:00:24. > :00:27.Welcome to the One Show with Matt Baker. And Alex Jones. Now tonight,
:00:27. > :00:36.how to stop your identity being stolen with Gloria Hunniford. Hang
:00:36. > :00:40.on a minute. That's Angela Rippon. It's me. Cheeky! And we'll find out
:00:40. > :00:44.which one of our viewers will win the chance to create their dream
:00:44. > :00:50.garden at the Hampton Court Palace Flower Show courtesy of The One
:00:50. > :00:54.Show and the RHS. It's an exciting night. They look tense.An comedian
:00:54. > :00:56.Reginald D Hunter starts his new tour right here in the studio,
:00:56. > :01:02.but... LAUGHTER
:01:02. > :01:09.He's looking more anxious than usual don't you think. That will be
:01:09. > :01:14.why. That is Nikita the eagle. She's huge. She's swooped in to
:01:14. > :01:21.help her find her missing mate. Luckity our guests tonight will
:01:21. > :01:25.make Nikita feel right at home. # Welcome to the Hotel California
:01:25. > :01:29.# Such a lovely place # Such a lovely place #
:01:29. > :01:32.APPLAUSE From The Eagles it's Glenn Frey and
:01:32. > :01:39.Joe Walsh. APPLAUSE
:01:39. > :01:44.Brilliant. That's welcome back to The One Show. It's nice to have you
:01:44. > :01:48.here. It's a very sad day, guys for British music today, because this
:01:48. > :01:53.morning a band called JLS announced that they were breaking up. Matt
:01:53. > :01:59.only stopped crying just before. I've just pulled myself together.
:01:59. > :02:03.Where were you when you heard the news. They're doing a farewell tour
:02:03. > :02:07.and greatest hits. What advice would you have for them as a band
:02:07. > :02:11.that has broken up in the past. How will they feel after the tour, what
:02:11. > :02:18.advice do we have for them? It's not that big a deal. We break up
:02:18. > :02:22.all the time. JLS fans will be happy to hear that. They might
:02:22. > :02:28.reconnect. I think you should break up for a long time. You know what I
:02:28. > :02:33.mean? Don't mess around.Like we broke up for 14 years. That worked
:02:33. > :02:37.really well for us. It's all in this brilliant documentary which we
:02:37. > :02:41.will talk more of as the evening progresses. JLS fans it goes
:02:41. > :02:46.without saying, my niece, she isn't happy. It got us thinking, which
:02:46. > :02:52.other bands breaking up have caused the most heartache?
:02:52. > :02:57.The Beatles split up in 1970, the Jam in 1982. In 1996 Take That
:02:57. > :03:02.split up. A terrible year for Matt. Now JLS have broken up, shock,
:03:02. > :03:06.horror. What happens when our favourite bands split up. I was
:03:06. > :03:12.upset when destiny's child broke up in particular. When the Jackson
:03:12. > :03:18.five broke up I was feeling pretty void and upset. No more dressing up
:03:18. > :03:23.like Mel B. Wondering who is going to fill that space in music. Hi got
:03:23. > :03:26.all of their T-shirts. I had Ronan, Stephen, all on there, then I
:03:26. > :03:29.thought great one for every day of the week an then they broke up and
:03:29. > :03:34.I thought oh, I can't wear them any more because it makes me too sad.
:03:34. > :03:38.was very hurt, very hurtment Why do you think it is that people get so
:03:38. > :03:43.affected? You don't quite know why you have this feeling inside you
:03:43. > :03:47.because part of you -- it becomes part of you. Together as girls, you
:03:47. > :03:57.weep about it. When they broke up, it leaves you nowhere to go.
:03:57. > :03:58.
:03:58. > :04:02.that a tear I can see? Not quite. Do you need a hug? Actually, I do.
:04:02. > :04:07.The perfect track for that as well. When you were growing up, lads,
:04:07. > :04:13.which bands were you really upset about when they split up?
:04:13. > :04:16.Beatles. Beatles. Were you incredibly upset, obviously there
:04:16. > :04:20.are JLS people out there that are distraught today. Your fans will
:04:20. > :04:25.have been the same when you split up the first time. I think we went
:04:25. > :04:30.out with a bit of a whimper. Really? What makes you say that?
:04:30. > :04:34.They went out with a bang. We just sort of stopped. Everything, the
:04:34. > :04:39.Beatles meant so much, it was not just the music with them. It was a
:04:39. > :04:44.phenomena that we were all part of this movement. It's what got you
:04:44. > :04:52.started as well. You saw them on the television. Yeah. We were sad
:04:52. > :05:01.when the Beatles broke up. other bands spring to mind?
:05:01. > :05:07.band called The Band. Yeah.They were a national treasure that band.
:05:07. > :05:11.The last waltz was beautiful, but that was their last show. I just
:05:11. > :05:16.always said they weren't done yet. You guys are still together and
:05:17. > :05:20.we'll be talking about your past and your future throwout the show
:05:20. > :05:24.tonight. Angela Rippon is back on the consumer warpath to protect the
:05:24. > :05:27.rights of One Show viewers. Isn't that right? Too right Alex. This
:05:27. > :05:31.time it's the fraudsters, who are stealing people's identities to
:05:31. > :05:39.borrow money from a company that claim that they're straight talking,
:05:39. > :05:43.but they don't always seem to be listening. They're the best known
:05:43. > :05:47.payday loans company in the business. Wonga.com, straight
:05:47. > :05:51.talking money. It seems that not all the money that flows through
:05:51. > :05:55.their system is as straight as the company might like. Some people who
:05:55. > :06:00.have never used a payday loan company have faced demands from
:06:00. > :06:03.Wonga for repayment or had money taken from their bank account.
:06:03. > :06:07.Thanks to fraudsters they've been saddled with someone else's debt.
:06:07. > :06:12.As a result they're being chased for hundreds, in some cases,
:06:12. > :06:17.thousands of pounds, that they don't actually owe. Victoria was a
:06:17. > :06:23.victim of fraud. She was baffled to receive a missed payment letter
:06:23. > :06:28.from Wonga.com saying that she owed them over �500, when she hadn't
:06:28. > :06:33.borrowed a penny. She didn't find it easy to put things right. How
:06:33. > :06:37.long did it take for them to respond to you? They said I had to
:06:37. > :06:41.ring the police for a crime log number. They said it would be 48
:06:41. > :06:46.hours, after I called them back. Hi to ring them again, they told me
:06:46. > :06:52.they had lost my phone number. And that I would wait another 48 hours
:06:52. > :06:55.for them to sort things out again. Eventually Wonga called Victoria
:06:55. > :07:00.and confirmed that the account mysteriously opened in her name and
:07:00. > :07:06.with her contact details had been closed down. But just two months
:07:06. > :07:11.later, she received another letter from Wonga, demanding repayment of
:07:11. > :07:14.�263 for a new loan, which, again, she had not taken out. If somebody
:07:14. > :07:18.had tried to open another account, why didn't it flash up on the
:07:18. > :07:22.screen saying this account was done for fraud again. This fraud expert
:07:22. > :07:26.believes it's not uncommon that with some companies it seems that
:07:26. > :07:30.the account that the money is paid into could not be the one from
:07:30. > :07:34.which it's going to be paid back. So even though you have never had
:07:34. > :07:38.the money, if a fraudster has used your details, it could be you
:07:38. > :07:42.that's asked to pay up. How can you open up an account if the name that
:07:42. > :07:45.you are giving is not the same as the bank account that you are going
:07:45. > :07:49.to put the money into? The name doesn't have any relationship to
:07:49. > :07:52.the bank account number. It's not something that a bank is going to
:07:52. > :07:56.check. They're just interested in the number itself of the account.
:07:56. > :08:00.It could be Joe Blogs. At the end of the day, the bank is going to
:08:00. > :08:05.put money into that account. This year, the Office of Fair Trading
:08:05. > :08:08.warned the top 50 payday loan companies that they must have
:08:09. > :08:14.adequate procedures to prevent identity fraud. They even closed
:08:14. > :08:18.down one payday loan company, MCO Capital and fined them �500,000,
:08:18. > :08:22.partly for failing to make sufficient ID checks. However,
:08:22. > :08:29.online pay day lenders insist they do have the right checks in place
:08:29. > :08:34.to protect their consumers. Nadia wouldn't agree. Criminals somehow
:08:34. > :08:38.got hold of her debit card details which she only discovered when
:08:38. > :08:42.Wonga took almost �1,000 from her account to pay off two loan that's
:08:42. > :08:47.she knew nothing about. She wasn't satisfied with their response. What
:08:47. > :08:51.was your reaction? I was pretty upset to be honest. Partly because
:08:51. > :08:54.I just was astounded that it was allowed to happen. Did they explain
:08:54. > :08:59.how it was that your card details were being used for someone else to
:08:59. > :09:04.get money in your name? There was no explanation whatsoever from
:09:04. > :09:08.Wonga. They just issued a standard statement saying they do take
:09:08. > :09:12.security measures. But ultimately, it seems like they are issuing
:09:12. > :09:17.loans to unscrupulous people and then not insisting that the same
:09:17. > :09:23.card details be used to pay back the loans. Nadia's bank refunded
:09:23. > :09:30.the stolen money. But she still wants answers as to how Wonga could
:09:30. > :09:32.let her card details be exploited. Wonga claim only 0.1% of
:09:32. > :09:35.transactions on their site are fraudulent. I wanted to know
:09:35. > :09:39.exactly what they're doing to tackle this sort of fraud and what
:09:39. > :09:42.they say to people like Nadia and Victoria, who are disappointed with
:09:42. > :09:48.how their problem was handled. The company didn't want to be
:09:48. > :09:54.interviewed. But I gave them a call to find out more. Are you confident
:09:54. > :09:58.that you have in place enough security to ensure that the public
:09:58. > :10:02.are protected? They stressed that what's happening here is criminal.
:10:02. > :10:07.And though they're confident that they're doing all they can to stop
:10:07. > :10:11.it, fraudsters will always find new ways to beat the system. Now it's
:10:11. > :10:14.just the vulnerability. You know your details are out there
:10:14. > :10:18.somewhere and that it could be Wonga, I'm not sure who else,
:10:18. > :10:26.basically anyone can access your card details and then be paying off
:10:26. > :10:29.a loan on someone else's behalf. You are adamant not to let this lie.
:10:29. > :10:32.Wonga have now made a further statement. What have they said now?
:10:33. > :10:36.As you'd expect, they say they're working closely with the police and
:10:36. > :10:40.experts to ensure that criminal cannot go on using their website in
:10:40. > :10:43.this way. They've also got selective software that actually
:10:43. > :10:48.declines two thirds of first-time applications. They also went on to
:10:48. > :10:51.say they do now have a dedicated team to deal with cases like Nadia
:10:51. > :10:55.and Victoria, but they do acknowledge that they could have
:10:55. > :10:59.handled their cases better and they do regret any additional stress
:10:59. > :11:02.that was caused to them. They're holding their hands up. Yes. This
:11:03. > :11:06.is a very stressful situation. Nadia and Vicky, like lots of other
:11:06. > :11:10.people, have written, reported the fraud, but yet these letters keep
:11:10. > :11:14.coming. What can they do now then? I tell you the first thing that
:11:14. > :11:18.every household should do, invest in buying a shredder. They're not
:11:18. > :11:21.very expensive, but it could be the best investment you've ever made.
:11:21. > :11:29.It's quite cathartic. It's good for you. It's like pressing those
:11:29. > :11:32.bubble things. It's great. It's so liberating. And you should treat
:11:32. > :11:37.any of your personal details that give access to your money like the
:11:37. > :11:40.crown jewels, protect them. If you have any piece of paper with
:11:40. > :11:45.details of your bank, credit card, mortgage of anything you have
:11:45. > :11:49.bought online and through the post, shred it because any time you let
:11:49. > :11:53.down your defences the criminals will find a way in. You have also,
:11:53. > :11:57.you really must, you just have to keep going on at companies like
:11:57. > :12:01.Wonga and the rest of them and say you know, that this is fraudulent.
:12:01. > :12:04.But you must also get in touch with every other company with whom you
:12:04. > :12:08.have any kind of commercial transaction and say to them, I've
:12:08. > :12:12.been the victim of fraud, you must keep an eye out on everything on my
:12:12. > :12:17.account just in case there's some sort of unusual action. The other
:12:17. > :12:20.thing to do, if you don't get any satisfaction, you can make a formal
:12:20. > :12:24.complaints to the financial ombudsmen. It wasn't long before
:12:24. > :12:30.that film started, you were saying, this is the real deal. I presume
:12:30. > :12:34.you've been victims of fraud in the past? Well, we're both broke, so
:12:34. > :12:40.nobody... LAUGHTER
:12:40. > :12:47.They've tried hard. They've failed. That's why we're here. You won't
:12:47. > :12:52.get much from this lot. I bought an expensive dinner at a restaurant
:12:52. > :12:56.and they gave me back somebody else's card and they gave him mine.
:12:56. > :13:03.We both used them for a couple of days before we caught it. I'm
:13:03. > :13:07.telling you, I paid for some weird stuff. Your credit card was having
:13:07. > :13:14.more fun than you. When you got your statement back, did you see
:13:14. > :13:18.what he was buying? Equally as weird? Yeah. OK. There's a study
:13:18. > :13:20.out yesterday by Ofcom and it said maybe you boys aren't very good
:13:20. > :13:25.with this either, about protecting your passwords and how to come up
:13:25. > :13:29.with really hard ones. They discovered that 55% of the people
:13:29. > :13:35.in it country use exactly the same password for every single online
:13:35. > :13:42.account, bad idea guys. Change it. Also, apparently one in four of us
:13:42. > :13:46.can't actually remember the password. So, viewers, for the
:13:46. > :13:50.eagles and everybody else, we want to you get involved in this. We
:13:50. > :13:54.know that you've all got brilliant ideas when it comes to things like
:13:54. > :13:57.passwords. What we want is for you to get in touch with us on the
:13:57. > :14:02.programme before the end of the programme, e-mail us with any tips
:14:02. > :14:05.you have got on how you can really make a very, very difficult, hard
:14:05. > :14:09.to crack password and more importantly, how you can remember
:14:09. > :14:14.it. Then I will read out some of them at end profit Graeme. We have
:14:14. > :14:17.a couple of friends here who might find that useful. Keep talk -- at
:14:17. > :14:21.the end of the programme. We might have a couple of friends here who
:14:21. > :14:26.might find that useful. Sophie Morgan knows all too well
:14:26. > :14:29.the risks of driving too fast, after being in a crash as a
:14:29. > :14:39.teenager which left her paralysed. That makes her investigation into
:14:39. > :14:39.
:14:40. > :14:46.the craze of illegal street car Police released this footage of
:14:46. > :14:49.cars being raced on public roads at up to 120mph. It helped convict 250
:14:49. > :14:55.people, all of whom were banned from driving and fined for taking
:14:55. > :14:58.part. But events like this are
:14:58. > :15:02.surprisingly common, as I have discovered when making Licence to
:15:02. > :15:10.Kill. A film about why traffic accidents are the single biggest
:15:10. > :15:14.killer of young people. Across the country large groups regularly meet
:15:14. > :15:21.up at weekends or late at night to show off or race their supercharged
:15:21. > :15:25.cars and bikes. Car cruises, like this one, are arranged online. The
:15:25. > :15:29.locations change so they can stay one step ahead of the police. It's
:15:29. > :15:34.pointless meeting there, police are all over it. They have been for the
:15:34. > :15:38.last year. Police blocked everyone in. My mate's MG got taken off him.
:15:38. > :15:42.It's obviously illegal because all the messages are panicking about
:15:42. > :15:52.where the police are going to come. I want to try and understand these
:15:52. > :15:53.
:15:53. > :15:54.drivers' need for speed and see if they realise the dangers of driving
:15:54. > :15:57.too fast. Something I discovered for myself
:15:57. > :16:00.ten years ago. Aged 18 I was a total wild child and my driving was
:16:00. > :16:05.just as crazy. Six months after passing my driving test I was
:16:05. > :16:10.speeding. I misjudged a corner, and the car tpreuped -- flipped over.
:16:10. > :16:16.I woke up in hospital confused and completely terrified. It was then
:16:16. > :16:19.that I realised that I couldn't feel my body and that I was
:16:19. > :16:23.paralysed. I have lived with the consequences of my own bad driving
:16:23. > :16:27.ever since. As I set off for a car cruise in Manchester on an
:16:27. > :16:33.industrial estate, I don't get the sense that everyone going takes the
:16:34. > :16:38.risks seriously. I am really nervous about this.
:16:38. > :16:48.Ever since my accident I've been scared of speeding and there's
:16:48. > :16:53.
:16:53. > :16:59.going to be a lot of speeding It's crazy!
:16:59. > :17:05.This is madness. I feel like I have been transported to another world
:17:05. > :17:09.where rules and fear don't exist. Look, look!
:17:09. > :17:17.It was hard to hear above the noise, but I want to know what brings
:17:17. > :17:26.people to these skraepbts. Do you - - events. Do you race? Got a police
:17:27. > :17:36.mark on my car. Speed's like a drug really. You can't stay at 30mph.
:17:37. > :17:41.
:17:41. > :17:43.You look for a race? Yeah, gets the adrenalin rush going. I was an
:17:43. > :17:48.inexperienced kid driving badly. This is different, you know, this
:17:48. > :17:53.is a different environment. It scares me. Not everyone here
:17:53. > :17:58.tonight has come to race. You can see, just because you have come
:17:58. > :18:05.down doesn't mean you are going to be going up and down. Looking at
:18:05. > :18:12.other people going past. As the night wears on some drivers take
:18:12. > :18:22.more and Morris bgs. -- more risks. They're behaving as if they're
:18:22. > :18:23.
:18:23. > :18:28.It's dangerous. The bikes are more dangerous? Of course.So you are
:18:28. > :18:31.not scared of having an accident? No. What if you weren't killed but
:18:31. > :18:35.were in a state and you couldn't ride a bike again. I was paralysed,
:18:35. > :18:39.that doesn't bother you, you are not thinking about that? No. That
:18:39. > :18:45.would be awful. Probably take my life. You would kill yourself.I
:18:45. > :18:49.wouldn't want to be like that. just annoy me now. That slap in the
:18:49. > :18:52.face when life happens, hasn't happened to them but I fear for the
:18:52. > :18:56.day when thoef face the consequences of having fun. As
:18:56. > :19:04.things get wilder, it feels like a miracle the night passes without
:19:04. > :19:08.disaster. Not all such events do. And you can see more on Licence to
:19:08. > :19:11.Kill which airs tonight at 9.00pm on BBC Three. You were saying
:19:11. > :19:17.watching that, you remember being crazy as youngsters but now you
:19:17. > :19:25.watch that from a father's perspective. A parent's perspective,
:19:25. > :19:29.yeah. The adolescence is temporary insanity anyway and I only started
:19:29. > :19:33.looking back on my own when I had adolescent kids and you start
:19:33. > :19:42.thinking, what did you do when you were 15? What did you do when you
:19:42. > :19:47.were 17? You know, Joe and I looked and went, oh! We weren't exactly
:19:47. > :19:50.thinking safely and stuff. They say the - part of your brain that
:19:50. > :19:55.doesn't stop growing, especially in men, until they're about 24 and
:19:55. > :19:59.it's the part that has to do with executive functioning, getting
:19:59. > :20:04.organised, what's dangerous. Stuff like that. But you know, it's like
:20:04. > :20:08.- we said, you know, you feel like you are bulletproof when you are 17,
:20:08. > :20:11.it can't possibly happen. Do you say that to your children now?
:20:11. > :20:16.Obviously, they're going to look back, I don't know if they've seen
:20:16. > :20:21.this documentary, but there's wild stuff. It's frustrating being a
:20:21. > :20:25.parent and trying to save your kids' time. Right, yeah. That's
:20:25. > :20:29.interesting. When they see some of the things that you have shown in
:20:29. > :20:35.the documentary how do you react to that? It's awkward because you have
:20:35. > :20:38.done it, so why can't they do it? It's that type of thing. For sure,
:20:38. > :20:45.you know, this is a story that's taking place all over the world,
:20:45. > :20:50.wherever young people drive. You just sort of hope everybody gets
:20:50. > :20:54.through it. I can't believe they wouldn't be able to crack down on
:20:54. > :21:00.this. Exactly. Let's have a little look back at some of the highlights
:21:00. > :21:10.from what's been just the most incredible... More other dangerous
:21:10. > :21:10.
:21:10. > :21:20.driving! Here is the lovely good # Take it easy
:21:20. > :21:21.
:21:22. > :21:31.The question was, who can handle it? Who could function? Who could
:21:32. > :21:34.
:21:34. > :21:39.show up? That tension had a lot to do with
:21:39. > :21:49.the artistic fire, having that dynamic. It was important in making
:21:49. > :21:56.
:21:56. > :22:06.the music. # Take it to the limit one more
:22:06. > :22:09.
:22:09. > :22:14.APPLAUSE AND CHEERING Yes! As we saw there... I am exhausted. I am
:22:14. > :22:18.so tired now. I bet you are after all that! As we saw, the
:22:18. > :22:22.documentary really is a mixture of interviews with Eagles, pags and
:22:22. > :22:27.present -- past and present, and it's interspers--ed with footage of
:22:27. > :22:30.you messing about back stage, on stage from back in the day. Did you
:22:30. > :22:33.know that you had all that footage to hand and those brilliant
:22:33. > :22:38.photographs or was any of you responsible for keeping a record of
:22:38. > :22:41.it? We knew for a long time we wanted to do the history of The
:22:41. > :22:47.Eagles, we didn't know when we were going to start the project for sure.
:22:47. > :22:53.From the time we got back together in 94 we had cameras in every place,
:22:53. > :23:02.but in the early 70s we just got very very -- lucky. Henry had a
:23:02. > :23:08.camera he brought to a photofoot for all the gun fighting. And Kodak
:23:08. > :23:13.came out with a camera in 74, I bought one and Don and we took them
:23:13. > :23:18.on the road and started filming everything and we would be on stage
:23:18. > :23:21.and Irvine would be filming us playing. Is this stuff you put in a
:23:21. > :23:25.drawer then and didn't see for years? Irvine had it and it was
:23:25. > :23:31.really in his closet, just a tub full of these little video
:23:31. > :23:35.cassettes that you popped into this old time thing. Then the people
:23:35. > :23:41.that made the film started to unearth all this other stuff, like
:23:41. > :23:45.us playing with Linda Ronstadt. We were able to find a tremendous
:23:45. > :23:49.amount of footage from the 70s which really visually makes the
:23:49. > :23:54.story much more interesting as a film. The question is, I suppose,
:23:54. > :23:57.how do you go about putting a documentary like this in order? How
:23:57. > :24:06.do you sort out all the stills and footage? Did you have a hand in it
:24:06. > :24:11.at all, Joe? Glenn really handpicked a guy to do it. We made
:24:12. > :24:17.a great hire, the Guy's name is Alex. Originally, they sent me a
:24:17. > :24:21.bunch of documentaries of different bands to look at and I was
:24:21. > :24:26.uninspired so I said to people in our office, send me reels of the
:24:26. > :24:32.guys who won the Academy Award for the Best Documentary the last five
:24:32. > :24:38.years and there was this guy Alex, who won an award for Taxi to The
:24:39. > :24:42.Dark Side about Guantanamo and another about the Enron scandal.
:24:42. > :24:46.And his reel was just - you couldn't take your eyes tauf. I
:24:46. > :24:51.said what about this guy? I don't care what he knows about music, he
:24:51. > :24:56.is a great story-teller, I can't take my eyes off every frame. Can I
:24:56. > :24:59.meet him? I went to New York and we met Alex. He's done a fantastic job.
:24:59. > :25:03.He sits you down and you talk about each other and the events that
:25:03. > :25:08.happened. What was the one thing that another Eagle said that really
:25:08. > :25:12.surprised you or were you all so open that you had no secrets?
:25:12. > :25:16.thing Joe said that really blew my mind and it was a speech he made in
:25:17. > :25:23.part one, you know, we were talking about how events started happening
:25:23. > :25:28.to us so fast and so - multiple things were crashing into us and he
:25:28. > :25:34.said, it was chaos but when you looked back on it it looked like a
:25:34. > :25:39.finely crafted novel. I thought, man, does that really clock a lot
:25:39. > :25:43.of what happened to us. You have to write a song about that now, surely.
:25:43. > :25:46.That's a great title for a song or some food for thought. It all
:25:47. > :25:52.started for you in London, it was your first album. You came over
:25:52. > :25:59.here because of the producer, he wouldn't come to you. Yeah, that's
:25:59. > :26:03.right. We wanted to record with a British producer because we loved
:26:04. > :26:07.the bass and drum sound on the British records and Glenn said he
:26:07. > :26:14.would produce us, but you have to come to London. We came to London
:26:14. > :26:17.and stayed on Kings Road. Did you like it? Yes, we loved it win we
:26:17. > :26:23.came over -- when we came over here, we couldn't believe we were in
:26:23. > :26:32.London. A lot of good things were happening, 71, 72, 73. It was a big
:26:32. > :26:37.music scene, we got to meet the guy in The Faces and we got to you meet
:26:37. > :26:41.all the British rock stars, it was very cool. When we were over here
:26:41. > :26:47.Joe was over here. He wasn't in The Eagles, but he came over way early
:26:47. > :26:51.too and toured with The Who. Yeah. And studied under Keith Moon.
:26:51. > :26:56.kind of always wanted that kind of more rockier side of it. It was a
:26:56. > :27:06.big shot in the arm when Joe joined The Eagles, no doubt about that.
:27:06. > :27:07.
:27:07. > :27:09.are going to talk more as we go on. The Eagles are still going strong
:27:09. > :27:16.and we will hear more about future plans later on. If the tension
:27:16. > :27:21.wasn't enough before, it's rising now, because our garden design
:27:21. > :27:25.finalists are still - still have a wait before we find out whose
:27:25. > :27:32.garden garden design will be shown at Hampton Court Palace. That
:27:32. > :27:41.decision it down to our judges. Christine Walkden saw them put our
:27:41. > :27:48.competitors through their paces. We have received nearly 300 entries,
:27:48. > :27:54.and the junction have -- judges have three worthy finalists. Young
:27:54. > :27:59.mum Helen from London, Michelle an architect from Sussex, and artist
:27:59. > :28:06.Vicky from Northamptonshire. Today's finals are in two parts.
:28:06. > :28:12.First, they have to put their designs to the judges.
:28:12. > :28:15.Judges, what are we looking for? Louise? It's the passion of the
:28:16. > :28:20.amateur. That's what the competition is for. What do you
:28:20. > :28:24.want? Creativity. The enthusiasm and imagination that's gone into
:28:24. > :28:29.the design of the garden. Dave, an RHS man, what are your
:28:29. > :28:34.expectations? For me, it's the wow factor. We want something that's
:28:34. > :28:38.going to amaize visitors. Each contestants has two minutes to sell
:28:38. > :28:41.their idea. The previous was to create a family friendly garden for
:28:41. > :28:46.the Hampton Court Palace Flower Show and first up it's Helen with a
:28:46. > :28:56.garden that's full of adventure for children. It's a garden full of the
:28:56. > :29:00.fondest memories from my childhood and a garden with a big sense of
:29:00. > :29:08.scale scale. Next is Michelle with a garden she says has spaces that
:29:08. > :29:13.are flexible for all the family. But can she convince the judges?
:29:13. > :29:16.There's a den surrounded by lots of tall planting and edible climbers
:29:17. > :29:23.that creates a lovely space for children to play and hide. Finally,
:29:23. > :29:28.it's Vicky with a garden full of imagination. Here we have a Wendy
:29:28. > :29:33.house with a slide around the outside. I wanted it to have the
:29:33. > :29:37.idea that you have been shrunk down and are placed on a forest floor.
:29:37. > :29:40.The judges have a lot to think about. But to help them make up
:29:40. > :29:44.their minds the final task for the finalists is a planting challenge.
:29:44. > :29:48.We are asking them to create a springboard with plants they
:29:48. > :29:57.haven't seen until now. What we are interested in is seeing how they
:29:58. > :30:01.Ladies, you have 60 minutes. Start now!
:30:01. > :30:05.The challenge is not as straightforward as it looks. The
:30:05. > :30:08.contestants have a lot of plants to choose from. All of which require
:30:08. > :30:18.different growing conditions, so they'll have to be really careful
:30:18. > :30:21.
:30:21. > :30:24.Michelle is choosing purples and pinks to create a vibrant display
:30:24. > :30:32.and she's also thinking about positioning the bigger plants at
:30:32. > :30:37.the back. Vicky wants her boreder to look established and has
:30:37. > :30:46.selected contrasting shades reflecting her artistic flair.
:30:46. > :30:53.Ladies, you're halfway. Helen has decided she's planting a flower bed
:30:53. > :31:03.as you would at home with plenty of space for things to grow. Finalists,
:31:03. > :31:03.
:31:03. > :31:09.you have ten more minutes! Five, four, three, two, one. Stop,
:31:09. > :31:13.please! The judges must take into consideration both the designs for
:31:13. > :31:18.the Hampton Court Palace Flower Show and the contestant's
:31:18. > :31:23.performances in the planting challenge. What did you think of
:31:23. > :31:27.Helen's work? I like the design. I thought she did really well in her
:31:27. > :31:33.pitch. She let herself down with the planting. I agree. I think it
:31:33. > :31:37.was totally sparse. With Michelle's garden design, the amount of gravel
:31:37. > :31:43.that she had on the floor compared to the amount of planting material
:31:43. > :31:50.is a worry. What did you think of her planting? The plants would work
:31:50. > :31:54.well together and you would see that in a normal garden. Vicky's
:31:54. > :31:57.garden felt very cohesive, both the design and planting, it felt like
:31:57. > :32:00.it was part of the same package. With her design, I'm worried about
:32:00. > :32:04.the amount of structures and materials that would need to go
:32:04. > :32:12.into the garden. Personally, I think all three of these designs
:32:12. > :32:14.would look great at Hampton Court. And the judges are still talking. I
:32:14. > :32:21.actually think they're finding it quite tough.
:32:21. > :32:24.APPLAUSE Do you know, I sound like Bruce
:32:24. > :32:29.here, but they're all my favourites. They really are. Helen, Michelle
:32:29. > :32:32.and Vicky, we don't want to worry you, OK, but whoever wins, I can
:32:33. > :32:40.tell you, you have got some hard work ahead of you. What has the
:32:40. > :32:43.winner let herself in for? Welcome to the Harrogate Flower Show. It
:32:43. > :32:49.doesn't officially open to the public until tomorrow, but we've
:32:49. > :32:55.been granted a sneak peak. Helen, Michelle and Vicky there is the
:32:55. > :33:00.calibre of garden we expect. This was designed by Lizzie Tulip. What
:33:00. > :33:03.goes into creating a garden like yours? A lot of hard work actually.
:33:03. > :33:06.Yes, there's about eight months of planning and preparation an design
:33:06. > :33:11.work gone into the garden. We've been on site for about two weeks
:33:11. > :33:15.constructing. We have a ten-metre dry stone wall that's in the garden.
:33:15. > :33:20.Two weeks is a lot to achieve actually. I have an amazing team of
:33:20. > :33:24.people behind me. That would be my tip, get a great team of people.
:33:24. > :33:28.These hands have definitely done some hard work. They're green
:33:28. > :33:35.fingers. Now tell me about those wooden balls that you have. They're
:33:35. > :33:40.not wooden. They're willow. It's a type of wood. Willow spheres by an
:33:40. > :33:44.artist called Rachel Carter. The idea is that they are woven in
:33:44. > :33:47.between the planting to pull all the spaces together. It looks
:33:47. > :33:50.marvellous. You've done a great job and it's beautiful. We appreciate
:33:50. > :33:55.it. Well done. Lizzie has been coming to the Harrogate Flower Show
:33:55. > :33:59.for years, but there are some novices here, including Rachel, who
:33:59. > :34:04.has created this. This is the wedding gift garden. What a lovely
:34:04. > :34:08.idea. Where did that come from? particularly inspired bit idea of
:34:08. > :34:14.creating a garden as a wedding gift. This is created around the sybolism
:34:14. > :34:18.of connected rings. We've got the lovely timber deck and then the
:34:18. > :34:23.beautiful soft green lawn ring and of course, we have the beautiful
:34:23. > :34:27.sphere sun dial. It's beautiful, so creative. Alex, Matt, apparently
:34:27. > :34:30.later they want me to do some flower arranging. Just because I
:34:30. > :34:37.have green finger nails does not mean I have green fingers. We'll
:34:37. > :34:42.see about that later. Put on some gloves. The Beatles garden sounds
:34:42. > :34:52.good. Were you out with the Beatles the other night there? Were you
:34:52. > :34:56.
:34:56. > :35:04.with Paul and Ringo? Yeah. Come on. That is so cool. Yes! Ringo is my
:35:05. > :35:14.brother in law. Is he?Yeah. Your proper brother in law? Yes. My wife
:35:15. > :35:15.
:35:15. > :35:22.is his wife's sister. I and my wife and Barbara were all at chez
:35:22. > :35:26.stadium togtd -- shea Stadium together, where we saw the Beatles.
:35:26. > :35:29.Was it a good lunch? No, we didn't meet each other for a long time
:35:29. > :35:35.after. But I was screaming and crying with the rest of the girls,
:35:35. > :35:39.I tell you. Any way, Paul was in town. Yeah, we had dinner.
:35:39. > :35:47.Everybody thought we were up to something. But basically, I just
:35:47. > :35:50.sat there and they talked. We want to play more of the Eagles music.
:35:50. > :36:00.This is the end of hotel California. This was a bit of a battleground
:36:00. > :36:14.
:36:14. > :36:17.It went on for like seven-and-a- half minutes. It was like the
:36:17. > :36:20.longest song. The record company was saying cut it down to four
:36:20. > :36:29.minutes, but every time it was played, you'd have this battle with
:36:29. > :36:37.Don, how would you know who had won? Well, when it got time to put
:36:37. > :36:44.guitars on, we decided that each of us would make individual statements
:36:44. > :36:49.in the body of the song and at the end we would have a go at it. He
:36:49. > :36:54.and I were always kind of competitive. That was a good energy
:36:54. > :36:59.because we really did push each other. We really did. We were
:36:59. > :37:03.competitive. You were out Alpha males in that documentsary --
:37:03. > :37:08.documentary. There were a bunch of Alpha males in the band. We knew we
:37:08. > :37:12.wanted that ending to go for a long way. We knew we had a couple of
:37:12. > :37:16.guitar players that could burn it. When we cut the track, we kept
:37:16. > :37:20.playing the verse progression over and over again. OK yeah, that's one
:37:20. > :37:27.solo. Then there'll be another solo there. Then maybe you can play
:37:27. > :37:32.something back-and-forth together there. Then Joe said, let's do some
:37:32. > :37:35.da-da-la. Henley and I were working on lyrics and we would tell the
:37:35. > :37:41.guys on the band, go out to dinner tonight, take a break, we're
:37:41. > :37:44.working on this, we'll let you know when we're done. And Joe and felled
:37:44. > :37:49.felled told Henry and I, we're working on something, why don't you
:37:49. > :37:53.take a break and go to dinner. Come back and we'll figure something out
:37:53. > :37:58.and that's exactly how that happened. We left the studio about
:37:58. > :38:07.3pm and came back about 11pm at night. Two thirds of the ending had
:38:07. > :38:14.been kind of figured out. decided to play together at the end
:38:14. > :38:19.because that way neither of us would win. Nice. It's a fairway.
:38:19. > :38:23.The history of The Eagles is out on DVD on money. Now The One Show hot
:38:23. > :38:28.air balloon hasn't been out for a little white. Well, that is why
:38:28. > :38:35.Mike Dilger decided to fire it up again and cast his eagle eye over a
:38:35. > :38:38.centuries' old mystery. Dartmoor is Britain's most in tact prehistoric
:38:38. > :38:43.landscape with evidence of human activity dating as far back as the
:38:43. > :38:49.Stone Age. Scattered amongst these pre-historic sites are the remains
:38:49. > :38:54.of a much later, but quite extraordinary farming boom. Across
:38:54. > :38:58.the country, mysterious mounds like these cause debate amongst
:38:58. > :39:02.archaeologists up until the 1930s. Many suggesting they must be
:39:02. > :39:07.ancient burial mounds or long barrows. But these lumps of rge and
:39:07. > :39:12.rock are actually the remnants of man-made rabbit warns, known as
:39:12. > :39:17.pillow mounds. What we're looking at here is actually a landscape
:39:17. > :39:21.that's been entirely created by humans in the past. 8,000 years ago,
:39:21. > :39:28.the top of Dartmoor was covered by trees. Slowly humans have removed
:39:28. > :39:32.that tree cover. Towards the end of this clearance, the climate started
:39:32. > :39:36.to cool, changing how the land could be used. Because of the
:39:36. > :39:41.climate change, the peat started to build up. Our soil now is very
:39:41. > :39:45.peaty. That peat was no good for growing crops and things. Without
:39:45. > :39:49.being able to grow vital food, most people move add way from the
:39:50. > :39:55.moorland and onto pastures new. But that wasn't the end of farming here
:39:55. > :39:58.on Dartmoor. 2,000 years later when the Normans invaded they brought
:39:58. > :40:04.with them a type of farming which Britain had never seen before,
:40:04. > :40:07.rabbit farming. Although rabbits are everywhere now, they're not
:40:07. > :40:12.native to the UK. The Romans brought them over in small numbers,
:40:12. > :40:16.but it was the norm afpbs who imported them on a large scale --
:40:16. > :40:22.Normans who imported them on a large scale to be farmed. Liz has
:40:22. > :40:27.been living and working on Dartmoor all her life. What the warreners
:40:27. > :40:33.did, they needed to create a dry home for the rabbits. They piled up
:40:33. > :40:36.big bolders of granite. That's what we have here. They would infill
:40:36. > :40:41.with soil and rocks and turf the top to keep it weather proof.
:40:41. > :40:47.There's a Trench here. Sure, that goes all the way round. That's a
:40:47. > :40:49.common feature of all the pillow mounds. Without these warrens the
:40:50. > :40:54.rabbits wouldn't have been able to survive because the conditions are
:40:54. > :40:58.too wet. By creating the perfect home for them, with food, it meant
:40:58. > :41:07.they had no need to go elsewhere. And it was so successful, the
:41:07. > :41:13.fences weren't even needed to keep them in. They couldn't use it
:41:13. > :41:19.because it's above ground. It is a very sociable animal, good source
:41:19. > :41:22.of meat and fur and breeding like the proverbial. The best way to
:41:22. > :41:29.truly appreciate how important this trade was for Dartmoor is to get
:41:29. > :41:34.above it. So we're heading up in The One Show balloon. This is the
:41:34. > :41:38.first time Liz has seen Dartmoor from the air. From above, we get a
:41:38. > :41:41.unique view of the prehistoric landscape. You can see all those
:41:41. > :41:46.lumps there, this area is incredible for the density of
:41:46. > :41:50.pillow mounds. We have more here on Dartmoor than anywhere else in the
:41:50. > :41:55.worldment Where are they --World. Why are they on slopes? They need
:41:55. > :41:59.to be free draining. Rabbits hate water. If they were across the
:41:59. > :42:06.slope, they would gather water. Down slope the water runs down them
:42:06. > :42:09.and past them and keep the bunnies nice and warm rplt Warm. Rabbit
:42:10. > :42:14.warrening continued on Dartmoor until the 1950s when myxomatosis
:42:14. > :42:22.and an act brought in against the invasive species put an end to any
:42:22. > :42:27.ideas for a future for the industry. Whilst the rabbit is considered a
:42:27. > :42:30.serious agricultural pet by many farmers, as a field biologist I'm
:42:30. > :42:33.pleased they're still part of this landscape just like the pillow
:42:33. > :42:40.mounds they used to live in down below.
:42:40. > :42:45.We got out there before Mike had landed. Joe said, the only problem
:42:45. > :42:47.with hot air ballooning is, "You don't land. You crash." The Eagles
:42:47. > :42:51.are here talking about their document aefrplt we love the scene
:42:51. > :42:57.where you're in the desert and inspired by this spiritual
:42:57. > :43:03.encounter. Let's have a look. I had to go to the bathroom. So I
:43:03. > :43:10.left the camp site and I hear the guys yelling from the camp fire,
:43:10. > :43:13."Eagle!" I look up and it's soaring right above me, huge wing span. I'm
:43:14. > :43:23.like scuffling to get my pants back up, I'm slipping, I fall down. And
:43:23. > :43:27.the birds kind of goes, eagles huh? I don't think. So Well, the reason
:43:27. > :43:31.we're keeping our voice down is because we would like to bring you
:43:31. > :43:36.closer. I'm sure many TV programmes have done this to you before. This
:43:36. > :43:44.is Nikita. Kris is behind. Hello. Good to see you from Warwick castle.
:43:44. > :43:48.Tell us the story about Nikita Miquita is missing Stanley, one of
:43:48. > :43:51.our -- Nikita is missing Stanley, one of our eagles. He's gone absent
:43:51. > :43:56.without leave. He flew off maybe, we give the birds a lot of freedom.
:43:56. > :44:00.They soar around the sky, just like your bird on the film there. But he
:44:00. > :44:05.was about three quarters of a mile down wind and then gradually
:44:05. > :44:09.drifted away and then got lost effectively. He's been feeding
:44:09. > :44:15.himself on dead rabbits and dead sheep and pretty much anything he's
:44:15. > :44:20.finding. We are missing him. Nikita here sits and pines away for him.
:44:20. > :44:24.She's missing him. Have there been any sightings of Stan? We've had
:44:24. > :44:30.hundreds and hundreds of sightings of him. On a lot of occasions we
:44:30. > :44:34.can go out and see him, and he's sitting in a tree and it's
:44:34. > :44:37.incredibly frustrating not to be able to get him back. He's like one
:44:37. > :44:42.of our children because he's been there for ten years. If he's doing
:44:42. > :44:45.all right and if he is thriving, is there a chance you will leave him?
:44:45. > :44:49.We would like to get him back, that's the thing. Of course, he
:44:49. > :44:57.does seem to be doing very well. It just really depends on where he
:44:57. > :45:01.goes. White tail see gulls natural -- eagles habitat is the coast. In
:45:01. > :45:06.Northamptonshire, currently, where our last sighting was, there isn't
:45:06. > :45:10.a lot of fish. Just dead sheep. Glenn, this is Kris's last-ditch
:45:10. > :45:15.attempt to get Stanley back, will you down the barely there of camera
:45:15. > :45:20.four give us a heart-felt message, to see if any viewers know where
:45:20. > :45:26.Stan is. Stan, from one Eagle to another, I'm asking you please,
:45:26. > :45:31.come home. Nikita misses you, Kris misses you and the visitors to
:45:31. > :45:35.Warwick castle miss you. If that's not going to work, I don't know
:45:35. > :45:45.what will happen. Nikita is responding to that. If you think
:45:45. > :45:49.
:45:49. > :45:52.you've seen Stan, please let us Our next guest is an American
:45:52. > :45:57.stand-up. She's looking at us!He can't help but point out the
:45:57. > :46:02.differences between us. I was back in Georgia recently,
:46:02. > :46:10.first thing they want to do is ask me about Britain. First question. A
:46:10. > :46:15.lot of white people? I bet there's a lot of white people over there. I
:46:15. > :46:19.say, man, this is where they make white people. Britain has more of a
:46:19. > :46:27.class issue and I had to explain a class system is what you use to
:46:27. > :46:33.discriminate against people who look like you. And Reginald D
:46:33. > :46:39.Hunter is here. APPLAUSE You look more comfortable
:46:39. > :46:47.now sitting next to these Eagles than next to Nikita. Yeah, I am
:46:47. > :46:53.more comfortable. Good!The dude put the bird on my hand and the
:46:53. > :46:56.cameraman said we want you to look scared. Did you use to play The
:46:56. > :47:01.Eagles in your household? No, I had old black parents and they were
:47:01. > :47:05.Christian, there was a lot of funky black music they didn't like. My
:47:05. > :47:13.sisters and stuff they had some Eagles albums and stuff and I
:47:13. > :47:23.remember digging it, but when I started, that's when Mr Fry was on
:47:23. > :47:23.
:47:23. > :47:27.his own and I hope you don't feel disrespected. I liked it, too.
:47:27. > :47:32.have been here for 16 years and based yourself here. Do you go back
:47:32. > :47:36.home much? Occasionally, yes.Right. We are going to ask to you get off
:47:36. > :47:41.the fence now and choose between the UK and the USA. We have
:47:41. > :47:47.categories here for you. Basically, this is humour. This
:47:48. > :47:54.sign here. Who's funniest, Britain or America? You are trying to make
:47:54. > :48:00.it so I will never be able to go back home. Think won't see this,
:48:00. > :48:07.don't worry. I work primarily in one market now. Um... Humour,
:48:07. > :48:10.humour, humour! Oh, no, I don't know. I really don't. I don't
:48:10. > :48:18.really - I don't think of it in those terms. You know what, I know
:48:18. > :48:24.what will make you feel good, put it there on the left. Good lad. We
:48:24. > :48:33.can give you a choice, music, food, sport? Or telly. Lead and I will
:48:33. > :48:37.follow. Sport.OK then. Um... I am going to pick us. Yeah. I know
:48:37. > :48:43.there's football fans across the country going, what, Reg is
:48:43. > :48:50.choosing American sports! Is that football or soccer you are talking
:48:50. > :48:55.about. I am more of a baseball man. Food. That's not even a discussion.
:48:55. > :48:59.Put it with the stars over there. You are going to be kicked out soon.
:48:59. > :49:07.I understand what you are saying, man, but when couples get together
:49:07. > :49:11.you don't hear anybody saying, let's eat British tonight.
:49:11. > :49:16.these hot topics and stuff you are talking about when you are on tour
:49:16. > :49:19.and you are back on the road then. Where are you going? All over the
:49:20. > :49:23.shop. Probably not going to talk about these things, because when
:49:23. > :49:33.the audience come to my shows I try to put them on couldn't stapbt
:49:33. > :49:34.
:49:34. > :49:39.reent -- constant relentless come comedic. They told me not to talk
:49:39. > :49:43.about on this show. The differences between the UK and USA is rich
:49:43. > :49:46.pickings for new your routines, has been since you started, but what
:49:46. > :49:50.are the main misconceptions that your family in the USA think about
:49:50. > :50:00.the UK? My mother was scared for me to be living over here because in
:50:00. > :50:00.
:50:00. > :50:05.her mind anywhere outside of the United States is near Iraq.
:50:05. > :50:14.geography is bad, but not that bad! Was she happier as the years
:50:14. > :50:19.progressed? She died before the war ended, so no. OK. Reg's new tour In
:50:19. > :50:23.The Midst of Crackers starts in Cheltenham on May 2nd, and
:50:23. > :50:29.continues all over the UK into June. Tomato or tomato? Let's call the
:50:29. > :50:34.whole thing off. We are off to Scotland where Sarah McHas been to
:50:34. > :50:38.visit a man on a mission to bring back an industry that's been
:50:38. > :50:43.withered on the vine for decades. Tonight we import roughly three
:50:43. > :50:47.quarters of all the tomatoes we eat but that wasn't always the case. 50
:50:48. > :50:51.years ago, Scotland's cloud valley was lined with glass houses
:50:51. > :51:00.producing tomatoes renowned for their flavour. And enough to feed
:51:00. > :51:03.the entire country. Tomato growing on a commercial scale is carried on
:51:03. > :51:09.and in this part of the country glass houses cover many acres.
:51:09. > :51:13.there were hundreds of Scots tomato growers, today a handful remain.
:51:13. > :51:20.Cheaper imports meant that by the end of the 1970s many of these
:51:20. > :51:25.glass houses were lying empty, shells of an almost forgotten past.
:51:25. > :51:29.Now a young entrepreneur is trying to give the Scottish tomato a
:51:29. > :51:34.makeover. Since December, David Craig has been living on site next
:51:34. > :51:44.to his greenhouse, carefully cultivating 14 varieties of
:51:44. > :51:48.tomatoes, including a heritage called Ailsa Craig. Although the
:51:48. > :51:54.extremely cold winter has delayed the harvest, he's finally seen the
:51:54. > :51:58.fruits of his efforts. David, these are the first punnets? They are
:51:58. > :52:02.indeed. How excited are you? Extremely and it's been hard work
:52:02. > :52:06.but we are almost there. David will be selling tomatoes throughout
:52:06. > :52:11.Scotland and also hopes to expand into northern England. There's a
:52:11. > :52:14.long tradition of tomato growing in this part of the world and the
:52:14. > :52:19.Clyde Valley. Do you feel you are following on from that tradition?
:52:19. > :52:22.Absolutely. Do you have an element of a micro micro climate in the
:52:22. > :52:27.Clyde Valley. We are learning lots of skills that have been developed
:52:27. > :52:30.here for many, many years. They were at risk of dying out, so there
:52:30. > :52:35.was a very strong chance that this industry would disappear in a few
:52:35. > :52:41.years' time. So, we are proud to be following on from that heritage and
:52:41. > :52:48.evolving it, as well. A key part of the effort is David's mentor, Jim,
:52:48. > :52:52.Craig, whose family had grown fruit here since 1910 until Jim retired.
:52:52. > :52:57.We are on the site of a former glasshouse. It has seen better days.
:52:57. > :53:02.Yes, it's the way of most of the glasshouses around here. Most have
:53:02. > :53:09.died out. In its heydey how big was the industry? Massive around here.
:53:09. > :53:13.In the immediate area, 300 growing. When did it go wrong?
:53:13. > :53:16.greenhouses had reached the end of their working life and as road
:53:17. > :53:21.transport became better the market got squeezed out. It was easier to
:53:21. > :53:26.bring things from Holland or Guernsey or even from England.
:53:26. > :53:30.There's only four four growers growing tomatoes left in central
:53:30. > :53:39.Scotland definitely, and most of Scotland. Have you been a mentor to
:53:39. > :53:44.David. Are you managing to just guide him? Yes.Gently nudge him.
:53:44. > :53:49.What do these tomatoes actually taste like? Neil is a former
:53:49. > :53:53.Scottish chef of the year and he's come to try them out. They're
:53:53. > :54:00.beautiful to look at. But to taste them, they're just wonderful.
:54:00. > :54:05.They're so sweet. That is delicious. It seems like the Scottish tomato
:54:05. > :54:10.industry isn't ready to sail into the sunset just yet.
:54:10. > :54:15.Thank you very much, Sarah. Delicious tomatoes. Angela is back
:54:15. > :54:18.with some - listen closely, you two, with password advice. Well, I
:54:19. > :54:26.should be but I have to tell you what our viewers who are amazing,
:54:26. > :54:29.we had so many people e-mailing us, our entire network has crashed.
:54:29. > :54:35.It's about the best protection you can get! The whole system has
:54:35. > :54:39.crashed down. We can't actually bring you too much of - but your PR
:54:39. > :54:42.man, Paul, he said because the ideal way to have a really good
:54:42. > :54:46.password is to have a combination of letters and numbers and he said
:54:46. > :54:50.he uses old car registration numbers, cars people would never
:54:50. > :54:53.know he owned. I can tell you is what you shouldn't do, make them
:54:53. > :54:58.too easy, your family name or birthday or anything anybody could
:54:58. > :55:03.think is your password. Make it as complicated as you can. Good advice.
:55:03. > :55:07.Thank you very much. It's almost time, bekeep saying this, it's
:55:07. > :55:12.almost time for Helen Michelle and Vicky to find out whose design is
:55:12. > :55:20.going to be featured at the Hampton Court Palace Flower Show this year.
:55:21. > :55:25.Let's go back to Anita in the marquee.
:55:25. > :55:31.As if by magic, I am putting in the final flowers. I have been under
:55:32. > :55:35.the watch watchful eye of San ra. - - Sandra. Brilliant.You have a
:55:35. > :55:38.special exhibition sell brighting - - celebrating the 50th anniversary
:55:38. > :55:42.of the release of the first Beatles album. We have.How long have you
:55:42. > :55:50.taken to plan this display? started planning about last
:55:50. > :55:56.September. Quite a while.Yes, we have had on paper. How many worked
:55:56. > :56:04.on it? About 26.Let's have a look. Here it is. Hello, ladies! All hard
:56:04. > :56:09.at work. Over here we have I am The Walrus and over there Strawberry
:56:09. > :56:12.Feels. In -- Fields. In the middle The Yellow Submarine. Let's put the
:56:12. > :56:15.final piece on. The Harrogate Flower Show opens tomorrow, are you
:56:15. > :56:19.going to be ready? We are, just about. Well done T looks gorgeous
:56:19. > :56:27.to us. That's it from here in Harrogate. Michelle, Helen and
:56:27. > :56:31.Vicky, best of luck to you. We are all here on the edge of the sofas
:56:31. > :56:35.and waiting the winner to be named, and also Chris fine and Adam Frost
:56:35. > :56:39.are here. What will you be doing from now until the Hampton Court
:56:39. > :56:45.Flower Show? I will be ensuring that the winner makes the right
:56:45. > :56:49.selection of plants so it complements the design and people
:56:49. > :56:55.go wow when they see it. Adam? will be doing what she tells me, I
:56:55. > :56:58.think. Sensible!I will be just making sure this thing gets - it's
:56:58. > :57:01.an amazing prize. I am going to make sure it's a pleasure, this
:57:01. > :57:07.journey is going to be a pleasure for whoever wins. Our lovely
:57:07. > :57:17.finalists have been waiting all night. Glenn, put them out of their
:57:17. > :57:18.
:57:18. > :57:28.misery and reveal the winner. boy! A lot of pressure. The winner
:57:28. > :57:30.
:57:30. > :57:33.is... Vicky! APPLAUSE AND CHEERING Yes! Vicky, Vicky! Step forward, -
:57:33. > :57:38.your garden will be on show at Hampton Court Palace. How about
:57:38. > :57:45.that. Well done. Adam, could you step forward into the garden and
:57:45. > :57:50.just tell us about the challenges with this one. Wow! I feel a bit
:57:50. > :57:55.like the Mad Hatter. Best way to describe this garden, everything is
:57:55. > :57:59.going to be larger than life. This side we have a slide and I am
:57:59. > :58:05.underneath this massive toadstool and seats underneath. This is all
:58:05. > :58:07.about atmosphere. How the landscape will make this larger than life is
:58:07. > :58:14.going to be the most difficult challenge but I am sure we will
:58:14. > :58:17.give it a good go. It's vibrant. Like Vicky's hair. You got tearful
:58:17. > :58:20.there, how are you feeling? It's brilliant. Thank you so much.
:58:20. > :58:23.Everyone was wonderful and it was wonderful meeting brilliant people,
:58:23. > :58:28.as well. It's going to be great seeing the garden brought to life.
:58:28. > :58:33.I am looking forward to it, it's something I have always wanted to
:58:33. > :58:36.do, to get the opportunity is amazing. Congratulations again. And
:58:36. > :58:39.we will be following the progress of Vicky's garden over the next few
:58:40. > :58:46.months and revealing it live from Hampton Court Palace in July.
:58:46. > :58:50.Thanks to Glenn, to Joe, to Reg and to Angela. The History of The