:00:18. > :00:19.Hello and welcome to the One Show with Michelle Ackerley.
:00:20. > :00:27.On tonight's show, Gloria Hunniford will be telling us what's
:00:28. > :00:30.on her plate in a new series of Rip Off Britain Food.
:00:31. > :00:32.Historian Lucy Worsley will be talking sense - and sensibility -
:00:33. > :00:35.revealing the inspiration behind some of Jane Austen's
:00:36. > :00:39.Gyles will be here to celebrate the life and work
:00:40. > :00:44.of his good friend - the late, great Sir Roger Moore.
:00:45. > :00:47.Tonight our thoughts are, of course, with everyone affected by the terror
:00:48. > :00:54.attack at the Manchester Arena less than 48-hours ago.
:00:55. > :00:58.Particularly the family and friends of the 22 people who lost their
:00:59. > :01:05.lives and were injured. Last night there was
:01:06. > :01:07.a vigil in Albert Square. The Mayor of Greater Manchester,
:01:08. > :01:09.Andy Burnham, has paid tribute to the people of his city saying,
:01:10. > :01:12."Even in the minute after the attack they opened their doors to strangers
:01:13. > :01:20.and drove them away from danger." So much has been said about the
:01:21. > :01:22.spirit of this great city over the past couple of days and I can tell
:01:23. > :01:24.you being here, that's all absolutely true. There's also
:01:25. > :01:27.another story. That's about the people who are finding themselves in
:01:28. > :01:31.a position to help out who have completely stepped up to the mark in
:01:32. > :01:36.anyway they could from all across the city.
:01:37. > :01:42.Started getting the phone calls from the concerned parents and from
:01:43. > :01:48.terrified youngsters who were trying to find their lost ones and trying
:01:49. > :01:55.to get home safe. I reached out to our drivers. This is our time, and
:01:56. > :01:59.we need to do our part. Anyone who was stranded, we provided free taxis
:02:00. > :02:04.for them to get home at times like this we always pull together. As
:02:05. > :02:22.human beings and as Mancunian I would say. What
:02:23. > :02:25.can we do to help? Anybody who knows somebody involved, go around to them
:02:26. > :02:29.now, stay with them. Don't leave them alone. The worst thing they can
:02:30. > :02:34.say is, "no, we are OK, thank you" go around and offer your help, don't
:02:35. > :02:38.leave them alone. You are in a unique position to help these
:02:39. > :02:43.families, aren't you? My son David was killed in the London bombs in
:02:44. > :02:48.7/7. Some familiar now are wondering what is going on. That's the help
:02:49. > :02:50.I'm offering to these families is talk and share with them that we can
:02:51. > :03:03.get through it. Miranda, it's pretty busy down here.
:03:04. > :03:08.Tell me what is going on? We are a food redistribution charity. We are
:03:09. > :03:12.busy get surplus food out to Manchester's Children's Hospital.
:03:13. > :03:16.How long can you supply food to the hospital? We will find out out what
:03:17. > :03:20.they need in the days and weeks to come. We will talk to our food
:03:21. > :03:24.donors who are generous companies in the UK donating food for people in
:03:25. > :03:29.need all year round and see if they can help us out to do what the
:03:30. > :03:32.hospital needs us to do. We want to stand together, like everybody else
:03:33. > :03:35.in the city, and say what happened is age Rossty, we can pull together
:03:36. > :03:43.and try and make things better for the future.
:03:44. > :03:50.When we heard the explosion, we came out of the temple to see what's
:03:51. > :03:55.going on, people were running around in chaos. They didn't know where to
:03:56. > :04:00.turn. We opened the doors of the temple and welcomed people in. Our
:04:01. > :04:07.religion says to give selfless service where ever we can help. This
:04:08. > :04:12.is what they did that night. What does the temple and the community
:04:13. > :04:17.feel is your role now as this city tries to heal We have to come to
:04:18. > :04:21.terms and be stronger and we will stay together and unite. All the
:04:22. > :04:22.temples of Manchester will come together and support whoever is in
:04:23. > :04:33.need. Anything that happens, whether it be
:04:34. > :04:36.your football team winning, we celebrate it. Times like this, the
:04:37. > :04:43.hard times, everyone gets together. Nothing matters then. We are all
:04:44. > :04:47.one. I think the city is still numb and we're, as Muslims, are sickened,
:04:48. > :04:51.absolutely sickened. The only thing we've got to do is come out and
:04:52. > :04:55.stand with People out there people. Are doing stuff right now. People
:04:56. > :05:00.opening up their homes, letting people in, people donating blood.
:05:01. > :05:04.That is everywhere. It gives me a sense of pride. We are a proud
:05:05. > :05:10.people. People who did this horrible thing will never beat us.
:05:11. > :05:12.Thanks to everyone who appeared in the film.
:05:13. > :05:14.This evening Muslim leaders from across the UK, along
:05:15. > :05:16.with other faith leaders, have been holding another
:05:17. > :05:32.When I heard the news, I was shocked and got on the phone to family
:05:33. > :05:37.members to see if they are OK. You got a sense in the film there, there
:05:38. > :05:40.is a real sense of community in Manchester. People are there to
:05:41. > :05:44.stand by each other, to really look after each other and that is
:05:45. > :05:47.incredibly heart warming to see. It is a great, great city.
:05:48. > :05:59.Plenty still to come tonight. Gloria Hunniford will join us shortly. Here
:06:00. > :06:05.is Marty on a rail revolution that never quite got off the ground inlet
:06:06. > :06:10.1970s this corner of the Cambridgeshire Fens was at the heart
:06:11. > :06:15.of a space age experiment. These concrete pillars are all that remain
:06:16. > :06:22.of a pioneering attempt to create the fastest transport system ever
:06:23. > :06:28.dreamed of, the tracked hovercraft or hovertrain. It was visionary. A
:06:29. > :06:33.train that hovered above its track like a futuristic spacecraft and
:06:34. > :06:38.used a new kind of motor to accelerate to hundreds of miles an
:06:39. > :06:41.hour. These are the only three remaining visible parts of the test
:06:42. > :06:45.track on which the hovertrain was going to be run. It's a hovertrain.
:06:46. > :06:51.Presumably, it's working like a hovercraft floating on a cushion of
:06:52. > :06:54.air then? Correct. They had 12 fans and blew the air under
:06:55. > :06:58.high-pressure. That lifted the train off the track. The project was the
:06:59. > :07:07.train child of a superstar British inventor. Professor Eric lathe wait.
:07:08. > :07:11.He developed a new type of motor. It's a simple idea. It's an ordinary
:07:12. > :07:17.electric motor which has been unrolled. Instead of going round and
:07:18. > :07:21.round, it ran in a straight line. It was this that powered the
:07:22. > :07:25.hovertrain. Let me show you how it worked. I have magnets here. Like
:07:26. > :07:33.that. I've lined them up in a long line here. What I've effectively got
:07:34. > :07:38.is one, long magnetic field. The Met al here will be my rails. This metal
:07:39. > :07:42.bar, this is going to be my train. All I need to do is attach a source
:07:43. > :07:51.of electricity and... Look at that, it rolls all the way
:07:52. > :07:56.up the end. The electricity creates a magnetic field around the bar and
:07:57. > :08:01.that interacts with my line of magnets in the track. This is just
:08:02. > :08:05.how the hovertrain was powered. Because there was no wheels, there
:08:06. > :08:12.was no friction, making it smooth, silent and super fast. The dream was
:08:13. > :08:23.to have airline speed so London to Edinburgh in 90 minutes. London to
:08:24. > :08:27.Birmingham in 20 minutes. The Government invested millions. It
:08:28. > :08:34.reached 104mph on one mile of track. The potential was train. That same
:08:35. > :08:41.train now rests a the Peter Borough's World life Haven am. She's
:08:42. > :08:48.looked after by Brian Pearce. RTV 31. The hovertrain of the future. We
:08:49. > :08:52.have the three connections for the linear motor. Where the electricity
:08:53. > :08:57.came into the system? That is where it picked up. The hover pads at the
:08:58. > :09:02.top. 23 tonnes this weighs. You could pick it up on air? Yeah. Every
:09:03. > :09:09.detail of the design was carefully thought out. It was incredible. All
:09:10. > :09:13.the lines were going to rate radiate from King's Cross. People would get
:09:14. > :09:18.off and get on to a convention al train. Inside what it was going to
:09:19. > :09:25.look like. A cross section through... 100 passengers and two
:09:26. > :09:31.crew there for serving drinks. The project seemed right on track. As
:09:32. > :09:34.you can tell by the fact she is not zooming along a track near you the
:09:35. > :09:40.story doesn't end well for this old girl. The project was beset by
:09:41. > :09:44.technical and financial problems. There was stiff competition from
:09:45. > :09:49.British Rail's new high-speed trains, which ran on existing
:09:50. > :09:53.tracks. In 1973, the Government pulled the plug. It's a sad time
:09:54. > :09:57.then for the people working on, it I guess? Very sad. They were geared
:09:58. > :10:03.up. They wanted to do it. It was a fantastic British invention. This
:10:04. > :10:11.display may seem like a lonely tribute to the hovertrain and the
:10:12. > :10:19.work of EricLaithwaite. His work lives on. In Japan a train holds the
:10:20. > :10:22.world passenger speed train record at a massive 375mph. I can't help
:10:23. > :10:28.feeling that would have made him proud. Indeed. I remember getting
:10:29. > :10:35.very excited about that back in the day. Do you. Onkm tomorrow's World.
:10:36. > :10:40.Very James Bond. It looked cool. On your way to the evil lair. On your
:10:41. > :10:52.way to work on that. I'm not a bond villain. You look like one. Thank
:10:53. > :10:56.you! Joke, joke! Just to remind you, we will be celebrating Sir Roger
:10:57. > :11:00.Moore later. Here he is with our own Gyles. He will share his memories of
:11:01. > :11:29.the legendary actor who sadly died yesterday.
:11:30. > :11:31.But before that, let's welcome tonight's first guest -
:11:32. > :11:34.our very own Bond Girl with a licence to investigate -
:11:35. > :11:43.I interviewed him over the years about films and things, but about
:11:44. > :11:46.Unicef. I got to know him quite well through some mutual friends, Lesley
:11:47. > :11:51.and his wife. The first time we went to dinner I'm thinking - I'm going
:11:52. > :11:54.to dinner with James Bond. We couldn't find the way. It was
:11:55. > :12:01.complicated. I was driving. In the end, I went down a workman's, down
:12:02. > :12:07.the hole they dug that day. The car was practically in it. Lesley had to
:12:08. > :12:12.come and save us, retrieve us. When we got there feeling totally
:12:13. > :12:17.embarrassed very late. Roger was standing in the fading sun light
:12:18. > :12:25.looking immaculate as he always did. Brown and gorgeous he looninged down
:12:26. > :12:31.and said moneypenny, for good" Ness sake, where have you been?" He liked
:12:32. > :12:37.a naughty joke. He liked a racy joke. So do I, by the way. I used to
:12:38. > :12:41.save them up. We know that. The new series of Rip Off Britain Food is
:12:42. > :12:50.starting on Monday? It is. Not our usual time. Usually at 9.15pm, at
:12:51. > :12:56.10.45pm. But 11.00pm for the rest of the week. I like you. They have
:12:57. > :13:00.drugs tested Angela Rippon is this right? I would like to see her
:13:01. > :13:04.drugged, wouldn't you? Angela is always in charge. What happened was
:13:05. > :13:09.an interesting case. All our programmes are based on viewer's
:13:10. > :13:12.problems. If I take your energy problem, for example, hundreds of
:13:13. > :13:17.people will identify. In this case it was very unusual. This man
:13:18. > :13:20.unfortunately through a routine drugs test at work tested
:13:21. > :13:25.positively. He was sacked. He lost his job, everything. Then when he he
:13:26. > :13:31.investigated further he discovered - ridiculous in a way - he discovered
:13:32. > :13:33.it was the poppy seeds on his poppy seed bread for breakfast every
:13:34. > :13:40.morning that was raising his drug levels. Really? A true story. How
:13:41. > :13:45.much was he having exactly? He must have been having a loaf a day, at
:13:46. > :13:50.least. Maybe a few bagels in the afternoon. Angela had the drugs
:13:51. > :13:54.test? We decided Angela would be the best one to eat the poppy seeds for
:13:55. > :13:59.three or four days. We thought it was a good choice, actually. Let's
:14:00. > :14:03.see how she got on. I have to say I'm a little bit nervous to know
:14:04. > :14:13.what he's found. What's the result of my test? You're positive for
:14:14. > :14:18.morphine, you ex-created 13 nanny grams in your urine. If I took a
:14:19. > :14:22.test as an employee my employers could say, there's a possibility you
:14:23. > :14:25.are a drug taker? If they follow the European guidance for testing of
:14:26. > :14:35.drugs in the workplace, no, you wouldn't be because the limit there
:14:36. > :14:38.is 300 nanograms per nil. You ex-created ten times less than you
:14:39. > :14:42.would need for a positive test. It's fascinating? She has been eating
:14:43. > :14:48.poppy seed bread ever since! That's a lie. I didn't mean that. You are
:14:49. > :14:52.investigating coffee, weren't you, particularly decaf? Again it was a
:14:53. > :14:58.true story. This woman was due to have a heart procedure and she had
:14:59. > :15:01.been told by letter not to have any caffeinated drinks for 24-hours or
:15:02. > :15:05.whatever. She thought, my decaf will be fine. She drank that. When she
:15:06. > :15:09.went to the hospital they couldn't do the op because it showed that she
:15:10. > :15:17.had caffeine in her body. The reality is you cannot have totally
:15:18. > :15:22.decaf coffee. How much caffeine might there be in there? A Professor
:15:23. > :15:27.At a university, she showed us, how to extract the caffeine from the
:15:28. > :15:31.coffee beans. It's impossible to extract 100%. There will always be a
:15:32. > :15:37.little bit? Always a little. Important to know. When you find a
:15:38. > :15:42.jar that says "no caffeine" that actually is not right. Fantastic.
:15:43. > :15:45.That is leading you you astray. You needed to watch the show to see the
:15:46. > :15:58.full story. You do. Rip Off Britain Food starts
:15:59. > :16:01.on Monday, 10.45pm, on BBC One. Before historian Lucy Worsley takes
:16:02. > :16:04.us back to the days of Jane Austen, One Show artist, Adebanji,
:16:05. > :16:17.has taken his own historical trip I am on the coast of Devon looking
:16:18. > :16:22.for a very specific location. And I think I have found it. Saint
:16:23. > :16:28.Nicholas's Chapel in Ilfracombe was depicted over 200 years ago by
:16:29. > :16:32.artist William Daniel. From 1813 he spent 12 years travelling and
:16:33. > :16:36.illustrating our coastline from Land's End to the Orkneys and back.
:16:37. > :16:44.He produced over 300 finely crafted prints. I'm going to recapture this
:16:45. > :16:51.view in my style now and see how it might have changed over the
:16:52. > :16:55.centuries. I'm just going to sketch, get a balance of light and shade and
:16:56. > :17:04.work this through getting the right proportions and textures. There is a
:17:05. > :17:09.lovely shadow that falls right down. That is the shadow of Saint Nicholas
:17:10. > :17:15.on the hill, which makes it look very dramatic and interesting so I
:17:16. > :17:20.might exaggerate that. In the early 1800s, Ilfracombe was already
:17:21. > :17:25.important as a harbour. There was cold from south Wales and fishing,
:17:26. > :17:30.yet it was small with just one Main St. Daniel came here at the age of
:17:31. > :17:35.44 in the first year of his voyage around Britain. His writing
:17:36. > :17:41.companion declared he had seldom seen a place more picturesque. I am
:17:42. > :17:50.using a broad stroke technique with the pencil where I behave as this I
:17:51. > :17:55.am using a brush, because there are more ragged rocks, I am going in
:17:56. > :18:03.bits and pieces to try and get the dark texture and the effect of
:18:04. > :18:08.shade. Whenever I need more dark I just add more pressure. I am going
:18:09. > :18:16.to use what I sketched now to complete a painting I will reveal
:18:17. > :18:22.later. It is believed Mariners were helped by fire beacons on the Hill
:18:23. > :18:30.century before the chapel was built in 1321. In the book it is referred
:18:31. > :18:33.to as a whimsical fancy and a model of inconvenience because of the
:18:34. > :18:38.client. Identity think it is too bad. The local Rotary Club renovated
:18:39. > :18:46.the building in 1962. John Brown is the Guardian. Nice to meet you. What
:18:47. > :18:50.would it have been used for in the time Daniel came? We suspect it
:18:51. > :18:54.might have been used by the military at that time. That was the time of
:18:55. > :19:00.the Napoleonic Wars and obviously a building like this would have made
:19:01. > :19:05.an ideal observation post. Then from the mid-1800s, it was a house for
:19:06. > :19:11.the lighthouse keeper. He brought up 14 children in this building. Inside
:19:12. > :19:21.the chapel is pretty cosy for a family with 14 children. The light
:19:22. > :19:24.is maintained electronic lead today so the harbour master Rob Lawson
:19:25. > :19:26.does not have to live here. This light can be seen from six miles
:19:27. > :19:30.away and it flashes two times every five seconds, so you can identify it
:19:31. > :19:37.when you are out at sea. I am itching to see this. I think you
:19:38. > :19:43.will be surprised at how small it is but please, let's do. Let's see. Is
:19:44. > :19:52.this the small little light that you can see six miles away?! Modern LEDs
:19:53. > :19:58.are very, very bright. Unbelievable! The light may be small but the view
:19:59. > :20:03.is massive. There is one thing I'm going to take home after this whole
:20:04. > :20:08.experience and that is the light. When I looked at it from far across
:20:09. > :20:13.over there in the morning, this St Nicholas Chapel looked amazingly
:20:14. > :20:17.blazing in the light. That is what I am going to take back to the studio
:20:18. > :20:25.and that is what I am going to strive to get. And there it glows,
:20:26. > :20:31.Saint Nicholas' Chapel, Ilfracombe, the perfect inspiration for Daniel's
:20:32. > :20:36.19th-century detection and now my own 21st century painting. I wish I
:20:37. > :20:40.could paint like that, it is fantastic. Some of you I am sure --
:20:41. > :20:48.someone I am sure who enjoyed the trip back in time is historian Lucy
:20:49. > :20:51.Worsley. Lucy, a very important day, the 200th anniversary this year of
:20:52. > :20:56.Jane Austen's death and you have just come from the last place she
:20:57. > :21:01.was known to live, is that right? I have. It has been a day of
:21:02. > :21:05.celebration and sadness at the Jane Austen house Museum which is this
:21:06. > :21:12.little cottage in Hampshire where she lived towards the end with her
:21:13. > :21:14.sister, and exactly 200 years ago to the day, she set off from this
:21:15. > :21:19.cottage to go to Winchester where the hospital was for medical
:21:20. > :21:24.treatment, and to die and she was only 41 years old. It is amazing the
:21:25. > :21:27.influence she had and yet she died so young. She is still making the
:21:28. > :21:33.headlines today because of this picture which is her on a ?10 note.
:21:34. > :21:37.Why is it that this portrait in particular has caused so much
:21:38. > :21:44.controversy? Well, there is a delicious irony here. You see that
:21:45. > :21:48.picture, it is not really her. Really? That is an author publicity
:21:49. > :21:52.portrait that was produced after she died. It is like she has been
:21:53. > :21:57.airbrushed and made to look a bit prettier. The sad thing is that
:21:58. > :22:02.while she was still alive her books had not caught on and nobody cared
:22:03. > :22:05.what she looked like. Members of her family in later years, looking at
:22:06. > :22:12.that image said it is a very nice face but that is not what she looked
:22:13. > :22:15.like! It is a lovely irony because Jane was not about looks, she was
:22:16. > :22:21.about words and my favourite description of her is somebody who
:22:22. > :22:26.knew her said it was like wit came oozing out of her. I can imagine her
:22:27. > :22:30.having a good laugh at all this controversy. It is a bit ironic she
:22:31. > :22:34.is on a tenner because as you say, she did not make much money, she did
:22:35. > :22:41.not achieve financial success was she was alive. Why was that? There
:22:42. > :22:47.were so many different reasons. One of the difficulties she had is she
:22:48. > :22:51.was from a layer of society called the studio gentry. It means you want
:22:52. > :22:54.to be part of the landed gentry but you have not got any land. There are
:22:55. > :22:57.standards to maintain and appearances to keep up and her
:22:58. > :23:02.family thought it was a bit inappropriate that you would go out
:23:03. > :23:05.and make money as a novelist. One of the reasons why it took her a long
:23:06. > :23:10.time to get published as well is because her books were two novel,
:23:11. > :23:30.too good, there weren't any ghosts in them or pirates in
:23:31. > :23:34.them, there weren't any haunted abbeys, no one knew what was going
:23:35. > :23:36.on. She was like a secret agent skewering high society. Let's talk
:23:37. > :23:39.about your book will stop you have got a book all about Jane Austen
:23:40. > :23:42.called Jane Austen At Home but she had no fixed address, did she? She
:23:43. > :23:44.did live for 25 years in the house where she was born with her father,
:23:45. > :23:48.a clergyman. The family were downwardly mobile. They kept getting
:23:49. > :23:53.poorer and poorer. She kept having to move from lodging house to rented
:23:54. > :23:57.accommodation and she would try and make long visits to her rich
:23:58. > :24:01.relatives. I think this matters. I think where she lived matters
:24:02. > :24:06.because once you know she was in rich people's houses but only as the
:24:07. > :24:11.poor relation, you think, that is the detachment, that is the
:24:12. > :24:16.viewpoint you need to become a brilliant novelist. Did she have a
:24:17. > :24:22.side? Yes, she was a very bitter, naughty person! If she took against
:24:23. > :24:27.you, be afraid! You have also got a documentary coming out this Saturday
:24:28. > :24:37.which is Jane Austen: Behind Closed Doors. There is one exciting
:24:38. > :24:41.discovery you make so let's take a look. That is beautiful. This is
:24:42. > :24:43.Willow pattern so it is blue and white transfer. They had just
:24:44. > :24:51.learned how to do the transfer print and anybody who was anybody had to
:24:52. > :24:54.have one. It is from about 1770. Now, Debbie, we don't have any
:24:55. > :25:00.evidence that Jane Austin did not eat an egg out of this a cup? We
:25:01. > :25:08.don't so she may well have done! Jane Austen's egg cup.
:25:09. > :25:15.I like that that we have no evidence. You cannot prove that it
:25:16. > :25:19.isn't! The new book Jane Austen At Home is out now and you can watch
:25:20. > :25:21.Lucy's documentary Jane Austen: Behind Closed Doors this Saturday at
:25:22. > :25:25.nine o'clock on BBC Two. I haven't told you, but we've been
:25:26. > :25:28.invited to a fancy dress party. I'm going as a tortoise
:25:29. > :25:56.and I'm planning to turn up I've got a question for you. What is
:25:57. > :26:03.139 years old, is still alive and was bought in Woolworths? The answer
:26:04. > :26:09.is Matilda the tortoise and I have got a date with the old girl.
:26:10. > :26:16.Matilda lives here at the International Tortoise Association
:26:17. > :26:22.based in Cardiff in the home of founding member and over stone MBE.
:26:23. > :26:29.Today is a big day in their calendar. It is waking up time for
:26:30. > :26:39.the 600 tortoise is who have spent their winter snoozing in a home-made
:26:40. > :26:43.walk-in fridge. Owners from all over the UK bring their tortoises to
:26:44. > :26:52.hibernate here every winter. This is Darwin. Come on, how to come. She is
:26:53. > :26:57.just waking up and give her some time and she will be back to normal.
:26:58. > :27:04.Most of them are going back to their owners but one old lady is here for
:27:05. > :27:08.the long haul. This is Matilda. She hatched when Benjamin Disraeli was
:27:09. > :27:13.Prime Minister, Queen Victoria was still on the throne and today she is
:27:14. > :27:21.waking up after at least her 130th hibernation. Come on. Hello. How
:27:22. > :27:25.long will it take her to wake up? It will take a little bit longer than a
:27:26. > :27:30.younger tortoise. There is no hurrying her. It could be two days
:27:31. > :27:36.before she is actually eating but we will give her a nice warm bath and
:27:37. > :27:41.help the situation along. She is a grand old lady and very precious
:27:42. > :27:46.cargo so I will put her down carefully. She has been kept at a
:27:47. > :28:09.steady 4 degrees for hibernation but it is just as important to carefully
:28:10. > :28:12.manage their environment when they are awake. They obviously need light
:28:13. > :28:15.and heat but they need the right type? They need heat at at least 30
:28:16. > :28:18.degrees so they can move but they also need ultraviolet light. This
:28:19. > :28:20.help keeps the shell is strong and they cannot survive without it.
:28:21. > :28:22.Richard helps UK border forced to check for illegal imports. This has
:28:23. > :28:26.any adequate shell which is caused by poor lighting and inadequate
:28:27. > :28:31.diet. The owners do not know how to look after their pet? Absolutely
:28:32. > :28:35.right, they do not check with the local vet or pet shop to check the
:28:36. > :28:49.requirements of this particular breed. The sanctuary is a rescue for
:28:50. > :28:55.abandoned and mistreated tortoises. They also help owners. It is more
:28:56. > :29:01.difficult than you think. Some people just put them in the airing
:29:02. > :29:06.cupboard. They are the experts on tortoises. We know they will be
:29:07. > :29:12.looked after well. It is quite traumatic for Darwin and asked!
:29:13. > :29:18.There she is! We have to bath her and give her some food. We will
:29:19. > :29:27.encourage her to eat. You look at these guys and they are peaceful and
:29:28. > :29:35.content and so happy to be around. I have Joey for you. Here he is! He
:29:36. > :29:43.has done it for another year! 90 years of age and still going strong.
:29:44. > :29:48.Here is to the next 90. So, Matilda is still going strong at
:29:49. > :29:56.139 but there is still some way to go if she is to make it to the grand
:29:57. > :30:01.old age of 185, the age of Jonathan the tortoise. He lives on the island
:30:02. > :30:06.of St Helena. He was a gift from the governor of the island to the
:30:07. > :30:12.Seychelles in 1870. We have a photograph of him when he was in
:30:13. > :30:16.very short trousers from 1900. It is crazy to think he is the world's
:30:17. > :30:25.oldest tortoise and he could live to the age of 250. What was it like for
:30:26. > :30:28.a young tortoise back in the 1830s? He was experiencing the beginning of
:30:29. > :30:33.the Industrial Revolution. Things were happening like the sewing
:30:34. > :30:38.machine was patented and the lawn mower was invented. All of which
:30:39. > :30:42.would have changed his life hugely! In this country people were about to
:30:43. > :30:50.get the vote. The reform act was being passed. A time of big change.
:30:51. > :30:53.Got going on. Very soon we'll be chatting to Gyles
:30:54. > :30:56.all about Sir Roger Moore; the star, of course, of seven James Bond films
:30:57. > :30:59.- more than any other actor. But first here's the story
:31:00. > :31:02.behind a little-known film It did feature one of his co-stars
:31:03. > :31:13.however, see if you can spot who. Mega monsters have long been part of
:31:14. > :31:19.Hollywood history. They have been terrifying cinema audiences for
:31:20. > :31:26.generations. British movie makers decided to get in on the act with
:31:27. > :31:30.disastrous consequences. The film was Konga, it featured a giant
:31:31. > :31:32.gorilla. This monster movie is reckoned to be one of the worst
:31:33. > :31:49.films made in the history of cinema. With its budget, special effects and
:31:50. > :31:58.over the top script, Konga tells the story of Dr Charles Decker played by
:31:59. > :32:02.British actor Michael Goth. I'm your master, you must obey me. Returning
:32:03. > :32:08.from Africa, he arrives in London with a baby chimpanzee named Konga.
:32:09. > :32:13.He sets about experimenting with his botanical speciums to find a serum
:32:14. > :32:17.that will transform Konga from the size of a chimp to the size of a
:32:18. > :32:33.gourd ril lachlt In a little while the certificate yum will begin to
:32:34. > :32:38.take effect. It works. The romantic lead was played by Jes Conrad. It
:32:39. > :32:45.was going to be a remain of King Kong. I was going to sing my latest
:32:46. > :32:50.hit in the film. The song in question was This Pullover, which
:32:51. > :32:56.the producers thought was too much and dropped it from the film You
:32:57. > :33:01.would have Konga, the world's worst horror film with me singing the
:33:02. > :33:06.world's worst record. What a mistake that was cutting it out of the film.
:33:07. > :33:10.They should have left it in. Did it disappoint you the film wasn't a big
:33:11. > :33:17.hit as it was hoped for? Years later it came back with a big cult
:33:18. > :33:22.following. It's amazing the general public, the public that love films
:33:23. > :33:28.love Konga. His character was killed off by Konga, but the actor playing
:33:29. > :33:40.the gorilla was never credited. Who was the mystery man behind the mask?
:33:41. > :33:46.Konga, we've tracked you down. The producer thought it was a real
:33:47. > :33:50.gorilla so I was never billed. With when he brought visitors into the
:33:51. > :33:54.studio I had to sit-in the cage eating a with a in a ya, something
:33:55. > :34:00.like that. He would bring them in, show them around. Someone would
:34:01. > :34:04.shout "someone has left the cage open" I would then push it open. Had
:34:05. > :34:11.you played a a stern before? No. I had played a lot of villains. I
:34:12. > :34:15.wonder why? There's one last member of the cast we managed to track
:34:16. > :34:23.down, another uncredited actor. Could he have predicted his and the
:34:24. > :34:26.film's future? Psyche, that's how. When you made the film, did you
:34:27. > :34:30.think it would work? Nobody thought it would work, we didn't think it
:34:31. > :34:35.would be released. The director would come in and say - look,
:34:36. > :34:48.there's Konga. He's coming at you. We had to go, ah! We would do this a
:34:49. > :34:55.lot. Oh. He said, "stop that, stop laughing, you're actors!" For the
:34:56. > :34:59.film's finale, Konga, now now at gigantic proportions, turned turns
:35:00. > :35:04.on the doctor and rampages on the streets of London before meeting his
:35:05. > :35:08.demise. Although he dies on screen, he continued to live on,
:35:09. > :35:17.entertaining audiences for more than 50 years. Konga, let me down. In a
:35:18. > :35:22.film so bad, it's really good. It is true that though, isn't it? I need
:35:23. > :35:28.to see it. I would watch that. Did you recognise the bond villain. The
:35:29. > :35:34.association with Roger Moore. Steven Berkoff who was the villain in
:35:35. > :35:36.Octopussy the penultimate bond film that Royal Marines We are talking
:35:37. > :35:42.made. About Sir Roger Moore because he passed away yesterday? He died
:35:43. > :35:45.yesterday in his 90th year. He led, a long, full, rich life. I was
:35:46. > :35:50.privileged to be aware of him from the age of ten. He was in the army,
:35:51. > :35:57.after the war, one of his best friends in in the army was a man
:35:58. > :36:02.called Arthur Douch. He taught me in prep school. I was excited to tell
:36:03. > :36:10.my friends at school the man who was the Saint, I know him. He was so
:36:11. > :36:16.charmingly self-deprecating. When he met me he said, we have in common
:36:17. > :36:20.that we starred as knitwear model. I'm an international star, but you
:36:21. > :36:24.don't seem to have done quite so well. He thought he would help me
:36:25. > :36:29.out by giving me a drama lesson. I said, teach me. I will teach you how
:36:30. > :36:34.to raise your eyebrow. He taught me how to raise my left eyebrow. We
:36:35. > :36:40.worked on it together. It's not bad. I couldn't get my right eyebrow to
:36:41. > :36:44.go up. He could do both. He said this explains it, I'm twice the
:36:45. > :36:51.actor I was. A lot of tributes said he was a much better actor than he
:36:52. > :36:57.let on? He was a finele actor. He had been at RADA. He was offered a
:36:58. > :37:04.job at Strafford upon Avon. He chose to go to Hollywood because he wanted
:37:05. > :37:10.to be a film star. When asked what he brought to the bond films he
:37:11. > :37:16.would say, white teeth. He was in a film called Wild Geese he asked the
:37:17. > :37:23.producers to reduce the number of lines he had in the scenes he was in
:37:24. > :37:27.with Richard Burton because he didn't feel he was in the same
:37:28. > :37:32.league, but watch the film he is in the same league. The man who played
:37:33. > :37:39.Q came in and was given this new bit of script. Desmond Llewelyn was old
:37:40. > :37:44.then. He looked at the script. He learnt it over the lunch, to do the
:37:45. > :37:49.lines. He discovered it was a little joke from Royal Marines who had
:37:50. > :37:54.rewritten it to tease him. So much of his life was filled with
:37:55. > :37:59.charitiability activities. Work with Unicef particularly? Unicef was
:38:00. > :38:03.important to him. He enjoyed doing the film and loved the trappings. He
:38:04. > :38:10.made his fortune through doing The Saint help was the co-producer. When
:38:11. > :38:13.it turned into colour he shared in the profitability. He was enormously
:38:14. > :38:17.generous. He made a lot of money, gave away a
:38:18. > :38:22.lot of money. Gave so much of his time to Unicef in later years. He
:38:23. > :38:26.was a lovely human being. Only big international star who never refused
:38:27. > :38:34.to give an autograph. A charming story of a little boy who got his
:38:35. > :38:39.auto at Nice Airport and was disappointed to see Royal Marines. I
:38:40. > :38:44.thought it was James Bond. Dad went back and he said, he wanted James
:38:45. > :38:51.Bond. He said, I've written Royal Marines, I am James Bond, I don't
:38:52. > :38:53.want Blowvelt to know. It's fascinating to hear more about Royal
:38:54. > :38:57.Marines. Before we see your photos
:38:58. > :39:03.of you and Sir Roger, here's Larry Lamb and his son George
:39:04. > :39:10.attempting to recreate a photo that It's a significant pack picture.
:39:11. > :39:16.That is when we started up as a financialily living in that flat
:39:17. > :39:21.high up over West London. It must have been about 1981. Some hat I've
:39:22. > :39:27.got. Some hat. Do you think granny made that. Definite. It would be fun
:39:28. > :39:37.to go back and have a look and see if we can maybe recreate this photo.
:39:38. > :39:41.This is North End Road. I have the fondest memories of growing up here.
:39:42. > :39:47.Have them on the house. We have to pay for them. Go on. Dad was
:39:48. > :39:54.starting to be on telly. You would go down and they were like "all
:39:55. > :39:58.right, Larry." Your old man. He was more like that than I am. I remember
:39:59. > :40:02.being knee high and running through legs. Everybody shouting hello. I
:40:03. > :40:07.remember the first time I let him out on his own, there was a news
:40:08. > :40:11.agent where he could buy a comic and sweets and let him go to do it on
:40:12. > :40:15.his own. That was it. That was the beginning of the end, really. I had
:40:16. > :40:19.not had a good relationship with my father, which was, you know, not
:40:20. > :40:23.surprising then that he had a terrible relationship with his
:40:24. > :40:30.father and it all gets passed on and on. And George's mum made sure I
:40:31. > :40:34.didn't replicate that once again. She made me understand if I tried to
:40:35. > :40:37.bully and dominate that boy the way my father had bullied and dominated
:40:38. > :40:42.me that it would blow back in my face, the same way it had blown back
:40:43. > :40:46.in my father's face. In the end we didn't speak to each other for
:40:47. > :40:50.years. I'm fortunate that I finished up as close as you could possibly be
:40:51. > :40:54.in terms of a son and a father relationship. That was my bedroom.
:40:55. > :41:00.That was the living room that went all the way through. Yeah. Wow.
:41:01. > :41:06.Look. They've changed it. This used to be inside the flat. Inside. That
:41:07. > :41:11.was our way up on to the roof? Little stairs and another one like
:41:12. > :41:16.this. A door out. That was our escape route. On to the roof and our
:41:17. > :41:21.haven up above Fulham. Now it's all changed. You could get up there. See
:41:22. > :41:24.if that opens up. That would be the same view back there, won't it?
:41:25. > :41:30.Watch your head, mate. Come on. All right? Yeah. It's harder when your'
:41:31. > :41:34.nearly 70. So many guys don't know how to be dads and they end up
:41:35. > :41:37.having really messed up relationships with their sons. I'm
:41:38. > :41:41.lucky to have the relationship I do with my dad. Sometime I will talk to
:41:42. > :41:46.my dad in a taxi and the cab driver is like, don't mind me asking, who
:41:47. > :41:50.were you talking to? I said, I'm talking to my dad. I hope my son
:41:51. > :41:58.talks to me like that one day. We are buddies. My baby boy. I can
:41:59. > :42:03.still lift him up. Let's not try it so close to the edge. You are a
:42:04. > :42:06.lump. To look at this photo in this place. So significant. That's the
:42:07. > :42:11.wonder of life. We've changed places. I've moved on. I'm getting
:42:12. > :42:17.to be an Oldboy. He's the age that I was then. Life goes in these
:42:18. > :42:26.extraordinary circles. It's wonderful. Lovely. Sweet. Glad I
:42:27. > :42:29.didn't sign the form to go out on that ledge.
:42:30. > :42:33.Thanks to Gloria, Rip Off Britain Food starts on Monday.
:42:34. > :42:35.Thanks to Lucy, her book, Jane Austen At Home,
:42:36. > :42:37.is out now and you can see her Jane Austen documentary
:42:38. > :42:43.And, of course, thanks to Gyles. at 9.00pm on BBC Two.
:42:44. > :42:45.The One Show is back tomorrow at 7.00pm, but we'll end
:42:46. > :42:47.tonight with your memories of Sir Roger Moore and,
:42:48. > :42:50.I think it's fair to say - nobody did it better!
:42:51. > :42:58.You made your name with that film, did you not? My name was always
:42:59. > :43:09.Roger Moore. A lady with white hair came up and said, "what are you
:43:10. > :43:17.doing in Vience" I said, "we're making a film, 007, James Bond
:43:18. > :43:21.film." What do you do?" Hi David, it's Roger Moore, I used to be an
:43:22. > :43:29.actor. You can call me darling. Fill her up, please. Your favourite bond
:43:30. > :43:42.film other than your own? Were there any?
:43:43. > :43:45.Hello, I'm Alex Bushell with your 90 second update.
:43:46. > :43:48.Police says they are investigating a terror "network" following Monday