:00:10. > :00:16.to be attempting to broadcast live on both BBC One And Radio 2. I'm not
:00:17. > :00:30.sure we have thought it through. It is this way! Come on!
:00:31. > :00:39.Well, hello and welcome to the One Show. For the first time ever, we
:00:40. > :00:46.are live on BBC One And Radio 2. For the next in it or so. There is a
:00:47. > :00:53.good reason, Augustine at's guest is still doing his day job... It is
:00:54. > :00:57.Simon Mayo! I can't tell you how excited he was just coming in the
:00:58. > :01:07.lift. Complete indifference normally. What have you got around
:01:08. > :01:14.you hear? A load of rubbish. Dust bins, paperwork telling me what I'm
:01:15. > :01:21.supposed to do. The music is on the hard drive. Here it is. It used to
:01:22. > :01:30.be seven inch vinyl, then it was cartridges, then it was CDs. It is
:01:31. > :01:37.colour-coded? Speaking of which, it is good that you have got the One
:01:38. > :01:41.Show sofa green here. Now, Simon is going to say goodbye shortly. Year
:01:42. > :01:45.macro for those of you watching on BBC One, we are staying with music.
:01:46. > :01:46.Richard Mannering has been to see what makes the perfect drivetime
:01:47. > :02:11.tune. There are 35mm vehicles on the road
:02:12. > :02:14.in the UK. At some time in your car, I bid you crank up the music N Sync
:02:15. > :02:31.loudly. -- I've set. What makes great driving music? Can
:02:32. > :02:39.you think of any fantastic driving songs? Ocean Drive. It takes me back
:02:40. > :02:51.to San Francisco. Joy riding home to Christmas, I'm driving back home and
:02:52. > :03:03.I hear that was -- driving home. AC/DC! I love that. I have come to
:03:04. > :03:09.the Academy of considering using to find out what makes these songs are
:03:10. > :03:17.wine you sing along to -- the ones you sing along to. I am eating
:03:18. > :03:24.Fraser. What makes a great driving song? Usually make up of movement,
:03:25. > :03:29.something positive, usually something quite uplifting. They all
:03:30. > :03:38.seem to have an uplifting tempo. It is a lovely, clappy kind of thing.
:03:39. > :03:45.And massive hook. Something where everybody knows the words. I was
:03:46. > :03:53.thinking of Whitney Houston, I want to be with somebody. But
:03:54. > :04:04.actually... The courts don't change. What keeps it going is because
:04:05. > :04:10.underneath. -- the chords. They tend to be quite high, vocally. Then you
:04:11. > :04:16.have to shut them out. Like Bon Jovi. In terms of tempo, you can
:04:17. > :04:31.also have the downbeat. So, power ballads. It is difficult for blokes
:04:32. > :04:36.to sing. Richard Park is the head of global radio, the largest commercial
:04:37. > :04:43.radio group in Europe, which runs national stations, including gold,
:04:44. > :04:46.heart and F M. Are you at the back of your head thinking, that is a
:04:47. > :04:53.great driving song? Is that one of the ideas? Absolutely. You are
:04:54. > :04:59.always looking for that great driving song. You are looking to
:05:00. > :05:03.make sure they stay tuned. When the playlist is put together, you are
:05:04. > :05:07.always looking for those songs that are going to trigger in motion. What
:05:08. > :05:18.makes listening to music in a car so special? If you are looking for a
:05:19. > :05:26.really good song to set the car journey off well, go for Bruno Mars.
:05:27. > :05:31.In the main, the old classics go down a storm. It is the end of your
:05:32. > :05:43.working day, you have had enough, suddenly on comes one of those real
:05:44. > :06:00.gems. We have done it! We have got to the studio. Go and take a seat
:06:01. > :06:09.over there. So, Simon, did we have different voices on the radio? Yes.
:06:10. > :06:14.We went up, and you smiled more. My voice has gone into a strange TV
:06:15. > :06:19.mode. I walk past here every day, having finished on the radio, and I
:06:20. > :06:28.always wave, and nobody pays any attention. Do need to get a
:06:29. > :06:33.loud-hailer. In that film, it was all about the ability to sing along.
:06:34. > :06:41.In the 30 years you have been a DJ mates do you have a clue of the most
:06:42. > :06:46.requested song? What about your requests on a Friday? It depends. If
:06:47. > :06:52.the rugby is on, Tom Jones and Delilah. It just comes on every
:06:53. > :06:57.single time. It is great because not only is it a fantastic song from
:06:58. > :07:05.1965 or wherever, but it does a whole life to it. Tom is on the
:07:06. > :07:17.telly every Saturday. -- it has a whole new life to it. We have lots
:07:18. > :07:26.of Cyndi Lauper, lots of ABBA. Wow, they are on it! And are these the
:07:27. > :07:33.kind of songs on the new arm? The idea of this CD was just put a whole
:07:34. > :07:39.bunch of fantastic Radio 2 records on there. We have live bands. What
:07:40. > :07:43.are we doing here that is different? Taylor Swift has come on
:07:44. > :07:48.a couple of times and played live, and she is fantastic. Squeeze have
:07:49. > :07:52.done a live track. Paul Weller has them alive track. That is what will
:07:53. > :08:03.make it different. The rest is weak, singalong, wind it up... Was it a
:08:04. > :08:07.big decision about what to have put on first? It might well have been. I
:08:08. > :08:12.would love to have been the sequencer. For viewers of a
:08:13. > :08:17.particular age, the sequencing of tracks is important. If you listen
:08:18. > :08:30.to it on shuffle, nobody cares. I think it matters. The Lumineers
:08:31. > :08:34.first. -- are first. There they are. Simon, your love affair with the
:08:35. > :08:44.radio, is it fair to say it started in the back of your dad's are? I was
:08:45. > :08:51.in the front, actually. -- your dad's are?
:08:52. > :08:56.My mother would always say how exciting it was to work at the BBC,
:08:57. > :09:03.so that is what I thought I would do. The thing you are referring to
:09:04. > :09:08.is Tony Blackburn doing the radio show. I was insistent that I would
:09:09. > :09:11.stay in the car. I would want to stay until I found out what number
:09:12. > :09:16.one was because the charts really mattered. I knew he was itching to
:09:17. > :09:25.put Radio 4 on. He was desperate to get this stuff off. I wanted to hear
:09:26. > :09:31.that rundown of the chart. I would say Simon is one of the voices that
:09:32. > :09:36.has carried me through my life. I would agree. I drive home with you
:09:37. > :09:43.in the evening. You have been with me for a long time. Thanks very
:09:44. > :09:48.much. Let's move on. Tomorrow, the Director of Public Prosecutions for
:09:49. > :09:52.England and Wales makes a speech tomorrow on criminals hiding assets
:09:53. > :09:55.aboard. Tony Livesey has been to the Costa Del Sol to meet a Spanish
:09:56. > :10:01.policewoman who already has British, nor is running scared.
:10:02. > :10:07.-- British criminals. This is the head of the Spanish police fugitives
:10:08. > :10:11.unit. Last year she brought 300 criminals
:10:12. > :10:23.to justice. This year she promises more. Right now we are close to a
:10:24. > :10:27.few of them that we have been working for for along time. It is
:10:28. > :10:33.going to be a good year for us, a bad year for them. 2013 was a bad
:10:34. > :10:41.year for this British villain. The team pay him a surprise village --
:10:42. > :10:45.visit. Mark Lilly was the mastermind behind a ?1 million drug dealing
:10:46. > :10:50.racket. He had been on the run for 13 years after skipping bail during
:10:51. > :10:57.his trial in the UK. It took us 45 minutes. He was taking a shower when
:10:58. > :11:04.he heard something. He moved into the panic room. He had retreated to
:11:05. > :11:11.a heavily fortified secret room. But he was eventually flushed out. You
:11:12. > :11:22.are armed today. Is that normal? Yes, always. You never know how they
:11:23. > :11:26.are going to react. Olga and her team worked with the National Crime
:11:27. > :11:31.Agency in the UK. Every time they suspect the criminal is headed the
:11:32. > :11:34.Spain, they tipped her off. With such a large British community, it
:11:35. > :11:39.can be easier for them to disappear, which means there's a lot of
:11:40. > :11:44.legwork. Right now I am in Malaga, and I don't know when I am going to
:11:45. > :11:48.be back in Madrid. I understand that if you have got a husband or
:11:49. > :11:57.boyfriend and kids, that this is not the place to be. And you have none
:11:58. > :12:03.of those. Now, just work. How do you feel about that? I am happy. Gerard
:12:04. > :12:09.is a British journalist based in Marbella. They want to be with
:12:10. > :12:13.people who look and sound the same. They like that there is a criminal
:12:14. > :12:18.support structure for them. If they want to be protected by their own,
:12:19. > :12:25.so to speak, and work in murky areas, they can carry on doing so.
:12:26. > :12:31.What about Olga? Has she made a difference? I think so. Andrew
:12:32. > :12:36.Mullen was one of Britain's most wanted criminals, a convicted armed
:12:37. > :12:40.robber from Salford University on the run for four years. Until
:12:41. > :12:44.Olga's team pounced as he was relaxing by the pool at his villa.
:12:45. > :12:51.It was one of the most satisfying arrests of her career. That was
:12:52. > :12:57.personal business. When I try to get him in 2012, he hid the car and
:12:58. > :13:05.almost killed one of my guys. He ran away. We thought we had lost him. We
:13:06. > :13:11.found him in May, 2013. That was great! He is now serving 6.5 years
:13:12. > :13:16.in a jury jail for offences he committed on the run. Once he has
:13:17. > :13:20.done his time in Spain, he will be deported to be sentenced for his UK
:13:21. > :13:27.crimes. You are not looking for nice guys. The message is, choose another
:13:28. > :13:37.place. If you come to Spain, we are going to find you, that is for sure.
:13:38. > :13:43.Wow. Tony has made it safely back. She is a remarkable woman. Is it
:13:44. > :13:49.right that she has a screensaver? Yes, those two guys were her
:13:50. > :13:57.screensaver until she called them. She is absolutely dedicated. She is
:13:58. > :14:00.formidable. And the sacrifices she has made... There is news on that.
:14:01. > :14:07.The Director of Public Prosecutions tomorrow will announce tomorrow even
:14:08. > :14:12.tougher measures going into this. Olga is going to get help. There are
:14:13. > :14:17.six more specialist lawyers going into this field. The first two will
:14:18. > :14:21.be specialists in asset recovery. This is a phenomenal statistic. 60%
:14:22. > :14:30.of the acid recovery officer's work is related to Britain. -- asset.
:14:31. > :14:34.What will happen to that money? We would like it to go back to the
:14:35. > :14:37.victims but in some cases they cannot be found, they must make sure
:14:38. > :14:41.they take the money off the criminals because they pump it back
:14:42. > :14:48.into the criminal world. Just this weekend there was a large arrest.
:14:49. > :14:52.Yes, David Madder. Sentenced to 18 year, he was caught near the border
:14:53. > :14:57.of Spain, he will be extradited and this is part of the scheme Olga is
:14:58. > :15:03.involved with. The Crimestoppers charity as well and they have
:15:04. > :15:09.targeted 76 people since 2006. 76 targeted. They have 58 of them.
:15:10. > :15:13.It shows they mean business. It's a great deterrent, to see Olga is out
:15:14. > :15:17.there doing what she is. She does that, walks up and down the streets,
:15:18. > :15:22.looking in bar, she is armed and ready. I said what do you do if we
:15:23. > :15:28.see someone. She said I'll be in there. I said I won't.
:15:29. > :15:35.You did go all Ross Kemp on us there. I was one scared man.
:15:36. > :15:39.Thank you Tony. Last week Dan Snow shared the story of his family
:15:40. > :15:42.heirloom from World War I, which just happened to be the Treaty of
:15:43. > :15:47.Versailles. Tonight he meets three One Show
:15:48. > :15:51.viewers with theirs. For those who fought on the front
:15:52. > :15:56.line, to the family they left at home, the great war had an immense
:15:57. > :16:02.and unforgettable impact on the lives of millions of people. Now,
:16:03. > :16:07.100 years on, individual stories are being kept alive, by the very
:16:08. > :16:11.personal, precious mementoes and keep sakes they give us a memory of
:16:12. > :16:15.the dark days. From letters and diaries to
:16:16. > :16:22.decorated artillery shells, over the coming months, we will uncover the
:16:23. > :16:30.hidden history behind them. My name is Simon. My great war
:16:31. > :16:37.heirloom belonged to my great uncle. It was a small green army issue book
:16:38. > :16:41.he kept in his breast pocket. Pierced.
:16:42. > :16:45.Patrick and three other men were sent out on night watch, the sentry
:16:46. > :16:52.wasn't made wear there was a patrol out there and they opened fire, and
:16:53. > :16:58.as you can see, the bullet pierced the book. Patrick was killed and he
:16:59. > :17:05.was one of the last casualties of the war. Two days later it was
:17:06. > :17:09.finished. To realise he was that close to the end of the war, to be
:17:10. > :17:14.killed by his own side, it brings home the futility of the war. To
:17:15. > :17:18.hold the book where you see he has written notes and prayer, it means a
:17:19. > :17:24.lot to our family, to have this, it is the last kind of thing we have,
:17:25. > :17:30.to remember Patrick by. Every night when I am in bed, I have
:17:31. > :17:34.such awful dream, in fact, the neighbours grumble. I wake them with
:17:35. > :17:43.my screams. But when I got to hush a bye I dream
:17:44. > :17:45.I was back home. Last artefact I remember Patrick by. It is very
:17:46. > :17:51.personal to him and very important to our family. The fact I have this
:17:52. > :18:03.in my hand, I mean, it is incredible really.
:18:04. > :18:08.My Great War heirloom is my grandfather's 21st birthday card.
:18:09. > :18:13.My dad passed away, and in the bottom of his wardrobe we found a
:18:14. > :18:18.21st birthday card that was hand made. It was given to my grandad in
:18:19. > :18:24.world war one, he would have been a volunteer and given the job to
:18:25. > :18:30.contact people who had lost people, either missing in action, or had
:18:31. > :18:36.been killed. Someone had sat down and they have
:18:37. > :18:41.scrolled and lined and drawn and got all these signatures on it, for my
:18:42. > :18:46.grandad. It was given to my grandad and
:18:47. > :18:53.passed down to my father, and now, I have got the honour of having it. I
:18:54. > :19:03.feel that I am privileged to have it and see it. My name is Stephen Bull
:19:04. > :19:07.and my great war heirloom is a sweetheart brooch of the royal
:19:08. > :19:14.flying corps that came from my grandmother. She was born in 1900 so
:19:15. > :19:20.she was 14 when the war started. It had a very big impact on her life,
:19:21. > :19:26.really. For her time, she was quite a modern thinking sort of girl, she
:19:27. > :19:30.rode a motorcycle as a young age, she was keen on dancing and there is
:19:31. > :19:35.a lot of photographs. Perhaps one of the most interesting ones to me, is
:19:36. > :19:39.a patriotic shot where she is wearing the flags of the allies and
:19:40. > :19:45.doing a dance. It is so much of its period, really.
:19:46. > :19:51.The sweetheart brooch was given to my grandmother by a Scottish airman,
:19:52. > :19:55.about 1916 or 1917. My grandmother gave me to believe that he was a
:19:56. > :20:01.prospective boyfriend, so where he went and what happened to him, sadly
:20:02. > :20:06.I don't know. But it was something that she hung on to for more than
:20:07. > :20:12.half a century, so it did have a meaning to her, and equally it has a
:20:13. > :20:16.meaning to me. That is why it is my Great War heirloom.
:20:17. > :20:20.Incredible to still have hold of these heirlooms and wonderful for
:20:21. > :20:25.Stephen to share in his grandmother's life and the brooches
:20:26. > :20:29.were not common, but they there were a lot of them. 19th century, things
:20:30. > :20:33.like the brooches, or this badge here, became more normal for average
:20:34. > :20:39.people. People who didn't have a lot of money could afford things like
:20:40. > :20:42.this, and here is one celebrating Gallipoli day, a couple of years
:20:43. > :20:46.after Gallipoli. A picture of the king. A badge, so these things
:20:47. > :20:53.normal people could afford these and have them in their families. Where,
:20:54. > :20:58.would those be available back sheer Probably here, for chart tab causes
:20:59. > :21:02.to help the service people. I know Simon will like this. This is called
:21:03. > :21:08.trench art. Those are mass produced. This is the tip of a bullet,
:21:09. > :21:12.probably wasn't fired, and you would, people would make sort of you
:21:13. > :21:17.know, jewellery out of it and send it home or send it to loved ones or
:21:18. > :21:28.family. So look at that. That is is a bullet brooch. It has Woolwich on
:21:29. > :21:32.it. I am amaze amazed everyone showed you their heirlooms, where do
:21:33. > :21:38.you go with the Treaty of Versailles? I have the Magna Carta
:21:39. > :21:47.here? ! This was made probably in France, so it is a French Frank
:21:48. > :21:51.here, on the reverse it -- franc. It has the guy's name, his unit. They
:21:52. > :21:56.would send that back and the person at home knows they are thinking of
:21:57. > :22:01.them and they are safe, and it is a memento. For the person in the
:22:02. > :22:05.etrenches doing this, it is a great bit of escapism. There is a lot of
:22:06. > :22:10.metal lying round, so you scoop it up. This is a blade of a shell
:22:11. > :22:14.casing, so you can polish it and turn it into something. It is a nice
:22:15. > :22:18.thing for them to do. And people at home lovely to get the sense they
:22:19. > :22:23.are OK, they have time to snake something. We would love to hear
:22:24. > :22:26.from other viewers about their personal heirlooms so send your
:22:27. > :22:33.stories and a picture of the heirloom to the usual address. It is
:22:34. > :22:39.on the screen. Now, you mention the Treaty of
:22:40. > :22:43.Versailles, and... How could you not? Viewers have been in contact
:22:44. > :22:48.since your film went out. You said in that piece you didn't have any
:22:49. > :22:54.photos from the Conference of 199. Someone has been in touch -- 1919. A
:22:55. > :22:59.guy called David Hawkin, his ancestor was there and he has some
:23:00. > :23:05.pictures so I will check them out. Now, time for something even older.
:23:06. > :23:11.A scroll so ancient its contents have remay main add mystery, that
:23:12. > :23:17.was until Marty got his hands on it P -- remained a mystery. Ancient
:23:18. > :23:25.documents are a historian's best friend when it comes to piecing
:23:26. > :23:30.together the lives of our ancestor, the most famous are the Dead Sea
:23:31. > :23:37.scrolls. When they were discovered in 1947 historians were amazed but
:23:38. > :23:43.how well presevered they seemed. But opening documents is risky.
:23:44. > :23:47.Ancient scrolls are often so delicate, and damaged, if you try
:23:48. > :23:51.and unroll them they just fall apart if your hands and the information
:23:52. > :23:57.contained in them be lost forever. But, a new innovation means it may
:23:58. > :24:02.soon be possible to read the pages of history without ever opening
:24:03. > :24:06.them. Gary from the Norfolk record office
:24:07. > :24:14.has a passion for piecing together the daily lives of our ancestors.
:24:15. > :24:21.Show me what you have got Take it down a bit. So this is from about
:24:22. > :24:26.1409, 1410. It is 600 years old. Yes. So can you unroll it any
:24:27. > :24:32.further? We can't go any further I am afraid. Why not? In the past,
:24:33. > :24:37.this document has got wet, and the parchment has fused together. So if
:24:38. > :24:42.pull it any further it will disintegrate and we won't be able to
:24:43. > :24:48.find out what was written in it. 600 years ago pressing Hamann nor was
:24:49. > :24:52.home to 400 people. Gary hopes this scroll will give him a glimpse in
:24:53. > :24:57.their day-to-day lives. The scroll is the first to undergo a new
:24:58. > :25:01.technique, pioneered here at Queen Mary university in London. But they
:25:02. > :25:08.aren't specialists in record keeping, or art history, it is a
:25:09. > :25:13.dental school. Dr Graeme Dey advice has developed a
:25:14. > :25:17.super sensitive x-ray machine that looks inside teeth. It can
:25:18. > :25:22.distinguish between two materials just one 50th of a millimetre apart.
:25:23. > :25:25.That is a fraction of a human hair. But now, he has turned the
:25:26. > :25:31.technology to looking inside ancient scrolls too.
:25:32. > :25:38.The ink that was used in medieval times contains iron, so in the so we
:25:39. > :25:42.can see iron in the ink because it a heavy element. It shows up more
:25:43. > :25:47.compared with the parchment it is written on.
:25:48. > :25:53.The machine scans very fine slices of the scroll and builds them into a
:25:54. > :25:59.digital model made up from 11 billion 3-D pixels.
:26:00. > :26:05.The scanned scroll is still rolled up, but Dr Paul from the University
:26:06. > :26:08.of Cardiff has worked out a way to unwrap it digitally. What is this
:26:09. > :26:13.image here and what do you do with it? So we get 10,000 x-ray cross
:26:14. > :26:18.sections which are showing a cross section as we go along the length of
:26:19. > :26:23.the scroll, and they have this bright outline, which is the
:26:24. > :26:29.parchment and the bright points core spend to ink. So you have a slice
:26:30. > :26:34.through the role. Yes And these little splotches, that is the ink.
:26:35. > :26:38.Yes, so we have to extract out the parchment, we have to do the
:26:39. > :26:40.unrolling, we have take the intensities and stick them all
:26:41. > :26:44.together, to form the resulting image.
:26:45. > :26:51.It has taken months to carefully line up thousands of these tiny
:26:52. > :26:55.slices. Today, Paul is going to show archivist Gary the result. If it is
:26:56. > :27:02.readable it will be a world first. Let us look. It has been 600 years
:27:03. > :27:09.since this has been read. This is what we can see. Now, we we have
:27:10. > :27:15.uncovered all this. That is really good. It is better than I
:27:16. > :27:22.anticipated. Can you read any of this? This is dealing with the sale
:27:23. > :27:28.of fishing rights. Someone called William Skeet. He is the Reeve. The
:27:29. > :27:32.manager who these accounts are being made for. So he sold himself the
:27:33. > :27:36.fishing rights? Yes, that is the That is the way it works. The scroll
:27:37. > :27:40.is only the begin, in the near future it is hoped this technique
:27:41. > :27:46.will be able to unravel more of history's hidden secrets.
:27:47. > :27:54.Wow. On the writing theme, Simon you were saying you have written three
:27:55. > :28:00.kids's science novels. Yes the first was Rich. Then Itch Rock, so yes,
:28:01. > :28:05.and then Itch Craft comes out in September. Your incentive for
:28:06. > :28:10.writing them? I just have a blast. It's the most thrilling visceral
:28:11. > :28:15.thing, so I am a radio presenter, you are a TV presenter, if you, you
:28:16. > :28:19.work with teams, you have to work with very good people. If you are a
:28:20. > :28:22.writer you do it on you own. Didn't you initially, you have this
:28:23. > :28:27.inspiration for your son, because you wanted your son to have books...
:28:28. > :28:31.He was ten at the time. He came from school not interested in sport, only
:28:32. > :28:38.in science so I thought I would write him a short story. It became a
:28:39. > :28:43.big story. I came across this phrase element hunter which is someone who
:28:44. > :28:47.collects the periodic table. He discovers dangerous rocks. They are
:28:48. > :28:54.great reads. We have run out of time. Thank you for coming in. It
:28:55. > :28:55.was fantastic, come over any time. I will be back tomorrow with Simon
:28:56. > :28:58.Callow.