:00:21. > :00:25.Welcome to the One Show with Alex Jones. And my running mate, Mr Jerry
:00:26. > :00:31.Springer. APPLAUSE
:00:32. > :00:36.The last time I was here was a year ago. It was, to the day. And I
:00:37. > :00:44.predicted that Donald Trump would never be elected as president. Never
:00:45. > :00:48.give me racing tips. I would like to formally apologise. But actually,
:00:49. > :00:55.you guys have a lot of politics going on here. Give had a general
:00:56. > :01:01.election. Brexit. Big thing. My solution, and this will work, you
:01:02. > :01:07.want to leave Europe? OK, but how about you leave Europe and join us?
:01:08. > :01:16.It has been 241 years since the revolution. Let bygones be bygones.
:01:17. > :01:23.Become the 51st state. In the politest way possible, no thanks.
:01:24. > :01:26.Good call! Things have been rocky politically, but we have it on good
:01:27. > :01:31.authority that everything is now completely sorted out. Oh, God.
:01:32. > :01:38.Getting on with the job of Government, that's what I'm doing.
:01:39. > :01:44.Of course you are. And am planning for -- I'm planning for an orderly
:01:45. > :01:46.Brexit. I've bought a new book, I've written an orderly Brexit on there
:01:47. > :01:50.and I have undermined it twice. Should I put a box around it as
:01:51. > :01:57.well? Is that Hammond come to oust me? Or Johnston? All of them.
:01:58. > :02:05.Philip, put a chair under that doorknob, that's a boy job. Don't be
:02:06. > :02:11.silly, old girl, know what is going to get rid of you for at least the
:02:12. > :02:18.next six weeks. Let's welcome Tracey Ullman, and a woman breaking into
:02:19. > :02:27.the charts, it's Rita Ora! That was amazing. Are you worried that in
:02:28. > :02:31.another couple of weeks, she may not be Prime Minister? The show goes out
:02:32. > :02:40.in two hours, someone less anyone has heard anything... It is
:02:41. > :02:45.tumultuous times. We started to write the show when she announced
:02:46. > :02:48.the election, and what we wrote changed and changed again. Your
:02:49. > :02:55.material comes from the headlines? Yes. It is on tonight and we will
:02:56. > :03:00.talk about it later. Greater, I know you love coming on the One Show, but
:03:01. > :03:07.tonight especially, she came running. I was backstage and I was
:03:08. > :03:18.like, Jerry! You have to think twice and think, has he met me before? No!
:03:19. > :03:24.Never! We went to different schools. When it comes to being a success, it
:03:25. > :03:29.is important to control your online profile as much as you can. Jerry
:03:30. > :03:36.has his website. Rita has got ritaora.com, and Tracey, you are up
:03:37. > :03:43.for grabs $795. Really? Never is money to be made in these domains.
:03:44. > :03:52.Take a look. -- there is money. Every day, billions of people log on
:03:53. > :03:56.to access domains on the web. BBC .co .uk and other domains function
:03:57. > :04:01.on the internet in a similar manner to a physical address, and anyone
:04:02. > :04:04.can come up with one. There are people out there who buy domains and
:04:05. > :04:09.sell them for hundreds, thousands or even millions of pounds. I think it
:04:10. > :04:15.is time to find out how to become one of these internet traders and
:04:16. > :04:19.get that perfect domain name. Graham Haynes is an entrepreneur who was
:04:20. > :04:23.one of the first people to buy and sell domains. I had a gut feeling at
:04:24. > :04:29.the time that domain names would be worth money. To me, it's like
:04:30. > :04:36.internet real estate. If you have a very short domain name, or you have
:04:37. > :04:42.a generic one, such as hotels .com or cars .com, that is the Mayfair of
:04:43. > :04:50.real estate. Let's talk about your successes. I sold one for ?1.5
:04:51. > :04:55.million, and I paid an awful lot of money for furniture .co .uk.
:04:56. > :05:01.$600,000. Wow! Some Bieber don't make that money in their lifetime. I
:05:02. > :05:08.know. Because they are always growing in value, I think, I will
:05:09. > :05:13.hold out before selling. In 1985, symbolics .com was the first in a
:05:14. > :05:18.main registered, by affirming Massachusetts, and it is now owned
:05:19. > :05:35.by a collector, Aaron. I bought it eight years ago. All the domainers
:05:36. > :05:45.owners know that one was the first. This man buys domains for a small
:05:46. > :05:52.amount with the intention of selling them on. What are you hoping to
:05:53. > :05:57.achieve by owning domains? Fame and fortune! I have a list of domain
:05:58. > :06:01.names, I wonder if you could have a look and tell me if they are good.
:06:02. > :06:07.Give me half an hour and I will tell you if they are worth anything. OK.
:06:08. > :06:22.One guy already living the domain dealer dream is 31-year-old no. --
:06:23. > :06:26.Mo. He now lives in the Cayman Islands. When I need to take a
:06:27. > :06:34.break, this lovely beaches just a two-minute walk. Mo has come a long
:06:35. > :06:43.way since he lived in London. I sold one for 1 million dollars. TV .com,
:06:44. > :06:48.we brokered that for $800,000. And where did he learn his tricks? His
:06:49. > :06:53.company vice president, Alan Schwartz, has had a few big deals
:06:54. > :07:01.himself. My highest sale was $13 million. Now, my dream is to manage
:07:02. > :07:04.a person who beat my record. Meanwhile, back in London, Simon has
:07:05. > :07:13.had a look at my potential domain ideas. A few are great, and a few
:07:14. > :07:17.are terrible. I would pick up adventurer .net. And Christmas .net.
:07:18. > :07:23.Obviously, that happens at the same time every year and there is money
:07:24. > :07:30.in that. Have you got -- have I got an eye for this? Those two were
:07:31. > :07:35.good, the others. Stick to the a job?
:07:36. > :07:42.Tracey, your show is going out at 930 this evening. -- 9:30pm this
:07:43. > :07:47.evening. It is topical, so how up to the wire were you in terms of
:07:48. > :07:55.filming? I filmed the Theresa May piece on Wednesday. Just gone? Yes.
:07:56. > :08:03.I still have bits of glue on my face here. We touched it up. Have you
:08:04. > :08:10.ever thought about doing Trump? I think Alec Baldwin is doing a good
:08:11. > :08:22.job. I guy from comedy Central will be in it. I can't look like Melania,
:08:23. > :08:30.like our Slovakian model any more. -- like a Slovakian model. This is
:08:31. > :08:38.Angela Merkel video calling Donald Trump. I should call Emmanuel
:08:39. > :08:45.Macron. Very important issues to cover. It is very pressing. You have
:08:46. > :08:52.contacted him five times this morning. His eye for the mature sex
:08:53. > :08:55.machine is of no relevance, none. You know who you must speak with,
:08:56. > :09:01.and you can't put it off a minute longer. I don't want to talk to Mr
:09:02. > :09:10.Trump. He hates me and I hate him more. Not like you see in the ROM
:09:11. > :09:16.com just before they start kissing. Did you teach -- could you teach
:09:17. > :09:22.Rita to do Merkel? When I look at you, I think Angela Merkel. Can you
:09:23. > :09:40.teach someone to do that? Just do it now. I remember years ago, she came
:09:41. > :09:55.up behind her. IN GERMAN ACCENT: She is a sex machine with the men. IN A
:09:56. > :10:03.GERMAN ACCENT: It is in the front of the map. I went a bit French there.
:10:04. > :10:11.Your red dress goes perfectly with the green. I didn't realise the
:10:12. > :10:19.weather conditions, and I'm cold. You have to do it but fashion. I'm a
:10:20. > :10:23.slave to fashion. On radio! We wondered, cause we thought that was
:10:24. > :10:29.a brilliant impression, what Angela Merkel made of it, so we got in
:10:30. > :10:39.touch. We did. We had a genuine response from Berlin, and we have
:10:40. > :10:43.the letter. I have it right here. Don't do that! This is from Angela
:10:44. > :10:48.Merkel. It's not a joke, they actually got in touch with her, and
:10:49. > :10:52.this is what she responded. At least, her office did. Thank you
:10:53. > :10:56.very much for your e-mail requesting a statement from Chancellor Merkel
:10:57. > :11:09.for the hilarious Tracey Ullman. A nice compliment.
:11:10. > :11:16.Vee are very upset. No, I'm joking. They said, she is in Brussels right
:11:17. > :11:24.now and she will not be able to send a statement. This letter is longer
:11:25. > :11:40.than the statement. It's real. Oh my God! It is quite kind of them to
:11:41. > :11:45.respond, though. I love that she knows who I am. Only on the One
:11:46. > :11:53.Show! If you were going to do Rita,
:11:54. > :12:04.Tracey... I could do you a little bit better. All you've got to do
:12:05. > :12:16.with me is not to pronounce any Ts. Everything is husky. How do you get
:12:17. > :12:22.through life, you poor thing? You sing a few songs, know what I mean?
:12:23. > :12:27.I want to sing together. Come and sing with me. When I sing, people
:12:28. > :12:35.get involved, because they have to guess where the notes were supposed
:12:36. > :12:42.to deal delete back -- supposed to be. Speaking of singing, we are
:12:43. > :12:46.going to Glastonbury. Later, we will have a look at the drive-in cinema
:12:47. > :12:51.drained up by film director Julian Temple, a highlight of the festival.
:12:52. > :12:58.Let's join up with Jo Whiley and Huw Stevens.
:12:59. > :13:01.Wellcome to the heart of the Somerset countryside. Friday has
:13:02. > :13:05.been great. Beasley, a few people have been here since Tuesday and
:13:06. > :13:09.Wednesday, going for it in style, but today is the first day that the
:13:10. > :13:15.stages are properly open and the music has kicked off. You can see
:13:16. > :13:21.stretching out towards Glastonbury Tor, the stunning veil of Avalon,
:13:22. > :13:29.the rolling hills. There are about 200,000 fans here to make the most
:13:30. > :13:33.of it. The next year will be the final one. People are relishing
:13:34. > :13:37.every second they have this year. Kris Kristofferson took to the
:13:38. > :13:41.world-famous Pyramid stage earlier this afternoon, and he was in
:13:42. > :13:45.action, and people flocked to see him perform some of the hits he
:13:46. > :13:52.wrote that you probably wouldn't realise. He was joined by someone
:13:53. > :13:57.rather special and unexpected. # Across the empty street, I caught
:13:58. > :14:00.the smell... #. That was Johnny get with Kris
:14:01. > :14:11.Kristofferson. Watching B-side was Brad Pitt, who turned up. -- Johnny
:14:12. > :14:16.Depp. Jo, you have been part of the coverage here for 20 years, since we
:14:17. > :14:23.started coming in 1997. Does it feel like 20 years? Yes. I was 17 when I
:14:24. > :14:33.first came, so that goes even further. It has been a privilege.
:14:34. > :14:39.What happened in 97? I'll go... I'm Jo Whiley. And we are at the
:14:40. > :14:45.Glastonbury Festival. The worst weather at the festival since 1995.
:14:46. > :14:50.Bands were turning up to be told they wouldn't be needed. We can't
:14:51. > :15:02.play because this stage has sunk into the actual ground. A little bit
:15:03. > :15:07.disappointed. This is like nothing I have ever been to in my life. Can
:15:08. > :15:13.you turn on the light so that we can see the people? Wow, it looks like a
:15:14. > :15:18.truly vintage year. They were simpler times. Nothing has changed -
:15:19. > :15:19.brilliant music, brilliant people having a lovely time. What was it
:15:20. > :15:30.like the John Peel? Radiohead were playing, it was
:15:31. > :15:35.thundering and lightning, he gave me a piggyback. It was magical.
:15:36. > :15:42.Radiohead are headline tonight, you can see them at Tenby. Coverage
:15:43. > :15:45.starts on BBC at 8pm, we bring you music including The Pretenders and
:15:46. > :15:50.Dizzee Rascal as well. Lots of coverage online,
:15:51. > :15:56.bbc.co.uk/Glastonbury, go there. Jerry, we hear a rumour that you
:15:57. > :16:02.were a Woodstock. Tell me this is true? It's true, 1969, I was 25. My
:16:03. > :16:06.buddy and I went up there thinking there was a festival, the fact of
:16:07. > :16:13.the matter is no one knew it was going to be a big thing. It was
:16:14. > :16:17.just... It was horrible! Why? It was muddy all over the place, it was
:16:18. > :16:24.raining. There were no toilets! You had a park three miles away to get
:16:25. > :16:31.there, we didn't know, but I get, I remember listening to Richie Heymans
:16:32. > :16:36.and Melanie... Amazing. That was great, but after one day we left. No
:16:37. > :16:41.one knew at that time it was going to be an iconic thing. We've got
:16:42. > :16:47.this picture. Now, where are you there? That's me! There I am, you
:16:48. > :16:53.can tell, the big nose. Yeah, great. They used me as a sundial, with my
:16:54. > :16:58.nose. They'd say, hey, Jerry, what time is it? Three o'clock. I make up
:16:59. > :17:05.this stupid stuff, but I was at Woodstock, yeah. I'm so is
:17:06. > :17:13.starstruck. It's nuts, isn't it? You are going to Glastonbury straight
:17:14. > :17:20.after this? I am, yes. I love you. He's so fast! It's moving so fast. I
:17:21. > :17:24.can feel it! I'm not going to be around that long, you've got to do
:17:25. > :17:31.it. You are going to Glastonbury? Yes, I am. You have a new single
:17:32. > :17:38.that Ed Sheeran wrote. He's headlining, are you making a list --
:17:39. > :17:41.appearance? Oh, I wish. You never know, it's only Friday today, you
:17:42. > :17:44.never know what's going to happen. I'm definitely going to be there and
:17:45. > :17:50.watch the show. I'm making a surprise appearance on someone's
:17:51. > :17:54.show tomorrow. I performed in 2013, my first performance at the Pyramid
:17:55. > :17:57.Stage, which was like a dream come true for me. It's my favourite
:17:58. > :18:02.festival in the world. It was honestly like the best moment in my
:18:03. > :18:08.life, because growing up in London,... First, meeting you. Going
:18:09. > :18:12.up in London, Glastonbury is like our dream Festival, the most famous
:18:13. > :18:17.festival in the world. To see the crowd was fantastic. After that, I
:18:18. > :18:25.don't really remember much! Let's talk about the new song. You have a
:18:26. > :18:29.new song, what is your new song? Is called Your Song. My song is called
:18:30. > :18:36.Your Song. I was waiting for this joke, I was waiting for it. Your
:18:37. > :18:44.Song is the name of your song? Yes, your song, it's Your Song. It's such
:18:45. > :18:47.a great moment for me, because I haven't put out music for a few
:18:48. > :18:50.years and the comeback with a song that was written by one of my great
:18:51. > :18:58.friends, who with such an amazing person, Ed and myself, it was done
:18:59. > :19:03.in about a week, it was so organic. I felt it was a great record and we
:19:04. > :19:08.went into a studio together and perfected it, to fit me and my
:19:09. > :19:11.vision for the album. I'm just happy to be out and touring, we start
:19:12. > :19:17.doing shows in the summer. It's going to be fun. Looking forward to
:19:18. > :19:23.the album. Last Wednesday we showed the Grenfell video in full, which
:19:24. > :19:27.was really touching, and we had Pastore Paul who was here, and he
:19:28. > :19:31.brought the community choir together. It was really touching.
:19:32. > :19:36.What was the experience like for you? You grew up near there, so it's
:19:37. > :19:41.got quite a personal connection. For me, it's a tough thing to talk about
:19:42. > :19:45.because I really was... I played in that block, you know what I mean? I
:19:46. > :19:49.walked up and down it and it's crazy just to see how time just changed
:19:50. > :19:52.everything. But what I love the most was how amazing the community just
:19:53. > :19:59.turned around and got together so quickly. 24 hours, basically. As
:20:00. > :20:03.soon as I landed, I think I was in New York, I landed and it happened,
:20:04. > :20:06.I just went straight to my neighbourhood and started wrapping
:20:07. > :20:13.up the bags. There were people I really knew, you know what I mean?
:20:14. > :20:18.It's a situation where I can't really talk... It's beautiful to see
:20:19. > :20:23.how everybody has been so amazing and the single is beautiful. It
:20:24. > :20:26.couldn't have been done any better. People have responded so warmly
:20:27. > :20:31.towards it. It was such a brilliant thing to turn around so quickly. And
:20:32. > :20:38.doing it, the atmosphere was insane in the studio and the artists. Were
:20:39. > :20:43.you altogether when you did it? Or was it scheduled? It was scheduled,
:20:44. > :20:50.but it took me to get the words out but we got there in the end. You're
:20:51. > :20:54.a great person. Glastonbury isn't just about the music and the mud, it
:20:55. > :20:58.gives people a chance to explore our in all its forms. Let's meet Joe
:20:59. > :20:59.Rush, a man responsible for some of the Festival's most outrageous
:21:00. > :21:10.sights. I'm Joe Rush, I'm an artist who
:21:11. > :21:13.works with waste, and I work with found objects and I work with
:21:14. > :21:20.machines, weld them together and make bizarre welds with them. The
:21:21. > :21:24.first time I came to Glastonbury was 1985 and I've been coming back
:21:25. > :21:28.regularly, building things. My favourite thing I think I did was
:21:29. > :21:34.built in Stonehenge out of cars. Cars I built Stonehenge out of cars.
:21:35. > :21:38.Then we went on to building a giant hydraulic 18 metre Phoenix on top of
:21:39. > :21:47.the Pyramid Stage when the Rolling Stones played. # please allow me to
:21:48. > :21:50.to introduce myself... #. What we're doing this year is
:21:51. > :21:53.completely new, never been done before in a festival. We think we
:21:54. > :21:58.are going to surprise people it this year. There are 60 others like this,
:21:59. > :22:00.this will make the area that we're doing, which known as Senna
:22:01. > :22:13.Armageddon. -- Senna Armageddon. Cinemarmageddon is basically a rock
:22:14. > :22:17.and roll drive-in cinema and people can come in and stood in these cars
:22:18. > :22:20.and aeroplanes and rockets and all these other things and they can
:22:21. > :22:24.basically sit and watch a drive-in film. I've got cars to coming down
:22:25. > :22:27.from Scotland, all over the country. We've brought a little truck and
:22:28. > :22:35.gone out collecting them all, we're bringing them in. Well done.
:22:36. > :22:41.Brilliant. Joe came down here in 1985, he was very clever, very
:22:42. > :22:44.skilled and everything. I've met him ever since, I've had him every year.
:22:45. > :22:48.He's a real artist, there's no doubt about it. He's the real thing.
:22:49. > :22:52.There's only one Joe Rush, isn't there? Niska, we just brought this
:22:53. > :22:56.one down to where the show is going to be -- this car. We're going to do
:22:57. > :23:01.some work on it now, totally change it. Next time you see it you will be
:23:02. > :23:06.quite surprised. It will be totally different.
:23:07. > :23:12.Yeah, everything is on its way. We've got Barney down their
:23:13. > :23:21.painting. A lot of people finishing off. I work with a really good team,
:23:22. > :23:25.but I do get anxious. About a month ago I was waking up in a cold sweat,
:23:26. > :23:29.thinking I would get it done and it would be a disaster. At this point,
:23:30. > :23:35.I get a bit anxious because it's so hot, people are just melting. Each
:23:36. > :23:41.car has got a character. You know, some is it better in rust and some
:23:42. > :23:44.is it better in shiny paint. We have looked at each car and given it the
:23:45. > :23:49.treatment that we see in it, in the character we wanted to get from it.
:23:50. > :24:00.There's a bit of an afterthought, this one. It's made everyone laugh.
:24:01. > :24:07.It's a Saab in a hole. I'm Julian temper, I'm a film, as they say in
:24:08. > :24:13.Somerset. I came up -- Julien Temple. I came up with this mad
:24:14. > :24:16.idea. We're showing a new version of Glastonbury as a test tonight, we
:24:17. > :24:20.have speakers in the cars and a wireless headset. When the screen is
:24:21. > :24:24.on and the screen is flickering, I've no idea what it will be like.
:24:25. > :24:28.I'm really quite excited to see that. It will be as much a surprise
:24:29. > :24:37.for me as it will be for anybody else.
:24:38. > :24:50.The cars will be put in a dry space and then two years the cars in two
:24:51. > :24:59.years ago, we'll add more cars, we will play with them.
:25:00. > :25:07.Cinemarmageddon, it's fabulous. This is the funny side of Armageddon. If
:25:08. > :25:11.it's bad weather, it's no problem, just sit in the car. The only
:25:12. > :25:16.problem is the wipers aren't working but we have people with squeegees!
:25:17. > :25:20.It will be all right. I've been here a lot of times. I've done a lot of
:25:21. > :25:22.different things and this is something totally different, but
:25:23. > :25:26.it's got really good energy to it and I think we'll have a really good
:25:27. > :25:29.time here. I'm very proud of it. I think I'll always do it. Because I
:25:30. > :25:39.love it, you know? Well, that's almost all we have time
:25:40. > :25:48.for. Thank you to Tracey Ullman, who you can see in Tracey Breaks The
:25:49. > :25:52.News, tonight, 930 V. BBC One. We have the very big thank you to you,
:25:53. > :25:56.Jerry. Please come back soon. Don't leave it a year! We've got another
:25:57. > :26:01.Jerry on Monday, Geri Horner with her new single but now, with Your
:26:02. > :26:02.Song which is out now, it's Rita Ora.
:26:03. > :26:11.CHEERING AND APPLAUSE # I woke up with
:26:12. > :26:14.a fear this morning # But I can taste you
:26:15. > :26:19.on the tip of my tongue # You're by my side and we've got
:26:20. > :26:26.smoke in our lungs # Last night we were way up,
:26:27. > :26:31.kissing in the back of the cab # And then you say "love baby
:26:32. > :26:35.let's go back to my flat" # And when we wake up,
:26:36. > :26:39.never had a feeling like that # I got a reason so man,
:26:40. > :26:43.put that record on again # I don't want to hear
:26:44. > :26:46.sad songs anymore # I found my heart up
:26:47. > :26:51.in this place tonight # Don't want to sing
:26:52. > :26:54.mad songs anymore # Cause your song's
:26:55. > :26:59.got me feeling like I'm # I'm in love, I'm in love,
:27:00. > :27:03.I'm in love # Yeah, you know your song's
:27:04. > :27:08.got me feeling like I'm # But I'm usually the type of girl
:27:09. > :27:16.that would hit and run # When I kiss your lips,
:27:17. > :27:24.feel my heart beat thump # And now we're way up,
:27:25. > :27:28.dancing on the roof of the house # And then we make love, right there
:27:29. > :27:32.on your best friend's couch # And then you say "love,
:27:33. > :27:36.this is what it's all about" # So keep on kissing my mouth
:27:37. > :27:40.and put that record on again # I don't want to hear
:27:41. > :27:43.sad songs anymore # I found my heart up
:27:44. > :27:48.in this place tonight # Don't want to sing
:27:49. > :27:51.mad songs anymore # Cause your song's got me
:27:52. > :27:56.feeling like I'm # I'm in love, I'm in love,
:27:57. > :28:09.I'm in love # Yeah, you know your song's
:28:10. > :28:13.got me feeling like I'm # I don't want to hear
:28:14. > :28:15.sad songs anymore # I found my heart up
:28:16. > :28:21.in this place tonight # Don't want to sing
:28:22. > :28:24.mad songs anymore # Cause your song's got me
:28:25. > :28:29.feeling like I'm # I don't want to hear
:28:30. > :28:31.sad songs anymore # I found my heart up
:28:32. > :28:37.in this place tonight # Don't want to sing
:28:38. > :28:40.mad songs anymore # Cause your song's got me feeling
:28:41. > :28:45.like I'm # I'm in love, I'm in love,
:28:46. > :28:57.I'm in love # Yeah, you know your song's
:28:58. > :29:06.got me feeling like I'm. # FOO FIGHTERS: # Don't let it
:29:07. > :29:15.go to waste