:00:35. > :00:48.Richard, I get it, the Easter bunny. Hi, Alex, who is your friend? SHE
:00:49. > :00:53.SCREAMS. Hello, welcome to The One Show with Alex Jones. And Richard
:00:54. > :00:57.Osman. Has it been a good Good Friday so far? It's been great, what
:00:58. > :01:03.more do you want? I got out of clearing out the shed, I'm happy. I
:01:04. > :01:06.hope that's not a euphemism! Later on, we'll be hearing a new track
:01:07. > :01:23.from these boys. Brilliant, I love that song. They of
:01:24. > :01:28.course are Suede with lead singer Brett Anderson, and who is that on
:01:29. > :01:33.bass? I believe his name is Mat Osman, him there. Any relation to
:01:34. > :01:38.you, Richard? Here's my big brother. I say he's my big brother, he's my
:01:39. > :01:42.older brother. If he was my big brother, you'd be able to see him
:01:43. > :01:46.from space! Absolutely. Can you imagine two Morch different
:01:47. > :01:49.brothers, one a call rock star, won a call rock star, one ATV brainbox,
:01:50. > :01:55.like chalk and cheese. Nothing wrong with cheese. Later, we'll be meeting
:01:56. > :02:00.and Osman super-fan who knows you very well. This person is such a
:02:01. > :02:06.fund they are prepared to have a tattoo of your names on their arm.
:02:07. > :02:10.Any guesses who it is? The only person who has a tattoo of my name
:02:11. > :02:18.on her arm is Sue Barker. Not really. That in fact, Richard, is
:02:19. > :02:26.your mum, Brenda. Brenda, hello. Are you enjoying The One Show so far
:02:27. > :02:33.this evening? It's absolutely wonderful. Both my boys in the same
:02:34. > :02:37.programme. What more could any man want? I tell you what, she kept this
:02:38. > :02:41.quiet, I'll say that. Also, she doesn't really speak like that.
:02:42. > :02:46.That's her telephone voice. And notably not drinking as well. I'm
:02:47. > :02:51.not sure... I'm not sure what you've done to my mum! She's horrified.
:02:52. > :02:56.Poor Brenda. We'll be hearing more from Brenda little later on. If you
:02:57. > :03:00.were wondering who the bunny was on the back of the bike, it's tonight's
:03:01. > :03:03.guest. Trust us, turning himself into a rabbit is one trick in his
:03:04. > :03:29.very, very wide repertoire. # You know I said it's true #.
:03:30. > :03:31.Please welcome the incredible Dynamo.
:03:32. > :03:38.APPLAUSE Lovely to meet you. I haven't seen
:03:39. > :03:41.you for a little while. It's been a little while, I've been touring
:03:42. > :03:47.around but it could be back in London. You're doing over 100 dates.
:03:48. > :03:50.Are you getting Easter off? No, I'm performing at the Birmingham Arena
:03:51. > :03:57.before coming down to London to do the O2. Oh, gosh, no rest for the
:03:58. > :04:01.wicked. No. Luckily for us, earlier this week he took time out of his
:04:02. > :04:09.scheduled to show us the people and places who have made you who you are
:04:10. > :04:14.today. This is Delph Hill estate in
:04:15. > :04:19.Bradford. And the street where I grew up. Back then though, I wasn't
:04:20. > :04:24.known as Dynamo. I was little old Stephen. This is the street I lived
:04:25. > :04:30.on until I was about 12 years old, literally on that street here. It
:04:31. > :04:34.was where I was beaten up when I stole some rollerblades. I had them
:04:35. > :04:37.know we can then they were gone, disappeared like magic. It was a
:04:38. > :04:42.pretty tough place to grow up. Especially when you are a small kid
:04:43. > :04:46.with a young man -- Young mum, and you're that is not around, in and
:04:47. > :04:59.out of jail. We didn't have much money. But I spent a lot of my time
:05:00. > :05:03.at mind and and grandpa's flat in Wyke and it was here where I was
:05:04. > :05:12.first introduced to magic by my grandpa. I hope she is in. Grand,
:05:13. > :05:19.it's me, let me in. -- grandma. AU OK, sweetie pie? This -- I'm good.
:05:20. > :05:23.It was my Nana and grandpa who first got me into magic. My grandpa is no
:05:24. > :05:27.longer with us but secretly I think my Nana is the real secret behind
:05:28. > :05:36.all the magic. Do you agree? Yes, she agrees. Have you been cleaning,
:05:37. > :05:40.Nana? Got your feather duster here. The tickling stick! There's an old
:05:41. > :05:44.picture of me there, with Prince Charles. That was when I first got
:05:45. > :05:49.my Prince's Trust business start-up loan. There's my grandpa on this
:05:50. > :05:57.picture here. My grandpa passed away on the 29th of February, 2012. His
:05:58. > :06:02.grandpa said you would be famous, you know, he did. He said one day, I
:06:03. > :06:11.said I know. I'm glad he's done well. I am really pleased. So this
:06:12. > :06:15.is my old bedroom. It's the same colour on the walls, this mirror is
:06:16. > :06:18.my mirror, I used to stand in front of here. There are still some cards
:06:19. > :06:25.here on the shelf. I would be in here, practising the card skills. In
:06:26. > :06:30.the mirror, making sure it looks perfect. Watch this, this will look
:06:31. > :06:35.really cool. All that sort of stuff, I was practising. Up here, these are
:06:36. > :06:40.VHS tapes of all the famous magicians are like you've got this
:06:41. > :06:44.one here, look, the intimate miracles the magic of Dean Dill, an
:06:45. > :06:47.ageing magician from America. I used to watch these takes back with my
:06:48. > :06:51.grandpa in the living room and I would watch them and try and
:06:52. > :06:56.replicate what they were doing, try and learn from their performances.
:06:57. > :07:00.The first piece of magic my grandpa is taught me was how to take away
:07:01. > :07:04.someone's strings. My grandpa would pick me up from school one day and
:07:05. > :07:08.he saw these guys throwing me into a wheelie bin. I tried to play at off
:07:09. > :07:12.like it was a bit of fun, but he realised I was being bullied. When I
:07:13. > :07:19.got home, he taught me my first ever piece of magic. It was a way of
:07:20. > :07:22.stopping the guys from being able to pick me up and put me inside the
:07:23. > :07:25.bin. I could make myself really heavy. When they tried to pick me up
:07:26. > :07:28.or move me, push me around, they couldn't move me at all and it
:07:29. > :07:34.opened up so many doors. It literally saved my school life.
:07:35. > :07:37.# Dynamite # They can't control #.
:07:38. > :07:40.But it was on my streets I would really find my destiny. Me and my
:07:41. > :07:44.mates would get the bus from here into town, where we would perform
:07:45. > :07:47.street magic. Often we'd been waiting ages for the bus, so we
:07:48. > :07:54.would do magic to people here. We even used to do magic on the bus. We
:07:55. > :08:01.would put them online and suddenly they got a huge audience. Dynamo was
:08:02. > :08:06.born. From that point on, my career as a magician just exploded. I have
:08:07. > :08:10.been all over the world and met some of the biggest celebrities.
:08:11. > :08:14.Performed an incredible places. But nothing beats the feeling of coming
:08:15. > :08:19.back home and putting on a show here is really special. Magical, in fact.
:08:20. > :08:28.Dynamo. APPLAUSE
:08:29. > :08:33.What's happening, Leeds? Lovely, thank you for making that
:08:34. > :08:37.for us, that was really nice, a really nice insight. Is that a real
:08:38. > :08:42.trick, not being able to be lifted up? Is it something you can do? Yes,
:08:43. > :08:47.I haven't done in a long time. You are a lot bigger than the bullies...
:08:48. > :08:51.So if you try to pick me up? You have to explain what it feels like
:08:52. > :08:59.for you. Try this. Stand here, is that good for you? Put your hands...
:09:00. > :09:05.If you lift me up, that's a magic trick. Lift me as high as you can.
:09:06. > :09:11.You can put me down. What was it like being 6'7" just for a brief
:09:12. > :09:20.moment? It was good from up there. Get ready to lift me, but look at
:09:21. > :09:28.me. Lift me again. Oh, man, that's really amazing. He's straining as
:09:29. > :09:33.well. Come on, Rich. That's so cool. Don't worry, I'm going to give you
:09:34. > :09:36.your strength back. As you were. Oh, man, that's very good!
:09:37. > :09:45.APPLAUSE That's really good! Wow, Richard
:09:46. > :09:51.mentioned your tour, 102 dates. I've done 102, last night was 102, I have
:09:52. > :09:55.another nine to go. Nine to go, amazing. Your Nana, who we met in
:09:56. > :10:02.Navidi, she makes an appearance, doesn't she? You saw her in she does
:10:03. > :10:05.magic of her own, she amazes the whole audience at the exact same
:10:06. > :10:10.time with her own card trick. She's really good. She often steals the
:10:11. > :10:15.show from me, I'm not going to lie. 86 years old, still working her
:10:16. > :10:19.magic. You started up with big close-up magic and street magic, now
:10:20. > :10:23.an arena tour. How do you make the change? It was really difficult. I
:10:24. > :10:28.wanted to keep the intimacy of what I do up close but the word intimacy
:10:29. > :10:34.and arena don't go hand-in-hand, but you know, I kind of focus on making
:10:35. > :10:39.the show as interactive as possible. There are parts where... With the
:10:40. > :10:43.audience. Literally every single audience member is doing the magic
:10:44. > :10:48.from their own seats in parts, I'm in the middle of the audience in the
:10:49. > :10:53.thick of it, sometimes they are on stage with me. It's more than
:10:54. > :10:57.watching passively. I'm still thinking about how I couldn't lift
:10:58. > :11:00.you up, that was so weird. You went out to Vegas to see how some of
:11:01. > :11:05.those people did it come did you pick up anything from that or was it
:11:06. > :11:11.not your sort of thing? I got a lot of good advice from David
:11:12. > :11:15.Copperfield, but in Vegas, it's very Vegas, for want of a better
:11:16. > :11:22.expression. Jazzy. It's not really my style. I've kind of stripped
:11:23. > :11:27.back, there's no boxes, there's no props or fancy showgirls other than
:11:28. > :11:31.my Nana, obviously. Of course. It's just me and the audience and the
:11:32. > :11:36.magic is created from decisions they audience make, as well as from
:11:37. > :11:38.objects. You want to be careful bringing your mobile phone to my
:11:39. > :11:43.show, you never know what will happen with that. There's a word of
:11:44. > :11:47.warning. We looked at loads of clips and it was hard to chew Gerry Fitt
:11:48. > :11:49.-- it was hard to choose a favourite, but this is what we
:11:50. > :12:29.picked. Watch, guys. APPLAUSE
:12:30. > :12:34.No way! I mean... There are no words. I mean, we've seen it many
:12:35. > :12:39.times today. You would have loved to hear our theories about how it's
:12:40. > :12:44.done. Did you through the fish back in? I didn't, I let them use it. It
:12:45. > :12:47.was a South African barbecue. Amazing, one of your great
:12:48. > :12:53.influences was Paul Daniels. He did an awful lot for magic in this
:12:54. > :12:58.country. A phenomenal performer. He really introduced magic to so many
:12:59. > :13:04.people. Everyone I know had a Paul Daniels magic kit as a kid. That's
:13:05. > :13:07.right. He really was, for me he was the godfather of British magic. I
:13:08. > :13:12.mean that in the nicest possible way. He inspired me so much because
:13:13. > :13:16.he was also from a working-class background. Kind of a northern
:13:17. > :13:19.cheeky chappie, like myself. He managed to break into the mainstream
:13:20. > :13:24.and bring magic to a whole new generation. Sadly missed. A big
:13:25. > :13:28.loss, wasn't it? We may have a magician in the studio but we've
:13:29. > :13:36.also got a kitchen wizard on The One Show team. We have indeed. My answer
:13:37. > :13:39.to the question, what is your favourite type of dog, is also the
:13:40. > :13:45.same to the question where would you like to work? A chocolate lab.
:13:46. > :13:49.Madeia has an Easter treat. Nothing quite beats chocolate at Easter time
:13:50. > :13:54.and this is a show stopper for The One Show. As a baker I have a love
:13:55. > :13:56.hate relationship with chocolate. It can be devilishly difficult to make
:13:57. > :14:01.this stuff look pretty. I'm delighted to have the chance to
:14:02. > :14:06.learn from a master chocolatey Massimo Bicester biscotti. Massimo
:14:07. > :14:13.doesn't just work with chocolate, he sculpted. What we are going to do is
:14:14. > :14:19.a bunny rabbit in an Easter egg. Seems easy enough? To do what we are
:14:20. > :14:24.doing today, we are probably looking at using about 20 kilos of chocolate
:14:25. > :14:28.in total. That's like a dream! 20 kilos of chocolate! The average
:14:29. > :14:32.Easter egg bunny is made by pouring molten chocolate into a mould but as
:14:33. > :14:36.Massimo will be creating a sculpture by hand, he simply fits his
:14:37. > :14:42.chocolate pieces together in a blender. Wow. My goodness. We work
:14:43. > :14:50.it and start making whatever we want. I didn't know chocolate could
:14:51. > :14:53.do this. Fascinating. Usually, modelling chocolate has glucose
:14:54. > :14:56.added to keep it pliable, but that, demise is the flavour, so hours will
:14:57. > :15:02.be all Belgian chocolate. This just feels like the clay that you would
:15:03. > :15:07.have at primary school, except it smells so much nicer. But it is much
:15:08. > :15:12.trickier to shape than I expected. You have to work with it a lot
:15:13. > :15:17.quicker. Yes, just leave it for a little bit too set in your hand.
:15:18. > :15:21.It's harder to work with than modelling chocolate, with glucose?
:15:22. > :15:25.Absolutely, yes, the glucose is in there to keep the chocolate soft.
:15:26. > :15:27.Made this way sculptures like ours can take days to complete. Today,
:15:28. > :15:38.we've only got six hours. This is like being in the tent
:15:39. > :15:43.today. And I have only got as far as the foot. Time to call in the
:15:44. > :15:47.cavalry, the patisserie students. One part and the rest of the body.
:15:48. > :15:51.Is this the biggest solid sculpture you have ever done? This is probably
:15:52. > :15:58.the biggest one I have ever done, yes. With the clock ticking, Massimo
:15:59. > :16:03.has eight of us hard at work and there is no time for small talk.
:16:04. > :16:12.Everybody enjoys this because everybody is quiet. It is so cool.
:16:13. > :16:18.Anastasia and me have one ear each. This might be wrong. But at least
:16:19. > :16:23.they are both wrong. Symmetrical, right? It is difficult to get the
:16:24. > :16:32.chocolate to do what you want. Sean has the tale sorted out, sort of.
:16:33. > :16:38.Supposed to be doing a tail, but it isn't quite right. One foot bigger
:16:39. > :16:41.than the other. We could shave it down. I wish I could do that with my
:16:42. > :16:45.belly. CHUCKLES
:16:46. > :16:50.After a frantic day of shaving and carving, our Easter Bunny is slowly
:16:51. > :16:56.taking on its unique shape. The mould will be the same over and
:16:57. > :17:00.over, but this, we will not produce something the same again. Each one
:17:01. > :17:02.is different. I am building my next house with chocolate now.
:17:03. > :17:07.CHUCKLES With all nine of us working to six
:17:08. > :17:13.hours, my show stopper is still a work in progress. But as my time is
:17:14. > :17:17.up, Massimo and a few features to what I hope will be its final glory.
:17:18. > :17:23.But it is made of chocolate, so I don't know if it will make it all
:17:24. > :17:27.the way until Easter. Dynamo, you are far too cool to pull
:17:28. > :17:32.rabbits out of hats, but we'll indulge us? We will do something
:17:33. > :17:36.fantastic. He is the first magician to play at the O2. He is going to do
:17:37. > :17:41.something unbelievable now. It will be one of the greatest tricks ever
:17:42. > :17:45.seen on British television. And I'm not over egging this, am I? I am not
:17:46. > :17:56.sure you are ready. Britain, sit down. From role, please...
:17:57. > :18:04.APPLAUSE drum roll. How does he do it? We
:18:05. > :18:16.will never know. Which chocolate would you prefer, lemon? Lemon,
:18:17. > :18:22.please. Lemon, OK. Yeah. I would like some, but I'm afraid I'm going
:18:23. > :18:26.to have to earn mine. And as if by magic, somebody has joined Alex on
:18:27. > :18:29.the sofa. It appears to be somebody I recognise, Alex.
:18:30. > :18:38.I have been joined by your brother, Mat, and your mother, Brenda, is
:18:39. > :18:48.still live in Sussex. Brenda, we need your help. It is time to play
:18:49. > :18:50.Ask The Os-Mum. She has a theme tune!
:18:51. > :18:53.CHUCKLES It is amazing. She will be
:18:54. > :18:58.unbearable. CHUCKLES
:18:59. > :19:01.You are so down on your mum. We have asked lots of questions about you
:19:02. > :19:06.two growing up, and you have to guess what she gave as the answer.
:19:07. > :19:14.The winner will get a foot off the Easter Bunny. If you'd have said in
:19:15. > :19:19.1984 that he would be on TV, being quizzed by our mum, given chocolate
:19:20. > :19:25.as a prize, we would have said it is a bit surreal. We need to get on
:19:26. > :19:32.with it. First question, who was the naughtiest? What do you think your
:19:33. > :19:38.mum said? I think it is you. I think I was fairly good. The older one is
:19:39. > :19:48.normally better. If one of us is naughty it would be me. You are both
:19:49. > :19:51.saying you, Richard. It was Mat! I don't even know what I did.
:19:52. > :19:58.CHUCKLES You took a dead mouse to school,
:19:59. > :20:01.something like that. Did I? Did you? Bless her, she does not know what is
:20:02. > :20:05.happening. CHUCKLES
:20:06. > :20:10.Who was the bigger geek? Tough one. CHUCKLES
:20:11. > :20:16.Tough one, probably you. I had computers, but you had notebooks
:20:17. > :20:20.full of marble compounds. How dare you. For the sake of competition I
:20:21. > :20:25.will say him. Even I would guess Richard. And the answer... Yes,
:20:26. > :20:33.Richard. I am losing, I'm not going to get this foot. Who was better
:20:34. > :20:39.with the ladies? We were children! CHUCKLES
:20:40. > :20:47.In your teens. I would say him. It had better be me, otherwise, I will
:20:48. > :20:57.disown her. I will say me, then. The answer is indeed Mat. Thank
:20:58. > :21:03.goodness. You get a foot from the Bunny. Thank you, Brenda. Happy
:21:04. > :21:08.Easter. Suede will be performing later. As Britain gears up for
:21:09. > :21:12.Easter, we sent our resident hairdresser, Michael Douglas, to
:21:13. > :21:20.make sure the team that won Cathedral was really looking their
:21:21. > :21:25.Sunday best. -- at one. Salisbury Cathedral is a medieval
:21:26. > :21:30.marvel. No wonder over 250,000 people passed through its doors
:21:31. > :21:35.every year. Easter, however, is the most important time in the entire
:21:36. > :21:37.Christian calendar. So it is important that this magnificent
:21:38. > :21:43.building and the people who work in it look their best. I am more than
:21:44. > :21:49.happy to help out, although I cannot work miracles. Salisbury Cathedral
:21:50. > :21:53.is an amazing place where spirituality mixes with history.
:21:54. > :21:59.First up is a man with a job title dating all the way back to when it
:22:00. > :22:06.was built. This is Gary. He is clerk of the works. Clarke of the works is
:22:07. > :22:10.somebody who oversees the fabric of the building. We have been doing
:22:11. > :22:21.this major repair programme for nearly 30 years. -- clerk. 30!
:22:22. > :22:25.Started in 1986. We have cleaned and looked at every single stone and
:22:26. > :22:31.inspected it. Crikey. At over 400 feet, the spire is the tallest on
:22:32. > :22:36.any of our medieval Cathedral 's. You climb up the ten ladders to the
:22:37. > :22:43.door, which is 30 feet from the top. You open that. Because it is narrow,
:22:44. > :22:47.you need to put your foot out fast. And you are almost looking down. And
:22:48. > :22:53.then you reach up behind you and there are some bronze rams which
:22:54. > :23:03.were put there in the 1950s. -- bronze runs. Is it frightening?
:23:04. > :23:09.Guess, but the view is amazing. I am very pleased with that. You look
:23:10. > :23:11.younger. Next is a man with a central role in worship at the
:23:12. > :23:14.Cathedral. It Easter that means he is working overtime. This is the
:23:15. > :23:25.Reverend Tom clamour. Basically it is his job to direct
:23:26. > :23:30.the whopping 1500 services which take place here every year. He
:23:31. > :23:33.chooses hymns, readings, music, lighting, and even the gowns which
:23:34. > :23:39.are worn. Particularly important at Easter. During holy week and we
:23:40. > :23:43.where a simple dark red robe with black on it. And then we change that
:23:44. > :23:48.Easter morning to a bright, dazzling, shimmering gold. The
:23:49. > :23:54.message of Easter is that in the end death does not win. It is a huge
:23:55. > :23:58.privilege to be able to lead people into a meeting with God. Cathedral
:23:59. > :24:03.stew that in a special way. I knew I was being called to be a priest from
:24:04. > :24:09.a young age, in my mid teens. Really? Yeah, which freaked out the
:24:10. > :24:13.careers adviser at school slightly. CHUCKLES
:24:14. > :24:15.What did they say? They said we haven't got a form for that.
:24:16. > :24:20.CHUCKLES They said the same to me when I said
:24:21. > :24:28.I wanted to be a hairdresser. Did they? We are finished. A great
:24:29. > :24:36.weight has been lifted. Fantastic. All right? Much better. Bit shorter.
:24:37. > :24:40.In 1991 Salisbury became the first English Cathedral to perform a
:24:41. > :24:49.separate foundation for female choristers. It isn't an easy gig for
:24:50. > :24:59.this nine-year-old. You practice from eight until nine every day. In
:25:00. > :25:02.the morning? Villa yes. They have a unique ceremony. After the service
:25:03. > :25:10.you go into the channel and you get bumped on the head with a Bible.
:25:11. > :25:16.Outside the quiet, her taste in music is not so different other
:25:17. > :25:24.nine-year-old girls. -- outside the choir. Who was your favourite
:25:25. > :25:33.singer? Probably Taylor Swift. There you are, how is that? Really good.
:25:34. > :25:39.Thanks. You like it. Guess. It is nearly showtime. For me, however, it
:25:40. > :25:49.has been a Good Friday's work. It was indeed, thanks so much to
:25:50. > :25:52.Michael and all of the people at Salisbury Cathedral. Thank you to
:25:53. > :25:56.Dynamo. You can see the tour continue in Birmingham and
:25:57. > :26:03.Manchester. You can still get tickets. And thanks to Brenda. We
:26:04. > :26:14.loved your mum. Thanks, ma'am. Matt Baker is the way next week lambing,
:26:15. > :26:22.but I will be here with Michael Ball and Chris Hollins. -- thanks, mum.
:26:23. > :26:23.To play us out, my brother's band, Suede!
:26:24. > :26:26.CHEERING # And I don't have the
:26:27. > :26:54.means of expression # All I'm trying to tell
:26:55. > :27:13.you is this is enough # And yes, I have
:27:14. > :27:32.the scars of ambition # And I don't know
:27:33. > :27:40.the price of stuff # All I'm trying to tell
:27:41. > :28:06.you is this is enough # There's no room in the world
:28:07. > :28:16.for your kind of beauty # Yours are the names
:28:17. > :28:20.on tomorrows' newspapers # Yours is the face of the desperate
:28:21. > :28:24.edge of now # When, like the snows of yesteryear
:28:25. > :28:29.I'll be gone from this earth # All I'm trying to tell
:28:30. > :28:45.you is this enough? # All I'm trying to tell
:28:46. > :29:03.you is this is enough