. He has basically
:01:48. > :01:51.given alternative facts as to the attendance at the inauguration.
:01:52. > :01:58.Actually, the point of view of Donald Trump was this. You can see,
:01:59. > :02:02.from his perspective, it looks very busy. With reference of the Topshop
:02:03. > :02:07.we showed the studio, if you look at it from your point of view, you look
:02:08. > :02:15.there, it is absolutely rammed! -- the top shot. Exactly what I see.
:02:16. > :02:21.They say you should eat more fruit and veg, but it is McDonald's, twice
:02:22. > :02:23.a day, that is my alternative facts. But that may! I hope there are more
:02:24. > :02:29.facts like that in your tour. We are going to our first film
:02:30. > :02:32.report of the evening. First, we all know the pressure
:02:33. > :02:34.on junior doctors, not least, But do any of us appreciate the risk
:02:35. > :02:43.that puts on their own safety? In a recent survey, 41% admitted
:02:44. > :02:46.to having fallen asleep And it's a momentary lapse
:02:47. > :02:58.in concentration that Sam is a junior doctor in Oxford.
:02:59. > :03:04.She is getting ready for a 13 hour night shift in intensive care. She
:03:05. > :03:07.often works for Mike Robb is in a row. After only a few months on the
:03:08. > :03:13.job, she had a near miss driving home. About five minutes away from
:03:14. > :03:17.home, I was on a country road and found myself on the opposite side of
:03:18. > :03:21.the road. Thank goodness, there was nothing coming the other way. In
:03:22. > :03:25.fact, only just last year, I was going to night shift and I came
:03:26. > :03:35.across a car that had flipped in the road. It was another junior doctor,
:03:36. > :03:39.coming back from late shift. On that occasion, the driver escaped unhurt.
:03:40. > :03:49.But, sadly, that is not always the case. When she came off night shift,
:03:50. > :03:52.she phoned home and said she was leaving. She talked to her mum and
:03:53. > :03:56.explained the night shift had gone well. She was feeling quite pleased
:03:57. > :04:05.with herself. Nevertheless, on the journey back home, she fell asleep.
:04:06. > :04:15.Brian's daughter, Lauren, was fatally injured. She was just 23. We
:04:16. > :04:21.set off to find her. When we were driving, we could see the action on
:04:22. > :04:25.the other side of the road. At the time, junior doctors in Scotland
:04:26. > :04:32.could work up to seven night shifts in a row. Brian's campaigning has
:04:33. > :04:36.helped cut this to five. I am Lauren's voice now. She is not able
:04:37. > :04:41.to speak for herself. I think she did speak up, initially. She was not
:04:42. > :04:52.able to carry that through. I'm trying to do that now. It's so close
:04:53. > :04:55.to home, somebody that is almost exactly like you, it is scary, it is
:04:56. > :05:04.something that really makes you think. It is 8am. Sam has just
:05:05. > :05:08.finished a 13 hour night shift. To trust her driving reactions after a
:05:09. > :05:15.busy night's work, we have brought her to the transport research
:05:16. > :05:17.laboratory in Berkshire. Simon is in charge of driver fatigue research
:05:18. > :05:23.and will be analysing her performance. Fatigue is a huge road
:05:24. > :05:28.safety problem. Our own perception of fatigue level tends to lag behind
:05:29. > :05:32.reality. By the time we have realised it, we could have already
:05:33. > :05:37.made a serious mistake that could have led to a collision. We would
:05:38. > :05:42.like you to keep to 60 mph the whole time. I know I am tired, but if I
:05:43. > :05:50.need to get home, I would get into the car. The simulator is set up,
:05:51. > :05:54.ready for you to start. She has to drive along the inside lane of a
:05:55. > :05:57.virtual motorway for the next 90 minutes. We are monitoring her
:05:58. > :06:03.reactions from the control room. After just a few minutes, she starts
:06:04. > :06:10.blinking more rapidly, in a failed attempt to increase her alertness.
:06:11. > :06:22.After 19 minutes, her eyes start to blink more slowly. She is having
:06:23. > :06:25.micro sleeps will stop It is just a slightly longer blink.
:06:26. > :06:29.Neurologically, it is an indicator that somebody is disengaged from
:06:30. > :06:36.their task. Really long eyed closures. You can now stop the
:06:37. > :06:41.vehicle. Test over, and Simon has the results. Today, 69 occasions you
:06:42. > :06:46.left the inside lane of the motorway. What is really worrying is
:06:47. > :06:51.the number of times that your reaction speed was slower than 1.5
:06:52. > :06:55.seconds, and therefore dangerous. There were 12 occasions when you
:06:56. > :07:04.failed to respond quickly enough. In one instance, it was 5.5 seconds
:07:05. > :07:10.later. How do you feel, when you hear those numbers? That particular
:07:11. > :07:14.one is really shocking. 5.5 seconds, to not brake on a motorway, it is
:07:15. > :07:21.just off as you say, it would cause a collision. Absolutely terrifying,
:07:22. > :07:27.really, really scary. Clearly, driving when this tired is
:07:28. > :07:30.dangerous. The controversial new junior doctors contract cuts the
:07:31. > :07:35.number of consecutive night shifts from seven, down to four, and limits
:07:36. > :07:41.weekly hours to 72. That is still almost double a normal working week.
:07:42. > :07:44.We're going to be looking for 40 years of service from a junior
:07:45. > :07:47.doctor, but we are not going to get it if they are so exhausted that
:07:48. > :07:54.they have accidents like Lauren, or otherwise. Nobody should leave their
:07:55. > :08:08.home and not return from work. Thanks to Brian Connolly for talking
:08:09. > :08:12.to us about his daughter, it makes you think. You feel like you are
:08:13. > :08:18.doing the right thing by trying to get home. Nick can talk to us about
:08:19. > :08:23.this. We saw that they are reducing it, there is not as many consecutive
:08:24. > :08:28.nights. How else does the junior doctor contract offer protection? An
:08:29. > :08:33.important new clause in the contract, if a doctor feels that
:08:34. > :08:37.they are too tired to drive home after a shift, the hospital must
:08:38. > :08:40.provide a place for them to sleep. If they have somewhere on the
:08:41. > :08:44.premises, a dedicated area, in a hotel or a cab home. That's
:08:45. > :08:47.important for junior doctors, there will often find that they are moved
:08:48. > :08:51.from hospital to hospital. They might have a longer drive home than
:08:52. > :08:56.they would like, on occasion. As part of qualifying, they have to
:08:57. > :09:00.move around. Outside of the medical profession, there are 3.5 million
:09:01. > :09:04.people that have a job that involves them travelling late at night or
:09:05. > :09:08.through the night? A lot of people watching will be able to identify
:09:09. > :09:12.what it does with your body. Sleep deprivation, tiredness and fatigue
:09:13. > :09:17.is horrible. It is like jet lag, it takes ages to recover. It is really
:09:18. > :09:21.serious, it is costing lives. It is thought 20% of accidents in the UK
:09:22. > :09:26.are linked to fatigue in some way. We know that a lot of accidents
:09:27. > :09:30.happen overnight. But it is not just night driving, night workers.
:09:31. > :09:34.Because the human body craves sleeping twice a day, most accidents
:09:35. > :09:39.happen between 2am and 6am in the morning, but also 2pm and 4pm. That
:09:40. > :09:42.gets more pronounced with older drivers. You have a problem that you
:09:43. > :09:47.have got to be aware that when you feel tired, listen to your body, it
:09:48. > :09:53.could have serious applications for your safety. You hear about what you
:09:54. > :09:59.could call old wives tales, wind down the window, turn up the music
:10:00. > :10:02.loud, do they help? They don't really help at all. The moment you
:10:03. > :10:05.think that you are so tired that you need to wind the windows down, that
:10:06. > :10:09.is the moment you should make immediate plans to stop and get some
:10:10. > :10:13.sleep. The way to get through it is to have 15 or 20 minutes sleep.
:10:14. > :10:18.Combine that with a caffeinated drink and you should be OK for one
:10:19. > :10:22.or two hours. There is no substitute for a good night's sleep. We
:10:23. > :10:29.appreciate not everybody can do that, which is why we have to take
:10:30. > :10:34.responsibility. If you are a passenger in a car and you are
:10:35. > :10:37.tired, chances are your driver is tired. If your passenger is asleep
:10:38. > :10:43.next to you, you should be thinking about getting sleep. It must have
:10:44. > :10:47.happened to you, coming back from a gig? I don't want to quit myself
:10:48. > :10:52.junior doctors, but I was so tired, I was going at midnight and I was
:10:53. > :10:59.stopped by the police. I was so tired, I was hallucinating. I
:11:00. > :11:04.thought I see pterodactyls swooping. They said, do you know how fast you
:11:05. > :11:09.are going? I said, 80, 90? You were doing ten mph in the middle lane. We
:11:10. > :11:13.watched you for a minute and you suddenly ducked. I said, did you see
:11:14. > :11:19.the pterodactyl? They took me to one side and they make me sleep. I
:11:20. > :11:24.remember they were still there, and when I woke up, they were gone. They
:11:25. > :11:29.were kind enough to do that. This is where we need to stop, nobody needs
:11:30. > :11:33.to see pterodactyls! I heard them saying the secret to success is
:11:34. > :11:35.sleep, when they say sleep on it, if you sleep on something, in the
:11:36. > :11:37.morning you have a great idea. And you can hear more
:11:38. > :11:40.about the risks taken by our Junior Doctors
:11:41. > :11:42.on Inside Out South straight And it's available for the rest
:11:43. > :11:46.of us on BBC One HD - again, straight
:11:47. > :11:48.after tonight's show. Now, with more and more people
:11:49. > :11:51.leaving it later to have children, it's perhaps surprising that older
:11:52. > :11:54.mums still face a media backlash - just look at the headlines
:11:55. > :11:56.about Janet Jackson having And Dame Julia
:11:57. > :12:01.Peyton-Jones at 64, too. But is it anyone else's
:12:02. > :12:03.business but their own? Where better for Esther to pose
:12:04. > :12:06.the question than the town celebrating its 50th birthday
:12:07. > :12:25.today - Milton Keynes? Do you think is anyone's business if
:12:26. > :12:29.somebody who is older has a baby? As long as they are happy and healthy,
:12:30. > :12:32.and they have a nice family and love, it is entirely up to them.
:12:33. > :12:38.Nothing to do with anybody else. When they have kids at 60, they will
:12:39. > :12:42.be completely knackered! I have had three of my own, I know how tiring
:12:43. > :12:46.it is and my grandchildren are hard work. Wait until they get to a
:12:47. > :12:52.teenager! My God. That would see them right off. For the mother, it
:12:53. > :12:55.is amazing, maybe the first child? Vote for the child come I don't know
:12:56. > :13:01.if the mother would be strong enough to support the child through the
:13:02. > :13:06.whole childhood. When you had your grandchildren, do you feel it? It's
:13:07. > :13:11.true, after a whole afternoon dancing... The sooner they go, the
:13:12. > :13:18.better, you think. For my generation, I think it should be
:13:19. > :13:25.between 20 and 30. Three women over 50 a week have babies.
:13:26. > :13:31.I don't think people should stereotype people of a certain age.
:13:32. > :13:38.I think it is nice, no matter what the age. What about a lady of 64
:13:39. > :13:47.having a baby? God, rather heard and me. I struggle at 34. What do you
:13:48. > :13:53.think? She is mad! It is unfair on the kid, when the kid is ten, she is
:13:54. > :13:58.70, were now 20, she will possibly be on her deathbed. That is kind of
:13:59. > :14:04.mean! I am 76, how much longer would you give me? I don't know. 55, I
:14:05. > :14:10.think that is sensible, after that, I think it is risky for the child.
:14:11. > :14:15.If the man gets ill, who will look after the child? The husband? When I
:14:16. > :14:24.have my daughter, I was classed as an older mother and I was 36. Do you
:14:25. > :14:29.feel like you are worn out? Sometimes. I have my worn out
:14:30. > :14:36.moments. Varied opinions. Let's move on to the dad of three, Omid.
:14:37. > :14:42.Schmuck For A Night, you have been touring since August, so you have
:14:43. > :14:47.been one for a while? Yes, for the autumn, summer, winter. It is a
:14:48. > :14:53.completely different show now. It's amazing. It is supposed to take in
:14:54. > :14:55.world events. In a press release, sometimes you will not laugh at
:14:56. > :15:00.something until you get home and look at the telly. That has happened
:15:01. > :15:04.more than I would have expected. But it is ever evolving. It is different
:15:05. > :15:08.most nights. You are touring the UK, but ended up in Finland. How did
:15:09. > :15:14.that go? What on earth were you doing there?
:15:15. > :15:25.I managed to offend the people in Finland. I noticed their language,
:15:26. > :15:30.it is not your normal Scandinavian language. It is a derivative of
:15:31. > :15:34.Turkish and Hungarians. It is a very harsh language shall I do not know
:15:35. > :15:45.if people are talking more die lungs are collapsing. This is no joke. In
:15:46. > :15:56.the car, I broke wind quite loudly. The taxi driver said, where did you
:15:57. > :16:01.learn to speak Finnish? The reason you are carrying on going in the UK
:16:02. > :16:07.as there is a demand to see you. People are inviting you. The
:16:08. > :16:15.reviews. That is the thing. I never knew that Tours were by invite only.
:16:16. > :16:22.When I did 12 date tours before, that is a real shock to me. I am
:16:23. > :16:28.happy that where there is demand I will go. Are you incorporating dance
:16:29. > :16:33.moves into your tour? I did not. In August I have never had more people
:16:34. > :16:39.at the stage door complain. They want this dancing. That is great
:16:40. > :16:42.dancing. They said if you do not do dancing, there will be
:16:43. > :16:58.repercussions. I am being serious. You have shrewd Rita more. Go to
:16:59. > :17:05.Blackpool, out of season. -- shrewd -- Shrewsbury tomorrow. 110 dates in
:17:06. > :17:12.total. You are halfway through. You are also doing a Disney film at the
:17:13. > :17:18.same time. That was contentious. I was supposed to do jury service.
:17:19. > :17:23.Comics when they are called for jury service say they are a comedian and
:17:24. > :17:33.on medication. I got to do this massive Disney film, The Nutcracker.
:17:34. > :17:39.I had to stand before a judge. He said, I understand you're doing a
:17:40. > :17:45.film called the Nutcracker. I said it is the noise that men of my age
:17:46. > :17:53.and weight make when they sit down. He said, you're going to court six.
:17:54. > :18:02.I missed the first few days of filming. It will come out in 2018.
:18:03. > :18:10.It is real people. Not an animation. They are doing Dumbo now, live
:18:11. > :18:18.animation. The Nutcracker should be the ultimate.
:18:19. > :18:20.Now, it's one of the most-famous venues in the country...
:18:21. > :18:23.Having hosted the likes of David Bowie and The Clash.
:18:24. > :18:26.If you've ever danced, moshed or air-guitared the night
:18:27. > :18:29.away at Glasgow's Barrowlands, you've got one very-determined
:18:30. > :18:55.All that lovely steak. Fancy one of them? The barriers sells everything
:18:56. > :19:00.under the san. This place is steeped in history. If you look up that we
:19:01. > :19:08.will see a mark of Glasgow royalty. Maggie McIver, Queen of the Barras.
:19:09. > :19:13.Born in 1879, Maggie worked a market stall from the age of 12. A canny
:19:14. > :19:20.entrepreneur she put her money back into the business. By the 1920s she
:19:21. > :19:27.had built an empire, Barrowland. Writer Jack Maclean grew up nearby.
:19:28. > :19:31.This is teeming with life. There were kids everywhere, little dogs
:19:32. > :19:38.everywhere but if he did not trip over the goods, you would trip over
:19:39. > :19:42.children. It was like a football crowd, a day out. I used to come
:19:43. > :19:49.here as a teenager. It was really exciting, just hearing the banter.
:19:50. > :19:55.Maggie McIver was the queen of the Barras. What did she look like? She
:19:56. > :20:01.had one macro brown eye, one macro blue eye. She wore boots. She owned
:20:02. > :20:08.the ground, which was worthless at that time she rented out the stalls.
:20:09. > :20:15.That is where the fortune was made. So, where does the rock and roll bit
:20:16. > :20:18.coming? Well, the Barras Queen did something exciting is that she built
:20:19. > :20:28.a ballroom in the heart of her market. Maggie was standing outside
:20:29. > :20:34.the ballroom. Recognising Glasgow was the dancing city. Capitalising
:20:35. > :20:40.on this, she built a ballroom. That was a big risk. It must have been
:20:41. > :20:46.fabulous. We are talking great deprivation, during the 30s, 40s,
:20:47. > :20:48.early 50s. People could be Fred Astaire and Ginger Rogers for a wee
:20:49. > :21:01.while. Rebuilt after a fire in the 50s, the
:21:02. > :21:09.Barrowland ballroom is now a top rock venue which has echoed to the
:21:10. > :21:13.sound of Oasis and Primal Scream. I'm having a tour. That is the
:21:14. > :21:19.beauty, that they have kept the character. It is a venue that still
:21:20. > :21:24.has a personality. It has built up over decades you do not get that in
:21:25. > :21:32.a modern arena. This is where the magic happens. I am sure the spirit
:21:33. > :21:36.of Maggie is about. Yes, she is one of the greatest entrepreneurs. What
:21:37. > :21:44.do they call the place? I believe they call it your tombstone. The
:21:45. > :21:51.tombstone. That is right. I built that with hate and knees and pennies
:21:52. > :21:59.for the if it's not a rude question, how old are you? -- half pennies and
:22:00. > :22:02.pennies. All my family have worked in the Barrowlands, they still do
:22:03. > :22:12.today what do you think she would have made of this rock venue that it
:22:13. > :22:18.is today? She would go with it. Tonight, Bossi Love make a shout out
:22:19. > :22:23.for the women who made all possible. A shout out for Maggie McIver, who
:22:24. > :22:35.opened the Barrowlands all those years ago.
:22:36. > :22:46.The whole history of the Barrowlands is now embedded in Scotland's
:22:47. > :22:52.Heritage, it is part of Scotland's psyche and we are proud of it.
:22:53. > :22:58.Maggie died in 1958 a millionaire. Her rain may have ended but Maggie
:22:59. > :23:02.left behind something that Glasgow still holds clear. What better at
:23:03. > :23:09.the task at the Queen asked for than that? Thank you, Glasgow. I hope you
:23:10. > :23:19.have an amazing night. When you walk into the venues, you must get that
:23:20. > :23:24.real sense of nostalgia. I did Jukes ree recently. It is the theatre
:23:25. > :23:32.where Morecambe and Wise were. You can really feel the history of the
:23:33. > :23:38.place. If they ever got rid of the comedy store in London I would be
:23:39. > :23:42.really upset. Laughs bounced around and they put a microphone in the
:23:43. > :23:47.middle of the audience to amplify the last. The first tie when I was
:23:48. > :24:00.laughing. I don't get what is going on. It is infectious. Omid,
:24:01. > :24:14.this is a little bit higher than ten metres.
:24:15. > :24:25.Humans have always harboured an obsession with flight. Flying
:24:26. > :24:28.unaided through the sky. A 21st-century wing suit has brought
:24:29. > :24:34.us closer than ever to the dream of flight. There have been many
:24:35. > :24:40.casualties along the way. In 1912, an Austrian leapt from the Eiffel
:24:41. > :24:45.Tower. The jump proved fatal. It marked the beginning of the race for
:24:46. > :24:51.mankind to fly like a bird. Many pioneers went on to pay the ultimate
:24:52. > :24:58.sacrifice. Their endeavours helped to shape our understanding of human
:24:59. > :25:03.flight. Today's wing suit technology has provided some stunning results.
:25:04. > :25:09.Wing suit allows skydivers to dive through the air at speeds up to 225
:25:10. > :25:15.miles an hour, travelling as far as almost 19 miles across varied
:25:16. > :25:21.terrain. How do they work? This doctor is a lecturer of astronautics
:25:22. > :25:26.and a wing suit pilot. We have to turn a human being into an aircraft.
:25:27. > :25:30.If we were to stop engines in flight, you would not necessarily
:25:31. > :25:35.fall out of the sky can you with guideline glider. You have to turn
:25:36. > :25:42.the human being into a glider. The wings we have in their wing suit our
:25:43. > :25:51.bottom skin and a top skin. We RAM are into these events which inflates
:25:52. > :25:57.the wing. This shape allows us to generate lift. Today I am putting a
:25:58. > :26:01.21st-century wing suit to a test. Unlike traditional skydives cricket
:26:02. > :26:08.is essential that I create a detailed flight plan. Neal has
:26:09. > :26:13.completed over 400 wing suit dives. Today we should be jumping out of
:26:14. > :26:18.the aircraft from 15,000 feet. With their wing suits we have, we are
:26:19. > :26:23.looking at fairly good airtime. The distances you can cover, compared
:26:24. > :26:28.with normal skydiving, are incredible. You need to be careful
:26:29. > :26:35.of that. We can fly for ten, 15 seconds. Turn left 90 degrees and
:26:36. > :26:38.then turn left again 90 degrees and that will bring us back towards the
:26:39. > :26:45.drop zone. With the wind direction to want to open our parachutes
:26:46. > :26:48.roughly in this area. You will be controlling the count, letting me
:26:49. > :26:53.know when we are going. You will not be telling us, you will be doing a
:26:54. > :26:59.visual representation. You can scream if you like. Control it with
:27:00. > :27:04.your head. Out, in, then we will go, both of us together. The timing on
:27:05. > :27:10.that is pretty critical. The most important thing is that by 4000 feet
:27:11. > :27:15.we are safely over the drop zone. Correct. With rehearsals over, it is
:27:16. > :27:22.time for Neil and I to take to the skies. As the plane reaches 15,000
:27:23. > :27:28.feet, we make final checks to our suits. I learned a half away from
:27:29. > :27:33.the drop zone, we exit the plane. -- a mile. Only by flying in the same
:27:34. > :27:39.direction and turning back we can avoid flying too far and missing the
:27:40. > :27:45.target. We soon hit our top speed of 120 miles an hour. At this speed,
:27:46. > :27:51.even the tiniest change in my body position has a huge impact on the
:27:52. > :27:59.direction of my flight. Neil uses his experience to fly directly
:28:00. > :28:00.behind me. Then, at 4000 feet, we deploy our parachutes and make our
:28:01. > :28:17.way safely to the ground. The dive itself went perfectly.
:28:18. > :28:24.Lugging it around, it was beautiful. It may have taken a century to
:28:25. > :28:28.perfect but it was worth it. A lot more exhilarating than a regular
:28:29. > :28:40.skydives. So much closer to the ultimate dream of human flight.
:28:41. > :28:44.There we are. Finishing the programme on a high.
:28:45. > :28:47.Thanks so much to our guest, Omid Djalili.
:28:48. > :28:51.You can see him on tour at a venue near you for the best part of 2017.
:28:52. > :28:54.Tomorrow night, we're celebrating the return of Trainspotting