:00:21. > :00:27.Hello and welcome to The One Show with Alex Jones and Matt Baker.
:00:27. > :00:30.Tonight we are celebrating a love story like no other. Titanic has
:00:30. > :00:34.grossed $1.8 billion at the box office since it opened and 100
:00:34. > :00:38.years after the ship's last voyage, the film is back from a different
:00:38. > :00:44.perspective. But no blockbusting love story is complete without its
:00:44. > :00:53.villain. I have an arrangement with an officer on the other side of the
:00:53. > :01:02.ship. We can both get of safely. have my own boat to catch. Step
:01:02. > :01:11.aboard, miss. He is evil! Please welcome
:01:11. > :01:15.tonight's guest, lovely in real life, Billy Zane! Good old Billy.
:01:15. > :01:21.You are meeting up with Kate Winslet. That is tomorrow at the
:01:21. > :01:30.premiere of the 3D Titanic. Have you seen yourself in 3D yet? Every
:01:30. > :01:35.day! From a film perspective? wonderful. So glad I could share
:01:35. > :01:45.it! I have not seen the film, actually. I am worried, actually.
:01:45. > :01:47.
:01:47. > :01:51.Why? Suddenly that is my nose, the pause in my face, 40 ft tall, so I
:01:51. > :01:55.apologise in advance! I don't know what that experience will be like.
:01:55. > :01:58.Apparently it is stunning. I have not had a chance to see it but I
:01:58. > :02:02.have heard that it is miraculous and they have really taken the time
:02:02. > :02:12.to make sure the conversion is exquisite. Will this be the first
:02:12. > :02:16.
:02:16. > :02:20.time that you have seen Rose and Leo since Titanic? A usually see --
:02:20. > :02:25.I usually see Kate with an armful of gold at the Golden Globes and I
:02:25. > :02:29.do see Leonardo DiCaprio as well. Well, we have some pictures that
:02:29. > :02:34.have been locked in an underground vault for years. They were taken
:02:34. > :02:43.while the Titanic was at sea. first we visit another wrecked ship,
:02:43. > :02:51.one that people want to see sinking without a trace. This giant
:02:51. > :02:54.structure lies slap in the middle of Middlesbrough docks. It cost
:02:54. > :03:00.�2.7 million added at the front of a �500 million regeneration of the
:03:00. > :03:06.area. Just a few yards away from that multi-million-pound investment
:03:06. > :03:11.is this. This is the Tuxedo Royale. Everybody agrees that for the
:03:11. > :03:17.redevelopment to work, this has to be moved. The problem is, nobody
:03:17. > :03:21.owns it. The Tuxedo Royale was moved to this dock in 2009 while
:03:21. > :03:25.the owners decided what to do without. Shortly after mooring it,
:03:25. > :03:29.they went bust. Now it has been vandalised and it is sitting on the
:03:29. > :03:33.bottom of the River Tees. It will cost anywhere up to �1 million to
:03:33. > :03:40.raise and dismantle it. That is more than the current scrap value.
:03:40. > :03:44.Neil Everington is in charge of the dock. The vessel is taking up
:03:44. > :03:48.viable commercial space. We are the first to want to see the back of it.
:03:48. > :03:53.The question has always been who will pay to get rid of it. It is
:03:53. > :04:00.not ours, so whose is it? Good question. Just who is responsible?
:04:00. > :04:06.The liquidator? No. The Environment Agency? The council? If it did
:04:06. > :04:10.belong to us, there is a lot of money involved in moving it. They
:04:10. > :04:16.all told us that they did not have the rights of a responsibility to
:04:16. > :04:19.move it, even though they would like to. -- the right or the
:04:19. > :04:23.responsibility. It seems to be up the river without a paddle. At the
:04:23. > :04:30.moment it is low on the list of priorities for everyone. But this
:04:30. > :04:36.boat has got a history. But two decades, the Tuxedo Royale and her
:04:36. > :04:44.sister ship the Princess were famous as the premiere night spots
:04:44. > :04:51.on Tyneside. They were known simply as the boat. Angela and Helena have
:04:51. > :04:58.fond memories. The distraught, to be honest. It's was iconic, to be
:04:58. > :05:03.honest. I can remember everybody being full of excitement and there
:05:03. > :05:07.were queues. I think everybody from around here went there and it was
:05:07. > :05:15.like the Titanic of Gateshead. It was glamorous. Everybody wanted to
:05:15. > :05:18.be there. It was where we met. is where I met my part of 14 years
:05:18. > :05:27.ago. You cannot think that something as glamorous as it was
:05:27. > :05:31.could be left like that. The Tuxedo Royale's life as a nightclub was
:05:31. > :05:34.legendary but its legend goes back even further. It was one of the
:05:34. > :05:38.last ships to come out of what was once one of the biggest
:05:38. > :05:41.shipbuilding regions in the world. John worked on the River Tees his
:05:41. > :05:46.whole life and he helped to refit the boat for its trip to
:05:46. > :05:55.Middlesbrough. In order to get the best you, he has taken me out on a
:05:55. > :06:01.boat to get up close and personal. -- the best view. She was
:06:01. > :06:05.originally built on the River Teme. She was a flagship of the cross
:06:05. > :06:08.rail fleet. She is part of everybody's culture and heritage.
:06:08. > :06:13.It might be the historical significance that offers the best
:06:13. > :06:16.chance for the boat and all those that want rid of it. John is a key
:06:16. > :06:21.member of a group called the Dover Steamship Company. They are trying
:06:21. > :06:27.to raise the money required to get it off the river bed and into a dry
:06:27. > :06:32.dock to be restored. It looks worse than it is. It is just superficial
:06:32. > :06:36.damage at the moment. We would like to restore it as a car ferry, in
:06:37. > :06:40.its original condition. These plans have a long way to go to become
:06:40. > :06:44.reality. The problem is convincing people that they are capable of
:06:44. > :06:47.succeeding and then raising the money. We are looking for
:06:47. > :06:54.charitable donations, we are looking for companies to donate
:06:54. > :06:59.machinery and materials. If everybody that had partied on the
:06:59. > :07:04.Tuxedo Royale donated �10, we would be laughing. You could probably by
:07:04. > :07:09.two! It seems like this is the last hope for the boat to find a new
:07:09. > :07:12.life. But whether or not they succeed, the liquidator for the
:07:12. > :07:16.company that once owned the boat thinks that it is a case of
:07:16. > :07:20.everybody clubbing together. It may well be in everybody's best
:07:20. > :07:25.interest to put a small amount towards the fund instead of being
:07:25. > :07:29.landed with a bigger problem. pay now and not later? Yes. For now
:07:29. > :07:36.the boat is still sitting on the river bed, waiting for someone to
:07:36. > :07:41.come to her rescue. The magic of that revolving
:07:41. > :07:46.dancefloor spread all the way down to Durham! I can imagine! I have
:07:46. > :07:53.got mixed thoughts on that one. Shall we move on to a slightly more
:07:53. > :07:58.famous ship? Like the Titanic? do! Billy, you said the film is
:07:58. > :08:03.being released in 3D. It is 15 years since it was released. I have
:08:03. > :08:08.seen it seven times, myself. Fantastic! Only cold-hearted people
:08:08. > :08:17.would not be sobbing at the end. What do you think the 3D experience
:08:17. > :08:24.will bring to ask as punters? -- bring to us. I think the experience
:08:24. > :08:30.will be more emersed, as it were. The navy operates on many levels,
:08:30. > :08:40.but I think the 3D will certainly add a greater sense of access. --
:08:40. > :08:44.
:08:44. > :08:49.of the movie. It will make the for a -- it will make the emotions more
:08:49. > :08:54.real. But it will be hard to cry with the glasses! This is a clip
:08:54. > :09:00.that you can enjoy on your regular televisions. I don't see what all
:09:00. > :09:05.the fuss is about. It doesn't look any bigger. You can be blase about
:09:05. > :09:12.some things, but not about Titanic. It is 100 ft long and far more
:09:12. > :09:21.luxurious. Your daughter is far too difficult to impress.
:09:21. > :09:28.Does that feel like yesterday? feels like a while ago. Normally I
:09:28. > :09:38.would say it feels like yesterday but that clip, I don't know, it is
:09:38. > :09:42.
:09:42. > :09:48.strange to me. I feel a part from it. Is it true that James Cameron
:09:48. > :09:57.saw you playing The Phantom? We have got the shot of you. This is
:09:57. > :10:04.plumb, aubergine! A lovely suit. He thought you would be great for Cal
:10:04. > :10:10.1 Titanic. It reminded him of a wet suit, clearly! I believe they
:10:10. > :10:14.screened the film and found that because I played a period hero in
:10:14. > :10:24.1936, not really a product of the post-modern sociopath ship
:10:24. > :10:25.
:10:25. > :10:29.definition of comic superheroes that we see today, he was happy. --
:10:29. > :10:34.sociopathic definition. He had friends, he was quite stable.
:10:34. > :10:39.is quite random. It was. They were looking for an actor that could
:10:39. > :10:43.carry the period, as it were, not necessarily the same type of film.
:10:43. > :10:47.Good choice. We will talk more in a while but the story of the Titanic
:10:48. > :10:51.is so documented that it is unusual to see something new. We have been
:10:51. > :10:55.given special permission to show photographs that have not been seen
:10:55. > :10:59.on British television before. were captured by a gunman who had a
:10:59. > :11:06.miraculous escape from the ship. Graham Little went to county court
:11:06. > :11:12.to put us in the picture. -- County Cork. This box contains rare
:11:12. > :11:19.photographs taken on board the Titanic on its tragic maiden voyage.
:11:19. > :11:23.Who took these images and how did they survive? These images have
:11:23. > :11:28.been coloured by the �200 million that Hollywood spent on the
:11:28. > :11:34.spectacle. Even when the 1958 classic put it down in black and
:11:34. > :11:38.white, the big screen was awash with deadly drama. But for a true
:11:38. > :11:42.picture of life on board, we have another man behind the camera to
:11:42. > :11:50.thank. This time, not another Hollywood producer, but a Jesuit
:11:50. > :11:57.priest. Father Francis Brown was an orphan, raised by his uncle, an
:11:57. > :12:02.Irish Jesuit bishop. He gave him a camera when he embarked on his
:12:02. > :12:05.grand tour of Europe. And his photographs showed real talent.
:12:05. > :12:09.This is one of his old cameras. He could have made a living as a
:12:09. > :12:13.photographer, no doubt, but when he returned from Europe he decided to
:12:13. > :12:20.follow his uncle and become a priest. Then he could focus on the
:12:20. > :12:25.spiritual as well as Life Thru a Lens. Then in April, 1912, for his
:12:25. > :12:35.birthday, his generous uncle got him the hottest ticket in town, a
:12:35. > :12:37.
:12:37. > :12:45.trip on the luxury liner by Titanic. She sailed from Southampton, at two
:12:45. > :12:52.Cherbourg, to Cobh. It gave him a chance to wander around the most
:12:52. > :12:56.glorious liner ever built. What he captured would be high -- hailed as
:12:56. > :13:01.a photographic equivalent as the Dead Sea scrolls. I should tell you
:13:01. > :13:05.how lucky you are to be looking at these. When we heard they were
:13:05. > :13:09.valued at �2 million, I put them in an underground vault. I have just
:13:09. > :13:14.collected them to show them to you. This is the first time they have
:13:14. > :13:20.been shown on television. You must consider yourself privileged.
:13:20. > :13:24.were not just holiday snaps. What makes them extra-special is the
:13:24. > :13:31.fact that France's Brown managed to capture life on board the Titanic,
:13:31. > :13:38.which for many hundreds was to end it just a few days later. That is
:13:38. > :13:44.the most finable photograph, taken of the Marconi, with the man at the
:13:44. > :13:49.controls that sent out the iceberg messages just a few days later.
:13:49. > :13:54.Harland and Wolff had no photograph of that, so whenever you see a
:13:54. > :13:58.photograph of the Marconi, it has to be this one here. Amazingly they
:13:58. > :14:05.did not have enough room for enough lifeboats but they had room for an
:14:05. > :14:10.indoor rowing machine. Ironic, all right! Apparently the Titanic had
:14:10. > :14:17.state-of-the-art exercise equipment. That man at the back is on an
:14:17. > :14:27.electric hammer. His name is written in, he is an electrician.
:14:27. > :14:31.
:14:31. > :14:36.And another gymnast. He adds His charm gave him access to all
:14:36. > :14:40.areas, places no-one else had ever photographed. Frank used his charm
:14:40. > :14:45.to captivate a wealthy American couple who then offered to pay for
:14:45. > :14:51.the rest of his trip to New York. France countries could not believe
:14:51. > :14:55.his luck and cabled back to his sue peer yors requesting permission to
:14:55. > :15:01.sail on. -- sue peer yors.
:15:01. > :15:07.The reply back was direct -- get off that ship. It was a
:15:07. > :15:12.disappointed Frank who disembarked. Father Frank Browne watched as the
:15:12. > :15:17.tight sailed off. Of course, he was unaware of what was about to happen,
:15:17. > :15:20.but true to form, he took one final photo. This is believed to be the
:15:20. > :15:28.last image ever taken of the doomed ship.
:15:28. > :15:33.Two days later, the Titanic hit the iceberg and 1,500 people died.
:15:33. > :15:38.It was a quirk of fate or the hand of God? Who is to know, but Father
:15:38. > :15:42.Frank Browne's stern recall from the Titanic, potentially saved him
:15:42. > :15:49.and his amazing pictures from plummeting two miles to a cold and
:15:49. > :15:54.watery grave. I have to say an enormous thank you
:15:54. > :16:02.to Father Eddie to show us those photographs.
:16:02. > :16:09.And Frank he was talking about, reminds me of Leonardo DiCaprio's
:16:09. > :16:15.character on the boat? There was a scene on that gym that was shot,
:16:15. > :16:23.but it was cut out. There was another scene that was shot when
:16:23. > :16:29.Kate and Leonardo DiCaprio slipped off. And they used that location,
:16:29. > :16:34.but it was amazing ing to look at how wonderfully the details were
:16:34. > :16:39.designed. Looking at every cornice, every detail in the dining room or
:16:39. > :16:45.on the deck, it was truly an immersible experience while filming
:16:45. > :16:53.You took pictures during filming. We can see some here. This is a
:16:53. > :16:58.picture of Kate on the edeck? That is right.
:16:58. > :17:02.We were not allowed. I snuck a few. Jim said he regrets not letting
:17:02. > :17:07.anyone take pictures, but I said not to worry, that I snuck some off.
:17:07. > :17:17.This is a nice one as well, but you were using them for something else?
:17:17. > :17:24.I was using a positive, a vintage Polaroid camera and had re-shot
:17:24. > :17:27.them digitalally, they, they can be printed in watercolour and
:17:27. > :17:31.collectible prints. I have not really... That is interesting.
:17:31. > :17:37.That one is amazing. There is is a shot of me taking
:17:37. > :17:42.that photo in the coffee table book, that was released. The official
:17:42. > :17:46.book on Titanic. I'm on a ladder in the show in question.
:17:46. > :17:50.That was amazing. You took one of the crew filming.
:17:50. > :17:55.There is one here of James Cameron, the director of the film. There he
:17:55. > :18:00.eis in the water. You did tell us that he actually loved to get stuck
:18:00. > :18:08.in during the filming? Actually, I didn't take this photo. I'm in it.
:18:08. > :18:12.I'm the one standing, I'm the dry one! Oh, are you?! What was he
:18:12. > :18:18.doing in the water? Bless him, he was the first in the water and the
:18:18. > :18:21.last out. He is obsessed with the water.
:18:21. > :18:26.Apparently. This morning he has just returned
:18:26. > :18:30.from the Mariana Trench, seven miles. He has the record for a one-
:18:30. > :18:35.man Submarine. Good on him and apparently he is
:18:35. > :18:40.30,000 feet above us, that it must wreak havoc on the body to move in
:18:40. > :18:48.those extremes. He will see you tomorrow.
:18:48. > :18:56.He will probably be about 3ft tall having come out of the chamber.
:18:56. > :19:02.Yes, Titanic in 3D is released nationwide on the 6th of April.
:19:02. > :19:08.Now, the huge Sport Relief challenge, One Show 1000 finished
:19:08. > :19:18.on Maulavi Mustafa Barakzai yesterday when Mary Ross finished
:19:18. > :19:23.running. Now, she has not stopped running, look at her go! -- The
:19:23. > :19:30.Mall. Starting from the aisle of mull,
:19:30. > :19:37.local, David Black, took the first steps on the mammoth run. The whole
:19:37. > :19:42.of Tobermory came out in support. 3, 2, 1, banana split! We are in
:19:42. > :19:46.the middle of nowhere, obviously it is somewhere, but we don't know
:19:46. > :19:50.where! Over the weekend hundreds completed miles in Scotland,
:19:50. > :19:54.running through the day and the night. By Monday morning, the relay
:19:54. > :19:58.had arrived in Northern Ireland. Welcome to Belfast! First up was
:19:58. > :20:05.Chris, who has well as raising money had a point to prove.
:20:05. > :20:10.I used to be about 20 stone. I'm wanting to show people I have
:20:10. > :20:13.turned a bit of a corner. From here, the run moved on to
:20:13. > :20:19.England and down into Northumberland.
:20:19. > :20:25.Less has just finished his mile. Thank you very much. You get your
:20:25. > :20:33.breath back! We've seen a wide variety of participants from school
:20:33. > :20:39.boys... Are you ready to go back to school, now? I guess so, yeah.
:20:39. > :20:46.To funky monkeys! The 45-year-old Susan, and the undertaking of her
:20:46. > :20:51.mile had a special significance. I just finished my chemotherapy for
:20:51. > :20:55.breast cancer two weeks ago. This is a bit of celebration for getting
:20:55. > :21:00.it over with. To give something back to help other people.
:21:00. > :21:05.And then to the home straight of our 1,000-mile run, from mile to
:21:05. > :21:12.The Mall. How was the last mile, Mary? Excellent. I was so
:21:12. > :21:20.extradited. I got out of bed sing # I'm so excited. # But without
:21:20. > :21:24.them I could not have done this. So a very, very big thank you to them.
:21:24. > :21:30.I couldn't believe it happened. It actually happened! Thank you very
:21:30. > :21:34.much to all of the One Show runners and all of you who donated money to
:21:34. > :21:39.the One Show 1000 shall eng. We do appreciate it.
:21:39. > :21:43.We do indeed and Lucy is back. I've been allowed inside! Amazing
:21:43. > :21:49.and extraordinary. Was there a point you thought it would not
:21:49. > :21:55.happen? There was a few. In Oban we had a pregnant lady, five months,
:21:55. > :22:00.running, there were potholes all over the place it was dark, cold.
:22:00. > :22:03.And then we got two hours behind and they just made up the time.
:22:03. > :22:08.They were incredible. Britain is remarkable in situations
:22:08. > :22:14.like that. I don't know how they did it.
:22:14. > :22:21.The One Show viewers are good souls, but you wanted to thank some
:22:21. > :22:28.people? There was one guy, Alan Banebridge, he got up at 3.00am to
:22:28. > :22:31.take us into Newcastle with a group of runners. He is part of the
:22:31. > :22:36.3.00am Runners, they did a difficult last leg each day. They
:22:36. > :22:40.kept us moving. They are insane. Can you believe that, running a
:22:40. > :22:46.mile at 3.00am in the morning? can believe that. It depends who is
:22:46. > :22:54.chasing you, of course. Well, I tell you what, Mary has
:22:54. > :23:03.made it inside. Now, marey, come on in! Here she is! In all of her
:23:03. > :23:06.glory! We are going to call you Mile Mary from now on!. Thank you.
:23:06. > :23:09.We did catch up with you yesterday as you finished. You were the
:23:09. > :23:16.cherry on the cake for us. Thank you.
:23:16. > :23:21.How was it looking back at it? Brilliant. Such a brilliant day.
:23:21. > :23:25.A really good cause and being a part of the team was amazing.
:23:25. > :23:30.A massive team. Yes, such a massive team.
:23:30. > :23:40.Lucy do you have a total of how much the team has raised? Yes, the
:23:40. > :23:41.
:23:41. > :23:51.total is: And the Sport Relief total? It is
:23:51. > :23:56.
:23:56. > :24:00.If you would like to donate to Sport Relief and to get the total
:24:00. > :24:02.higher, go to the Sport Relief website.
:24:02. > :24:08.Very exciting moment, now, for Billy.
:24:08. > :24:14.Every year, just once a year, I would guess, that you are guest
:24:14. > :24:21.gets the chance to be here for the launch of a special week on The One
:24:21. > :24:24.Show. Billy, you are following in the foot steps of this, only two
:24:24. > :24:29.other guests have had this special challenge.
:24:29. > :24:31.You are not talking about Balloon Week? Yes! You are obviously a big
:24:31. > :24:36.fan. Here is Jamie Crawford with the
:24:36. > :24:41.first of our Balloon Week films. The way that we see the world
:24:41. > :24:46.around us is governed by a set of rules, for example, small things
:24:46. > :24:51.appear big when close up and big things appear small when far away.
:24:51. > :24:55.Break the rules and you can confuse the brain to seeing the world
:24:55. > :25:05.differently. So, I am cheating a bit. This is a model village it
:25:05. > :25:06.
:25:06. > :25:12.really is small. It is almost an exact replica of the real Bolton-
:25:12. > :25:16.On-The Water. Every building has been preproduced a ninth of its
:25:16. > :25:20.real size. Our brain is working hard to
:25:20. > :25:25.determine an object's true scale. I'm going to show you a clever
:25:25. > :25:30.camera trick that makes large objects look small, turning the
:25:30. > :25:36.real world into a miniature. I'm going to make the village appear as
:25:37. > :25:46.tiny as its own model village. This is tilt shift. The new craze
:25:47. > :25:47.
:25:47. > :25:54.in photographic miniaturisation. In the old days, cameras looked
:25:54. > :26:00.Reich -- like this. A massive piece of kith that would slide on this
:26:00. > :26:04.piece of mek apics to shift it. Tilt occurs when the lens tilts
:26:04. > :26:11.away or towards from the camera, the shift is when the lens is
:26:11. > :26:17.parallel to the camera, but moving up and down. So, how does it work?
:26:17. > :26:22.Shifting the lens distort's the image, when photographing buildings
:26:22. > :26:26.from below, the walls appear to converge, giving the building an
:26:26. > :26:31.odd appearance. Shifting the lens upwards we can cancel out of
:26:31. > :26:36.perspective all together, making the building appear as the
:26:37. > :26:40.architect intend, but we don't need do that here, we need the
:26:40. > :26:44.miniaturising tilt function. We need to meld with its focus. So put
:26:44. > :26:49.your hand out. I can demonstrate. It will not work on the telly, you
:26:49. > :26:53.have to do it yourself. From here you can see the whole hand in focus,
:26:53. > :26:56.but drawing it closer to your face, the eyes focus on a smaller
:26:56. > :27:01.esection until you can see the centre of the palm and the rest of
:27:01. > :27:06.it is blurred. This is a powerful clue. Our brains use it to expose
:27:06. > :27:10.the true size and distance of objects. The lers the object we
:27:10. > :27:13.focus on, the closer our brain tells us that the object must be.
:27:14. > :27:17.This is where the tilt aspect of tilt and shift comes into play it
:27:17. > :27:22.reduces the amount of the photograph in focus.
:27:22. > :27:29.But for this to really work, we need a point to see the whole
:27:29. > :27:39.village, the entire thing A giant's eye view. For that we need the One
:27:39. > :27:39.
:27:39. > :27:45.Show Balloon. It works! I was thinking the whole
:27:45. > :27:50.day, I hope that this works, it works! It is exactly like the model
:27:50. > :27:56.village. That is remarkable. By tilting the lens a thin strip of
:27:56. > :28:03.the object comes into focus at any one time. This is a genuine giant's
:28:03. > :28:08.eye view of the village. It is absolutely remarkable. As
:28:08. > :28:13.there is only a tiny area in focus, it tricks my brain into thinking
:28:13. > :28:18.that what I am looking at is genuinely tiny. Even though I know
:28:18. > :28:23.that it is the real thing. This is brilliant.
:28:23. > :28:29.If you want to recreate this effect for yourself, there are various
:28:29. > :28:34.amateur tilt shift lenses on the market. Most smart phones have
:28:34. > :28:39.downloadable applications that can recreate the effect. Old photos can
:28:39. > :28:45.be made miniature by using a range of photo editing software. There we
:28:45. > :28:50.have it, with a bit of camera trickery and a giant's eye view yes
:28:50. > :28:55.the real world filmed in miniature. Thank goodness that Balloon Week is
:28:55. > :29:00.back with us. Billy, we have a little present for you. This has
:29:00. > :29:10.been made by Kristina. Is that my Billy Balloon.
:29:10. > :29:13.It does a -- look a little bit like Popeye. We also have to mention
:29:13. > :29:17.that you did run the Sport Relief mile as well.