:00:17. > :00:19.Hello and welcome to The One Show with Michelle Ackerley.
:00:20. > :00:23.As with every show, we had to make a few decisions
:00:24. > :00:32.Choose some short films including one about 75 years
:00:33. > :00:35.Choose a guest to interview, a guest who has been one
:00:36. > :00:38.of Britain's most successful film directors for over 20 years.
:00:39. > :00:40.Choose someone who won an Oscar for Slumdog Millionaire,
:00:41. > :00:43.directed The Beach, 127 Hours, Steve Jobs.
:00:44. > :00:46.And opened the 2012 Olympics in style.
:00:47. > :00:49.So we could only really choose one person - Danny Boyle!
:00:50. > :01:06.Of course we did. Danny, Ray to have you here. So lovely to have you
:01:07. > :01:09.here. A bit embarrassed. We will be talking a lot more about what you
:01:10. > :01:11.have chosen to do with your life through this programme.
:01:12. > :01:13.Before we get onto that, the Oscar nominations were announced
:01:14. > :01:16.today and as predicted La La Land has done well, receiving 14
:01:17. > :01:24.What is it like for you to see a musical at the top of that list?
:01:25. > :01:28.It's fantastic. Any film director, the ultimate dream is to do a
:01:29. > :01:32.musical, an original musical, because it's the most difficult
:01:33. > :01:36.thing I think you can do. It's the greatest achievement you could hope
:01:37. > :01:41.for, really. Many of us spend our careers wanting and dreaming and not
:01:42. > :01:44.quite getting there. I've seen La La Land. When you've got an Oscar you
:01:45. > :01:50.are one of the ones that vote so you are not allowed to say even what you
:01:51. > :01:53.like. But I saw it, and I saw Hamilton as well on Broadway, you
:01:54. > :01:57.know the one that's coming to London. Because that's not in
:01:58. > :02:01.contention, I can tell you that is an amazing musical. Completely
:02:02. > :02:11.ground-breaking and I'm sure you'll be covering it. You must be really
:02:12. > :02:14.chuffed with Dev Patel being nominated, one of your protege 's. I
:02:15. > :02:18.don't know if you want to be called a protege any more, but dead chuffed
:02:19. > :02:24.about that, and Naomi Harris as well. They've got a whole few weeks
:02:25. > :02:29.of promotion still left to do, it is a whole circus you go on. But they
:02:30. > :02:31.are brilliant, great pair, and will do well.
:02:32. > :02:33.You won best-director for Slumdog Millionaire and this
:02:34. > :02:49.That is a great dance, really channelling trigger. My kids, when
:02:50. > :02:54.they were growing up, we used to watch the Oscars and I said if I
:02:55. > :02:58.ever went up there I would do it like Tigger, and I was joking, of
:02:59. > :03:02.course, such an impossible thing to ever think of. It happened and I
:03:03. > :03:05.thought I could either be dignified or keep my promise to my kids, so I
:03:06. > :03:10.kept my promise to my kids. They didn't even remember I'd said it,
:03:11. > :03:14.they were too young. It meant nothing to anybody. They were
:03:15. > :03:16.probably thinking, dad, what are you doing?
:03:17. > :03:18.If you've ever felt frustrated while helping your children
:03:19. > :03:22.with their maths homework because you're convinced
:03:23. > :03:24.an answer is right, but the book says its wrong,
:03:25. > :03:34.It might just be because the sums don't add up. Here's Joe.
:03:35. > :03:41.We'll know when it comes to exams every little bit of revision can
:03:42. > :03:45.really help. Which is why many parents are prepared to pay up for
:03:46. > :03:50.these study guides and revision workbooks designed to give their
:03:51. > :03:55.teenagers an extra edge. These books are produced by experts in the field
:03:56. > :04:00.who often work closely with the exam boards themselves. You'd expect all
:04:01. > :04:04.the questions and answers to be right, but you'd be wrong. We've
:04:05. > :04:07.carried out a prog-macro investigation and found that these
:04:08. > :04:12.revision guides can be littered with mistakes. Here at Fairfield high
:04:13. > :04:18.school in Bristol, pupils aren't convinced that every revision guide
:04:19. > :04:26.makes the grade. You expect to find the odd mistake, do you? Yes, and
:04:27. > :04:31.then you aren't sure whether to trust it. You get more confused. It
:04:32. > :04:35.really gets rid of your confidence. If you are stressed out from exams
:04:36. > :04:39.that can tip you over the edge. For the head of maths at this school,
:04:40. > :04:43.spotting and correcting those mistakes is all too often part of
:04:44. > :04:48.his job. You spot them, you tell children you will change it in your
:04:49. > :04:53.own but, next time at you give the heads up to the students. Is that
:04:54. > :04:59.good enough? These are trusted resources. If there were more than
:05:00. > :05:02.ten or 15 mistakes I would worry and consider using the publisher against
:05:03. > :05:07.point we wanted to know just how accurate these revision books really
:05:08. > :05:14.are, and better to help us out than our very own team of One Show
:05:15. > :05:18.experts. Doctor Matthew is from the Cardiff School of mathematics. We
:05:19. > :05:28.have given his team selection of GCSE and Scottish National maths
:05:29. > :05:34.revision books. A QA, Ed Excel, OCR, SQA and WJ EEC. We asked them to
:05:35. > :05:38.examine batches of questions from each book and they found mistakes
:05:39. > :05:44.from the outset. Some of which caused some real head scratching. In
:05:45. > :05:49.the answer they put eight, just in the top bit, that's not necessarily
:05:50. > :05:56.true. Notebook was 100% mistake free. Oxford University press
:05:57. > :06:01.workbook for the a QA exam had three errors in 174 questions. Perhaps
:06:02. > :06:06.more surprisingly whether three books endorsed by the exam boards
:06:07. > :06:13.themselves. The book for the OCR exam had eight mistakes in 1200
:06:14. > :06:18.questions. The Edexcel book had eight mistakes in 563 questions. The
:06:19. > :06:27.book endorsed by the Scottish exam board had five errors in 240.
:06:28. > :06:35.However, bottom of the class was Hodder's an endorsed book for the W
:06:36. > :06:38.J E C exam. Our experts found 90 errors, three out of 50 were
:06:39. > :06:43.inaccurate, which of course is 6% if you want to know the maths. Making
:06:44. > :06:47.that number of mistakes in an exam could spell the difference between a
:06:48. > :06:50.pass and fail. All the examining board said final responsibility for
:06:51. > :06:56.error-checking lay with the publishers. The publishers said they
:06:57. > :07:01.do have rigorous processes in place, but accepted errors had been made
:07:02. > :07:05.which will now be corrected. Pearson education added that it had already
:07:06. > :07:09.spotted and corrected the eight errors in its workbook, it is now
:07:10. > :07:17.being recalled and destroyed. But what about that workbook with 19
:07:18. > :07:24.mistakes? Liz is Hodder's managing director. Yes, we fell down, but we
:07:25. > :07:29.are human, we make mistakes. And this one has 90 errors in.
:07:30. > :07:34.Inexcusable. Where our process fell down which is of real concern to me
:07:35. > :07:38.and my team, there was not the final quality check that should have taken
:07:39. > :07:43.place. We simply missed a stage because of the pressure of getting
:07:44. > :07:47.the book out on time. Do you understand the stress and anxiety
:07:48. > :07:51.this kind of mistake could cause? I know of a family where there have
:07:52. > :07:54.been arguments, tears, fallouts, tearing their hair out, working
:07:55. > :07:59.together trying to solve this and get it right but they can't, because
:08:00. > :08:03.you've got it wrong. I absolutely understand that and sympathise
:08:04. > :08:07.completely, and that is our fault. We have caused that stress. And we
:08:08. > :08:14.are very grateful to the One Show for bringing these to our attention.
:08:15. > :08:20.New and hopefully correct versions of this book are being printed. And
:08:21. > :08:23.schools with this version are being told to bin it.
:08:24. > :08:33.It is head scratching, all of the books had mistakes. Absolutely, and
:08:34. > :08:38.a variety of mistakes. Sometimes you get the wrong answer with the wrong
:08:39. > :08:41.question, sometimes you don't get all the information you need to work
:08:42. > :08:45.out the problem. I've got some examples.
:08:46. > :08:48.Here's the first one which asks you to find the range
:08:49. > :09:02.An this isn't even a question, this is an example teaching children how
:09:03. > :09:08.to do it. It is the difference between the highest and lowest
:09:09. > :09:13.value. 27 is highest, five is the lowest, so 27, take away five, 20
:09:14. > :09:17.two. That's not what they give you, they say the smallest number is six,
:09:18. > :09:26.therefore the range is 21, so they've got the working wrong and
:09:27. > :09:31.the answer wrong, not good. And this one is published by Cambridge
:09:32. > :09:46.University press. Danny has seen this in the dressing room.
:09:47. > :09:56.Turn your thing round, Danny, show your working. It's not been checked
:09:57. > :10:01.by anybody. You have correctly found the prices. That is absolutely
:10:02. > :10:11.perfect. You have times the correct numbers. You come out with ?14.85.
:10:12. > :10:15.Danny, you got it right. Thank goodness! How pleased with yourself
:10:16. > :10:24.are you that you got the right and the? I'm delighted. The book
:10:25. > :10:32.actually says ?14.95. Oh, no. So it's 10p out. It's really close but
:10:33. > :10:35.it's still wrong. An able student might spend too long trying to work
:10:36. > :10:39.out why they got it wrong, less able student might just give up, and if
:10:40. > :10:42.it shoots their confidence the night before an exam, it's a problem.
:10:43. > :10:45.Frustrating and stressful. What happens to our high
:10:46. > :10:48.streets if you take away Steve's been to meet someone who's
:10:49. > :11:01.using some innovative thinking It's a real disappointment when you
:11:02. > :11:07.see them closing. Hard work competing with the big retailers.
:11:08. > :11:10.Supermarkets that do newspapers, birthday cards, butchery,
:11:11. > :11:16.everything. Little shops are going out of business. The future of the
:11:17. > :11:19.retail industry seems uncertain. Here in West Yorkshire one woman
:11:20. > :11:23.together with local shopkeepers think they've found a solution to
:11:24. > :11:31.take on those big businesses and revive the high Street. It brings
:11:32. > :11:36.the local independent shops together. You choose what you like
:11:37. > :11:40.from as many of them as you like, and you pick everything up from one
:11:41. > :11:43.place. Customers want everything in one place and convenience but we
:11:44. > :11:51.don't necessarily want to sell our principles or our soul or our town
:11:52. > :11:55.to get that convenience. How can an app Compleat like this on cost? I
:11:56. > :11:59.think it cost compete on cost. If I go to a supermarket I will end up
:12:00. > :12:03.spending twice as much as I intended with all the special offers. When I
:12:04. > :12:08.go to a local shop I get exactly what I need. Is it making a
:12:09. > :12:12.difference to footfall? We can estimate it has been between 200 to
:12:13. > :12:16.300 extra shop visits in the last eight weeks as a result of Shop
:12:17. > :12:23.Appy. That can make a tremendous difference to a town. It is really
:12:24. > :12:27.hard for independents to survive, so this will level the playing field
:12:28. > :12:32.and let local people have a choice. Traders say it is running background
:12:33. > :12:36.from supermarket click and collect services. Welcome to the butchers,
:12:37. > :12:40.how are you doing with white do you think shops having an online
:12:41. > :12:43.presence in this way can help build a community? I believe so because I
:12:44. > :12:49.think we've lost that community spirit. Something like this can
:12:50. > :12:53.bring back that community. If you haven't got time you can go on to
:12:54. > :13:01.Shop Appy, if you've got time, pop in as well. Rosie, this has got to
:13:02. > :13:04.be the perfect setup for you? It's brilliant, you just go online, click
:13:05. > :13:09.the things I want and it's basically ready to pick up after I pick the
:13:10. > :13:13.kids up. So when I get here at 6pm I've got everything I need for the
:13:14. > :13:17.kids T. It's making my life a lot easier and I feel better because I
:13:18. > :13:22.can support local businesses. In not lead the pick-up point is the local
:13:23. > :13:29.pub. It's convenient and its social. Welcome to the tavern. Must be more
:13:30. > :13:34.people coming through the door? Of course it increases footfall. Not
:13:35. > :13:38.everybody who walks through the door will have a drink but even if they
:13:39. > :13:43.only have a lemonade it still brings extra income to the pub. Shops by a
:13:44. > :13:48.vital part in shaping the character of where we live. At in this modern
:13:49. > :13:51.world they need an edge. The only way to compete against cheap
:13:52. > :13:55.shopping online is to offer what it doesn't. Social interaction, and if
:13:56. > :14:03.you're lucky, a drink with some new friends. Cheers. Not a bad idea, is
:14:04. > :14:09.it? If it works, have a go, that's all you can do. We've got the lovely
:14:10. > :14:12.Danny Boyle with us. Let's talk about Trainspotting 2.
:14:13. > :14:17.We were chatting about this one being about time and how it affects
:14:18. > :14:23.people, what do you mean by that? Obviously it is the same four
:14:24. > :14:29.characters but 20 years later. So what they look like is alarming,
:14:30. > :14:33.really. Film is extraordinary, and television as well, it freezes
:14:34. > :14:37.people in time, it's easier now and if somebody loves you in the show
:14:38. > :14:40.they remember you like you are now and then they lose sight of you and
:14:41. > :14:43.then they get the chance to see you in 20 years' time and that an
:14:44. > :14:47.freezes time and brings the past image up to the present image. One
:14:48. > :14:52.thing it does with these actors, film stars, they are kind of our
:14:53. > :14:57.heroes, they rejoin us as ordinary people because we are all on that
:14:58. > :15:02.same passage. It human eyes is then. I was in two minds whether I would
:15:03. > :15:06.watch the first one before going, we went to the screening to see it and
:15:07. > :15:10.I thought I will not, because I want to hold those memories. And actually
:15:11. > :15:13.the long-term memories that you have from that first film and actually
:15:14. > :15:17.how they affect you emotionally, when you watch it and you are
:15:18. > :15:24.transported back through time, you can't help but make that comparison
:15:25. > :15:26.between your life and there's and I had singles. It has a real kick.
:15:27. > :15:46.Were you aiming for that effect? The latter the fifth way but that's
:15:47. > :15:52.the shoot of the characters, they do change, especially late on, there is
:15:53. > :15:57.an extraordinarily moving scene, and then with Renton and his father. If
:15:58. > :16:01.you betray them honestly do hope it will have the emotional effect on an
:16:02. > :16:06.audience. Everybody was so cautious about doing a sequel and then coming
:16:07. > :16:12.back and having the same impact. We were on this tower block, filming
:16:13. > :16:20.Spud on the top of the tower block, there is another tower block and a
:16:21. > :16:24.guy hanging out of the window, watching us as we are filming and he
:16:25. > :16:31.says, this better not be terrible, mate! What was it like on set for
:16:32. > :16:37.the first day? Getting everyone back together, what was it like, elated,
:16:38. > :16:42.nervous? It is sort of a school reunion, which is kind of intriguing
:16:43. > :16:49.that could be excruciating as well. Hopefully it wasn't. It wasn't for
:16:50. > :16:54.us, we all bonded well and they were raring to go, their appetite for it
:16:55. > :16:58.was enormous. It kind of gave me a kick in the pants because they were
:16:59. > :17:05.ready. They are hugely experienced actors now. As a film director you
:17:06. > :17:10.make one film every two years, they make one every year, or a TV series,
:17:11. > :17:16.they were raring to go once we started. For you aiming for the 20
:17:17. > :17:25.years, it is kind of 21 now. We missed it by about three weeks! We
:17:26. > :17:30.had a go at ten years, the script wasn't very good. Then John Hodge,
:17:31. > :17:37.the scriptwriter, we went up with him to Edinburgh for a week and sat
:17:38. > :17:42.with him in a room, and then he went away and he wrote something much
:17:43. > :17:46.more personal about himself, through the prism of these characters can be
:17:47. > :17:52.sent it and I thought, we will do that. And these guys will do it as
:17:53. > :17:58.well. We have got a lovely clip. Let's have a look at Renton, and
:17:59. > :18:06.Spud talking about her different their lives have become. I haven't
:18:07. > :18:11.heard that 100,000 times? Have you got 12 more steps from the? So be
:18:12. > :18:20.addicted to something else! Running until I feel sick? You've got to
:18:21. > :18:29.control it. Some people boxing. Boxing?! Is just an example. So what
:18:30. > :18:39.do you channel it into? Getting away. Absolutely brilliant. Some
:18:40. > :18:43.beautiful scenes of Edinburgh there. In the original one, a lot of it was
:18:44. > :18:48.focused in Glasgow but for this one, it was Edinburgh although they? Or
:18:49. > :18:55.the criminal to Glasgow and we didn't have any money so we couldn't
:18:56. > :18:59.afford to do it in Edinburgh. But this one we have more money so we
:19:00. > :19:03.thought, we have got to do it in Edinburgh, the original stories come
:19:04. > :19:07.from there. The film belongs to that town, really, so we decided to shoot
:19:08. > :19:12.it there and everybody is delighted to welcome us now. They didn't
:19:13. > :19:16.originally. There weren't as many fans originally, they thought we
:19:17. > :19:20.were just annoying. Film crews on your street. But now everybody was
:19:21. > :19:27.there with open arms. How did you know when it was finished? The
:19:28. > :19:30.second one? You have done the edit, the whole lot, you put it out there
:19:31. > :19:35.and you know you are not go to tinker with it any more. You track
:19:36. > :19:40.away kicking and screaming, you never really stop but there is
:19:41. > :19:44.always a turning point and this one was about four weeks from the edit,
:19:45. > :19:48.four weeks in, we watched it together me and the editor, John
:19:49. > :19:53.Harris and it was like, we thought we made this film about time, that
:19:54. > :19:59.was our scenario. But actually it's about masculinity, about these guys
:20:00. > :20:03.who behave like boys, they have the irresponsible recklessness, they
:20:04. > :20:08.don't care about anything, in the first film. It's this movement
:20:09. > :20:10.through masculinity, they moved to manhood, the film is littered with
:20:11. > :20:16.children, some of whom they are the fathers of. Many of them are
:20:17. > :20:22.disappointed in their fathers and women who were also disappointed in
:20:23. > :20:25.them. A reckoning has to happen. Then I thought, that's the film,
:20:26. > :20:32.really. You don't know you have made that film and then you see it envies
:20:33. > :20:36.think, my God, it's about that! In a moment, we will be talking music
:20:37. > :20:37.with you. We know that is a big part of your life, vitally important to
:20:38. > :20:46.your films. could reveal to the nation that
:20:47. > :20:50.Margaret Thatcher was a fan of Beethoven, Nigella Lawson loves
:20:51. > :20:52.Eminem and that if Ian Hislop was stuck on a desert island,
:20:53. > :20:55.he'd insist on having a lifetime This weekend that show
:20:56. > :21:06.celebrates its 75th anniversary - You remember where you were every
:21:07. > :21:11.time you hear one of these pieces of music. It's where I don't know what
:21:12. > :21:16.to take refuge in something think the three different. One of Radio
:21:17. > :21:22.4's most best loved programmes, desert island discs, has captivated
:21:23. > :21:31.listeners since 1942. It cut through all boundaries. Castaways have
:21:32. > :21:37.chosen music to stir memories. We used to jive, this is tremendous. As
:21:38. > :21:39.a tribute, we're trying our own take on their winning formula but this
:21:40. > :21:46.time our castaways are members of the public. My favourite would be
:21:47. > :21:54.sitting on the dock of the bay. Bat out of hell. Sailing by Rod Stewart.
:21:55. > :22:08.And soon our islands are awash with memories.
:22:09. > :22:20.Love song from the 18 hundredths. It was a song I listened to with my
:22:21. > :22:24.grandmother. We were singing it on her hospital bed for the last week
:22:25. > :22:33.of her life. It was on repeat all day throughout the entire week.
:22:34. > :22:45.She was very much my best friend. Her personality was that of a
:22:46. > :22:48.teenager. It was the love song to listen to with her. I couldn't
:22:49. > :22:52.listen to it afterwards without crying or anything like that but I
:22:53. > :22:57.joined the choir, we sang that song, so I was kind of forced to adjust
:22:58. > :23:02.and adapt to it being part of my life. Since then I've even got a
:23:03. > :23:06.tattoo of the opening line, I am it's surely carrying it around with
:23:07. > :23:15.me. It gives me a lot of comfort having it on me.
:23:16. > :23:24.My desert island choice would be I'm Alive by Celine Dion. I'm originally
:23:25. > :23:29.by St Lucia, a tiny island in the Caribbean, quite beautiful,
:23:30. > :23:35.friendly, I wanted to go back. I struggled with the weather, I was
:23:36. > :23:39.feeling a bit sad, you have a lot to learn, food, style, it's like you're
:23:40. > :23:42.starting all over again and I remember singing it and feeling so
:23:43. > :23:47.exhilarated because I just felt, despite was alone in this country, I
:23:48. > :23:50.had no family member, I was alone, I still felt excited, I still was able
:23:51. > :24:04.to smile no matter what. It makes you just focus on the
:24:05. > :24:06.positive and move on with it, that's why it relates to my journey as a
:24:07. > :24:29.migrant in the UK. My favourite record is by Elvis
:24:30. > :24:33.Presley, Bridge Over Troubled Water. He just sings it was such emotion
:24:34. > :24:35.and feeling. It's just a beautiful song, I've listened probably every
:24:36. > :24:49.day for a long time. Elvis's music gets me through a lot
:24:50. > :24:54.of bad times and good times, makes you feel good, it really does. I
:24:55. > :24:57.remember when my mother got divorced, mind and stopped me
:24:58. > :25:06.playing Elvis for a while because it was too upsetting. The man's voice
:25:07. > :25:13.is pure emotion. Simon and Garfunkel were good, but he sang it better!
:25:14. > :25:20.There is a reason why Desert Island Discs has endured for 75 years.
:25:21. > :25:28.Music brings memories flooding back. We are being flooded! My feet are
:25:29. > :25:34.getting a bit wet. But you can see where they do it as a radio show.
:25:35. > :25:40.75 years and still going strong! You were loving that film. The guy
:25:41. > :25:46.talking about is grandma, that was very moving. They ask you for eight
:25:47. > :25:51.tracks, you talked about doing it before, it's such a challenge for
:25:52. > :25:56.you to choose. I couldn't go on. It would be to narrow it down to eight
:25:57. > :26:01.tracks. We're going to ask you to narrow it down to one! You have come
:26:02. > :26:06.up with a track for us, special children for you. Actually there's a
:26:07. > :26:19.bit of it in the new movie, because I finally found a place for it, and
:26:20. > :26:25.it's by the Watford clash. White Man In Hammersmith Palais. When I was a
:26:26. > :26:31.kid, my dad used to buy the original Beatles songs, I have that as an
:26:32. > :26:35.early shaping experience, when I was 18, punk happened, so it was a big
:26:36. > :26:41.part of my life to be part of that movement. I used to go and watch the
:26:42. > :26:50.Clash, when Joyce, passed away, I had never met him, I was so upset.
:26:51. > :26:55.-- when Joe Strummer passed away. So that is a huge thing in my life,
:26:56. > :26:57.that song, it is used in the film than they desperately try and
:26:58. > :27:04.recreate the past, which is appropriate. The music in all your
:27:05. > :27:07.films are so emotive, it evokes memories, how far in the process
:27:08. > :27:12.does it come, do you think about the music you want to use at the
:27:13. > :27:15.beginning? Sometimes, and it often doesn't survive because it's the
:27:16. > :27:21.moral of going through it, you abandon it, really. It's more stuff
:27:22. > :27:26.that goes on late on in the shooting or when you are working with your
:27:27. > :27:29.editor and begin to see scenes from in front of you. One of the
:27:30. > :27:34.tragedies of getting older is that I'd used to have an automatic access
:27:35. > :27:40.to all music, I knew everything and suddenly you find you don't, you are
:27:41. > :27:43.out of touch. You think, when did that happen? Now I do it through my
:27:44. > :27:52.kids, they put me in touch with a lot of stuff in the new movie stuff
:27:53. > :27:59.by Wolf Alice, and the Young Fathers, who won't recommend to
:28:00. > :28:06.anyone. Is it right that you keep your Oscar under your bed? Yes... I
:28:07. > :28:12.did have it out for a bit, and you can't look at it every day. It's
:28:13. > :28:16.just like, oh, please! You got to live an ordinary life so keep it in
:28:17. > :28:22.a box under the bed. Or maybe it's under the bed! In case a burglar
:28:23. > :28:30.breaks in! When was the last looked at it? A long time ago. You don't
:28:31. > :28:34.get it out at night? No, it's a wonderful thing, it's an
:28:35. > :28:40.extraordinary thing and it's a wonderful process to go through, but
:28:41. > :28:42.you have got to get on yourself. You are modest man, Danny, thank you so
:28:43. > :28:48.much for coming in. Tomorrow we'll be joined
:28:49. > :28:50.by two huge musical stars. From Broadway - Neil Patrick Harris
:28:51. > :28:54.and 'she's the one that we want' - The Robshaws are going
:28:55. > :29:13.back in time again.