:00:19. > :00:28.Hello. Welcome to the programme. Tonight, on Shakespeare's 450th
:00:29. > :00:33.birthday, we are hoping we will not have a comedy of errors, as Gyles is
:00:34. > :00:39.live in Stratford. We are also hoping all is well that ends well,
:00:40. > :00:43.as we reunite one of the stars of Chitty Chitty Bang Bang with one of
:00:44. > :00:49.these three ingenious machines. Plus, speaking of gorgeous,
:00:50. > :00:53.Christine will be announcing the winner of the winner will get their
:00:54. > :00:57.design made at the Hampton Court Flower Show this year. But we hope
:00:58. > :01:03.the decision is as you like it at home. How many references can we get
:01:04. > :01:12.into this?! On the sofa, Two Gentlemen of Verona. Well, actually,
:01:13. > :01:16.from London and ended brush Ashton -- London and Edinburgh! We are glad
:01:17. > :01:25.to have you with us. I have just got to say this. You were so brilliant.
:01:26. > :01:33.Oh, Nigel! I cannot believe you did that! You are the bravest girl I
:01:34. > :01:45.have ever met. I was going to say exactly the same thing. They don't
:01:46. > :01:56.come more brave than this girl. He was a bit of a charmer, wasn't he?
:01:57. > :02:00.Shakespeare, 450! Somewhere in the world right now, people are doing
:02:01. > :02:09.Shakespeare. Incredible, really. Have you played the Dame but Jim
:02:10. > :02:13.Mark I haven't, you never know! My favourite of all probably is Richard
:02:14. > :02:18.II. I did a production years ago, when I started off, with Ian
:02:19. > :02:24.McKellen, so I heard it every night for years. It was just beautiful.
:02:25. > :02:28.Have done a little bit, haven't you, Nicky? I used to do a little bit of
:02:29. > :02:32.acting at university with my great friend Ian Glen, who is now an
:02:33. > :02:39.incredibly successful film actor. He was better than me. I once had to
:02:40. > :02:48.kiss him in a play, actually. How was it? It was fine, because he had
:02:49. > :02:51.kissed Nicole Kidman, so I had this thing where I had keys to somebody
:02:52. > :02:58.who had kissed... Degrees of separation! At home, we want you to
:02:59. > :03:05.try and summarise your favourite Shakespeare play in just 25 words.
:03:06. > :03:11.Here is an example. Actually, let's not say what it is. See if you can
:03:12. > :03:15.work it out. Italian teenagers fall in love but their families cannot
:03:16. > :03:21.stand each other, plan to hello, should have gone on Jeremy Kyle!
:03:22. > :03:27.Yes, Jeremy Kyle would have sorted that out! Can you imagine?! Of
:03:28. > :03:42.course, it is... Which one? Romeo And Juliet. Well done. The part to
:03:43. > :03:48.play in that is Mercutio, that is to show off part. I have never played
:03:49. > :03:54.it, but I have always wanted to. There is still time, Nigel! We would
:03:55. > :03:57.love to be bombarded by your offerings tonight, so send in your
:03:58. > :04:02.shortened Shakespeare plays to the usual address. The uprising in
:04:03. > :04:09.Ukraine has highlighted for some the importance of a strong military. For
:04:10. > :04:13.British forces, things are changing, with more reliance on reservists.
:04:14. > :04:18.Unfortunately, people are not signing up like they used to. Before
:04:19. > :04:22.we speak to the most senior serving reservist, Joe has been to see if a
:04:23. > :04:27.new initiative targeting the unemployed is working. Matthew and
:04:28. > :04:30.Simon are both out of work and claiming benefits, but the Army in
:04:31. > :04:35.Stoke-on-Trent is hoping that they are the future. I just want to get a
:04:36. > :04:39.job out of it, at the end of the day. There is nothing out there at
:04:40. > :04:44.the minute. I am hoping to join the reserves after this. It is going to
:04:45. > :04:47.be good experience. They are taking part in a trial, as the army tries
:04:48. > :04:53.to boost the number of reserve troops. Unemployed people will get
:04:54. > :04:56.one month's free training, they still get to claim their benefits,
:04:57. > :05:02.there is no obligation to sign up, and they might even get a proper job
:05:03. > :05:06.out of it. So what is not to like? But the course is not just for those
:05:07. > :05:11.who are interested in the Army, it is also for those who want to make
:05:12. > :05:16.themselves more employable. The four-week programme includes local
:05:17. > :05:24.companies, in the hope that people will be helped to get employment. On
:05:25. > :05:27.the first day they will be put through their paces, physically
:05:28. > :05:31.shaken up, made to come out of their shells. The idea is to test their
:05:32. > :05:36.commitment to the cause, but also their drive and determination to
:05:37. > :05:42.find work. Lets see how they get on with this Army obstacle course. It
:05:43. > :05:49.does not look that easy! Crawling in the mud, swinging on the ropes...
:05:50. > :05:52.The Ministry of Defence has to recruit 10,000 extra reserves over
:05:53. > :05:58.the next four years to cover the reduction in the size of the regular
:05:59. > :06:03.army. It is not boot camp, it is not press gaining people to join the
:06:04. > :06:06.army, it is about improving people's personal skills and motivating
:06:07. > :06:11.them, with things like teamwork, discipline, self-confidence,
:06:12. > :06:16.motivation. All the things which employers are crying out for, which
:06:17. > :06:25.the Army has in spades. A lot more tiring than very hard! The tough
:06:26. > :06:30.induction has already taken its toll. On the second day, three
:06:31. > :06:33.people do not turn up, leaving just 13 still standing. For the next
:06:34. > :06:37.couple of weeks they are taught teamwork and communications skills.
:06:38. > :06:41.It is easy to be cynical about whether a short course like this can
:06:42. > :06:46.really be life changing. But the confidence does seem to be growing,
:06:47. > :06:53.and they can get some new : Editions. I was not expecting to get
:06:54. > :06:57.qualifications in first aid, manual labour, I was not expecting to get
:06:58. > :07:02.any of that. The main priority for this course may be to boost numbers,
:07:03. > :07:06.but this is for the reserves, which means Matthew and Simon still need a
:07:07. > :07:09.full-time job as well. They have been offered the chance to work for
:07:10. > :07:15.one week at this local company, which makes doors. You might look at
:07:16. > :07:19.this and say, it is just a week's work placement, can it make much of
:07:20. > :07:28.a difference? Yes, because I have been offered a full-time job out it,
:07:29. > :07:31.at this place. Thank you. Could you see yourself following through and
:07:32. > :07:35.signing up for the reserves? I have already sent off the application
:07:36. > :07:40.form. For Matthew, it is not quite the same. He has also been offered a
:07:41. > :07:44.full-time job, but he does not want it, even though he has been
:07:45. > :07:49.unemployed for more than a year. If you do not feel comfortable in that
:07:50. > :07:54.job, you do not take it. But when you have not got anything else, it
:07:55. > :08:02.is just going back to the Jobcentre, does that not make you feel down?
:08:03. > :08:09.No. And what about the Army? Are you interested in that? No, I only
:08:10. > :08:16.joined the course to get first aid and manual qualifications. You do
:08:17. > :08:21.not want it enough to work here? No. I am telling you the truth. It is
:08:22. > :08:28.frustrating to hear Matthew say he does not want this job. Diane Keaton
:08:29. > :08:32.to hear how the course leader feels about it. I am disappointed. We
:08:33. > :08:37.cannot force a person to take the job. All I can do is give them the
:08:38. > :08:42.motivation and the self-esteem. It is the last day, and 11 of the
:08:43. > :08:46.original 16 have made it through to the end. Three of them have been
:08:47. > :08:52.offered full-time jobs. What about the number of new army recruits?
:08:53. > :08:56.Eight out of 11 have signed up for the military, four for the Army
:08:57. > :09:00.reserves, three for the regulars and one as a potential reserve officer.
:09:01. > :09:04.When it comes to the Government's target of boosting the reserves by
:09:05. > :09:10.10,000, this is just a drop in the ocean, isn't it? Anybody we recruit
:09:11. > :09:13.will help reduce that number, plus, they will tell their friends, they
:09:14. > :09:19.may consider a career in the Army reserves, which hopefully will
:09:20. > :09:24.help. Simon has since declined the job, but he is looking for another
:09:25. > :09:30.job. He does still plan to join the reservists. We are joined now by one
:09:31. > :09:39.busy man. Just explain what your role is in the Army. Also, your day
:09:40. > :09:42.job. In the Army, I am a Major General, Deputy Commander Land
:09:43. > :09:46.Forces, I am the most senior Army reservist. I am a reservist, which
:09:47. > :09:52.means I have another job, I am a lawyer in the City, I am General
:09:53. > :09:55.Counsel and Company Secretary for an American insurance company in the
:09:56. > :10:01.City of London. How do you find the time to do both? There are
:10:02. > :10:05.synergies. There are things which I take from one into the other. To
:10:06. > :10:09.make it work, if you are passionate about anything, you will find a way.
:10:10. > :10:15.On top of that, a very understanding and supportive employer, as well as
:10:16. > :10:17.the Army, who are supportive, who will do things slightly differently
:10:18. > :10:23.with me, arranging meetings to make it work, and a very understanding
:10:24. > :10:26.family as well. So, there might be some people out there who fancy
:10:27. > :10:34.being a reservist, but what obligations do you have, once you
:10:35. > :10:40.have signed up? In terms of the basic liability, as we call it, what
:10:41. > :10:45.we want from you, it is 35-40 days training, most of that at weekends,
:10:46. > :10:50.with a two-week annual camp, training exercise, somewhere in the
:10:51. > :10:55.world. So, 35-40 days, mostly at weekends. As you get more senior, of
:10:56. > :10:59.course, more of that will spill into the weekdays, which is where you
:11:00. > :11:05.need support. And you get paid for that? You do. It is an important
:11:06. > :11:09.point. We get paid the same daily rate for your rank as a regular
:11:10. > :11:15.soldier. How much action have you seen during your time as a
:11:16. > :11:19.reservist? I was employed in 2005, I was deployed to Baghdad, with a
:11:20. > :11:26.Parachute Regiment officer, I was serving with them for five months.
:11:27. > :11:32.So what then happens to your lawyer Judy 's? Again, a supportive
:11:33. > :11:40.employer, they was going. -- duties. If you went into Iraq in
:11:41. > :11:44.2003, everybody goes, and you are off. Since then, it is at the
:11:45. > :11:51.agreement of the individual and the employer. So you can make plans in
:11:52. > :11:54.advance to cover your absence. And there is money available to find a
:11:55. > :11:58.replacement to train other people and so on and so forth be great
:11:59. > :12:04.opportunities, but why do you think new recruits have been slow to sign
:12:05. > :12:09.up? I think clearly, what people need to understand is the context
:12:10. > :12:12.against which we are recruiting. The message out there in the country is
:12:13. > :12:17.that the Army is getting smaller, which it is, the regular component,
:12:18. > :12:23.we are coming back from Afghanistan, coming back from Germany, we are not
:12:24. > :12:26.recruiting. We most regulars and reserves. We are an organisation
:12:27. > :12:32.which is fed from the bottom. People are leaving at the top end. We need
:12:33. > :12:37.people coming in at the bottom end. Nicky, you must be one of the
:12:38. > :12:41.busiest men in the media anyway, but would this be something which you
:12:42. > :12:49.would have warmed to? How shall I put this? No. I have got every
:12:50. > :12:55.respect, my dad was in the Indian Army during the war, and he never
:12:56. > :13:03.spoke about what he did and what happened until I was lucky enough to
:13:04. > :13:08.do Who Do You Think You Are? And I found out he was involved in a
:13:09. > :13:15.battle in Birmingham, -- in Burma, a very bloody. I find it all very
:13:16. > :13:19.deeply moving. With the reserves, if you are a student who wants to
:13:20. > :13:22.enhance your CV, if you are unemployed and want to learn a
:13:23. > :13:25.trade, or if you just want to do something different with your time
:13:26. > :13:29.at weekends and to be part of a group of men and women who are
:13:30. > :13:37.like-minded, who share the same values and standards, who are part
:13:38. > :13:40.of an integrated Army to go on operations together, not just in
:13:41. > :13:44.Afghanistan, but the UN mission in Cyprus as well, working together,
:13:45. > :13:48.and you get paid. How good is that?! Thank you very much. Major
:13:49. > :14:05.General Munro. Now it is time for Christine to
:14:06. > :14:09.introduce the first of our finalists in The One Show Garden Designer of
:14:10. > :14:14.the Year competition. First up is this one inspired by the
:14:15. > :14:19.18th century silk weavers of Spitalfields in London. The
:14:20. > :14:23.designers are Holly Crosbie and Helen Reid. We wanted to make an
:14:24. > :14:28.exploded loom that you could walk through and you could see the
:14:29. > :14:35.flowers leaping up from the threads. There they are. Holly, Helen, there
:14:36. > :14:42.are two of you. Is that fair? Of course! Who saw this competition
:14:43. > :14:48.first? I saw it and said we have to do this. What kind of work are you
:14:49. > :14:54.in? We work together in architecture. Who came up with
:14:55. > :15:01.what? We did loads of stuff, we met before work and did loads of drawing
:15:02. > :15:05.and models. Let's have a look at the design itself. What is your
:15:06. > :15:10.favourite bit? I think I love the side with the mulberry trees because
:15:11. > :15:17.it is a subtle more delicate side to the planting. It is a lovely idea.
:15:18. > :15:22.How about you? I love the poppies, the big red poppies. We wish you all
:15:23. > :15:30.the very best. We will meet the other finalists later on. I love the
:15:31. > :15:34.idea of the looms. Good luck, girls. 450 years ago today a baby boy was
:15:35. > :15:38.born in Stratford-upon-Avon who would go on to become the world's
:15:39. > :15:43.greatest ever playwrights. His words would remain timeless but for many,
:15:44. > :15:48.this man is much more than just a writer.
:15:49. > :15:55.My name is Laurie am and I have been involved with Shakespeare's work for
:15:56. > :16:00.three or four years. I first became interested when I started working
:16:01. > :16:04.with the Hip-hop Shakespeare Company. Before that I saw
:16:05. > :16:13.Shakespeare as someone who was old school. I did not have a connection.
:16:14. > :16:17.I am the continent. With each new breath melting within, you are
:16:18. > :16:21.anchored spiritually because I am queen.
:16:22. > :16:27.When acting, reading or watching Shakespeare, the main thing I feel
:16:28. > :16:31.and come back to is how powerful his intent was to allow people to
:16:32. > :16:38.understand what it is to be human being. His intent is to really allow
:16:39. > :16:43.people to come out of themselves and look at the world from a different
:16:44. > :16:49.point of view. My name is Alan Smith and I am the
:16:50. > :16:53.head of costume, props and armoury at the Royal Shakespeare Company. My
:16:54. > :16:58.exposure to Shakespeare, that English lesson, when the English
:16:59. > :17:02.teacher brings out the Shakespeare text and you think, oh, God. When
:17:03. > :17:08.kids are reading monotone from a book, you cannot understand what is
:17:09. > :17:13.going on. With acting companies, especially the great ones, you can
:17:14. > :17:18.understand. It is almost like watching a subtitled film. Halfway
:17:19. > :17:20.through you do not realise they are speaking in the iambic pentameter,
:17:21. > :17:26.it is as if they are talking normally. Two Shakespeare plays, I
:17:27. > :17:32.have a comedy and a tragedy. The comedy would be a Midsummer Night's
:17:33. > :17:38.Dream. The play at the end they do is hilarious. I suppose tragedy
:17:39. > :17:43.would be Julius Caesar. The speech, friends, Romans, countrymen, lend me
:17:44. > :17:51.your ears, it brings me out in goose bumps thinking about it.
:17:52. > :17:55.I work at Shakespeare's Globe and I have done for several years. I have
:17:56. > :18:00.been massively into Shakespeare for a long time. My parents read a lot.
:18:01. > :18:07.When I first read Shakespeare it was in the lamb's version, really
:18:08. > :18:16.interesting stories for a child to read. Why I adore Shakespeare is the
:18:17. > :18:19.richness of the language. You cannot escape the fact that each sentence
:18:20. > :18:36.is exquisitely poised. If this be error and upon my proved,
:18:37. > :18:43.by never writ or any man ever loved. My all-time favourite line is from
:18:44. > :18:47.Hamlet, I could be bounded by a nutshell and count myself king of
:18:48. > :18:52.infinite space, if I did not have bad dreams. It is a treat to work
:18:53. > :18:58.here. When I meet a blind patron who has never been to a Shakespeare play
:18:59. > :19:03.and they come to one of our audio described performances, and they
:19:04. > :19:07.understand how it works as a performance, not just as a text and
:19:08. > :19:12.the understand it, it is incredibly rewarding.
:19:13. > :19:17.There is of course, only one place to be today and that is in
:19:18. > :19:20.Stratford-upon-Avon at Shakespeare's birthplace where they
:19:21. > :19:24.are preparing for some pretty big celebrations. Let's say good evening
:19:25. > :19:32.to Gyles. I think he is in the room where Shakespeare was born. I am in
:19:33. > :19:37.that very room. Much ado about a great deal here. I am in the first
:19:38. > :19:42.floor of the house in Henley Street where Shakespeare was born 450 years
:19:43. > :19:47.ago, in the very room where he was born. Could it be more exciting? I
:19:48. > :19:54.do not think so. Shakespeare was born here, one of eight children,
:19:55. > :19:58.the first boy. His parents were John and Mary Shakespeare. It is quite a
:19:59. > :20:04.substantial house. They are well to-do people. I will go down to the
:20:05. > :20:11.kitchen to find Jonathan Drake from Holy Trinity Church was a
:20:12. > :20:13.Shakespeare's collection? We know Shakespeare was baptised in the
:20:14. > :20:21.church and the font that was used for the baton is -- baptism can
:20:22. > :20:25.still be seen today. We also know he was buried in the church. We get
:20:26. > :20:32.quarter of a million visitors coming to see his grave each year. How are
:20:33. > :20:39.you celebrating? We have a full schedule including a full peal of
:20:40. > :20:41.bells which was performed by bell-ringers from Westminster Abbey
:20:42. > :20:46.earlier on today. Now I will go out into the garden. I
:20:47. > :20:51.think in Shakespeare's day this would be where the family grew their
:20:52. > :21:01.vegetables. Now I will find someone from the escape community group arts
:21:02. > :21:10.group -- Escape Community Arts group. These are characters from a
:21:11. > :21:16.Midsummer nights -- a Midsummer Night's Dream. We have been
:21:17. > :21:21.commissioned to make a wonderful big birthday cake for the celebrations.
:21:22. > :21:26.Happy birthday to William and congratulations to all of you. I am
:21:27. > :21:37.going to trip across the gardens. This is where Shakespeare went to
:21:38. > :21:41.get to school. I am going to meet Marian Morgan from the Shakespeare
:21:42. > :21:50.Birthplace Trust. We have more fairies. The celebrations go won
:21:51. > :21:54.this weekend, what is happening? We have a big concert tomorrow and
:21:55. > :21:58.Saturday sees our big celebrations. There will be ambassadors from all
:21:59. > :22:07.over the world, because Shakespeare is not just for England... He is for
:22:08. > :22:19.all the world. Here is the city of Coventry drum corps.
:22:20. > :22:39.APPLAUSE We thoroughly enjoyed that. Gyles for flight Anneka Rice running
:22:40. > :22:43.through Stratford. Early on we are still at home to summarise
:22:44. > :22:48.Shakespeare's plays in 25 words. We have had the first one. Nigel, would
:22:49. > :22:52.you read it? Yeller macro teenage prince is told by ghost of his dad
:22:53. > :23:01.to kill his uncle. Spends the rest of the play confused about it.
:23:02. > :23:06.Everyone dies. Everyone dies? That is not quite
:23:07. > :23:14.true. Teenage prince, who can that be? You really do not know
:23:15. > :23:28.Shakespeare! Teenage prince told by ghost... Mac Beth. She did say
:23:29. > :23:34.Hamlet. Let's move on. Let's talk about the importance of
:23:35. > :23:43.being earnest. Oscar Wilde is a sort of comedy. What happened was in
:23:44. > :23:48.1982I did the importance of being earnest at the National Theatre with
:23:49. > :23:55.Martin Jarvis. He said we must do this again. We are just getting the
:23:56. > :24:12.hang of it. 32 and a bit years later, we are doing it again. We are
:24:13. > :24:20.these people. We are members of a company of players and we are doing
:24:21. > :24:24.our dress rehearsal at Lavinia's house, that is Lady Bracknell,
:24:25. > :24:36.played by Sian Phillips. Love Sian Phillips. Simon Brett has written a
:24:37. > :24:40.prologue to explain we do this play everyday and we are doing the dress
:24:41. > :24:44.rehearsal and when you come to the second act it is all like Arcadia
:24:45. > :24:50.and it is beautiful. I do not know if I explained it properly. I know
:24:51. > :24:55.we are bit old for these parts but we have found a way around. You get
:24:56. > :25:03.two plays, one is the setup and one is the play itself. Why did you
:25:04. > :25:08.decide to do this play again? Because it is such fun to do. We
:25:09. > :25:14.used to behave outrageously. In the first act, when Lady Bracknell
:25:15. > :25:19.refuses him because he wants to marry his girlfriend, offstage I
:25:20. > :25:24.play here comes the bride. He used to say, stop playing that ghastly
:25:25. > :25:28.tune. I would dress in different costumes and make him laugh. Then
:25:29. > :25:36.one night he said those costumes are getting a little dull. That night I
:25:37. > :25:40.stood there completely naked! I had four people to dress me and I only
:25:41. > :25:47.had a few seconds to get back into costume. Martin could not speak for
:25:48. > :25:51.some time. He stopped the show. It looks like it was his fault because
:25:52. > :25:58.he was the one not speaking. I was fine. I want to ask you, have you
:25:59. > :26:07.heard about the controversy over Jamaica Inn and the mumbling? I
:26:08. > :26:11.have. What is your take? I could not understand a word. I tried turning
:26:12. > :26:17.up the volume. There was something wrong with the sound I think. As an
:26:18. > :26:21.actor, that must be incredibly frustrating? Sometimes in drama
:26:22. > :26:27.these days you do get a bit of mumbling and in films. I am more of
:26:28. > :26:31.a Shakespearean. The sound guys spend so much time and effort
:26:32. > :26:35.getting the sound right that it is a real shame. I know televisions have
:26:36. > :26:40.got bigger but the speakers are still quite small. I do not
:26:41. > :26:45.understand it. I think they have sorted it now. Thank you, Nigel.
:26:46. > :26:50.The Easter weekend should have been a bumper time for businesses in the
:26:51. > :26:54.south-west. But after some of the worst flooding in years, how did
:26:55. > :26:58.they cope and how are things looking for the future? Lucy went to find
:26:59. > :27:04.out. I am here in the south-west, my neck
:27:05. > :27:08.of the woods. The times and villages here survived because of the tourism
:27:09. > :27:15.industry which generates upwards ?10 billion a year for the region. Since
:27:16. > :27:20.the winter storms which affected much of the UK and in particular,
:27:21. > :27:25.the south-west, tourism has taken a big hit. When the railway line at
:27:26. > :27:30.dawn dish was destroyed, it drastically disrupted businesses in
:27:31. > :27:38.the region. -- the railway at Dawlish. We know you are resilient
:27:39. > :27:43.types but it must have had a devastating effect on you? We are
:27:44. > :27:48.used to being full, not just every weekend but in the weekday. Once the
:27:49. > :27:52.storms came and the train line was disrupted, our business fell through
:27:53. > :27:58.the floor. Our bookings were down by more than 30%. We were lying awake
:27:59. > :28:07.at night thinking what are we going to do? That was very scary. How our
:28:08. > :28:13.bookings looking forward? Virtually empty, still no bookings coming in.
:28:14. > :28:20.A new summer show opening in the gallery, no guests. Would you expect
:28:21. > :28:23.this to be full normally? Absolutely. People need to be
:28:24. > :28:29.reassured that it is worth coming here. It is pretty, it is not
:28:30. > :28:35.destroyed. Please come to Cornwall and discovered this wonderful area.
:28:36. > :28:40.Some businesses were so badly damaged by the storm surges and
:28:41. > :28:43.flooding that they have been unable to reopen so they have missed the
:28:44. > :28:50.Easter Spike and are having to look ahead to the summer season. Nicky's
:28:51. > :28:54.beach cafe in Cornwall is not yet open because of storm damage. How
:28:55. > :29:00.would you describe the damage that has hit your business? Complete and
:29:01. > :29:07.utter devastation. It was like a war zone. I did not know where to start.
:29:08. > :29:10.But the positivity and determination of my staff and customers boys you
:29:11. > :29:19.up. I thought I will not be defeated by this. How much trade have you
:29:20. > :29:25.lost? We have regular customers come every day. At weekends we can serve
:29:26. > :29:30.six 700 people a day so financially it has been crippling. Do you think
:29:31. > :29:35.people will be enticed back to the region? I am sure they will. I am
:29:36. > :29:45.not open for business yet but I will be. Sex and miles along the coast in
:29:46. > :29:51.Devon, this major tourist attraction ground to a halt during the storms.
:29:52. > :29:55.There was no revenue as a result. We could not believe what had occurred.
:29:56. > :29:59.The river had come over the track and washed everything away. The
:30:00. > :30:04.rails were suspended midair. It was incredible. How have you managed to
:30:05. > :30:09.get it up and running so that we can be on it now? There is a lot of
:30:10. > :30:15.effort went in, long hours. We were getting people knocking on the door,
:30:16. > :30:19.shovels in hand, can we help? It was amazing. The 20 years I have lived
:30:20. > :30:22.in this area, it is one of the worst storms I have witnessed. It is how
:30:23. > :30:31.you deal with it and get back on your feet which is the important
:30:32. > :30:36.thing. Thank you. Easter may be over but the holiday season lies ahead.
:30:37. > :30:42.Two thirds of us take a break in the UK each year. And businesses of the
:30:43. > :30:50.south-west want to remind you that when you are booking that, the
:30:51. > :30:54.region is very much back on track. Back in business, that is the
:30:55. > :30:58.message. Nicky, tomorrow, nine o'clock, Wanted: A Family Of My Own,
:30:59. > :31:03.give us a brief summary of the series? Well, what we wanted, it is
:31:04. > :31:08.made by the same company which makes Long Lost Family On John But We
:31:09. > :31:14.Wanted Everybody To See It At The Beginning, And to go through the
:31:15. > :31:24.adoption process. It is a wonderful, magical, thing. When I was adopted,
:31:25. > :31:28.it was very different. The vast majority of people adopted in those
:31:29. > :31:32.days were illegitimate, and were infants as well. It is completely
:31:33. > :31:37.different now. A lot of these children have been abused, a lot of
:31:38. > :31:42.them have veto alcohol syndrome, or some do, or might be addicted to
:31:43. > :31:48.drugs. Very often sibling groups, often older. The people who want to
:31:49. > :31:53.adopt are so motivated, they make the most fantastic parents. When
:31:54. > :31:57.people say to me, as an adopted person, sometimes they say, and I
:31:58. > :32:02.want to reiterate this, they say, have you met your real mum or your
:32:03. > :32:08.real dad? And I say, no, my mum and dad are the people who adopted me.
:32:09. > :32:12.Because, again inside one thing but belonging is the thing. They are my
:32:13. > :32:18.real mum and dad. A lot of adopted people feel like that. That is how
:32:19. > :32:25.wonderful it is. Tomorrow night, you meet a lovely little boy. Here he
:32:26. > :32:29.is. Joshua's birth mother has serious long-term mental health
:32:30. > :32:35.issues. And after struggling to look after him, she agreed it was in his
:32:36. > :32:38.best interests to have him adopted. There was no attachment with his
:32:39. > :32:44.mother at birth at all, which is very sad. It is not her fault. He
:32:45. > :32:51.was very quiet in those early days, and we were quite concerned. Have
:32:52. > :32:58.you had enough? He did not cry. And that was awed. It was as if he had
:32:59. > :33:06.switched off, and babies cry, they are supposed to. Well, of course,
:33:07. > :33:14.Joshua was being looked after by two wonderful people. Also, something I
:33:15. > :33:18.really want to say, because my mother was a social worker. She is
:33:19. > :33:22.not any more, she is 90 years old and laying into the red wine. But
:33:23. > :33:28.that apart! My sister is a social worker. In the course of this
:33:29. > :33:32.series, I met some amazing social workers. They get bad headlines when
:33:33. > :33:37.something goes wrong, but the vast majority of the time, it goes right,
:33:38. > :33:41.and they do a amazing work. Hopefully it will be an enlightening
:33:42. > :33:49.for people, and it will show people that you can be gay, single... Each
:33:50. > :33:53.programme, you take two different sides of the story, don't you? As I
:33:54. > :33:56.understand it, there has been a sharp increase in the number of
:33:57. > :33:59.people put up for adoption in the last five years, but there does not
:34:00. > :34:05.seem to be the number of people coming forward. No, that is what we
:34:06. > :34:10.have to say, what a fantastic thing it is. If you are motivated as a
:34:11. > :34:13.parent, to bring a child into your home is something magical. I think
:34:14. > :34:17.people think it is quite restrictive, but it is quite the
:34:18. > :34:21.opposite. You can live in rented accommodation, you can have
:34:22. > :34:30.disability, right across the board. You can be older. They are looking
:34:31. > :34:36.for people to adopt, and we need more. Sometimes, things which might
:34:37. > :34:38.put people off can be the apparently lengthy process of going through
:34:39. > :34:44.it, but the Government has now reduced the timescale, which must be
:34:45. > :34:48.brilliant? Yes, there has to be a process, there has to be a little
:34:49. > :34:53.bit of that, but nine months, pregnancy, is quite a lengthy
:34:54. > :34:59.process in itself. We normally have bad news, don't we, but there are so
:35:00. > :35:05.many good people. It is really good to embrace that. And you have to
:35:06. > :35:14.watch, because it is quite a story, as it unfolds, with Joshua. Yes.
:35:15. > :35:20.When you see people stream is fulfilled, -- dreams fulfilled, it
:35:21. > :35:26.is the most fantastic thing, when they become parents. If you are
:35:27. > :35:30.interested in adoption, please go to our website, where you can find
:35:31. > :35:37.further information. It is now time to go back to Christine, for this
:35:38. > :35:44.year's Garden Designer of the Year competition. Our next finalist, Jon
:35:45. > :35:49.Kay, from Guildford, was influenced by a famous gardener. She wanted to
:35:50. > :35:53.paint a beautiful pictures with plants. That is basically what she
:35:54. > :35:59.did. That is what I want to do with my garden at Hampton Court. So, to
:36:00. > :36:04.sum it up for us? I just want it to look really beautiful. It has got to
:36:05. > :36:12.look really nice. Which element are you most proud of? I like the simple
:36:13. > :36:17.things, Glenn, actually. It has just got silver birch, it is simple, cool
:36:18. > :36:22.and calm. What does your garden looked like at home? Completely
:36:23. > :36:27.different to this. It is not flowers, it is architectural, it has
:36:28. > :36:30.got big palm trees and firms, very different to what Gertrude would
:36:31. > :36:36.have done. If you do not win, are you still going to do a bit of
:36:37. > :36:39.this? Absolutely, I have learned a lot with searching Gertrude and now
:36:40. > :36:43.I am going to pick up some of her elements. So even as an experienced
:36:44. > :36:47.gardener, you have learned some things? Absolutely. I will be
:36:48. > :36:52.putting some of her plants into my garden. It is not long before we
:36:53. > :36:58.find out. We do not know, Christine is the only one who knows. That is
:36:59. > :37:04.it for now. I like John pass Mac as well. Anyway, every weekday, Nicky
:37:05. > :37:15.broadcasts his radio show to the nation. Everybody can tune in, but
:37:16. > :37:22.as Ruth Goodman discovers, not all radio broadcasts are as easy to
:37:23. > :37:32.understand. If you tune in a short wave radio to the right frequency,
:37:33. > :37:36.on a clear day, you might just stumble across something pretty
:37:37. > :37:41.strange. They are known as number stations. There is no easy leaders
:37:42. > :37:45.seller in message, just an automated voice reading out a string of
:37:46. > :37:57.seemingly random numbers. So what are they? This man is a short wave
:37:58. > :38:02.enthusiast, and has spent years searching for and lobbying these
:38:03. > :38:06.curious broadcasts. They all start with some kind of tone, like this,
:38:07. > :38:12.or some kind of music, which is the same every single time. In this
:38:13. > :38:20.case, a Swedish Rhapsody. You know it is coming, and then you can sit
:38:21. > :38:28.and wait... NUMBERS BROADCAST.
:38:29. > :38:35.Who is in charge of it, nobody knows. Short wave radio is a low
:38:36. > :38:39.quality radio format, but its main advantage is that it can travel huge
:38:40. > :38:43.distances, bouncing off the earth's atmosphere. It has often been used
:38:44. > :38:50.to avoid censorship, to broadcast propaganda, or to get messages to
:38:51. > :38:53.hard to reach places. Amateur radio enthusiasts often send each other
:38:54. > :38:57.messages over short wave radio. All you need is a transmitter like this
:38:58. > :39:04.and an ordinary short wave radio. But you need a license to do that,
:39:05. > :39:08.and the messages log by our enthusiast were all on frequencies
:39:09. > :39:11.reserved for the military or police. More frequencies used by
:39:12. > :39:15.governments. Is this a clue to the purpose of these stations? Peter
:39:16. > :39:20.Matthews worked in British intelligence during the Cold War and
:39:21. > :39:25.is an expert in codes and communications. Who is sending these
:39:26. > :39:28.messages? Everybody who runs an intelligence service, which is
:39:29. > :39:32.virtually every industrialised country in the world, has some kind
:39:33. > :39:38.of coding to transmit their information. So, we are talking
:39:39. > :39:43.intelligence agencies? Intelligence agencies across the world. But how
:39:44. > :39:50.do seemingly random strings of numbers become meaningful messages?
:39:51. > :39:54.The answer is a pad like this. Words are encrypted or turned into numbers
:39:55. > :40:00.according to rules laid out in a key. The key is unique. It is used
:40:01. > :40:04.only one time, and it is known only to the sender and to the recipient.
:40:05. > :40:11.Without the key, the message is just a jumble of numbers. As long as the
:40:12. > :40:16.key is never used twice, it is an unbreakable for encryption. In the
:40:17. > :40:25.very early days of the Cold War, I was hearing these numbers as they
:40:26. > :40:30.began. There are not so many now. But still, there is a considerable
:40:31. > :40:34.number. The benefits of using short wave that unlike mobile phones or
:40:35. > :40:37.electronic communication, which is much harder to trace the source of
:40:38. > :40:42.messages or the location people sending or receiving them. Even
:40:43. > :40:48.recently, short wave radios have been found on arrested spies. This
:40:49. > :40:54.lady was found guilty of spying against America in the 1990s. Her
:40:55. > :40:58.court papers showed she used number stations to receive messages. When
:40:59. > :41:03.the FBI arrested a spy ring in 2010, they also found a short wave
:41:04. > :41:07.radio and a code book. We may never know for certain exactly what these
:41:08. > :41:11.number stations are for or who is sending them, or even who is
:41:12. > :41:16.listening. But if you do come across one in the middle of the night, it
:41:17. > :41:27.is both fascinating and rather terrifying to think who might be
:41:28. > :41:32.listening along with you. This, don't you? I do. I cannot believe
:41:33. > :41:36.you have never heard of it. Anyway, we have done a bit of number
:41:37. > :41:42.crunching ourselves. If you go to our website, you might see if you
:41:43. > :41:47.can crack our code. It is 20 years of 5 Live, and you have been doing
:41:48. > :41:50.the breakfast show for 17 years. I have been on the station for 17
:41:51. > :41:55.years, I think I have been doing Breakfast for ten years. You have
:41:56. > :42:01.heard some amazing stories in your time, on your show, lots of them
:42:02. > :42:06.have got you quite choked up, but which one really stands out for you?
:42:07. > :42:11.I did a phone in every day, and we had a caller on assisted dying, and
:42:12. > :42:17.we had a string of amazing calls. When I tried to get the number out
:42:18. > :42:21.at the end, I broke down in tears. Radio is a very intense medium. 5
:42:22. > :42:26.Live are picking out the stories that people are talking about. We
:42:27. > :42:32.are doing this big outside broadcast next week. We are going to be in
:42:33. > :42:36.Inverness talking about what life is like after the army. That is on
:42:37. > :42:40.Monday. Rachel will be doing that. We will be talking about the floods
:42:41. > :42:45.in Somerset throughout the week. We will be talking about the First
:42:46. > :42:49.World War, so, an entire week of getting to the people, edging to the
:42:50. > :42:56.stories which people have come to us about. Talking of people coming to
:42:57. > :43:06.us, we have been inundated with some Shakespeare contributions. She could
:43:07. > :43:12.not have loved him more... Hang on. But she lost her handkerchief. He
:43:13. > :43:25.lost his mind. No more hanky-panky! Is it Othello? Yes. Do you like
:43:26. > :43:30.playing nasty parts? I do. I prefer it to playing nice people. It is
:43:31. > :43:38.more fun, and was playing the villain is great. I adore it. It is
:43:39. > :43:42.true. It is easier as well. Well, she is not much of a villain, but
:43:43. > :43:47.she is a hard judge, it is time to go to Christine, to introduce our
:43:48. > :43:52.third finalist in this year's Garden Designer of the Year competition.
:43:53. > :43:58.Our last finalist, Alexandra Noble, was inspired by the hot springs in
:43:59. > :44:01.the city of Bath. I really wanted to capture the vitality of the water
:44:02. > :44:10.and get that sense of life in my garden. I really like this one, it
:44:11. > :44:13.is one of my favourites. Similarly, you are an architecture student, had
:44:14. > :44:20.you designed gardens before? Never. I have transferred my knowledge of
:44:21. > :44:26.dimensions and materiality. Do you think it might be a new avenue for
:44:27. > :44:30.you? Definitely. I am at University in Bath, I have been there for six
:44:31. > :44:35.years. It has had a big influence on my life. What about the garden that
:44:36. > :44:42.you grew up with? We have got a back garden, it is not that big. It is
:44:43. > :44:47.quite plain, with a lawn. Used up to your guns with your design. I know
:44:48. > :44:50.that Christine was not so sure about one particular section, but you had
:44:51. > :44:57.a bit of an argument with her? Yes, it was a little bit controversial.
:44:58. > :45:02.That is good! Good luck. We are moments away from discovering which
:45:03. > :45:05.of these green-fingered amateurs will be discovering at this year's
:45:06. > :45:10.Hampton Court Flower Show. The tension in here, I tell you what!
:45:11. > :45:18.Anyway, before we find out, let's see how our trio of finalists but on
:45:19. > :45:25.in impressing the judges. We have not to choose one finalist to be at
:45:26. > :45:26.Hampton Court. Before we choose a winner, we want to interrogate our
:45:27. > :45:39.finalists about their designs. My fellow judges and I have brought
:45:40. > :45:46.them to the Cardiff flower show. First is Helen and Holly. All the
:45:47. > :45:51.planting is taken from 18th-century silk designs. I am worried about the
:45:52. > :45:57.amount of concrete. Do you attend it as a walk-through garden or just
:45:58. > :46:02.beautiful from the outside? I thought it would be viewed from the
:46:03. > :46:06.outside and the concrete would allow the eye to go through. As you look
:46:07. > :46:14.through you have got the wow factor of the planting and we wanted this
:46:15. > :46:18.contrast. I hope they realised we wanted to take on board what we work
:46:19. > :46:22.all stop and their experience because we have never done this
:46:23. > :46:34.before. Next, John Kane and his idea
:46:35. > :46:38.inspired by Gertrude Chico. Jekyll is one of the most famous plants
:46:39. > :46:46.women this country has ever produced. It is a challenge and I am
:46:47. > :46:49.flexible. The garden is packed full of plants and they will all be
:46:50. > :46:55.flowering at different times. Are you confident? We do not this is a
:46:56. > :46:59.really have to go with this exact planting. With your knowledge we
:47:00. > :47:05.could produce something similar and bring it up to date. It is not a
:47:06. > :47:13.museum piece, we are not trying to replicate what Gertrude Jekyll did.
:47:14. > :47:19.Well done. Thank you. I think they liked the design. I can understand
:47:20. > :47:24.their concerns. Last but not least, Alexander and
:47:25. > :47:28.her Roman bath design. I think it is inspirational but do you think the
:47:29. > :47:36.person walking up to it will instantly identify it as Bath? I
:47:37. > :47:41.think so, it is a romantic garden. There is the wafting movement and
:47:42. > :47:46.since you are at a but I think a couple of Roman columns would stamp
:47:47. > :47:52.half. I am not convinced! The garden is meant to be a lot more abstract
:47:53. > :47:56.than that. What I thought was the energy would be the plants in the
:47:57. > :48:01.form and texture and scale. It is that energy that I want to bring to
:48:02. > :48:06.Hampton Court, the energy and vitality. Thank you very much.
:48:07. > :48:12.I disagreed with Christine in particular. Not so much the two guys
:48:13. > :48:19.but definitely Christine. I do not think a column would be appropriate.
:48:20. > :48:23.OK, fair enough. But before we choose the winner, last challenge to
:48:24. > :48:28.test their horticultural knowledge. They have to do the right label on
:48:29. > :48:34.these ten plants. I am delighted to say you have got nine right. Well
:48:35. > :48:47.done. Do you want to know your score? Six, well done. 3) you had
:48:48. > :48:58.six right at one stage. So, John is top but Alexandra is last. I do not
:48:59. > :49:02.know how we will decide. With the stakes so high, this is a decision
:49:03. > :49:08.we have got to get right. So we left the judges deliberating
:49:09. > :49:16.but they are all with us now. Christine, was it hard to break it
:49:17. > :49:21.down to the final three? It was because the standard this year was
:49:22. > :49:26.exceptional. Everybody who entered needs to be congratulated but the
:49:27. > :49:33.finalists, we had some spanking designs.
:49:34. > :49:42.Was the decision unanimous? Not quite! How did you then decide? It
:49:43. > :49:48.was probably to do with this banking, wasn't it? ! Quite a lot of
:49:49. > :49:58.discussion, forceful discussion, very little debate. We are still
:49:59. > :50:06.friends. You had the last vote because you are the head judge. I
:50:07. > :50:11.had casting vote. Well, the finalists are before us. Shall we
:50:12. > :50:17.find out, who is the winner? Excitement brewing! Is it the drum
:50:18. > :50:34.roll or a wheelbarrow full of bricks? Good luck. And the winner
:50:35. > :50:40.is... Alexandra! A bunch of flowers is appropriate. There we are, my
:50:41. > :50:46.dear, congratulations. The design will be on display at the Hampton
:50:47. > :50:53.Court Flower Show. You did not expect it but how are you feeling? I
:50:54. > :50:57.cannot believe it. Because my design was so controversial and Christine
:50:58. > :51:06.was not a fan and the three out of ten, it was not looking good for me.
:51:07. > :51:14.You fought for it. Well done. Once again, congratulations. Well done to
:51:15. > :51:21.the other three. Your standard of work was outstanding. Last night we
:51:22. > :51:24.thought we had some pretty big public art on display when we showed
:51:25. > :51:32.you the kelpies on the banks of the Forth and Clyde Canal. Tonight, Lucy
:51:33. > :51:39.has taken a trip to Heathrow Airport with another beast of giant art.
:51:40. > :51:45.Last year, I went to Hull to report on the making of an ambitious new
:51:46. > :51:50.artwork which is called slipstream. Slipstream has been commissioned to
:51:51. > :51:53.form the centrepiece of this, Heathrow's new terminal two which
:51:54. > :51:59.opened to the public in June. You need a big piece to fill a site this
:52:00. > :52:04.size. At over 70 metres in length, Slipstream will be the longest
:52:05. > :52:10.permanent sculpture in Europe. When I last spoke to Richard, the 23
:52:11. > :52:16.sections were being transported one by one from Hull to Heathrow, to be
:52:17. > :52:20.installed above the airport's central concourse. This has to be
:52:21. > :52:27.the most ambitious piece I have ever made. We have probably had up to 80
:52:28. > :52:32.people working on this. Richard's sculpture sets out to recreate the
:52:33. > :52:40.slipstream created by a stunt plane in the sky. He is an artist who does
:52:41. > :52:44.not do things on a small scale. He has rotated chunks of Liverpool
:52:45. > :52:50.building and recreated the final scene of the Italian Job. Oh, my
:52:51. > :52:58.goodness, it is huge! That is amazing. Are you pleased with it?
:52:59. > :53:01.Yes, I am. It brings a smile to me every time I come here. I am
:53:02. > :53:08.watching other people. They are intrigued by it. It is something you
:53:09. > :53:14.cannot ignore. It is 78 metres long, 77 tonnes, there are over 3000
:53:15. > :53:20.rivets. If I had to do that in several bags I could not do it.
:53:21. > :53:26.Slipstream has been designed to be seen from every area and level of
:53:27. > :53:31.the terminal. This is our through the clouds moment. It looks
:53:32. > :53:36.completely different from up here. You can see this is a plane. Yes, as
:53:37. > :53:43.the piece until eight through the space, it is quite abstract. But you
:53:44. > :53:49.can understand what it is. One of the beautiful things is you can see
:53:50. > :53:55.it is handmade. It has not been painted, it does not need to be
:53:56. > :54:02.painted. It takes the 1960s Douglas aircraft, that polished surface. We
:54:03. > :54:13.have hinted at the nostalgia, speed and endeavour. The man in charge of
:54:14. > :54:20.turning Richard 's idea into reality is Ian Webber. We had to connect the
:54:21. > :54:23.chains, rotated and get it millimetre perfect into position
:54:24. > :54:27.before we lifted it into the air and bolted it to the next piece. You
:54:28. > :54:36.cannot now see that it is 23 different places. It is estimated
:54:37. > :54:40.that nearly four times the number of visitors to the Tate modern will see
:54:41. > :54:48.this every year. Today, the first people have been invited in for a
:54:49. > :54:56.sneak preview. What is the verdict? I like it but what is it meant to
:54:57. > :55:04.be, plain? It is a fish. It is the waves. It looks like an aeroplane. I
:55:05. > :55:08.think it is beautiful. You can make your own mind up when Terminal two
:55:09. > :55:11.opens to the public on the 4th of June.
:55:12. > :55:16.Thank you, I'm sure it will take off. An exhibition celebrating
:55:17. > :55:21.Rowland Emit opens next month at the Birmingham Museum and Art Gallery.
:55:22. > :55:27.Rowland was the real-life Caractacus Potts who supplied and created the
:55:28. > :55:33.contraptions in the children's film Chitty Chitty Bang Bang. They are
:55:34. > :55:40.beatable. Tim, you are organising this exhibition. Why now? Despite
:55:41. > :55:44.the fact that Emit was famous in the Second World War period, he has been
:55:45. > :55:51.forgotten for the last 25 years so we decided it was time to get the
:55:52. > :56:00.machines out of storage. Where were they hiding? These were hiding in
:56:01. > :56:04.Leeds. There are other ones from the Victoria Centre in Nottingham. I
:56:05. > :56:10.played Caractacus Potts in the musical and had a joy of the time
:56:11. > :56:17.playing with these wonderful things. What is this one that we are looking
:56:18. > :56:25.at here? This is the feather stain kite mark two gentleman's flying
:56:26. > :56:31.machine. Alex is with someone who knows why he was such a genius.
:56:32. > :56:39.Yes, I am with Clare, the daughter of the man behind the machines. What
:56:40. > :56:45.was it like growing up? Was your house full of bits and bobs? He
:56:46. > :56:49.certainly went around the antiques shops and pinched things from the
:56:50. > :56:55.house. There is a door knob which was on the cupboards. The teacup
:56:56. > :57:01.that he would have taken and mirrors than tables and lampshades, always
:57:02. > :57:06.taking lampshades! What was it like when the call came from Chitty
:57:07. > :57:10.Chitty Bang Bang to asking to make these machines? I think he would
:57:11. > :57:15.have felt very daunted but very excited. It was an enormous project.
:57:16. > :57:21.He made about eight inventions as well as the breakfast machine for
:57:22. > :57:24.the film. The only other film he was involved with was Admiral Crichton.
:57:25. > :57:30.Very exciting for him and he loved it. Apart from the three machines,
:57:31. > :57:39.we have got another find from the original film.
:57:40. > :57:44.This is Adrian Hall. You may not recognise him. This was little
:57:45. > :57:53.Jeremy. How old were you here? Eight. What memories do you have? It
:57:54. > :57:59.was fabulous walking up to the set every day and seeing toys like this.
:58:00. > :58:04.There was a little props guy who did the props for the Bond films. He
:58:05. > :58:11.used DJ around and stop us grabbing hold of stuff and taking it home. I
:58:12. > :58:17.bet you thought this was all real? I genuinely believed it all worked.
:58:18. > :58:24.They all have this mesmerising quality. It is the sound and
:58:25. > :58:26.everything. Thank you very much, Adrian. Early on we were talking
:58:27. > :58:34.about summarising Shakespeare into 25 words. Another one says royal
:58:35. > :58:40.uncle killed of a brother and two nephews, offers his kingdom for a
:58:41. > :58:45.horse before being dumped in a Midlands car park. Of course, that
:58:46. > :58:52.is Richard III. Nicky's new series Wanted: A Family Of My Own starts
:58:53. > :58:56.tomorrow on ITV. And The Importance of Being Earnest will be at the
:58:57. > :59:00.Harold Pinter Theatre. Tomorrow we will be joined by the one and only
:59:01. > :59:09.Hello, I'm Ellie Crisell with your 90-second update.
:59:10. > :59:13.The brother of the Duchess of Cornwall has died after a fall in
:59:14. > :59:16.New York. Conservationist Mark Shand suffered head injuries. A statement
:59:17. > :59:19.from Camilla and Prince Charles says they're devastated.
:59:20. > :59:23.Three children under five have been found dead at a house in south
:59:24. > :59:26.London. A girl and twin boys were discovered last night. Their
:59:27. > :59:27.42-year-old mother has been arrested on suspicion of murder.
:59:28. > :59:28.The number