:00:00. > :00:10.Tonight we are live from the biggest music festival of the year, and
:00:11. > :00:15.everybody's on it. They keep asking us what the weather forecast is
:00:16. > :00:21.going to be. I have the answer. A 100% chance of Coldplay, Adele. 100%
:00:22. > :00:25.chance of ELA, and Earth, Wind and Fire. But 100% chance of rain.
:00:26. > :00:35.BOOING.. Hello and welcome to The One Show at
:00:36. > :00:38.Glastonbury 2016 with Alex Jones... Tonight we will bring you one
:00:39. > :00:45.of the most unlikely as six-time snooker champion Steve
:00:46. > :00:55.Davis is on the decks. We'll be with the legendary
:00:56. > :00:59.bearded rockers, ZZ Top, as they prepare for their big
:01:00. > :01:01.Glastonbury moment on the Pyramid Stage, and the incredible
:01:02. > :01:04.Jake Bugg will be performing live right
:01:05. > :01:13.here at the end of the show. And Matt Allwright are be bringing
:01:14. > :01:16.this monster alive at the end of the show. Greg, this is The One Show's
:01:17. > :01:22.fourth time at Glastonbury... Congratulations. Thank you. It's
:01:23. > :01:28.amazing they've let us in! But our guests tonight have beaten us hands
:01:29. > :01:34.down. Between them they've racked up about 22 visits Norman cook and Jess
:01:35. > :01:39.Glynne, welcome to The One Show at Glastonbury!
:01:40. > :01:49.CHEERING. 22 between you. What's the split here? How many have you had,
:01:50. > :01:55.Norman? Let's say 22. Norman, let's talk you back to 1986, your first
:01:56. > :01:59.Glastonbury. 30 years ago tomorrow. How different it was Glastonbury
:02:00. > :02:07.then to the one we are experiencing tonight? The genre was the same. The
:02:08. > :02:14.weather was equally changeable. The basics of it are the same. Is that
:02:15. > :02:17.because you had such a good time 30 years ago you can't remember? I
:02:18. > :02:23.remember the years in between. Fair enough. Jess, how is the Pyramid
:02:24. > :02:28.Stage today? Like the most surreal experience I've had in my life. I
:02:29. > :02:33.have never seen so many people. It must be for a musician the height of
:02:34. > :02:36.your career. I swear to God I literally feel like that. It CEDCYAN
:02:37. > :02:40.I swear to God I literally feel like that. It was one of those - I can't
:02:41. > :02:47.even talk about it. I walked out on stage... Yeah. It will take a few
:02:48. > :02:51.days to sink in. Florence said last year, I can't do interviews
:02:52. > :02:57.afterwards. I don't know how to explain it. Before we went on, I was
:02:58. > :03:02.genuinely going to throw it. That's the truth, and I didn't. And we got
:03:03. > :03:07.to it and it was like, go, go, go. I walked out and stood on the stage
:03:08. > :03:11.and opened my eyes. I couldn't open my eyes for a minute, because I was
:03:12. > :03:16.scared. I was genuinely just like... This is happening. Honestly, do you
:03:17. > :03:20.know, it's one of those feelings that you can never describe. And in
:03:21. > :03:27.your career, I guess I've had a lot of amazing moments that I can't even
:03:28. > :03:31.tell you how they feel, but standing on that stage, at Glastonbury, it's
:03:32. > :03:35.the high point of anyone's life to even go to. But to be performing on
:03:36. > :03:41.that stage... We watched you and we loved it. It was a shame you didn't
:03:42. > :03:45.throw up, because it would have made a great clip.
:03:46. > :03:51.LAUGHTER. Let's talk about Saturday night. The Pyramid Stage headliner
:03:52. > :03:55.tomorrow night will be Adele. Everybody is supersited about her
:03:56. > :04:08.set, and these three fans are particularly excited. We could have
:04:09. > :04:16.had it all... Rolling In The Deep. You had my heart inside of your
:04:17. > :04:22.head. And you played it to the beat. My name is Nigel and Adele used to
:04:23. > :04:27.work for me. She was between recording her first and second
:04:28. > :04:31.albums, 19 and 21, and she wanted somewhere cool to hang out. She had
:04:32. > :04:36.no airs or graces. She had already sold at least 1 million records but
:04:37. > :04:44.she was like anyone else. When Adele came in to discuss which days she
:04:45. > :04:50.would do, she decided on Thursday. She said, I want start next week,
:04:51. > :04:54.I'm playing the Hollywood Bowl. Our customers are so cool they didn't
:04:55. > :04:58.say anything. Nobody said anything. They wanted to be treated like a
:04:59. > :05:03.customer and she treated them like a customer. She loved listening to
:05:04. > :05:09.anything new. New. She had an interest in new records but loved
:05:10. > :05:14.listening to old soul records. She had to do some filing, and she was
:05:15. > :05:28.very accurate. One week she won Employee of the Week she was that
:05:29. > :05:34.good. My name is Noel and I'm Adele's driving instructor. Adele is
:05:35. > :05:38.a fantastic driver, probably the best learner I have known for some
:05:39. > :05:43.time. I only knew after she passed her test that she was famous. She
:05:44. > :05:49.passed first time. Me and Adele would have a competition in the car.
:05:50. > :05:53.She would sing and I would sing. She would sing these wonderful songs, I
:05:54. > :05:59.had never heard of them before. I am more of a status quo fan myself. And
:06:00. > :06:06.we are about to do a duet at Glastonbury! I could have had it
:06:07. > :06:11.all, rolling in the deep. Eat your heart out, Adele! To get somebody at
:06:12. > :06:14.such a high level, internationally known, coming to you to learn how to
:06:15. > :06:20.drive because she believe you are the best at what you do, that's a
:06:21. > :06:32.very humbling experience. Never mind I'll find someone like you... I wish
:06:33. > :06:42.nothing but the best for you, too... Emily is on the autistic spectrum
:06:43. > :06:48.and has ADHD. Emily is 13 and sings all day long. Emily heard Adele was
:06:49. > :06:55.appearing at Manchester. I love Adele. I had a dream on stage and I
:06:56. > :07:01.was singing. I love her so much. I went to her concert and I thought, I
:07:02. > :07:07.would show her. Thought maybe if we are lucky Adele would see the song,
:07:08. > :07:13.and as it turned out... She didn't just wave! There was a definite
:07:14. > :07:17.hush, as people thought, what's going to happen now with this
:07:18. > :07:22.literal girl. She started singing and within seconds the crowd went
:07:23. > :07:25.crazy. I was so incredibly proud for her and incredibly pleased for her
:07:26. > :07:32.to have that once in a lifetime moment. I don't think Adele really
:07:33. > :07:37.knows what she has done. She's completely changed my life.
:07:38. > :07:42.Incredible stuff. Jess, let's talk about Adele a little bit. She's the
:07:43. > :07:48.headline tomorrow night. She's one of your peers right? It must be an
:07:49. > :07:54.inspiring thing to see her bossing the Main Stage, the Pyramid Stage.
:07:55. > :07:59.It's a really proud moment for any female from the UK to see Adele
:08:00. > :08:04.bossing the stage at Glastonbury. I'm a massive fan. Do you know why
:08:05. > :08:08.Adele is brilliant as a headliner? Because you know all the words. I
:08:09. > :08:14.like going to see somebody I can sing along to. Do you share that,
:08:15. > :08:19.Greg? You sing along, have a little cry with everyone. That's it. Like
:08:20. > :08:27.Adele, you've had a huge 12 months, Jess. Five number one singles.
:08:28. > :08:29.You've ss. Five number one singles. You've sold 1.7 million albums -
:08:30. > :08:35.something ridiculous. This time last year Jess had to turn down
:08:36. > :08:40.Glastonbury, because you didn't have a voice at all. I had to cancel
:08:41. > :08:44.pretty much the whole summer. But it's all good. It was such a
:08:45. > :08:48.horrible experience to go through. It was most scary thing. My album
:08:49. > :08:54.hadn't even come out. I was like... Yeah. I had it and it actually
:08:55. > :08:59.taught me a lot about myself and about how to go forward in my
:09:00. > :09:03.career. I'm sitting here now and I've just played the Pyramid Stage.
:09:04. > :09:10.I'm more grateful. Everything happens for a reason in my life. Of
:09:11. > :09:14.course. Norman, under Fatboy Slim you played Glastonbury many times.
:09:15. > :09:21.But the first time was with the The Housemartins. When was that? 1986..
:09:22. > :09:26.What did you enjoy most, Fatboy Slim or being in The Housemartins? I
:09:27. > :09:30.started on the Pyramid Stage and worked my way down.
:09:31. > :09:34.LAUGHTER It is really nerve-racking being on the Pyramid Stage. I like
:09:35. > :09:39.being embedded for three or four days. At Glastonbury Tor I did six
:09:40. > :09:45.shows over four days. That's really good fun, because you get to see all
:09:46. > :09:50.the other little places. I like having to get embedded and embrace
:09:51. > :09:54.the whole Glastonbury experience. And you are such a veteran now that
:09:55. > :10:01.you can ask, can I play on so and so stage and they give in apparently? I
:10:02. > :10:04.have played every single stage over the years except for the John Peel
:10:05. > :10:11.stage. It is not the right stage for me to do, but I said, please, just
:10:12. > :10:19.let me play so I can play the whole of Glastonbury. So thank you Emily,
:10:20. > :10:25.Nick and Michael Eavis for indulging me. Norman you are pioneers of big
:10:26. > :10:31.dance acts playing to 200,000 people. Why do you think dance music
:10:32. > :10:36.works so well on that scale? And in a sweaty club as well. Why does your
:10:37. > :10:40.music particularly work? It is kind of a similar nonsense that we are
:10:41. > :10:44.trying to create. It is just that feeling of collective euphoria,
:10:45. > :10:48.whether it is everyone singing Adele's words and the flags on the
:10:49. > :10:52.Main Stage, or the collective euphoria with the DJ and everyone
:10:53. > :10:57.dancing to the same rhythm. It is intoxicating. And to be somewhere
:10:58. > :11:02.beautiful and surreal and weird, possibly muddy, that intensifies the
:11:03. > :11:10.experience. We all become as one. It has become the norm that DJs will
:11:11. > :11:16.headline festivals, the likes of Calvin Harris and Swedish House
:11:17. > :11:20.Mafia. Do they say thank you, because without you they wouldn't be
:11:21. > :11:24.doing this stuff? A lot of people make me proud for the role I've
:11:25. > :11:29.played of taking DJ culture out of the side tent and on to the Main
:11:30. > :11:33.Stages. When I first started here there wasn't a dance tent. And then
:11:34. > :11:40.there was a bigger dance tents, and now a whole field. It's been
:11:41. > :11:48.wonderful to watch the scene grow and for DJs to be welcome here.
:11:49. > :11:54.What's the song that you put on that encouraged a massive crowd to come
:11:55. > :12:01.out and you thought, I didn't see that coming. I had a real moment
:12:02. > :12:06.with Love Is In The Air. There is something about the atmosphere here,
:12:07. > :12:10.you can play tunes that you wouldn't normally play, and everybody gets
:12:11. > :12:16.involved. Every DJ has the emergency song they put on when it has all
:12:17. > :12:27.gone wrong. What is yours? Come on, Eileen? Born Slippy. Not one of your
:12:28. > :12:33.own? Modesty forbids me. There might be some pro fanty in the records I
:12:34. > :12:38.made. One of the things we always talk about is when the legends are
:12:39. > :12:43.added to the line-up. These may be a clue as to some of the legends
:12:44. > :12:50.playing this year. Get it? It is a look. But only ZZ Top can really
:12:51. > :12:55.pull it off. Matt Allwright went to meet his heroes.
:12:56. > :13:01.In 1969 the world was a very different place. Of course, we still
:13:02. > :13:05.had The Beatles. Adele was a mere twinkle in her mother's eye, and if
:13:06. > :13:10.you said you like Coldplay, it meant going outside without your tank top
:13:11. > :13:15.on. Some things don't change though, because there's a band which over
:13:16. > :13:21.the last 47 years has had exactly the same line-up... Exactly the same
:13:22. > :13:25.approach to its music... And the same awesome way of expressing
:13:26. > :13:32.itself through facial hair. Give me all your lovin', all your hugs and
:13:33. > :13:36.kisses too. Z top have sold over 50 million albums worldwide but it
:13:37. > :13:44.wasn't until 1984 that they first performed live here in the UK. I
:13:45. > :13:51.like Z St Top that much I've broken me foot. Now one of the greatest
:13:52. > :13:55.rock bands is going to play the greatest festival. Billy, it is
:13:56. > :13:59.amazing to have you here. Glastonbury, how does it feel, are
:14:00. > :14:05.you ready? I'm way into meeting with you. The guy was commenting on
:14:06. > :14:09.perennially it is known for being the rainiest week. Yep. In
:14:10. > :14:20.preparation I went and got a proper set of wellies. Correct, they are
:14:21. > :14:27.wellies, not gumboots. I have to look back 47 years. How do you keep
:14:28. > :14:32.that thing going? We finally figured out how to read each other's minds.
:14:33. > :14:37.But the real secret is, we are never quite sure. Do you think there's a
:14:38. > :14:42.degree of telepathy between you? Yes, it has become that. Does that
:14:43. > :14:47.extends outside of performing? Yes, but the fact that we are so simple
:14:48. > :14:52.minded, it is not a big deal. You step out on to the stage at
:14:53. > :14:56.Glastonbury, for you is it another gig, or is it special? Special?
:14:57. > :15:00.Maybe you don't see it as something special. We've known about
:15:01. > :15:03.Glastonbury for some time. When we drove, in you could see the
:15:04. > :15:09.campfires on the hillside. As far as you could see, in every direction,
:15:10. > :15:13.there were tents, caravans. We knew we had arrived.
:15:14. > :15:21.I have to talk about beards. When did the beard start? Was that '69 or
:15:22. > :15:29.was that some time after? Well, there was a bit of scruffiness along
:15:30. > :15:34.the way, but it didn't get serious until '76, when we closed the book
:15:35. > :15:38.on touring and recording. There is a whole generation of young British
:15:39. > :15:42.men now who have grown beards not unlike yours. Can you give them any
:15:43. > :15:47.tips or advice to keep them looking as magnificent as yours? Well, be
:15:48. > :15:53.mindful that a beard goes where you go. Don't get too close to the fan.
:15:54. > :15:56.And mind the doors. Don't let it get caught! It's been an honour meeting
:15:57. > :16:04.you. As he said, a massive honour. It was
:16:05. > :16:09.the best day of Matt Allwright's life! The boys have finished playing
:16:10. > :16:15.on the Pyramid Stage. Let's do a little tour of the stages. You are
:16:16. > :16:22.the expert! No pressure! That is the Pyramid Stage. That is the Main
:16:23. > :16:28.Stage, the headliners will be there, Muse tonight, Adele tomorrow. If we
:16:29. > :16:35.move to Other Stage, that is the headlines of the future. Disclosure
:16:36. > :16:39.are on later. That is where your future headliners will be. Now we
:16:40. > :16:50.will go inside. We heard Norman talking about the John Peel Tent.
:16:51. > :16:55.Jack Garratt is there. Then the BBC Introducing Stage, that is where the
:16:56. > :17:08.brand-new artists are. They are the headliners... That is where Jake
:17:09. > :17:17.Bugg started? Yes. Then we have the West Holt Stage and the Park Stage,
:17:18. > :17:20.which is behind us over here. A more alternative stage. A warning for
:17:21. > :17:24.anybody coming up here - sit very slippery. We had such a laugh
:17:25. > :17:31.watching people fall down the bank earlier on - we shouldn't say that!
:17:32. > :17:36.I had a moment before we went on air because Daughter were playing. All
:17:37. > :17:47.good. We need your help. We have been doing this for four years. We
:17:48. > :17:52.ask our guests to help us create a fantasy festival line up. Mark
:17:53. > :17:56.Ronson picked The White Stripes. Ed Sheeran picked Joni Mitchell. We
:17:57. > :18:05.want you to pick anybody, dead or alive. If they are dead, they will
:18:06. > :18:14.come back to life! I will pick Amy Winehouse. We have Amy. They will
:18:15. > :18:27.redo this. That is neat. Go on? I'll have Prince in. I want Prince! It is
:18:28. > :18:32.lucky I'm not a school teacher! Most of my school teachers, it's fine. Is
:18:33. > :18:38.that alright? Yes. Very good additions. There is no question that
:18:39. > :18:45.we have the number one DJ with us, Norman. However... However, there is
:18:46. > :18:51.a challenger in town and things are about to get interesting. Very
:18:52. > :18:54.interesting. Steve Davis is regarded as one of the greatest snooker
:18:55. > :18:59.players of all time, winning the World Championship on six occasions.
:19:00. > :19:06.What's more interesting than that was his revelation on The One Show
:19:07. > :19:12.sofa. What is your big announcement? Well, Glastonbury. Steve's gone from
:19:13. > :19:21.cueing balls on the table to cueing records on the turntables. Watch out
:19:22. > :19:26.Glastonbury. Here it is, the venue where Steve will be DJing. I have
:19:27. > :19:30.been doing a local radio show for some ten years. All of a sudden, we
:19:31. > :19:38.have been hired for different festivals around the world - well,
:19:39. > :19:44.Glastonbury. In the set today we are playing stuff that most people have
:19:45. > :19:50.never heard of. A lot of people DJing have been mixing records one
:19:51. > :19:54.into the other, a bit of scratching and things we don't understand. We
:19:55. > :20:01.will pick a record and we will press "play". My interaction with the
:20:02. > :20:13.audience is the same way as I interacted with my snooker audience.
:20:14. > :20:21.The programme said the music was avant garde - they are not wrong. He
:20:22. > :20:25.is so good. I always preferred Dennis Taylor to be honest with you!
:20:26. > :20:29.Is there anything this man can't do? That was surreal. People came for
:20:30. > :20:34.the novelty aspect. People were bumping along. They enjoyed it. We
:20:35. > :20:40.enjoyed it as well. You know there is a World DJing Championships? It
:20:41. > :20:48.is time to enter, perhaps. It's nailed on I will be zero times World
:20:49. > :20:54.DJ Champion. He is having the time of his life. Unbelievable. What did
:20:55. > :20:59.you make of it? I think he's better at DJing than I am at snooker. Do
:21:00. > :21:05.you not think you should take up snooker now? Anyone can be a DJ. I
:21:06. > :21:11.respect him for the fact that he loves his music. He is not jumping
:21:12. > :21:17.on any bandwagons. He is a real music lover. Fair enough. Steve is
:21:18. > :21:22.not the only unusual Glastonbury booking. We will ask you to cast
:21:23. > :21:30.your minds back, true or false, did these people play at Glastonbury?
:21:31. > :21:38.First. Sir Bruce Forsyth? The Price Is Right. False. But he should.
:21:39. > :21:45.False. It is true. He played in 2013. Told a few gags. My parents
:21:46. > :21:54.love him. Next one. David Hasselhoff? No way. Not yet. Not
:21:55. > :22:05.yet. Correct, he has not played. Next one. The Wombles? Yes. You
:22:06. > :22:10.saying yes? Yes. They were the first gig I went to. Why isn't there a
:22:11. > :22:22.band out at the moment that dress like that? Why? That is a good
:22:23. > :22:29.question. The booking was a mistake in 2011. They did. What about these?
:22:30. > :22:34.Jedward. We would have remembered it if they had. No. False. Correct, it
:22:35. > :22:40.is false. They have never played. While we have two minutes, remind us
:22:41. > :22:45.of your tour. Oh my God. I'm doing a big tour in the autumn, the arenas.
:22:46. > :22:50.Dates? I can't remember the exact dates! I will say November 18th,
:22:51. > :22:54.there is October - it starts in November through to December. Can
:22:55. > :22:59.you believe that? Sorry. You need to be more clued up! I know when my
:23:00. > :23:05.tour is. I can't believe it is happening. Let's go to another part
:23:06. > :23:13.of the Festival. Arcadia. Norman, you have played this. This is a big
:23:14. > :23:18.structure and Matt got to know it very well. I'm in the belly of the
:23:19. > :23:23.beast. A giant mechanical spider, which I have found out is, in fact,
:23:24. > :23:27.female and I'm here with one of the directors, Bert Cole. Tell us the
:23:28. > :23:39.story of the show that people will see tonight. The show is
:23:40. > :23:44.Metamorphosis. The spider abducts some humans and finds out a bit
:23:45. > :23:50.about them and it goes through a programme of change and some evolve
:23:51. > :23:54.into great jellyfish creatures with light coming out of them and the
:23:55. > :24:01.thing culminates in a celebratory finale. People are here to dance?
:24:02. > :24:05.Absolutely. We have a line-up of DJs ready for the weekend. How do you
:24:06. > :24:10.start to put something like this together? What is it made of? It is
:24:11. > :24:15.made from over 90% recycled materials. We are standing on a jet
:24:16. > :24:20.engine turbine, which is the DJ booth, the eyes are reverse thrust
:24:21. > :24:24.units from jet engines, there's old helicopters, the main legs are
:24:25. > :24:31.Customs and Excise scanning machines. It looks like it is thrown
:24:32. > :24:35.together. To be successful and safe, that can't be the case? Absolutely.
:24:36. > :24:40.Safety is the paramount thing with us. We have to work with structural
:24:41. > :24:46.engineers, gas experts, all these different people come to make sure
:24:47. > :24:50.that it works and it is safe. What happens when it finishes here? That
:24:51. > :24:57.is a good question. This goes into containers. It will go on an
:24:58. > :25:01.international tour so we are going to Korea, Taiwan, Australia, amongst
:25:02. > :25:04.other places. It will probably come back next year. Anything new for
:25:05. > :25:09.this year? Yes, there's something new. There is a big red button over
:25:10. > :25:16.there. No-one has pushed it yet? Not yet. Can I? How dangerous can it be?
:25:17. > :25:26.I don't think I will do that again! Back to the studio. You were saying
:25:27. > :25:33.that is really wobbly? It is terrifying. It is like being a
:25:34. > :25:38.rickety tin can. It is scary. Yes. Definitely. We are about to hear the
:25:39. > :25:42.first live performance on BBC Two from Glastonbury. Who better to kick
:25:43. > :25:51.us off than Jake Bugg. Welcome. How are you? I'm OK. How are you? Good.
:25:52. > :25:57.You had a big night last night. How was the gig in Nottingham? Nice to
:25:58. > :26:01.go back. Heavy night. You are happy about today and everything and you
:26:02. > :26:05.will play for us shortly? I am looking forward to - I will try and
:26:06. > :26:09.play for you! It is cool to be here. You love performing. That is part of
:26:10. > :26:19.your thing. Festivals aren't your favourite thing. That is what people
:26:20. > :26:25.are saying... You enjoyingit? It is alright. The sun has come out now.
:26:26. > :26:35.Thank you very much. Off you pop. We should say a quick thank you to our
:26:36. > :26:43.guests, Jess Glynne, Norman Cook and Greg. Thank you. Now, with his new
:26:44. > :26:44.single, Livin' Up Country, it is Jake Bugg. Enjoy the weekend. See
:26:45. > :26:57.you later. # For now we're
:26:58. > :27:00.living in the country # I only went down,
:27:01. > :27:11.my ship had already sailed # It was going well
:27:12. > :27:26.I thought at first # Found my lucky pardon,
:27:27. > :28:01.I was saved # Couldn't get out,
:28:02. > :28:07.I found no check in the mail # It was going well
:28:08. > :28:15.but then went stale # I couldn't get by,
:28:16. > :28:22.lucky to live to tell the tale # I'd probably get
:28:23. > :28:35.some rest at least # Never have to look
:28:36. > :28:58.out for the man. #