:00:23. > :00:35.Hello? Anybody out there? Nice one, Kingy.
:00:36. > :00:37.Hello and welcome to The One Show, yes tonight it's
:00:38. > :00:48.Our feet are well and truly under the table, we've made ourselves at
:00:49. > :00:52.home, and we've even brought cake for the audience.
:00:53. > :00:55.APPLAUSE It isn't that good!
:00:56. > :00:58.And just in case we never get asked back, we've picked the two guests
:00:59. > :01:02.Who's the first ingredient in our One Show hotpot?
:01:03. > :01:13.# I'm only Human after all # I'm only Human after all
:01:14. > :01:17.# Don't put the blame on me #. He's the man everyone's
:01:18. > :01:18.talking about, fresh from his big win at the Brits,
:01:19. > :01:22.Rag'n'Bone Man is going to be giving us an exclusive
:01:23. > :01:29.performance of his new track. If we play our cards right I reckon
:01:30. > :01:32.we could ask him to be the third Hairy Biker.
:01:33. > :01:34.Steady on. He's just turned up.
:01:35. > :01:38.He's an actor, writer, stand up comedian and sadly
:01:39. > :01:52.Oh, yes. # Don't know how anyone could put
:01:53. > :02:01.you down # Oh! Slough #.
:02:02. > :02:14.APPLAUSE Ricky, after seeing that
:02:15. > :02:22.understandably you have given music up for a while. Harsh. Your tour
:02:23. > :02:28.Humanity opened up in Bristol on Tuesday. A little bird has told us
:02:29. > :02:32.that you have been a bit poorly. This is embarrassing. Second night
:02:33. > :02:37.of the tour, went out on stage, I felt a bit funny, I asked for an
:02:38. > :02:42.aspirin. Basically, I'm fine, but I went out and I was doing it and I
:02:43. > :02:48.felt faint, hot, my heart was going. I went Oh! Sorry, I need to sit
:02:49. > :02:52.down. The audience went quiet. I started joking, is there a doctor in
:02:53. > :02:57.the house? I'm definitely having a heart attack. And that is the bit
:02:58. > :03:04.that got in the paper. It would. I just felt a bit poorly. It was a
:03:05. > :03:08.bug. They were laughing when I said I was going to die. We will talk
:03:09. > :03:14.about your tour later. But just so you know that we love you, we have
:03:15. > :03:24.got to be present if you feel dodgy halfway through. Fantastic. I need
:03:25. > :03:27.one for both ends. They are eating cake, can't say that. This makes me
:03:28. > :03:29.look like giant! CHUCKLES
:03:30. > :03:32.Scunthorpe, or Sunny Scunny as we like to call it,
:03:33. > :03:34.is known for three things; its steel, its football
:03:35. > :03:43.The One Show historian Ruth Goodman is on the hunt for goooold.
:03:44. > :03:49.In the Lincolnshire town of Scunthorpe something rather
:03:50. > :03:54.mysterious is taking place. In the next few hours a series of codes
:03:55. > :03:58.will be unveiled which will reveal the location of five unique objects
:03:59. > :04:06.hidden somewhere in and around this town. And each of those objects is
:04:07. > :04:14.made of solid gold worth thousands of pounds. And here they are. Exact
:04:15. > :04:19.replicas of five real objects representing different periods in
:04:20. > :04:23.Scunthorpe's history. From a 250 million -year-old fossil found
:04:24. > :04:28.locally to a modern trains used to transport material for the town's
:04:29. > :04:33.steelworks. They've been hidden under cover of darkness by artist
:04:34. > :04:37.Luke Jerram and Dominic Mason from the local arts Council which has
:04:38. > :04:41.funded the project. There really is Gold hidden on the streets of
:04:42. > :04:46.Scunthorpe. It is an artistic treasure hunt. Anyone can find this
:04:47. > :04:50.gold. If they find it they can keep it. Why put that sort of money into
:04:51. > :04:55.an art project in Scunthorpe? Projects like this bring money and
:04:56. > :04:58.people into the area. Scunthorpe has a less than rosy reputation
:04:59. > :05:03.sometimes. We wanted people to think about the town in a different way.
:05:04. > :05:07.The project has been months in the planning. Clues to find the treasure
:05:08. > :05:10.have been encrypted into five specially commissioned paintings
:05:11. > :05:18.designed by a government code breaker. Moments before their public
:05:19. > :05:23.unveiling I'm given me sneak peek -- I am given an exclusive sneak peek.
:05:24. > :05:28.These are the clues. They range in difficulty. This is the easiest.
:05:29. > :05:32.They get progressively harder gradually. With the final one, maybe
:05:33. > :05:37.five people in the country should be able to crack that code. As
:05:38. > :05:41.difficult as that. From a simple word search to a complex binary
:05:42. > :05:46.code, Luke believes they will have the best brains in Scunthorpe and
:05:47. > :05:50.beyond occupied for months. Is he right? We are about to find out. It
:05:51. > :05:55.is nearly 10am. The gallery doors are about to open. Quite a crowd has
:05:56. > :06:05.gathered, as you can see, so let the treasure hunt begin. Within minutes
:06:06. > :06:11.the rude -- of the room fills with people who are already stunned. We
:06:12. > :06:14.cannot work that one out. We will be here for six months. I have my eye
:06:15. > :06:18.on a group of mathematicians who seem to have had an early
:06:19. > :06:21.breakthrough. We have some movement here. They are trying to get other
:06:22. > :06:28.members of their team. They want to disappear. Let's go. Really,
:06:29. > :06:34.already? They are hiding in the library at the moment. You can see
:06:35. > :06:41.this square pattern in the numbers. It appears that one of the paintings
:06:42. > :06:45.is a code within a code. They have found out that the red one, which is
:06:46. > :06:51.the hardest one, actually forms a pattern, which reminds them of those
:06:52. > :06:55.square bar codes you scan with your phone. So they are busy turning them
:06:56. > :07:02.into black and white squares. We have progress. We have a code. We've
:07:03. > :07:08.tried scanning that on our phones but it isn't working. So
:07:09. > :07:13.tantalisingly close. Just then the codebreakers received some
:07:14. > :07:19.unsettling news. Our first bit of gold has been found. It was found in
:07:20. > :07:24.Kingsway Gardens. It was found by chance, however. A mother walking
:07:25. > :07:34.with her son stumbled across a Viking brooch, prompting panic
:07:35. > :07:37.amongst the treasure hunters. It seems gold fever has struck the
:07:38. > :07:43.small town and the treasure hunt has taken on a life of its own. Within a
:07:44. > :07:47.few days, two more gold pieces are found including another discovered
:07:48. > :07:53.by accident. That one was associated with the hardest code. Instead of
:07:54. > :07:59.taking months to on fold, after just three days only two of the pieces
:08:00. > :08:02.remain undiscovered. While it may not have gone entirely to plan, and
:08:03. > :08:07.let's face it, most of the treasure has been snapped up, but there is
:08:08. > :08:09.more gold out here. So, what are you waiting for?
:08:10. > :08:13.Well to tell us more - our code-breaker Anita Rani is here.
:08:14. > :08:21.Do you have an update on the treasure hunt? It is exactly where
:08:22. > :08:26.we left it, excitingly. There are still two items to be found. Still
:08:27. > :08:30.three paintings that need to be cracked. The codes are still there.
:08:31. > :08:38.You are wondering how to do it, that. How do you solve the puzzles?
:08:39. > :08:44.This is the first one. Any idea? I can reveal, probably some people at
:08:45. > :08:58.home have figured it out, that is semaphore. Each wave of the flag
:08:59. > :09:03.spells out a letter. If you live in Scunthorpe there is a park called
:09:04. > :09:08.the Kingsway. There is a flag there. Seven metres from it you will find
:09:09. > :09:15.the Viking brooch. There it is. It was found. And there is the flag.
:09:16. > :09:18.That was the first one. Is that real, a Viking brooch? There is a
:09:19. > :09:21.real one in a museum in Scunthorpe. They created it in gold for this
:09:22. > :09:30.treasure hunt. And they get to keep it? They do, not bad, hey? This one
:09:31. > :09:35.is a word search. I gave you a couple of words. I found one and I
:09:36. > :09:42.couldn't find the other one. I like that you didn't know you can go
:09:43. > :09:46.backwards. I was looking for that. Once I realised I found it
:09:47. > :09:52.straightaway. And diagonal, as well. You can go backwards. I was not
:09:53. > :09:53.given all of the information. You did well with half of the
:09:54. > :10:06.information. In a place not far from Scunthorpe
:10:07. > :10:09.there is an octagonal band stand. Near it is a golden statue of a
:10:10. > :10:19.woman playing a trumpet which looks like a plunger stop Oh! -- looks
:10:20. > :10:27.like a plunger. That is where you would find the golden ram. Are you
:10:28. > :10:31.with me? Yes. This is the most exciting one. The gold has been
:10:32. > :10:35.found for this one, which was a tutor Fischer woman. Luke reckons
:10:36. > :10:39.only one of about five people in the country will be able to crack this
:10:40. > :10:47.code, and it has not been solved yet. -- fisherwoman. The gold has
:10:48. > :10:51.been found. Luke says whoever can crack it, he will donate some of his
:10:52. > :10:57.own money to a charity. Someone just found the gold they did not know why
:10:58. > :11:03.it was there. That is ridiculous. Good old Scunthorpe. We want people
:11:04. > :11:06.to get to Scunthorpe to go and see this. Since this exhibition opened
:11:07. > :11:14.it is the top five most visited exhibition they have ever had since
:11:15. > :11:18.2001 at the gallery. Is this binary? There you go, he is cracking it
:11:19. > :11:25.already. I could crack it but it would take me the whole show. It is
:11:26. > :11:27.fascinating, isn't it? Yes, thank you.
:11:28. > :11:29.This past week there have been rumblings of grumblings
:11:30. > :11:35.Viewers have complained that they can't hear dialogue
:11:36. > :11:47.in some popular dramas, and Lucy has been to find out why.
:11:48. > :11:54.We've got company. A perennial bugbear of drama is how to keep
:11:55. > :12:00.things authentic but maintain clarity. These days so the critics
:12:01. > :12:08.frequently take to social media to bemoan mumbling of lead characters.
:12:09. > :12:16.But whose fault is it that in order to understand you have to turn on
:12:17. > :12:22.the subtitles? In some cases it is artistic direction. They are opting
:12:23. > :12:27.for something more authentic and true to the location, or the
:12:28. > :12:31.geography, in which the production is set. Consonants may not be
:12:32. > :12:35.pronounced as clearly. The engines are flooded, we have to set her
:12:36. > :12:39.down. It could also be the balance between
:12:40. > :12:44.the dialogue, the sound effects and the music isn't quite right. If that
:12:45. > :12:48.is the case it is difficult for us as the interviewers to work out what
:12:49. > :12:52.is being said. Does it depend what device you use to watch something
:12:53. > :12:58.on? Rather than our televisions at home we are watching things on
:12:59. > :13:01.tablets, smartphones and laptops. The problem with these devices is
:13:02. > :13:05.they are becoming increasingly more compact. The problem with that is
:13:06. > :13:10.there is far less room inside these things to have good quality speakers
:13:11. > :13:14.that can deliver audio accurately. The solution is to invest in good
:13:15. > :13:19.quality loudspeakers and a very good pair of headphones for your devices.
:13:20. > :13:24.He really is a good-looking horse. One way to combat inaudible steeped
:13:25. > :13:30.in drama is to re-record it. This is known as automated dialogue
:13:31. > :13:35.replacement. Adam Davidson has worked on everything from Luther to
:13:36. > :13:38.broad church. A big Budget action film, they are recording a lot of
:13:39. > :13:49.green screen in warehouses, 90% of that will get ADR. -- to
:13:50. > :13:53.Broadchurch. For period dramas you will generally have to do more
:13:54. > :14:01.because they are out on locations and there is traffic and aeroplanes.
:14:02. > :14:05.It is very, very tricky. Is there any single thing producers of dramas
:14:06. > :14:08.and films could do that would help people understand every word? I
:14:09. > :14:13.don't think there is any way of eradicating it. We have technical
:14:14. > :14:17.guidelines. We have specific levels that we have to hit in terms of how
:14:18. > :14:22.about the programme is and where dialogue sets. We do as much as we
:14:23. > :14:30.can at that stage to make sure it is totally understandable for everybody
:14:31. > :14:33.when it goes out. Bad location sound can be replaced but that is still a
:14:34. > :14:38.tricky process. Graham has offered to show me how it is done. I've
:14:39. > :14:42.identified a couple of passages of dialogue which may need replacing.
:14:43. > :14:51.INAUDIBLE Something Bob a job? Are you ready
:14:52. > :14:59.to go? This is the original. INAUDIBLE
:15:00. > :15:03.This is the re-record. You give Bob a job? I can understand it now. I
:15:04. > :15:08.imagine that is the purpose. Yes, I am relieved.
:15:09. > :15:16.Why have you heard any mumblings or grumblings? I assume it is my
:15:17. > :15:24.hearing going. So did we! Geordie accents, they don't mean a lot! I
:15:25. > :15:29.have got a woofers under my sofa. Geordie is my favourite accent, I
:15:30. > :15:34.was joking! Everyone who comes to see you will hear you clearly, but
:15:35. > :15:42.the tour is sold out, so why are you here?! Well, there would be an empty
:15:43. > :15:48.sofa! The tour is sold out, UK, Europe, America is gone. Two hours,
:15:49. > :15:53.they reckon. Chicago went in five minutes. It is beautiful, I am
:15:54. > :15:59.overwhelmed, but some of the tickets, of course, are got by
:16:00. > :16:05.touts, don't buy those. We held some back that are called premium
:16:06. > :16:10.Platinum tickets, and we are trying to undercut those touts and make
:16:11. > :16:15.more tickets available. The profits are going to charity. It won't stop
:16:16. > :16:20.it, but at least the charities are making a few hundred grand, and it
:16:21. > :16:26.is just a gesture. But I am overwhelmed, you know, hardened
:16:27. > :16:30.cash, people come out, it is such a privilege, I am enjoying it more
:16:31. > :16:33.than I ever did. There is always a theme
:16:34. > :16:45.to your tours, you've had "animals", This is slightly different, it is
:16:46. > :16:49.less persona than my first four, all comedians have a bit of persona,
:16:50. > :16:53.even if it is just a more brash version of themselves, but mine is
:16:54. > :16:58.less and less now. I have reached that age where I have got old
:16:59. > :17:04.people's writing, I just say what is on my mind. You know what I mean?
:17:05. > :17:14.Yes! It is much more anecdotal, more honest, about my past the bidding.
:17:15. > :17:19.Go So it is more personal. People will still be offended, don't get me
:17:20. > :17:25.wrong! So if a young Ricky Gervais would think you have mellowed with
:17:26. > :17:29.age? The good thing is it is a bit of both, because I have been going
:17:30. > :17:33.for so long, people know what I am doing now, they get it, they know
:17:34. > :17:37.that I am playing with their perception of myself, playing with
:17:38. > :17:42.my own persona. I think people know when I am being naughty and getting
:17:43. > :17:45.it wrong, and when it is heartfelt, and they certainly seem to. I have
:17:46. > :17:52.done three dates in Bristol, which was amazing, and even the critics
:17:53. > :17:57.got it. That was nice. People know you so well and understand the
:17:58. > :18:02.difference now. I always thought that they did, but you know, you
:18:03. > :18:07.can't legislate against stupidity. You have got to do your thing, and
:18:08. > :18:11.like-minded people come and see you. But it is usually things taken out
:18:12. > :18:17.of context. In the arena, everyone is laughing. But if they put it on
:18:18. > :18:21.Twitter, he said that?! I talk about that in the show as well, this
:18:22. > :18:29.crazy, you know, scandal. Your partner, Jane, she plays a key role
:18:30. > :18:34.in your material, she is a sounding board. I often say to her, what you
:18:35. > :18:40.think of this? She says, please don't say it in public! And I know
:18:41. > :18:44.it is good. She does worry about the backlash and the press reaction, so
:18:45. > :18:49.often, particularly if I am hosting the Golden Globes, I throw in fake
:18:50. > :18:55.punch lines just to worry her. And it is things that I would never say,
:18:56. > :19:00.off the charts, and she goes, please don't do that! It is the Oscars on
:19:01. > :19:06.Sunday, and we would love to see you present that. It would be brilliant!
:19:07. > :19:12.You to edgy for the Oscars? It is a nice, lovely, stuffy occasion, and
:19:13. > :19:17.even I don't want to see me ruin it! Do you know what? I would do it if
:19:18. > :19:21.they said, the same as the Golden Globes, you can say what you want -
:19:22. > :19:27.but they never would. But if they said that, I would do it. But you
:19:28. > :19:32.mustn't be curbed, otherwise get someone else to do it. Brilliant.
:19:33. > :19:38.Tickets for the tour are available now, and more diggers will be
:19:39. > :19:42.announced soon. Yes, I will be putting in more dates, and there are
:19:43. > :19:44.platinum tickets, you can still go to the website, you might be lucky.
:19:45. > :19:50.Ricky Andalcio has been back on his journey around the UK looking
:19:51. > :19:57.I wonder where he got that idea from.
:19:58. > :20:02.We have got our eye on you, I tell you!
:20:03. > :20:07.We are on an alphabetical journey across the UK to discover some of
:20:08. > :20:13.the best grub in the country, and I am using your suggestions to guide
:20:14. > :20:20.me. As we map the A do Z of British food. You send me loads of
:20:21. > :20:24.suggestions for H. Wendy Jackson suggested I should go to Hastings,
:20:25. > :20:30.while Kimberly suggested Huddersfield. But loads of you
:20:31. > :20:35.suggested Hull. So why am driving over the famous Humber Bridge to
:20:36. > :20:40.visit this year's UK capital of culture. During 2017, Hull was
:20:41. > :20:43.throwing a massive party from illuminating the town hall to
:20:44. > :20:48.thousands of locals stripping naked and painting themselves green and
:20:49. > :20:53.blue, all in the name of art. Just so we are clear, I am definitely not
:20:54. > :20:59.doing that! But I do want to find out more about the food and culture
:21:00. > :21:03.here. It is home to the biggest Yorkshire pudding factory in the
:21:04. > :21:13.world, churning out an amazing 20 million every week. I bet that keeps
:21:14. > :21:18.a certain Aunt busy! Cheers! This former terraced house has played
:21:19. > :21:24.host to some of the country's biggest acts, including Radiohead,
:21:25. > :21:29.Oasis and Pulp. So lots to see, but all this walking around has got me
:21:30. > :21:34.feeling peckish. Maybe the locals at Trinity Market can point me in the
:21:35. > :21:39.right direction for some tasty grub. The chocolate looks amazing, is it
:21:40. > :21:46.all made locally? We make it at our shop. I would love a bar of the
:21:47. > :21:50.berry and white chocolate. What would I have for something savoury
:21:51. > :21:56.in Hull? I would recommend pattie and chips, that is the traditional
:21:57. > :22:06.Hull thing. Pattie, chips, mushy peas. A big part of Hull culture
:22:07. > :22:13.now? Increasingly, people are starting to approve of coffee more.
:22:14. > :22:19.A bit of Italy in Hull. If I am out in Hull for the night, and I want a
:22:20. > :22:27.bite to eat after a few beers, what will I have? Pattie and chips. Which
:22:28. > :22:37.is the best? Bob's that is the best. That is the place to be. Are you the
:22:38. > :22:43.famous Bob Carver? Yes, I am. I don't make them now, my daughter
:22:44. > :22:48.does them now. You make the patties? Could I have a go? If you come
:22:49. > :22:53.around the back, I will show you how. We represent the fourth
:22:54. > :22:57.generation of this family business, and she makes the pattie mix by
:22:58. > :23:01.boiling potatoes, mixing them with a secret recipe of herbs and spices
:23:02. > :23:05.before moulding them into shape. I have heard there is a name that they
:23:06. > :23:12.used to call the women who make them, the name was pattie slap is, a
:23:13. > :23:19.word which would describe the rough and ready girls who made them. Time
:23:20. > :23:23.to get them into shape, and Zoe is using the modern mould, but I am
:23:24. > :23:29.going in for some traditional pattie slapping. Now we fry them. Deep
:23:30. > :23:38.frying in a bit of batter and served in a fresh white cob, a proper
:23:39. > :23:45.pattie butty. Perfect! It is not gourmet, it is good honest food, I
:23:46. > :23:49.love it. That is H for Hull on the map, where will we be heading next?
:23:50. > :23:53.Send your suggestions for the next few letters, we want to sample the
:23:54. > :24:01.best food from your town or village, and we will continue our A to Z of
:24:02. > :24:05.UK food. We are over here any performance
:24:06. > :24:11.area, and Rag'n'Bone Man is here! CHEERING AND APPLAUSE
:24:12. > :24:27.We cannot call you Mr Bone, can we call you Rory? You have got a little
:24:28. > :24:33.Pattie at home, haven't you? Certainly have, she is a little bit
:24:34. > :24:42.wrinkly. Ricky, are you going to have a nibble of this pattie? It is
:24:43. > :24:50.a Hull delicacy. Is this the sort of thing you would be eating on tour?
:24:51. > :24:56.Um... Basically potatoes and bread? A big
:24:57. > :25:07.blob of starch? It wouldn't go well in LA, would it? My body is a
:25:08. > :25:14.temple. Bang goes the Atkins. You were looking quite buff! Forget it,
:25:15. > :25:19.don't even bother. I feel positively clean-shaven amongst you lot as
:25:20. > :25:24.well. It has been a huge week for you, two Brit Awards, the critics'
:25:25. > :25:29.choice award, British breakthrough, no artist has ever achieved that,
:25:30. > :25:35.how did your father help you? Well, he gave me a couple of pints and
:25:36. > :25:40.told me to go on stage. Rag'n'Bone Man will be singing for us soon, I
:25:41. > :25:45.can't wait! They get some great guests on this show, and you should
:25:46. > :26:12.see who they have got next week... And celebrating 20 years of show
:26:13. > :26:16.business, these guys! Say hello! That is almost we have got time for,
:26:17. > :26:23.we have had a fantastic time, a big thank you to Ricky Gervais! And
:26:24. > :26:28.thanks to Rag'n'Bone Man, who is number one album, Human, is also
:26:29. > :26:35.available right now. Don't forget the final title is let it shine
:26:36. > :26:37.tomorrow, but now, with an exclusive performance of his new track, Skin,
:26:38. > :26:39.it is Rag'n'Bone Man! # It was almost love,
:26:40. > :27:15.it was almost love # I'll be thinking
:27:16. > :27:55.about you, about you # When I reached out
:27:56. > :28:01.for your hand # I'll be thinking
:28:02. > :29:00.about you, about you # It was almost love,
:29:01. > :29:13.it was almost love. # What?!
:29:14. > :29:25.We are bringing down your spending. to help people change
:29:26. > :29:28.their spending habits. What?!
:29:29. > :29:32.We are bringing down your spending.