:00:18. > :00:24.Hello and welcome to The One Show, with Matt Baker and Alex Jones.
:00:25. > :00:27.As it is such a pleasurable evening we thought we would start our show
:00:28. > :00:32.outside. The other reason is we are a bit
:00:33. > :00:38.worried about tonight's guests. These two are a pair of conmen. And
:00:39. > :00:41.they are love rats. This duo are Dirty Rotten Scoundrels, and they
:00:42. > :00:56.are not afraid to shout it from the rooftops or sing it from the pi as
:00:57. > :01:06.exactly. Dirt Dirty rote guys, like us.
:01:07. > :01:12.-- Dirty Rotten Guys, like us, yeah! Beautiful. There we are, my friends,
:01:13. > :01:18.have a bit of that. That's from the musical Dirty Rotten
:01:19. > :01:24.Scoundrels, Robert Lindsay and Rufus Hound are with with us tonight. The
:01:25. > :01:31.good to see you. Also coming up we have a film where
:01:32. > :01:38.we take 1966 World Cup's Bobby Charlton back to his old house. I
:01:39. > :01:41.bet he is upset that the team are already queuing up for their bus to
:01:42. > :01:46.the airport. A few miles up the road from Jack's
:01:47. > :01:52.old house are some very disappointed people in the Robin Hood pub in
:01:53. > :01:57.Jarrow. The landlord has taken down the flags, but I have to say, good
:01:58. > :02:03.of the to all of the flag handlers. Now, today there was more worrying
:02:04. > :02:11.news that the NHS is facing an acute shortage of GPs. Anita Rani has been
:02:12. > :02:16.to visit two doctors surgeries with another problem, a future without
:02:17. > :02:21.the funding they need to survive. It might look idyllic and relax
:02:22. > :02:26.willing, but for rural GPs countryside holds more than its fair
:02:27. > :02:31.share of challenges. It is only recently we had decent broadband
:02:32. > :02:35.introduced the, but there's no gas. And if that isn't enough, many rural
:02:36. > :02:39.doctors say their biggest challenge is maintaining patient services. And
:02:40. > :02:47.even for some keeping their surgery doors open. This doctor covers two
:02:48. > :02:51.surgeries in the Yorkshire Dales. He's worried as he says the
:02:52. > :02:55.Government's withdrawal of the fund, the minimum practice income
:02:56. > :03:00.guarantee, says his surgery stands to lose ?25,000 as it is phased out.
:03:01. > :03:05.We are down to the bare bones of the service already. There isn't spare
:03:06. > :03:11.money floating around in a practice income. Head west to Coniston in
:03:12. > :03:16.Cumbria and Dr Fry says the situation is even worse for her
:03:17. > :03:21.small practice in the Lake District. In about seven years we are about
:03:22. > :03:27.?30,000 down annually and it gets to the stage where it is not viable.
:03:28. > :03:31.Have to think, can the surgery stay open or can I continue doing this
:03:32. > :03:35.job? The Prime Minister recently called for patients to see their GPs
:03:36. > :03:40.seven days a week. With budgets squeezed it is a big ask. So how
:03:41. > :03:44.realistic is David Cameron's plans, a particularly for smaller surgeries
:03:45. > :03:49.like hearse, that they should now be open seven days a week? It is not
:03:50. > :03:55.really a suitable option, because our workload is already pretty
:03:56. > :04:00.intense. In 2013 we got some figures that just over 3,500 GPs get paid
:04:01. > :04:04.over ?150,000 a year, which is more than the Prime Minister. That's when
:04:05. > :04:09.you start questioning... I can tell you something, that would be
:04:10. > :04:14.wonderful but I'm way below that. So maybe I should start playing the
:04:15. > :04:18.lottery. For Jonathan the vast areas that rural GPs cover mean extra
:04:19. > :04:24.expense. Their time and money is stretched. We cover about 500 square
:04:25. > :04:28.miles here for our 4,500 patients. As is often the case in a rural
:04:29. > :04:33.setting it is a predominantly elderly population. We are going to
:04:34. > :04:37.see a chap in his 90s who depends on a range of different services to
:04:38. > :04:46.keep him at home with his wife, who he cares for. Jonathan makes regular
:04:47. > :04:51.visits on Mr Wood in Layburn. We are what we call a ripe old age, aren't
:04:52. > :05:00.we? We've been with your practice all our lives. We've had the best of
:05:01. > :05:05.service. I think the doctor, I think cutting the doctors would be the
:05:06. > :05:09.worst. Very worrying indeed. Katrina is also seeing a patient. She fears
:05:10. > :05:12.that costly home visits may become a thing of the past, hurting many
:05:13. > :05:17.older patients, who would struggle to get to her surgery. Joan Wilson
:05:18. > :05:22.is wheelchair bound and relies on Katrina's home visits. What would I
:05:23. > :05:27.mean for you if Katrina wasn't able to visit you? I would probably have
:05:28. > :05:33.no medical contact for months and months. I couldn't go on a bus, even
:05:34. > :05:38.if there was one. But her patients are not taking the planned cuts
:05:39. > :05:42.lying down. Setting is up a Save our Surgery campaign group. The
:05:43. > :05:46.withdrawal of the finances is over seven years, so it is a slow doth,
:05:47. > :05:50.and that's even worse really. The first year is probably not too much
:05:51. > :05:55.at risk, but after that we are really worried. The next nearest
:05:56. > :06:02.surgery we think we'll have to go to is over a very tort rows road and
:06:03. > :06:08.quite a long road -- a tortuous road. In winter it is impossible. We
:06:09. > :06:13.feel very bitter that the Minister of health has suggested that
:06:14. > :06:18.practices who are making such a loss should really try and sort
:06:19. > :06:23.themselves out. We do not want to consider making staff redundant. We
:06:24. > :06:29.don't want to see people leaving our services sooner than they should be.
:06:30. > :06:34.We don't want to close either of our two surgeries here. But ?25,000 is
:06:35. > :06:38.going to have an effect down the line in terms of service provision.
:06:39. > :06:42.NHS England say they are working together with the local NHS and want
:06:43. > :06:46.to reassure patients that they will continue to have access to
:06:47. > :06:51.high-quality primary care services in the future. Cuts to GP services
:06:52. > :06:56.in places like this to our surgeries could have a huge impackage. Yes, it
:06:57. > :07:00.is stunningly beautiful, but it is also very isolated and the community
:07:01. > :07:07.here is elderly. So for them to not have a GP at the moment is
:07:08. > :07:11.unthinkable. Thanks to Anita and everybody in that film. The whole
:07:12. > :07:13.issue of GP funding is being discussed at the British Medical
:07:14. > :07:16.Association's conference at this week's, so do expect more headlines
:07:17. > :07:21.over the next few days. Now it is time to welcome the stars
:07:22. > :07:29.of Dirty Rotten Scoundrels. The musical. Robert Lindsay, Samantha
:07:30. > :07:35.Bond and Rufus Hound! APPLAUSE
:07:36. > :07:44.How are you? Sit yourselves down. Lovely to see you. Love is in the
:07:45. > :07:49.air. It is! You should, shortly you should be on stage. The performance
:07:50. > :07:57.this evening has been held hasn't it? It has been specially delayed so
:07:58. > :08:02.we can be on The One Show. One very drunk audience. Free champagne until
:08:03. > :08:07.we arrive. Dirty Rotten Scoundrels, the film, is brilliant. The musial
:08:08. > :08:14.brilliant as well, says the reviews. And Matt, who has seen it. The only
:08:15. > :08:19.review we care about. This is all for you. Seriously I got tickets as
:08:20. > :08:24.part of my Christmas box, because I was such a fan of the film. We were
:08:25. > :08:30.at the Christmas box. We are hoping to be another Christmas box, because
:08:31. > :08:35.we run at the Savoy for how long? March 15th. A long run. For those
:08:36. > :08:41.who have not seen the musical or the film, what's the story? It is two
:08:42. > :08:45.conmen, guys getting a bit bored with life, and the young man on the
:08:46. > :08:51.block here, him, and I take him under my wing and we decide to con
:08:52. > :08:55.everyone. We are kind of Robin Hoods really, rob from the rich and give
:08:56. > :09:00.to the poor - us being the poor. And that's where Samantha comes in. I'm
:09:01. > :09:04.a recently divorced woman who has gone to the south of France looking
:09:05. > :09:09.for love and believers she has found it when she meets the man she
:09:10. > :09:15.believes is the Prince. Ah, but not so much. I am pretending to be a
:09:16. > :09:20.Prince. Quite a lot of my diamonds are involved in that plot. A wealthy
:09:21. > :09:25.woman. For you, Rufus, how was the transition from comedian to West End
:09:26. > :09:28.star. Absolutely immediate and smooth...
:09:29. > :09:34.LAUGHTER And that is true! One morning I went, I can do it. That's
:09:35. > :09:38.largely what happened. I believe that in life what you get is
:09:39. > :09:44.opportunities. Once you've got an opportunity it is about graft. We
:09:45. > :09:50.know that you can dance. We've seen you. But have you ever done this
:09:51. > :09:57.sort of thing before? You must have done theatre productions at school.
:09:58. > :10:01.Yes at school, if you like showing off, the school play is what you do.
:10:02. > :10:05.There isn't the school comedy club or the school performance art
:10:06. > :10:12.installation. So I grew up thinking this is what I would do. Being a
:10:13. > :10:17.grown-up there are so many unemployed act actors I'm too
:10:18. > :10:24.scared, so I started telling jokes to drunks in pubs. And now I do it
:10:25. > :10:30.in the dressing room. Samantha, with Downton you are doing everything at
:10:31. > :10:34.once. I've been doing a lot of juggling. It is well organised. A
:10:35. > :10:41.car arrives at the end of the show and I get in and have a glass of
:10:42. > :10:46.wine. And then I arrive at my dark hotel and have a sleep and another
:10:47. > :10:52.car picks me up in the morning. She's like a swan. From the top it
:10:53. > :10:56.is just effortless. She is a stalwart of the boards. Is it true,
:10:57. > :11:02.Robert, you have never seen the #23i78? I was working - never seen
:11:03. > :11:06.the film? I was working in the south of France. I met them and I met
:11:07. > :11:11.Steve Martin, who I had already met in America. I asked him what he was
:11:12. > :11:15.doing and he said, this film, Dirty Rotten Scoundrels. He said it is OK
:11:16. > :11:20.but we need to do our own thing, meaning put their own stuff in. My
:11:21. > :11:27.film disappeared, like most of my films did, a long story. Actually it
:11:28. > :11:32.wasn't such a major hit. It was alright. It's become a classic
:11:33. > :11:36.since. Steve Martin films are brilliant. I think it is one of
:11:37. > :11:42.those movies that once it was on TV and it was shown again and again, it
:11:43. > :11:48.grew and grew. That's why it has a place in people's hearts. A lot of
:11:49. > :11:52.people my age bring their dads, because they sat down and watched. I
:11:53. > :11:59.mentioned a character of the film and #24r's no reaction at all. Last
:12:00. > :12:05.time I mentioned him and there was a round of applause. I've never seen
:12:06. > :12:10.the movie and I can't begin to imagine this story about the songs
:12:11. > :12:14.and the dances. It works so seamlessly. Anybody can site, at the
:12:15. > :12:19.Savoy in London, until March. I would highly recommend it. Thank
:12:20. > :12:24.you. And there is no better recommendation. And you are going to
:12:25. > :12:29.sing some hits later on, on the pi at exactly.
:12:30. > :12:33.Sad Sadly very few Englishmen have managed to get their hands on the
:12:34. > :12:38.World Cup, but Jack Charlton and his brother, Bobby, did it in 1966. We
:12:39. > :12:42.asked them to take us back to the place where their passion for
:12:43. > :12:48.football began. I was born here in Ashington
:12:49. > :12:54.Northumberland in 1935. At that time it was the biggest mining village in
:12:55. > :13:01.the world. This is the street where we move moved. My mother had four
:13:02. > :13:08.boys. I'm the old east. Bobby was second. Gordon was third and our Tom
:13:09. > :13:14.was fourth. This is our old house, where we lived in. I wasn't born
:13:15. > :13:28.here but I was brought up in it. It was nowhere near like this. There
:13:29. > :13:36.used to be a door here: What a beautiful room. Fantastic. We've got
:13:37. > :13:45.a staircase which used to go the other way. We've got all of this
:13:46. > :13:50.door here. Was only one little narrow door. They never dreamt of
:13:51. > :13:58.anything like this when I was a kid at off. All you had was that with
:13:59. > :14:03.running water. Me mother was yeah, she was a hard worker. If there was
:14:04. > :14:08.a meeting here for this and a meeting there for that, she would
:14:09. > :14:11.go. The how the hell she didn't get on the council is amazing to
:14:12. > :14:18.everybody, because she had words to say and she was the best one. Me
:14:19. > :14:25.father was a very quiet man. We had a guardton. He had petition and
:14:26. > :14:32.horses, all sorts of things -- he had posing. We had no -- he had pigs
:14:33. > :14:38.and horses, all sorts of things. My mother put the bath out. My father
:14:39. > :14:42.was get in the bath and sit there and wash himself. My mother would
:14:43. > :14:52.come and wash his back and everything that he couldn't reach. I
:14:53. > :14:57.miss my mother and my father. All four children shared this bed be,
:14:58. > :15:01.me, Gordon, Tommy and our Bob. The boys could be squashed in there when
:15:02. > :15:06.there was four no problem. In fact my mother used to put one of us on
:15:07. > :15:10.the floor. This is where me and our kid played football. We never won a
:15:11. > :15:16.game. I can jump and head something but our kid couldn't, because he
:15:17. > :15:26.wasn't big enough. I can jump and get to there. But our Bob couldn't,
:15:27. > :15:33.because he was only that big. I used to win all the time. We used to
:15:34. > :15:36.spend hours and hours heading balls and kicking balls and all sorts of
:15:37. > :16:02.things. never allowed to play football. We
:16:03. > :16:05.were banned from this one. Whenever you played, you played hard, you
:16:06. > :16:17.wanted to be one of the better players who was playing. I got an
:16:18. > :16:21.invitation to go to Leeds. After playing in a game against Newcastle
:16:22. > :16:30.I was asked to stay on and be a professional footballer. Jackie
:16:31. > :16:46.Charlton, bringing up the rear. Martin Peters, Jackie Charlton, Ray
:16:47. > :16:51.Wilson... All of the street was blocked with people standing to
:16:52. > :16:55.waiting -- standing and waiting to see you. It was nice. I smiled more
:16:56. > :17:18.than my brother, though! Cheers, Jackie, that was champion.
:17:19. > :17:29.And how beautifully colour-coordinated hue after dinner
:17:30. > :17:33.at Jack Charlton's old house. Bobby's Heights did not affect his
:17:34. > :17:36.grey cells because he was one of the people who came up with the concept
:17:37. > :17:44.of the vanishing spray that has become the start of the World Cup.
:17:45. > :17:51.It is absolutely incredible. You cannot come into the shots like
:17:52. > :17:55.that. Let's have discipline. Get the lying down with the vanishing spray.
:17:56. > :18:01.Michael Douglas has been testing it to see if it keeps the fans in line.
:18:02. > :18:06.England are out of the World Cup will stop their campaign ended in
:18:07. > :18:10.failure, but one success story is the foam spray. Somebody is calling
:18:11. > :18:20.for English football to incorporate the spray. Are we ready? Wait. You
:18:21. > :18:23.are free to go. Well done. Wait there while I ask some questions.
:18:24. > :18:30.Have you been watching the World Cup? England could have been better.
:18:31. > :18:40.I will. You there, if you can wait there a second. Great. OK. You are
:18:41. > :18:49.free to go. What about the new technology? The spray can has worked
:18:50. > :18:57.well. I like the white line. I like it because the players almost crowd
:18:58. > :19:03.over it, don't they? It is like hair gel. You put it in and it dissolves.
:19:04. > :19:11.Who else will you support now that England is out? I will support
:19:12. > :19:19.Argentina. Costa Rica is doing well. I fancy them, I have always liked
:19:20. > :19:23.Brazil. Germany. I want to see England in the final and it is not
:19:24. > :19:29.happening. To me, it is not worth watching the TV. But happily
:19:30. > :19:35.learned? England are not very good, goal-line technology seems to work
:19:36. > :19:42.and the referees, they like this foam spray, don't they?
:19:43. > :19:51.It is such a great addition to the game. Do you use it in your hair? Do
:19:52. > :20:07.not smell it. It is very strong. Now you are going to smell it. Do not
:20:08. > :20:11.put it on the sofa. As a representation of pubs all over the
:20:12. > :20:17.country, Norman at the Robin Hood in Jarrow has taken down his flags. We
:20:18. > :20:23.can find a photograph. This was it before the England game. He is doing
:20:24. > :20:33.a good job. That is Norman, in the moment. He is halfway there. On
:20:34. > :20:36.Friday night, we will be at Glastonbury for an hour-long special
:20:37. > :20:44.with Blondie, Ricky from the Kaiser Chiefs and Ed Sheeran. 20 years ago,
:20:45. > :20:49.a new type of music had an impact on the festival crowd and TV audiences
:20:50. > :20:57.watching around the country. In 1994, the dance act Orbital made
:20:58. > :21:03.their debut at Glastonbury and it became part of musical folklore. It
:21:04. > :21:07.was the first time last B was broadcast live on the TV and this
:21:08. > :21:13.unique sound was heard in living rooms all over the country. It was
:21:14. > :21:21.house music. A few years earlier, it started a revolution to rival the
:21:22. > :21:26.60s. Acid house exploded in 1987, changing the music scene for ever.
:21:27. > :21:32.It was often accompanied by ecstasy, and the rave was born. Sometimes you
:21:33. > :21:35.could not get a licence for an all-night event and organisers went
:21:36. > :21:42.underground. Organisers looked outside London, where people could
:21:43. > :21:48.dance away from the authorities. We live in an age where social media
:21:49. > :21:54.dominates any kind of party. But then, how did they do it? Every
:21:55. > :21:58.weekend people set off on a magical mystery tour in search of the
:21:59. > :22:05.party. And following their lead, I am heading off on my own journey of
:22:06. > :22:11.discovery. I have come to a service station. Hopefully this is the guy I
:22:12. > :22:19.need to speak to. Scott Manson has written the dance magazines. When
:22:20. > :22:24.acid house came, it felt like a revolution. It was egalitarian. You
:22:25. > :22:29.had gay and straight and black and white. It was open-minded and
:22:30. > :22:35.fabulous. How would people find these places? It was an adventure
:22:36. > :22:38.and sometimes tricky to get there. You would often travel in a convoy
:22:39. > :22:44.but the problem with me if you followed the wrong car. Service
:22:45. > :22:49.stations were the beginning of the party and central to the party was
:22:50. > :23:00.the London orbital motorway, the M25 motorway, opened in 1986. The dance
:23:01. > :23:07.act Orbital was named after the M25 motorway parties and was created by
:23:08. > :23:11.Paul Hartnoll and his brother. We grew up listening to expensive
:23:12. > :23:14.electronic music. Suddenly, technology was cheaper and you could
:23:15. > :23:22.make respectable recordings in a bedroom. Orbital burst onto the
:23:23. > :23:28.scene in 1989. By the early 90s, the parties started to change. We are
:23:29. > :23:38.dealing with a lack of respect for the law. By 1984 -- 1994, the
:23:39. > :23:46.government had had enough. There are couple is caused by New Age
:23:47. > :23:52.travellers and raiders. It outlawed parties including any sound,
:23:53. > :24:00.predominately characterised by the succession of repetitive beats. In
:24:01. > :24:05.the same year, orbital -- Orbital played at Glastonbury. I used to go
:24:06. > :24:11.to Glastonbury every year and asked why there was no dance music on the
:24:12. > :24:19.stages will stop this was 1994. It was brilliant. My brother and I had
:24:20. > :24:24.a dance wheeze to do as children. Michael Eavis enjoyed it so much, he
:24:25. > :24:29.had a dance tent the next year and that area of Glastonbury has grown.
:24:30. > :24:35.We ended up on the main stage the year after that. Following the
:24:36. > :24:41.introduction of the criminal Justice act, ravers went back to the city,
:24:42. > :24:44.giving rise to the super club. Orbital's legendary performance
:24:45. > :24:50.paved the way for the opening of the dance Village. It confirmed the
:24:51. > :25:05.crossover of electronic music into the mainstream. Very excited for
:25:06. > :25:12.Friday. We have to talk to you about Downton. When is the new series? I
:25:13. > :25:16.think in September. Certainly in the autumn leading up to the special at
:25:17. > :25:23.Christmas. It will be stunning. Can you give any clues? I am sworn to
:25:24. > :25:31.secrecy. You sign a separate contract saying you must not say a
:25:32. > :25:35.word. That is it. Robert Lindsay and Rufus Hound are about to perform a
:25:36. > :25:40.couple of numbers from the musical Dirty Rotten Scoundrels. The show is
:25:41. > :25:51.on at the Savoy Theatre in London until next March. To be a successful
:25:52. > :25:55.con artist one should look into the shadows of their dreams and desires
:25:56. > :26:02.and reflect back only what is in their heart. Why can't the young
:26:03. > :26:06.pretenders see that? There are only a few like you. What do you mean? Do
:26:07. > :26:10.not flatter me. # Left hand, side pocket
:26:11. > :26:13.Right arm akimbo and relaxed # All I'm doing is
:26:14. > :26:22.I'm giving them what they want # Smooth and breezy
:26:23. > :26:24.Exactly what they want # An escape from the ennui
:26:25. > :26:28.Give them what they want # Nothing cheap or cheesy
:26:29. > :26:46.Remember what they really want is # For fantasy
:26:47. > :26:54.The man to see is you # And so in conclusion
:26:55. > :27:07.All you're doing is you're # Some sugar in their tea
:27:08. > :27:19.Give them what they want # Teach me, mould me
:27:20. > :27:38.Make me your clay # I thought I'd seen it all
:27:39. > :27:41.I thought I knew the score # But coming here I found a world
:27:42. > :27:46.I never knew before # I want a mansion with a moat
:27:47. > :28:09.Around which I can float # With some glass-bottomed ladies
:28:10. > :28:14.In my glass-bottomed boat # A house in the Bahamas
:28:15. > :28:16.With paisley print pyjamas # Lunch at the Obamas'
:28:17. > :28:21.Dinner at the Dalai Lama's # Great big stuff
:28:22. > :28:23.I really do deserve it # Great big stuff
:28:24. > :28:26.With servants who will serve it # Great big stuff
:28:27. > :28:31.I don't give a damn what it is # Every day is my birthday
:28:32. > :28:35.Every night is my Bah Mitzvah # Great big stuff
:28:36. > :28:45.Great big, great big stuff # I just want someone to love me
:28:46. > :28:59.For my money!