:00:21. > :00:31.# Here I am # Running up the seventh floor
:00:32. > :00:40.# Knocking the 11th door # I'm sick of trying
:00:41. > :00:45.# Baby couldn't love it some more... #
:00:46. > :00:49.APPLAUS high pressure Well here he is, it's Matt Baker. There she is,
:00:50. > :00:55.Alex Jones. Just fresh from the office on the seventh floor. It's
:00:56. > :01:01.true. Can't make it up. He is the award-winning singer-songwriter who
:01:02. > :01:05.enthralled Elton and bewitched Billy Joel. The brilliant Tom Odell. We
:01:06. > :01:10.will have a performance from Tom later as well. Thank you. Lovely
:01:11. > :01:15.stuff. Also in true One Show style we will find out when two worlds
:01:16. > :01:21.collide. What do you get when the world of Gyles Brandreth collides
:01:22. > :01:25.with the high-octane world of 007. Or when the world of former Page 3
:01:26. > :01:35.girl, Samantha Fox, meets the world of fine art. If you ever wondered
:01:36. > :01:39.what the Shake and Vac jingle would sound like when played by a
:01:40. > :01:45.classical string quartet. Tonight could be your lucky night. On the
:01:46. > :01:49.face of it, our two guests tonight are from very different worlds, one
:01:50. > :01:55.is a visionary DY and producer who helped change the face of British
:01:56. > :02:00.music in the 80s with his group Soul II Soul. And the other is the
:02:01. > :02:05.comedian, actor and all-round entertainer who can turn his hand to
:02:06. > :02:11.anything from stand-up to soap o operas, crime dramas and quiz shows.
:02:12. > :02:16.We'll let you which it is. Please welcome Jazzie B and Bradley W. You
:02:17. > :02:23.were the first person to do the one letter for a surname thing. MattiB
:02:24. > :02:37.is on to it now. What does the "B" stand for? It's my first name. OK. I
:02:38. > :02:44.condensed it to the "B." We have had Warren G, Jay Z, Jessie J and X
:02:45. > :02:48.Factor's Honey G. We know Jazzie you weren't familiar with Honey G. We
:02:49. > :02:54.have showed you a few clips. First impressions? Be honest.
:02:55. > :03:02.Entertainment. It's all about entertainment. You have to take the
:03:03. > :03:08.rough with the smooth, ain't you? Music is really interesting because,
:03:09. > :03:12.you know, it's... You take it in different ways. But it's all
:03:13. > :03:18.entertainment. Of course. Very diplomatic. You should be a
:03:19. > :03:28.politician, you really should. She has a good tag line. I say Honey you
:03:29. > :03:32.say... G. It's all about timing! You do have something in common. We will
:03:33. > :03:36.talk about it later on. It's very interesting.
:03:37. > :03:39.Now, with more than two thirds of the UK's Health Trusts
:03:40. > :03:42.already in the red - and no promise of extra funding in
:03:43. > :03:45.the Chancellor's Autumn Statement - you'd think the NHS would welcome
:03:46. > :03:47.any savings that dn't impact on patient care.
:03:48. > :03:50.We think we may just have found one that we can all contribute to.
:03:51. > :03:52.I can feel a One Show campaign coming on!
:03:53. > :04:06.It's 8. 20am. ... Radio Bristol's breakfaster presenter has let me
:04:07. > :04:13.hijack her show. I'm on a mission to save the NHS some money. Every day
:04:14. > :04:17.hospitals across the country send patients home with crutches, zimmers
:04:18. > :04:22.and orbits of medical equipment. What happens to it all when we are
:04:23. > :04:25.up and about again? Chances are they in a cupboard in people's homes,
:04:26. > :04:32.never returned or reused. Such a waste. The costing the NHS millions.
:04:33. > :04:38.Our friends at the One Show are looking into this mountain of wasted
:04:39. > :04:44.medical equipment. Kevin, how big a problem is this It's massive, right
:04:45. > :04:48.across the nation. Let's get some of it back. I'm calling to all the
:04:49. > :04:52.lovely people of Bristol. Have a little think now - do you have
:04:53. > :04:58.anything that might be languishing in the under stairs cupboard, garage
:04:59. > :05:02.loft, in your home or someone else's home. I have the One Show car ready.
:05:03. > :05:06.I will come to your house this morning and collect them myself and
:05:07. > :05:10.take them back. There is an offer you can't refuse. Here's how you do
:05:11. > :05:14.it. Pick up the phone now... Currently, there's no national
:05:15. > :05:20.policy across the UK on returning medical equipment. Some hospitals
:05:21. > :05:27.are great at getting their stuff back, others, not so much. We think
:05:28. > :05:30.that needs to change. Today, I'm at South Mead Hospital in Bristol to
:05:31. > :05:35.get a handle on what they are losing. Their big problem here -
:05:36. > :05:40.crutches. They hand out around 25 pair as day. Maton Hughes says most
:05:41. > :05:43.are never seen again. How many people return them? Tiny numbers. We
:05:44. > :05:50.get less than one pair returned a day. How much money do we lose? They
:05:51. > :05:55.cost about ?10. Obviously if we are giving out 25 a day and one back we
:05:56. > :05:58.are losing ?240 a day worth of crutches. It's big numbers for us.
:05:59. > :06:05.In terms of making sure people bring them back, what incentives can we
:06:06. > :06:07.put out there for them? Assuring the public there is equipment when they
:06:08. > :06:11.need it and get access when they need it. Knowing you are doing the
:06:12. > :06:16.right thing for the NHS and we are all of us responsible for the way
:06:17. > :06:20.that we spend public money. Health Secretary Jeremy Hunt says he is
:06:21. > :06:25.determined to help hospitals clampdown on wasted resources and we
:06:26. > :06:32.thought we'd do our bit, too. Back at BBC Radio Bristol, and my
:06:33. > :06:37.shoutout has had a great reaction. Great response. This is brilliant.
:06:38. > :06:46.Zimmer, frame, wheelchairs, crutches. Here we go. When
:06:47. > :06:53.collecting them I want to know why people haven't taken them back.
:06:54. > :06:58.First person to call is Liz. She was given equipment when she fell. She
:06:59. > :07:02.is up and about get. It's clogging up her hall. You have a zimmer
:07:03. > :07:07.frame? Yes. Did they tell you when to bring it back or what to do with
:07:08. > :07:10.it? Nothing at all. It would have stayed here until I died. We are
:07:11. > :07:14.looking at ways to make them bring the crutches back? Only if they got
:07:15. > :07:18.paid for, it I expect! OK. Are you absolutely sure you don't need it?
:07:19. > :07:24.No, I'll give it to you with my love. I'll take it with your love.
:07:25. > :07:28.That's brilliant. Thank you very much, Liz, I appreciate that. This
:07:29. > :07:33.is brilliant. Across town Gordon has a similar story. You don't know what
:07:34. > :07:38.to do to take them back? No. They don't tell you what department to
:07:39. > :07:44.take them. Some people simply can't return them, like Eric who says his
:07:45. > :07:50.old walking sticks have been in a cupboard for ages. I'm 92. I have no
:07:51. > :07:57.transport. It seems to me people would gladly return stuff if they
:07:58. > :08:01.knew how to go about it. So I'm back at the hospital to meet Juliet, I
:08:02. > :08:06.brought my crutches here, hopefully this is what she wants. Let's go and
:08:07. > :08:11.grab her. Hi. Are you all right? Good, thank you. Is this the kind of
:08:12. > :08:15.thing? This is what we wanted. Thank you so much. We have a car full of
:08:16. > :08:18.recycled stuff. We know you are interested in the crutches. What
:08:19. > :08:24.should people do to help them bring them back? We are open 24-hours a
:08:25. > :08:27.day. Bring them into the Emergency Department, the reception staff will
:08:28. > :08:41.be happiy to take them from you and we will get them reused. In one hour
:08:42. > :08:45.our One Show call-out managed to return a few pieces today. I plan to
:08:46. > :08:49.be back soon and next time I'll be after a lot more than that. Come on,
:08:50. > :08:56.Britain, let's get recycling and help our hospitals. Rallying stuff
:08:57. > :09:00.there. Thank you very much. When you start doing the maths, we were
:09:01. > :09:04.chatting there, ?10 a pair, 24 a day. One hospital. That is one
:09:05. > :09:07.hospital. It could go into millions. This is the issue we have. What is
:09:08. > :09:10.the reason then? Can you reiterate that for us, what is the reason why
:09:11. > :09:15.they are not accepting them? Let us look at it. Jeremy Hunt, our Health
:09:16. > :09:19.Secretary, wants to crackdown on NHS waste, it's brilliant. We found a
:09:20. > :09:23.small solution where we think we can make recoup money for the NHS. The
:09:24. > :09:30.problem, is is that there is no central agency policy. No Government
:09:31. > :09:37.policy that monitors the reusing of medical aids. Some Trusts say
:09:38. > :09:41.recycle, we want them. Other Hospital Trusts Havering they don't
:09:42. > :09:45.want the medical aids for reasons like infection or damaged goods or
:09:46. > :09:50.health and safety. We thought, in a small way if we can try and recoup
:09:51. > :09:57.the money, for example, we talked about figures. Bristol South Mead,
:09:58. > :10:01.if they let out 25 pairs of crutches at ?10 a day, and people brought
:10:02. > :10:09.them back and they recycled and reused them, they would save over
:10:10. > :10:15.?91,000. It's actually ?91,250 in one year, one hospital. Substantial.
:10:16. > :10:21.Amazing. Unbelievable. Who are the Trusts doing this? The NHS Trusts in
:10:22. > :10:25.the north in Scotland have a brilliant idea. They put barcodes on
:10:26. > :10:28.their medical aids so they can scan when people take them. They know
:10:29. > :10:32.where they live and ring them up and say - bring them back. People will
:10:33. > :10:37.bring them back which is great. So easy. Absolutely easy-peasy.
:10:38. > :10:42.Unbelievable. Brilliant news. In Barnsley, there is a service that
:10:43. > :10:52.runs the South West Yorkshire NHS Trust. Last year, 2015-2016, their
:10:53. > :10:56.recycle rate was 93%. In money terms, ?330,000 they saved in one
:10:57. > :11:01.one year. Just at that Trust. That is what we are asking people to do.
:11:02. > :11:06.Unbelievable. Liverpool have been busy in the last four weeks, haven't
:11:07. > :11:10.they Get in. The Liverpool Community Health Trust set up an amnesty. The
:11:11. > :11:14.great thing is that people can drop the stuff off. Nobody looks, no
:11:15. > :11:19.ticking off. They notice there was a decline in people bringing back
:11:20. > :11:23.their medical aids. They set up an amnesty and in four weeks they have
:11:24. > :11:31.seen an increase of 40% of people, patients, bringing back their stuff.
:11:32. > :11:37.Come on, Liverpool! Who wants a compare commode under the stairs? Is
:11:38. > :11:41.the amnesty for everyone? Who ever wants to do it. Liverpool did one.
:11:42. > :11:46.This is our mission. What are you hoping for, what do you want? I have
:11:47. > :11:50.an ambulance I can bring back! Bring your ambulance back we will put The
:11:51. > :11:55.One Show on the side we are good to could. I'm no expert. In a small way
:11:56. > :11:59.there is a situation. We don't know where it will go. We will be really,
:12:00. > :12:02.really excited. It's down to the One Show viewer to help us. Whitehall I
:12:03. > :12:08.will say, we want to contact, we want the NHS staff to contact us as
:12:09. > :12:12.well, give us tips about good practices, bad practices people
:12:13. > :12:15.coming with excuses. We want to hear from you and the One Show viewers.
:12:16. > :12:19.Are you finding it difficult to bring your crutches or your zimmer
:12:20. > :12:23.dprams back to the hospitals? We won't name and shame anybody, but
:12:24. > :12:27.it's down to you. One thing is for sure, right, the NHS is short of
:12:28. > :12:31.money. Come on, people, let's do the right thing. Let's get together, get
:12:32. > :12:36.involved, get in touch. I'm on a mission. You had better stop me or I
:12:37. > :12:39.will keep going. The One Show van is ready. Let's make a difference, save
:12:40. > :12:45.money and make it happen. Thank you, Kevin. Inspirational stuff. See you
:12:46. > :12:54.soon. Thank you. Now, we've asked Gyles Brandreth
:12:55. > :12:56.to do some pretty daring things during his time on the One Show,
:12:57. > :12:59.but we're about to Yes, tonight we're really
:13:00. > :13:11.testing his metal, asking him One man has embodied the ideals of
:13:12. > :13:17.the Alf alpha male time and time again. Women adore him, bad men fear
:13:18. > :13:23.him, he always looks immaculate. No, I'm not talking about me, Gyles
:13:24. > :13:31.Brandreth, it is of course... Bond, James Bond. The death deifying
:13:32. > :13:37.escapades of Britain's best-loved spy has captured the imagination of
:13:38. > :13:47.generation after generation. 007 is known for girls, gadgets and of
:13:48. > :13:53.course jaw dropping stunts. Well, anything Bond can do, Brandreth can
:13:54. > :13:56.do better. I'm ready to Jet Set off to whatever glamorous, exotic,
:13:57. > :14:07.far-flung location I'm bound to be filming in. Ah, not quite! Far-flung
:14:08. > :14:09.it may not be, it's here in Peterborough that one daredevil
:14:10. > :14:21.James Bond stunt was filmed more than 30 years ago. Our One Show
:14:22. > :14:24.stunt team will be attempting the nail-biting train sequence from
:14:25. > :14:34.Octopussy. Having been spotted for his work as
:14:35. > :14:41.a milk tray man, Martin Grace was tasked to double as Bond. Beginning
:14:42. > :14:51.in 1967, he took on the mantle seven times and was highly regarded his
:14:52. > :14:56.stunts in team and TV. He was Roger Moore's stunt double, when Sir Roger
:14:57. > :15:01.heard of our film he wanted to pay tribute to the man who made the
:15:02. > :15:07.stunts possible. I loved Martin. He was modest and terribly polite. He
:15:08. > :15:15.was very good-looking. I doubled him for my close-ups. No, also nerves of
:15:16. > :15:20.steel. He worked on Octopussy when he had a terrible accident. He was
:15:21. > :15:26.doubling me hanging over a side of a train, trying to miss being hit.
:15:27. > :15:30.They went on a little too long for Martin because they went past an
:15:31. > :15:37.extension by the side of the railroad that he had not gone past
:15:38. > :15:41.before. It hit him. It was so strong he broke his thigh broke, cracked
:15:42. > :15:46.his pelvis, broken arm. He wases in a most terrible state. I went to see
:15:47. > :15:52.him in hospital and he was determined he with a doing one arm
:15:53. > :16:00.pullups. Within six months was doing his normal 20-mile run. Martin Grace
:16:01. > :16:05.is probably the best stuntman I ever knew, best stuntman I ever had and
:16:06. > :16:08.one of the nicest men. He was a lovely, lovely man.
:16:09. > :16:19.So how will our stunt team pay homage and recreate this famous
:16:20. > :16:23.sequence? Stunt coordinator Jamie is responsible for working out the
:16:24. > :16:26.logistics before our stuntman, Gordon Alexander, can attempt it.
:16:27. > :16:33.This is what stunt work is about, the preparation. Any stunt has an
:16:34. > :16:37.inherent danger but we have covered the bases and rehearsed well and
:16:38. > :16:41.prepared and rigged it. We need to get out today and we will get on the
:16:42. > :16:47.roof and see how we feel. A little bit concerned. But what do the
:16:48. > :16:51.employees of Nene Valley Railway think? The idea of standing on the
:16:52. > :16:54.train going down the track is not something we would recommend! To be
:16:55. > :16:59.able to recreate something like that, especially now with health and
:17:00. > :17:05.safety... You have got to take into account that something could go
:17:06. > :17:09.wrong. You have step hazards, trip hazards, falling off. The fact that
:17:10. > :17:10.some old boy will be jumping between carriages, a braver man than me,
:17:11. > :17:26.much braver! And you can see how Giles and the
:17:27. > :17:33.team got on a bit later. Plenty of martinis coming up before that. I
:17:34. > :17:36.used to love Roger Moore! Genius. We will stick with movie stars. We
:17:37. > :17:40.mentioned that you have someone in common. And that is a certain movie
:17:41. > :17:51.star, we will play the clip. # And up popped an ugly duckling
:17:52. > :17:58.with feathers all fluffy and brown # And the other birds in so many
:17:59. > :18:05.words said, get out of town # Get out, get out, get out of town
:18:06. > :18:11.#. Here's been on the show, lovely
:18:12. > :18:18.gentleman. Jazzie B, how did that man play a part in your past? He was
:18:19. > :18:27.the gaffer. I worked as a tea boy at his studio is back in the early 80s.
:18:28. > :18:33.And was he a builders or did he like a lot of milk? He was in the middle.
:18:34. > :18:41.I make a mean cup of tea back in those days, before Yorkshire Gold
:18:42. > :18:47.came out. It is the brewing time which is important. How long would
:18:48. > :18:50.you leave it in for him? Tommy would usually get three minutes but you
:18:51. > :18:57.have to be careful with the pouring of the milk. That is important. That
:18:58. > :19:06.is always second. And Bradley, your connection? My mum took me to see
:19:07. > :19:09.him in that show at the London Palladium in 1974. She asked if I
:19:10. > :19:14.liked it and if I said that I said, if I don't make playing football for
:19:15. > :19:18.a living, I want to get into showbiz. And the irony is that the
:19:19. > :19:26.lad playing opposite, I loved what he was doing, and I said I want to
:19:27. > :19:32.do what he is doing. And 23 years later I married his sister!
:19:33. > :19:38.Goodness! We have had some weird stories! And the line operator in
:19:39. > :19:44.the theatre that light, it was not until I had done the lottery show on
:19:45. > :19:47.the BBC, I told that story round the table and he was Richard Valentine
:19:48. > :19:56.who is one of the directors whose dad was Dickie Valentine, and my
:19:57. > :19:59.wife's brother was on the road, and they hadn't seen each other for 30
:20:00. > :20:03.years. That was extraordinary. But we have another thing in common. We
:20:04. > :20:09.had played football together at Wembley! It was before the Chelsea
:20:10. > :20:14.Middlesbrough game. He scored a great goal. From Wembley we are
:20:15. > :20:21.going back to the Palladium. Obviously you are doing Tonight at
:20:22. > :20:30.the Palladium. And off the back and you singing, you have an album out.
:20:31. > :20:33.I sang a song called Almost Like Being In Love and I came off stage a
:20:34. > :20:38.couple of days later and apparently Sony music were in the audience and
:20:39. > :20:44.they said, we didn't know you could sing. I don't really tell anyone, is
:20:45. > :20:50.to sing with my jazz band. I asked if I wanted to make a swing album. I
:20:51. > :20:58.went into the studio with the producer, Steve Sidwell, who
:20:59. > :21:02.produces Michael Buble, did films with Baz Lerman, and I sang with 854
:21:03. > :21:09.piece orchestra. Was that overwhelming? The first three or
:21:10. > :21:13.four days, I was in trouble. I was like, this is too much. But
:21:14. > :21:20.everybody was so encouraging, the guys and the band and Steve himself.
:21:21. > :21:25.And my friend was piano as well. They were so encouraging. It was
:21:26. > :21:27.great. You have seen the album cover, is out on Friday. Shall we
:21:28. > :21:45.have a listen? # Fly me to the Moon
:21:46. > :21:51.# Let me play among the stars #. # That's life, that's what all the
:21:52. > :21:55.people say # You're riding high in April, shot
:21:56. > :22:04.down in May #. APPLAUSE
:22:05. > :22:13.You are a one-man rat Pack! It is a stocking filler for the Nannes and
:22:14. > :22:20.mums! There are some great tracks. And every song on the album has a
:22:21. > :22:23.meaning to it. There is one in Spanish, my grandad used to sing it
:22:24. > :22:29.to my mum when she was a little girl. There is an original song on
:22:30. > :22:39.there as well. Chasing Dreams. I love the title. Steve brings me from
:22:40. > :22:44.Mexico, he said, I've written this track, I hope you like it. He said,
:22:45. > :22:50.I got no words, will you write some words? We wrote the words in between
:22:51. > :22:57.the takes. And that's it, Chasing Dreams. It very uplifting song, a
:22:58. > :23:07.big swing number. I'm dues now -- I'm writing dues now! And now I'm
:23:08. > :23:13.going into wrapping! The album is out on Friday. Jazzie B has a new
:23:14. > :23:18.documentary about his rise to fame in the 1980s which we are going to
:23:19. > :23:21.talk about soon, but while he was treating the sound of the decade,
:23:22. > :23:25.the subject about next film was making headlines.
:23:26. > :23:28.Today we're asking Sam Fox to pose for a slightly
:23:29. > :23:39.Throughout history Art and photography have reflected the
:23:40. > :23:46.popular perceptions of beauty at the time. Samantha fox encapsulated a
:23:47. > :23:51.new era in the way a woman's a parent is judged, the glamour model.
:23:52. > :23:55.I had no intention or dream of being a page three girl, it literally
:23:56. > :23:59.happened. She burst into the tablet at just 16 after winning a modelling
:24:00. > :24:02.competition and launched a love affair with the press, becoming one
:24:03. > :24:10.of the most photographed women of the 80s. The pictures appeared on
:24:11. > :24:16.the front page. It said Sam quits A-levels... I did go to a catholic
:24:17. > :24:22.school, I was taught by nuns. I guess it was a bit of a shock. I
:24:23. > :24:29.still dream of being an actress and singer, I never dream about being a
:24:30. > :24:33.Page three girl. Do you ever feel you have been exploited? No, I have
:24:34. > :24:37.always made my own positions, never exploited to do something that I've
:24:38. > :24:42.regretted. I'm not embarrassed about it. I look at them and I think, wow,
:24:43. > :24:48.they were classy, they looked great. It was a fabulous career. You would
:24:49. > :24:52.get people saying, don't you think it's degrading to women? My answer
:24:53. > :25:02.was, had you been to the Tate Gallery lately? It's full of nude
:25:03. > :25:08.paintings are beautiful women! And you go to art college. Make it! And
:25:09. > :25:15.for the first time I had to reconcile that this is art -- naked.
:25:16. > :25:18.There is a thin line with photography, it can be tacky or
:25:19. > :25:26.artistic. I never wanted to be tacky. Does it know you that you are
:25:27. > :25:30.known for modelling rather than your music? It's difficult for me in
:25:31. > :25:37.Britain to cross over. For some people, they got that if guys pinned
:25:38. > :25:40.you up on their wall, that was all you could do but I had to work
:25:41. > :25:45.doubly hard to show that I could sing both my first single went to
:25:46. > :25:49.number one in 17 countries where they never knew Sam Fox as a Page
:25:50. > :25:55.three girl. That made me really proud. Someone's perception of you
:25:56. > :26:03.does not have to be your story. How was it for you to come out publicly,
:26:04. > :26:11.being in a relationship with a woman? With a woman! Love it such a
:26:12. > :26:15.great thing, you can't mess with it. When it hits you, it is like a tonne
:26:16. > :26:20.of bricks. You think maybe you might lose all your fans because all of
:26:21. > :26:25.their fantasies have been squashed. Because they have grown up with me
:26:26. > :26:32.they feel they do know me as a person and a lot of them did want me
:26:33. > :26:35.to be happy. When I first met Myra, in that time many people would ask
:26:36. > :26:41.me if I was in a relationship and I would say no what I was thinking,
:26:42. > :26:47.I'm lying, I can't live lie. Unfortunately I my baby last year,
:26:48. > :26:52.she fought for two years with cancer. I think because she suffered
:26:53. > :26:57.for two years, that is when I lost a lot of might spark because it was
:26:58. > :27:02.awful seeing her suffer so much. I was her carer, so I lived with it
:27:03. > :27:07.24/7. It also made me grow up a hell of a lot. She was strong a very
:27:08. > :27:14.strong. And that strength was given to me in that time and even now.
:27:15. > :27:22.When you look at yourself in the mirror, what do you see? There has
:27:23. > :27:26.been some sadness but, as a whole, I look at myself as a survivor, a
:27:27. > :27:34.strong woman and a person who has lived her dream, you know. Content,
:27:35. > :27:39.I feel very content. Using the time that Sam had spent sitting for me I
:27:40. > :27:42.am painting a portrait of the way I see her. Three weeks later it is
:27:43. > :27:51.complete and she returns to my studio. It's great! I think you are
:27:52. > :27:59.emerging, that's the thing I have captured, the spotlight, the Globe.
:28:00. > :28:07.It's great -- the glow. The timing is right? The timing is perfect!
:28:08. > :28:15.It's great, isn't it? It's a great Strand, it should be a regular
:28:16. > :28:22.thing. We have done quite a few of them. Let's talk about image because
:28:23. > :28:27.back in the 80s, your logo, which we can see here, this is defined what
:28:28. > :28:35.you were all about. You have that Funki Dred hairdo, that come from?
:28:36. > :28:42.You were a trailblazer. That would is easy. Because my mum is a
:28:43. > :28:49.Christian, she wouldn't be having any raster is living in the house so
:28:50. > :28:54.that's why I always wore a hat, to cover the sides. She was oblivious
:28:55. > :29:01.to it until I took my hat off! Perfect. And when it kicked off!
:29:02. > :29:05.There is a picture of you back in the 80s. We thought it was only fair
:29:06. > :29:17.to show a picture of Bradley as well. There he is! Dear oh dear!
:29:18. > :29:29.That is scary, isn't it? I was about four! Where did you find that? The
:29:30. > :29:32.archives! You got this great document the outcome I watched it
:29:33. > :29:39.this afternoon, you have not even seen it yet. It is called from temp
:29:40. > :29:42.to -- it is called From Dole to Soul. For you it started in the late
:29:43. > :29:50.70s with your first gig just outside your house. That's right, the Queen
:29:51. > :29:57.'s Silver Jubilee. That was my first shot at being a DJ and getting into
:29:58. > :30:03.the music business, from a sound system point of view. Watching all
:30:04. > :30:06.my older brothers every weekend getting their sound systems ready to
:30:07. > :30:11.play out, it was something I yearned to do. This was a key concept, the
:30:12. > :30:18.sound system. There is a lot of furniture! It is a huge thing. And
:30:19. > :30:27.you were loading this around but you didn't have a fan. -- van. We used
:30:28. > :30:34.the results that were around us, the number 14 bus from Hornsey to Putney
:30:35. > :30:42.was my transport at the time! Alongside a shopping trolley from
:30:43. > :30:43.Safeways over I think it was in Holloway Road. You should have rung
:30:44. > :30:53.me, I would have bought my amulet! I didn't have a spare 2p to ring
:30:54. > :31:00.you. We were at school. It was my school days. Going from Hornsey to
:31:01. > :31:05.the Calle, I spent a lot of time in the Caledonian Road area that is
:31:06. > :31:11.where we would frequent. The Number 14 bus was my easy drive, as it
:31:12. > :31:17.were. The Sound System became notorious and the parties you put on
:31:18. > :31:23.became absolutely huge. This is you in the documentary talking about one
:31:24. > :31:27.of those big underground parties. Imagine an H and the two arches and
:31:28. > :31:34.the tunnel going through the two things. Soul II Soul Sound System
:31:35. > :31:38.and family functions in the other. The queue of people down the street.
:31:39. > :31:46.Looking at the size of the place, we must have had at least 5,000 people
:31:47. > :31:53.partying. It would have been an illegal party. A very illegal party.
:31:54. > :31:57.APPLAUSE. Straightaway, Bradley, as soon as you heard that music, you
:31:58. > :32:09.reacted in a way that was the sound for you? I wasn't a fan of 80s
:32:10. > :32:15.music. No Tiffany. No Soul II Soul my kind of thing. Really great. You
:32:16. > :32:19.chart the fact that Thatcher's Britain split communities, really.
:32:20. > :32:24.You capitalised on this quite a lot. You became very commercial with the
:32:25. > :32:30.sound really, with shops... What it helped us to do was give us the
:32:31. > :32:36.opportunity to, "legitimatise" what we were doing at the time. She was,
:32:37. > :32:43.I guess, we were going through change. Yes. And it was very
:32:44. > :32:47.difficult and this was during the time when we were used to having a
:32:48. > :32:51.class system. It was interesting for people like myself because it felt
:32:52. > :32:56.there wasn't a barrier, no glass wall or glass ceiling, as it were.
:32:57. > :33:02.Her coming along and changing things that really did disrupt the whole
:33:03. > :33:06.country. I guess we just found a void somewhere and filled the void,
:33:07. > :33:14.which is what we did with the music and the fashion and the sound system
:33:15. > :33:17.at the time. You moved from the Sound System into making songs Back
:33:18. > :33:22.to Life, your massive hit. How did ha come about? Making
:33:23. > :33:27.records is something I did from the early days of working for Tommy. I
:33:28. > :33:33.had access to studios and stuff like that. Every sound system cuts their
:33:34. > :33:37.own dub plays. It was something that we always did. What was different
:33:38. > :33:40.was when the record company came along and said - this is
:33:41. > :33:46.interesting, how about us distributing your music? At the time
:33:47. > :33:50.all I wanted to do was be the biggest sound system in the world.
:33:51. > :33:55.This is what gave me the opportunity to do what we did, and here we are
:33:56. > :34:00.on the One Show today. Still a massive song today, isn't it? It's
:34:01. > :34:08.not bad! It is great. You haven't seen it. You can see Jazzie B's from
:34:09. > :34:11.Dole To Soul on BBC Two on Saturday night at 10.30pm or 11.00pm in Wales
:34:12. > :34:15.or Northern Ireland. Now, it's time to find out
:34:16. > :34:18.if you believe the hype over the most overrated day of the year -
:34:19. > :34:23.Black Friday. It is like panto. Do you believe
:34:24. > :34:29.the? This lot don't. Yes, if you believe the headlines,
:34:30. > :34:32.there are bargains galore to be had, but we're more than a little
:34:33. > :34:35.sceptical and surely you guys are way too savvy to get duped
:34:36. > :34:40.by a few dubious discounts?! Just two-days left until Black
:34:41. > :34:44.Friday. Are you excited? I'm so excited. Look at all the money we
:34:45. > :34:48.can save. There are deals to be had. I'm not convinced. 49% of these
:34:49. > :34:54.deals are cheaper on different days in the year a survey has shown. You
:34:55. > :34:59.are not shopping smart. You can save money on toys, gadgets, I'm looking
:35:00. > :35:06.for a shed. We can put you in that. Let's see what the public think.
:35:07. > :35:12.Black Friday, are you excited? If I get a bargain, yes. Will you go
:35:13. > :35:17.online or hit the shops. Both. Hardcore, you double up. I'm
:35:18. > :35:21.retired. Auto have the I hate it time. . Nothing fun about going
:35:22. > :35:27.around the shops on Black Friday you buy stuff you don't want. I checked
:35:28. > :35:31.my emails and I was like - what are the emails for? Email after email?
:35:32. > :35:34.Yeah. Stereo Always the stuff that no-one wants. The stuff they are
:35:35. > :35:39.usually not selling is the stuff they put on for offers. Do you think
:35:40. > :35:43.it's a good thing? Depends what you are buying. If it's not what you
:35:44. > :35:48.need and if you are just going because it's Black Friday... If it's
:35:49. > :35:52.reduced you can find a need for it. Yeah. Why are you shopping today,
:35:53. > :35:59.save it for Black Friday? No. The the whole idea is appalling. Why?
:36:00. > :36:03.It's just hype. Did I hear the word "hype" there? I was hoping you
:36:04. > :36:08.didn't. You get advantages buying on Black Friday. I looked online and
:36:09. > :36:13.compare when I go in the the shop. Amazing. You are ready for Black
:36:14. > :36:20.Friday. Are you from the States. A few days after the price is the
:36:21. > :36:25.same. Black Friday, are you going to get a bargain. Online. Online. He is
:36:26. > :36:28.going online. That guy is smart. We think we have a bargain and we
:36:29. > :36:33.haven't really. I reckon they put the price up and then the price will
:36:34. > :36:37.come down a fraction. You are are probably playing more. The shops do
:36:38. > :36:41.good out of it. It's not good for us. The public have seen through
:36:42. > :36:44.Black Friday. The people that are here are shopping naively because
:36:45. > :36:48.all the smart ones are at home, poise and ready to hit, buy,
:36:49. > :36:52.purchase, on Friday. Hopefully, those people will be watching this
:36:53. > :36:55.and know it may not be the deal they thought they were going to get. If
:36:56. > :37:01.you are comparing prices and come across a good shed, let me know.
:37:02. > :37:07.Look me up, please! You can't knock a bargain, can you? Jazzie said -
:37:08. > :37:11.it's a con, it is's a con as soon as the film started. It's tempting.
:37:12. > :37:18.Look who joined us on the sofa, it's Tom Odell. Lovely start, really
:37:19. > :37:25.nice. It's not the first time you and Jazzie B have met? No. My first
:37:26. > :37:30.TV show Jools Holland. There is the footage to prove it. You must have
:37:31. > :37:36.been nervous with your first aperance? More terrifying than
:37:37. > :37:43.anything. I downed a pint -- appearance. How old were you there?
:37:44. > :37:47.22. Great. Do you always have a whisky on the piano? I did form a
:37:48. > :37:52.habit. I had to cut back the other day. It was getting more and more.
:37:53. > :37:56.Is OK. Is a little one. It's the only thing I can drink because
:37:57. > :38:02.anything fizzy is weird to sing with. Sure. It's going so well for
:38:03. > :38:06.you since then. Just incredible success all over the world. Thanks.
:38:07. > :38:09.What is remarkable, I read that actually back in the day you didn't
:38:10. > :38:15.start out as a singer. You didn't want... It was about songwriting for
:38:16. > :38:20.you Yeah. It was only really started singing because I couldn't find
:38:21. > :38:24.anyone to sing the songs and... I still don't think of myself as a
:38:25. > :38:30.singer. Oh, you should. Your' excellent. Really? You were my
:38:31. > :38:41.wedding song. Really the Penguin song. It was lovely. You told me it
:38:42. > :38:46.was me. Next wedding! You are back with a second album. You roped in
:38:47. > :38:55.top names for the videos. Have a look at this. Kevin Spacey you have
:38:56. > :38:58.here. How did this come about? One of those weirdly sort of things
:38:59. > :39:02.where I was looking for an actor to be in the video. We were staying in
:39:03. > :39:09.a hotel in New York and he happened to be staying there. We... He was a
:39:10. > :39:13.fan of mine. I was a massive, massive fan of his. I was obsessed
:39:14. > :39:24.can With house of Cards. Wow. A few
:39:25. > :39:27.weeks I e-mailed him and asked him if he wanted to be in the video. I
:39:28. > :39:32.don't think he has already done a music video. I'm in touch with the
:39:33. > :39:36.Queen. Tom, as a songwriter, the production side of things, that is
:39:37. > :39:43.adding more layers to what you create? All the videos on this
:39:44. > :39:47.album, we have done four, and they have sort of told a story. We are
:39:48. > :39:51.about to put another one out on Friday, which sort of fine allis the
:39:52. > :39:55.story. Is this the one you brought with you tonight? This is the one.
:39:56. > :40:02.We have an exclusive. Let's see it. This is Silhouette. It's just a
:40:03. > :40:06.silhouette # It's a mind trick
:40:07. > :40:10.# I don't know why # But it reminds me
:40:11. > :40:14.# Of someone that I used to know... #
:40:15. > :40:27.APPLAUSE. Thank you for bringing that. The Kevin Spacey, Elaine Paige
:40:28. > :40:33.and the story about Cats, that was another example. The John Lewis
:40:34. > :40:38.advert. That came about by pure chance, didn't it? That was even
:40:39. > :40:45.weirder because I lived near Victoria Park in London and I was on
:40:46. > :40:50.a jog around in the summer and they were filming the advert. I asked,
:40:51. > :40:54.what are you filming this for. They were like, the John Lewis advert. It
:40:55. > :40:59.looks like a great advert. Four months later they asked me to do it.
:41:00. > :41:09.I was like... I know the story. I have seen it being filmed. Sceptical
:41:10. > :41:18.Bradley. That's unbelievable. My sister Kerry works at John Lewis in
:41:19. > :41:22.Watford! Well! Have you been in John Lewis. It's coincidence al, I can't
:41:23. > :41:27.believe it. This show is unbelievable! Other stores are
:41:28. > :41:33.available to work in and sing about. Really? Tom will be perform
:41:34. > :41:37.Magnetised from his later album Wrong Crowd at the end of the show.
:41:38. > :41:40.Tom recorded a special live performance for Radio 2 in Concert
:41:41. > :41:46.which you can find on the BBC iPlayer. What a great show we are
:41:47. > :41:52.having tonight. Tom, from adverts we don't need you to to tell us how
:41:53. > :41:58.important it is to have a catchy song to sell a product.
:41:59. > :42:00.This is where we apologise to all those viewers who've tuned
:42:01. > :42:03.in thinking that we never show adverts on the BBC.
:42:04. > :42:06.The next four and a half minutes are going to make up for that.
:42:07. > :42:11.# If you like a lot of chocolate on your biscuit joint our club... #
:42:12. > :42:15.They are catchy. # Fairy liquid... #
:42:16. > :42:20.They can lodge in our brains for decades
:42:21. > :42:24.# Do the shake and vac and put the freshness back... #
:42:25. > :42:28.Jingles simply make us smile. Armed with a violin on the streets of
:42:29. > :42:29.Cardiff I'm hoping to see how much affection we have for advertising
:42:30. > :42:44.classics. How about this one. # I'm loving it... #
:42:45. > :42:51.Which is? McDonalds. # Shake and vac and put the
:42:52. > :42:56.freshness back... # # With mild green, Fairy Liquid... #
:42:57. > :43:01.People clear clearly have a soft spot for them. They can recall them
:43:02. > :43:06.instantly. Even the old tunes stick in their mind. It's given me an
:43:07. > :43:11.idea. Can I turn these little songs into something greater than the sum
:43:12. > :43:19.of their parts? Is the jingle started on American radio in the 192
:43:20. > :43:27.20s. In the 1950s they sold products to useses Brits. I'm meeting Rod
:43:28. > :43:31.goer Greenway who has written the most well-knownle ginning 8,
:43:32. > :43:35.including this one for Coca-Cola are.
:43:36. > :43:38.# And keep it company... #
:43:39. > :43:46.For people to remember something and be able to sing-a-long it has to be
:43:47. > :43:59.short, sweet, succinct, memorable very quickly. Something like the
:44:00. > :44:03.Asda commercial. 30 seconds. It was only supposed to be on air for a
:44:04. > :44:10.short while. It was on air for 25 years. One of your famous
:44:11. > :44:17.commercials was the Jacobs Club. # If you like a lot of chocolate on
:44:18. > :44:21.your biscuit, join our club... # It's child like, that is
:44:22. > :44:25.sophisticated? Absolutely. Keep the chords simple and let the melody run
:44:26. > :44:29.through the chords. That is what I did. It's so short. That That is
:44:30. > :44:33.brilliant. As soon as you hear, it you know what it is. Most people
:44:34. > :44:39.would say - I could write that. But they didn't! After my masterclass
:44:40. > :44:44.I'm feeling inspired to compose my own medley of 19 different jingles.
:44:45. > :44:48.I soon realise so many of the classics are made up just a few
:44:49. > :44:54.chords. # For mash get Smash... #
:44:55. > :45:02.Then something clicks. It's complete. Will an audience expecting
:45:03. > :45:06.a classical performance recognise these well-known jingles? Ladies and
:45:07. > :45:10.gentlemen, thank you very much for coming. We have a treat for you. A
:45:11. > :45:16.One Show especially arranged piece of music. See how much of it you
:45:17. > :46:05.recognise. If you want to play along at home, look away now.
:46:06. > :46:13.APPLAUSE Did you recognise what was contained
:46:14. > :46:23.in the music? TV jingles. McDonald's. T-Mobile. It was
:46:24. > :46:26.different but recognisable. I think it becomes more classical because
:46:27. > :46:30.you lose the context of the melodies make them memorable. I hope we have
:46:31. > :46:34.showed that those classic deserve a place not only in our hearts but
:46:35. > :46:42.also as a stand-alone John Wright of music in its own right. We were
:46:43. > :46:43.trying to guess but it did not go too well!
:46:44. > :46:45.Well, in Bradley's honour, we've given Richard's jingle
:46:46. > :46:54.Join us as we play, What's The Name of the Game Show?
:46:55. > :47:07.Where we are! Richard has composed a piece of music with ten theme tunes
:47:08. > :47:15.of game shows. Thomas Dekker men to play this. -- tom has come. We are
:47:16. > :47:17.going to play and were going to see how many we get. Whenever you're
:47:18. > :48:36.ready. I've lost it! CHEERING
:48:37. > :48:51.It was going all right! You were dancing! The first one? Blankety
:48:52. > :49:15.Blank! The second one, mastermind. Blockbusters. Question Of Sport.
:49:16. > :49:23.This is my favourite. Bullseye! Millionaire! Countdown.
:49:24. > :49:45.That is a modern one. Pointless. I know that but I don't know what it
:49:46. > :49:50.is! Say what you see. Catchphrase! And the last one, I haven't seen it,
:49:51. > :49:58.apparently it's got Bradley Wiggins! The Chase! I didn't even know it!
:49:59. > :50:09.Alex Scott it. We put the krypton factor! We got five. Five each!
:50:10. > :50:18.Thank you very much. Thank you both. Now, it's the moment
:50:19. > :50:21.we've been waiting for, can Gyles and the One Show stunt
:50:22. > :50:38.team recreate one of OO7's In 1983 this bearing Bond stunt
:50:39. > :50:42.sequence enthralled audiences. Yes, Moneypenny, the question is, 30
:50:43. > :50:45.years on, can the One Show stunt team retreat this incredible James
:50:46. > :50:52.Bond stunt without breaking any bones? Nearly three miles of railway
:50:53. > :50:55.track has been cleared and safety check for dangerous obstructions and
:50:56. > :50:59.our One Show stunt man Gordon Alexander has been fitted into his
:51:00. > :51:06.harness ready for the first shot. In the 80s, the stuntman might have
:51:07. > :51:10.been harnessed but it would have been by a very thin cable that you
:51:11. > :51:17.couldn't see while filming. For us we can use a thick rope. It goes up
:51:18. > :51:24.and over the carriage and Gordon is connected to the other side. With
:51:25. > :51:29.today's modern technology we will be able to digitally erase the
:51:30. > :51:34.harnesses. When he is on the roof of the train he will actually be free,
:51:35. > :51:41.he will be running up and down the carriage with no safety line. You
:51:42. > :51:45.want me to do another one? One more. For the finale, he will duck
:51:46. > :51:50.underneath the bridge, the timing will be essential to avoid a
:51:51. > :51:53.dangerous collision. And to capture the aerial shots, and that the
:51:54. > :52:00.helicopter we will be using a drone. The real risk the performer is the
:52:01. > :52:05.risk of falling off the roof. He is 15 foot high on a moving platform,
:52:06. > :52:12.you would not want to fall off a train at speed. Rehearsals are over,
:52:13. > :52:17.the time has come. This seems to be a lot of fuss over nothing. That
:52:18. > :52:31.after this, Moneypenny, I have got to go and change -- look after this.
:52:32. > :52:38.They broke the double as mould long ago, maybe it is time for an old
:52:39. > :52:46.hand to show these new boys how it's done -- 007 Mould. That is our
:52:47. > :52:47.tribute. Everything you see now has been especially shot for The One
:52:48. > :53:58.Show. Well, I think the next Bond is a
:53:59. > :54:05.racing cert. Where were we? I thought you were extremely brave and
:54:06. > :54:13.you can double me any time. Brilliant! Super job. It goes
:54:14. > :54:19.without saying, please do not play with railway carriages or recreate
:54:20. > :54:21.any James Bond stunts. Especially at home because the likelihood of
:54:22. > :54:29.having a full-size train at home is a moat. On a train on the roof, but
:54:30. > :54:36.he said, on the roof of a drink and be careful, you might fall off.
:54:37. > :54:43.Hello! Exactly! Now had he ever imagined yourself as James Bond?
:54:44. > :54:49.Yes. -- have you. We have treated ourselves to a little picture. This
:54:50. > :54:56.is another one. Look at the budgie smugglers! They are all right! We
:54:57. > :55:05.found quite an impressive stunt of yours on a game show. Look at this
:55:06. > :55:17.for an entrance. Your host, Mr Bradley Walsh!
:55:18. > :55:27.Total wipe-out! Did it ever work? We never made the series, the director
:55:28. > :55:34.was a guy could Rupert from Hollywood. He got in some of
:55:35. > :55:38.Hollywood and he said, you got to come down there and we'll catch you
:55:39. > :55:43.at the bottom and nobody caught me and I went straight through!
:55:44. > :55:49.Frightening! Just as well you didn't need crutches. Kevin was on earlier,
:55:50. > :55:53.we have had 450 e-mails about people who tried to take their crutches
:55:54. > :55:57.back to hospital but the hospital did not want them. He's trying to
:55:58. > :56:00.start a campaign to see if we can save the NHS some money. Thank you
:56:01. > :56:02.for your feedback and keep it coming to the usual addresses.
:56:03. > :56:09.Thanks to our guests, Bradley Walsh and Jazzie B!
:56:10. > :56:12.Bradley's album is out on Friday and you can see Jazzie B's
:56:13. > :56:17.documentary on the 80s on Saturday night.
:56:18. > :56:20.Coming up next on Watchdog, could you be paying for takeaways
:56:21. > :56:27.And a fly tipper and some puppy farmers get their just desserts.
:56:28. > :56:30.But now, playing us out with Magnetised from his latest
:56:31. > :56:42.# See those birds going across the sky
:56:43. > :57:00.# They say there's mother nature in everything we see
:57:01. > :57:08.# Wish I had a little mother nature in me
:57:09. > :57:22.# I'm magnetised to somebody that don't feel it
:57:23. > :57:38.# But as sure as the world keeps the moon in the sky
:57:39. > :58:11.# I wish I had a chance to let them know
:58:12. > :58:17.# Their love is like a flower in the snow
:58:18. > :58:21.# If it's just pheromones then that may be
:58:22. > :58:27.# I wish you had a little pheromones for me
:58:28. > :58:42.# I'm magnetised to somebody that don't feel it
:58:43. > :59:32.# As sure as the world keeps the moon in the sky
:59:33. > :59:35.Hello, I'm Elaine Dunkley, with your 90 second update.