:00:23. > :00:42.# I'm # I'm going to shout it out. #
:00:43. > :00:55.Do you remember this? Reef are back and what a beard Jack has. It looks
:00:56. > :01:00.brilliant. Beautiful beard. and what a beard Jack has. It looks
:01:01. > :01:03.gorgeous, Jack is literally, it and what a beard Jack has. It looks
:01:04. > :01:08.he is literally a silver surfer, here is the proof. Here he is
:01:09. > :01:11.channelling his youth. Looking superb there.
:01:12. > :01:14.Skateboarding as well. Tonight, we are joined by two women who in the
:01:15. > :01:17.comedy series Boomers show because are joined by two women who in the
:01:18. > :01:24.you are getting older it doesn't mean you have to grow up You are old
:01:25. > :01:29.enough to be his mother. Big sister. We are just talking. It's a meeting
:01:30. > :01:39.of minds. A cultural exchange isn't it. Exactly. A very cultured people.
:01:40. > :01:44.We are. Forgot my bag. Just because he flashes his triceps at you women
:01:45. > :01:52.of our age should have more dignity. I like your leather pants. Oh, thank
:01:53. > :01:55.you. It is just something I threw on earlier.
:01:56. > :02:03.What? Please welcome Alison Steadman and
:02:04. > :02:10.Paula Wilcox. Are those are the trouser? He was nice. He is very
:02:11. > :02:13.nice. We will talk about Boomers in due course, but what is your
:02:14. > :02:20.attitude then, towards ageing gracefully? And do you do anything
:02:21. > :02:23.childish as you grow up? I would say about ageing, don't bother. It is
:02:24. > :02:31.not everything it is cracked up to be. Really? OK. On the childish
:02:32. > :02:36.point. Live and have a bit of fun. Age disgracefully. Try not to dwell
:02:37. > :02:42.on it. If I want a gin and tonic I will have one. I am not going mad
:02:43. > :02:49.you know in that direction, but, life is for living, isn't it. My
:02:50. > :02:54.childish thing, talking of gin and tonics would be a cup of Bovril,
:02:55. > :03:00.late at night. That is what we used to have as children. It is such a
:03:01. > :03:07.comfort food. We can sort that out. We will get one for you. I drink gin
:03:08. > :03:11.and on the anybody now. Joining us as well is Nick Hewer, it is hard to
:03:12. > :03:16.imagine you doing childish things but what is the most childish thing
:03:17. > :03:19.row do these days? I can sit on the floor and watch Tom and Jerry
:03:20. > :03:25.cartoons by the hour. I love them. I love it. An insight into Nick Hewer,
:03:26. > :03:28.for tonight we have set him the hardest task of his career in PR.
:03:29. > :03:34.Find out what that is about later on. Have you seen this today? There
:03:35. > :03:38.is man called Peter Barnard, and he has decided to sell a rather unusual
:03:39. > :03:43.collection of these. Rawl plugs, that is his thing, the plastic thing
:03:44. > :03:48.you put in the wall? How can that be a thing? Look at this collection, it
:03:49. > :03:53.goes all the way back through history, but, he has decided to sell
:03:54. > :03:56.up. Yes, now as you can imagine, his wife Jane is pretty happy about his
:03:57. > :04:00.decision and tonight, we would like to hear from other people like Jane.
:04:01. > :04:03.Yes, so if you do have a family member, with a hobby or collection
:04:04. > :04:07.you would like to see the back of, then send us a picture of them and
:04:08. > :04:13.it, and explain why. And we will decide whether they should give it
:04:14. > :04:18.up or not. You secretly love that collection don't you. Not secretly.
:04:19. > :04:22.I'm happy. I might even make him an offer! Any way... Speaking of money
:04:23. > :04:26.and good investment, imagine you have spent you whole life playing
:04:27. > :04:29.off the mortgage, only to find out that in 40 years' time your home and
:04:30. > :04:33.the whole village could be under water. For the residents of
:04:34. > :04:40.Fairbourne in North Wales it isn't just the sea that is to blame but
:04:41. > :04:44.the council too. Icy breaker, whipping wind and a
:04:45. > :04:50.miniature steam railway. The classic British seaside resort.
:04:51. > :04:53.Except this resort is a little different. Because this train, the
:04:54. > :04:59.railway, and the village it runs through are set to be sacrificed to
:05:00. > :05:04.rising sea-level and the council has decide Ied it is not worth trying to
:05:05. > :05:08.stop it. 1100 people call Fairbourne home year round, but the number
:05:09. > :05:14.swellsome summer, many residents holidayed here as children, in the
:05:15. > :05:18.'50s and 60s. The low lying village is protected from the sea by a
:05:19. > :05:26.natural shingle bank and basic flood defences.
:05:27. > :05:31.Peter moved here 25 years ago. If I demonstrate by picking up this
:05:32. > :05:37.stone, and throwing it out to sea, you will see in time that that stone
:05:38. > :05:42.will be brought back ashore by the natural processes of the sea. The
:05:43. > :05:47.problem is, that is not happening fast enough in terms of sea-level
:05:48. > :05:51.rise. But a shore loin management plan accepted by the council says
:05:52. > :05:54.the cost of raising the bank would be huge, with no guarantee lives
:05:55. > :05:58.could be protected if water came over the top or burst through the
:05:59. > :06:03.bank. The council says it will protect Fairbourne for the next 40
:06:04. > :06:08.years, after that, it will by a ban donned to the waves.
:06:09. > :06:13.And the ripples from that decision are hitting Fairbourne's residents
:06:14. > :06:17.hard. This house is home to 72-year-old Sylvia and her husband
:06:18. > :06:23.Bob. Good afternoon. Hello civilia. How nice to meet you. As they paid
:06:24. > :06:28.off their mortgage it is their main asset, or so they thought. This is
:06:29. > :06:33.the house I wanted to leave to my children, the inheritance for them
:06:34. > :06:36.and for the grandchildren. It is something we say can reflect our
:06:37. > :06:42.lifetime work. What is the value of your house? We have had it valued
:06:43. > :06:49.and the reports valued it at zero. Zero? Zero, so I am really angry
:06:50. > :06:53.this is the result of what has been imposed on us from this shoreline
:06:54. > :06:59.management plan. You could sell your thousands a cash buyer? I could but
:07:00. > :07:04.we below the market value. From her house it's a short walk to the home
:07:05. > :07:08.of Julie and Bob. How long have you lived here? We have lived here about
:07:09. > :07:12.nearly eight years. Until recently they were planning to sell up and
:07:13. > :07:17.move back to Yorkshire with Julie's mother. How much was your house
:07:18. > :07:25.worth before the plan was adopted. We had it on the market for 260,000,
:07:26. > :07:29.and now, it is probably worth less than ?100,000 thousand. And that
:07:30. > :07:35.means they can't afford to move. So you are stuck? We are stuck here
:07:36. > :07:40.until the day we pop our clogs. Businesses like this building
:07:41. > :07:46.company are suffering too. Things are going from bad to worse. People
:07:47. > :07:50.aren't repairing the properties. We were getting about ?30,000 worth of
:07:51. > :07:54.trade out of Fairbourne, now it has dropped to seven. There are
:07:55. > :07:58.thousands of properties facing the same threat round Britain, but
:07:59. > :08:01.Fairbourne is the only village to face being wiped out in its
:08:02. > :08:04.entirety. While the council points to
:08:05. > :08:08.predictions that sea-levels will rise 50 centimetres in 50 years
:08:09. > :08:12.villagers say it is initially accepted they will rise just 20
:08:13. > :08:16.centimetres. Leaving their homes safe.
:08:17. > :08:20.So far there has been no talk of compensation, the council has said
:08:21. > :08:23.it will rehouse villagers or find them privately rented accommodation
:08:24. > :08:29.elsewhere, but for many people here, that is just not good enough.
:08:30. > :08:34.Angry residents have dug deep to hire a barrister to challenge the
:08:35. > :08:39.decision to abandon Fairbourne but the council is sticking to its guns.
:08:40. > :08:43.It says the best estimate is that defending Fairbourne won't be
:08:44. > :08:47.sustainable in 40 or 50 years' time. Guy, aren't you just trying the face
:08:48. > :08:52.down the power of nature here? Not at all. Not at all. It is not nature
:08:53. > :08:55.that is the problem, it is those people who decided to decommission
:08:56. > :09:03.our village and put our lives on hold.
:09:04. > :09:09.Our hearts go out to the residents. Nick is here to give us information
:09:10. > :09:14.about compensation right for home uner who might be affected by it.
:09:15. > :09:18.The outlook is not good. There no statutory compensation available to
:09:19. > :09:22.any property owner or landowners who might be affected by coastal
:09:23. > :09:26.erosion, you saw in the piece the residents have hired a barrister
:09:27. > :09:31.they want to force a judicial review of the council decision, and
:09:32. > :09:34.possible judicial review, they say depending on the outcome they
:09:35. > :09:38.reserve the right to sue for compensation, at the moment no-one
:09:39. > :09:42.has the right to. What is happening in Fairbourne is relevant to all
:09:43. > :09:47.coastal area, how many houses then, are going to be affected by the
:09:48. > :09:52.rising sea-levels? The National Trust, which does own round 700
:09:53. > :09:56.miles of coastline did a study in 2005 and it found that 117,000
:09:57. > :10:01.properties in England alone were at medium to high risk of coastal
:10:02. > :10:05.erosion, they did the same study in 2014, two years ago and they found
:10:06. > :10:09.that figure had gone up to 129,000 which is a rate of 10% in less than
:10:10. > :10:15.ten year, frankly if that all goes on we are all going to be in
:10:16. > :10:19.trouble. And I mean, there are some dramatic examples of coastal erosion
:10:20. > :10:24.which we have seen, Birling Gap is one example. We can see a photograph
:10:25. > :10:27.of two coastguard cottages here we have been left after steady being
:10:28. > :10:30.eroded through the coast. There were seven when they were originally
:10:31. > :10:34.built. And there is only two left. They say there is only two visible
:10:35. > :10:40.in that photograph. I think possibly more than that there. But they are
:10:41. > :10:44.saying that in 2014, the storms then knocked three metres off the
:10:45. > :10:48.coastline in the space of four months. Normally they would be
:10:49. > :10:53.losing that coastline at that rate over seven year, around we can also,
:10:54. > :10:59.you may remember this, show you footage from Hemsby in Norfolk, The
:11:00. > :11:04.One Show was present there, in 2013, doing a piece on coastal erosion,
:11:05. > :11:07.when overnight a tidal surge swept away five bungalows into the sea.
:11:08. > :11:12.And that was obviously devastating for the community then, it goes to
:11:13. > :11:14.show the power of nature. Yes. That took our breath away. I remember
:11:15. > :11:20.that clearly. It is worth pointing out it seems
:11:21. > :11:24.like there has been heavy erosion, because it seems we have lost
:11:25. > :11:30.Ireland there. And a bit of Land's End as well. Let us talk about
:11:31. > :11:33.communities really that are taking action themselves, because obviously
:11:34. > :11:41.there is no compensation, some communities are doing what they can
:11:42. > :11:47.to save their own villages. Yes a village in Suffolk, the landowners
:11:48. > :11:50.and the and they built their own flood defence, you can see them
:11:51. > :11:55.under construction, they got these flood defences put in place, but
:11:56. > :11:59.sadly, since then, those defences have already been breached so they
:12:00. > :12:04.are looking at fundraising again, in order to try and repair those
:12:05. > :12:09.defences. And also, there are some very very interesting ideas being
:12:10. > :12:12.put forward now, the National Trust says you can't build a ring of
:12:13. > :12:16.concrete round the British isle, so we have to think creatively about
:12:17. > :12:20.how we deal with coastal erosion, and one of the main ideas they are
:12:21. > :12:25.talking about is this strategy of managed retreat. We can give you an
:12:26. > :12:31.example of that. We may have seen the footage earlier, but this is
:12:32. > :12:34.near sells by in Sussex. This is a collaboration between the RSPB and
:12:35. > :12:39.the Environment Agency, what they did was built a wetland for birds,
:12:40. > :12:44.so you are losing some land but the 360 homes behind that, which is
:12:45. > :12:47.absorbing the power of the sea, had their defences significantly shored
:12:48. > :12:52.up. There is some whacky ideas coming through, the idea of building
:12:53. > :12:57.moveable buildings so you keep your Seaview at an arm's length and
:12:58. > :13:01.retreat up the garden at the same rate the coastline is eroding. That
:13:02. > :13:06.sounds great. It might get to that point, who knows. Thank you Nick. In
:13:07. > :13:09.a moment, we are going to talk about the new series of Boomers where
:13:10. > :13:13.Alison and Paula's characters are dealing with the challenges of life
:13:14. > :13:19.after retirement. Before we see the comedy take on things Esther has hit
:13:20. > :13:23.the streets to hear your stories. Afternoon. Tell you what we are
:13:24. > :13:30.talking about is growing older. Yes, we know about that. Are you retired?
:13:31. > :13:34.Yes, oh my God yes. Should you grow old gracefully or disgracefully?
:13:35. > :13:39.Gracefully. Disgracefully. Definitely. I love getting older.
:13:40. > :13:45.You don't care what other people think. We have more time. What about
:13:46. > :13:51.romance? We get it where we can find it dear. And good luck Madame!
:13:52. > :13:57.What exactly are you looking for? Fantastic dates. I am always looking
:13:58. > :14:01.for that. Haven't found one yet You should be be able to be as gnawingty
:14:02. > :14:05.as you want to be. What would you really like to do that is naughty? I
:14:06. > :14:15.would like to have lots of young men. How many do you need in About
:14:16. > :14:18.eight. One a day and one over? Yes. Are you a retired person Retired
:14:19. > :14:28.firefighter, I do a day relaxing And your wife says? She says why don't
:14:29. > :14:32.we go out for walks? What are you VIN vision Luizing? Being in the
:14:33. > :14:37.shed. What was limiting your capacity to enjoy yourself when you
:14:38. > :14:42.were younger? I was too sense. One gets crazier as you get older. You
:14:43. > :14:47.get freer. You had all these years to perfect what you enjoy. I have
:14:48. > :14:53.been perfecting that. I still like to have a drink. I can't drink as
:14:54. > :14:59.much as I used to I must admit. Are you married? No. Have you ever
:15:00. > :15:04.been married No Do you want to? Oh yes, but only to you. Are you a
:15:05. > :15:11.married lady? No, life is hard enough, thanks.
:15:12. > :15:18.Letters say that married and we must spend all of our time together? Will
:15:19. > :15:24.it bring us closer? It will bring me very close! I look forward to that!
:15:25. > :15:36.Thank you. You are going to grow old disgracefully! What is wrong with
:15:37. > :15:46.that? That is fun! There you go! Funk not some snotty! They all
:15:47. > :15:52.wanted to be quite naughty? That was the predominant thing. Boomers does
:15:53. > :15:57.go after this thing, from what you have heard, what would you say
:15:58. > :16:05.relates to the characters that you play? Personally, I am almost torn
:16:06. > :16:10.between wanting to go for walks in the woods, bird-watching and doing
:16:11. > :16:15.that and then wanting to work. And luckily, in our job, we can keep
:16:16. > :16:20.working. It is not the kind of job when they say, you are 70, that is
:16:21. > :16:27.it. No more work. My partner has been working with Dorian mantle, she
:16:28. > :16:34.is 89 macro in a play at the national theatre. We can carry on.
:16:35. > :16:40.But I think that a gin and tonic! That will sort me out. What about
:16:41. > :16:44.your characters? Carol would very much identify with the lady who said
:16:45. > :16:50.she would like to have nominate different men on the side. She will
:16:51. > :16:56.try something new. -- to have eight men. That would be my take on what
:16:57. > :17:02.Carol would do. In Boomers you're in a relationship. Shall we meet the
:17:03. > :17:11.husbands? Carol, this is all good. Just lock the door. And movies over
:17:12. > :17:17.here. You will lose several layers of skin if you roll off. How was
:17:18. > :17:23.that? Five! Not on that one. That is Alan's. I do not want him involved.
:17:24. > :17:28.Can you believe that she could some people? You don't want them thinking
:17:29. > :17:38.badly of us. We paid for this! It cannot be helped. Get your own! This
:17:39. > :17:44.just seems like Rooney and area for comedy because characters have spent
:17:45. > :17:49.their time is working and now it is focusing on recreation and filling
:17:50. > :17:55.their time. And this is where the magic comes from? But it is hard for
:17:56. > :18:03.them, finding things to keep them busy and feeling important. Isn't
:18:04. > :18:07.it? They just loving going off on all of these trips and when they get
:18:08. > :18:11.onto the trip, it starts going wrong! And they regret doing this
:18:12. > :18:17.and going camping. It is very well written because each individual is a
:18:18. > :18:24.very clear character and that is what we all felt. It is very funny
:18:25. > :18:31.but it also raises some issues, like the fact that people in their 60s
:18:32. > :18:37.and 70s, they used to be retired for maybe ten years and they would start
:18:38. > :18:42.to die off. Everybody is now living for so long, if you look across the
:18:43. > :18:46.room at her husband, in our case, we have been married for 40 years and
:18:47. > :18:54.you might have another 30 years ahead of you. And this is the first
:18:55. > :19:00.time this has happened. Do you think this is a good reflection of the
:19:01. > :19:04.baby boomers generation? It has everything in it in terms of that?
:19:05. > :19:09.We are doing lots of things for the first time. They are full of energy
:19:10. > :19:13.and they go out and do things. Things go wrong and they have
:19:14. > :19:20.conflict but that is life. It is on a very nice level and it was such
:19:21. > :19:25.fun. You play characters of a similar age to yourself, and you
:19:26. > :19:29.mention baby boomers, do you feel privileged to have been part of the
:19:30. > :19:36.generation that maybe went to university for the first time? I do.
:19:37. > :19:39.I certainly do. I can remember when I got my place at drama school,
:19:40. > :19:46.where parents did not have any money and I had no money and I was able to
:19:47. > :19:49.get a grant to go to school. It was fantastic, they paid for everything
:19:50. > :19:55.and I feel sorry for students today, because they take on these huge
:19:56. > :19:58.debts and they sometimes get put off going to university or drama school
:19:59. > :20:03.because they think they cannot take on all of that. And the price of
:20:04. > :20:12.property increasing, three generation. We were lucky because
:20:13. > :20:15.our parents fought in the war. And they have parents who had also
:20:16. > :20:23.fought in a major war. And we escaped all of that. We escaped
:20:24. > :20:30.National Service. We did get a good education. Very fortunate. The fun
:20:31. > :20:36.side of that, you can see in the new series of ten three, which starts on
:20:37. > :20:37.Friday at 9pm on BBC One. -- the new series of Boomers.
:20:38. > :20:42.We're going to have a tipple in a moment with our
:20:43. > :20:44.barman for the night - scientist Mark Miodownik
:20:45. > :20:50.Mark thinks he's going to change the way we drink wine
:20:51. > :20:58.But first, here's Marty with some inventors who've found another way
:20:59. > :21:10.The humble washing machine has come a very long way from the days of top
:21:11. > :21:13.loaders and mangles. But there is a new kid on the block which could
:21:14. > :21:20.revolutionise the way that we wash clothes. This new washer uses up to
:21:21. > :21:24.80% less water. Add half of the amount of detergent and electricity
:21:25. > :21:31.than a typical machine. The secret is a rather unusual dirt buster.
:21:32. > :21:38.There are about 1.5 million of these tiny plastic beads, each one of them
:21:39. > :21:43.just if you millimetre is a cross, about the size of a peppercorn. They
:21:44. > :21:47.might not look like much but they are keyed to slashing the laundry
:21:48. > :21:52.bill. I am eating one of the brains behind this machine, Steve Jenkins.
:21:53. > :21:58.-- meeting. What are they doing? Gently rubbing the surface of the
:21:59. > :22:02.cloth as it goes around and tumbles so it is better than a conventional
:22:03. > :22:06.machine, conventional machines just rub together or hit against the
:22:07. > :22:10.surface of the drum to get the screening action and when you have
:22:11. > :22:15.all of these little pairs of hands doing it, it is a better wash. There
:22:16. > :22:21.is another remarkable way these beads can clean. They actually
:22:22. > :22:26.attract stains. These nylon beads do this by acting a bit like a magnet.
:22:27. > :22:33.It is all to do with their electrical charges. If you have a
:22:34. > :22:36.stain on your clothes, that public also has an electrical charge and it
:22:37. > :22:42.is attracted to the opposite charge. On this nylon. If, for example, I
:22:43. > :22:52.have a piece of cloth, I have some iron filings. I will distribute that
:22:53. > :22:59.liberally. And these yellow capsules are my super-sized nylon beads. As a
:23:00. > :23:05.rule them over, the filings are pulled towards them. And the beads
:23:06. > :23:10.have one last trick. Once the nylon balls get a hold of a stain, like
:23:11. > :23:23.this coloured liquid, they will not get it -- let it go. Gentle shake.
:23:24. > :23:29.If I take a piece of cloth... Give this a good press. None of the
:23:30. > :23:36.colour comes out. It has been trapped by the opposing electrical
:23:37. > :23:43.charge in the nylon beads. But how good will they be at attracting a
:23:44. > :23:48.really tough stain? To help us out by the rugby players of Sheffield
:23:49. > :23:58.Hallam University. They are getting nice and steady. -- dirty. OK,
:23:59. > :24:06.that's enough. Get changed and give me your dirty kit. Back at the lab,
:24:07. > :24:11.the beads get to work, using a fraction of the water, detergent and
:24:12. > :24:16.electricity used by a normal washing machine. When the cycle is finished,
:24:17. > :24:20.the beads are trapped in a drawer at the bottom, where they can be reused
:24:21. > :24:25.for another 1000 loads before being recycled. Although there are some
:24:26. > :24:31.stray ones. Overall, everything has scrubbed up well. The machines are
:24:32. > :24:34.currently being used in hotels and laundries in the UK and America. The
:24:35. > :24:40.inventors hope to have one for the home NFU years. -- in a few. I...
:24:41. > :24:45.That! -- do not know about that. We're in our One Show bar now
:24:46. > :24:49.with Mark, who's got a purely scientific approach to making
:24:50. > :25:00.drinks taste better This is a fact! Food as well? You're
:25:01. > :25:02.having a cook tonight against Marcus Wareing.
:25:03. > :25:06.Why do you think your scientific approach is better?
:25:07. > :25:13.Cooking is chemistry. We all know that. Understanding chemistry means
:25:14. > :25:18.you will understand cooking better. There is also the health aspect,
:25:19. > :25:24.markers uses a lot of butter and salt in his food. Can I cook as well
:25:25. > :25:31.as him, better than him, but not used such amazing amounts of fat. It
:25:32. > :25:36.was a big challenge. Quite intimidating. I was in the kitchen
:25:37. > :25:38.with him for five days, and you are saying, what are you doing? He was
:25:39. > :25:40.putting me off my game. Let's have a look at a clip
:25:41. > :25:44.from tonight's programme, where Marcus is less than impressed
:25:45. > :26:05.with one of Mark's dishes. Oh my God! You're kidding me? Can I
:26:06. > :26:14.try? Are you serious? It is potato. Do you know what comes out first?
:26:15. > :26:20.Suite. They are sweet. How can you get potatoes wrong? Honestly expect
:26:21. > :26:22.try making delicious mashed potato without lots of butter? It is mostly
:26:23. > :26:27.butter with potato. Luckily there aren't any
:26:28. > :26:29.potatoes here tonight. We do have champagne and I've got
:26:30. > :26:57.three glasses here - The key is a type of glass that you
:26:58. > :27:00.drink from? Who shook that? That shows you why Champagne is so
:27:01. > :27:06.celebrate. And it is not just the cost, it is the gas, we have lost
:27:07. > :27:10.some bubbles but we can see them coming out, that is the theatre.
:27:11. > :27:14.That is not the only thing bubbles are doing. They are collecting
:27:15. > :27:19.flavour in the liquid and delivering it to the surface and popping that
:27:20. > :27:28.into your nose. In a lot of flavour is the smell. Food and drink. Have a
:27:29. > :27:35.little swig. Who is having the best champagne experience based on the
:27:36. > :27:45.glass? I will have to have another swig. I am soaking! Very nice. Me!
:27:46. > :27:52.Because of the shape? I think it might be Alison. Because of the
:27:53. > :27:58.bubbles. But this is very nice. It is the tulip glass, giving the best
:27:59. > :28:00.experience on average. What is happening is these bubbles are not
:28:01. > :28:06.only delivering that flavour, into the air, but they are circuiting the
:28:07. > :28:11.liquid and are collecting more flavour and the way the bubbles act
:28:12. > :28:16.in the coupe is not so good, there are dead zones, the flute does that
:28:17. > :28:20.nicely, straight into the nose but the great thing about the tulip is
:28:21. > :28:27.it concentrates that. You can see that dead zone. When you compare
:28:28. > :28:30.that to the flute... You can see how beautiful and wonderful everything
:28:31. > :28:39.is, it is all happening. Talking of things happening. We have a blender.
:28:40. > :28:45.Red wine. Why the blender? You are cooking for people, I have not let
:28:46. > :28:51.the wine breathe. Do we have 30 minutes? No. So, get out the
:28:52. > :28:56.blender. I will pour out half of this into the blender. And I have a
:28:57. > :29:00.way to make this breathe, which is perhaps unusual but very effective.
:29:01. > :29:09.A little bit more. You do the normal one. Before and after. I will pour a
:29:10. > :29:15.glass. What you are saying is putting air into this does it
:29:16. > :29:22.quickly? This is very fast breathing and the oxygen is getting in there,
:29:23. > :29:31.it is acting... As this settles. We are tasting before. There you go.
:29:32. > :29:38.Obviously, that is just the same bottle of wine. Taste that. I'm sure
:29:39. > :29:44.the dinner guests will be delighted that they are being served from a
:29:45. > :29:50.blender! In my place, they are! Do you want me to? You have got that in
:29:51. > :29:57.your mind. Hold that tone and flavour. And the blended version...
:29:58. > :30:05.This is a perfect setting with the music. Demis Roussos! Any
:30:06. > :30:14.difference? This is much richer. Better. And it holds down that
:30:15. > :30:17.sharpness. You are right. You can take away a lot of the fruitiness,
:30:18. > :30:21.you can lose some flavour by doing that. We are going to eat some
:30:22. > :30:28.chocolate mousse. And we will eat this... In a very unusual way.
:30:29. > :30:32.Chocolate mousse is delicious but by drinking water with that,
:30:33. > :30:33.particularly mineral water, you can really enhance the flavour in your
:30:34. > :30:44.mouth. Thank you Mark, you can see how he
:30:45. > :30:49.gets on against Marcus Wareing in Chef v Science - The Ultimate
:30:50. > :30:54.Kitchen Challenge. Now this weekend sees another
:30:55. > :30:57.head-to-head take place, when Cambridge challenge current
:30:58. > :31:00.champions Oxford in the Boat Race and former competitor Dan Snow is
:31:01. > :31:08.shining some light on what makes a winning crew.
:31:09. > :31:14.Long pokes sure photography crating pictures with light in the dark is a
:31:15. > :31:20.it can knee we are keen on, we used it to illuminate the Peak District.
:31:21. > :31:24.Last year we lit up the Brecon Beacons, having achieved it in the
:31:25. > :31:29.water we thought we would try one on the water. Who better to help than
:31:30. > :31:34.elite rowing team, an elite rowing team making history.
:31:35. > :31:40.The Oxford-Cambridge Boat Race is one of the world's oldest sporting
:31:41. > :31:44.events and one I competed in myself three times, it wasn't until 2015
:31:45. > :31:48.the women's race was contested on the same stretch as the men's.
:31:49. > :31:53.History is made as the women's Boat Race is under way in 2015. Taking
:31:54. > :31:57.part that day on the winning team for Oxford and helping The One Show
:31:58. > :32:01.with tonight's photo challenge, were Maddie, Lauren and Anastasia.
:32:02. > :32:05.They are in the middle of a gruelling winter training regime in
:32:06. > :32:10.preparation for this year's race and back at the boat house the
:32:11. > :32:16.photographer Andrew is rigging four of the oars with colour changing
:32:17. > :32:19.LEDs, when he photographs the oars at night it should capture them as a
:32:20. > :32:23.single stream of light. Revealing the hidden pattern of their strokes.
:32:24. > :32:27.There is all sorts of things that could go wrong, water and
:32:28. > :32:32.electricity don't really mix. We have had to convert the lights to
:32:33. > :32:36.battery pack, they could fall off. Where do you take the pictures from?
:32:37. > :32:40.We need to get elevation, so we are shooting from a bridge, as the boat
:32:41. > :32:45.moves towards us, we start to see the patterns of the oars moving
:32:46. > :32:49.forwards and backwards. That is scary for the rowers because they
:32:50. > :32:52.will be caught out. Timing and staying synchronised is important.
:32:53. > :32:59.From above you can see who is not quite in time with everyone else.
:33:00. > :33:02.Maintaining perfect timing is one of rowing's greatest challenges so
:33:03. > :33:05.tonight's photo will put them under some pressure, but it will be
:33:06. > :33:09.nothing compared to what they will face on race day. It is fairly
:33:10. > :33:13.brutal time of year, the weather can be awful. I tend to forget what it
:33:14. > :33:18.is like to have good weather, you keep going. What about last year,
:33:19. > :33:21.you made history, you were the President, the captain, that was
:33:22. > :33:25.that incredible? It was incredible. At the time you were taking one day
:33:26. > :33:31.at a time, rowing is awesome, looking back it is wow, we did that,
:33:32. > :33:34.we made history, we won the first women's Boat Race, it was an honour.
:33:35. > :33:37.This year is special because we just get to think about the row, every
:33:38. > :33:41.year is a New Year and we are billing a new team. We have so
:33:42. > :33:45.excited. Tonight you are sitting it out because you are not tough enough
:33:46. > :33:50.to come rowing in the dark, you are going to be many in the boat. I am.
:33:51. > :33:54.Is it going to be weird? I is. I haven't rowed in the dark for a
:33:55. > :33:58.while, the river is quite high. Your oar is going to be covered in lights
:33:59. > :34:02.so we will see if you are time with the rest of the crew. Yes that is
:34:03. > :34:06.unfortunate. I am stroking so everyone else has to be in time with
:34:07. > :34:11.me. As night falls Andrew takes up position on the bridge. From his
:34:12. > :34:15.location, the boat will pass directly beneath him. It is down to
:34:16. > :34:19.athletes who back at the boat house are warming up they will need to be
:34:20. > :34:22.on perfect form because their accuracy will make or break the
:34:23. > :34:29.photo. The lights are on and they set off on course. Can you give us
:34:30. > :34:33.an ATA. He is exposing the photo for two minute, long enough to cap
:34:34. > :34:36.Thursday the full zwrurny as a single trail of light. I can see the
:34:37. > :34:42.purple lights coming down the river bank. But the first time attempts
:34:43. > :34:46.using purple are unsuccessful. The crew are starting the feel the cold
:34:47. > :34:50.but agree to one last attempt. Let us change colour, over.
:34:51. > :34:57.And for the final shot, they go for gold.
:34:58. > :35:02.But what will the image actually look like? OK, here is the moment of
:35:03. > :35:08.truth. I am so excited. Let's see. There it is. For the first time. No
:35:09. > :35:14.way! That is not what I was expecting. And there you have it.
:35:15. > :35:18.Eight elite athletes illuminated. Not just a work of art but a
:35:19. > :35:25.consistency of stroke patterns that tells me the Oxford boat this year
:35:26. > :35:29.is in safe hands. Nobody saw that one coming. I just
:35:30. > :35:36.thought it would be, straight lines of gold. It is fantastic. Absolutely
:35:37. > :35:41.beautiful. And as far as down on the water was concern, Dan has a
:35:42. > :35:43.documentary coming up. Boomers about the baby boomer generation but they
:35:44. > :35:47.represent lots of other big social the baby boomer generation but they
:35:48. > :35:51.change, they gave us the young professional female who Paula played
:35:52. > :35:55.in Man About the House and here is a clip from the very first episode in
:35:56. > :36:00.1973. You got some shaving cream? Yes it
:36:01. > :36:06.is out there with my pipe and rugger boots. You haven't got any? No. How
:36:07. > :36:14.about this? Would that do? Yes, that should be all right. That is fine.
:36:15. > :36:19.What is it? We use it for cleaning the bath. Brilliant. Brilliant. I
:36:20. > :36:25.mean at the time, when it came out it was huge. It was really quite
:36:26. > :36:29.edgy for its time. Because of a man sharing a flat with two women.
:36:30. > :36:35.And... Did row know, did it feel at the time when it was broadcast. It
:36:36. > :36:40.was fun. It didn't feel edgy at all because in those days sit comes were
:36:41. > :36:45.very safe territory, so they took care that there was never any
:36:46. > :36:49.danger, you know, of anybody getting into you know, any trouble, so it
:36:50. > :36:54.was just, it was just a joy, it was a real... Your character was a
:36:55. > :36:58.really strong young female, feisty as we said, did you sense at the
:36:59. > :37:04.time that things were changing for young women? I think we did. I think
:37:05. > :37:09.we did in the 60s really more even than the 70s, because we suddenly,
:37:10. > :37:13.like I was at school but we were wearing mini skirts and there was a
:37:14. > :37:17.lot of kind of rebellion in the air, there was a lot of we are not going
:37:18. > :37:21.to take this kind of you know, Government, we are not going to take
:37:22. > :37:26.you know, any nonsense, we are young, but we know where we are
:37:27. > :37:33.going, we know what we want to do next, and you know, as Alison said
:37:34. > :37:37.we got grants to study, we had a lot of help, we, standards were quite
:37:38. > :37:44.different. Very different from how it is now. You got to enjoy the
:37:45. > :37:46.finer things in life as you got older, and keeping up with the
:37:47. > :37:53.Jones' thing, we alluded to it earlier on in the wine item, this
:37:54. > :37:58.was classic example was you playing Beverley in Abigail's Party. We have
:37:59. > :38:05.to play it. If everybody wants to listen to
:38:06. > :38:12.Demis Roussos, we will put him on. Tom, do you like Demis Roussos? He
:38:13. > :38:19.is all right. He is fantastic Sue? I don't know him. He is lovely. Sue,
:38:20. > :38:23.would you like to hear him? Yes. Lawrence, Angela likes Demis
:38:24. > :38:26.Roussos, Tony likes Demis Roussos, I like Demis Roussos, and Sue would
:38:27. > :38:38.like to hear Demis Roussos. So please, do you think we could have
:38:39. > :38:43.Demis Roussos on? Yes. Thank you. APPLAUSE. Who came up with the idea
:38:44. > :38:47.that Demis Roussos would be symbolic then of the argument between Bev and
:38:48. > :38:51.her husband? Originally it was a stage play and we had different
:38:52. > :38:55.music, in the stage play, but when we came to do it on television they
:38:56. > :39:01.said we can't copyright reasons, and if it went to America, they couldn't
:39:02. > :39:06.afford it and so, we had to choose, so we sat down and you know, I
:39:07. > :39:11.discussed with Mike Leigh, what would she like, what would be the
:39:12. > :39:16.next choice? Demis Roussos was so obvious, because she has that sort
:39:17. > :39:21.of sexy thing and there was lots of nice jokes we could make about he
:39:22. > :39:27.doesn't sound fat even though he is. The syllables in Demis Roussos. Yes,
:39:28. > :39:33.and she could sway round the room, and you know, flirt with Tony,
:39:34. > :39:45.and... He was huge at the time wasn't he. Yeah, it was good fun.
:39:46. > :39:49.Right earlier on we asked for photos of people whoed you would like them
:39:50. > :39:54.to give up their collections. This is Reggie's collection of nuts and
:39:55. > :40:03.bolts. That looks like a supermarket. No wonder he is holding
:40:04. > :40:06.his cuppic like that. This is Luizia's husband's collection of
:40:07. > :40:10.football programmes and Jeanette's husband's kite collection. He has
:40:11. > :40:15.over 1,000. That is a pretty one. They are lovely. Reef outside, they
:40:16. > :40:20.are not just here to play, they are holding up pictures, who you got? We
:40:21. > :40:26.have Kevin's beer mat collection. Wow. OK. Jack, do you reckon that
:40:27. > :40:31.Kevin should give it up or keep it? As long as he has drunk every one of
:40:32. > :40:39.those beers he should keep on going. We agree. I will hold that one up,
:40:40. > :40:45.these three, the kites, the nuts and bolts and the football programmes,
:40:46. > :40:50.which should they go up. I don't think there is any competition is
:40:51. > :40:55.there? You love that you would buy that election too, wouldn't you. It
:40:56. > :41:00.would fit in with the rawl plugs. In the apprentice us the Nick Hewer
:41:01. > :41:04.relished in monitoring the candidate as they completed task for Lord
:41:05. > :41:10.Sugar. We have sent Nick a marketing challenge like no other.
:41:11. > :41:15.My career was built round launching products. I would like to think I
:41:16. > :41:19.was pretty good at it. It is one thing creating a strategy to market
:41:20. > :41:25.a computer, but what about changing the public perception of some of our
:41:26. > :41:32.least popular wildlife? Today it is rats. Volting. Vermin. The rat a as
:41:33. > :41:36.brand is in desperate need of revival. To convince myself I
:41:37. > :41:42.believe in this product, I have come to a gathering of the national fancy
:41:43. > :41:45.rat society. You have to involve a long way to find somebody who likes
:41:46. > :41:52.vermin as much as you clearly do. What is so special about this rat?
:41:53. > :41:57.They make really affectionate pet, they are clean, friendly. Oh. On the
:41:58. > :42:01.shoulder. Affectionate. All the rest of it. I had a dog that was all of
:42:02. > :42:05.those thing, you have to have something that makes them stand out.
:42:06. > :42:09.What do you have? You can teach them trick, they love to learn. They are
:42:10. > :42:13.food orientated so they learn very quickly. OK, so rats have got a lot
:42:14. > :42:19.going for them but rat fanciers would say that, the challenge is how
:42:20. > :42:23.to convince the wider public. When we launched the first mass market
:42:24. > :42:29.word processors all those years ago, what clinched it for us was an ad
:42:30. > :42:34.campaign, only 30 secs long but it reached millions. And rapidly
:42:35. > :42:39.changed people's perceptions. To make our rat advert I have enlisted
:42:40. > :42:45.the help of director Rob. What have you dug up? We have gathered some
:42:46. > :42:51.natural history footage together. What is it telling me? Doesn't make
:42:52. > :42:55.them admirable at all. I read this extraordinary article I told you
:42:56. > :43:00.about it, the hero rats in Africa, did you track anything down? We have
:43:01. > :43:06.some of that footage here, it is pretty remarkable. They could clear
:43:07. > :43:11.a mine field something like 200 time faster than you or I. What does it
:43:12. > :43:15.tell us about them? That they are smart, and they are worthwhile. Does
:43:16. > :43:20.it make them any more loveable? Maybe we could build a campaign that
:43:21. > :43:24.eases us towards admiration and from there we can tip it over into
:43:25. > :43:29.affection. You have to appeal to the heart as well as the head. What else
:43:30. > :43:34.do you have? I have got some great footage here, that I found on the
:43:35. > :43:39.internet. This is somebody who has trained their rats to do certain
:43:40. > :43:45.tricks are. Muir is so good. That is where the heart kicks in. Go in on
:43:46. > :43:49.this. Then come out on the more serious stuff. The idea we have come
:43:50. > :43:52.up with involves the construction of a miniature set, the cooperation of
:43:53. > :43:56.Oscar the rat and some hard thinking in the cutting room.
:43:57. > :44:07.What we have to come up with is a title. What about just Love a Rat?
:44:08. > :44:11.It is posing a question people think they know the answer to. We have
:44:12. > :44:21.some music, we have to get your thoughts on this. Nice. I like that.
:44:22. > :44:25.It is funny. It shows them being intelligent, appeal, and there is a
:44:26. > :44:31.message all in one shot. To put our ad to the test we are
:44:32. > :45:12.showing the film to some randomly selected members of the public.
:45:13. > :45:23.There you have it. Hopefully we have convinced at least a few people that
:45:24. > :45:30.rats are not so from this after all. -- not vermin, after all. Very good.
:45:31. > :45:36.I am a convert! This is a thing. We show that advert to 19 people. How
:45:37. > :45:40.many of them do you think you converted? I would pray almost all
:45:41. > :45:45.of them. There are always some awkward once. We don't have the
:45:46. > :45:58.results, Oscar has them. Let us have a look. He is very talented! 14!
:45:59. > :46:01.Very good! It wasn't easy. We can get people to admire them and
:46:02. > :46:08.eventually they like them, they are very cuddly. They are like my
:46:09. > :46:14.hamster, what with tales. What about you? I love rats, I think they have
:46:15. > :46:20.a bad name, they are brilliant creatures. Clean. I have heard of
:46:21. > :46:26.people having pet rats. They are quite popular. In the days I lived
:46:27. > :46:32.in, they had white rats and I used to take them out of the cage and
:46:33. > :46:36.struck them. Very sweet. This is important, the colour is very
:46:37. > :46:43.important. Caramilk coloured or white, it is the black rats, they
:46:44. > :46:50.are worrying us. We have to to move on. Other PR successes. What about
:46:51. > :47:00.the contents of this little box? That is extraordinary, do you know
:47:01. > :47:03.what is in there? It is a little pebble, with lots of personality,
:47:04. > :47:08.and it is as simple but when you put this in a box with holes and
:47:09. > :47:12.instructions and some straw, it takes on a personality. It was a
:47:13. > :47:18.huge success. It made the man millions. If you do not name your
:47:19. > :47:24.pet rock, it will never become a good listener! It is lovely. And
:47:25. > :47:28.when you get your pet rock out of the box and looks nervous, put it on
:47:29. > :47:37.some newspaper, you know what happens. And then it will settle
:47:38. > :47:41.down! Alison is like, what? It is good for children and parents. It
:47:42. > :47:48.was very clever. What about bottled water? This was a huge success? In
:47:49. > :47:54.the 1970s, 20 million litres of bottled water sold, people happy to
:47:55. > :47:57.fill up from the tap. Somebody came along and said, no, and it was
:47:58. > :48:02.Perrier, they said that we will sell very sophisticated French water in
:48:03. > :48:08.the collared bottle with a charming Labour -- label and the advertising
:48:09. > :48:14.was brilliant and the market boomed. It was astonishing. Last year, 2.61
:48:15. > :48:18.billion litres of bottled water sold. The content is pretty much all
:48:19. > :48:22.the same, the genius is in the packaging. To give you what
:48:23. > :48:28.personality, maybe they taste slightly different. But a brilliant
:48:29. > :48:33.marketing thing. The more they charge, the better you think it is.
:48:34. > :48:39.Obviously, there is a lot of bottled water, and some people say it tastes
:48:40. > :48:46.better than Perrier. And there is a hotel but offers a water menu? In
:48:47. > :48:52.Belfast. And there is one in Italy, and it was something like 80 euros
:48:53. > :49:00.for a bottle with a fake jewels stuck on the bottle. They say this
:49:01. > :49:05.is from a certain spa, how much water can still be coming out of
:49:06. > :49:12.this rock that is still sparkling naturally? The mind boggles. We have
:49:13. > :49:25.a little clip with a lady with a net. This is unbelievable? Pure
:49:26. > :49:30.genius, this lady is air farming, capturing air and putting it into a
:49:31. > :49:36.jar and putting a label on it and selling it for ?80 in China. Why?
:49:37. > :49:41.Because they know, this genius, knows that in China, luxury is the
:49:42. > :49:47.big thing. And they are selling them. And on that note! Marketing
:49:48. > :49:50.genius! Time now for a very important
:49:51. > :50:00.announcement about one Something we have never done before.
:50:01. > :50:06.We don't know who we will be doing this with, or where. We have brought
:50:07. > :50:11.to the One Show from some of the biggest festivals. Live at
:50:12. > :50:15.Glastonbury! From the Edinburgh Festival and other famous locations.
:50:16. > :50:23.Live at Hampton Court. Buckingham Palace! We want to bring the One
:50:24. > :50:28.Show to your place. We are leaving the studio and if you would like to
:50:29. > :50:30.see our sofa in the middle of your village green, we would love to hear
:50:31. > :50:35.from you. So please do not be shy. Send us an email with the subject
:50:36. > :50:38.line One Show Village and tell us why we should be heading
:50:39. > :50:41.your way this summer. We want you to be involved
:50:42. > :50:55.in the planning of the show. We want to stay over. We will need
:50:56. > :51:03.somebody's living room to put the lilo on! Get in touch!
:51:04. > :51:06.Paula, you're about appear in a new sitcom with David Mitchell
:51:07. > :51:15.It is a period comedy? David Mitchell is playing Shakespeare and
:51:16. > :51:23.I play his mother and Ben Elton wrote this. Like Blackadder? It is
:51:24. > :51:26.about Shakespeare and all of those days and it is very well researched
:51:27. > :51:32.and terribly funny. I think! Looking forward to it.
:51:33. > :51:34.Logistics for any high-profile sporting event can be complicated,
:51:35. > :51:37.but you wouldn't expect the list of requirements to include extra big
:51:38. > :51:40.beds, special detachable showers and weight-tested lavatories.
:51:41. > :51:50.They do make sense, though, for certain type of athlete.
:51:51. > :51:59.martial art at a way of life. Wrestlers live according to strict
:52:00. > :52:06.rules and rituals dating back 1500 years. But in 1991, and Danish man
:52:07. > :52:10.made a radical break with the agent tradition and he organised the first
:52:11. > :52:17.ever five-day sumo tournament outside of Japan. It was held right
:52:18. > :52:21.here at the Royal Albert Hall. What happened outside the ring was just
:52:22. > :52:30.as dramatic and seriously heavy duty. Martin Campbell White was the
:52:31. > :52:34.mastermind behind the whole thing. I come from an organisation that looks
:52:35. > :52:38.after classical musicians and went to Japan in 1983 with orchestra and
:52:39. > :52:41.it turned on the television and every night there was a sumo
:52:42. > :52:46.tournament and I became hooked and thought, this would be great in
:52:47. > :52:54.London. To realise his dream, Martin invited the sumo elders to London.
:52:55. > :52:58.And the thing that changed the deal was a 120-year-old piece of
:52:59. > :53:04.Victorian architecture. The original sumo arena in Tokyo was, in fact, a
:53:05. > :53:10.round building so when I brought the sumo elders to the Albert Hall, they
:53:11. > :53:16.drew breath in amazement and said, this is the place. First, the
:53:17. > :53:22.Victorian concert Hall had to meet the strict requirements of sumo. We
:53:23. > :53:29.had to make a ring. Insisting on a special sort of clay and sand with
:53:30. > :53:35.the right consistency. And the right chemical components. How did you get
:53:36. > :53:40.all of that in? Wheelbarrows! Loads and loads of labours. We only had
:53:41. > :53:45.three days to get things ready so it was nail-biting by the end. London
:53:46. > :53:52.had never seen anything like the giant sumo. Most of them weighing
:53:53. > :53:59.between 17 and 21 stone and the hotel had to put major plans into
:54:00. > :54:04.place. The meals had to be guaranteed normal portion and a
:54:05. > :54:06.half, it should be but they so they can come back for second and third
:54:07. > :54:12.helpings. The beds had to be lengthened by about two feet. The
:54:13. > :54:17.toilets were strengthened because of that and minds -- immense amount of
:54:18. > :54:22.blubber on the toilet seat could be damaging. But the rituals of sumo
:54:23. > :54:27.demand some things you will never find in London. Liz Harbour is an
:54:28. > :54:31.archivist at the Albert Hall. What sort of things did you manage to
:54:32. > :54:35.save from the tournament? This is the ceremonial broom, the officials
:54:36. > :54:44.use this to sweep the sand on the ring. Bamboo? This was buried
:54:45. > :54:47.halfway into the ring to denote the outskirts and the sumo wrestler went
:54:48. > :54:55.outside, they were knocked out. On the 9th of October 1991, but HBM
:54:56. > :55:03.precisely, the lights went down. The ceremonial gong sounded. -- at eight
:55:04. > :55:09.o'clock precisely. It was showtime. Linda was one of the stewards.
:55:10. > :55:14.Walking in and seeing the ring and the people and they were mesmerised.
:55:15. > :55:22.It was just amazing. Who was the big star? That was Dump Truck, he was
:55:23. > :55:25.huge but gentle. Everybody applauded him. Those memories are very special
:55:26. > :55:45.to me. He takes it! Hokotoumi was the winner and the
:55:46. > :55:50.British infatuation with sumo was short-lived. But it faded from
:55:51. > :55:53.television screens and also faded from popular consciousness and has
:55:54. > :55:56.never been back to Britain since. For five nights in 1991, it really
:55:57. > :56:02.was the biggest show in town. For five nights in 1991, it really
:56:03. > :56:06.can't believe For five nights in 1991, it really
:56:07. > :56:12.every year! Do I look like similar wrestler tonight! A little bit! We
:56:13. > :56:15.were asking for hobbies you want family members to give up and this
:56:16. > :56:23.is Paul's motor home magazine collection. Nick from Norwich
:56:24. > :56:30.collects trainers. Quite a nice thing to collect. Nice choice. Paul
:56:31. > :56:32.and Alison, thank you for coming in. Thank you to all the guests.
:56:33. > :56:35.The new series of Boomers starts on Friday at 9pm on BBC One.
:56:36. > :56:38.We'll be back tomorrow talking about the biopic of Eddie the Eagle
:56:39. > :56:40.with the man himself - Eddie the Eagle!
:56:41. > :56:43.But for now, with their new single, How I Got Over, it's Reef!
:56:44. > :57:12.# You know, my soul looks back and wonders how I got over
:57:13. > :57:21.# I wanna thank him because he brought me
:57:22. > :57:24.# I wanna thank him because he taught me
:57:25. > :57:27.# I wanna thank him because he kept me
:57:28. > :57:30.# I wanna thank him cos he never left me
:57:31. > :57:39.# I'm gonna shout it out, troubles over
:57:40. > :57:41.# You know, my soul looks back and wonders
:57:42. > :58:17.# I'm gonna shout it out, troubles over
:58:18. > :58:32.# You know, my soul looks back and wonders
:58:33. > :58:59.# I'm gonna shout it out, troubles over
:59:00. > :59:08.# You know, my soul looks back and wonders