:00:15. > :00:16.Hello and welcome to The One Show with Alex Jones...
:00:17. > :00:20.Now tonight, we're either very small, or these
:00:21. > :00:31.These images are highly detailed. They are from a new exhibition
:00:32. > :00:36.showcasing insects. George will tell us what these
:00:37. > :00:37.spectacular supersized Also tonight, we're joined
:00:38. > :00:40.by the long-suffering wife of a family who made us
:00:41. > :00:42.laugh for years. But it turns out that they have
:00:43. > :00:58.a hard time keeping a straight face. I'm not one for long goodbyes.
:00:59. > :01:13.Marion went out for a meal last Friday with her husband.
:01:14. > :01:21.Please welcome The One Show's favourite TV mum - Sue Johnston!
:01:22. > :01:35.APPLAUSE We should have got you to do the theme tune tonight! That was
:01:36. > :01:44.from Royle Family. We heard that when cast members misbehaved, you
:01:45. > :01:49.had a special place onset where you would send them. Yes, we had a
:01:50. > :01:54.naughty corner. The props guys built it. It got more and more elaborate,
:01:55. > :02:04.until it looked like a little jail, and they put a little blue light
:02:05. > :02:08.outside it, and a little rail. Who was the worst offender? Of Ricky
:02:09. > :02:14.Tomlinson, followed by Craig Cash, followed by Ralf Little. Usually, we
:02:15. > :02:17.all got in there. Craig Cash is in the new comedy, Rovers, which we
:02:18. > :02:24.will be talking about shortly. Did you have to reinstate the naughty
:02:25. > :02:28.corner? Not yet. Just verging on it. We should definitely get one here.
:02:29. > :02:30.Now roll back eight months to September 2015,
:02:31. > :02:32.when David Cameron announced that the UK would take in 20,000
:02:33. > :02:36.The first 1,000 are now here, and Trish Adudu has met one family
:02:37. > :02:38.who had made the life-saving journey from
:02:39. > :02:58.One-year-old Baraa his dad Ali, and mum Abeer are settling into their
:02:59. > :03:02.new home. This family are part of a first wave of a resettlement
:03:03. > :03:07.programme in the UK to re-home refugees from camps near the Syrian
:03:08. > :03:12.borders. Syria's bloody war has meant that more than 11 million
:03:13. > :03:18.people have fled their homes, the largest wave of mass since World War
:03:19. > :03:25.II. Answering a UN call for governments to act to help, written
:03:26. > :03:32.pledged last September to resettle 20,000 Syrian refugees by 2020. To
:03:33. > :03:35.discourage illegal migration, the government says all those selected
:03:36. > :03:41.to come to Britain will be Syrians who've fled to neighbouring
:03:42. > :03:48.countries like Turkey and Iraq. And that is how a Syrian family came to
:03:49. > :03:53.be plunked from their temporary home and set down 3500 kilometres away
:03:54. > :03:57.here, in the charming and historic county of Wiltshire. I've come to
:03:58. > :04:03.see how they are getting on. We were so happy in Syria before the world.
:04:04. > :04:09.It is so dangerous to stay there. We were in forced to escape. Having
:04:10. > :04:12.made it a across-the-board to Lebanon on, and office became their
:04:13. > :04:18.makeshift home, and the couple lived on what Ali could earn selling
:04:19. > :04:23.coffee. How did it feel when you got that news is that you would be
:04:24. > :04:27.leaving, going to a better life? At the beginning, we didn't believe. We
:04:28. > :04:33.were so happy, we immediately started to have English lessons. All
:04:34. > :04:46.the people there are very lovely and helped us, and gave us some cards.
:04:47. > :04:51.Welcome to your house! Lovely. Really, it touched our hearts.
:04:52. > :04:57.Today, Abeer and Ali are making me atypical Syrian breakfast. Have you
:04:58. > :05:04.been making some Syrian breakfast for your Wiltshire neighbours? Yes?
:05:05. > :05:10.Yes, we invited our friends to have Syrian food, and they enjoyed it.
:05:11. > :05:23.They had many different things, Tamburlaine, and so on. Delicious!
:05:24. > :05:28.That is really nice. Around a quarter of the 400 plus councils
:05:29. > :05:31.across the UK have so far volunteered to accept refugees from
:05:32. > :05:37.the scheme, with the government footing the bill for the first five
:05:38. > :05:42.years. Ali and Abeer are qualified IT teachers, both keen to integrate
:05:43. > :05:47.their new community. This afternoon, they are heading to their local
:05:48. > :05:51.library. It is very good to meet other people to improve our English.
:05:52. > :06:00.Here I have met other months. We do rhymes for the children. Give us a
:06:01. > :06:10.nursery rhyme that you have learnt! Row, Row, row your boat! Helping the
:06:11. > :06:15.Syrian families getting to grips with the Wiltshire's unfamiliar ways
:06:16. > :06:22.are some volunteers. How difficult has it been to integrate? I think
:06:23. > :06:25.they really miss their families. But people have been so welcoming. They
:06:26. > :06:34.walk the streets and people say hello to them. They want to get on.
:06:35. > :06:37.They are in my heart now. Since September, new arrivals have been
:06:38. > :06:42.settled anywhere from the Western Isles of Scotland to the south coast
:06:43. > :06:47.of England. Ali is embracing village life, and now has an allotment,
:06:48. > :06:52.planning to grow much of their own food. Despite their new home in the
:06:53. > :06:58.English countryside, Syria is never far from the couple's minds. Are you
:06:59. > :07:04.worried about family back home? Yes, of course, because there is no
:07:05. > :07:09.safety where they are now. I know that there are people never want
:07:10. > :07:15.from Syria, but I want to change this. We want to build our life
:07:16. > :07:21.here. We want to start again. I hope the future will be very good for us.
:07:22. > :07:24.We have to improve ourselves, we have to look for a good job, to be
:07:25. > :07:30.good citizens. That looks like a lovely house
:07:31. > :07:37.and area that the family Where does the housing stock
:07:38. > :07:49.come from That is down to the individual
:07:50. > :07:53.councils. They can either pick housing accommodation, stocks
:07:54. > :07:56.council housing or private rented accommodation. The Home Office
:07:57. > :08:01.insists that none of this stock is being given in place of other people
:08:02. > :08:06.who are waiting for it. They say it is either surplus stock, or it has
:08:07. > :08:11.been deemed unsuitable for people on the council waiting list. They want
:08:12. > :08:17.to stress that this scheme is being funded by the government's overseas
:08:18. > :08:20.development budget, not council tax. What is the process of families
:08:21. > :08:28.ending up in different councils across Britain? It isn't potluck.
:08:29. > :08:32.The councils will assessed its individual families' needs or
:08:33. > :08:37.individual's needs. It will put a plan together for them and accept
:08:38. > :08:41.the numbers they have pre-agreed. The refugees don't have the right to
:08:42. > :08:45.insist where they go in the country, but they can request it. If they
:08:46. > :08:53.have a family member already settled by the scheme, say in Leeds, they
:08:54. > :08:58.can request a home near Leeds. Can local councils refuse to accept
:08:59. > :09:04.refugees? It is a voluntary scheme, so only 100 councils of the 433 in
:09:05. > :09:08.this country have signed up so far. The numbers they are accepting is
:09:09. > :09:15.very low because it hasn't been going that long. Britain has agreed
:09:16. > :09:20.to take 20,000 refugees by 2020, compared to Canada with 48,000,
:09:21. > :09:23.Germany with 20,000, and many other countries who have agreed to do
:09:24. > :09:28.this. They will all have different pressures on them and different
:09:29. > :09:32.reasons for accepting these refugees. The government gets it in
:09:33. > :09:37.the neck both ways. Some charities say we should be accepting way more
:09:38. > :09:44.than 20,000, but others are saying that because of economic migration
:09:45. > :09:48.and illegal immigration, and asylum seekers from other places, the
:09:49. > :09:52.government has too much on its plate already. Are they given the chance
:09:53. > :09:57.to get started? They start on benefits and they get training
:09:58. > :10:00.programmes provided by the government, councils and volunteers.
:10:01. > :10:06.Ali and Abeer were getting help in that video. The idea is as much help
:10:07. > :10:11.as is required is being given to these people, so that eventually
:10:12. > :10:15.they can go into work. Unlike asylum seekers who cannot work in this
:10:16. > :10:20.country, as things stand, they have the right to work, claim benefits
:10:21. > :10:26.and be here for five years. In five years' time, the war in Syria might
:10:27. > :10:30.be over and they may return. But circumstances might be different.
:10:31. > :10:34.They might have had children in this country, or might be building a life
:10:35. > :10:37.or a career here. If that is the case, they can apply to the
:10:38. > :10:39.government for permanent settlement in the UK.
:10:40. > :10:46.and is all set in the world of a non-league football team.
:10:47. > :10:48.Sue plays Doreen, who runs the clubhouse.
:10:49. > :10:55.Let's take a look at her showing the new barmaid the ropes.
:10:56. > :11:09.Race yourself. Doreen. You all right? What should I write it down
:11:10. > :11:23.to make it quicker? Did you ask Peter if he wanted tomato ketchup?
:11:24. > :11:38.Yes. He said yes. OK, so that is plus Tom ketch. You just said it is
:11:39. > :11:43.like watching your mother! It is like seeing my mother coming out of
:11:44. > :11:48.the screen. It is all based in the clubhouse, and Doreen is the head
:11:49. > :11:54.bar might and the matriarch of the whole setup. She is. Her and her
:11:55. > :12:02.husband set it up together, and he died, and she's run it for the last
:12:03. > :12:07.25 years on her own. To her, it's just home, and these very strange
:12:08. > :12:15.people who are football supporters are just her family, I suppose. She
:12:16. > :12:20.loves them, she looks after them. She tries to raise funds for them.
:12:21. > :12:26.27 people who come to watch the game every week! It must be a wonderful
:12:27. > :12:33.world for you to be in, because this is you through and through. You are
:12:34. > :12:38.a hardened Liverpool fan. I am. That was great fun. I get the jokes! Have
:12:39. > :12:42.you been watching the football. There's been quite a bit. What do
:12:43. > :12:49.you reckon about Louis van Gaal being ditched, two hours after the
:12:50. > :12:57.end of the match? Apparently he found out from his wife. It's really
:12:58. > :13:02.embarrassingly bad. The tradition at Manchester United football club,
:13:03. > :13:06.which is similar into addition to Liverpool, I cannot believe they
:13:07. > :13:12.have treated somebody like that. It's bad news. Not good news. Having
:13:13. > :13:20.said that, Jose Mourinho wandering around Manchester is OK with me!
:13:21. > :13:24.You're happy with that? Why do you think that non-league football is
:13:25. > :13:29.such a right area for comedy? Well, I suppose... I don't want to hurt
:13:30. > :13:35.anybody's feelings, but it is the thought of failure, and that these
:13:36. > :13:44.people turn up every week to fail! It is celebrating the underdog. That
:13:45. > :13:50.is a much kinder way of putting it. It is about the football club,
:13:51. > :13:55.because it is a football club, but it is about these characters that
:13:56. > :14:04.goes. It's very character driven. And the characters are very
:14:05. > :14:10.eccentric. And very warm. And I think it's very well written. It's
:14:11. > :14:14.written by Joe Wilkinson and David Earl, who are stand-up comedians. As
:14:15. > :14:24.our half the cast. So it's really great. A really interesting mix.
:14:25. > :14:28.Interesting, and really exciting, as an actor, to work with these
:14:29. > :14:35.comedians. They just change everything. They say, that's not
:14:36. > :14:39.working. I found them fascinating. And the writing I love. It's
:14:40. > :14:46.brilliantly observed. And we had such fun. It's as much fun as we've
:14:47. > :14:51.had since the Royle Family. You would go into work and laugh all
:14:52. > :14:57.day. You were a barmaid, back in your student days. I loved being a
:14:58. > :15:02.barmaid. The next best job to being an actor! It's a bit like acting
:15:03. > :15:06.because you have the bar, and you are safe behind there, and you can
:15:07. > :15:13.just perform a bit to the crowd. That must have been... I loved being
:15:14. > :15:18.a barmaid. Away from the screens there, you were saying to our
:15:19. > :15:21.researcher that when your grandson plays football, back to the football
:15:22. > :15:26.thing and how much of a fan you are, you're worried you will turn into a
:15:27. > :15:30.pushy football gran. I worry about going to watch them really. Only one
:15:31. > :15:35.has started playing football yet. The others are too small. I know, I
:15:36. > :15:40.just imagine that it will be a lot of shouting off to the ref in
:15:41. > :15:45.language that's not desirable. But I'll have to see. Never lose that
:15:46. > :15:47.passion. No, never lose that passion.
:15:48. > :15:49.Rovers is on tomorrow night on Sky 1 at 10.00pm.
:15:50. > :15:52.In a moment, George will be introducing us to the creatures
:15:53. > :15:58.Before that, Phil Tufnell is itching to tell us about the man who gave
:15:59. > :16:05.us our very first creepy-crawly close-ups - 350 years ago.
:16:06. > :16:14.Back in the 17th century, the average Brit probably had lice and
:16:15. > :16:18.maybe even fleas. But while these creepy crawlies got close up and
:16:19. > :16:23.personal with us, we've not seen them in such intimate detail. Until
:16:24. > :16:28.a scientist called Robert Hook created a microscope that allowed
:16:29. > :16:34.him to peer into a hidden world. Suddenly the tiniest bugs looked
:16:35. > :16:38.like complex monsters. Hook drew what he saw, recreating the tiniest
:16:39. > :16:46.objects on a scale never seen before. His drawings appeared in a
:16:47. > :16:54.book called Micrographia. Published in 1665, it became a best seller. In
:16:55. > :17:02.the archive vaults of the Royal Society in London, the librarian
:17:03. > :17:08.Keith Moore has an original copy. That's a monster for a flea. Here's
:17:09. > :17:12.the smallest and most common of creatures shown completely in a new
:17:13. > :17:17.light. How did the book come about? The book came about because the
:17:18. > :17:20.Royal Society was constantly trying involume King Charles II in its
:17:21. > :17:25.business. One of the ways they did that was to send him interesting
:17:26. > :17:30.things. The Royal Society was set up in 1660 to develop and promote
:17:31. > :17:34.science. They sent the king some drawings of insects under the
:17:35. > :17:40.microscope. Intrigued, he asked to see more and Robert Hook took on the
:17:41. > :17:43.job. Hook has the honour really of being the first professional
:17:44. > :17:47.scientist. He was at the weekly meetings of the Royal Society doing
:17:48. > :17:51.the demonstration. Hook was used to tinkering with the latest tech for
:17:52. > :17:56.his demonstrations and had the skills to build a high quality
:17:57. > :18:02.microscope. Microscopes go back to Galileo. Here is Hook producing
:18:03. > :18:05.fantastic illustrations using the microscope and really demonstrating
:18:06. > :18:12.the possibilities of scientific research using this instrument. What
:18:13. > :18:17.was the impact of the book? It was rather astounding for Hook's
:18:18. > :18:21.contemporaries. Samuel Peep is the great diary writer of the period. He
:18:22. > :18:27.was a great reader. He said this was the most ingenious book that he'd
:18:28. > :18:33.ever read. Hook's giant insects were eye catching and surprisingly
:18:34. > :18:38.accurate when compared to images from modern electron microscopes.
:18:39. > :18:44.This professor believes that's because Hook didn't just have skills
:18:45. > :18:49.as a scientist. He was trained as an artist, initially apprenticed to
:18:50. > :18:53.Peter Lilley, the king' portraitist. He had to leave because the oil
:18:54. > :18:59.paints gave him a headache and made him sick. Hook turned to science,
:19:00. > :19:04.his artistic training helped him bring the microscopic world to life.
:19:05. > :19:11.On a flat piece of paper he can present objects that look really
:19:12. > :19:16.three dimensional. I've got my hands on an 18th Severnery micro-- century
:19:17. > :19:21.microscope similar to what Hook would have used. Drawing a flea is a
:19:22. > :19:27.challenge. How much did he get so much detail into his images, it's
:19:28. > :19:31.not that clear. A lot of work had to go in with jiggling the microscope,
:19:32. > :19:36.the light source and bit by bit creating parts of an image. This was
:19:37. > :19:41.months of intense work. There's no way I can capture Hook's detail, he
:19:42. > :19:45.was a fantastic artist and a great scientist. Not many people in the
:19:46. > :19:52.period had this kind of combination of skills and this is what makes
:19:53. > :19:57.this particular book really unique. 350 years ago, Hook's micrographia
:19:58. > :20:00.grabbed the public's attention and unlocked the potential of the
:20:01. > :20:04.microscope. It was no longer an object of curiosity, but a
:20:05. > :20:10.scientific instrument and would reveal new worlds for future
:20:11. > :20:15.generations. Thank you Phil. Unbelievable. We've
:20:16. > :20:17.lost the squeamish. But the hardened stomachs are still with us.
:20:18. > :20:20.George McGavin is here to bring us the 21st century version of Hooke's
:20:21. > :20:23.work and we're surrounded by beautiful photographs.
:20:24. > :20:33.These are just as spectacular in our day as Hooke's images were. These
:20:34. > :20:36.are inincredible photographs. Amazing job of taking insects who
:20:37. > :20:41.are quite small and making them huge. He takes images of the insects
:20:42. > :20:49.in various parts and always through from top to foot so that they're all
:20:50. > :20:51.sharp. Each of these images is 8,000 separate photographs stitched
:20:52. > :20:58.together, processed. Each takes about three weeks to make. It's an
:20:59. > :21:02.incredible amount of work. The effect is intricate. It's stunning.
:21:03. > :21:08.Here on the wing edge here, when bees fly, they want the wings and
:21:09. > :21:13.back wings to beat as one. A tiny row of hooks, which link the front
:21:14. > :21:17.and hind wing in flight, extra eyes here, not the main eyes, these are
:21:18. > :21:23.extra eyes in the middle. Extra eyes! They detect if it's dark or
:21:24. > :21:32.not. That's an orchid bee from Brazil. This one puts its eggs in
:21:33. > :21:38.the nests of other bees. We have the green tiger beetle here. Absolutely,
:21:39. > :21:43.you will see in the UK. Very fast animal, massive jaws for impailing
:21:44. > :21:50.prey. It moves so fast over the ground. Its eyes are a bit, if it's
:21:51. > :21:54.at full pelt it can't quite see what it's aiming for. Every so often, it
:21:55. > :21:57.has to stop and make sure. In the heat of June, you'll see these on
:21:58. > :22:02.heath lands, a flash of groan and off they go. Amazing -- green. For
:22:03. > :22:06.you, George, with your past, being in charge of the insect unit at
:22:07. > :22:10.Oxford, there what does this do for you? It makes me realise that I
:22:11. > :22:16.chose the right career all along, all those years ago. I am blown away
:22:17. > :22:21.by these images. These are slightly smaller than the ones you'll see at
:22:22. > :22:29.the show. My favourite, this is my favourite. This incredible insect
:22:30. > :22:33.here. I collected it myself in the jungles of Belize. It's about the
:22:34. > :22:37.size of my little finger nail. They are very hard to see the the strange
:22:38. > :22:43.thing about these things, called tree hoppers, is that all of this is
:22:44. > :22:47.just a strange outgrowth of the back of the insect. The head is here, the
:22:48. > :22:52.abdomen is here. There's the wings. All of this is just intended to hide
:22:53. > :22:59.the insect from things that might eat it. There are some that have the
:23:00. > :23:02.back as open jawedants or -- jawed ants or seeds. The inspiration that
:23:03. > :23:07.will come from these images, jewellery and all sorts. A bracelet,
:23:08. > :23:13.Matt, a bangle. That's my insect. Where do you keep this then? That is
:23:14. > :23:19.all the possess men's in the show were -- specimens in the show were
:23:20. > :23:26.from Oxford. They were picked and cleaned especially. That is just
:23:27. > :23:30.exactly as it looks. To me, that's just, well, I think one of the most
:23:31. > :23:33.amazing things I've ever seen. Is your fireplace big enough to hang
:23:34. > :23:36.this? I would love to have that. They're probably very expensive. You
:23:37. > :23:43.could take this one. The Gavin towers. Have this one. Thank you to
:23:44. > :23:50.George. Microsculpture will be on display
:23:51. > :23:52.at Oxford University Museum Let's shift scale now -
:23:53. > :23:56.from the microscopic to the massive. Here's our brand new One Show
:23:57. > :23:58.Structural Engineer, Roma Agrawal, explaining some
:23:59. > :24:00.of the secrets behind skyscrapers. Apparently, it's all down
:24:01. > :24:10.to some very clever design My name is Roma, I'm a structural
:24:11. > :24:21.engineer and for six years I worked on the tallest building in Western
:24:22. > :24:27.Europe, the Charred. I've -- the Shard. Some of the key engineering
:24:28. > :24:30.innovation that's made the modern skyscraper possible were pioneered
:24:31. > :24:44.not in London, New York or Chicago, but here in Merseyside. This is the
:24:45. > :24:48.orrial chambers, designed by Peter Ellis and built in 1864. It may look
:24:49. > :24:53.like an average office block, but hidden within this building is one
:24:54. > :25:01.of the engineering innovations that's crucial to skyscraper design.
:25:02. > :25:06.Marge ewe Ashton is showing me around. -- Matthew. This is
:25:07. > :25:10.brilliant. I love this bright orange column right in the middle of your
:25:11. > :25:13.office. In this building the frame itself, in the interior of the
:25:14. > :25:17.building, is supporting the building. It takes the load of the
:25:18. > :25:23.occupants and it takes the load itself. It's the frame that's doing
:25:24. > :25:26.all the support. What made Orial chambers so pioneering is the hidden
:25:27. > :25:31.metal frame that runs throughout the building. It's not the walls that
:25:32. > :25:36.keep the building up, it's this strong frame. Though it's not
:25:37. > :25:39.necessarily terribly high in the context of later skyscrapers, he
:25:40. > :25:43.needed to achieve height in the most efficient way possible. So, by
:25:44. > :25:48.having a frame, it allows the walls to have the biggest possible
:25:49. > :25:51.windows. The design of this building inspired architects who went on to
:25:52. > :25:55.build the first American skyscrapers. And with that strong
:25:56. > :26:03.internal skeleton, they grew taller and taller. But it would be nine
:26:04. > :26:09.decades before another Merseyside innovation would give the modern
:26:10. > :26:18.skyscraper something else it needed - very large sheets of perfectly
:26:19. > :26:22.flat glass. The Gherkin contains a colossal 7,500 individual sheets of
:26:23. > :26:33.glass. The method for manufacturing high quality, flat glass needed tore
:26:34. > :26:37.skyscrapers was invented by Sir Alex Pilkington. The Managing Director
:26:38. > :26:43.shows me how it's done. This is the furnace. We begin with our raw
:26:44. > :26:48.materials. Inside here, we're heating it to 1600 degrees C, that's
:26:49. > :26:52.hotter than a volcano. The traditional way of making high
:26:53. > :26:55.quality flat glass involved passing molten glass through mechanical
:26:56. > :27:03.rollers and then grinding and polishing it to make it flat. This
:27:04. > :27:06.revolutionary method was quicker and cheaper and involved floating the
:27:07. > :27:10.molten glass. You have a demonstration here. We have, yes.
:27:11. > :27:15.The idea behind the float bath is that glass floats on molten tin in
:27:16. > :27:20.the same way that oil will float on water. So the glass is actually
:27:21. > :27:25.lighter and floats on top. The molten tin is denser. The tin is
:27:26. > :27:30.perfectly flat so the glass is actually perfectly flat. The idea of
:27:31. > :27:37.floating molten glass on molten tin to make it flat was ground breaking.
:27:38. > :27:43.Nowadays, all glass for buildings is processed in this way. It's
:27:44. > :27:48.brilliant. Without the float glass technique or the revolutionary
:27:49. > :27:55.design principles pioneered in Liverpool, our city's skylines would
:27:56. > :28:00.look very different. So there you are. Liverpool responsible for the
:28:01. > :28:06.first skyscraper. You did spent a lot of time in the Cavern as a long
:28:07. > :28:11.woman? I spent far too much time in the Cavern! It's appropriate we have
:28:12. > :28:17.these Beatles in tonight. Nice link Matt! There you are. Very clever. I
:28:18. > :28:21.was going to say, we have to ask, we have 40 seconds left, you ended up
:28:22. > :28:24.on tour with the Rolling Stones for goodness sake It wasn't me going on
:28:25. > :28:35.tour with them. My then boyfriend was the drummer in the swinging Blue
:28:36. > :28:39.Jeans. So I took a week off work and went with them. The things I saw
:28:40. > :28:40.that I've never recovered from. You've been lovely company tonight.
:28:41. > :28:43.Thank you so much. Thanks to Sue for
:28:44. > :28:45.joining us tonight. Rovers starts tomorrow night
:28:46. > :28:47.on Sky One at 10pm. Tomorrow Paul Hollywood will
:28:48. > :28:52.be here. Hope he brings cake! Give him a
:28:53. > :28:58.ring. I will.