:00:28. > :00:38.Now, time for the One Show with tonight's guest presenter. Would you
:00:39. > :00:46.come on my show sometime? I was thinking Crimewatch, because you're
:00:47. > :00:51.driving is criminal. Honestly! Hello and welcome to the One Show with
:00:52. > :00:56.Alex Jones. And Jeremy Vine. Tonight is the night every Strictly --
:00:57. > :00:59.Strictly fan has been waiting for is the couples take to the dance floor
:01:00. > :01:06.for the first time and we remember it all too well. The whole time, I
:01:07. > :01:10.thought, is it my left foot first or not? Every time I asked the
:01:11. > :01:15.question, I couldn't remember. And all you can hear is your own
:01:16. > :01:18.heartbeat. Later on, Carrie will be backstage to see how the celebs are
:01:19. > :01:24.handling the pressure. There she is behind the curtain. I bet everybody
:01:25. > :01:28.is so nervous. Putting on the last layer of fake tan like a sideboard.
:01:29. > :01:35.Putting more and more glitter on. Ed Balls there. Also tonight...
:01:36. > :01:42.AS FEARNE COTTON: Jeremy, I'm sorry, it's Alex and Fearne tonight, not
:01:43. > :01:45.Alex and Jeremy. You were supposed to be here last night. On the sofa
:01:46. > :01:46.tonight, the man behind this... # Only know you love
:01:47. > :01:56.her when you let her go The award-winning Passenger will be
:01:57. > :02:04.here playing in it to stage version of Anywhere. -- an acoustic version.
:02:05. > :02:16.Tonight's guest is a woman of a thousand voices. Who can it be? I'd
:02:17. > :02:21.probably be up with the greatest musicians in the world. If I met my
:02:22. > :02:25.16-year-old self today I wouldn't say anything to her, I'd just give
:02:26. > :02:35.her a list of husbands to avoid. It's Morgana Robinson! That
:02:36. > :02:42.impression of Fearne is amazing! Thank you, it helps because I look a
:02:43. > :02:46.bit like her. It was Fearne who got you started in impressions. Yes, a
:02:47. > :02:53.lot of people said I looked like her so I thought I'd have a stab at it.
:02:54. > :03:02.I fell into it, like cheap suit. You did that prank on Chris Moyles.
:03:03. > :03:05.She'd put on about two stone. We will hear about your amazing
:03:06. > :03:12.repertoire later. You do mail impressions as well. I like to make
:03:13. > :03:17.it hard for myself. In the news, French hitchhiker Cedric
:03:18. > :03:22.Rault-Verpre waited a staggering four days for a lift and nobody even
:03:23. > :03:27.so much as slowed down. That was in New Zealand, recently named the
:03:28. > :03:31.second friendliest country. If you can't get a lift there, where can
:03:32. > :03:42.you must mark the end of hitchhiking as we know it? We let Kevin Duala by
:03:43. > :03:48.the site of the M23. You might have tried hitchhiking but
:03:49. > :03:51.now you ever see -- you never see anybody. Everybody was happy to
:03:52. > :03:56.catch a lift, from an ordinary working man to the Rolling Stones.
:03:57. > :04:01.Even if it was for a publicity stunt. It was a time of fun and
:04:02. > :04:05.freedom that harkens back to a bygone age where the pace of life
:04:06. > :04:10.was slower and cars could really get the speed limit. Sorry, mate, I know
:04:11. > :04:17.you're having your coffee. I wanted to ask you about hitchhikers. Have
:04:18. > :04:22.you seen any lately? Not like you used to. What do you think are the
:04:23. > :04:27.dangers? You don't know who you let in your car. They could have come
:04:28. > :04:36.out of... If you were driving along and you saw a hitchhiker, would you
:04:37. > :04:41.pick them up? No. Why must you mark safety. Where have the hitchhikers
:04:42. > :04:45.gone? People have become more affluent so they can afford train
:04:46. > :04:52.fares and also they have become more susceptible to irrational fear. We
:04:53. > :04:56.couldn't find any statistical evidence that hitchhiking has become
:04:57. > :05:00.more dangerous for either passenger or driver. Let's see if there are
:05:01. > :05:07.some good Samaritans out there. Weatherproof each -- clothing, sign,
:05:08. > :05:21.marker, a good, strong thumb and a lovely smile.
:05:22. > :05:32.It worked! The winning smile. Have you ever hitchhike? When I broke
:05:33. > :05:38.down once. What were you thinking, was there in your mind any fear? I'm
:05:39. > :05:46.not frightened of anyone. Maybe it's not as difficult as I thought.
:05:47. > :05:53.Brilliant. Excellent. James, thank you for picking me up. I appreciate
:05:54. > :05:57.that. Back in the day, did you used to hitchhike? When I was a student
:05:58. > :06:02.it was one of the ways of getting around. Where is the furthest you
:06:03. > :06:11.went? From Dublin to go away a concert. -- to Galway. When did you
:06:12. > :06:19.last pick up a hitchhiker? About five years ago. What are your
:06:20. > :06:23.thoughts on hitchhiking? I did it many moons ago, I hitchhiked to
:06:24. > :06:30.South Africa. I think it's different now. I'm quite trusting. What makes
:06:31. > :06:34.you stop? There was a woman who I let in but I was terrified. But what
:06:35. > :06:42.goes around comes around and I try to be helpful as I can. Two things I
:06:43. > :06:45.noticed today, two sets of drivers, one not interested, just driving
:06:46. > :06:50.past, the others you could see that they were slowing down, shall I,
:06:51. > :06:53.shan't I, unsure, so maybe hitchhiking isn't on its last legs.
:06:54. > :07:00.Speaking of last legs, I've got to get home. In the meeting, you told
:07:01. > :07:06.us you had quite a close shave with a hitchhiker. When I was 21 and left
:07:07. > :07:09.university I was travelling in the States and I was feeling good about
:07:10. > :07:14.the world and I picked up this guy he was running by the road and he
:07:15. > :07:19.got in and said, I haven't stopped running for the last five minutes.
:07:20. > :07:27.Yes, well, he said he'd been swimming in a river. That's a worry.
:07:28. > :07:31.As he surfaced, he was staring into the face of a crocodile. He started
:07:32. > :07:37.running and I picked him up. Then he said, where are we going to get some
:07:38. > :07:44.beer? I realised I was in trouble. How far? 120 miles. There aren't a
:07:45. > :07:53.lot of places to stop in the States. I haven't picked up one since. That
:07:54. > :07:58.was the end of it. Morgana Robinson, your new show, The Agency, starting
:07:59. > :08:01.on Monday. It's based on a celebrity agency. One of the client is
:08:02. > :08:08.Miranda. Let's have a look. AS MIRANDA HART: Well, hello there.
:08:09. > :08:17.What a veritable thrill it is to see you again. Oh! Miranda is just a
:08:18. > :08:20.character I played in that show whose name shall not be mentioned
:08:21. > :08:26.and night I've moved on from playing Miranda in that show, I can unveil
:08:27. > :08:35.the real Miranda. I find, I do not do that any more. Excellent! I love
:08:36. > :08:41.the mechanics of how you build that impression. Do you sit and watch
:08:42. > :08:47.pictures of Miranda for a day? Until my eyes bleed. That's what I do. I
:08:48. > :08:55.watched them a lot. Any teeth in there? The good thing about it, it's
:08:56. > :09:00.not just a sketch show, it was like their stories developing through the
:09:01. > :09:06.series. Give us some examples. Danny Dyer is in there. Oh, yes. He's
:09:07. > :09:10.going into children's literature. Of course, that's the next step,
:09:11. > :09:18.obviously. And we've got Natalie Cassidy, she wants to be an the One
:09:19. > :09:24.Show. She want your job. Does she? In the New Year, she might be able
:09:25. > :09:30.to. I mentioned earlier impressions of men, and I can't remember male
:09:31. > :09:34.impressionists doing females ever. There was a guy who did Thatcher but
:09:35. > :09:38.apart from that... It's unusual. I have to strap the girls down. They
:09:39. > :09:44.don't behave. I went to a girls school so I was tall and I was
:09:45. > :09:49.always playing blokes. I was conditioned at a young age. Can we
:09:50. > :09:55.see Danny Dyer? AS DANNY DYER: My greatest
:09:56. > :09:59.achievement is my Magnum Opus, a kids book. I'm not finished, I
:10:00. > :10:04.haven't got an ending, but I'm so close. The main character, Danny the
:10:05. > :10:08.bear, I want to play the geezer when they make a movie out of it. I put
:10:09. > :10:14.my heart and soul into it. I need you to get me a gig on CDB 's
:10:15. > :10:26.bedtime, get this out there. Crack on! -- CBBC bedtime. One of the
:10:27. > :10:32.trickiest pairings in the show is Mel and Sue. Which one was the
:10:33. > :10:36.biggest challenge? Soon, because it came after lunchtime, so after
:10:37. > :10:41.pudding, and I'd start sneezing and I'd get a food coma and forget all
:10:42. > :10:46.of my lines. By the end of the day, I didn't know who I was. The two of
:10:47. > :10:52.them were in the same shot. Yes, I'm greedy. We'd have to make a line on
:10:53. > :10:56.the sofa and I wasn't allowed to cross it. You have to learn it like
:10:57. > :11:02.a song, because the timing has to be right. It was full on. It was all
:11:03. > :11:14.about an agency. Does it reflect your career? The agent is loosely
:11:15. > :11:18.based on my agent. LAUGHTER
:11:19. > :11:26.He's very close to my heart. I love him very much. There is a lot of
:11:27. > :11:31.character in the roles in the agent. Morgana Robinson's The Agency start
:11:32. > :11:36.on Monday at 10pm on BBC Two. Do you let a few seconds on the floor get
:11:37. > :11:38.in the wake of a tasty treat? Surely you've got at least five seconds
:11:39. > :11:44.before a dirty doughnut is dangerous. The so-called five
:11:45. > :11:48.several dozen sound scientific so we sent Alex Riley to put it under the
:11:49. > :11:57.microscope. -- so-called five second rule. Have you ever bought yourself
:11:58. > :12:01.a mount -- mouthwatering snack and dropped it on the floor? I'm not
:12:02. > :12:07.wasting it and it me ?2 80. So you pick up and eat it anyway. It hasn't
:12:08. > :12:14.been there too long. It is known to some as five second rule. The theory
:12:15. > :12:18.is, if food is picked up quickly enough, it's safe to eat. Some
:12:19. > :12:21.people live by the role and others think it's a definite no-no and all
:12:22. > :12:28.food that goes on the floor should go straight in the bin. How many
:12:29. > :12:34.seconds would you leave it? Five seconds. Ten. What's the point when
:12:35. > :12:41.it's on the floor? If you do it quick enough the bacteria doesn't
:12:42. > :12:46.have time. 15 second rule. View full of bravado! We thought we'd put it
:12:47. > :12:50.to the test, so how many actually eat food that's been dropped on the
:12:51. > :12:53.floor? Today I'm working in a cafe in Bristol where I'll be trying to
:12:54. > :13:01.give away some of these delicious chocolate brownies. We rigged the
:13:02. > :13:03.cafe with hidden cameras and hopefully the customers won't
:13:04. > :13:09.recognise this new wobbly waiter. Let's see how they react. Can I
:13:10. > :13:18.interest you in a free chocolate brownie? That's a silly question.
:13:19. > :13:27.Sorry. It was only on the floor for a couple of seconds. Not that one.
:13:28. > :13:42.Only for five second on the floor. Sorry. Sorry. I don't want food
:13:43. > :13:46.poisoning. The five second rule. Don't eat it. I can't let you eat
:13:47. > :13:52.it. At that one instead. It's not been on the floor. So, in our
:13:53. > :13:56.unscientific experiment, a third of the people we filmed were willing to
:13:57. > :14:00.eat food off the floor, but we certainly didn't recommend it. So
:14:01. > :14:04.what we've learned so far is that everyone has an opinion on whether
:14:05. > :14:10.the five second rule is valid but what does a science say? Doctor Ron
:14:11. > :14:15.Cutler is a senior lecturer at Queen Mary 's university of London and has
:14:16. > :14:19.actually studied the five second rule in the laboratory, but he's
:14:20. > :14:24.done an experiment for us in a family kitchen to see what actually
:14:25. > :14:28.lurking the floor. We've got four pieces of toast. We had them
:14:29. > :14:35.battered on one side, we dropped them on the floor on the buttered
:14:36. > :14:39.side and picked them up after one seconds, three seconds, five seconds
:14:40. > :14:43.and ten seconds and we saw with the toast was affected by how long it
:14:44. > :14:50.was lying on the floor. ... You took samples from each piece and cultured
:14:51. > :14:57.them in the laboratory. Can you show us the amount of bacteria on each
:14:58. > :15:04.piece of toast? At one seconds, it's heavily contaminated. That's one
:15:05. > :15:07.second! If you extend that to three seconds and then five seconds and
:15:08. > :15:14.ten seconds, equally badly contaminated. So what is on the
:15:15. > :15:20.floor in the kitchen? A mixture of organisms from outside, bugs from
:15:21. > :15:26.faeces from the dogs or cats, anything you brought in on your
:15:27. > :15:32.feet, it is endless. Under the microscope, B samples from the toast
:15:33. > :15:35.are in bacteria. You can see different types of dots,
:15:36. > :15:42.representing bacteria. Some of these are little round blobs. They could
:15:43. > :15:51.be streptococci. Could make of it all? It could give you a sore tummy.
:15:52. > :15:56.To be clear, how valid is the five second rule? It doesn't work. After
:15:57. > :16:02.one second, you get as many bacteria after five or ten seconds. According
:16:03. > :16:06.to this scientist if you drop it on the floor you shouldn't eat it but
:16:07. > :16:10.ultimately the choice is yours. So, armed with this knowledge, the
:16:11. > :16:11.family the family that live here have given me an important job to
:16:12. > :16:23.do. That has put me right off. Five
:16:24. > :16:28.second rule? If it is your own dirt. If it is your kitchen and you know
:16:29. > :16:32.what is on the floor. And if you know the last time you hoovered.
:16:33. > :16:34.That was an unusually dirty kitchen floor.
:16:35. > :16:42.MUSIC: Theme from Strictly Come Dancing
:16:43. > :16:50.Hang on, that was the Strictly klaxon, which means it is time to go
:16:51. > :16:57.to Elstree as Carrie takes us behind the curtain. Less than two hours to
:16:58. > :17:01.go, what is happening in Elstree? I have got gossip for you! I saw two
:17:02. > :17:05.performances in rehearsal this afternoon, one for a dancer with a
:17:06. > :17:12.celebrity and I could not tell who was the dancer. Then there will be a
:17:13. > :17:18.top also coming off tonight. We have got Pasha and Naga here. You have
:17:19. > :17:22.been teaching Naga with metaphors, so do a couple of those for me. What
:17:23. > :17:30.does the head on the pillow look like? And what happens when you go
:17:31. > :17:37.from that too is if you are stalking me? You guys are going to go far!
:17:38. > :17:43.All the best for the next couple of days, guys. We are really going
:17:44. > :17:48.behind the scenes to the bowels of Strictly Come Dancing. And who
:17:49. > :17:52.better to meet Dan Ed Balls and Katya? I hear you have been taking
:17:53. > :17:57.advice from Jeremy Vine. Is this advisable, considering that he was
:17:58. > :18:02.described as a stork being struck by lightning by the judges? Jeremy told
:18:03. > :18:07.me he had the most fabulous time. He said, you just have to commit to it.
:18:08. > :18:10.He said, have the spray tan. He said, I went completely naked and it
:18:11. > :18:15.was the most exciting thing I have ever done. I can't quite join him in
:18:16. > :18:20.that yet, but I am thinking about it. We need to see that! All the
:18:21. > :18:23.best for the next couple of days. We are in the honeymoon period at the
:18:24. > :18:29.moment, because no one has gone out yet. So there are no tears or
:18:30. > :18:39.tantrums, it is all lovey-dovey. Oh, a Marilyn moment. We are going
:18:40. > :18:44.through to the Clauditorium with Anastasia and Brandon. Brendan has
:18:45. > :18:53.done every series. Does that put pressure on you? No. I like to be
:18:54. > :18:59.taken care of by the master. She is doing great. But we need to do more
:19:00. > :19:06.work, because we are having too much fun. I have donned my sequins, only
:19:07. > :19:11.to find all the girls in dressing gowns. Vicky, you are the costume
:19:12. > :19:23.designer. You have worked on 14 series. What does it entail? A lot.
:19:24. > :19:28.How many rhinestones? Too many to mention, but maybe 10,000 on each
:19:29. > :19:35.dress. I have got Laura's dress here. She is very small. She is, and
:19:36. > :19:42.we use lots of colour and loads of these. I am loving this. It is on at
:19:43. > :19:51.nine o'clock tonight, 6:30pm tomorrow night on BBC One. Back to
:19:52. > :19:55.Jeremy and Alex in the studio! And the fake tan story was slightly
:19:56. > :20:03.embarrassing. That was a joke played on me by Aljaz. He said everybody
:20:04. > :20:07.does the fake tan naked. When I walked in wearing nothing, I could
:20:08. > :20:12.see the lady thinking, this has never happened before. But at least
:20:13. > :20:16.you had no unsightly lines. That is true. Behind the scenes at Strictly,
:20:17. > :20:25.everything is manic. Behind the scenes in The One Show office,
:20:26. > :20:29.things have been a little unusual. AS JOANNA LUMLEY: it is Joanna
:20:30. > :20:35.Lumley. I am stuck in the car park, can you help? Yes, are you at
:20:36. > :20:40.Broadcasting House? I am in the BBC car park, darling. The lady who said
:20:41. > :20:46.she would be here is not here. I called the switchboard and they put
:20:47. > :20:50.me through to you. It is Joanna Lumley! I have just had a fab lunch,
:20:51. > :21:02.mainly liquid, with Jennifer Saunders. But I need to get my sweet
:21:03. > :21:07.cheeks down to the BBC. You sent the office into a frenzy this afternoon.
:21:08. > :21:09.Who else did you do? Bit of Natalie Cassidy.
:21:10. > :21:16.AS NATALIE CASSIDY: as some would say, I can't remember now what I
:21:17. > :21:25.said. Something about, I didn't pick the phone up because I was hanging
:21:26. > :21:31.washing out. It was lovely. Amazing. More of the pranks you pulled are on
:21:32. > :21:35.Facebook if you want to see them. One of the big events in the fashion
:21:36. > :21:40.calendar, London Fashion Week, has now drawn to a close. But if not for
:21:41. > :21:44.one unsung British hero, the world of fashion could have been very
:21:45. > :21:47.different indeed. Who better to tell the story than a model who has seen
:21:48. > :21:52.fashions come and go, the very beautiful Daphne Selfe?
:21:53. > :22:01.The fashion industry has been my home for the last 65 years. In that
:22:02. > :22:08.time, I have seen it all. In 1949, at the age of 20, I posed for the
:22:09. > :22:13.cover of a local magazine and began a modelling career that has
:22:14. > :22:18.stretched well into my 80s. Nowadays, people call me the world's
:22:19. > :22:22.oldest working supermodel. But I prefer not to focus on the old. Even
:22:23. > :22:28.though my whole life has been shaped by fashion, I didn't realise that
:22:29. > :22:34.the man who invented life modelling was born only a few hours away from
:22:35. > :22:39.my village. That village was in Lincolnshire, and that man was
:22:40. > :22:44.Charles Frederick Worth. Born in 1825, he paved the way for the
:22:45. > :22:48.fashion industry as we know it. But I am willing to bet that today's
:22:49. > :22:56.fashionistas have never heard of him. Do you know who this gentleman
:22:57. > :23:02.is? No idea. Not a clue. Very dashing, but I'm not sure who he is.
:23:03. > :23:06.Though little recognised today, Worth began his career working here
:23:07. > :23:13.in the capital, before moving to Paris to set up a fashion house that
:23:14. > :23:18.would become legendary. Dress historian Amy has closely studied
:23:19. > :23:24.his designs. Worth was above all famous for the absolute luxury of
:23:25. > :23:28.his garments. In layers and layers of exquisite, luxurious fabrics.
:23:29. > :23:32.These are evening wraps that women would wear to make an incredible
:23:33. > :23:36.entrance from her carriage to the ball and then take off and show her
:23:37. > :23:42.ball gown. That was like having a passion Meena, wasn't it? But with's
:23:43. > :23:48.biggest impact was on the very business of fashion itself. Before
:23:49. > :23:51.Worth, when a wealthy woman went to order a dress, she would buy all her
:23:52. > :23:57.fabrics first. She would then take them to the dressmaker, whereas
:23:58. > :24:00.worth, in an unprecedented way, dictated to his clients what he
:24:01. > :24:04.thought they should wear. He was also the first designer to put his
:24:05. > :24:10.name on a garment. He put his name on the label that went on the inside
:24:11. > :24:14.of the waistband. He was also the first person to develop seasonal
:24:15. > :24:19.collections. Wasn't he the first person to have live models? Yes,
:24:20. > :24:23.when he had been working in the fabric shop in Paris, he met his
:24:24. > :24:27.future wife, Marie. He started dressing her and people came in and
:24:28. > :24:32.admired the clothes she was wearing. Thereafter, she continued to model
:24:33. > :24:37.his clothes, but he also employed women to wear the clothes. That was
:24:38. > :24:40.an innovation at the time. Worth almost single-handedly created the
:24:41. > :24:47.global industry to which I owe my career. So, in his honour, The One
:24:48. > :24:54.Show has arranged a unique photo shoot, and I have invited a rather
:24:55. > :24:59.special guest. Portrait photographer Rankin is an icon in the fashion
:25:00. > :25:02.world. He has taken snaps of everyone who is anyone, from a list
:25:03. > :25:07.celebrities to Her Majesty herself. He will be shooting me in a Charles
:25:08. > :25:15.Worth inspired outfits, and it is a first for both of us. It is very
:25:16. > :25:23.big. You could knock people out with it. I thought we might do our shoot
:25:24. > :25:29.in the window. Can we get you in there? We might, just. That is
:25:30. > :25:36.great. Surrounded by luxury designer brands in one of London's top ashen
:25:37. > :25:42.boutiques, I am replacing mannequins with life modelling, just as Charles
:25:43. > :25:52.did. Gorgeous. We have a lot to choose from. But I want a fun image
:25:53. > :25:56.that captures Rankin's style as well -- a final image. An eye-catching
:25:57. > :26:05.picture to celebrate a true British trailblazer. Perfect. A very
:26:06. > :26:10.eye-catching picture. That was a stunning photo. We are here with
:26:11. > :26:13.Passenger, because his new album Young As The Morning, Old As The Sea
:26:14. > :26:19.is out today. He will be playing for us shortly. First, just time to
:26:20. > :26:24.thank Morgana. Morgana Robinson's The Agency starts on Monday at ten
:26:25. > :26:29.o'clock BBC Two. Matt and Alex will be back next week with Lord Alan
:26:30. > :26:31.Sugar, Dara O Briain and Barry Gibb. Here is Passenger with his new
:26:32. > :26:57.single, Anywhere. # Darling, that's when I'm
:26:58. > :28:39.# Oh, darling I swear I'll go anywhere with you