23/11/2011

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:00:25. > :00:30.Hello and welcome to the One Show with at Lex Jones and Matt Baker.

:00:30. > :00:35.Today's guest was the ultimate IT girl. That's before anyone knew

:00:35. > :00:39.what an IT girl was. It's Twiggy. APPLAUSE

:00:39. > :00:43.We'll talk about your album in a little while and looking at Thomas

:00:43. > :00:49.Cook holidays, but first, have you heard of the internet sensation,

:00:49. > :00:54.Charlie bit my finger? I have. I don't do all that very often. My

:00:54. > :01:02.daughter rang me one day and said mum, you've got to look at this.

:01:02. > :01:08.Actually, we often just put it on and have a giggle. It is - the baby

:01:08. > :01:12.is hysterical. He's such a sweet older brother. It's not just a

:01:12. > :01:22.funny clip. It's the most popular home video on the internet ever.

:01:22. > :01:23.

:01:23. > :01:33.Let's have a little look. Ouch! Ouch! Ouch! Ouch, Charlie! Charlie!

:01:33. > :01:36.

:01:36. > :01:41.That really hurt. Brilliant! The brother there, that is lilly Harry.

:01:41. > :01:45.Charlie gets all the glory. But the baby's hysterical, because you

:01:45. > :01:51.wouldn't think he would get the joke, but he does. He's well

:01:51. > :01:56.advanced. That clip has been viewed over 390 million times. It has

:01:56. > :02:01.earnt Charlie's mum and dad a pretty preny too. Over �100,000 and

:02:01. > :02:04.-- penny too. Over �100,000. We'll meet them later on. At this time of

:02:04. > :02:11.year, most people are spending money on the internet and they are

:02:11. > :02:14.spending a lot. As much as �424 million in a single day. A quarter

:02:14. > :02:18.of that is on holidays and travel. One of the reasons for going on-

:02:18. > :02:20.line is to get a good deal, but as one viewer found her bargain

:02:20. > :02:28.holiday with friends nearly cost her thousands more than she

:02:28. > :02:36.expected. Get this - seven nights holiday in a Caribbean paradise.

:02:36. > :02:41.Flights and four-star, all- inclusive accommodation. Jo-Ann and

:02:41. > :02:47.her five friends would only have to pay �339 each. Wow! The wonds are

:02:47. > :02:51.of booking on-line? I thought this is the bargain of a life-time, but

:02:51. > :02:55.I thought it was too good to be true. I came out of the website and

:02:55. > :03:01.logged off, went back on and exactly the same price came up

:03:01. > :03:03.again, so I said to my partner, I'm going to book this. We got a

:03:03. > :03:09.confirmation e-mail back immediately and the money was taken

:03:09. > :03:14.from the bank. We got E tickets. We got the booking ticket number for

:03:14. > :03:19.every seat, so everybody was very excited. They went out and bought

:03:19. > :03:23.books on St Lucia. Everything ship- shape and ready to go. Well, not

:03:23. > :03:26.quite. You see, three days later BA got in touch with Jo-Ann and said

:03:27. > :03:30.there had been a mistake. The price quoted on the website was an error

:03:30. > :03:37.and if she still wanted the holiday she would have to pay more money. A

:03:37. > :03:41.lot more money. An extra �900 each. I believe that once you have

:03:41. > :03:44.entered into this contract and the money has been exchanged, if you

:03:44. > :03:49.bought goods in a shop you wouldn't be followed out to say, "We should

:03:49. > :03:54.have charged you twice the price for that." So, Jo-Ann and her

:03:54. > :03:58.friends were grounded. Unwilling to pay extra and unimpressed by the

:03:58. > :04:04.BA's defence that it's all in the terms and conditions. When you

:04:04. > :04:07.press the accept button you usually have to tick the box on terms and

:04:07. > :04:11.conditions and that's what brings them into the contract. It is quite

:04:11. > :04:15.difficult to challenge those. The courts have been very willing to do

:04:15. > :04:19.so, so far. BA's terms and conditions do have clauses which

:04:20. > :04:25.state they can make changes, such as the price, after the booking's

:04:25. > :04:28.been made, if and obvious error has occurred. But how can you judge the

:04:28. > :04:32.difference between a terrific holiday bargain and an obvious

:04:32. > :04:35.error? Very difficult to draw a line. You see all sorts of offers

:04:35. > :04:39.for holidays, particularly when there's lots of capacity in the

:04:39. > :04:44.industry. There is huge discounting going on of this kind of magnitude,

:04:44. > :04:48.so I wouldn't think that was obvious. BA did offer a �500

:04:48. > :04:54.discount, but the revised price could still have been almost �5,500

:04:54. > :04:58.more than the group first paid. So, Jo-Ann reluctantly took a refund

:04:58. > :05:02.and booked another holiday elsewhere. I think they should have

:05:02. > :05:06.honoured it. I admit -- they should have admitted it was an error, but

:05:07. > :05:13.been strong enough to say, "We are sorry and we made the error so

:05:13. > :05:16.we'll honour what you've got." After filming with Jo-Ann we spoke

:05:17. > :05:20.to British Airways and they say they are sorry for the technical

:05:20. > :05:24.error that led to the price and they say they contacted Jo-Ann as

:05:24. > :05:27.soon as they became aware of the error. Because of the inconvenience

:05:27. > :05:34.and they specific circumstances, they have now compensated her and

:05:34. > :05:40.Jo-Ann has told us it was �6,021 and that is a fair bit more than

:05:40. > :05:45.the �500 discount and �50 cash initially offered. Good news to all

:05:45. > :05:50.travel lovers. Simon Calder is here. Everyone is looking for a good deal,

:05:50. > :05:53.but how do you know it's genuine? said read all the terms and

:05:53. > :05:57.conditions and I tried that with British Airways, but 11,000 words.

:05:57. > :06:01.People are not going to do that, but what you have to do whether

:06:01. > :06:05.buying a TV, fridge or holiday, is shop around and know what the ball-

:06:05. > :06:10.park figure is. If Jo-Ann had gone on to the Virgin Holidays website

:06:10. > :06:15.she would have seen a holiday like that would be around �1,000 and she

:06:15. > :06:18.would know that something was very badly wrong. I'm afraid, in travel,

:06:18. > :06:20.prices change by the minute and so therefore you are going to get the

:06:20. > :06:24.mistakes happening and unfortunately it's not like having

:06:24. > :06:29.a fridge where you have it sitting in the kitchen with beer and milk

:06:29. > :06:34.in it and you don't take delivery until you turn up at Gatwick

:06:34. > :06:38.Airport. We made a show about Thomas Cook started and they did

:06:38. > :06:46.the eleven-mile trip to Loughborough. They threw in a ham

:06:46. > :06:49.sandwich. It's great. Is Thomas Cook now doing that? It's business

:06:49. > :06:54.as usual, even though the share price has fallen to about the same

:06:54. > :06:58.as a ham sandwich in 1841. They have had a few problems, but it's

:06:58. > :07:04.still a going concern. I've had so many people getting in touch asking

:07:04. > :07:08.what they do. If you've got their holiday book, it's a proper package

:07:08. > :07:12.and your money is safe. I got a call from Peter in Aylesbury saying,

:07:12. > :07:16.I have got to pay �4,000 for my holiday to the Maldives, the

:07:16. > :07:20.balance of the trip next March. Peter, you have to pay up, because

:07:20. > :07:24.otherwise you'll lose the deposit. It is very unsettling for people

:07:24. > :07:29.and for Thomas Cook staff, but basically your money is safe

:07:29. > :07:32.whatever happens and of course, I trust they'll be a going concern,

:07:32. > :07:37.as the company says it is, and everyone will get the holiday they

:07:37. > :07:43.want. Quickly, then, as an expert would you buy a Thomas Cook holiday

:07:43. > :07:47.right now? I would be. I tried to buy one half an hour ago. Just over

:07:47. > :07:54.�250 in the Algarve for a week over the Easter holidays. I got almost

:07:54. > :07:59.to the point and then the website fell over, but don't panic. Can you

:07:59. > :08:04.get the time off though? Always on holiday. Happy holidays. Twiggy

:08:04. > :08:08.went from carpenter's daughter to world-famous supermodel after being

:08:08. > :08:14.spotted by a newspaper editor. Two decades editor another girl found

:08:14. > :08:23.herself leaving the factory floor for high society when she was

:08:23. > :08:30.immortalised by one of Britain's few female war artists. Cornish

:08:30. > :08:34.landscapes and ballerinas and Kirk us paintings made Dame Laura Knight

:08:34. > :08:40.very famous, but with the outbreak of the Second World War, she faced

:08:40. > :08:48.new challenges. She was one of a small group of female painters

:08:48. > :08:54.economist commissioned by the War Artists Advisory Committee. One of

:08:54. > :09:04.her paintings featured this gun, given a fem minute twist. Ruby

:09:04. > :09:05.

:09:05. > :09:11.screwing a -- fem minute twice. Ruby screwing the piece here became

:09:11. > :09:15.a very famous woman. She was the first woman of mastering the skill

:09:15. > :09:20.here. If this task wasn't done correctly the gun could explode

:09:20. > :09:29.when it was fired, so extremely critical to the process.

:09:29. > :09:36.painting made her a celebrity. This is a vivid impression of how the

:09:36. > :09:40.girls in the war toiled to make victory certain. It's really quite

:09:40. > :09:46.an idealised picture? Yes. It's not the gritty reality of war work.

:09:46. > :09:53.It's meant to make her a glamorous role model to persuade other women

:09:53. > :09:58.into this line of work. In 1946 she was to create a painting unlike

:09:58. > :10:03.anything she attempted before and it would capture one of the most

:10:03. > :10:11.significant moments in post-war history - the Nuremberg trials. She

:10:11. > :10:15.asked to be sent where 20 key surviving Nazi figures were in the

:10:15. > :10:21.dock. They were charged with war crimes and crimes against humanity.

:10:21. > :10:26.She was the only official British war artist present. Her original

:10:26. > :10:28.sketches are kept at the Imperial War Museum. This was part of her

:10:28. > :10:35.normal working method. Detailed drawings to get the scene set and

:10:35. > :10:39.think through the composition. are the defendants? Dame Laura

:10:39. > :10:48.Knight produced a key for us that gives an indication. In the front

:10:48. > :10:53.row there we have Hess and then Ribbentrop She is within touching

:10:53. > :10:59.distance. She writes home about that experience of meeting Hess'

:10:59. > :11:04.eyes and talks about his mad stare and also you have Gorg and she

:11:04. > :11:09.talks about him has as gross, misshapen figure. She has asked for

:11:09. > :11:12.this assignment and she wants to see it through. Let's see the

:11:12. > :11:18.finished work. It took her three months of work to complete her

:11:18. > :11:22.remarkable painting. This is the finished picture. Yes. It's quite

:11:22. > :11:29.impressive, isn't it? So much more personal, I think, in the way she

:11:29. > :11:34.has approached the subject. I can see in the second row, I recognise

:11:34. > :11:38.Hess, but not demonised? Absolutely not. There were many cartoons that

:11:38. > :11:43.attacked the defendants at this trial, but she takes a much more

:11:43. > :11:48.objective view of them. The impact is the trial, but in the background,

:11:48. > :11:52.there is literally Nuremberg burning. She was obviously really

:11:52. > :11:56.affected by what she had seen when she was there and felt that that

:11:56. > :11:58.really had to come into the painting. Nuremberg had been

:11:58. > :12:03.virtually destroyed by allied bombing raids during the war,

:12:03. > :12:07.leaving many of the people homeless and starving. I think she strongly

:12:07. > :12:12.felt that it was also in a way the responsibility of those in the dock

:12:12. > :12:15.that this had happened. They had led the jarm an people into that

:12:15. > :12:20.situation. Also -- German people into this situation. This is

:12:20. > :12:24.history on canvass. I think this really cements her place as one of

:12:24. > :12:28.the great war artists of the war. It is much more deeply profound

:12:28. > :12:33.than any of the other works that she produced more the ministry.

:12:33. > :12:38.trials continued until October 1946. The key Nazi leaders were found

:12:38. > :12:43.guilty and executed. But when Dame Laura Knight left with her

:12:43. > :12:48.extraordinary painting it was spring. In spite of the desolation,

:12:48. > :12:53.she noted, the sunshine brings some hope. If you want to see the

:12:53. > :12:58.paintings then they are part of an exhibition of women war artists at

:12:58. > :13:02.the Imperial War Museum in London. Do be quick. Only on until Sunday.

:13:03. > :13:07.Everybody thinks of you as a model, but you are quite -- but you quit

:13:07. > :13:13.initially after four years? I did. In 1970 I did the first film with

:13:14. > :13:19.Ken Russell, the Boy Friend, a musical comedy. When I started

:13:19. > :13:24.doing the film it was like for me, entering the secret garden. This is

:13:25. > :13:28.what I wanted to do. Was it a hard transition? I didn't plan to do it,

:13:28. > :13:33.but then I didn't plan to model. I was snatched from being a

:13:33. > :13:39.schoolgirl and suddenly I was going everywhere around the world as the

:13:39. > :13:42.face of 1966. I kind of fell into that and meeting Ken Russell was

:13:42. > :13:45.the big turning point for me, because he became my mentor and you

:13:45. > :13:50.have to remember at that time, he was one of the biggest film

:13:50. > :13:56.directors in the world. For him to want me to do it, it kind of gives

:13:56. > :13:59.you a bit - I was scared and I went off to tap class and singing

:13:59. > :14:03.lessons. I could always sing in tune. You trained really hard.

:14:03. > :14:13.did. It's like what you are doing now. Of course. If you work hard

:14:13. > :14:25.

:14:25. > :14:35.and train. We'll look at you now in # I know that I could be happy with

:14:35. > :14:37.

:14:37. > :14:41.you my darling. Super timing! Do you still do it?

:14:41. > :14:46.do. I still did tap dance lessons because I love them. It is really

:14:46. > :14:56.good for you. They did do tap on... We are doing the Charleston this

:14:56. > :14:58.

:14:58. > :15:06.week. Glad I didn't! It is really good to keep fit. You feel like

:15:06. > :15:12.Fred Astaire. Two Golden Globes. did, I won two Golden Globe us.

:15:12. > :15:16.it a proper globe? It is a proper globe on a marble plinth. Nice to

:15:16. > :15:24.have two. Let's move on to your new album, Romantically Yours. What is

:15:24. > :15:28.the best song to dance to? For it is not to dance the album. There's

:15:29. > :15:33.one beautiful old song called Someone to Watch Over Me which you

:15:33. > :15:37.can have a nice slow dance to. There's another track that you

:15:37. > :15:42.describe as the most romantic track of all time. I think it probably is,

:15:42. > :15:47.it is written by my friend, Richard Marx. I think it is probably played

:15:47. > :15:52.at more weddings than any other song. He wrote it for his wife 20

:15:52. > :15:56.years ago. He sings a duet with me. I am very proud of that and I love

:15:56. > :16:01.him and the song. The album is a mixed bag, a lot of old stuff and

:16:01. > :16:08.new staff, how did you choose the track? It was going to be a period

:16:08. > :16:13.album because that is what I do. I was in Broadway in the 80s. I love

:16:13. > :16:19.that period of music. They are the greatest songs. My funny Valentine

:16:19. > :16:24.is on it and Someone to Watch Over Me. Then while we were putting in

:16:24. > :16:28.the next, I thought I have always wanted to do right here waiting.

:16:28. > :16:33.Then I wanted to do Angel of the morning and Waterloo Sunset. They

:16:33. > :16:38.are old songs, but not as old. There's going to be another album

:16:38. > :16:43.coming out of the ones you missed out! My list was endless! Then I

:16:43. > :16:48.wanted to do one with my daughter so we picked a Neil Young song,

:16:48. > :16:57.Only Love Can Break Your Heart. is a lovely album. Rheumatica yours

:16:57. > :17:02.is out now. And as we mentioned earlier, one of the - one family's

:17:02. > :17:05.video of a boy called Charlie biting his brothers finger has been

:17:05. > :17:15.watched over 300 million times. What makes a home movie a worldwide

:17:15. > :17:15.

:17:15. > :17:19.Since YouTube launched in February 2005, the internet has become awash

:17:19. > :17:25.with millions of video clips up loaded by the public, they racked

:17:25. > :17:29.up more than 3 billion views per day. But what is surprising is that

:17:29. > :17:34.people are now earning big bucks from internet films made on simple

:17:34. > :17:42.camcorders like this one. I am going to try to find out the secret

:17:42. > :17:49.to becoming an internet movie mogul. Uploaded in May 2007, Charlie bit

:17:49. > :17:54.need has become the most watched home video clip ever. How did it

:17:54. > :17:59.come about? How did you make that film? I bought a video camera when

:17:59. > :18:04.the boys were born and I had been recording them at odd moments. I

:18:04. > :18:09.tried to share it with the boy's godfather in America. The easiest

:18:09. > :18:14.way was to put it on YouTube. be very vulgar? How much did you

:18:14. > :18:20.earn? We have earned in excess of �100,000 since it has gone on

:18:20. > :18:25.YouTube. A question for Harry. Did it really hurt when Charlie bit

:18:25. > :18:31.you? I can't really remember it. I am not that sure, but it definitely

:18:31. > :18:39.did hurt. Charlie, you are hurting the! How do you 10 internet hits

:18:39. > :18:46.into cash. You really bit me! Here at Google's London headquarters, I

:18:46. > :18:51.am meeting someone who will explain how free videos generate money. How

:18:51. > :18:55.did they make money from their video? You just need to upload your

:18:55. > :19:00.video, you get a share of the advertising revenue. Can people

:19:00. > :19:03.make a living from doing this? videos on YouTube can attract

:19:03. > :19:10.hundreds of millions of viewers. Almost as many people as might see

:19:10. > :19:16.a Hollywood blockbuster. It can be very lucrative. One person earning

:19:16. > :19:20.a successful living making films on YouTube is 21-year-old Tonbridge

:19:20. > :19:29.well, aka Tom Ross Carr, who makes many blockbusters from his front

:19:29. > :19:32.room in London. -- many The reason -- the reason I wanted

:19:33. > :19:40.to become an internet film-maker was because I wanted it to be me

:19:40. > :19:44.and my audience and cut out the middleman. Did you go into it to

:19:44. > :19:48.make money? Did you know you could make money? I had no idea I could

:19:48. > :19:52.make money. I was 10 when I started to get interested in this and it

:19:52. > :19:56.was when I was a team that I realised I could make a living. If

:19:56. > :20:02.you are good and quite lucky you can find yourself making five

:20:02. > :20:07.figures a month. In a month! That can happen. What tips do you have

:20:07. > :20:13.four people who want to make a viral video? You have to keep it

:20:13. > :20:21.short and snappy and keep it relate double. Something people can relate

:20:21. > :20:31.to. Can you help me make a viral video? I can certainly drive. --

:20:31. > :20:40.Try. You -- Tom is making two films with me but. One is about bears and

:20:40. > :20:44.the other is about cats. I'm a cat and we hear at the One Show! Can I

:20:44. > :20:50.be on TV? I'm out of my comfort zone, but willing to trust in Tom's

:20:50. > :20:53.expertise. They are everywhere. Thank you, it was unexpectedly

:20:53. > :21:02.really, really good fun and I look forward to seeing the results.

:21:02. > :21:09.too. Which one would we like to see?

:21:09. > :21:18.Lucy being attacked by bears or cats taking over? It has to be cats.

:21:18. > :21:24.How's it going? Pretty good. you doing? Can I be on TV? I've got

:21:24. > :21:33.a camera. I can't wait eat my lunch. I'm spinning. Are we alone in the

:21:33. > :21:42.universe? Thank you. I spend all of my wages on hats. I'm a cat. There

:21:42. > :21:49.you go! We have put both clips on the BBC YouTube channel. They have

:21:49. > :21:55.been viewed by over 34,000 people. Extraordinary. We have put a link

:21:55. > :22:00.on the website if you want to check it out. Why do you think it's like

:22:00. > :22:04.that are so popular? I didn't get it. They had to explain what it was

:22:04. > :22:08.about. They have got to be bold, bright and loud and very, very

:22:08. > :22:14.short. They are viral videos so friends will pass it among

:22:14. > :22:21.themselves. It is not new ones, it is not emotionally deep, it is just

:22:21. > :22:25.really slapstick. In the confusion you would click to watch it again.

:22:25. > :22:30.Their audience might be 15-year-old boys in Ohio, but they make these

:22:30. > :22:34.films for them and everybody watches them. Some are not just

:22:34. > :22:39.quirky cartoons. Some people go one there to look and knitting

:22:39. > :22:43.techniques? A shouldn't have told you that. I have started to knitter

:22:43. > :22:47.game and I find the patterns really, really complicated and the

:22:47. > :22:52.instructions worse, but on YouTube you can see a granny who has been

:22:52. > :22:58.knitting for years do a close-up. I know people who have fixed their

:22:58. > :23:02.toilets, but a picture up. All from online videos. If you think of

:23:02. > :23:06.people in the developing world coming on line, the transfer of the

:23:06. > :23:11.knowledge and the information, how amazing. Did they show you had to

:23:11. > :23:16.make your cardigan? No, it is a bit short. Are we all getting scarves

:23:16. > :23:22.for Christmas? There is another clip you would like to show us.

:23:22. > :23:29.This is a new online sensation. It has had 2 million views. Look at

:23:29. > :23:37.these naughty children. There is some controversy over whether it is

:23:37. > :23:44.fake or not. I want to see the clip of her cleaning up afterwards!

:23:44. > :23:51.that one bag of flour? That is not one bag of flour. Thank you. Up to

:23:51. > :23:55.the north-east now. Would Joe Crowley get on trying to get to

:23:55. > :24:01.Newcastle with a sat nav or without a sat nav? We helped him out of it.

:24:01. > :24:07.He was allowed a 400 year-old map. I am particularly excited about

:24:07. > :24:10.today's visit to see Tom harbour in the British Library. 400 years ago,

:24:10. > :24:16.renowned cartographer John Speed published the theatre of the empire

:24:16. > :24:20.of Great Britain. Perhaps the ultimate old sat nav. This is

:24:20. > :24:26.absolutely beautiful. What are we looking at? It is one of the most

:24:26. > :24:31.special maps of English counties. Produced in around 1611 or 1612 by

:24:31. > :24:35.John Speed. This is a county map of Northumberland. It is a lot more

:24:35. > :24:42.besides. We have the county here and the arms of the nobles, the

:24:42. > :24:46.towns. A very prominent feature going across is the wall. It is

:24:47. > :24:51.important for Roman antiquities. Keen to explore Newcastle, but

:24:51. > :24:57.where do I begin? You have the town plan up here and Newcastle is

:24:57. > :25:01.around there. Why don't you start in Denton? Just how will I get on

:25:01. > :25:04.with a 400 year-old map in modern Northumberland? I'm starting in

:25:04. > :25:09.Denton, just up the road from Newcastle, but there are no roads

:25:09. > :25:13.on my map. I want to locate the prominent Wall, but will the good

:25:13. > :25:22.people of Denton be able to point me in the right direction? Do you

:25:22. > :25:27.know it? Any idea? Never heard of it? It doesn't seem to be reading

:25:27. > :25:34.any bells, but I wonder if anybody can identify who or what they were?

:25:34. > :25:44.Warriors? There is a wall on your left hand side. OK. Fairly broken,

:25:44. > :25:44.

:25:44. > :25:49.mind! Who were they? The Scots. People do know them as the Scots or

:25:50. > :25:55.warriors, clans, tribes. Picts war is Hadrian's Wall. I'm told I can

:25:55. > :25:58.find it just up the road. Named after the Roman Emperor Hadrian,

:25:58. > :26:04.Hadrian's Wall represented the northern frontier of the Roman

:26:04. > :26:07.empire in Britain. Clearly, this won't lead me into the city. All

:26:07. > :26:10.that remains of Hadrian's Wall is a few scattered fragments across

:26:11. > :26:16.northern England. I will have to another feature and according to

:26:16. > :26:19.this map, that would be the river. Directly south of Denton, the Tyne

:26:19. > :26:23.river stands as the border between Northumberland and Durham and it is

:26:23. > :26:31.one of the few features on the old map that still stands out 400 years

:26:31. > :26:35.later. The cat that, it was one solitary bridge. -- Look at that.

:26:35. > :26:43.It is fair to say the locals haven't been slow at putting up a

:26:43. > :26:48.few replacements. The castle is just there. The key is marked there.

:26:48. > :26:52.This would have been exactly where the old stone bridge was. Today

:26:52. > :26:57.while it is still an iconic place to cross the river, because we are

:26:57. > :27:00.right underneath the mighty Tyne Bridge. At the time of the map,

:27:00. > :27:05.Newcastle was one of the richest towns in England, largely due to

:27:05. > :27:09.the gold trade. The population was 10,000, significant back then but

:27:09. > :27:12.only a fraction of the quarter of a million who live here today. These

:27:12. > :27:19.days the ships are gone from the keys and the area is full of bars

:27:19. > :27:22.and restaurants. The castle was built by Henry II in the 12th

:27:22. > :27:32.century and was the scene of a great siege during the civil war in

:27:32. > :27:33.

:27:33. > :27:37.1644 with the royalist forces For King James and England. Look at

:27:37. > :27:41.this, you can find significant stretches of the old city wall. It

:27:41. > :27:47.is exactly where you would expect to find it, in the north-west

:27:47. > :27:50.corner of the old city. If I follow it a bit further, I will get to

:27:50. > :27:54.another part of Newcastle which also has not changed. The green

:27:54. > :27:59.areas at the top of the map are part of the town more, home to

:27:59. > :28:04.hundreds of cattle. The free man can trace their origins back to

:28:04. > :28:07.Anglo-Saxon times. They were free men, middle-class and permitted to

:28:08. > :28:13.carry guns in defence of the city and the town more is still in their

:28:13. > :28:17.control today. When you first look at a map like this, it is difficult

:28:17. > :28:20.to know what to make of it. But when you get into it, it is amazing

:28:20. > :28:25.how many of the historic highlights still survive. Who would have

:28:25. > :28:33.thought you would still be able to navigate around parts of Newcastle

:28:33. > :28:38.with a 400 year-old map? He should have just rung you! We have had any

:28:38. > :28:43.melt. What was it like filming on the set of the Blues Brothers?

:28:43. > :28:47.Brilliant. I am a huge fan of them. What were you doing? I played the

:28:47. > :28:51.girl in the Jaguar that Dan asked for a date and later on in the film