:00:17. > :00:19.Hello and welcome to The One Show with Alex Jones.
:00:20. > :00:23.Four years ago we met Bob who had a brilliant story to tell.
:00:24. > :00:26.Whilst living rough on the streets of London he met a recovering drug
:00:27. > :00:28.addict and helped him turn his life around.
:00:29. > :00:31.Bob is a cat, his friend is called James.
:00:32. > :00:34.And the book James wrote about the two of them became
:00:35. > :00:39.an international bestseller spending an incredible 76 weeks at the top
:00:40. > :00:43.Everyone thought it would make a great movie.
:00:44. > :00:48.Please welcome the stars of A Streetcat named Bob.
:00:49. > :01:03.And the man and his cat themselves, writer James Bowen and Bob!
:01:04. > :01:08.We have been watching intently through the entire opening here.
:01:09. > :01:18.I've been incredibly excited to meet Bob. He can do a high five. Is there
:01:19. > :01:24.any chance? Give 'em a high five. Come on. For treats? High five, come
:01:25. > :01:36.on. Do you know what, he's done all the acting in the movie. Show that
:01:37. > :01:42.to him. High five. Aw. High five. Oh it's worked!
:01:43. > :01:46.James just very quickly, last time you were on we talked about the
:01:47. > :01:50.movie and loads of actors who could play you and you ended up with Luke
:01:51. > :01:55.here. Are you happy? You should be? Oh, my goodness I'm so happy. Luke
:01:56. > :02:00.has been so dedicated to the task. When you talk about method acting,
:02:01. > :02:07.he really put his all into it and high five to you, Luke, seem proud
:02:08. > :02:12.of you, mate, I couldn't have had any more praise for someone doing my
:02:13. > :02:16.sort of interpretation, you know, a painting of a painting, and he just
:02:17. > :02:22.did it so well. A great singer as well. Lovely voice. We are looking
:02:23. > :02:27.forward to finding out how Bob was brought to the big screen later and
:02:28. > :02:32.we'll have a special tribute to dad's Army creator Jim Perry who
:02:33. > :02:41.died yesterday at the age of 93. Whether you believe it's a blip or
:02:42. > :02:47.something more permanent, the value of the pound is rippling. It's
:02:48. > :02:51.$1.21, 18% less than on the day of the EU referendum in June. We met
:02:52. > :02:54.the owners of fish different businesses in one seaside town to
:02:55. > :02:59.see how they view their Financial Future.
:03:00. > :03:04.Welcome to sunny Blackpool. Illuminations. The shows, the night
:03:05. > :03:10.life. Blackpool was one of the biggest areas in the country for
:03:11. > :03:16.wanting to leave the EU. What is this? Unfunny money. There's nothing
:03:17. > :03:18.funny about money in business. This is about as good as Brexit has done
:03:19. > :03:22.us in our business. LAUGHTER.
:03:23. > :03:41.It's no good to me at all. I'm Will, I'm the managing director
:03:42. > :03:46.at Cheatham Ltd, designers and manufacturers of decorative
:03:47. > :03:52.lighting. We might have supplied cruise ship lighting, a TraveLodge,
:03:53. > :03:55.Holiday Express Hotel or a 5 Star top end hotel in the Middle East.
:03:56. > :03:58.The question everyone is asking about the moment is, how is the
:03:59. > :04:04.value of the pound affecting business and why is it important? If
:04:05. > :04:07.this was the pound pre-Brexit, I guess we are about there. As a
:04:08. > :04:12.manufacturing company we have a lot of goods and raw materials we need
:04:13. > :04:19.to buy predominantly from China and we are buying goods in US Dollars.
:04:20. > :04:23.This year we were lucky enough to forward buy at a favourable rate. We
:04:24. > :04:27.maintained our pricing at that level. Come next year we have to
:04:28. > :04:36.start again and who knows what will happen but we are expecting the
:04:37. > :04:40.pound to weaken even further. I'm David, I'm the chairman and
:04:41. > :04:45.founder of Tangerine Holdings Group. We are a manufacturer of animal
:04:46. > :04:52.health products. We have everything that you would find in a Holland and
:04:53. > :04:56.Barrett for Pets. We are currently exporting to approximately 40
:04:57. > :04:59.countries around the world. The fall's certainly affected our
:05:00. > :05:03.purchasing pricing, no doubt about it. It's always the situation if you
:05:04. > :05:07.are buying raw materials, yes, they cost you more, but it enables you to
:05:08. > :05:12.export a lot easier because the cost of the goods to the people buying
:05:13. > :05:16.them are a lot cheaper, so it's always been a little bit of a swings
:05:17. > :05:19.and roundabouts thing and not something we have focussed on too
:05:20. > :05:26.much. Business is pretty good at the moment. We all believe business is
:05:27. > :05:31.going to carry on the same. I'm Harry Nixon, this is my business, we
:05:32. > :05:42.supply nuts, bolts, washers. It's good. We supply the piers, from a
:05:43. > :05:47.car, think of a car down to garden furniture. 90% of fasteners come
:05:48. > :05:53.from the Far East, Taiwan, China. Everything is done by the dollar, as
:05:54. > :05:56.you are probably aware, and the pound against the dollar is not
:05:57. > :06:00.brilliant, dropping all the time. The cost of everything coming into
:06:01. > :06:05.the country is increasing, my prices are rising 15%, I have to pass that
:06:06. > :06:09.on to the customer which is the manufacturer manufacturing goods for
:06:10. > :06:10.Joe Public. This is how much the Brexit vote is affecting my
:06:11. > :06:25.business, 15%, maybe a bit more. I'm Dawn, and this is my sister and
:06:26. > :06:29.business partner, Diane. We are catering equipment distributors. The
:06:30. > :06:36.uncertainty at the moment with the pound, the euro, touch wood, has not
:06:37. > :06:40.affected us at all at the moment. There are discussions that it will
:06:41. > :06:43.affect prices January February next year. There are certain
:06:44. > :06:48.manufacturers and distributors that are really quite upbeat and I would
:06:49. > :06:52.certainly like to put ourselves within that cat glory. My confidence
:06:53. > :06:58.in the pound is so much that even if we put it in the blender, it's going
:06:59. > :07:03.to come out exactly the same. All untouched, all worth exactly the
:07:04. > :07:05.same as before. And there is a report out that
:07:06. > :07:09.confirms what the businesses in Blackpool there were telling us. The
:07:10. > :07:13.weaker pound's meant that exports have shot up in the last three
:07:14. > :07:19.months and they are expected to keep on rising. Yes. Let us talk about A
:07:20. > :07:23.Streetcat Named Bob. Definitely the star of the show tonight isn't he?
:07:24. > :07:27.When you came in about four years ago James, wasn't it, and you said
:07:28. > :07:31.you'd love your store to be turned into a film, of course here it is,
:07:32. > :07:37.did you have a lot of input to how the film was made and were you on
:07:38. > :07:40.set a lot? Well, yes, I was on set a lot but it was never intended that
:07:41. > :07:44.way. Usually when you sell the writes to the book, off they go and
:07:45. > :07:50.make the film. I think the only other case of someone being really
:07:51. > :07:54.in their film is like Stephen King when he hosts cameos and things like
:07:55. > :07:59.that. I remember Luke was doing this scene from the beginning of the film
:08:00. > :08:05.and I came along and he was really putting his all into it and then
:08:06. > :08:10.they were doing this scene in Covent Garden and I came along, brought Bob
:08:11. > :08:14.along and we were doing some shot on the millennium Britain which weren't
:08:15. > :08:18.used in the final film. Later in the evening, as it was getting darker,
:08:19. > :08:24.Roger the director decided that he wanted to have Luke playing the
:08:25. > :08:29.guitar with Bob on the Bow Street back street. They were doing the
:08:30. > :08:35.takes and Bob did every single take perfectly. Of course he did. Look at
:08:36. > :08:40.him. Luke was playing absolutely fantastically as he does and I just
:08:41. > :08:45.heard this whisper over my ear from the producer, I'm going to put by 2p
:08:46. > :08:49.in about having Bob on, you know, and I thought to myself, oh, dear
:08:50. > :08:54.here we go. The next thing I know, I was roped into coming in at 5. 30 in
:08:55. > :08:59.the morning every day for seven weeks. I couldn't have said no, it's
:09:00. > :09:03.essentially our film. Of course, it's your story. They've honoured us
:09:04. > :09:06.by making it so we were there for them as much as they were there to
:09:07. > :09:10.make our story. Obviously Luke great to be working with the real Bob but
:09:11. > :09:15.what was it like to have James on set because you are telling his
:09:16. > :09:19.story and it's incredibly emotional as well, the two meet and what you
:09:20. > :09:22.have to go through to get through your heroin addiction as well and
:09:23. > :09:29.you had to play all of that in front of James so what was it like for you
:09:30. > :09:34.to play all that and see him? It was really amazing to have James theram
:09:35. > :09:38.actually. You do your research and build up your character, work on the
:09:39. > :09:42.voice and physicality of someone then you shoot the film. To have
:09:43. > :09:47.James on set every day, it was a constant reminder of who it was that
:09:48. > :09:52.I was playing. And yeah, having real Bob there, I mean, none of the other
:09:53. > :09:59.cats could handle being in Covent Garden while we were filming. They
:10:00. > :10:04.were very good at what they did. They were doing stunts and a lot of
:10:05. > :10:10.the second unit work. But Bob is Bob, you know, so... It was strange
:10:11. > :10:14.some days pretending to be James whilst pretending to have lost Bob
:10:15. > :10:18.and James and Bob would be sat in the corner, we had to use our
:10:19. > :10:25.imagination some days. We were crammed in the corner of the set. A
:10:26. > :10:29.lot of people will be wondering where you come in, Joanne, and we'll
:10:30. > :10:36.figure that out in a second but let's see you and Bob in action.
:10:37. > :10:45.Don't go over there. He's not even my cat, he's followed me on to the
:10:46. > :10:54.bus. Haven't you? Eh... Ain't he lovely. Is he allowed? I don't know,
:10:55. > :11:00.have you paid for im? Two for one. That was a One Show friend there,
:11:01. > :11:03.Nina as the bus inspector there. Go on Joanne, where do you come into
:11:04. > :11:09.it, you have an important role in this? Yes, it's very much James and
:11:10. > :11:13.Bob's story and Luke does the most incredible job playing James and I
:11:14. > :11:20.just come in as a supporting role and play what would have been
:11:21. > :11:25.James's key worker, social worker. I'm an amalgamation of A housing
:11:26. > :11:31.worker and drug worker. For dramatic purposes we combined it into me. So
:11:32. > :11:33.yes, that's where I come in. I'm the support system for Luke's character
:11:34. > :11:38.which sounds really strange saying that when you are sat there, James,
:11:39. > :11:46.but our character James, rather than the real James. So yes, that's my
:11:47. > :11:49.role. Everybody can see A Streetcat Named Bob at cinemas from November
:11:50. > :11:53.4th. Now James here spent over ten years
:11:54. > :11:56.on the streets and figures have shown that the number of people
:11:57. > :12:00.sleeping rough in England has more than doubled since 2010. As Nicky
:12:01. > :12:04.and Dave demonstrate here, getting some rest when you are sleeping
:12:05. > :12:08.rough can mean taking to public transport.
:12:09. > :12:13.Central London at night. People are on the move and the iconic red buses
:12:14. > :12:17.are in high demand. Shortly after Midnight, Nicky is
:12:18. > :12:23.travelling with her boyfriend Dave who she met a year ago. Here you
:12:24. > :12:27.are, here is a 24-hour one. Unlike other passengers, Nicky and Dave
:12:28. > :12:31.have no real destination. They are two of London's estimated 7,000
:12:32. > :12:35.rough sleepers. In her 20 years on the streets, Nicky has learnt that
:12:36. > :12:41.come night-time, buses are better than pavements. Living on the
:12:42. > :12:47.streets, as a woman, is one of the scariest things ever. I woke up to
:12:48. > :12:53.someone trying to get on top of me. I personally feel safer on a bus.
:12:54. > :12:56.There's CCTV, there's usually people and you've got the driver.
:12:57. > :13:03.Unfortunately, bus sleeping only lasts as long as the bus route. At
:13:04. > :13:08.the last stop, Nicky and Dave must get up and wait for their return
:13:09. > :13:11.trip outside. This is the worst bit, especially when it's windy like
:13:12. > :13:18.this. But it don't phase me. As long as I can sleep. Night buses are
:13:19. > :13:20.notoriously infrequent. It will be another 30 minutes before the 27
:13:21. > :13:30.will reappear. It's not known how many of London's
:13:31. > :13:34.homeless sleep on buses at night. Many will do so when it's very cold,
:13:35. > :13:39.wet or when they're particularly vulnerable. Last year at the New
:13:40. > :13:42.Horizon's youth centre here in Central London, staff handed out bus
:13:43. > :13:49.tickets to homeless young people who had nowhere else to go at the end of
:13:50. > :13:52.the day. The hostels available to us have become completely depleted. One
:13:53. > :13:57.young woman I know did her A-levels while she was sleeping on a bus. I
:13:58. > :14:06.need to ensure young people are safe more than anything else and keeping
:14:07. > :14:10.them off the street is paramount. The slumper doesn't last more than
:14:11. > :14:17.40 minutes before it's time to get off the bus once again.
:14:18. > :14:22.I'm so tired, I just want to get back on a bus. If we go to the
:14:23. > :14:27.hospital toilet and then get on the 29 bus there, babe...
:14:28. > :14:31.This is the best place to get the buses because you can go anywhere
:14:32. > :14:42.from Warren Street. I would rather pay on a bus than
:14:43. > :14:46.just travel, but there has been times where yes, I haven't had any
:14:47. > :14:54.money and I've had to get on a bus and I've dodged the fare. But I'm
:14:55. > :15:01.now paying for it in fines. ?3,000. I ain't got ?3,000. A safe night's
:15:02. > :15:04.sleep on London's buses is far from guaranteed for rough sleepers. Luke
:15:05. > :15:08.is one person who returned to the traditional doorway after he was
:15:09. > :15:14.badly attacked by two drunken men on a night bus last year. I went to
:15:15. > :15:18.sleep. Next thing I knew I was getting punched and head butted. I
:15:19. > :15:24.just froze. I didn't know what to do. From now on, I sleep in shop
:15:25. > :15:29.doorways and move about from place-to-place wherever I can get my
:15:30. > :15:34.head down really. Oh, man, I was well enjoying that sleep. You know
:15:35. > :15:41.when you've just had a little sleep and feel refreshed. Oh, wow... 17
:15:42. > :15:45.years ago, I remember, it sticks out in my mind, the best night's sleep I
:15:46. > :15:58.ever had, best night's sleep ever. I couldn't have done it without my
:15:59. > :16:02.partner. You know, he always makes sure that I'm safe. If we can get
:16:03. > :16:11.through what we've been through, we can literally get through anything.
:16:12. > :16:16.They continue to ride the number 29 bus in a circle until 6am, before
:16:17. > :16:20.retiring once again to the pavements of central London. In less than 12
:16:21. > :16:24.hours it will be dark once more and they'll have to start thinking about
:16:25. > :16:26.how to get through the night ahead. Maybe a shop doorway, maybe a
:16:27. > :16:35.stairwell or maybe a bus. Well, a big thanks to them for
:16:36. > :16:39.sharing their story and of course James a film that rings true with
:16:40. > :16:45.you. It is astounding that numbers have doubled since 2010. Where do
:16:46. > :16:48.you think the problem lies? In the fact they are all placed into the
:16:49. > :16:53.same boat as such. There are mental issues. There are family issues.
:16:54. > :16:59.There are drug issues. There are all sorts of different reasons, you
:17:00. > :17:02.know. Immigration issues. Things like that. All sorts of different
:17:03. > :17:08.reasons that people end up on the street. If we broke it down more for
:17:09. > :17:13.each individual person, then maybe we could get a better action to the
:17:14. > :17:17.root of the problem. This time of year, when it starts to get
:17:18. > :17:21.incredibly cold and the nights draw in, that is when you think of those
:17:22. > :17:26.who are out there. Luke, you spent some time on the streets. What was
:17:27. > :17:30.your experience? What was your overriding memory of sleeping rough?
:17:31. > :17:37.I just wanted to get a little sense of it really. So James took me
:17:38. > :17:42.around Soho to places he busked. We went busking for the evening. You
:17:43. > :17:46.showed me different doorways you had been in on Christmas mornings. In
:17:47. > :17:49.the end I got cardboard and went to sleep on the pavement. The amazing
:17:50. > :17:54.thing is everyone is rushing back from work, going home on the Tube
:17:55. > :17:58.and if you are sitting there playing you feel invisible really. It is a
:17:59. > :18:04.very vulnerable place to be on the streets. Absolutely. It would seem
:18:05. > :18:14.that Bob is a very big fan of your music. Here he is being serenaded.
:18:15. > :18:18.Are cats really music lovers? There is one American composer who thinks
:18:19. > :18:24.he has found a sound that is pretty, well let's say cool for cats. Oh,
:18:25. > :18:32.you went there! Cats, cats, cats, cats. Pussycat
:18:33. > :18:35.Dolls. Stray cats, Cat Stephens and that Andrew Lloyd weber thing. None
:18:36. > :18:39.of the music we enjoy is meant for cats. There is research that
:18:40. > :18:43.suggests they may not even like it. That is why the a composer has
:18:44. > :18:49.produced an album specifically for cats. He claims scientific research
:18:50. > :18:55.shows that it really is the cat's whiskers. I figured that a sound
:18:56. > :19:00.that was reward-related, that cats all heard as their brains were
:19:01. > :19:06.developing was the swishing of suckling for milk. This for real? I
:19:07. > :19:10.am here at the cat show in Birmingham to see what the cat
:19:11. > :19:14.owners think. The idea seems ludicrous to me. Do you think it
:19:15. > :19:18.might work? It is worth a try. They are very in tune to that sort of
:19:19. > :19:24.thing. It is possible. She likes a few tunes. What tunes does she like?
:19:25. > :19:31.She likes a little bit of John Legend. Do you think if we played
:19:32. > :19:35.soothing cat music to Summer... I don't think she likes the look of
:19:36. > :19:41.the cover. To see for ourselves, we have set up our very own one show
:19:42. > :19:49.cat cafe and we played them some of David's music.
:19:50. > :19:54.Listen, puss you... -- use. There is music playing for you
:19:55. > :20:01.Button's ears are pricking up. Buttons is beginning to hear the
:20:02. > :20:09.special music, creating to soothe cats around the world.
:20:10. > :20:14.Is there a contented cat or a terrified cat - wondering where is
:20:15. > :20:20.this music coming from? Listen to the lovely music May. A
:20:21. > :20:25.few cats liked it. Most didn't. Maybe your cat is a bit more of a
:20:26. > :20:31.Musow! Bob throughout that was wagging his
:20:32. > :20:39.tail. It's had the same effect on you. He was wagging his tail Some
:20:40. > :20:44.liked it. Some didn't. On the music theme then, when you played guitar
:20:45. > :20:50.and was singing away was there one track Bob particularly liked? I
:20:51. > :20:55.think he's in to it. He likes busking. He would sit on my
:20:56. > :21:04.shoulders, he loves it. Get him a guitar now. A bit growly. He's had
:21:05. > :21:08.enough. He wants this. Give him salmon paste.
:21:09. > :21:13.Can we talk about your new film because that is based ond a true
:21:14. > :21:18.story and the premise, it sounds heart-breaking, just give us a
:21:19. > :21:22.flavour of the plot. Starfish is released this Friday and A Streetcat
:21:23. > :21:26.Named Bob is released the following Friday. You cannot get away from me.
:21:27. > :21:32.Starfish is a true story, based on the lives of Tom and Nicola Ray.
:21:33. > :21:36.Basically Tom came down with sepsis one evening. Went into hospital
:21:37. > :21:42.thinking he had food poisoning, went into a coma and sort of woke up five
:21:43. > :21:45.months later having had his lower limbs amputated and some of his face
:21:46. > :21:51.amputated as well. The first half of the film is the story of his wife,
:21:52. > :21:55.who I play. Trying to cope with giving birth to their second child
:21:56. > :22:01.and a young child. The second half is how they rebuild their life
:22:02. > :22:05.together and then Tom is brilliantly played by Tom Riley in the film.
:22:06. > :22:09.Mostly it is an incredible love story. It is one of the most
:22:10. > :22:12.incredible love storiesvy ever read. It is true. They are still together
:22:13. > :22:17.now. This happened in the millennium year. Their kids are teenagers. They
:22:18. > :22:25.are an amazing, inspirational couple. The street cat the following
:22:26. > :22:29.Friday. Your stories are real. They are not people who were around years
:22:30. > :22:33.ago. I am fascinated by real stories. Talking to James is
:22:34. > :22:39.incredible. I could talk to you for hours and hours. We spent a lot of
:22:40. > :22:43.time on set together and stuff. I am sure he got bored of me picking his
:22:44. > :22:51.brains. I am fascinated by real people. We look forward to seeing
:22:52. > :22:58.them both. We often send reporters to difficult locations. Andy Torbet
:22:59. > :23:03.has ventured into Snowdonia to see what is beneath the surface of a
:23:04. > :23:07.flooded slate quarry. Submerged since the 1970s it is a story of
:23:08. > :23:11.hard labour and death. I want to explore its secrets. Today, in these
:23:12. > :23:19.peaceful and beautiful surroundings, it is hard to imagine that for 150
:23:20. > :23:26.years generations of skilled men laboured 100 metres down there. This
:23:27. > :23:31.is in Snowdonia. Once empty of water this whole area used to be a quarry,
:23:32. > :23:36.producing up to 17,000 tonnes of slate a year. The skilled craftsmen
:23:37. > :23:41.who worked here could split just one inch of slate into six perfect
:23:42. > :23:46.roofing tiles. Working here could be perilous, as workers had to descend
:23:47. > :23:52.into the pit which sat below the natural water table. In 1884 several
:23:53. > :23:59.drowned when the bottom of the pit flooded. A beam engine was installed
:24:00. > :24:05.to pump the water out. By the 1960s plain concrete tiles were more
:24:06. > :24:10.popular than slate. The pump was switched off. John Williams worked
:24:11. > :24:20.there and worked there like his father before him.
:24:21. > :24:31.My dad used to be a workman. They used to... A death defying job. In
:24:32. > :24:36.charge of charges... Some of the walls are hundreds of feet high?
:24:37. > :24:42.There were 30 of us here to the bot to. It would take half an hour for
:24:43. > :24:48.some men to walk up. How do you feel now about the quarry, what is left
:24:49. > :24:53.here? Well, I would like to make a museum here. I would love it.
:24:54. > :24:57.And recognition for the work that went on here? Yes and to bring back
:24:58. > :25:03.memories. There are calls to make quarries
:25:04. > :25:08.like this one World Heritage Sites, but that will not reveal the gems
:25:09. > :25:13.under the quarry's surface. These days only divers make the trip down.
:25:14. > :25:18.Many don't have official permission and they face freezing conditions,
:25:19. > :25:22.hazards and depths in excess of 100 metres. More than 20 people have
:25:23. > :25:28.lost their lives here in the last 30 years.
:25:29. > :25:32.Some believe a regulated dive centre would help keep divers safe. For
:25:33. > :25:37.now, we've been given official permission to explore this once
:25:38. > :25:41.thriving Welsh Atlantis. To ensure that everyone's safety, good
:25:42. > :25:46.equipment and preparation are key. I've got my close circuit
:25:47. > :25:50.re-breather which circles my warm breath helping to keep my core
:25:51. > :25:56.temperature up, which means I can go deeper for longer. There are three
:25:57. > :25:59.on the dive, me, the diving camera operator and our dive buddy, who is
:26:00. > :26:05.a dive supervisor who will monitor us from the surface. It was
:26:06. > :26:09.dangerous before it filled with water and it is no more dangerous
:26:10. > :26:10.today. We are professionals, prepared and so we are going
:26:11. > :26:23.exploring. Below water, 80 metre high pinnacles
:26:24. > :26:29.loom from the depths. They were formed when workers blasted through
:26:30. > :26:34.the rock to reach the slate. Many original blast tunnels remain.
:26:35. > :26:41.Some still have paths inside. Others are littered with waste slate
:26:42. > :26:47.which couldn't be used for roofing. Workers took cover from explosions
:26:48. > :26:51.in small shelters. The slabs of stone on top protected the men
:26:52. > :27:00.inside from falling rocks. We can still see the cables. And the
:27:01. > :27:06.iron rods that workmen put ropes on to climb down.
:27:07. > :27:10.But it is those ladders, stretching down to the bottom -- ladders,
:27:11. > :27:18.stretching down to the bottom that really take my breath away.
:27:19. > :27:22.The quarry men may be gone, but these icy waters preserve in tact
:27:23. > :27:28.the man-made spectacles beneath the surface.
:27:29. > :27:37.A big thank you to Joanne, Luke, James and Bob.
:27:38. > :27:40.A Street Cat Named Bob is in cinemas from the 4th of November.
:27:41. > :27:44.Before we go, a special One Show tribute to the man behind Hi-de-Hi,
:27:45. > :27:47.It Ain't Half Hot Mum and Dad's Army - amongst many
:27:48. > :27:50.Writer Jimmy Perry died yesterday, aged 93, and his family have told us
:27:51. > :27:53.they would like to thank everyone for their kind thoughts and comments
:27:54. > :27:56.at this very sad time, saying, "He was the loveliest of men
:27:57. > :28:02.Jimmy also helped write the iconic theme song to Dad's Army.
:28:03. > :28:04.And in his honour, it's that we will hear now,
:28:05. > :29:08.PAUL HOLLYWOOD: Catch the last slice of the action.
:29:09. > :29:11.The Great British Bake Off final is in just two days.