:00:17. > :00:21.Hello and welcome to the One Show with Matt. And Alex. Now tonight's
:00:21. > :00:24.guest is a British female singer who has taken the US by storm.
:00:24. > :00:27.She's sung at the Oscars, she's had American number one records and
:00:27. > :00:37.she's triumphed at the Grammy's. And she was doing it 40 years
:00:37. > :00:44.
:00:44. > :00:53.before Adele - it's Petula Clark! Petula, welcome back to The One
:00:53. > :00:57.Show. We mentioned Adele but you sang at the Academy Awards in 1971?
:00:57. > :01:01.I did. Some time ago! It was great. An
:01:01. > :01:05.amazing evening. Back stage is the most amazing place. There are stars
:01:05. > :01:10.everywhere. You are part of it. I remember Quincy Jones was directing
:01:10. > :01:18.the Orchestra. He is lovely. He has been with us
:01:18. > :01:21.here. He is such a nice man. It was great. For Adele it must have been
:01:21. > :01:28.fantastic. Have you seen the performance? We
:01:28. > :01:33.have it here. She is so good. But when you walk out in front of a
:01:33. > :01:38.crowd, it must be so overwhelming? Yes, of course. Autumn of the stars
:01:38. > :01:44.in the audience too, but you are concentrating on your own thing,
:01:44. > :01:51.fortunately! And with the music behind you, it makes it itser.
:01:51. > :01:55.did you wear? I wore my own dress but there was a lovely lady, the
:01:55. > :02:01.wardrobe person who had a look at it to see if it was OK.
:02:01. > :02:05.It is pretty tight, the whole thing. We have to say, welcome back to the
:02:05. > :02:09.BBC. We know you have had a long standing relationship with the
:02:09. > :02:15.Corporation. We have a lovely picture of you from 1942. Here it
:02:15. > :02:21.Oh, my goodness. Can you tell us the story behind
:02:21. > :02:24.that picture? Is that a really big microphone? A bit of both. I had to
:02:24. > :02:29.stand on a box. I don't know how old I was.
:02:29. > :02:35.I think about nine. No, that was earlier. The first radio show I did,
:02:35. > :02:41.I was about eight, but, I was a very little girl. It was for a show
:02:41. > :02:47.called It's All Yours. It was a show efor the Forces. Children
:02:47. > :02:56.could send a message to their Dad or uncle. In this case it was my
:02:56. > :03:00.uncle that was serving abroad. The BBC took over the Criterion in
:03:00. > :03:05.Piccadilly. It is still there. It was full of sandbags, so like an
:03:05. > :03:09.air raid shelter. In the middle of the rehearsal, there was a huge air
:03:09. > :03:14.raid. The place was shaking. A lot of kids were scared. So the
:03:14. > :03:20.producer asked if somebody would like to sing a song. To say a piece
:03:20. > :03:26.of poetry to calm things down. So nobody else volunteered. So I said
:03:26. > :03:30.I would sing a song. What did you sing? Mighty Like A
:03:30. > :03:36.Rose it was sweet. Well, later on, Petula, we are
:03:36. > :03:41.going back to where it started for you as a singer, the Welsh valleys.
:03:41. > :03:47.Great. First, these days more and more people are going online to get
:03:47. > :03:50.car insurance. But be aware of a group of people known as the ghost
:03:50. > :03:55.brokers. Getting your car on the road can be a costly business.
:03:55. > :03:59.There is road tax, petrol, parking, maintenance, of course, there is
:03:59. > :04:04.also insurance. So if a friendly broker offers to save you a few
:04:04. > :04:08.pounds, you may leap at the chance it works like this: You tell them
:04:08. > :04:14.you are struggling to afford car insurance. They offer you a cheap
:04:14. > :04:20.policy with a High Street firm. Now, happy days you may thing but... To
:04:20. > :04:29.get the price of the policy down, they tell the insurance company a
:04:29. > :04:34.few porky -- porkies about your background. Some provide fake
:04:34. > :04:40.policy documents it is ghost broking. In is -- it is illegal.
:04:40. > :04:43.They advertise with genuine companies along classified websites.
:04:43. > :04:47.They will all have one thing in common, they will promise to get
:04:47. > :04:51.your insurance cheaper than anywhere else.
:04:51. > :04:58.I have made up a fake professional for myself with a string of
:04:58. > :05:03.speeding convictions and a couple of big claims. The lowest genuine
:05:03. > :05:09.quote is through price comparison websites at �4,300. So a gave a few
:05:09. > :05:13.of the less official looking brokers a call to see if they
:05:13. > :05:21.called take some of the money off my premium.
:05:21. > :05:26.I have seen the add for cheap car insurance. I could maybe get a
:05:26. > :05:32.quote? I have convictions is that going to work? Have you got more
:05:32. > :05:37.than six points. I have six points. I can get you a cheap quote. That
:05:37. > :05:42.is not a problem. This would be music to my ears if I
:05:42. > :05:49.were struggling to get insurance. It is not long before he give as
:05:49. > :05:54.quote. It comes to � 1970.
:05:54. > :06:00.That is with quick fit. That is �2,000 less than the cheapest quote.
:06:00. > :06:06.I decided not to go with the policy, and took my call to the industry
:06:06. > :06:11.Schneider, Ben Fletcher to see what he made of it.
:06:11. > :06:17.What is your overall impression of this guy? This is not how a genuine
:06:17. > :06:20.broker would carry on doing business. They did not give you the
:06:20. > :06:23.regulated information that you expect them to give you. They gave
:06:23. > :06:29.the quote based on little information and did not give
:06:29. > :06:33.options as to how the policy would be structured or what the benefits
:06:33. > :06:36.were. Then there were concerns about how you would pay for it.
:06:36. > :06:40.That looks like a highly suspect individual. I would not buy my
:06:40. > :06:45.policy for him. The ghost brokers often disappear
:06:45. > :06:50.after you have handed over the cash. Here at the First Central Fraud
:06:50. > :06:55.team. They have in contact with victims.
:06:55. > :06:59.The money you gave this to may not have been authorised as an
:06:59. > :07:04.insurance broke are. It is known that these men know
:07:04. > :07:10.what they are getting into. I have seized on the word bargain.
:07:10. > :07:15.Of course, they want to put on to motorinsurance database but
:07:15. > :07:20.sometimes that short-sighted view is painful and then they have an
:07:20. > :07:25.accident. What people are behind the scams? It ranges from amateur,
:07:25. > :07:30.clunky, brazen attempts at fraud to more sophistication with a number
:07:30. > :07:35.of people involved. So what about the ghost broker who said he would
:07:35. > :07:40.give me a 43% discount with two High Street names? I decided to
:07:40. > :07:46.call him back to see what he said. I'm a reporter from the BBC One
:07:46. > :07:50.Show. I have spoken to Swintons's and skhp quick Fit, both companies
:07:50. > :07:55.say they will not offer insurance discounts at the price you say you
:07:55. > :08:00.will do. They have also never heard of you. How can you over quotes
:08:00. > :08:05.from an insurance company that do not work with you? I'm just asking
:08:05. > :08:09.for the opportunity to get some answers? You will find someone else
:08:09. > :08:13.there. There are a lot of number there is.
:08:13. > :08:15.No. No. I would love to hear it from you. You offered a fantastic
:08:15. > :08:21.quote. He is less inclined to speak now
:08:21. > :08:27.than he was before. I wonder why? So, is it ever worth parting with
:08:27. > :08:33.your cash to try to beat the system to get cheap insurance? It t there
:08:33. > :08:37.are serious ramifications, ranging from difficulty in ten to the cover,
:08:37. > :08:40.to the premium costing more money and then the long-term
:08:40. > :08:43.ramifications are not worth the savings.
:08:43. > :08:46.If you have queries or concerns about the car insurance, visit the
:08:46. > :08:53.website. There are links there to help you out.
:08:53. > :08:57.Now, Petula, you have had a career that spanned over seven decades,
:08:58. > :09:03.selling over 70 million albums. Were you tempted to get into the
:09:03. > :09:10.studio for the new album or were you dying to get in there? I was
:09:10. > :09:15.tempted a by, I suppose. Only a bit? John Williams, not the
:09:15. > :09:20.American, the English John Williams. I worked with him. I liked him very
:09:20. > :09:25.much. He asked me to go into p the studio and it was really like that.
:09:25. > :09:30.He did not say, "Let's do an album." He has a studio at the
:09:30. > :09:36.bottom of his garden here in West London it is like a little Wendy
:09:36. > :09:42.House. We have a little picture. Have you?
:09:42. > :09:47.No, you haven't! It has you singing. It is not a moving picture with
:09:47. > :09:50.sound! Well you walk into the Wendy House and you are in a state-of-
:09:51. > :09:54.the-art studio it is small, perfectly formed. We had the most
:09:54. > :09:58.wonderful time. The first thing we did was a song called Cut Copy Me.
:09:58. > :10:06.I loved it. So we said let's go on with this.
:10:06. > :10:15.That starts the album. I absolutely love it. Let's have a listen.
:10:15. > :10:23.# Cut, cutting me # I'm yours
:10:23. > :10:30.# You're the shoreline, the sea # When I'm off course. #
:10:31. > :10:40.# Does that make me crazy. # # I hope some day
:10:41. > :10:41.
:10:41. > :10:44.# You will join us # And the world will be as one. #
:10:44. > :10:48.APPLAUSE There are new tracks on it. Covers
:10:48. > :10:53.on it. They are carefully selected, no doubt, but lots of critics have
:10:53. > :11:00.said it sounds a little like contemporary artist like Lana Del
:11:00. > :11:04.Ray. Do you like being come paired to new artists? I think that is
:11:04. > :11:10.great. Or do you think that they should be compared to you? Well,
:11:10. > :11:14.whatever. The thing is not to try to copy anybody. The great thing
:11:14. > :11:18.about Adele, she does not sound like anyone else. You have to be
:11:18. > :11:22.yourself. I was not trying to be like anyone but me, but it is
:11:22. > :11:29.contemporary as the songs are, most of them and the covers that we have
:11:29. > :11:35.done. We have don Downtown again. How did that feel? Were you
:11:35. > :11:39.hesitant? Totally, I said "no"! Then I came back from Paris. I was
:11:39. > :11:44.doing things there. I came back into the studio and John said to
:11:44. > :11:49.have a listen to this... He pressed a button, I said, that is nice,
:11:49. > :11:54.what is it? He said it was Downtown. Singing it was an adventure for me
:11:54. > :11:59.it is really like singing a new song. I absolutely love it.
:11:59. > :12:04.It is a great song. Well, we did ask Anita to go
:12:04. > :12:09.Downtown to a place close to your family's heart. Here we go.
:12:09. > :12:16.Petula Clark has had a long and illustrious career, but as a little
:12:16. > :12:22.girl, to escape the Blitz, she moved here, the village in the
:12:22. > :12:27.Welsh valleys. At the tender airb of seven she gave her first public
:12:27. > :12:32.performance in that pub, the Collier's Arms. From the Welsh
:12:32. > :12:36.valleys, she want on to appear in more than 30 films and sold more
:12:36. > :12:39.than 68 million records worldwide. How do you celebrate the career of
:12:39. > :12:45.one of the most successful British exports? You get together as many
:12:45. > :12:53.locals as you can to sing one of her most popular songs, Where the
:12:53. > :13:00.journey began. All I need now are Welsh people who can sing! Hello?
:13:00. > :13:03.Don't be scared. I just want you to sing! I have heard you have a good
:13:03. > :13:08.voice? I used to be the church choir.
:13:09. > :13:14.Will you join us? Yes. Do you fancy coming to join us? You
:13:14. > :13:22.should get him to come. She is fabulous! Come and join us.
:13:22. > :13:27.Can you sing? No! I bet you can. Anybody? Petula would often come to
:13:28. > :13:31.visit her aunt and uncle who ran the greengrocer's here and lived
:13:31. > :13:36.upstairs. This is the school that Petula attended during her stay in
:13:36. > :13:41.Wales. My name is Anita. I would like to
:13:41. > :13:49.know if any of you have heard of Petula Clark? You all have? I want
:13:49. > :13:55.to test your voices! Give me a me, me, me, me! Me, me, me, me. That is
:13:55. > :14:01.good. I will see you all later on. Goodbye! Goodbye! I think I have
:14:01. > :14:07.enough people now, but what about the venue? Petula Clark, performing
:14:07. > :14:15.here at the age of seven, her first public performance. She ea is a
:14:15. > :14:20.real local hero, isn't she? Well if you think of someone glamorous,
:14:20. > :14:28.adding a touch of glamour to the pub, she does go on.
:14:28. > :14:33.Well we need to give you something permanent for your wall... That
:14:33. > :14:37.will go with the Welsh Rugby Union Grand Slam picture.
:14:37. > :14:42.Perfect. # You can always go downtown
:14:42. > :14:46.# The lights are brighter there # You can forget your troubles
:14:46. > :14:50.# Forget your cares # So go downtown
:14:50. > :14:58.# No finer place to go # Downtown
:14:58. > :15:03.# Everything's waiting for you... # APPLAUSE
:15:03. > :15:07.Lovely! And Petula even joined in with the singing there. Lovely.
:15:07. > :15:14.When was the last time you went back to Merthyr? I went back to do
:15:14. > :15:18.that show, but it is hard going back. Everything changes. You know
:15:18. > :15:22.my grandparent's house, which we loved, my senior and I, it was torn
:15:22. > :15:27.down as a slum, would you believe. It just is not there anymore it is
:15:27. > :15:32.hard going back, but that was a wonderful time. Well done, kids!
:15:32. > :15:35.And Petula, the places you have been, the things you have seen. We
:15:35. > :15:38.were talking about the Hollywood career you had with Finnian's
:15:38. > :15:41.Rainbow. We have this wonderful moment with you and Fred Astaire.
:15:41. > :15:51.Let's have a look at your dance. Here we go.
:15:51. > :16:06.
:16:06. > :16:13.That was incredibly significant, wasn't it? That was Fred Astaire's
:16:13. > :16:17.last on screen dance? I was his last big screen partner. I was not
:16:17. > :16:21.exactly Ginger Rogers, but it was a great, peerns making that film.
:16:21. > :16:25.Directed by Francis Ford Coppola. We had a great time making the film.
:16:25. > :16:30.That film was nominated for a Golden Globe, wasn't it? I think it
:16:30. > :16:35.was. It was a difficult film to make. There were two different
:16:35. > :16:41.subjects. The racial side of it and the fairytale. It was weird.
:16:41. > :16:47.Speaking of films, weren't you at some point due to make a film with
:16:47. > :16:51.Elvis? Yes! What happened? Why didn't it come off? Apparently he
:16:51. > :17:01.wanted me to anybody a film it was turned down for me.
:17:01. > :17:05.By who? Who do you think? Oh, the husband?! Yes, me husband! Did you
:17:05. > :17:11.enjoy acting more or singing more at that time in your life? I have
:17:11. > :17:15.always liked all of it. When I first started I wanted to be an
:17:15. > :17:21.actress. I wanted to be Ingrid Bergman.
:17:21. > :17:26.But I sang too. I had parallel careers. Singing, variety, making
:17:27. > :17:30.films. I made about 20 films as a child, as an actress. So they were
:17:30. > :17:34.separated, but I kind of liked all of it, really.
:17:34. > :17:40.It is incredible. We could chat to you all night.
:17:40. > :17:44.Well, Petula's album, Lost In Me is out today. She is playing ten live
:17:44. > :17:46.dates all around the country, starting in Manchester on October
:17:46. > :17:51.the 2nd. That's right. Can't wait.
:17:51. > :17:55.You knew that bit. You are going to like this next bit.
:17:55. > :18:01.There can be few women more French than Coco Chanel.
:18:01. > :18:06.Back in the 1920s, she became part of the British, hunting, shooting
:18:06. > :18:11.and fishing set. Thanks to a love affair with a British arristow
:18:11. > :18:18.accurate. Love, the most powerful force on
:18:18. > :18:24.Earth. The Taj Mahal. The Hanging Gardens of Babylon. All created in
:18:24. > :18:28.the name of love, but what about that? Could one of the most
:18:28. > :18:36.intriguing romances of the 20th century have left its mark on this
:18:36. > :18:44.unassuming London lamppost? And the era for this romance? The roaring
:18:44. > :18:49.'20s. The Great War had ended, the world was ready to party. Emboiled
:18:49. > :18:57.-- embodying the spirit was the French designer, Coco Chanel.
:18:57. > :19:01.With her interlocking CCs renowned. On our side of the Channel, the
:19:01. > :19:07.second Duke of Westminster was doing his bit to celebrate this new
:19:07. > :19:13.age of thrill-seeking. He lived like a king in an extraordinary
:19:13. > :19:17.portfolio of properties. His life was about the pursuit of happiness.
:19:17. > :19:21.He normally always got what he wanted, but in 1923, he discovered
:19:21. > :19:27.that there are some things that money cannot buy. That came in the
:19:27. > :19:33.shape of the indom knittable, Coco Chanel. What did the Duke first
:19:33. > :19:39.meet Coco Chanel? Certainly on the enormous yacht called the Flying
:19:39. > :19:44.Cloud. Anchored off the coast of Monaco.
:19:44. > :19:51.I met someone who knows more than most what kind of impression Coco
:19:51. > :20:01.Chanel had on the Duke. He was fascinated by her
:20:01. > :20:11.intelligence, wit, ununusual charm and fem anyone sensuality.
:20:11. > :20:12.
:20:12. > :20:20.This is BBC News 24don Street where the Duke lived. He pulled out all
:20:20. > :20:25.of the romancing stocks, with emeralds hid no-one boxes of veg.
:20:25. > :20:31.Scottish salmon, flown in boxs to Paris. A very traditional box of
:20:31. > :20:37.flowers but the delivery boy was no other than the Duke himself. By the
:20:37. > :20:41.spring, they were an item. Some say that Coco Chanel's independence,
:20:41. > :20:48.that attracted the Duke was also instrumental in the relationship's
:20:48. > :20:51.demise. They never married but went their separate ways but the romance
:20:51. > :20:55.left its lipstick on the collar of the world.
:20:55. > :21:02.With the Duke, who gave her a property not far from here. Which
:21:02. > :21:05.was her shop in Britain, she perfected the idea of using British
:21:05. > :21:10.materials in clothes that were traditionally thought of as the
:21:10. > :21:14.clothes you wore for hunting, shooting and fishing. For the first
:21:14. > :21:20.time ever she made the materials, the tweeds, the wools and the cut
:21:20. > :21:25.of the clothes into clothes that were emulated all around the
:21:25. > :21:34.Western world as high fashion. she have a lasting effect on the
:21:34. > :21:39.Duke? I think she did when they were to separate, as he said, "How
:21:39. > :21:43.will I live without you?" He did marry again but I think there is no
:21:43. > :21:47.question that she kept a place in his heart.
:21:47. > :21:52.That brings us rather neatly back to the lampposts. Coco Chanel and
:21:52. > :21:58.the Duke remained friends until his death in 1953. Two years before he
:21:58. > :22:04.died and 20 years after they were row monthically linked. These
:22:04. > :22:13.lampposts began to appear in Mayfair. Here on Davis Street,
:22:13. > :22:19.where Coco Chanel once had her shop and right by Bourdon House. Legend
:22:19. > :22:24.has it that these are a symbol of the Duke's love for Coco Chanel.
:22:24. > :22:28.Many have asked Westminster council if this is true but they are less
:22:28. > :22:33.romantic. That the W stands for Westminster and the interlocking Cs,
:22:33. > :22:36.standing for the Council. But maybe this is a message from a
:22:37. > :22:44.hopeless romantic, telling someone, somewhere, that she was always the
:22:44. > :22:48.woman for him. I know what I believe... Gyles!
:22:49. > :22:53.Tell us it is true? I want to believe it
:22:54. > :22:59.It must be. You know what the woman for me eis?
:22:59. > :23:04.Who? It could be you. Look what I have for you. Original Chanel
:23:04. > :23:10.jackets. These are vint agenda. You can choose... They must be worth a
:23:10. > :23:16.fortune? They are. They are worth up to about �1,000 each. I got them
:23:17. > :23:20.at Oxfam for �40 a pair. My wife may not be happy that I brought
:23:20. > :23:28.them out. Let's put them away. It is not just
:23:28. > :23:32.fashion she designed? No, she designed interiors as well. They
:23:32. > :23:38.had, the Duke of Westminster had a house called Rosehall House. She
:23:38. > :23:44.went there, she did not like the decor, she redecorated it beige and
:23:44. > :23:50.browns and even introduced the bidet to Scotland. Giving it a
:23:50. > :23:54.French feel. The house has fall noon to disrepair, but in its
:23:55. > :23:59.heyday, when the Duke was there with Coco Chanel, others were there,
:23:59. > :24:04.Winston Churchill. He came. That is him with his son, Randolf, but
:24:04. > :24:09.Winston Churchill found her a feisty woman. He said she could run
:24:09. > :24:15.a man or an empire. Churchill was summiten, but he was summit within
:24:16. > :24:25.you, too, don't you know? I don't know.
:24:25. > :24:29.You know! I never got to meet Coco Chanel. I met lots of people, Edith
:24:29. > :24:34.Piaf but not her. I loved the designs. They were these wonderful
:24:34. > :24:39.suits, with the braid, the rest of it but a flower here and there.
:24:39. > :24:46.They are timelessment Karl Lagerfeld has kept it going. That
:24:46. > :24:50.is wonderful. Sorry I cannot give you the other
:24:50. > :24:54.one. Well, while Petula was singing for
:24:54. > :25:00.the forces, another creature was doing their bit for the war effort
:25:00. > :25:05.on the Channel Islands. Alderney. 17.5 miles wide and 3.5
:25:05. > :25:09.miles long. It is home to nearly 2,500 people. It has lots of
:25:09. > :25:15.wildlife in a variety of habitats. But more than 70 years ago, the
:25:15. > :25:19.people and animals were faced with the ult mate threat.
:25:19. > :25:24.-- ultimate. The Isle of Wight is about 60 miles
:25:24. > :25:34.in that direction, but the coast of France is eight miles there. So
:25:34. > :25:35.
:25:35. > :25:39.when war came, Alderney and its residents were in the firing line.
:25:39. > :25:43.Beta Thompson pr was 12 when the people of Alderney were given 24
:25:43. > :25:47.hours to leave the island. We did not know what was happening.
:25:47. > :25:51.We were taken to the jety. I remember that. Then we boarded a
:25:51. > :26:01.boat. I remember being on the boat. As she set sail, my uncle stood on
:26:01. > :26:02.
:26:02. > :26:05.the top. Singing as we left. On June 23rd, 1940, the residents
:26:05. > :26:10.of Alderney were evacuated. Nine day it is before the Germans landed
:26:10. > :26:18.on the island. They turned it into a vast concrete fortress with
:26:18. > :26:21.hundreds of bunkers, 31,000 mines and miles and miles of barbed wire.
:26:21. > :26:28.Trevor Davenport is a military historian.
:26:28. > :26:31.N-the peak, there were probably 3,500 Germans here. Adding on to
:26:31. > :26:35.that, anything between 4,000 slaves here.
:26:35. > :26:43.And the food that was needed to support that, where did it come
:26:43. > :26:49.from? From Cherbourg. The Germans, up until the Normandy invasion,
:26:49. > :26:54.were OK, but then from June and on wards, they were starving.
:26:54. > :26:57.It is thought that having eaten the livestock, starvation left the
:26:57. > :27:01.occupying forces to look elsewhere for food. When the islanders
:27:01. > :27:06.returned in December, 1945, not only were buildings destroyed but
:27:06. > :27:10.much of the island's countryside had been devastated.
:27:10. > :27:16.Much of Alderney's wildlife had gone. The island's bird life had
:27:16. > :27:22.disappeared. Piles of shells were found around the houses it was seen
:27:22. > :27:28.that the Germans had to find food where it could, but one mammal
:27:28. > :27:32.escaped the cooking pot, the white toothed shrew. It has a defence
:27:32. > :27:37.mechanism to prevent it from being eaten.
:27:37. > :27:43.They eis a grand that secretes an chemical that is unpalatable.
:27:43. > :27:48.So the Germans would not have gone for the white toothed shrew?
:27:48. > :27:52.But the white toothed shrew was not the only wildlife that thrived. The
:27:52. > :27:57.soil disturbance helped to expand the island's Heathlands, supporting
:27:57. > :28:02.a wide range of bees and butterflies. Offshore, well out of
:28:02. > :28:06.harm's way, some gannets had moved in looking for sanctuary. The
:28:06. > :28:10.gannetry here is stunning. Has it always been here? The first birds
:28:10. > :28:20.were recorded coming in the same year that the islands were
:28:20. > :28:20.
:28:20. > :28:26.evacuated. So after the war they went from a few pairs to 3 to up to
:28:26. > :28:29.400 pairs. Now we have 2% of the world's population.
:28:29. > :28:33.With Alderney's troubled history and the destruction to the island
:28:33. > :28:37.it is a real testament to the power of nature and the resilience of its
:28:37. > :28:42.people in how the island has recovered. The wildlife here today
:28:42. > :28:47.is truly flourishing. I could watch gannets diving all
:28:47. > :28:51.day long. Any way, Petula, we know what animals you were looking at
:28:51. > :28:55.during the war, we found lots of footage of it. Here is more. I
:28:55. > :29:01.think you were in a zoo here with your sister. Do you remember that?
:29:01. > :29:10.Of course I do. I went out horse riding. A friend of mine went back
:29:10. > :29:13.to my dad and said that they had seen me horse riding. He said, "No
:29:13. > :29:17.elephant riding."! Thank you so much for being here.